Nature & Culture - International Poetry Film Festival 2021
This November 21 & 28, we will be celebrating the first international poetry film festival “Nature & Culture”, created in collaboration with Kulturhuset Islands Brygge and the Poetic Phonotheque, with the support of Københavns Kommune. We received over 250 films from all over the world for this event, and it will be free for everyone to join us. See the program here: https://poeticphonotheque.com/kbhpoetryfilmfest/
This November 21 & 28, we will be celebrating the first international poetry film festival “Nature & Culture”, created in collaboration with Kulturhuset Islands Brygge and the Poetic Phonotheque, with the support of Københavns Kommune.
We received over 250 films from all over the world for this event, and it will be free for everyone to join us.
See the program here:
https://poeticphonotheque.com/kbhpoetryfilmfest/
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NATURE & CULTURE<br />
INTERNATIONAL<br />
POETRY FILM FESTIVAL <strong>2021</strong>
NATURE & CULTURE<br />
INTERNATIONAL POETRY FILM FESTIVAL<br />
<strong>2021</strong><br />
A project by<br />
The Poetic Phonotheque<br />
& Kulturhuset Islands Brygge<br />
with the support of Københavns Kommune<br />
In collaboration with<br />
Red Door Gallery / Red Door Magazine<br />
Design and illustrations by<br />
Rikke Winkler Nilsson<br />
Visual art by<br />
Leonardo Flores and Rita Howis<br />
All rights reserved to their respective authors<br />
Printed on recycled materials in Copenhagen<br />
Set with Avenir Next<br />
ISBN: 978-87-94003-07-0<br />
www.poeticphonotheque.com<br />
poetiskefonotek@gmail.com
NATURE & CULTURE<br />
INTERNATIONAL<br />
POETRY FILM FESTIVAL <strong>2021</strong>
CREDITS<br />
VISUALS<br />
Leonardo Flores: Argentinean artist, active in the<br />
areas of editorial illustration, drawing and concept<br />
art for cinema and TV. His art, which is found<br />
on these pages, the cover of this book and the<br />
limited edition of posters created for this project,<br />
focuses on the theme of endangered species<br />
and humanity’s responsibility of their protection.<br />
www.leonardoflores.com<br />
Rita Howis: A creative rebel and artist, originally from<br />
Russia, who has lived in 7 countries and is now settled<br />
in Denmark. She has developed a signature technique<br />
called Colorflow that mimics the wonders of nature,<br />
with which she created the series Colors for Climate,<br />
featured in this book and on exhibit during the festival.<br />
www.ritahowis.com<br />
Rikke Winkler Nilsson: Danish illustrator and<br />
graphic designer, with a passion for visual communication<br />
and projects that matter. Rikke’s illustrations<br />
created for this festival adorn not only<br />
the pages of this book, but the poetry bookmarks<br />
and notebooks that accompany this project.<br />
www.fetchgrafik.dk<br />
JUDGES<br />
Christina Jonsson: Danish visual artist residing in<br />
Switzerland and Denmark. She works with art in the<br />
areas of teaching, curation, installations, happenings<br />
and collaborations, all with a feminist perspective.<br />
www.jonssonchristina.com<br />
Solveig Willum: Danish journalist and lecturer, host<br />
of the Walk it Off podcast and frequent collaborator<br />
of various international projects centered around<br />
nature and humans’ relationship with our environment.<br />
www.solveigwillum.com
CONTENT<br />
PREFACE<br />
When poetry becomes the voice of reason 4<br />
MANIFESTO<br />
By Kulturhuset Islands Brygge 6<br />
1<br />
ART: AQUATIC SPECIES<br />
By Leonardo Flores 8<br />
REFRAMING THE HUMAN SPIRIT<br />
By Jason Box 11<br />
ANIMATION FILMS 12<br />
2<br />
ART: AERIAL SPECIES<br />
By Leonardo Flores 24<br />
HOW TO LIVE WITH THE RESPONSIBILITY...<br />
By Mickey Gjerris 26<br />
EXPERIMENTAL FILMS 28<br />
POEM: BUT YOU<br />
By Jacob Skyggebjerg 43<br />
ART: INTO THE WILD 44<br />
By Rita Howis<br />
3<br />
ART: TERRESTRIAL SPECIES<br />
By Leonardo Flores 46<br />
MYRIADS OF INSECTS<br />
By Josefine Klougart 48<br />
DOCUMENTARY FILMS 50<br />
ART: BLUE LAGOON<br />
By Rita Howis 68<br />
4<br />
ART: AMAZON DEFOREST<br />
By Rita Howis 72<br />
SHORT FILMS 74<br />
5<br />
ART: RAYNISFJARA<br />
By Rita Howis 84<br />
POETRY FILMS 86<br />
6<br />
ART: JELLY NET<br />
By Rikke Winkler Nilsson 154<br />
ENVIRONMENTAL POETRY 156
PREFACE<br />
When poetry becomes the voice of reason<br />
<strong>Nature</strong> & <strong>Culture</strong>: <strong>International</strong> <strong>Poetry</strong> <strong>Film</strong> <strong>Festival</strong><br />
Thinkers, artists, scientists and other researchers<br />
of ideas have in the past concluded that<br />
creativity often occurs when new thought<br />
combinations take place... an ability to see new<br />
relationships in spaces that aren’t often interlaced.<br />
“<strong>Nature</strong> & <strong>Culture</strong> – <strong>International</strong> <strong>Poetry</strong> <strong>Film</strong> <strong>Festival</strong>”<br />
is an attempt to test this, by inviting various means of<br />
creativity – from an international perspective - to the<br />
current and urgent conversation of climate change<br />
and environmental awareness… but most importantly,<br />
our role in this process of decay or immediate action.<br />
It is our belief that art and culture are the perfect<br />
media to communicate these messages we’re<br />
otherwise not listening to or stopping in our tracks<br />
to reflect upon. By touching the fibers of emotional<br />
connections and memory, we can see ourselves and<br />
our stories reflected on the stories described in these<br />
pages, films, poems and visual art, and hopefully find<br />
a path forward, together, as a community that strives<br />
to save our planet... and more directly, ourselves.<br />
The Poetic Phonotheque was born from the idea<br />
that poetry exists in everything we see, do, feel<br />
and experience… and can by default serve as a<br />
means of artistic documentation of our current<br />
societal processes. After having received over 100<br />
audio poems for its original call to help create an<br />
international archive of poetry during the pandemic<br />
of 2020, the Poetic Phonotheque partnered with<br />
Kulturhuset Islands Brygge for it to become its official<br />
headquarters in Copenhagen, Denmark, and from<br />
there, collaborate on a second call, with a focus on<br />
nature and the environment. This time, rather than<br />
just audio, we decided to create a more immersive<br />
experience through film in the genres of documentary,<br />
animation, experimental, poetry and short films, all<br />
with a poetic language as a threading line. Over 300<br />
films were received from over 50 countries around<br />
the world, confirming that these current concerns<br />
6
for our planet are being communicated through our<br />
creative practices and influencing the work we create.<br />
My gratitude goes to Solveig Willum and Christina<br />
Jonsson for their role as judges of the festival, helping<br />
select over 100 films listed in the following pages, and<br />
additional thanks to Solveig for the translations from<br />
Danish of the poetry and essays in this book. To Rikke<br />
Winkler Nilsson for the illustrations in this book and<br />
the development of this project’s visual identity, and<br />
to Leonardo Flores for the book cover and poster<br />
illustrations, as well as to Rita Howis for the “Colors of<br />
Climate” art created as an accompanying exhibition of<br />
the festival, also appearing in this book. Of course, to<br />
Kulturhuset Islands Brygge and Københavns Kommune<br />
for the support to this initiative that hopefully allows<br />
us to reinforce the connections between creative<br />
communicators and the important messages we need<br />
to pass on to our communities. It is an objective that<br />
this initiative serves as a platform for many similar<br />
hybrid events and projects. To the Extinction Rebellion<br />
– XR Danmark team (and to XR around the world) whose<br />
energy and immediate action are a daily inspiration<br />
and a reminder that we are responsible for our current<br />
narratives and the ways we thread our way forward.<br />
The Poetic Phonotheque continues to receive audio<br />
recordings of poetry for its permanent archive, as<br />
well as poetry films, and is also expanding to Tranås,<br />
where Litteraturcentrum KVU will serve as its Sweden<br />
headquarters. It is my dream that the effect of these<br />
collaborations can multiply so that poetry, multimedia<br />
art and knowledge are accessible to everyone, serving<br />
as that spark that brings forth new connections, new<br />
senses of urgency and direct calls to action towards<br />
a future we can all dare to look at... and where there<br />
still is a home for us.<br />
Elizabeth Torres<br />
Director<br />
<strong>Nature</strong> & <strong>Culture</strong> – <strong>International</strong> <strong>Poetry</strong> <strong>Film</strong> <strong>Festival</strong><br />
Founder of The Poetic Phonotheque<br />
poeticphonotheque.com<br />
7
MANIFESTO<br />
Excerpt from the Climate Manifesto<br />
by Kulturhuset Islands Brygge<br />
As a public culture house, we have a responsibility<br />
to contribute to a local, national and global<br />
climate agenda. We believe that culture and art create<br />
the foundation for our community, and we need to<br />
stand united to create a greener and more sustainable<br />
world and everyday life. We also believe that we<br />
humans must reassess our relationship with nature,<br />
plants, animal species, and ourselves.In the culture<br />
house, the natural sciences can enter a dialog with<br />
music, visual arts and poetry and play. This can open<br />
our eyes both to new ways of approaching our own<br />
role in the climate debate, but also to the opportunities<br />
of action we have as citizens in Denmark .<br />
We want to open our very broad platform to climate<br />
activists within art, culture, and science. We want to<br />
explore how culture can change the way people think<br />
and act in matters of climate and sustainability on both<br />
a societal and individual scale.<br />
We want to turn our culture house into a climate hub<br />
for all those who want to engage themselves in the<br />
climate debate. This is why we have decided to dedicate<br />
our program to experiences where debate, art,<br />
culture, food and knowledge play a part in the mediation,<br />
interpretation and discussion of the national<br />
and global agenda of biodiversity and climate change.<br />
This will take place in collaboration with artists, organizations,<br />
companies, debaters, authors, and all the<br />
people of Copenhagen who are invested in a more<br />
sustainable future.<br />
Kulturhuset Islands Brygge<br />
Islands Brygge 18, 2300 Kbh S<br />
kulturhusetislandsbrygge.kk.dk<br />
8
9
LEONARDO FLORES
1.<br />
ART: AQUATIC SPECIES<br />
BY LEONARDO FLORES<br />
REFRAMING THE HUMAN SPIRIT<br />
BY JASON BOX<br />
ANIMATION FILMS
RIKKE WINKLER NILLSON
Reframing the Human Spirit<br />
I’ve been studying the Arctic and Greenland for<br />
25+ years, and before moving to Denmark I taught<br />
Environmental Science at the university for 10 years.<br />
So, throughout this career I’ve seen by studying<br />
physical climate change, that this is but a symptom<br />
of a much larger imbalance that humans have gotten<br />
into as the dominant species of this planet, now that<br />
we have almost eight billion people on earth.<br />
Now, the solution doesn’t lie, as I see it, in simply<br />
reducing carbon emissions. The solutions lie in<br />
reevaluating what’s external to our economic system.<br />
When you keep looking at it, as I have done, you<br />
realize that humans need to have a different outlook,<br />
which I call Reframing the Human Spirit. When asked<br />
what is needed to address the current climate and<br />
ecological breakdown on the planet, we find that<br />
human spirituality can be the primary source of the<br />
fixes that we need. When we consider that we are part<br />
of a global ecosystem, we depend on it, we need to<br />
reestablish a reciprocal relationship, giving back, not<br />
only taking… and this is a spiritual exercise.<br />
While I could talk to you for hours about symptoms of<br />
climate change, if we are interested in fixing this, we<br />
need to reimagine our own spirit. What that means<br />
is, investing in ourselves and nature simultaneously.<br />
Examples for ourselves are: Having better fitness in<br />
mind and body, with regard to nature that is restoring<br />
degrading systems. When we do this, we prosper, our<br />
economies improve because we are internalizing what<br />
was previously externalized, we get prosperity, and<br />
we get resilience.<br />
Jason Box<br />
Prof. in Glaciology<br />
& Physical Climatology<br />
US / DK<br />
13
ANIMATION FILMS<br />
Ballad of pipe and necklace<br />
In the Stone Age, a young Slovenian invented the first<br />
flute, and a Croatian girl invented the first necklace in<br />
the world. The young couple soon meet and fall in love,<br />
but their tribes go into open conflict. All this brings us<br />
to a great adventure.<br />
Martin Babić<br />
Siniša Bahun<br />
Croatia<br />
14
ANIMATION FILMS<br />
Prey<br />
Prey is a visual and poetic exploration of the effects of<br />
power lines on the birds of prey within their surrounding<br />
ecosystems. Adapted to nest and hunt from the<br />
nearest points to the sky, the birds themselves fall prey<br />
to the contemporary hunger for electricity. As power<br />
lines litter the horizon where forests once sprouted,<br />
owls, hawks, and herons are left with no choice but to<br />
gamble their lives in order to survive.<br />
About: Joshua is a 2D animator and compositor whose<br />
work centres around the creation of character-driven<br />
narratives. Through the digital medium, he’s continued<br />
to favour imagery of the natural world, highlighting<br />
technology’s impact on both the environment and<br />
the lives within it. He enjoys spending his time drawing<br />
characters and looking at birds.<br />
Joshua Ralph<br />
Canada<br />
joshuaralphart.com<br />
15
ANIMATION FILMS<br />
Pangäa<br />
In the field of tension between work and private<br />
retreat, the downfall of an administrative officer is<br />
sketched who is no longer up to his changing environment<br />
and who finally succumbs to it through his<br />
own disappearance.<br />
What remains is a society without a human face in<br />
a deserted architecture... a city minus people in its<br />
poetic and cruel beauty.<br />
About: Beate Hecher (AT), Villach, 1972. She studied<br />
sculpture in the master class Ölzant at the Academy of<br />
Fine Arts in Vienna. From 1999 to 2000 she worked as<br />
a motion designer and from 2003 as an art director at<br />
“Zone”. In addition to her work as a graphic designer,<br />
she has been working as a freelance artist in the fields<br />
of installation, film and photography since 2004. She<br />
currently lives and works in Vienna and Wernberg.<br />
Markus Keim (IT), Sterzing, 1969. Studied history and<br />
political science at the University of Innsbruck from<br />
1990-1995 and theatre studies at the University of<br />
Bologna in 1996. From 1998-2009 he worked as an<br />
actor in various theatre groups in Vienna. Since 2008<br />
he is a freelance artist in the fields of installation, film,<br />
photography and performance. He lives and works<br />
in Vienna and in Sterzing.Since 2008 Markus Keim<br />
and Beate Hecher have been working together on<br />
an artistic level.<br />
Markus Keim<br />
Beate Hecher<br />
Austria<br />
16
ANIMATION FILMS<br />
The Dance in the Depth<br />
The film is a metaphorical dance. A dance of passion<br />
til the end. A raven lives in a congested and noisy<br />
city. Once he saw a dream. Following this dream, he<br />
