Mariely Marquez | Design Portfolio
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M A R I E L Y M A R Q U E Z
Hello<br />
ABOUT ME<br />
EXPERIENCE<br />
I have been a student at CCD for over 3 years now. When I took<br />
my first CCD graphic design classes in my senior year of high<br />
school, I realized that design is something that I enjoy doing.<br />
Apart from design, I am also a 2-Dimensional artist. Most of my<br />
work consists of drawings and paintings, however I’m open to<br />
working with any medium. In the past, I’ve explored many<br />
different art forms such as theatre, music, and audio production.<br />
My artwork has won multiple awards, and has been featured in<br />
various art shows such as the CCD Student Art Show and the<br />
Congressional Art Competition. I’ve also been a featured artist<br />
in CCD’s Dock Gallery.<br />
2021<br />
2021<br />
Artist Mentor - Academic Mentors Project<br />
Community Resources Inc.<br />
Denver, CO<br />
As an academic mentor for Community Resources Inc., I volunteer my time to mentor a DPS student in<br />
their chosen area of interest. Over the course of six 1-hour meetings, I teach the student what I know<br />
about art and design, and provide advice on how to develop their work further. The ultimate product of<br />
these meetings is a project completed by the student using what they’ve learned from their mentor.<br />
Arts, Behavioral, and Social Science Office Assistant<br />
Community College of Denver<br />
Denver, CO<br />
As a work study for the Arts, Behavioral, and Social Science department at CCD, I handle a variety of<br />
administrative and organizational tasks including: managing phone calls and emails, and answering questions<br />
about the department from both staff and students. I am also responsible for contacting students,<br />
setting up meetings, and distributing laptops in regards to CCD’s CRRSAA Emergency Aid program.<br />
EDUCATION<br />
2020<br />
Graphic <strong>Design</strong>er<br />
Upwork<br />
Denver, CO<br />
2021<br />
Associates of Applied Science, Graphic <strong>Design</strong><br />
Community College of Denver<br />
Denver, CO<br />
UpWork is an online platform for freelancers to gain access to a variety of jobs within their areas of<br />
expertise. While working through the site, I worked on both short-term and long-term graphic design<br />
projects. I was responsible for communicating with my clients about my rates, timelines, and meetings<br />
regarding the projects.<br />
720 474 9697<br />
MARIELYMDESIGN@GMAIL.COM<br />
2020<br />
2019<br />
Graphic <strong>Design</strong> Certificate<br />
Community College of Denver<br />
Denver, CO<br />
Kunsmiller Creative Arts Academy High School<br />
Denver, CO<br />
2019<br />
IdeaLAB Technical Assistant<br />
Denver Public Library - Hadley Branch<br />
Denver, CO<br />
The IdeaLAB is a designated creative space found in various Denver Public Library locations. These<br />
spaces are equipped with materials such as computers with design software, craft supplies, soldering<br />
irons, and die-cut machines- all of which are free to use by the public. As a technial assistant in the<br />
IdeaLAB, I helped visitors of all ages complete creative projects. Outside of the IdeaLAB, I provided<br />
general help and customer service around the library.<br />
MARIELYMDESIGN.COM<br />
Introduction Resume 03
Project Name Branding & Identity 05
01<br />
<strong>Mariely</strong> M <strong>Design</strong> Logo Process<br />
PERSONAL BRANDING<br />
Brand Identity, Logo <strong>Design</strong><br />
<strong>Mariely</strong> M <strong>Design</strong> is a clean, concise, and modern brand.<br />
The primary logo mark is my initial being orbited by<br />
a star. My goal was to create a sense of elegance and<br />
magic by featuring a star symbol, overall bringing a<br />
mystical aspect to the brand identitiy.<br />
MARIEL Y MARQUEZ<br />
