18th Annual Technical Excellence & Creativity Awards Nominees
18th Annual Technical Excellence & Creativity Awards Nominees
18th Annual Technical Excellence & Creativity Awards Nominees
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<strong>18th</strong> <strong>Annual</strong> <strong>Technical</strong> <strong>Excellence</strong> & <strong>Creativity</strong> <strong>Awards</strong> <strong>Nominees</strong><br />
OUTSTANDING TECHNICAL ACHIEVEMENT<br />
Ancillary Equipment<br />
Equi=Tech ET SWQ Balanced Power Cabinet System<br />
Future Sonics EM3 Universal Earphones<br />
Gold Line/PMI TK51 5.1 Audio Toolkit DVD<br />
Hosa PBP-362 Lightpipe Digital Patchbay<br />
Millennia Media LPE-2 Archival Playback Environment<br />
Sennheiser HD280 Pro Headphones<br />
Digital Converters<br />
Apogee Electronics AD-16/DA-16<br />
Genex GXA8/GXD8<br />
Lynx Studio Technology Lynx Two<br />
MOTU 896<br />
Midiman/M-Audio USB Audiosport Quattro<br />
Swissonic AD8<br />
Amplifier Technology<br />
Bryston 6B-ST<br />
Crown CTs Multichannel<br />
Hot House Two Thousand "B"<br />
QSC CX-168<br />
Quested AP500<br />
Mic Preamplifier Technology<br />
AMS Neve Modular I/O System Quad<br />
Aphex Model 207<br />
Crane Song Spider<br />
George Massenburg Labs 2020<br />
Groove Tubes VIPRE<br />
Universal Audio 2-610<br />
Microphone Technology/Sound Reinforcement<br />
AKG C900<br />
Countryman E6<br />
DPA 4066<br />
Sennheiser MKE-2 Gold-EW<br />
Shure Beta 98H/C
Microphone Technology/Studio<br />
AKG C451-B<br />
Audio-Technica AT3035<br />
BLUE Kiwi<br />
Neumann M150 Tube<br />
Royer R122<br />
Soundelux E47<br />
Wireless Technology<br />
Audio-Technica Freeway Series<br />
Electro-Voice RE-1<br />
Mipro ACT 707 Series<br />
Sennheiser SK 5012<br />
Shure ULX<br />
Sony WRT-847B/WRR-862B<br />
Sound Reinforcement Loudspeaker Technology<br />
EAW KF760<br />
Electro-Voice QRx 153/75<br />
Funktion One Resolution 5<br />
JBL MPro MP418SP Crown-Powered Subwoofer<br />
Meyer M3D Line Array<br />
Nexo GEO<br />
Studio Monitor Technology<br />
ADAM S3-A<br />
Blue Sky Sky System One<br />
Dynaudio Acoustics AIR 6<br />
Earthworks Sigma 6.2<br />
KRK V4<br />
Mackie HR-624<br />
Musical Instrument Technology<br />
Akai MPC 4000<br />
Korg Karma<br />
Nord Lead 3<br />
Propellerhead Software Reason<br />
Steinberg HALion<br />
Yamaha Motif<br />
Signal Processing Technology/Hardware<br />
Antares Vocal Producer<br />
Eventide Eclipse<br />
Kurzweil KSP-8<br />
Lexicon MPX200<br />
TC Electronic VoicePrismPlus<br />
Yamaha SREV1<br />
2
Signal Processing Technology/Software<br />
Ableton Live<br />
AudioEase Altiverb<br />
Cycling '74 Max4/MSP2<br />
Mackie/Universal Audio UAD-1<br />
McDSP Analog Channel<br />
Waves Restoration Bundle<br />
Recording Devices<br />
Alesis ADAT HD24<br />
ATR Service Aria Reference Tape Electronics<br />
Fostex D2424<br />
Mackie Designs MDR24/96<br />
Nagra V<br />
Tascam DSD-98<br />
Workstation Technology<br />
Digidesign Pro Tools HD<br />
Emagic Logic Audio 5<br />
Fairlight DREAM Satellite<br />
MOTU Digital Performer 3.0<br />
Roland VS2480HD<br />
Sonic Solutions DVD-Audio Creator<br />
Sound Reinforcement Console Technology<br />
Crest XR20<br />
InnovaSon Compact Live<br />
Midas Venice<br />
Shure AuxPander<br />
Soundcraft MH4<br />
Small Format Console Technology<br />
Behringer DDX 3216<br />
Emagic Logic Control<br />
Event Ezbus<br />
Soundcraft Spirit M Series<br />
Tascam DM-24<br />
TL Audio M-3<br />
Large Format Console Technology<br />
AMS/Neve Libra Live Series II<br />
Euphonix System 5B<br />
Harrison TVD<br />
Soundtracs D4<br />
SSL MT Production (MTP)<br />
Trident 80/5.1<br />
3
OUTSTANDING CREATIVE ACHIEVEMENT<br />
Studio Project Design<br />