decided to escape the city and flew to the sea. The<br />
anticipation of the new experiences filled his heart.<br />
About: Karina Hananeia is a multidisciplinary artist,<br />
combine photography, animation and dance.<br />
Karina Hananeia<br />
Israel<br />
17
ANIMATION FILMS<br />
Defying Gravity<br />
A small wild rabbit is witness to the loss of the forces of<br />
gravity that keep us grounded as the song that accompanies<br />
him talks about how our fears can vanish when<br />
we realise something we were unaware of before.<br />
About: Fiona McAndrew Subías is a freelance animator<br />
of Scottish and Spanish origin born in Zaragoza. She<br />
is a singer/songwriter who has been making animated<br />
music videos for her songs since 2012 based on subjects<br />
that she has found interesting and on the places<br />
she has been. Most part of her work goes into research,<br />
mainly of themes related to nature and psychology.<br />
Fiona McAndrew<br />
Spain<br />
fionamcandrew.co.uk<br />
18
ANIMATION FILMS<br />
Whisper, Rustle<br />
Order gives way to chaos. Chaos generates ferment.<br />
Ferment spurs fecundity. Whisper, Rustle is a product<br />
of the Covid-19 pandemic, born of long walks in<br />
the forest spent memorizing poems by W.B. Yeats.<br />
Emergency measures disrupted regular patterns of<br />
human behavior and fear upended all normal interactions.<br />
The disequilibrium unsettled everyone but<br />
also brought a new understanding of the fragility of<br />
our sense of order.<br />
Whisper, Rustle depicts this cycle with animation of natural<br />
and stylized elements drawn primarily from Yeats’s<br />
poems and prose. Stop motion animated objects<br />
include sand, pebbles, flower petals, oak bark, leaves,<br />
gravel, sponges, seeds, egg shells, a rotting log.<br />
About: Maureen Zent is a writer and self-taught animator<br />
in Atlanta, Georgia, USA. Her animated shorts<br />
include Tango Sparks, Yank Tug Yank, Oulipo’s Cave,<br />
and Bostle Sleench. Her stories explore the way our<br />
conflicting desires create great challenges.Her animation<br />
has screened at Rome <strong>International</strong> <strong>Film</strong> <strong>Festival</strong>,<br />
Athens Animfest, Stop Motion Mexico, Big Cartoon<br />
<strong>Festival</strong>, KuanDu <strong>International</strong> Animation <strong>Festival</strong>,<br />
and more. She has served as a juror for the Florida<br />
Animation <strong>Festival</strong>.<br />
Maureen Zent<br />
United States<br />
19
ANIMATION FILMS<br />
Walden<br />
In 1845, Henry David Thoreau, the philosopher and<br />
naturalist built a cabin in the woods at Walden Pond in<br />
Concord Massachusetts. On his final day at Walden, he<br />
reads an excerpt from his notebook and is reminded<br />
of his transcendental journey within nature.<br />
About: Kate Mercer, UK, is a 2D Animator currently<br />
based in London, and a recent graduate of Middlesex<br />
University.<br />
Kate Mercer<br />
United Kingdom<br />
doodleground.com<br />
20
ANIMATION FILMS<br />
Wings for Butterflies<br />
An abstract paint on glass animated short in which<br />
the creatures of a redwood forest face off against the<br />
forces of man in a fight for their survival. Wings for<br />
Butterflies is an animated short film that explores the<br />
rich and magical landscape of the redwood forests<br />
of California. The peaceful existence of the forest’s<br />
occupants is disturbed upon the arrival of a storm of<br />
manmade destruction, which threatens to uproot their<br />
trees and their way of life.<br />
It is up to a tree spirit and her small winged friends to<br />
restore the balance of their ecosystem. Loosely based<br />
around the story of Julia Butterfly Hill, who lived in a<br />
redwood tree for two years to ensure that it couldn’t<br />
be logged by the Pacific Lumber Company.<br />
About: Tilly Wallace is an animator and artist recently<br />
graduated from UCA Farnham. She creates using traditional<br />
materials such as paints and pastels. Tilly is<br />
passionate about telling stories about the human<br />
experience, from the minute details to the wide reaching<br />
adventured.<br />
Tilly Wallace<br />
United Kingdom<br />
21
ANIMATION FILMS<br />
Tomorrow<br />
Ratul, a young boy in Bangladesh, is magically shown<br />
two very different visions of the future. In the first scenario,<br />
Bangladesh has been inundated by rising sea<br />
levels, causing great suffering; in the second scenario,<br />
fossil fuels have been replaced by renewable energy,<br />
and Bangladesh is prosperous.<br />
About: Mohammad Shihab Uddin is a Bangladeshi<br />
animation filmmaker and Director. He directed the<br />
`Tomorrow` animated short film and created the `Shahana`<br />
series for UNFPA Bangladesh. He also worked<br />
in `Meena’ films for UNICEF as Production Manager<br />
and Creative Director. He has worked in various animation<br />
studios over the last 16 years.<br />
Ahmed Khan Hirok<br />
Nsimul Hasa<br />
Mohammad<br />
Shihab Uddin<br />
Bangladesh<br />
deepto.tv/tomorrow<br />
22
ANIMATION FILMS<br />
In <strong>Nature</strong><br />
In nature, a couple is a male and a female. Well, not<br />
always! A couple is also a female and a female. Or a<br />
male and a male. You may not know it, but homosexuality<br />
isn’t just a human story.<br />
About: Marcel Barelli (1985, Lodrino, Switzerland) is<br />
an animation filmmaker. Passionate about animals<br />
and nature, he develops all his projects around these<br />
themes. His short films have been selected in hundreds<br />
of international film festivals and won numerous<br />
awards around the world. He lives in Geneva with<br />
his wife and 2 children.<br />
Marcel Barelli<br />
Fleur Daugey<br />
Switzerland<br />
marcelbarelli.com<br />
23
ANIMATION FILMS<br />
The Journey of Theresia<br />
An artistic adventure through the Atlantic ocean and<br />
a look at the journey that both scientists and a young<br />
mother whale must take.<br />
“We worked with researcher Lisa Kettemer, to animate<br />
the story of the data she collected following this<br />
humpback whale from Norway to the tropics” says<br />
multimedia specialist Jessika Raisor, who worked for<br />
over a year in this project with NYC based multimedia<br />
artist Ryan Powell, combining science and the arts.<br />
Jessika Raisor<br />
Ryan Powell<br />
United States<br />
24
ANIMATION FILMS<br />
Re-member<br />
Late for a meeting, a human opens a conference room<br />
door to find it leads to a deep forest. Various creatures<br />
– trees, insects and horses – sit in a circle, engaged<br />
in a vibrant discussion. How could he face the creatures<br />
that humans so badly hurt? The forest creatures<br />
open up their arms, showing the human how nature<br />
has always taken care of itself, recovering and evolving<br />
without the help of manmade tools.<br />
About: Born in Tokyo in 1973. After working as a<br />
graphic designer, Yo made his debut as a feature<br />
film in 2009 with the story “Raise the Castle!”. While<br />
directing feature films and corporate branded movies,<br />
he released a documentary film “1/10 Listening to<br />
Fukushima” that covers 10 years of Fukushima as a<br />
life work. He has completed 7 of the 10 series so far.<br />
In 2020, he started creating the art film series. Taking<br />
advantage of his experience as a director of a wide<br />
range of genres. He is also active as a lecturer and<br />
actor trainer for video production.<br />
Yo Kohatsu<br />
Japan<br />
25
26 LEONARDO FLORES
2.<br />
AERIAL SPECIES<br />
BY LEONARDO FLORES<br />
HOW TO LIVE WITH THE<br />
RESPONSIBILITY...<br />
BY MICKEY GJERRIS<br />
EXPERIMENTAL FILMS<br />
POEM: BUT YOU<br />
BY JACOB SKYGGEBJERG<br />
ART: INTO THE WILD<br />
BY RITA HOWIS
How to live with the responsibility of an<br />
ecocide and the misery of your children<br />
Being part of a civilization that kills off whole species,<br />
life paths that were part of a story that goes back<br />
billions of years on this rock covered in a thin layer of<br />
dirt, water and air, puts a certain weight on my mind.<br />
Albatrosses, Orangutans, the Hawksbill Turtle and<br />
the Humphead Wrasse are just some of the 37,400<br />
species known to be threatened with extinction as I<br />
write these words.<br />
Being part of a culture that is undermining the<br />
ecological foundation of its own existence through<br />
excessive consumption despite dire warnings being<br />
shouted from the hilltops for more than 50 years<br />
cannot help but make my steps a bit wobbly however<br />
lightly I seek to step on the ground.<br />
Mickey Gjerris<br />
Bioethicist<br />
Denmark<br />
Being a father who has not done everything to change<br />
things and knowing that this is part of the reason why<br />
my children will live in a poorer, sadder and more<br />
uncertain world cannot but leave me with guilt. My<br />
children will grow up in the shadow of my moral<br />
28
shortcomings. Behind the façade of the academic<br />
activist lives a being who sometimes finds it hard to<br />
live by the words, to align actions with values. A human<br />
that did not always do the best that he was capable of.<br />
Is there comfort in the thought that this is what human<br />
existence is? That we are creatures of habit and desire<br />
that fail in living by our ideals?... or is it just an excuse,<br />
an attempt to generalize the personal responsibility?<br />
It certainly feels that way.<br />
‘So I try to face the chorus of snorting, yapping, hooting,<br />
hissing animals whose life paths are being destroyed<br />
and the images of the hardships in the future of my<br />
children. Accept the guilt, but refuse to let it cripple<br />
me. As the world is beginning to burn beneath our feet,<br />
I will let it burn as a constant reminder to do the best I<br />
can in the time left. In the end, it is not fair to ask more<br />
from a human. It is, however, fair to ask exactly that.<br />
About: Mickey Gjerris is 51 years old, lives in Denmark,<br />
works as a bioethicist in academia and hugs trees.<br />
Find him on FB, Twitter, LinkedIn and Instagram<br />
as @mickeygjerris<br />
29
EXPERIMENTAL FILMS<br />
Embers of the Sun<br />
A journey into the sacred landscapes of prehistoric<br />
Armenia, “Embers of the Sun” evokes the spirit of a<br />
primeval world transfigured by monuments of mysterious<br />
origin: rock art found in the desolate volcanic<br />
wastes of the Geghama and Syunik mountains, solitary<br />
monoliths and cyclopean tombs in rural fields, and<br />
the megalithic complex of Zorakarer; vestiges of a lost<br />
Bronze Age cosmology that haunt the modern mind.<br />
About: Zareh was born in Fargo, North Dakota into<br />
a family of musicians and grew up in Tehran, London,<br />
Frankfurt, Paris and New York. At age 4 he abandoned<br />
his dream of being an astronaut on watching the horror<br />
classic “The Brides of Dracula” in Iran. After graduating<br />
from NYU film school he began his directing career<br />
amidst the ruins of the USSR, drawn to stories set in<br />
the aftermath of genocide and dictatorship. Over the<br />
years he’s pursued his obsessions with esotericism,<br />
ancient life-ways and forgotten histories through short<br />
and long-form films. Zareh’s work screens regularly at<br />
festivals and has won numerous awards.His curiosities<br />
and obsessions as a director go beyond the frame:<br />
The Enigma of Space, a panoramic study of the mysterious<br />
‘dragon-stones’ of the South Caucasus, was<br />
recently published by the Institute of Archaeology<br />
& Ethnography in Yerevan, Armenia. Zareh currently<br />
lives in Denmark, where he teaches directing at the<br />
European <strong>Film</strong> College.<br />
Zareh Tjeknavorian<br />
Armenia<br />
30
EXPERIMENTAL FILMS<br />
White Ground<br />
Familiar with the peace given by nature, we have not<br />
been sensitive to changes and we are still putting<br />
enormous pain on nature today. The vague belief that<br />
nature can purify itself will stem from our complacency.<br />
And even at this moment, nature is changing minute<br />
by minute, repeating rules and irregular flows. Thus,<br />
it is necessary to recall the current natural world that<br />
is different from the past.<br />
Kim Jaeik<br />
Republic of Korea,<br />
31
EXPERIMENTAL FILMS<br />
Sounding Line<br />
A sounding line is a device to measure depth and<br />
topography. This short experimental film is an invitation<br />
to consider our watery commons. Restless oceans<br />
which have evolved over millions of years are currently<br />
under ecological crisis as a result of human activity.<br />
Fragile yet vital ecosystems are negatively affected<br />
by sound and light pollution, where damage occurs<br />
below the surface, often out of view. Incorporating<br />
visual and audio field recordings gathered from the<br />
waters of the Scottish Hebrides, this ‘sunken cinema’<br />
absorbsspeculative histories inspired by the early films<br />
of Jean Painléve, and influenced by the writings of<br />
Astrida Neimanis and Rachel Carson. It is delivered<br />
in a deliberate wave format incorporating both analogue<br />
and digital field recordings.<br />
Caroline Areskogjones<br />
United Kingdom<br />
carolineareskogjones.com<br />
32
EXPERIMENTAL FILMS<br />
Hepatica 01100100 01100001<br />
01110100 01100001<br />
A film starring plants and electronics.<br />
About: Terje Tolleshaug is a Norwegian film artist<br />
currently based in Oslo. His main source of inspiration<br />
is nature itself and the space that exists in the<br />
perceived distinction between natural and unnatural.<br />
For him, everything is nature. Growing up on an island<br />
on the west coast of Norway Terje spent his childhood<br />
outside. He has always felt close to the wilderness and<br />
finds pleasure in rainy days with strong winds.<br />
Terje Tolleshaug<br />
Norway<br />
33
EXPERIMENTAL FILMS<br />
νερό, アリア, antaa potkut, землі 7hr0u6h<br />
5e4s0n5<br />
Water, air, fire and earth. Summer, autumn, winter,<br />
spring.<br />
In many languages a unique multiplicity. The title is<br />
fire in Greek, air in Japanese, fire in Finnish, earth in<br />
Serbian. An homage to the elements and the seasons.<br />
About: Matteo has edited various shorts and documentaries,<br />
broadcasted in national television and<br />
aired his work in festivals. He also works as a vj and<br />
light designer.<br />
Matteo Passerini<br />
Italy<br />
34
EXPERIMENTAL FILMS<br />
Living Forest<br />
Naku Ikinyu is an experimental and participatory ethnographic<br />
film essay that engages with Indigenous<br />
Sapara women’s local pursuits of ecological wellbeing<br />
and their spiritual foundation that concedes human<br />
and non-human beings are animated. By combining<br />
voiceover, sensory and participatory methods, the<br />
researcher attempts to introduce collective and personal<br />
sensorial experiences through a collaborative<br />
approach that reflects on trans-corporeality and intersectionality<br />
while simultaneously presenting her collaborators’<br />
embodied practices.<br />
Tatiana Lopez<br />
Ecuador<br />
tatianalopez.space<br />
35
EXPERIMENTAL FILMS<br />
Ants<br />
This short experimental film draws us into the social<br />
lives of green tree ants living in Cairns Australia. The<br />
split screens aim to draw our attention to the ants’ as<br />
they ferry the body of a dead spider across the asphalt.<br />
Sebastian J. Lowe<br />
Australia<br />
36
EXPERIMENTAL FILMS<br />
Precious Balance Walk<br />
6 Nordic Performance Artists invited to perform in,<br />
and with water. <strong>Film</strong>ed in the waters of Öresund, at<br />
Ribergsborg city beach, Malmö, Sweden.<br />
About: Felicia Konrad and Johan Haugen started the<br />
intuitive art project I Still Live in Water 2015, that has<br />
made several interactive live performances, exhibitions,<br />
sound pieces, live concert performance. Precious<br />