<strong>Mariely</strong> M <strong>Design</strong><br />
Branding & Identity<br />
07
<strong>Mariely</strong> M <strong>Design</strong> Fonts & Colors<br />
PRIMARY FONT:<br />
LATO<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyz<br />
1234567890 !@#$%^&*()?/:;<br />
SECONDARY FONT:<br />
ORPHEUS PRO REGULAR<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyz<br />
1234567890 !@#$%^&*()?/:;<br />
Rich Black Night Navy Cream Sleek White<br />
CMYK: 0, 0, 0, 100<br />
RGB: 0, 0, 0<br />
Hex: #000000<br />
CMYK: 88, 71, 57, 68<br />
RGB: 10, 32, 43<br />
Hex: #0a202b<br />
CMYK: 0, 5, 6, 0<br />
RGB: 255, 241, 233<br />
Hex: #fff1e9<br />
CMYK: 0, 0, 0, 0<br />
RGB: 255, 255, 255<br />
Hex: #ffffff<br />
<strong>Mariely</strong> M<strong>Design</strong> 09
02<br />
GETAWAY CAFE<br />
Brand Identity, Logo <strong>Design</strong>, Brochure, Poster<br />
The Getaway Bakery is a fictional cafe that sells coffee<br />
and pasteries from around the world. For this project,<br />
I primarily used In<strong>Design</strong> to create various branding<br />
elements. By exploring the capabilities of In<strong>Design</strong>, the<br />
individual elements came together at the end to create<br />
the branding of the bakery.<br />
The Getaway Cafe and Bakery logo is a classic, friendly<br />
mark inspired by a circular passport stamp. The emerald<br />
green tone used throughout the brand colateral alludes<br />
to nature’s role in providing the delicious products<br />
featured at the Getaway Cafe and Bakery. The cream<br />
color that accompanies the green reminds us of the color<br />
of pasteries and coffee creamer.<br />
Getaway Cafe & Bakery<br />
Branding & Identity<br />
13
Th e<br />
The Getaway<br />
The<br />
Ge t away<br />
The<br />
Getaway<br />
Getaway Cafe Fonts & Colors<br />
Cafe & Bakery<br />
C a f e<br />
&<br />
B a k e ry<br />
c a<br />
f e<br />
&<br />
b a k e r y<br />
Cafe & Bakery<br />
PRIMARY FONT:<br />
ADOBE CASLON PRO<br />
SECONDARY FONT:<br />
MINION PRO<br />
Th e<br />
Cafe & Bakery<br />
C a<br />
The Getaway<br />
f e &<br />
B a k e r y<br />
Th e<br />
Cafe & Bakery<br />
Th e<br />
Cafe & Bakery<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyz<br />
1234567890 !@#$%^&*()?/:;<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />
abcdefghijklmnopqrstuvwxyz<br />
1234567890 !@#$%^&*()?/:;<br />
Emerald<br />
CMYK: 88, 63, 60, 60<br />
RGB: 16, 47, 52<br />
Hex: #102f34<br />
Nature Green<br />
CMYK: 90, 54, 56, 37<br />
RGB: 20, 75, 80<br />
Hex: #144b50<br />
Coffee Creamer<br />
CMYK: 0, 10, 12, 0<br />
RGB: 253, 231, 217<br />
Hex: #fde7dp<br />
Sleek White<br />
CMYK: 0, 0, 0, 0<br />
RGB: 255, 255, 255<br />
Hex: #ffffff<br />
Getaway Cafe & Bakery<br />
Branding & Identity<br />
15
Getaway Cafe & Bakery Branding & Identity 17
Getaway Project Name Cafe & Bakery<br />
Branding & Identity
OTHER PROJECTS
03.1<br />
PROJECT WERNER HERZOG NAME<br />
Poster <strong>Design</strong><br />
The objective for this project was to design a poster<br />
for the 2020 Cannes Film Festival in France. The poster<br />
had to utilize a grid with up to16 columns and 4-6 rows.<br />
Additionally, all type used in the poster had to be in the<br />
Helvetica Neue sans serif font family. All graphics and<br />
type were limited to only two colors. Overall, the poster<br />
had to demonstrate an understanding of the Swiss Grid<br />
and take inspiration from designers such as Massimo<br />
Vignelli or Joseph Muller Brockman.<br />
Werner Herzog Poster<br />
Poster <strong>Design</strong><br />
23
03.2<br />
SOMOS LOGO<br />
Logo <strong>Design</strong><br />
The Community College of Denver’s Office of Student<br />
Life hosts an annual event called “Somos CCD.” The<br />
event is a celebration of Hispanic Heritage Month. This<br />
year, the Office of Student Life requested a graphic that<br />
would be used as a logo for the event.<br />
The figures used in the logo were sourced from the<br />