Includes Studio Architect, Acoustician and Studio Owner.<br />
Cherokee Studio 2, Los Angeles<br />
Studio Architect: George Augspurger<br />
Acoustician: George Augspurger<br />
Studio Owner: The Robb Family<br />
Glenwood Place Studios, Burbank, CA<br />
Studio Architect: Wave:Space, Inc.<br />
Acoustician: Carl Yanchar<br />
Studio Owner: Audio Properties Burbank<br />
PatchWerk Recordings, Atlanta, GA<br />
Studio Architects: Robert G. Traub, AIA, Brandon Stewart/Russ Berger Design Group<br />
Acoustician: Russ Berger/Russ Berger Design Group<br />
Studio Owner: Bob Whitfield<br />
Right Track Studio A509, New York City<br />
Studio Architect: Janson Design Group<br />
Acoustician: Dennis Janson<br />
Studio Owner: Right Track Recording LLC<br />
Sterling Sound-Chelsea, New York City<br />
Studio Architect: Abelow Connors Sherman Architects<br />
Acoustician: Francis Manzella Design Limited<br />
Studio Owner: Murat Aktar<br />
Tour Production<br />
Includes Tour Company, FOH Engineer and Monitor Engineer.<br />
Crosby, Stills, Nash & Young<br />
Tour Company: Sound Image, Escondido, CA<br />
FOH Engineer: Tim Mulligan<br />
Monitor Engineer: Rance Caldwell<br />
Dave Matthews Band<br />
Tour Company: Ultra Sound<br />
FOH Engineer: Jeff Thomas<br />
Monitor Engineer: Ian Kuhn<br />
4
Janet Jackson<br />
Tour Company: Clair Brothers, Lititz, PA<br />
FOH Engineers: Trip Khalaf, Dave Kob<br />
Monitor Engineer: Pete Buess<br />
Madonna<br />
Tour Company: Clair Brothers<br />
FOH Engineer: Dave Kob<br />
Monitor Engineers: Blake Suib, Patrick McCarthy<br />
U2<br />
Tour Company: Clair Brothers<br />
FOH Engineer: Joe O’Herlihy<br />
Monitor Engineers: Don Garber, Raza Sufi, Niall Slevin, Dave Skaff<br />
Remote Production/Recording or Broadcast<br />
Includes Remote Facility, Remote Engineer, Production Mixer and Music Mixer.<br />
Wall to Wall Miles, NPR<br />
Remote Facility: Aura Sonic Ltd.<br />
Remote Engineer: Steve Remote<br />
Production Mixer: Edward Haber<br />
Music Mixers: Steve Brown, Duke Markos<br />
The Concert for New York City, VH-1<br />
Remote Facilities: Remote Recording Services, MTV Networks/ Remote Recording Division<br />
Remote Engineers: David Hewitt, Mark Repp<br />
Music Mixers: Bob Clearmountain, Thom Cadley<br />
2002 Grammy <strong>Awards</strong>, CBS<br />
Remote Facility: Effanel Music, NYC<br />
Production Mixer: Ed Greene<br />
Music Mixers: John Harris, Adam Blackburn, John Bates<br />
HBO Drown World Tour<br />
Remote Facility: Effanel Music, NYC<br />
Production Mixer: Don Worsham<br />
Music Mixers: John Harris, Patrick McCarthy<br />
America--A Tribute to Heroes, all networks<br />
Remote Facilities: Effanel Music, NYC; Sony Music Studios, NYC; Westwood One, Los Angeles<br />
Production Mixer: Paul Sandweiss<br />
Music Mixers: Jay Vicari, John Harris, Mitch Maketansky, NYC; Biff Dawes, Los Angeles<br />
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Film Sound Production<br />
Includes Supervising Sound Editor, Sound Designer, Re-recording Mixer, Production Sound Mixer,<br />
Score Mixer and Audio Post Facility.<br />
Black Hawk Down<br />
Supervising Sound Editors: Per Halberg, Karen Baker<br />
Sound Designer: Jon Title<br />
Re-recording Mixers: Michael Minkler, Myron Nettinga<br />
Production Sound Mixer: Chris Munro<br />
Score Mixers: Malcolm Luker, Alan Meyerson<br />
Audio Post Facility: Todd Studios West<br />
The Lord of the Rings: The Fellowship of the Rings<br />
Supervising Sound Editors: Mike Hopkins, Ethan Van der Ryn<br />
Sound Designer: David Farmer<br />
Re-recording Mixers: Christopher Boyes, Gethin Creagh, Michael Hedges, Michael Semanick<br />
Production Sound Mixers: Malcolm Cromie. Hammond Peek, Ken Saville<br />