Balance Walk is their first film.<br />
Felicia Konrad<br />
Johan Haugen<br />
Sweden<br />
istillliveinwater.com<br />
37
EXPERIMENTAL FILMS<br />
Keimzeit - The time of germination<br />
The ashes of a long-gone forest crush under the firm<br />
steps that never stop. While humans and trees are<br />
linked, the forest destruction presents an existential<br />
dilemma. People’s anecdotes, a special tree, a sculptor<br />
and his robots weave into each other to restore the<br />
connection between art, science and nature.<br />
About: Davide Grotta is an independent documentary<br />
filmmaker and photographer. He graduated in Naval<br />
Archaeology and began filming and photographing<br />
during excavation campaigns in the Mediterranean.<br />
In Cambodia he lives three years working as a photojournalist.<br />
In 2016 he shoots his first documentary<br />
Hidden Photos winner of several awards and widely<br />
screened in international film festivals, art museums<br />
and universities.<br />
David Grotta<br />
Italy<br />
38
EXPERIMENTAL FILMS<br />
The Stream XI<br />
In the man-made waterways of rice paddies, the water<br />
in nature must follow artificial rules. In that way, nature<br />
is made abstract, giving rise to a new form of beauty<br />
distinct from the natural state. It is the economy and<br />
the distribution of goods that create the flow of water,<br />
which circulates in society through transportation and<br />
information networks. Fields are separated by transportation<br />
networks and rivers. Waterways are laid out<br />
to transport water from rivers to farmland like blood<br />
vessels. On the highways there is a never-ending<br />
stream of vehicles traveling and circulating to maintain<br />
human society. In addition, fields are home to a<br />
diverse range of living organisms, forming ecosystems<br />
that utilize the environment created by human society.<br />
Hiroya Sakurai<br />
Japan<br />
39
EXPERIMENTAL FILMS<br />
To Live and Die in the Shadows: Ferns,<br />
Survival, and Horizontal Gene Transfer<br />
180 million years ago, through a chance horizontal gene<br />
transfer, ferns acquired a much needed light sensor<br />
(neochrome) that allowed them to modify and survive<br />
in low light environments. We should all be so lucky.<br />
About: Shannon Silva is a multi-modal filmmaker<br />
raised in Austin, Texas and based in Wilmington,<br />
North Carolina. Fluidly moving through non-fiction,<br />
narrative, animation, and experimental modes, she<br />
allows each film’s focus to find its appropriate production<br />
process. Autobiographical at their core, her<br />
films meditate on issues of class, gender, and memory<br />
instability. Most recently, due to personal illness, her<br />
work is contemplating the challenges of physical disability,<br />
cultural rituals of gathering during isolation,<br />
and preserving effects of community<br />
Shannon Silva<br />
United States<br />
shannonsilvafilms.com<br />
40
EXPERIMENTAL FILMS<br />
Our Home<br />
The metaphor “Planet is our home” is reduced to a literal<br />
understanding: the forest, magical in its beauty,<br />
becomes a shelter, bread and a source of pleasure. It<br />
fascinates and at the same time frightens with its primordial<br />
strength.<br />
Vera Kuznetsova<br />
Andrei Zaitcev<br />
Spain<br />
41
EXPERIMENTAL FILMS<br />
Viola Section Melanium<br />
A conversation on the cyclical nature of our world: this<br />
is how the seasons replace each other, the flowers<br />
fade and bloom again, the embryo turns into a woman<br />
and disappears into oblivion, the spider symbolizing<br />
the unconscious loses and gains its boundless power.<br />
About: Caravanvideo is a creative duet between Vera<br />
Kuznetsova and Andrei Zaitcev – two Russian filmmakers<br />
currently working in Spain. They mainly focus on<br />
concept music videos and experimental footage. An<br />
important place in their work is occupied by the interaction<br />
of human beings and nature, the collective<br />
unconscious and the microcosm.<br />
Andrei Zaitcev<br />
Vera Kuznetsova<br />
Spain<br />
42
EXPERIMENTAL FILMS<br />
This Isn’t a Conversation<br />
This Isn’t a Conversation is a 6:08 minute video composed<br />
of one-line text pieces, found video footage,<br />
and music by Jon Algar. These semi-autobiographical<br />
texts are comprised of overheard conversations,<br />
found texts, fragments, diary entries, dreams,<br />
random thoughts, statements, pronouncements, and<br />
observations. Humour and misery are juxtaposed as<br />
a response to the current political climate, environmental<br />
catastrophe and the messages are often offset<br />
with redirection, contradiction, absurdity, punch line,<br />
and surprise.<br />
About: Kathryn is the author of five poetry books and<br />
several short films and experimental video which have<br />
screened at over 60 festivals. She is a TIFF Talent Lab<br />
Alumnus, a Praxis Screenwriting Fellow, and won the<br />
San Francisco <strong>Film</strong> Society Screenwriting Fellowship.<br />
She attended the Canadian <strong>Film</strong> Centre’s Writers’ Lab<br />
and wrote two short films for the NBC/Universal Short<br />
Dramatic <strong>Film</strong> Program. She is the Founder and Editor<br />
of Watch Your Head, an anthology of creative works<br />
devoted to climate justice and the climate crisis, and<br />
is an Assistant Professor of Screenwriting at the University<br />
of Victoria.<br />
Canada<br />
Kathryn Mockler<br />
kathrynmockler.com<br />
43
EXPERIMENTAL FILMS<br />
Furnace<br />
Furnace is an exploration of the natural and manufactured<br />
worlds in western Canada. During the time of<br />
filming, over 25000 square kilometres of land in British<br />
Columbia were destroyed during two record breaking<br />
wildfire seasons. Even with what seemed like endless<br />
days of smoke and haze, days of illuminating light<br />
did occur, reminders of a world that once was, a world<br />
rapidly changing in the midst of the Anthropocene.<br />
About: Kent Tate is an award winning Canadian<br />
artist/filmmaker whose work explores the dichotomy<br />
between tranquility and activity in our natural and<br />
manufactured worlds. Time, motion and stillness are<br />
intertwined through Kent’s work to act like a fulcrum<br />
upon which the environmental, social and philosophical<br />
aspects of his projects are held in dynamic balance.<br />
Canada<br />
Kent Tate<br />
kenttate.ca/furnace<br />
44
But you<br />
you must be able to walk<br />
barefoot<br />
grass and white flowers<br />
the grass is thick<br />
the soil is fertile<br />
you must hear the birds<br />
in the damp morning<br />
they sing to you<br />
the sing for everything<br />
you must be able<br />
tumble through all the splendor<br />
as I have tumbled through it<br />
also roll in nettles<br />
also point to the sky:<br />
mommy, what is that plane?<br />
(the text is an excerpt from the<br />
poem So this is what it looks like,<br />
when the real heavyweights test<br />
their products<br />
on the consumers)<br />
Jacob Skyggebjerg<br />
Actor and Writer<br />
Denmark<br />
45
RITA HOWIS
LEONARDO FLORES
3.<br />
ART: TERRESTRIAL SPECIES<br />
BY LEONARDO FLORES<br />
MYRIADS OF INSECTS<br />
BY JOSEFINE KLOUGART<br />
DOCUMENTARY FILMS<br />
ART: BLUE LAGOON<br />
BY RITA HOWIS
Myriads of insects creep upon the soil, and flutter<br />
round the plants parched by the ardour of the Sun.<br />
A confused noise issues from every bush, from the<br />
decayed trunks of trees, from the clefts of the rock,<br />
and from the ground undermined by the lizards, millepedes,<br />
and cecilias. These are so many voices proclaiming<br />
to us, that all nature breathes; and that, under<br />
a thousand different forms, life is diffused throughout<br />
the cracked and dusty soil, as well as in the bosom<br />
of the waters, and in the air that circulates around us.<br />
These words were written by Alexander von Humboldt,<br />
the German natural scientist and author whose work<br />
in the early 19th century laid the foundations for the<br />
biogeography and for our understanding of nature as<br />
an interconnected network of life.<br />
As early as 1807 he wrote: “In this great chain of<br />
cause and effect, no single fact can be considered<br />
in isolation.”<br />
Humboldt’s method consists of combining a scientific<br />
gathering and analysis of data with the creative<br />
power of imagination. He insisted that man’s relationship<br />
with nature should be based on the senses and<br />
emotions, and he wanted, in his own words, to awaken<br />
a “love of nature”.<br />
Humboldt was the first to talk about man-made climate<br />
change. In Venezuela, he saw the damaging<br />
effects that colonial plantation farming had had on<br />
Lake Valencia. Deforestation had left the land barren<br />
and infertile, the water level in the lake fell, and as<br />
the scrub and undergrowth perished, rain washed<br />
the soil off the mountainsides surrounding the lake.<br />
He was alarmed and described how intervening in<br />
ecological systems could have large and unpredictable<br />
consequences.<br />
On a farm on Mols in Jutland, a few hundred metres<br />
from where I grew up in the Mols Mountains, lived<br />
archaeologist and former director of the National<br />
Museum of Denmark, P.V. Glob.<br />
50
In a portrait film I recently came across by chance, he is<br />
interviewed in his home and out in the fields near Stabelhøjen<br />
in Agri. Here he talks about the time he and<br />
his brother found a pencil and a flint stump on a walk.<br />
They were children, P.V. six or seven, his brother a year<br />
and a half younger. They swapped, so the brother got<br />
the pencil and P.V. the flint stump. The brother later<br />
became an artist, P.V. an archaeologist, but, as he says<br />
in the interview, he never let go of the pencil completely.<br />
“I have a remarkably wide field of vision”, he says. “I<br />
perceive a landscape as a whole immediately. I perceive<br />
the landscape, the colour and the tones and<br />
the ambience of the landscape, the lines as a whole.<br />
And this holistic view of the landscape I have applied<br />
to my view on archaeological matters and cultural<br />
aspects in general. I look at everything in context.I<br />
look at life and art and my work within archaeology<br />
in a larger sequence, in context.”<br />
Since the Enlightenment, the West has insisted that<br />
true cognition was a matter of the mind, but it has<br />
relegated the sensitive experiences one might have<br />
in literature and art to the lower faculty of consciousness,<br />
where they were thought to belong along with<br />
the sensory experiences.<br />
With his method, Humboldt shows a different way. With<br />
a scientific starting point, he opened himself to other<br />
forms of knowledge, incorporating them into his practice.<br />
And in a way it is the same basic idea that one finds<br />
in Glob: that through an aesthetic description of a landscape,<br />
one can understand the world in context and<br />
as what it is: a complex and wonderful network of life.<br />
Josefine Klougart<br />
Novelist<br />
Denmark<br />
51
DOCUMENTARY FILMS<br />
Memories of Trees. The southern settler<br />
Guardians of silence and cold, we are the inhabitants<br />
of a territory that was considered impregnable.<br />
Privileged witnesses to the eternal water cycle,<br />
ever called us lahuan. Today we are known as Ciprés<br />
de las Guaitecas.<br />
About: Santiago Serrano is a journalist, graduated<br />
from the University of Chile, with a masters on nature<br />
documentaries from the IFFCAM institude, part of the<br />
Poitiers University of France.<br />
Astrid Quintana<br />
Santiago Serrano<br />
Chile<br />
52
DOCUMENTARY FILMS<br />
Inspiration in <strong>Nature</strong><br />
Dee Bailey creates 2D paintings of nature using modelling<br />
clay as her medium. When she was the artist in<br />
residence in Tombstone Territorial Park, she gained<br />
a deeper understanding of why she makes art about<br />
nature.<br />
About: Lily Gontard writes poetry, short fiction and<br />
creative non-fiction, and she is the author of Beyond<br />
Mile Zero: the vanishing Alaska Highway lodge community.<br />
She began experimenting with telling story<br />
through film while working on a biography of an American<br />
geologist. This fostered her passion for storytelling<br />
using film.<br />
Lily Gontard<br />
Canada<br />
hairstraightback.com<br />
53
DOCUMENTARY FILMS<br />
The Last Raìs of Favignana<br />
Salvatore Spataro, Favignana’s last Raìs, faces his<br />
biggest challenge ever: reviving the Mattanza in a<br />
modern fishing world. Over ten years have passed<br />
since the tonnaroti’s last catch of the coveted bluefin<br />
tuna, and questions such as the extinction of the<br />
species, environmental and economical sustainability,<br />
and a declining interest in this millenary tradition,<br />
weigh on him before the catch.<br />
About: Sandbox is a production company based in<br />
Oslo, Norway. Sandbox are working with documentaries<br />
and personal projects within film and photography.<br />
The cousins Gudmund and Haakon Sand started<br />
Sandbox in 2016. Since the start many of their documentaries<br />
have been screened at various festivals<br />
all over the world, as well as winning awards. The<br />
Last Raìs of Favignana is co-directed together with<br />
Marco Massa<br />
Gudmund Sand<br />
Haakon Sand, Marco<br />
Massa<br />
Norway<br />
sandbox.one<br />
54
DOCUMENTARY FILMS<br />
La frontiére<br />
In the field, we accompany a biologist responsible for<br />
the implementation of renaturation solutions, the most<br />
coherent with the activities already present. A series of<br />
hedgerows planted to ensure bocage continuity is a<br />
typical means of providing food and shelter for small<br />
mammals involved in an ecosystem that includes cultivated<br />
fields and wild lands. Compromises are made<br />
to allow continued passage with farm machinery.<br />
Sylvie Viollier<br />
Jacques Falquet<br />
Cyril Verrier<br />
Lily Gontard<br />
Switzerland<br />
55
DOCUMENTARY FILMS<br />
The Sand Eating Shark<br />
A lemon shark called Manoela grows up in the waters<br />
of Fernando do Noronha off the coast of Brazil. Her<br />
extraordinary senses allow her to detect scents,<br />
sounds and even the tiny electric fields of her prey.<br />
In particular, she specializes in a hunting technique<br />
that has only ever been observed in this spot: hunting<br />
sardines in the waves. When we look closer behind<br />
the breakers, we discover unsuspected alliances and<br />
unusual behaviours.<br />
About: Bertrand is a world-renowned science film<br />
author, cameraman, producer and director. Since he<br />
founded Saint Thomas Productions in 1995, he has produced<br />
or directed more than a hundred wildlife, science<br />
and environmental films for all major broadcasters.<br />
Bertrand Loyer<br />
France<br />
56
DOCUMENTARY FILMS<br />
Ama’ara - the Song of the Whales<br />
One woman’s journey to save - and love - the whales.<br />
Spiritual singer and healer Marina Trost follows her<br />
calling to cross oceans to save the whales and create<br />
a new, loving relationship between humans and these<br />
majestic beings. Through channeled music and mesmerizing<br />
cinematography, we feel Marina’s passion<br />
and how she connects intuitively to the whales’ beauty<br />
and majesty.<br />
Sebastian Jobst<br />
Germany<br />
amaarasongofthewhales.<br />
com<br />
57
DOCUMENTARY FILMS<br />
Moment of Impact<br />
The story of Alan McFadyen’s famous Kingfisher photograph,<br />
which took 6 years and 720,000 attempts to<br />
capture, and was in dedication to his late grandfather.<br />
Alan recounts where his inspiration came from, the<br />
difficulties in capturing the bird, mid-dive, and how<br />