internet, however, I stylized the vectors using color and<br />
making adjustments to the shapes to freshen them up<br />
and make them unique to the SOMOS logo.<br />
SOMOS Logo <strong>Design</strong> 25
WORLD BE THE CHANGE YOU WISH<br />
TO SEE IN THE WORLD BE THE CHANGE<br />
YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE<br />
BE<br />
IN THE<br />
WORLD<br />
CHANGE<br />
BE THE YOU WISH TO SEE IN THIS WORLD<br />
YOU WISH TO SEE IN THE WORLD CHANGE YOU WISH TO SEE<br />
IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD CHANGE YOU WISH TO SEE<br />
IN THE WORLD BE THE CHANGE YOU<br />
<br />
WISH TO<br />
BE<br />
SEE<br />
THE<br />
IN WORLD<br />
CHANGE<br />
BE THE YOU WISH TO SEE IN THIS WORLD<br />
YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />
THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE<br />
WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD<br />
BE THE<br />
THE<br />
CHANGE<br />
CHANGE<br />
YOU WISH TO SEE<br />
YOU<br />
IN<br />
WISH TO SEE IN THIS WORLD<br />
THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD THE CHANGE YOU WISH TO SEE IN THE<br />
WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD<br />
BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU<br />
BE<br />
WISH<br />
THE<br />
TO SEE<br />
CHANGE<br />
IN THE WORLD BE THE<br />
YOU WISH TO SEE IN THIS WORLD<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU<br />
BE<br />
WISH<br />
THE<br />
TO SEE<br />
CHANGE<br />
IN THE WORLD BE THE<br />
YOU WISH TO SEE IN THIS WORLD<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />
THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE<br />
WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />
BE<br />
THE CHANGE<br />
THE<br />
YOU<br />
CHANGE<br />
WISH TO<br />
YOU WISH TO SEE IN THIS WORLD<br />
SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />
CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE<br />
IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE<br />
BE<br />
YOU<br />
THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />
WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO<br />
SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN<br />
THE WORLD BE THE CHANGE YOU WISH TO SEE IN<br />
THE WORLD BE THE CHANGE YOU WISH TO SEE<br />
IN THE WORLD BE THE CHANGE YOU WISH<br />
<br />
CHANGE BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />
TO SEE IN THE WORLD BE THE<br />
YOU WISH TO SEE IN<br />
THE WORLD BE THE<br />
CHANGE YOU WISH<br />
TO SEE IN THE<br />
WORLD BE<br />
THE<br />
<br />
BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />
BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />
03.3<br />
EXPRESSIVE TYPE<br />
Typography, Poster <strong>Design</strong><br />
The objective for this project was to design a poster that would be folded into fourths using typography. The<br />
poster had to use a phrase, poem, or song lyric that would be brought to life by type. The style of the design<br />
must demonstrate an understanding of expressive typography and be influenced by the style of David Carson.<br />
Expressive Typography<br />
Poster <strong>Design</strong><br />
27
03.4<br />
DIA DE LOS MUERTOS<br />
Poster design, Illustration<br />
For Dia de los Muertos (Day of the Dead), the office of Visual Arts and Graphic <strong>Design</strong> requested<br />
a poster that would prompt viewers to contribute to CCD’s Dia de los Muertos Ofrenda. The<br />
deliverables associated with this project include the poster, a digital sign for campus TVs, an email<br />
flyer, and a banner image for CCD’s online gallery.<br />
DIA DE LOS MUERTOS<br />
OFRENDA<br />
INVITATION TO PARTICIPATE<br />
DIA DE LOS MUERTOS<br />
OFRENDA<br />
INVITATION TO PARTICIPATE<br />
DIA DE LOS MUERTOS<br />
OFRENDA<br />
INVITATION TO PARTICIPATE<br />
DIA DE LOS MUERTOS<br />
OFRENDA<br />
INVITATION TO PARTICIPATE<br />
CCDʼs Visual Arts & Graphic<br />
<strong>Design</strong> Department and World<br />
