08.11.2021 Views

Connected By Threads

Gill Crawshaw has created an illustrated essay that tells a story of disabled women and textiles. She makes connections between textile art created by contemporary disabled women artists and needlework produced by women incarcerated in institutions of the 19th and early 20th centuries. Like those people who turned to genealogy during lockdown to research their family history, Gill aims to show connectivity between one generation and the next, highlighting kinship, shared practices and traditions, driven by her curiosity about disabled needleworkers and textile artists.

Gill Crawshaw has created an illustrated essay that tells a story of disabled women and textiles. She makes connections between textile art created by contemporary disabled women artists and needlework produced by women incarcerated in institutions of the 19th and early 20th centuries. Like those people who turned to genealogy during lockdown to research their family history, Gill aims to show connectivity between one generation and the next, highlighting kinship, shared practices and traditions, driven by her curiosity about disabled needleworkers and textile artists.

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Mary Frances Heaton,

Patterns for silk

pocket books from

1842 to 1846, no date

Linen with cotton thread

Photo courtesy of the

Mental Health Museum

Sandra Wyman, Turning Ugly (detail), 2014

Hand-dyed cotton, cotton thread

Image description:

Designs showing both the

front and back of three silk

envelopes, mainly floral.

The title appears at the top,

and the sentence ‘Offered

to the Queen thro the

medium of Sir C. Wood’

runs down the centre of the

sampler, the text turned on

its side.

Image description:

Several hand-dyed quilted fabric in pinks, blues and purples. Text is

embroidered in lines that fill the top half, giving way to churning lines

below. The text reads: The two years that followed were the worst of

mine and my mother’s lives. To us it was an ugly place, a place of

emotional squalor, isolation and desperation. It was many years later

that I realised it was one of the most beautiful parts of the country.

Page 28

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