he’s still recognised today for his efforts. This film is<br />
a directorial debut for filmmaker Blair Stewart, who<br />
has a 10+ year background in Television Production.<br />
Blair Stewart<br />
United Kingdom<br />
58
DOCUMENTARY FILMS<br />
The Invisibles<br />
The video documentary Os Invisíveis (The Invisibles)<br />
was inspired by oral and written accounts of survivors<br />
of the 2011 catastrophe in the Serrana Region of Rio de<br />
Janeiro, including facts and memories from the biography<br />
of the actors themselves, resulting in a self-fiction<br />
text, focusing on the Documental Objects Theater.<br />
About: Directed by Miguel Vellinho, Master and Doctor<br />
in performing arts from UNIRIO, with more than 30<br />
years of experience in Animation Theater, the documentary<br />
was produced, rehearsed and envisaged in<br />
a virtual way through internet meetings (zoom, meet..)<br />
and filmed in the city of Nova Friburgo with the five<br />
members of Companhia Arteira. January 2011. Miguel<br />
Vellinho is a Doctor at the Program of Postgraduation<br />
in Scenic Arts (PPGAC) from the University of Rio de<br />
Janeiro (UNIRIO). Vellinho is a professor of the Theater<br />
Teaching course of UNIRIO, where he teaches<br />
Theater for Childhood and Youth (TIJ) and Animation<br />
Theater (TFA). He’s been working with Puppet Theater<br />
for more than 30 years. Vellinho is also curator of<br />
MITA – Mostra Internacional de Teatro de Animação,<br />
an international exibition of Animation Theater produced<br />
by PeQuod.<br />
Miguel Vellinho<br />
Brazil<br />
59
DOCUMENTARY FILMS<br />
Snakes and people of the Val Grande -<br />
Unexpected travel companions<br />
It may sound strange, but for centuries humans helped<br />
out snakes. The gradual settlement of the Alps for<br />
livestock grazing created clearings, meadows, and<br />
pastures. This slow transformation of the landscape<br />
diversified natural habitats and created favourable<br />
conditions for numerous species, with some quite surprising<br />
relationships.<br />
About: Marco Tessaro graduated in 1995 from the University<br />
of Milan with a degree in historical and international<br />
political science, and has a Master’s Degree<br />
in Environmental Economics and Policy from the Political<br />
Science Faculty of the University of Milan. Since<br />
2000, Tessaro has been working with natural parks,<br />
nature conservation organizations, and other institutions<br />
such as regional and provincial administrations<br />
and museums on environmental communication<br />
and analysis projects. In recent years, his work<br />
has involved producing documentary videos with a<br />
focus on local environmental issues, including from<br />
a historical perspective, wilderness, biodiversity protection,<br />
degrowth, and local history.<br />
Marco Tessaro<br />
Italy<br />
marcotessaro.it<br />
60
DOCUMENTARY FILMS<br />
IFANG<br />
Every animal is attributed its importance and value.<br />
In the mountain village of Arosa, the dependence<br />
between people and animals is shown in the bear<br />
cage, in the sheep pen, on the carriage ride or on the<br />
down hunt. While we get to know the inhabitants of<br />
the village and their interaction with nature, the question<br />
arises as to where people draw the line between<br />
domestic, farm and wild animals, between nature and<br />
the cage. And what that means for the environment.<br />
Max Carlo Kohal<br />
Switzerland<br />
61
DOCUMENTARY FILMS<br />
Barricade<br />
Barricade is a documentary on the occupation of the<br />
Dannenrod Forest in Hessen, which was evicted in Dec<br />
2020. It shows the lives of the activists in the forest<br />
and the treehouses, built up to 30 meters high in the<br />
branches, but mainly their fight for a better climate<br />
in the future.<br />
David Klammer<br />
Germany<br />
davidklammer.com<br />
62
DOCUMENTARY FILMS<br />
Dancing with <strong>Nature</strong><br />
There is a gentle dignity, a subtle evocative quality<br />
about this dance. It is a unique mélange of traditional<br />
martial arts, folk motifs and tales of love and<br />
pain, gleaned from the pages of Hindu mythology. It<br />
is a reminder of our glittering past and a pointer to the<br />
subtlest resonances of our art. The Seraikella Chhau<br />
is unique in many ways, not the least of which is the<br />
eschewing of vocal accompaniment and the complete<br />
covering of the face with the mask. Yes, the mask is the<br />
essence of this exhilarating dance; it is the magic of<br />
this art. Dancing with <strong>Nature</strong>, a film by Malay Dasgupta,<br />
delves into the myriad associations of this mask.<br />
Malay Dasgupta<br />
India<br />
63
DOCUMENTARY FILMS<br />
Discart<br />
Descarte is a documentary by Leonardo Brant on the<br />
social drama of solid waste, presented based on inspiring<br />
stories by artists, designers, artisans and activists<br />
who transform recyclable materials with innovation and<br />
sensitivity.<br />
About: Leonardo Brant is a documentary filmmaker,<br />
associate director of Deusdará <strong>Film</strong>es, an independent<br />
production company dedicated to making impactful<br />
documentaries. Author of the films DISCART, EAT<br />
WHAT? and CTRL-V, he directs the MEDIA AGE program<br />
for Canal Futura and co-directed the UTOPIA<br />
BRASIL series, for CineBrasilTV. He worked for two<br />
decades as a cultural researcher, consultant, speakers<br />
and author of books on politics and the cultural market.<br />
Leonardo Brant<br />
Brazil<br />
descarte.net<br />
64
DOCUMENTARY FILMS<br />
The Man of the Trees<br />
Daniel Balima is a senior horticulturist from Tenkodogo,<br />
a small Sub-Saharan African town in Burkina<br />
Faso, where he lives with his large family and has<br />
worked since he was born 67 years ago. Daniel as a<br />
child falls ill with polio and, although growing without<br />
the use of his legs, he works with great passion and<br />
talent so much that his dissability, which for many in<br />
Africa means a marked destiny, is for Daniel an opportunity.<br />
In over fifty years of activity he has given life<br />
to more than a million trees and this is what is most<br />
important for Daniel because, as he tells us, his country,<br />
because of the drought.<br />
About: Andrea Trivero was born in Pettinengo (Biella)<br />
Italy, in 1969. After a degree in Engineering and the<br />
master in modern low budget technology for Developing<br />
Country he moves to Africa to work and live.<br />
Simultaneously Andrea works on some documentary<br />
projects during his stay in Burkina Faso and in Democratic<br />
Republic of Congo. Today he lives between<br />
Italy and Africa, mainly in the province of Biella, in an<br />
old house in the mountains in the middle of meadows<br />
and woods with dogs, cats, horses, sheeps and goats.<br />
Since 2006 he also has been working with Refugees<br />
and Asylum Seekers for Italian NGOs.<br />
Andrea Trivero<br />
Italy<br />
65
DOCUMENTARY FILMS<br />
Rare<br />
“Rare” is an indie documentary centered on seven<br />
extraordinary women who set out to realize seven<br />
unique, sustainable projects on their own land. It is a<br />
“solo production”, realized during a journey through<br />
six italian regions, and it is made of moving and still<br />
images shot with my personal equipment and in collaboration<br />
with the enlighted gaze of photographer<br />
Roberto Tarallo Giovando. These seven young women<br />
set out on a new lifepath often without any previous<br />
experience in agriculture. They needed to go back<br />
to their roots and give new meaning to their professional<br />
paths.<br />
Furio Busignani<br />
Italy<br />
myruralme.com/rare<br />
66
DOCUMENTARY FILMS<br />
The Traditional Brazilian Family KATU<br />
Produced in the year 2007, a photographic essay realized<br />
in recognition of the indigenous roots, portrayed<br />
twelve adolescents belonging to Eleutério do katu, RN<br />
Brasil. Twelve years later the photographer returns to<br />
katu in search of these protagonists, now adults, to<br />
know about their personal trajectories and world views.<br />
Rodrigo Sena<br />
Brazil<br />
67
DOCUMENTARY FILMS<br />
MicroKansas - Tribulation<br />
The first chapter of a larger project, Tribulation documents<br />
the struggles of a young garter snake in central<br />
Kansas, USA.<br />
About: Bobby Obermite is a filmmaker, photographer<br />
and instructor from Hutchinson, Kansas. Where he<br />
lives with his wife, daughter and two dogs. He studied<br />
film and media at the University of Kansas, graduating<br />
in 2011. He is the Program Coordinator for HutchCC<br />
Media at Hutchinson Community College, where he<br />
also works as a filmmaker. Bobby started and runs<br />
Blue Barn Productions, a production company that<br />
produces independent films.<br />
Bobby Obermite<br />
United States<br />
bluebarnproductions.org<br />
68
DOCUMENTARY FILMS<br />
Buni<br />
“Formosan Black Bear is more precious than panda!”<br />
The entire species is marked as “vulnerable” by the<br />
IUCC ( <strong>International</strong> Union for Conservation of <strong>Nature</strong>).<br />
Classified as “endangered” by the Taiwan government,<br />
the species is being pushed to the brink of extinction<br />
by illegal hunting and land clearing. We estimate<br />
there are between just 200 to 600 black bears over the<br />
entire island. At the beginning of the film, we witness<br />
a baby black bear (BUNI), who was found left in the<br />
wild without its mother to care for it. Then it was taken<br />
to Endemic Species Institute for treatment. Researchers<br />
form by professor Hwang designed a simulated<br />
forest to train it in survival skills. One of the main lessons<br />
taught to Buni was to evade humans and traps.<br />
With the Bunun tribal elder’s prayer and the assistance<br />
from a National Airborne corps helicopter, the<br />
bear cub went back home. But now the question is:<br />
Is BUNI safe and doing OK right now?<br />
About: Director Robert Lin grew up in Taiwan. Upon<br />
graduation from National Tsing Hua University in<br />
Economics, he decided to join the TV broadcast<br />
field, producing several TV programs and gaining<br />
hands-on experience of video production. Robert<br />
obtained his MFA degree with a full scholarship from<br />
Syracuse University, New York. Robert is now running<br />
his own production company. Up to now, the<br />
company has produced more than 1,000 commercial<br />
videos for diverse clients.<br />
Robert Lin<br />
Taiwan<br />
69
RITA HOWIS
IF THEY DIE<br />
WE DIE<br />
EXTINCTION REBELLION (XR) DANMARK<br />
XRDK.ORG
Extinction Rebellion is a decentralised, international,<br />
non-partisan political movement that uses non-violent civil<br />
disobedience to pressure governments and industry into<br />
acting justly on the climate and ecological crisis.<br />
For this festival, XR facilitates the following talks:<br />
Heading for extinction and what to do about it<br />
We’re living in a time of global crisis, bearing witness to<br />
the effects of our governments’ inability to respond to the<br />
existential threats of the climate and ecological emergency.<br />
Facing these threats alone can be overwhelming.<br />
Join us to hear how Extinction Rebellion is bringing people<br />
together to act now and avoid total climate breakdown.<br />
This talk will lay out the basic climate science that drives<br />
our urgency, and outline how we can use nonviolent direct<br />
action to demand change. Whether you’re interested in<br />
joining Extinction Rebellion or just curious about what’s<br />
happening to the climate, come to hear more about what<br />
humanity is facing in the next decade, what has to happen<br />
to prevent catastrophe, and connect with others who are<br />
wrestling with these truths.<br />
Humans & nature: realities and hopes<br />
With Permatopia, Amager Fælleds Venner, XR, and friends.<br />
We will talk about what groups of humans are doing to<br />
build, preserve or fight for biodiversity, and humanity’s<br />
sustainable equitable place in it. We will find out more<br />
about how right here, right now, Danes are moving into<br />
ecovillages, stopping construction sites on wild nature<br />
areas, and how all this gives us hope.
RITA HOWIS
4.<br />
ART: AMAZON DEFOREST<br />
BY RITA HOWIS<br />
SHORT FILMS
SHORT FILMS<br />
We Are Stained<br />
Do you need another explanation on what is happening<br />
? On what you can do ? No, you already know and<br />
if you don’t, you lie. What you need is to see. The<br />
clock is ticking. Our world is collapsing. Our earth is<br />
warming up. Our icecaps are melting. Our oceans<br />
are rising. Our forests are burning. Our animals are<br />
dying. This is a little reminder of what is happening,<br />
on what we have done, on what will be.<br />
About: Emma dell’Elba is an Italian-Norwegian fineart<br />
photographer and make-up artist, born in Oslo in<br />
1992 and brought up in Italy. Graduated in photography<br />
at Laba - Libera Accademia di Belli Arti - in 2015,<br />
and in Make Up and Special Effects at New Line Academy<br />
in 2016, both in Florence. Currently she works<br />
as a Photographer and Make-up Artist in her studio<br />
in Florence, Italy.<br />
Emma dell’Elba<br />
Italy /Norway<br />
76
SHORT FILMS<br />
Mar-te<br />
A poetic dystopia reveals that, in 2060, reflections<br />
about the extinction of whales will haunt the colonization<br />
of Mars.<br />
About: Eduardo Prado Cardoso is a poet and filmmaker<br />
from Brazil (1987), living in Lisbon.<br />
Eduardo Prado Cardoso<br />
Portugal<br />
77
SHORT FILMS<br />
When everything disappears<br />
On the 22nd of October 2019 a flood devastated<br />
l’Espluga de Francolí, destroying everything that<br />
it found and causing multiple deaths. Only a few<br />
months later, a second flood made the recovery of<br />
the village even more difficult; the global pandemic<br />
of Covid19 that we are still living today, in the same<br />
way that water does, has taken away everything that<br />
was part of our normality.<br />
Marta Arjona<br />
Maite Blasco<br />
Jèssica Estadella<br />
Spain<br />
danspxl.com<br />
78
SHORT FILMS<br />
Zeit Zu Gehen – Car as Extinct Species<br />
Car-free Vienna in the year of 2120. China, a 95-yearold<br />
native from Vienna, who witnessed the extinction<br />
of the car in the green 20s only from fragmented stories<br />
by her parents as well as by her late wife, tells about<br />
her personal memories in Zeit Zu Gehen. China’s late<br />
wife, Reni, was a journalist and climate activist and had<br />
played a major role in the extinction of the automobile<br />
species. With the help of that knowledge she has<br />
gained through her wife and the nebulous machinations<br />
of her parents, China is making a first attempt to<br />
reconstruct the history of the extinct species.<br />
Silvan Hagenbrock<br />
Sophie Bösker<br />
Austria<br />
79
SHORT FILMS<br />
Mami Wata<br />
Gaia is a little girl who lives with her grandmother, who<br />
cultivates a piece of land. Cristina is an albino child,<br />
daughter of a businessman who wants to expropriate<br />
the land of Gaia’s grandmother to bury harmful<br />
waste. The two girls become friends but their lives<br />
will be tragically divided.<br />
Paola Beatrice Ortolani<br />
Italy<br />
80
SHORT FILMS<br />
Timeless Drift<br />
Short poetic documentary showcasing the Coppermine<br />
River in the Canadian Arctic through the<br />
long journey of a driftwood log witnessing some of<br />
the life and history tied to the river all the way to the<br />
Arctic Ocean.<br />
About: Wildlife Biologist turned cinematographer, I<br />
own Umingmak Productions, dedicated to document<br />
the Arctic environment and its people. I live in an outpost<br />
near Kugluktuk, Nunavut (Canada). I contributed<br />