Score Mixer: John Kurlander<br />
Audio Post Facility: The Film Unit, New Zealand<br />
Moulin Rouge<br />
Supervising Sound Editor: Roger Savage<br />
Re-recording Mixers: Anna Behlmer, Andy Nelson<br />
Production Sound Mixer: Guntis Sics<br />
Score Mixer: Geoff Foster<br />
Audio Post Facility: 20 th Century Fox<br />
Pearl Harbor<br />
Supervising Sound Editors: Christopher Boyes, George Watters II<br />
Sound Designers: Chris Boyes, Robert L. Sephton, Ethan Van de Ryn<br />
Re-recording Mixers: Kevin O’Connell, Greg P. Russell<br />
Production Sound Mixers: Peter J. Devlin; Ken Weston: UK<br />
Score Mixer: Alan Meyerson<br />
Audio Post Facility: Sony Picture Studios<br />
Shrek<br />
Supervising Sound Editors: Lon Bender, Wylie Stateman<br />
Sound Designer: Scott Martin Gershin<br />
Re-recording Mixers: Anna Behlmer, Andy Nelson<br />
Score Mixer: Alan Meyerson<br />
Audio Post Facility: 20 th Century Fox<br />
6
Television Sound Production<br />
Includes Supervising Sound Editor, Sound Designer, Re-recording Mixer, Production Mixer, Score<br />
Mixer and Audio Post Facility.<br />
Late Show with David Letterman, CBS<br />
Supervising Sound Editors: Michael DeLugg, Jim Rose, Kevin Rogers, Harvey Goldberg<br />
Re-recording Mixers: Michael DeLugg, Jim Rose, Kevin Rogers, Harvey Goldberg<br />
Production Mixers: Tom Herman, Larry Zinn<br />
Audio Post Facility: Ed Sullivan Theater, NYC<br />
Saturday Night Live, NBC<br />
Re-recording Mixers: Chris Seeger, Jay Vicari<br />
Production Mixer: Robert Palladino<br />
Audio Post Facility: NBC<br />
Six Feet Under, HBO<br />
Supervising Sound Editor: Bob Newlan<br />
Re-recording Mixers: Peter Reale, Roberta Doheny<br />
Production Mixer: Vince Garcia<br />
Audio Post Facility: Miles O’ Fun at Universal Studios, Universal City<br />
The Sopranos, HBO<br />
Supervising Sound Editor: Bill Angarola<br />
Re-recording Mixers: Kevin Burns, Todd Orr<br />
Production Mixer: Mathew Price<br />
Audio Post Facility: Todd Studios West<br />
United We Stand, ABC<br />
Re-recording Mixer: Paul Sandweiss<br />
Production Mixers: Adam Blackburn, John Harris, Mark King<br />
Audio Post Facilities: Effanel Music, Sound Design Corporation<br />
Record Production/Single or Track<br />
Includes Recording Engineer, Mixing Engineer, Producer, Recording Studio, Mastering Engineer<br />
and Mastering Facility.<br />
“Drops of Jupiter”<br />
Drops of Jupiter, Train, Sony Music Entertainment<br />
Recording Engineer: Nick DiDia<br />
Mixing Engineer: Brendan O’Brien<br />
Producer: Brendan O’Brien<br />
Recording Studio: Southern Track Recording, Atlanta. GA<br />
Mastering Engineer: Bob Ludwig<br />
Mastering Facility: Gateway Mastering & DVD, Portland, ME<br />
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“Fallin’”<br />
Songs in A Minor, Alicia Keys, J Records, Arista Records<br />
Recording Engineer: Kerry “Krucial” Brothers<br />
Mixing Engineer: Russ Elevado<br />
Producer: Alicia Keys<br />
Recording Studios: KrucialKeys Studios, NYC; Electric Lady Studios, NYC<br />
Mastering Engineer: Herb Powers<br />
Mastering Facility: The Hit Factory, NYC<br />
“Jaded”<br />
Just Push Play, Aerosmith, Sony Music Entertainment<br />
Recording Engineers: Rich Chycki, Marti Frederiksen, Paul Caruso<br />
Mixing Engineer: Mike Shipley<br />
Producers: Steven Tyler, Joe Perry, Mark Hudson, Marti Fredricksen<br />
Recording Studios: The Boneyard, The Bryer Patch, The Mix House, South Shore, MA<br />
Mastering Engineer: George Marino<br />
Mastering Facility: Sterling Sound, NYC<br />
“Lady Marmalade”<br />
soundtrack for Moulin Rouge, Christina Aguilera, Lil’ Kim, Mya and Pink, Twentieth Century<br />
Fox/Interscope Records<br />