cinematography to documentaries and nature series<br />
and produced some local video projects<br />
Mathieu Dumond<br />
Canada<br />
umingmakproductions.ca<br />
81
SHORT FILMS<br />
Images of Guanwu<br />
Located in Taiwan, Guanwu has a unique cloud forest<br />
landscape and thick mist all year round, which allows<br />
a variety of extraordinary species to prosper within.<br />
Following the footsteps of two musician sisters who<br />
have grown up in the embrace of Guanwu, we see<br />
the season changes and the succession of animals in<br />
Guanwu. With the unique humanistic aesthetic sense<br />
of “poetry in art and art in poetry”, we hope to tell<br />
the story of the tenacity of life. Through the decades,<br />
Guanwu has experienced the blow of typhoons, mudslides<br />
and floods, causing its terrain to change drastically<br />
and threaten the well-being of the animals living<br />
on the land. We hope to cleanse people’s souls and<br />
awaken people’s awareness of environmental issues<br />
through this film.<br />
Ya-May Liu<br />
Yue ChenChin-Fa Chen<br />
Taiwan<br />
82
SHORT FILMS<br />
Pōneke<br />
Pōneke is a modern love letter to place, space and<br />
time within a post second-migration world. This video<br />
is a collection of three of the locations within Pōneke<br />
that exist within both te ao Pākeha (the European<br />
world) and te ao Māori (the Māori world). (Karaka -<br />
Tau) Recorded in one of the old karaka tree plantations<br />
of Kati Māmoe people amongst ancient trees<br />
that still stand.<br />
About: Ruby Solly (Kai Tahu, Waitaha) is a taonga<br />
puoro practitioner, writer, musician and music therapist<br />
living in Pōneke Wellington. Sebastian J Lowe is<br />
an anthropologist from Aotearoa New Zealand. Victoria<br />
Baskin Coffey is a Visual Anthropologist with an<br />
enduring interest in the ways that images make the<br />
world. She is currently completing a PhD looking at<br />
the digital-visual image practices amongst transgender,<br />
gender nonbinary, & gender variant communities<br />
of India.<br />
Ruby Mae Hinepunui Solly<br />
(Kai Tahu, Kāti Māmoe,<br />
Waitaha)<br />
Sebastian J Lowe<br />
Victoria Baskin Coffey<br />
New Zealand<br />
83
SHORT FILMS<br />
Gaachh : The Tree<br />
An anonymous man, who proofreads for a publishing<br />
company, finds a seed while going to the office. He<br />
looks for a place to plant it and in turn becomes late<br />
for work. His boss becomes angry and questions his<br />
sincerity. After work, the man goes back daily to the<br />
seed to play violin for it. One day, he obscurely finds<br />
that a plantlet has grown out of his head.<br />
About: Somnath Ghosal is a prolific writer of alternative<br />
Bengali literature of this time. He started his career<br />
as a professional writer from 2002. He has long been<br />
associated with the Bengali Music Industry as a lyricist.<br />
He organised various cultural events and awareness<br />
campaigns for social causes. As the proprietor<br />
of renowned Record Label Company “The Aatman<br />
Audio” he released over 100 albums.In 2013, as an<br />
independent film maker, writer and lyricist, he made<br />
his first short film endeavour “The Rehearsal”. “Liquid<br />
Memory”, another Docu-Fiction of him, was made in<br />
2018. In 2020, he made “Gaachh, The Tree” a silent<br />
short film beautifully depicting the bond between<br />
man and trees.<br />
Somnath Ghosal<br />
Ansuman Ghosal<br />
India<br />
84
SHORT FILMS<br />
Alles hat Grenzen NUR DER MONDFISCH<br />
NICHT<br />
An environmental musical, in which nature acts and<br />
speaks in a diversity of voices. Surfacing evocatively<br />
from micro- and macrocosmic layers, she resonates<br />
with water as the source of life and resounds as<br />
exploited resource. She echoes from the trenches of<br />
an inverted world and speaks out as a human being.<br />
Reverberating through ecological-cultural depths,<br />
images, sounds and associations push to light, giving<br />
shape to a vision of humanity in tune with nature.<br />
About: Sylvia Eckermann works in the field of electronic<br />
arts since 1989 and has realized interactive installations<br />
and media related artworks in various countries.<br />
Gerald Nestler works within the fields of economy,<br />
media and the arts. He has been exploring and analyzing<br />
these fields as guiding paradigms of our time in<br />
their relations to social and individual life and as topics<br />
for artistic investigation and intervention.<br />
Sylvia Eckermann<br />
Gerald Nestler<br />
Austria<br />
85
RITA HOWIS
5.<br />
ART: RAYNISFJARA<br />
BY RITA HOWIS<br />
POETRY FILMS
POETRY FILMS<br />
The Prophetess<br />
Drawing from the observations, experiences and<br />
thoughts gathered throughout her life, the prophetess,<br />
in a surge of hope and altruism, shares her conception<br />
of a world which should have been, could or<br />
will be: a manifesto, for a fictitious or latent generation.<br />
The text is freely inspired by a Francis Ponge poem,<br />
The Law and the Prophets (1930), reinterpreted and<br />
rewritten to better anchor it to the contemporary context<br />
as well as to my own ideals.<br />
About: Marco Joubert is a Canadian filmmaker born<br />
in Montreal. Primarily a director, cinematographer,<br />
screenwriter and editor, he is also an actor, producer<br />
and musician. Six of the short films he has directed,<br />
co-directed, co-created or photographed were<br />
rewarded by the attribution of eight awards, in addition<br />
to earning some twenty nominations. Thematically,<br />
his work revolves around the specificity of the<br />
human condition: the implications of our capacity to<br />
think and reason; the gap between material comfort<br />
and our basic needs; the difficulty of communicating<br />
with others; and the ever-looming presence of<br />
our mortality. It is about the creation of otherworldly<br />
realities that still have the power to resonate with our<br />
common experiences as human beings.<br />
Marco Joubert<br />
Canada<br />
mjoubert.com<br />
88
POETRY FILMS<br />
Ode to the Climate<br />
The evidence of the climatic changes pushes the<br />
Humans to ask Mother <strong>Nature</strong> “why?”. Her answer is:<br />
«Not me, but you, rebellious Humans, transfigure me<br />
for egoistic purposes». This Ode to the Climate might<br />
be the last invocation before the catastrophe, or an<br />
appeal to human intelligence. Performed and filmed<br />
during the first dramatic lockdown, in distance teaching<br />
and learning (April-june 2020).<br />
About: Vittorio Caratozzolo is a middle school - 1<br />
Grade teacher. This project was created in collaboration<br />
with his 3 A Class of fabulous students.<br />
Gaia Cipriano<br />
Vittorio Caratozzolo & 3 A<br />
Italy<br />
89
POETRY FILMS<br />
Time Travel<br />
Our lives belong to the Time. Who owns the Time?<br />
Vittorio Caratozzolois a secondary school - 1° grade<br />
Teacher.<br />
Leonidas of Tarentum<br />
Vittorio Caratozzolo<br />
Italy<br />
90
POETRY FILMS<br />
The Ashes (A poem for my brother)<br />
An artist draws a picture of his brothers favourite trees<br />
and reflects on his ashes.<br />
About: Diana Taylor has been working in Bristol, UK<br />
with local Poets making poetry films since 2009, and<br />
her films have been shown in major venues in around<br />
Bristol including the Watershed , the Arnolfini, Colston<br />
Hall M Shed and the BBC Big Screen.<br />
Diana Taylor<br />
United Kingdom<br />
91
POETRY FILMS<br />
I want to breathe sweet air<br />
“I Want to Breathe Sweet Air,” a film poem in three<br />
parts with acclaimed writer Lucy English, is a stunning<br />
and terribly beautiful visual indictment of careless land<br />
development and the impact of climate change on the<br />
natural environment, incorporating footage shot specifically<br />
for this project as well as footage from the vast<br />
library accumulated by Outlier Moving Pictures during<br />
six years of documenting environmental destruction.<br />
About: Pam is an independent filmmaker who received<br />
her PhD from the University of Iowa and taught at<br />
Northern Illinois University, St.Mary’s College, and<br />
the University of Notre Dame. She directed the largest<br />
student film society in the US while she was at the University<br />
of Iowa, and also ran films series for the Snite<br />
Museum of Art in South Bend, IN. She is an occasional<br />
contributor to Moving Poems Magazine.<br />
Jack is an independent filmmaker who has produced,<br />
directed, or shot a variety of experimental and personal<br />
projects. His features and documentaries have<br />
shown at the Sundance, Raindance, Telluride, Tribeca,<br />
Edinburgh, Chicago, Houston, and Taos film <strong>Festival</strong>s,<br />
winning several honors.<br />
Lucy English<br />
Pamela Falkenberg<br />
Jack Cochran<br />
United States<br />
92
POETRY FILMS<br />
Building the Ark<br />
In times of great change, even stories we’ve known all<br />
our lives can have new things to tell us. Building the<br />
Ark is a poem about the essential relationship between<br />
humans and our companions in the natural world.<br />
About: Pat Boran is a much-published Irish poet who,<br />
since the arrival of Covid-19, has been making short<br />
poetry films inspired by places within walking distance<br />
of his home. The footage is shot on his mobile phone<br />
and the poems, over repeated visits, written on site,<br />
blurring the distinction between scouting, research<br />
and filmmaking.<br />
Pat Boran<br />
Ireland<br />
93
POETRY FILMS<br />
Glass that will bend<br />
A poem-film about the appetite for desire itself. <strong>Film</strong>ed<br />
in the Yanaka neighbourhood of Tokyo, which is innate<br />
with small reprieves of everyday mysticisms.<br />
About: Xiao Yue Shan is a poet born in Dongying,<br />
China and living in Tokyo, Japan.<br />
Xiao Yue Shan<br />
Japan<br />
shellyshan.com<br />
94
POETRY FILMS<br />
Sometimes light requires you more<br />
A poetic video about the spring/summer light that<br />
always comes so suddenly in Northern countries like<br />
Finland, which has 4 seasons. You wait for the light and<br />
beauty of fast growth of nature but it always surprise<br />
You. Are you ready to be part of that wonderful light?<br />
About: Eija Temiseväis a Finnish sculptor and a video<br />
artist, born 1956. Living and working in Espoo. Educated<br />
in the Finnish Academy of Fine Arts in Helsinki.<br />
Graduated as a bachelor of art (sculptor) in<br />
1986. Started making videos in 2013. Eija Temisevä is<br />
interested in the relation between nature and human<br />
beings, also psychological and existential issues.<br />
Moreover observations of outer objects and the incidents<br />
between them.<br />
Gaia Cipriano<br />
Vittorio Caratozzolo<br />
& 3 A class<br />
Italy<br />
95
POETRY FILMS<br />
And the sun asks man<br />
When the unknown does not ease<br />
the heat makes it sore<br />
the wind comforts<br />
inside the walls, the words are whispered:<br />
I am a prisoner<br />
And the sun asks man: Who is to blame?<br />
About: Eija Temisevä is a Finnish sculptor and video<br />
artist, born in 1956. Educated in the Finnish Academy<br />
of Fine Arts in Helsinki 1982-1986. Graduated as<br />
a bachelor of art (sculptor) in 1986. Her films, which<br />
she calls “video fragments” have been screened in<br />
various festivals since 2014.<br />
Eija Temisevä<br />
Finland<br />
96
POETRY FILMS<br />
Archive Litany / Archivo Letania<br />
Anne Waldman’s investigative hybrid-poem explores<br />
the nuances of interspecies communication and compassion.<br />
It draws on animal lore, animal encounters<br />
(with grey wolf and manatee), dreams, evolutionary<br />
biology, neuroscience, and Buddhist ritual to render<br />
a text of remarkable sympathy, reciprocity, and power.<br />
The poem asks questions as well as urges further<br />
engagement with the endangered (including our<br />
human selves).<br />
Part performance litany, part survival kit, part worried<br />
mammalian soundings, Waldman explores what<br />
it means to inhabit our condition through language<br />
and imagination inside a wheel of time. This is the<br />
mature work of a philosophical field poet with a shamanic<br />
metabolism.<br />
Anne Waldman<br />
Natalia Gaia<br />
Ambrose Bye<br />
David Rojas Azules<br />
Aliah Rosenthal<br />
Mexico /US<br />
97
POETRY FILMS<br />
Anatomy of a flower<br />
An experimental reading of a poem by Rupam Baoni,<br />
from her collection ‘chronicles of entering my body’<br />
Hypatia Publications (<strong>2021</strong>).<br />
Rupam Baoni<br />
Vankshita Mishra<br />
United Kingdom<br />
vankshita.com<br />
98
POETRY FILMS<br />
Whether Water Meetings<br />
A short videopoem with drum/ electric guitar track<br />
contrasting with the more subtle — yet still musical —<br />
sounds of nature.<br />
The point is not to argue that one type of sound is «<br />
better » than the other, but that they can coexist in a<br />
complementary fashion.<br />
About: Award-winning artist, writer, musician, filmmaker.<br />
Articles in many journals including the Brooklyn Rail<br />
and Canadian Notes and Queries.<br />
Has presented to academic conferences in Oxford,<br />
Bath, Liverpool, Berlin, Seoul, Osaka, and elsewhere.<br />
Selected by festivals in Korea, Ireland, the U.K.,<br />
the US, China (Hong Kong), Kazakhstan, Australia,<br />
Greece, Pakistan, Serbia, Portugal, Russia, and India.<br />
Finn Harvor<br />
Republic of Korea<br />
99
POETRY FILMS<br />
Voderglaernisch Mountainportait<br />
Claudio Landolt reads poems from his new book<br />
“Nicht die Fülle nicht Idylle nicht der Berg” at the foot<br />
of the mountain Vorderglärnisch.<br />
The mountain portrait consists of a soundpiece, which<br />
Landolt composed from over 100 hours of fieldrecordings<br />
on and in the Vorderglärnisch, and a book<br />
of poetry. In this poetryfilm, his sound composition<br />
and some of the texts come together for the first time.<br />
Claudio Landolt<br />
Karim Patwa<br />
Switzerland<br />
100
POETRY FILMS<br />
Daughter<br />
Daughter is a video poem about the struggles of being<br />
born a woman, through which strength and resilience<br />
are built.<br />
“And if the flames I have in my throat<br />
seem alarming to you<br />
then learn how to cope with fire<br />
because I have thunderstorms in my veins<br />
and after years of others forecasting my life<br />
I have finally become my own weather.”<br />
Fragment of Daughter, by Isabella Bazoni.<br />
Isabella Bazoni<br />
United Kingdom<br />
101
POETRY FILMS<br />
S.A.D.<br />
Seasonal affective disorder (S.A.D.) is no longer confined<br />
to winter depression. As the climate crisis grows,<br />
this disease occurs more frequently. When the environment<br />
is disturbed, we humans also suffer from disturbance<br />
– because we are just part of the environment.<br />
Inspired by the sonopoem of Ilaria Boffa, which<br />
deals with this current situation, Maria Korporal’s video<br />
expresses these tensions between conflict and harmony.<br />
Using animated charcoal drawing on a deformed<br />
video of the seashore, the transformation of images<br />
leads us into a haunting universe.<br />
About: Maria Korporal was born 1962 in Sliedrecht,<br />
the Netherlands. She studied graphics and painting<br />
at the St. Joost Academy of Fine Arts in Breda.<br />
During her studies she began working with photography<br />
and she graduated with, among other things,<br />
a video installation. After her studies, in 1986, she<br />
moved to Italy, where she returned to painting. In 1989<br />
she co-founded the Italian publishing house Apeiron<br />
Editori, directing production and book design. Since<br />
1998 she has dedicated herself to using the new media<br />
arts for her expression. Until 2013 she lived in Italy in<br />
Sant’Oreste (RM). Since 2014 she has lived and worked<br />
in Berlin.<br />
Maria Korporal<br />
Ilaria Boffa<br />
Germany<br />
mariakorporal.com<br />
102
POETRY FILMS<br />
Going to Pasárgada<br />
“Looking out of the window, reassuring yourself that<br />
you exist, because the world outside exists.”<br />
Gabrielle was born in Turin in 1984, graduating in co<br />
mmunication studies with a disertation on Herman<br />
Hesse and Alice Miller, and has worked with literature<br />
and film ever since. Resides in Berlin since 2009.<br />
Odile Kennel<br />
Gabriele Nugara<br />
Germany<br />
gabrielenugara.com<br />
103
POETRY FILMS<br />
Red roses for Gertrude Stein<br />
“Red roses for Gertrude Stein” is an experimental and<br />
serendipitous video poem featuring Caroline and Araminta.<br />
The girls lazily toss a blue ball back and forth<br />
in the air as Gertrude Stein’s “a rose is rose is a rose”<br />
is recited.<br />
About: Sandra Dyas is a visual artist and published<br />
author living in Iowa City. She received her MFA in<br />
Intermedia: Performance Art and Video from the University<br />
of Iowa in 1998. She is a Lecturer in Art at Cornell<br />
College, where she teaches photography, video<br />
and performance art. Her video and photographic<br />
work have been exhibited internationally. Sandra has<br />
been collaborating with filmmaker LeAnn Erickson on<br />
Homegrown Stories since its inception in 2013. The<br />
online media project is dedicated to the aesthetics of<br />
still photography as it applies to the moving image as<br />
well as an intellectual interest in questions of personal<br />
space, the act of storytelling and the primacy of place<br />
in shaping one’s world view.<br />
Sandra Louise Dyas<br />
United States<br />
104
POETRY FILMS<br />
Plasticnic<br />
“Plasticnic” is an animated short poem that wryly depicts<br />
the extent and impact of the accumulation of plastic in<br />
the environment as people ceaselessly continue to purchase,<br />
use and discard single-use plastics. We seek out<br />
and enjoy nature while simultaneously destroying it.<br />
About: Fiona Tinwei Lam (poet, narrator, producer,<br />
co-director) was born in Scotland, and resides in<br />
Canada. Lam’s third collection of poetry Odes &<br />
Laments celebrates the overlooked wonder and beauty<br />
in the everyday, while lamenting harm to our ecosystems.<br />
Her work appears in more than 40 anthologies,<br />
including The Best Canadian <strong>Poetry</strong> in English (both<br />
2010 and 2020 editions) and Forcefield: 77 Women<br />
Poets of BC. Her award-winning poetry videos have<br />
screened at festivals locally and internationally, including<br />
at the Zebra poetry film festival in Germany. She<br />
currently teaches creative writing at Simon Fraser University<br />
Continuing Studies in Vancouver, BC, Canada.<br />
Tisha Deb Pillai (animator and co-director) was in born<br />
in India and currently resides in Vancouver BC, where<br />
she graduated with a Bachelor of Media Arts in Animation<br />
from Emily Carr University of Art and Design.<br />
As an animator living between Canada and India, her<br />
work has been inspired from two vastly distinct worlds<br />
of colours, cultures and ideas. She enjoys telling stories<br />
from personal experiences and memories, and<br />
weaving them into narratives with a universal theme.<br />
Fiona T Lam<br />
Tisha Deb Pillai<br />
Canada<br />
fionalam.net<br />
105
POETRY FILMS<br />
How long will you sleep<br />
Inspired by a troubled meditation on a medieval saint,<br />
this spacious poetic film is about consciousness, love<br />
and the filmy air of eternity in the everyday.<br />
About: Marilyn Freeman (they/them) Media Artist |<br />
Writer | Queer | Contemplative Marilyn Freeman is an<br />
interdisciplinary artist working at the intersections of<br />
reckoning and resiliency, queerness and film, and contemplative,<br />
creative and social practices. Their films<br />
have been featured on PBS and in galleries, theaters,<br />
festivals and spirituality centers worldwide including<br />
The Powerhouse Arena in New York City, the British<br />
<strong>Film</strong> Institute, Seattle <strong>International</strong> <strong>Film</strong> <strong>Festival</strong>, Montreal’s<br />
<strong>Festival</strong> of <strong>International</strong> Cinema, among others.<br />
Marilyn Freeman<br />
United States<br />
marilynfreeman.com<br />
106
POETRY FILMS<br />
Moving Barcelona<br />
Moving Barcelona is a magical realist dance story<br />
about the Catalonian capital, an autonomous region<br />
in the Spanish State contending with an identity crisis.<br />
A city with everything going for it is still haunted by<br />
the ghosts of its past and despite much progress, it<br />
finds itself unearthing old wounds.<br />
Narrated by celebrated actor, Pep Munné, who<br />
appeals for calm, there is a sense of reassurance that<br />
all is okay. The movement of the city however tells a<br />
different story.<br />
Moving Barcelona is the eighth film in an award-winning<br />
collection of works by the London-based filmmaker,<br />
Jevan Chowdhury to capture the world as<br />
a stage. Life on the street in London, Paris, Brussels,<br />
Dallas, Prague, Yerevan and Athens has been<br />
recorded in this growing canon.<br />
Jevan Chowdhury<br />
United Kingdom<br />
moving-cities.com<br />
107
POETRY FILMS<br />
Im(moral) Code:<br />
An ethics manual to lose one’s way<br />
After the republishing of the “Moral Book“(Alfonso<br />
Reyes, 1952) by the actual Presidency of Mexico, a<br />
text without relevance for the current century and with<br />
no inclusion of women nor non-masculine groups, a<br />
group of women poets made a ludic re-writing of<br />
some of its sections as a feminist manifesto, embracing<br />
our voices in this patriarchal society.<br />
Later, this video poem was made, as an urgent exercise<br />
against the violent treatment that the Mexican State<br />
has decided to give us, the women as citizens. This is<br />
a reunion of visions in Spanish, English and Spanglish.<br />
Zazil Alaíde Collins<br />
Julia Piastro<br />
Hanlly Ramírez<br />
María Cristina Hall<br />
Ruby Brunton<br />
Lucía Hinojosa<br />
Indira Torres Crux<br />
Tania Carrera<br />
Isaura Leonardo<br />
Andrea Grain Hayton<br />
Mexico<br />
108
POETRY FILMS<br />
Spellbound<br />
In Emily Brontë’s world, a young woman is under a<br />
spell of blind forces of compulsion acting to draw<br />
her towards an unnamed darkness from which she<br />
cannot escape.<br />
About: Born in 1981 in Frankenberg, GDR. In 2006 he<br />
obtained a diploma in industrial engineering from the<br />
University of Applied Sciences in Mittweida/Germany.<br />
Since 2008 he has made more than 40 short films, the<br />
majority of them on Super 8mm and 16mm film. His<br />
films have been screened at numerous international<br />
film festivals and won several awards.<br />
Emily Brontë<br />
Patrick Müller<br />
Germany<br />
patrickcinema.de<br />
109
POETRY FILMS<br />
White Clouds<br />
This song is an adaptation of the poem “White Clouds”<br />
by Taiwanese poet Lo Lang (1927-2015). The recording<br />
was made by Lo’s daughter Sirong, a renowned,<br />
award-winning singer-songwriter in Taiwan. When Lo<br />
Lang wrote the poem in 1950, he was expressing his<br />
deep desire for freedom. At that time, many Taiwanese<br />
were suffering from extreme violence and political<br />
repression at the hands of the ruling Kuomingtang,<br />
which took over Taiwan after losing the Chinese Civil<br />
War to the Chinese Communists. This recording, made<br />
in 2018, marks a watershed moment for Lo Sirong and<br />
her now deceased father, as Taiwan flourishes today<br />
as a fully democratic society.<br />
About: Ye Mimi is a Taiwanese poet and filmmaker. A<br />
graduate of the MFA Creative Writing Department at<br />
Dong Hwa University and the MFA <strong>Film</strong> Department<br />
at School of the Art Institute of Chicago, she is the<br />
author of three volumes of poetry and has internationally<br />
exhibited several of her poetry films. Through collaging<br />
her words and images, she improvises a new<br />
landscape trying to erase the border between poetry<br />
and image making. Book-length translations of her<br />
work are available in Dutch and English.<br />
Ye Mimi<br />
Taiwan<br />
110
POETRY FILMS<br />
Tribute<br />
A performative poetry film about pecunia, passports,<br />
paradises and privilege.<br />
Katia Sophia Ditzler<br />
Germany<br />
111
POETRY FILMS<br />
That if we go into the desert<br />
A poetry film about psychotic exile.<br />
Katia Sophia Ditzler<br />
Germany<br />
112
POETRY FILMS<br />
Ashera<br />
Her manifestation was a tree – Ashera, the ancient Near<br />
Eastern goddess, laments nature’s destruction.<br />
About: Tova Beck-Friedman is a visual artist, filmmaker,<br />
writer and poet. Her work fuses poetry and moving<br />
images to create cine-poems, that have been shown in<br />
festivals, museums and galleries including: The Poet<br />
House, NYC; Ó Bhéal I ternational <strong>Poetry</strong>-<strong>Film</strong> Competition;<br />
<strong>International</strong> Video <strong>Poetry</strong> <strong>Festival</strong> / Athens,<br />
Greece and The <strong>Film</strong> and Video <strong>Poetry</strong> Symposium,<br />
Los Angeles.<br />
Tova Beck-Friedman<br />
United States<br />
tbfstudio.com<br />
113
POETRY FILMS<br />
Remember<br />
Artist Katrina Neiburga, musician Andrey OID, and<br />
poet Sergej Timofejev teamed up to make “Remember”:<br />
a tactile-metaphysical journey through a private<br />
living space – a trip through a world of objects and<br />
sensations.<br />
This work was initiated and carried out as a gesture<br />
of cooperation and solidarity at a time when<br />
we were all united by a common global situation,<br />
yet one which each of us experienced in our own<br />
way, in our own separate spaces, with our own loved<br />
ones. Katrina’s children – her youngest son Ludvigs<br />
and eldest Anton Gradus – participated in the shoot.<br />
About: Katrīna Neiburga was born in Riga, Latvia in<br />
1978. Lives and works in Riga, Latvia.<br />
For Katrīna Neiburga, art is subordinate to a yearning<br />
for emotion, genuineness and the preservation of living<br />
memory. It is poetry that operates at the level of perception<br />
and feeling: pared to the bone, saturated with<br />
truth, searing and beautiful.<br />
She holds an MA in Visual Communication from the Art<br />
Academy of Latvia and has studied at the Royal Institute<br />
of Art in Stockholm, Sweden. She has been exhibiting<br />
since 2000 and has participated in numerous exhibitions<br />
and biennials in Sydney (2006), Moscow (2007),<br />
Venice (2015), Kochi–Muziris (2016) and elsewhere.<br />
Sergej Timofejev<br />
Latvia<br />
Katrīna Neiburga<br />
114
POETRY FILMS<br />
Fat Kathy<br />
The lives of millions depend on eight small clams working<br />
hard to detect contamination in the city’s water<br />
supply. Clams are the new canaries in the coal mine in<br />
this stranger-than-fiction peek at how humans create<br />
problems for the planet and then use living organisms<br />
to protect themselves… from themselves.<br />
About: Julia is a Polish director and cinematographer<br />
born and living in Warsaw, Poland. Her award winning<br />
films have played at festivals worldwide including Hot<br />
Docs, Warsaw <strong>Film</strong> <strong>Festival</strong>, Kracow <strong>Film</strong> <strong>Festival</strong> and<br />
Bogo Shorts. She was awarded with prestigious Ministry<br />
of <strong>Culture</strong> and National Heritage scholarship<br />
the YOUNG POLAND. She is a member of the Polish<br />
<strong>Film</strong>makers’ Association.<br />
Julia Pelka<br />
Poland<br />
juliapelka.com<br />
115
POETRY FILMS<br />
When This All Ends<br />
A poem for the future. Of what may be left. Of what<br />
will outlive us.<br />
About: Kit Radford is a multimedia artist and poet.<br />
She has worked in theatre, perform ance, installation,<br />
visual art and publications.<br />
Kit Radford<br />
United Kingdom<br />
116
POETRY FILMS<br />
Awakening<br />
A poetic interpretation of a spiritual awakening. The<br />
quest is envisioned through landscape imagery, conveying<br />
the feelings of this deep seated need for connection,<br />
belonging and meaning.<br />
About: Asfar writes poetry as a pastime, pondering<br />
the eternal questions that we all concern ourselves<br />
with as human beings - love, loneliness, hope and spiritual<br />
fulfilment.<br />
Asfar<br />
117
POETRY FILMS<br />
Edge of Disaster<br />
“I have a small chalet, 120 kilometers north of Montreal.<br />
There are few neighbors all around and the<br />
forest behind seems to go on infinitely. In summer,<br />
surrounded with trees in full leafing, I feel alone in the<br />
world. So, this situation inspired me to write Edge of<br />
the disaster. I imagined the survivor of a cataclysm,<br />
protected by this cenacle of trees. How is it possible<br />
to remain present to the world when all which was the<br />
world is no more?”.<br />
Sylvain Campeau<br />
Mériol Lehmann<br />
Canada<br />
118
POETRY FILMS<br />
Birthday<br />
A film about measuring life, ornamenting it with monochromatic<br />
sequences, deprived of the green wavelengths<br />
of the natural world, like we measure longevity<br />
by birthday cycles.<br />
About: Camila is a Guatemalan artist who fluctuates<br />
between writing, painting, music, performance, video<br />
and teaching. Founder of ‘La clínica de la Imaginación’<br />
in 2015 as a nomadic meeting space to research imagination.<br />
Also works at an air plant nursery. Camila has<br />
a degree in Literature and Language, and is currently<br />
studying psychoanalysis.<br />
Camila Fernandez Juarez<br />
Guatemala<br />
textperimentos.com<br />
119
POETRY FILMS<br />
When I Was A Boy, I Collected Pebbles From<br />
The Beach<br />
An experimental short about identity, memory and love.<br />
Phil Gomm<br />
United Kingdom<br />
120
POETRY FILMS<br />
Utility Pole<br />
Utility Pole is a poetry film collaboration between poet<br />
Fiona Tinwei Lam and poetry filmmaker Mary McDonald.<br />
Mary McDonald<br />
Canada<br />
MaryMcDonald.ca<br />
121
POETRY FILMS<br />
Wishing Well<br />
Celebrating the countless beautiful moments within<br />
every day, the gifts of Life. <strong>Poetry</strong> film for Penn Kemp’s<br />
poem, Wishing Well. This is part of an Augmented<br />
Reality (AR) art collaboration including a community<br />
participation art transmedia storytelling project #RiverReveryLdn.<br />
Wishing Well is a meditation on the gifts of water, of<br />
beauty and of time. The work explores, both in poem<br />
and through visual interpretation the feelings of being<br />
caught, held and lost within everyday moments of<br />
beauty which can expand time and our awareness.<br />
Open yourself to the wonder of these moments and you<br />
open yourself into a suspended state of peace and calm.<br />
About: Mary McDonald is a London, Ontario based<br />
writer and multimedia artist.<br />
Mary McDonald<br />
Penn Kemp<br />
Canada<br />
RiverRevery.ca<br />
122
POETRY FILMS<br />
I Am Soil Breaking Off<br />
A metaphor about national identity and migration as<br />
a mangrove seed and its journey.<br />
About: Paloma Sierra (she/her) is a Puerto Rican writer,<br />
translator, educator, and curator. Her work combines<br />
music, lyricism, and translation; and often centers on<br />
the Hispanic population in the United States. Emerging<br />
Poet Laureate of Allegheny County 2020-<strong>2021</strong>,<br />
Paloma has presented her work with Project Y, Theatre<br />
Now New York, Poetic Theater Productions, Nuyorican<br />
Poets Cafe, and Carnegie Mellon School of Drama. Her<br />
verse dramas, poetry, and translations are published in<br />
Bridge: The Bluffton University Journal, Persephone’s<br />
Daughters, and Sampsonia Way. Paloma holds an MFA<br />