Recording Engineers: Brian Springer, Michael C. Ross, Dylan “3D” Desdow<br />
Mixing Engineer: Dave “Hard Drive” Pensado<br />
Producers: Missy Elliott, Rockwilder, Ron Fair<br />
Recording Studios: Westlake Audio, Los Angeles; Royaltone Studios, North Hollywood; The<br />
Enterprise, Burbank, CA<br />
Mastering Engineer: Eddy Schreyer<br />
Mastering Facility: Oasis Studio, Studio City, CA<br />
“The Space Between”<br />
Space Between, Dave Matthews Band, BMG Entertainment<br />
Recording Engineer: Karl Derfler<br />
Mixing Engineer: Chris Lord-Alge<br />
Producer: Glen Ballard<br />
Recording Studios: Conway Studios, Hollywood, CA; Image Studios, Hollywood, CA<br />
Mastering Engineer: Bob Ludwig<br />
Mastering Facility: Gateway Mastering & DVD, Portland, ME<br />
8
Record Production/Album<br />
Includes Recording Engineer, Mixing Engineer, Producer, Recording Studio, Mastering Engineer<br />
and Mastering Facility.<br />
Acoustic Soul, India.Arie<br />
Motown Record Company<br />
Recording Engineers: Kevin Haywood, Avery Johnson, Jim Lightman, Blue Miller, Mark Niemiec,<br />
Bob Power, John Smetz, Mike Tocci<br />
Mixing Engineers: Mark Batson, Carlos Broady, Kevin Haywood, George Karas, Mike Shipley,<br />
Jim Lightman, Blue Miller, Bob Power, Alvin Speights, Dave Way<br />
Producers: India.Arie, Mark Batson, Carlos Broady, Blue Miller, Bob Power<br />
Recording Studios: Access Sound; Battery Studios, NYC; Blues House Studio; Electric Lady<br />
Studios, NYC; Larrabee West Studio, Hollywood, CA; Music Mills Studio; New Reflections Studio;<br />
Record One Studio, Los Angeles; Sony Studios, NYC; Sound Kitchen; Stankonia; The Studio;<br />
Worldbeat<br />
Mastering Engineer: Chris Athens<br />
Mastering Facility: Sterling Sound, NYC<br />
Drops of Jupiter, Train<br />
Sony Music Entertainment<br />
Recording Engineer: Nick DiDia<br />
Mixing Engineer: Brendan O’Brien<br />
Producer: Brendan O’Brien<br />
Recording Studio: Southern Track Recording, Atlanta. GA<br />
Mastering Engineer: Bob Ludwig<br />
Mastering Facility: Gateway Mastering & DVD, Portland, ME<br />
Lateralus, Tool<br />
Volcano Entertainment II, LLC<br />
Recording Engineer: David Bottrill<br />
Mixing Engineer: David Bottrill<br />
Producer: Tool, David Bottrill<br />
Recording Studios: Cello Studios, Hollywood, CA; The Hook, Big Empty Space, The Lodge and<br />
Larrabee Sound North, North Hollywood, CA<br />
Mastering Engineer: Bob Ludwig<br />
Mastering Facility: Gateway Mastering & DVD, Portland, ME<br />
The Look of Love, Diana Krall<br />
The Verve Music Group, a division of UMG Recordings, Inc.<br />
Recording Engineer: Al Schmitt<br />
Mixing Engineer: Al Schmitt<br />
Producer: Tommy LiPuma<br />
Recording Studios: Avatar Studios, NYC; Abbey Road Studios, London; Capitol Studios,<br />
Hollywood, CA<br />
Mastering Engineers: Doug Sax, Robert Hadley<br />
Mastering Facility: Mastering Lab, LA<br />
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Songs in A Minor, Alicia Keys<br />
J Records, Arista Records<br />
Recording Engineers: Gerry Brown, Brian Frye, Kerry Brothers, Chris Wood, Ralph Cacciuri, Acar<br />
Key, Ricky St. Hillaire<br />
Mixing Engineers: Gerry Brown, Phil Tan, Russ Elevado, Manny Marroquin, Tony Masserati<br />
Producers: Alicia Keys, Kerry Brothers, Jermaine Dupri, Brian McKnight, Kandi, Jimmy Cozier,<br />
Arden Altino, Mini Benin<br />
Recording Studios: Battery Studios, NYC; Southside Studios, Atlanta, GA; Electric Lady Studios,<br />
NYC; KrucialKeys Studios, NYC; Larrabee Studios, Los Angeles; Backroom Studios, Glendale,<br />
CA; Sony Studios, NYC; Doppler Studio, Atlanta, GA; Unique Studios, NYC; The Hit factory, NYC<br />
Mastering Engineer: Herb Powers<br />
Mastering Facility: The Hit Factory, NYC<br />
10