in Dramatic Writing and a BHA in Creative Writing and<br />
Drama from Carnegie Mellon University.<br />
Paloma Sierra<br />
United States<br />
123
POETRY FILMS<br />
Pattern noster<br />
Pattern noster is a video poem about the importance<br />
and the influence of patterns. Our world is full of numbers,<br />
shapes, meshes, warps, trills… No meanings,<br />
only strange mathematics and geometrical beauty.<br />
We try to find a way to understand it, but no science,<br />
no religion, no art could define this fractal chaos.<br />
Whatever the figure, the infinite is only a sequenced<br />
series of textures.<br />
About: A self taught artist from Provence, (1969), Yves<br />
Bommenel is an interdisciplinary artist with experience<br />
in radio, cultural organizing, publishing and<br />
mixed media on stage.<br />
” For me, video poetry is that moment of grace in which<br />
images convey to music an imaginary symbiosis of the<br />
text, giving them a new poetics. A quest somehow…”<br />
Yves “bobie” Bommenel<br />
France<br />
bobie.fr<br />
124
POETRY FILMS<br />
Return<br />
‘Return’ is a lyrical meditation on the Anthropocene<br />
that mingles the intimate and the eternal, the biological<br />
and the inanimate, the domestic with a sense of<br />
deep time.<br />
A fragile poem dreaming of transcending the darkness<br />
of the present. The abstract drawings originate<br />
from Raluca Popa’s ongoing preoccupation with Richard<br />
Tuttle’s work.<br />
Simona Nastac<br />
Raluca Popa<br />
United Kingdom<br />
125
POETRY FILMS<br />
Dark Myriad 70<br />
Dark Myriad 70 (Тьма Тем 70) is a videopoem that<br />
aims to create a new type of poetic language, integrating<br />
spoken word with moving image to develop<br />
an non-illustrative style. Set against a Magrittian backdrop<br />
the piece explores the shadows that tower over<br />
us like Napoleon against the Austerlitz sky. The videopoem<br />
presented here is part of an album called Dark<br />
Myriad (Тьма Тем). The project aims to integrate the<br />
audio-visual elements into inseparable rhythmic and<br />
rhyming compositions. The title Dark Myriad comes<br />
from an ancient Slavonic numbering system and signifies<br />
the biggest possible number, which is linguistically<br />
associated with darkness and its perceived infinity.<br />
About: Eta Dahlia is a Russian poet and filmmaker<br />
based in London. His work combines minimalist Russian<br />
poetry with a range of audio-visual media.<br />
Eta Dahlia<br />
United Kingdom<br />
126
POETRY FILMS<br />
I, Sheep<br />
I, Sheep combines video, poetry and performance to<br />
tell the story of a single ewe and her links to a farm<br />
and farming family.<br />
About: The creative team, working in collaboration,<br />
are Teresa Murjas (top right), James Rattee (bottom<br />
left) and Jack Thacker (top left).<br />
Jack Thacker<br />
Teresa Murjas<br />
James Rattee<br />
United Kingdom<br />
127
POETRY FILMS<br />
Going to the Well<br />
A group of Women seek water from three wells in this<br />
short film of the poem “Going to the Well” by Lani<br />
O’Hanlon<br />
About: Fiona is an artist, photographer and filmmaker<br />
based in Co. Wicklow in Ireland. She has exhibited her<br />
artwork in solo and group exhibitions as well as doing<br />
large scale work for Dublin City Council and Body &<br />
Soul music festival. Her short <strong>Poetry</strong>-<strong>Film</strong> made with<br />
poet Lani O’Hanlon was the winner of the O’Bheal<br />
<strong>International</strong> <strong>Poetry</strong> <strong>Film</strong> Competition 2019 and shown<br />
as part of the Indie Cork <strong>Film</strong> <strong>Festival</strong>.<br />
It was also screened at the REEL<strong>Poetry</strong> film festival in<br />
Houston in 2020.<br />
Fiona has just completed a BA in <strong>Film</strong> & TV Production<br />
with the University of Wolverhampton University.<br />
Lani O’Hanlon<br />
Fiona Aryan<br />
Ireland<br />
128
POETRY FILMS<br />
Shining Sheep<br />
This poetryfilm is dedicated to the German poet and<br />
philosopher Friedrich Hölderlin (1770 - 1843) who<br />
was diagnosed with schizophrenia. SHINING SHEEP<br />
(Leuchtende Schafe) is a consolation for the sleepless,<br />
the despaired, the left alones of our own century.<br />
About: Sascha Conrad is a German filmmaker and<br />
author for TV and radio based in Leipzig (Saxonia).<br />
He has been working as a freelance filmmaker since<br />
2008. His poetry shorts with the German performance<br />
poet Ulrike Almut Sandig have been screened in India,<br />
Austria, Ukraine, Germany and in the UK.<br />
Ulrike Almut Sandig<br />
Sascha Conrad<br />
Germany<br />
129
POETRY FILMS<br />
Sleeping in another galaxy<br />
& I came from here<br />
Sleeping in another galaxy: This poetry film is about the<br />
permanent struggle an individual faces between following<br />
his dreams and the bitterness of reality.<br />
I came from here: a visual adaptation of a poem by Iraqi<br />
poet Sargon Boulos, who left his country in his twenties<br />
in search of another home and reached “The City<br />
of Where”. He fled, leaving everything behind, but his<br />
memory turned into ghosts chasing him everywhere.<br />
About: Abhishek Singh is an Indian independent filmmaker<br />
who is currently a MA (<strong>Film</strong> Studies) student at<br />
Eötvös Loránd University, Budapest, Hungary. During<br />
his stay in Hungary, he teamed up with Masar Smari,<br />
an Iraqi actor and scientist, to make poetry films on<br />
the concept of alienation.<br />
Maitham Radhi<br />
Masar Smari<br />
Sargon Boulus<br />
Abhishek Singh<br />
Iraq / Hungary<br />
130
POETRY FILMS<br />
Tethered<br />
Gaia Alari (Director, Animator) and James Morehead<br />
(Poet Laureate - Dublin, California) team up to bring<br />
the poem “tethered” to life with the magic of traditional<br />
animation.<br />
The poem is a selection from Morehead’s debut book<br />
“canvas” (Viewless Wings Press, <strong>2021</strong>). “tethered” features<br />
2D animation created from 750 drawings. The<br />
animation was created for the 9:16 story format.<br />
About: Gaia Alari, is a visual artist based in Milan, Italy.<br />
She collaborates with international music bands and<br />
labels, such as: Lake Street Dive / Nonesuch Records<br />
(Warner USA), Ada Lea / SaddleCreek +Nextdoor<br />
Records (USA, Canada), Dana Gavanski / Full Time<br />
Hobby + Flemish Eye Records + Ba Da Bing! Records<br />
(UK, Canada, USA) , TOLEDO (USA), Low Cut Connie<br />
/ Contender Records (USA), Florda (Canada), Dot<br />
Comet (USA), Crom Lus (UK). She also works with<br />
Paris based skate crew and brand Quotamine directing<br />
commercials in clay animation and designing<br />
boards and products featuring her artworks.<br />
Gaia Alari<br />
United States<br />
viewlesswings.com<br />
131
POETRY FILMS<br />
The Cherry Tree<br />
The Cherry Tree is a 2D mixed media animation of a<br />
poem written by Vicki Feaver in 2020, which reflects<br />
on a lifelong relationship between a woman and a tree.<br />
About: Voice by Dani Limon, animation and sound<br />
Suzie Hanna.<br />
Vicki Feaver<br />
Suzie Hanna<br />
United Kingdom<br />
suziehanna.com<br />
132
POETRY FILMS<br />
One Sunday in Winter<br />
Animation, poetry and digital painting evoke a winter’s<br />
day by the ocean.<br />
This film poem was inspired by a day trip to Karekare,<br />
a wild and beautiful expanse of untouched coastline<br />
in West Auckland. Expressionist in approach, it tells<br />
its story via hand written haikus, animated painting,<br />
ambient sound and treated flute. An abstract landscape<br />
of minimal brush work and kinetic gestures suggest<br />
the motion of waves, cloud and seagulls in flight.<br />
About: Martin Sercombe has been making poetry<br />
inspired short films for many years. This is the first<br />
time he has combined animated painting with the written<br />
word, exploring a hybrid language of poetic, visual<br />
music. His single screen works have been screened<br />
at many international festivals in the USA, UK, Holland,<br />
Spain, Japan, Australia and Hong Kong. His video<br />
production company, Media Projects forms partnerships<br />
with community groups and institutions to produce<br />
educational resources exploring heritage, the<br />
arts and social issues.<br />
Martin Sercombe<br />
New Zealand<br />
mediaprojects.co.nz<br />
133
POETRY FILMS<br />
Tardigrade<br />
An experimental poetry film on the microscopic tardigrades<br />
shot to the moon on the Beresheet lunar lander,<br />
followed by a brief statement on existential threats<br />
and archival cultures, and a haiku.<br />
About: Kim Trainor is the granddaughter of an Irish<br />
banjo player and a Polish faller who worked in the<br />
logging camps around Port Alberni in the 1930s. Her<br />
second book, Ledi, a finalist for the 2019 Raymond<br />
Souster Award, describes the excavation of an Iron<br />
Age horsewoman’s grave in the steppes of Siberia.<br />
Her next book, Bluegrass, will appear with Icehouse<br />
Press (Gooselane Editions) in 2022. She teaches in the<br />
English Department at Douglas College and lives in<br />
Vancouver, unceded homelands of the xʷməθkʷəy̓əm,<br />
Skwxwú7mesh, and Tsleil-Waututh Nations.<br />
Kim Trainor<br />
Canada<br />
134
POETRY FILMS<br />
Singularity<br />
An animated exploration of poet Marie Howe’s “Singularity<br />
(after Stephen Hawking),” a meditation on<br />
the connections between the grandly cosmic and<br />
the intensely personal. Read by the poet, as part of<br />
Maria Popova’s “Universe in Verse” poetry festival in<br />
New York City.<br />
Marie Howe<br />
Elizabeth Myer<br />
Matthew Boulton<br />
United States<br />
135
POETRY FILMS<br />
On the river<br />
“On the River” is a poetic experimental film in tribute<br />
to Barbara Strobl and Simon Etter, who received the<br />
Mercator Prize for their outstanding research. The<br />
stop-motion film follows the course of the river. From<br />
its source in the mountains, the water drips, drums,<br />
splashes, flows, foams, roars all the way to its mouth in<br />
the sea. The strong abstraction of the images and the<br />
powerful composition of Fritz Hauser direct the concentration<br />
to the poetic text of Matjaž Grilj, who links<br />
the knowledge of research with the sensuous attraction<br />
and his personal relationship with water.<br />
About: Katharina Weikl*1975 Born in Erlangen, Germany,<br />
is a curator, film maker, and science communicator.As<br />
Deputy Head of the Graduate Campus of<br />
the University of Zurich, she is committed to promoting<br />
young scientists, transdisciplinary exchange and<br />
dialogue with the public. As a curator, she promotes<br />
the dialogue between art and science through exhibitions<br />
such as: 100 Ways of Thinking, Kunsthalle Zürich,<br />
2018; Transactions, Manifesta 11, 2016.<br />
Mathias Grilj<br />
Katharina Weikl<br />
Claudia Röthlin,<br />
Yves Gutjahr<br />
Switzerland<br />
136
POETRY FILMS<br />
Between Two Waters<br />
A poem about men and its relation with the sea and<br />
the time<br />
About: Carles Pamies Sauret, Barcelona, 1964 Graduated<br />
in Information Sciences, he has been working<br />
in television since 1987 in all kinds of genres and formats.<br />
Simultaneously, he develops his poetic activity<br />
and his own audiovisual work, which gives him his<br />
own creative universe, without sticking to trends or<br />
groups of creators. With perpetual discontinuity, he<br />
considers himself a sniper oblivious to prevailing fashions<br />
and currents<br />
Carles Pamies Sauret<br />
Spain<br />
137
POETRY FILMS<br />
This Dark Water<br />
As a poetry film, the work gives voice to concern over<br />
the onerous manner of our presence within the environment,<br />
and proffers lamentation upon the perpetuated<br />
mutual damage and loss that ensues.’<br />
About: Elin is an award-winning Visual Artist in practice<br />
since 2010. Her practice is inter-disciplinary in<br />
basis with digital process at it’s core, including Video<br />
and Experimental Moving Image, 2D Digital Imaging,<br />
and 3D Sculptural Assemblage. Through her work<br />
she investigates aspects of collective and individual<br />
corporeal presence, impact upon place, conditions<br />
of self, and making visible resonances of shared cultural,<br />
industrial, and social memory. Her work has been<br />
exhibited and screened nationally and internationally,<br />
and is held in a number of public collections including<br />
that of the Arts Council of Northern Ireland and<br />
The Poetic Phonotheque, Copenhagen.<br />
Elin Johnston<br />
United Kingdom<br />
elinjohnston.com<br />
138
POETRY FILMS<br />
Sexy Recycling<br />
Poem by Beth Calverley from her anthology Brave<br />
Faces and Other Smiles<br />
About: Director and animator Nigel Smith explores<br />
themes of plastic pollution and recycling in practical<br />
ways, using recycled materials and wet-on-wet stop<br />
motion animation.<br />
Nigel Smith<br />
Gladstone Smith<br />
United Kingdom<br />
139
POETRY FILMS<br />
Haiku<br />
“Haiku | 俳 句 ” is a symphonic audiovisual project<br />
for two Japanese performers, alternating percussion<br />
groups, soundscapes and rhythmicized video<br />
sequences. The film is an experimental approach<br />
to pay tribute to the extraordinary art of Japanese<br />
haiku poetry.<br />
About: Martin Gerigk (1972) is a composer of contemporary<br />
music. His repertoire includes compositions<br />
for orchestra and chamber music, as well as several<br />
solo concertos. In this context he works together<br />
with renowned international soloists and ensembles.<br />
In addition to his compositional work he is known for<br />
his remarkable audiovisual art and experimental films<br />
which focus on inherent synesthetic connections of<br />
sound and visual perceptions. Besides creating interwoven<br />
aural and visual landscapes of music, nature<br />
sounds and video sequences one important aspect of<br />
his art is the illustration of the hidden poetry of nature<br />
phenomena and sciences.<br />
Martin Gerigk<br />
Germany<br />
martin-gerigk.de<br />
140
POETRY FILMS<br />
Breathe<br />
“BREATHE” is a short film adapted from the crowdsourced<br />
ecopoem of the same title by youth in San<br />
Mateo County. The film explores the layered connections<br />
between nature and culture through poetry. It<br />
asks the question, how do we re-imagine a more sustainable<br />
future.<br />
About: Aileen Cassinetto is a Filipino American poet<br />
and publisher born and raised in Manila, Philippines.<br />
She was named an Academy of American Poets Laureate<br />
Fellow in <strong>2021</strong> and currently serves as the Poet<br />
Laureate of San Mateo County, California.<br />
San Mateo County youth/<br />
Aileen Cassinetto<br />
United States<br />
aileencassinetto.com<br />
141
POETRY FILMS<br />
Bridge Vision<br />
Vision is an attempt to make a digital project resonate<br />
as tactile. With visuals meant to call to mind lacunae<br />
and a poem that is traditional, somewhat metered,<br />
handwritten, and 14 lines, it is an incantation of sorts.<br />
Contemplating integration and disintegration, very<br />
present themes this year, the text is layered with disintegrating<br />
leaves. Water can be seen moving through<br />
the holes, and scraps of the poem appear handwritten<br />
text. It is a ghost poem.<br />
Carolyn Guinzio<br />
carolynguinzio.tumblr.<br />
com<br />
142
POETRY FILMS<br />
Murmur of Icebergs<br />
A poetic murmur shortens the distance between 80º<br />
and 22º latitude north, as well as the gap between<br />
the Arctic Ocean and the Pearl River Delta. Are the<br />
melting glaciers and a small Chinese southern city<br />
reclaimed from the sea existing on parallel universes,<br />
or is it simply karma?<br />
If we get a chance to stay awake, will catastrophe turn<br />
out to be nothing but a bad dream?<br />
About: Un Sio San is a renowned poet and artist based<br />
in Macao. She obtained a dual Bachelor degree in Chinese<br />
Language and Art (film and television direction)<br />
at the Peking University and a dual Master degree in<br />
East Asia Studies and Asia Pacific Studies at the University<br />
of Toronto with the research field in documentary<br />
films. Un has won numerous awards and has published<br />
several books such as Wonderland, Exile in the Blossom<br />
Time and Evolution of Love. She’s highly praised<br />
by critics for ‘attaching extraordinary poetic significance<br />
to space’.<br />
Un Sio San<br />
Macao<br />
143
POETRY FILMS<br />
Life Was An Incident<br />
A videopoetry film based on the poem “Life Was an<br />
Incident” by the young Bulgarian poet Alexander<br />
Arnaudov.<br />
About: Vladimir Mihaylov was born in 1971 in Sofia,<br />
Bulgaria and studied at the National Academy for Theatre<br />
and <strong>Film</strong> Arts “Kr. Sarafov“, Sofia. He is a cinematographer<br />
with broad experience in feature and<br />
documentary films, TV series, ads and music videos.<br />
Short films of videopoetry is his personal experimental<br />
project.<br />
Alexander Arnaudov<br />
Vladimir Mihaylov<br />
Bulgaria<br />
vidimo.bg<br />
144
POETRY FILMS<br />
Homeland I<br />
A man with a crutch throws away his homeland which<br />
is the gauze, the wound and his leg.<br />
According to Roland Barthes, one’s homeland is one’s<br />
childhood, taking us where memories have formed<br />
our first homeland, the primordial and decisive one.<br />
Homeland I, is a video about the sense of that place.<br />
What is it exactly?<br />
Each person is formed through childhood memories<br />
and recalling these memories, one performs a peculiar<br />
patriotic recognition of the first and fundamental<br />
homeland of their existence.<br />
Georgia Diakou<br />
Eugenia Grammenou<br />
Greece<br />
eugeniagrammenou.com<br />
145
POETRY FILMS<br />
A Soul With No Home<br />
A journey in the memory of a child who shares his<br />
story of getting lost in his homeland, Damascus. Once<br />
he grows up, his path continues to be one of searching<br />
for home.<br />
About: Bachar Bachoura is a Syrian filmmaker who left<br />
when the civil war started, beginning a new journey<br />
in Canada. Here, he changed his major to cinema and<br />
specialized in animation. <strong>Film</strong>making has become his<br />
chosen way of storytelling and connecting through<br />
experiences and emotions.<br />
Bachar Bachoura<br />
Canada<br />
146
POETRY FILMS<br />
Free Belly<br />
With nature at the center of everything, the video, it<br />
invites us to reflect on our relationship with nature,<br />
with the green, with animals, with our roots and with<br />
our ancestral essentiality.<br />
Danilo Adriano Marinho<br />
Núria Such Basiana<br />
Spain<br />
danilomarinho.com<br />
147
POETRY FILMS<br />
Back to <strong>Nature</strong><br />
What does nature mean to you? How does it relate to<br />
your life? Through breathing, dancing and laughing,<br />
this film explores the relationship we have with the<br />
elements as well as envisioning an inclusive, eco-conscious<br />
and enjoyable fashion.<br />
About: Fer is a Latin Queer individual who is going<br />
into their 4th year of Performance Production at Ryerson<br />
University in Toronto, Canada. She was born and<br />
raised in Chile and has moved around the world following<br />
her passion for art, community and decolonization.<br />
Fer Pezoa<br />
Chile<br />
148
POETRY FILMS<br />
Shea, by Nasra<br />
A family displaced by greed searches for a new home<br />
in a foreign place. As they explore they discover pieces<br />
of themselves; old and new. “Shea” celebrates what<br />
has always remained in Black/African peoples, an<br />
innate sense of home, luxury and interconnectedness.<br />
About: Effy Adar is a Black self taught multidisciplinary<br />
artist, DJ, organizer and curator based in Amiskwaciwaskahikan<br />
on Treaty 6 territory. She has worked in<br />
theatre as an actor, sound and video designer. She<br />
uses dance, art and education for community building,<br />
healing, and celebration. She loves making art,<br />
teaching workshops, and working on grassroots projects.<br />
Effy believes in creating the world we want to<br />
live in by finding imaginative ways to learn, connect,<br />
express, and contribute.<br />
Nasra Adem<br />
Effy Adar<br />
Canada<br />
149
POETRY FILMS<br />
Winter Sleep<br />
Winter Sleep, based on a poem by Sheri Benning published<br />
in The Paris Review, offers affective critique of<br />
the agroindustry in prairie Canada. The poem and<br />
film, in conversation, ask viewers to reckon with the<br />
devastating socio-environmental impact of agribusiness,<br />
a clarifying task in re-conceiving new horizons<br />
for being here.<br />
“Winter Sleep” is a collaboration between writer,<br />
Sheri Benning, filmmaker, Chad Galloway and visual<br />
artist, Heather Benning. Sheri Benning’s fourth<br />
poetry collection, Field Requiem, is forthcoming<br />
with Carcanet Press in Fall <strong>2021</strong>. Poems from Field<br />
Requiem have been published in The Paris Review,<br />
The Times Literary Supplement, <strong>Poetry</strong> Review, Brick<br />
and the PN Review.<br />
About: Chad Galloway is an award-winning director<br />
and editor based in Vancouver, Canada. For ten years,<br />
he has been the key creative at Trail <strong>Film</strong>s, a creative<br />
studio specializing in socially beneficial documentary.<br />
His work has taken him into the Canadian arctic, up the<br />
Mayan coffee mountains of Chiapas, Mexico and deep<br />
into the backstreets of Kampala, Uganda. His work has<br />
screened internationally, winning a number of wards<br />
including Best Documentary and Best Director. His<br />
recent documentary “Sadika’s Garden” is currently<br />
airing on both the CBC and Knowledge Network.<br />
Sheri Benning<br />
Chad Galloway<br />
Canada<br />
150
POETRY FILMS<br />
The Polar Caps of Memory<br />
Wailing sounds on flying thoughts, a harmonic chaos.<br />
About: Since 1980 Joachim Hofmann works as a freelance<br />
director, cameraman and producer. His filmography<br />
now includes about 80 short films, documentaries<br />
and features.The films “3 tiny poems” and the “Locomotive<br />
Conspiracy” have performed internationally<br />
with the Goethe Institut’s touring program. Short films<br />
like “The 7th Pregnancy” or “When the Earth Cries”<br />
received awards and first prizes at national and international<br />
festivals. The founding of “Fehrfeld Studios”<br />
for the dissemination of cinematographic energy, the<br />
Very fast <strong>Film</strong> <strong>Festival</strong>, X.screen, and the Perforated<br />
Particle Projection Project are among the projects that<br />
Hofmann created. Various exhibitions in the fields of<br />
installation, photography and sculpture. Jury work<br />
at national and international shorfilm festivals. Since<br />
1985 teaching at the University of the Arts Bremen,<br />
the <strong>International</strong> Academy of Arts, the University of<br />
Bremen, the Wilhelm Wagenfeld School Bremen.<br />
Michael Augustin<br />
Joachim Hofmann<br />
Germany<br />
151
POETRY FILMS<br />
Slow Dive<br />
Existential video poem about the futility of any epistemological<br />
inclinations of a human being and about<br />
the existential drama caused by the understanding<br />
of this fact.<br />
About: Caravanvideo is a creative duet between Vera<br />
Kuznetsova and Andrei Zaitcev – two Russian filmmakers<br />
currently working in Spain. They mainly focus on<br />
concept music videos and experimental footage. An<br />
important place in their work is occupied by the interaction<br />
of human beings and nature, the collective<br />
unconscious and the microcosm.<br />
Juha Mäki-Patola<br />
Andrei Zaitcev<br />
Spain<br />
juhamakipatola.com<br />
152
POETRY FILMS<br />
Everyday an Apocalypse<br />
A poem exploring eco-grief, twinning ecocide and<br />
covid19 as cataclysmic, apocalyptic events. A collaboration<br />
between poet Debra Watson, musician Alicia<br />
Macanas and videographer Mad Pirvan.<br />
About: Mad Pirvan is a Romanian multidisciplinary<br />
artist, based in London. She is co-founder of The<br />
Bloody Poets and produced a series of mixed arts<br />
events in England and Spain such as In the midst of<br />
the rhyme, Re: Naissance and Drama Queers. She has<br />
recently published the book and record ‘La musa suicida’<br />
with Las Hermanas del Desorden and directed<br />
their first audiovisual work ‘Incantation’/ Hechizo which<br />
has been featured in various international festivals.<br />
She has worked in theatre, radio and film. Mad has<br />
also been part of The <strong>Poetry</strong> Brothel cast since 2013<br />
as a poet and performer.<br />
Mad Pirvan<br />
United Kingdom/ Romania<br />
153
POETRY FILMS<br />
The Passage of the Horses<br />
A video poem about the passage of horses.<br />
Desirée Jung<br />
Canada<br />
desireejung.com<br />
154
Tremella Radio is a community online station based in Copenhagen,<br />
independently and democratically self-run, serving as a platform for<br />
community’s voices and conversations that matter, and making room<br />
for activism, plays, podcasts and DJ sets, experimental sound projects,<br />
audiopoems, talk shows and other earworms.<br />
Having a literary focus, some of the shows included are the European Beat<br />
Studies Network podcast, the <strong>International</strong> Centre for Women Playwrights,<br />
Litteraturcentrum KVU, and of course, an hour every Sunday to listen to the<br />
Poetic Phonotheque’s poetry recordings, sent from all over the planet.<br />
WWW.TREMELLARADIO.EU
RIKKE WINKLER NILLSON
6.<br />
ART: JELLY NET<br />
BY RIKKE WINKLER NILSSON<br />
ENVIRONMENTAL POETRY
ENVIRONMENTAL POETRY<br />
Privilege<br />
Trees are not greedy.<br />
They collaborate,<br />
make just enough leaves.<br />
Cheetahs are not greedy.<br />
They don’t hunt<br />
any more than necessary.<br />
I am not greedy.<br />
I just don’t know the difference<br />
between need and want.<br />
Michael Favala Goldman<br />
United States<br />
158
ENVIRONMENTAL POETRY<br />
The Future Question<br />
Tread<br />
and by treading<br />
we will expand<br />
and by proliferating<br />
we will accelerate<br />
and with this speed<br />
we will compete<br />
and with this voracity<br />
we will possess<br />
and from these resources<br />
we will devour<br />
and after this destruction<br />
we will question<br />
the meaning of dust<br />
and the purpose of ash.<br />
Pablo Saborío<br />
Costa Rica-Denmark<br />
159
ENVIRONMENTAL POETRY<br />
What is grass?<br />
There’s a god in the grass<br />
and it tells us our purpose<br />
which is to tear it all up, bit by bit.<br />
All day we take our communion.<br />
We inhabit a holy carpet.<br />
There’s a voice in the trees<br />
and a drone in the sky. To eat,<br />
to sleep, to stand and try to die<br />
is our purgatory. It’s easy enough<br />
to say it – ‘weather’ is a verb.<br />
We go along with rituals.<br />
We entertain possibilities.<br />
Dust rises. Fresh grass. We know<br />
where we are going and will go<br />
in our time – unless pushed.<br />
We are held. We are patient.<br />
The operation is tolerated.<br />
Resistance is offered – otherwise<br />
it would be obvious. We are<br />
handled. We struggle. We dig in.<br />
There is a thing we learn and<br />
it comes to us naturally.<br />
Soon<br />
we return freely to the green<br />
of our eyes, of our minds<br />
and lower our heads to it.<br />
We understand how to suffer –<br />
maggots, blindness, foot rot, worms,<br />
loneliness, yes, and mastitis.<br />
We are, despite it all, used<br />
to it all and its violence.<br />
Jack Thacker<br />
United Kingdom<br />
160
ENVIRONMENTAL POETRY<br />
A delightful misunderstanding<br />
I never thought about<br />
the particles that don’t come out of<br />
power plants and automobiles<br />
it was an astounding place<br />
full of wonder, magic, and exquisite personal style<br />
I was delighted by the decorations and the way i<br />
was treated<br />
and the people i was travelling with were also<br />
delighted<br />
I had been using my hydrating lotion for normal skin<br />
types<br />
but when i set off for home for christmas<br />
to visit my family, i immediately noticed that my skin<br />
was again getting irritated<br />
I never thought about cosmetic pollution<br />
the particles that don’t come<br />
from power plants and<br />
automobiles<br />
Cristian Forte<br />
Argentina<br />
161
ENVIRONMENTAL POETRY<br />
Going to the Well<br />
Three wells,<br />
as in a fairytale;<br />
the first well is dry,<br />
the second well is dry,<br />
the third well is dry.<br />
A woman asks if there is a well committee<br />
someone to tell us where the water went.<br />
We are thirsty then,<br />
desperate for a drink.<br />
A woman climbs down into the well<br />
begins to dig with an old tin cup.<br />
We wait for a trickle<br />
some hint of moisture to wet our lips<br />
with whatever cure is here.<br />
She holds it up,<br />
we lean forward to see<br />
but in the cup there is only money.<br />
Lani O’Hanlon<br />
Ireland<br />
162
ENVIRONMENTAL POETRY<br />
Return<br />
At the end, you handed me an apricot,<br />
originally from Asia, after Plinius.<br />
A thousand years later,<br />
I smashed stone with stone<br />
on the block’s stairwell.<br />
The words leaned, arbitrarily,<br />
to the left.<br />
A thousand years later still,<br />
flowers blossom before leaves -<br />
the only gesture in a city<br />
extinct.<br />
Simona Nastac<br />
United Kingdom<br />
163
ENVIRONMENTAL POETRY<br />
The woods<br />
It’s very still here today.<br />
No saws rumble today,<br />
no harvester whines,<br />
there’s no one here. Not even trees.<br />
Can anyone spot an animal anywhere?<br />
No. No animals tread here.<br />
It’s long since any beasts have prowled this place,<br />
not even werewolves.<br />
Only the forest.<br />
In this forest,<br />
there’s not even wind.<br />
This forest doesn’t rustle.<br />
No twigs snap,<br />
no leaves fall, no splintered trunks squawk,<br />
not a single bird sings anywhere.<br />
This is an Estonian forest.<br />
Listen to the sound of silence.<br />
Listen in silence.<br />
Listen to the way it softly whines,<br />
to the way<br />
it whimpers,<br />
to the way it wishes to say something but can’t,<br />
to the way it buzzes like a mosquito.<br />
Listen to the booming of silence.<br />
The rustling of silence.<br />
It haunts you.<br />
Haunting silence.<br />
Haunt, golden beast.<br />
Hasso Krull<br />
Estonia<br />
Translated into English by<br />
Adam Cullen<br />
164
ENVIRONMENTAL POETRY<br />
I dreamt I was<br />
watching a disaster film<br />
I bought popcorn and picked my seat<br />
– slightly left of center –<br />
No one had brought a kid along:<br />
Anyway, this wasn’t real.<br />
Close up: a Mumbai track shoe factory,<br />
a child worker.<br />
He’s learned Math, the English<br />
alphabet,<br />
this world and the third world,<br />
the bleeding of his fingers a red pen<br />
correcting his worth.<br />
The frozen river, in its bottomless<br />
depths<br />
completes its burial rites.<br />
Wide shot: the scorching winds blow, carrying<br />
resounding farts from corn-fed cattle.<br />
At this moment, someone called out:<br />
This is blatantly an art house film!<br />
This storyline is so dreary—<br />
You’re killing me here.<br />
The film drew to a close, a hundred years had<br />
passed.<br />
Production credits began their crawl. We slowly<br />
departed.<br />
Everyone seemed immensely satisfied<br />
That their names appeared right at the end.<br />
Un Sio San<br />
Macao<br />
Translated into English by<br />
Jeremy Tiang<br />
165
166<br />
RIKKE WINKLER NILLSON
Kulturhuset Islands Brygge<br />
Islands Brygge 18, 2300 Kbh S<br />
kulturhusetislandsbrygge.kk.dk