Languages Department invite<br />
you to participate in this year's<br />
Día de los Muertos community<br />
ofrenda to honor the life<br />
and memory of lost loved<br />
ones due to COVID-19.<br />
OFRENDAS MAY INCLUDE:<br />
Photos of lost loved ones, calaveras<br />
(skulls), paper marigolds, and<br />
decorated monarch butterflies.<br />
For more information on how to<br />
participate and digital<br />
resources, please visit:<br />
www.ccd.edu/dock-gallery<br />
Kindly drop off your ofrenda contributions<br />
at St. Cajetan's Church (101 Lawrence Way)<br />
on October 27th from 9 am - 12 pm.<br />
Ofrenda on view: NOV 1 - NOV 19 • Glass Gallery, Cherry Creek Building<br />
For Questions and Digital Contributions Contact: Camila.Galofre@ccd.edu<br />
CCDʼs Visual Arts & Graphic<br />
<strong>Design</strong> Department and World<br />
Languages Department invite<br />
you to participate in this year's<br />
Día de los Muertos community<br />
ofrenda to honor the life<br />
and memory of lost loved<br />
ones due to COVID-19.<br />
OFRENDAS MAY INCLUDE:<br />
Photos of lost loved ones, calaveras<br />
(skulls), paper marigolds, and<br />
decorated monarch butterflies.<br />
For more information on how to<br />
participate and digital<br />
resources, please visit:<br />
www.ccd.edu/dock-gallery<br />
Kindly drop off your ofrenda<br />
contributions at St. Cajetan's Church<br />
(101 Lawrence Way) on October 27th<br />
from 9 am - 12 pm.<br />
Ofrenda on view: NOV 1 - NOV 19<br />
Glass Gallery, Cherry Creek Building<br />
For Questions and Digital Contributions<br />
Contact: Camila.Galofre@ccd.edu<br />
CCDʼs Visual Arts & Graphic<br />
<strong>Design</strong> Department and World<br />
Languages Department invite<br />
you to participate in this year's<br />
Día de los Muertos community<br />
ofrenda to honor the life<br />
and memory of lost loved<br />
ones due to COVID-19.<br />
OFRENDAS MAY INCLUDE:<br />
Photos of lost loved ones, calaveras<br />
(skulls), paper marigolds, and<br />
decorated monarch butterflies.<br />
For more information on how to<br />
participate and digital<br />
resources, please visit:<br />
www.ccd.edu/dock-gallery<br />
Kindly drop off your ofrenda contributions at<br />
St. Cajetan's Church (101 Lawrence Way) on October 27th<br />
from 9 am - 12 pm.<br />
Ofrenda on view: NOV 1 - NOV 19 • Glass Gallery, Cherry Creek Building<br />
For Questions and Digital Contributions Contact: Camila.Galofre@ccd.edu<br />
Dia de los Muertos<br />
Poster <strong>Design</strong><br />
29
04<br />
LOCALITY<br />
Masthead <strong>Design</strong>, Magazine Layout<br />
This is a magazine for the creative, adventurous, and<br />
inspired. Locality magazine is a publication that works<br />
towards uplifting the voices of artists within our<br />
communities while also celebrating the art nestled<br />
within every aspect of our lives. Locality is a quarterly<br />
magazine that focuses on a new location every season.<br />
Each Issue hones in on that location’s art scene and<br />
culture by highlighting local artists, events, and much<br />
more. Although the pandemic has changed our way of<br />
doing things, Locality magazine reminds that art can help<br />
us make sense of our whole new world.<br />
Locality<br />
Magazine Layout<br />
31
Initial Masthead Concepts<br />
Final Masthead<br />
Locality<br />
Magazine Layout<br />
33
Initial Masthead Concepts<br />
Locality Fonts & Colors<br />
Masthead Font: Bely Display<br />
Headline Font: Agenda Medium<br />
A B C D E F G H I J K L M N O<br />
P Q R S T U V W X Y Z<br />
a b c d e f g h i j k l m n<br />
o p q r s t u v w x y z<br />
A B C D E F G H I J K L M N O P Q R<br />
S T U V W X Y Z<br />
a b c d e f g h i j k l m n<br />
o p q r s t u v w x y z<br />
Rich Black<br />
CMYK: 75, 68, 67, 90<br />
RGB: 0, 0, 0<br />
Hex: #000000<br />
Brilliant Red<br />
CMYK: 13, 93, 100, 3<br />
RGB: 237, 51, 30<br />
Hex: #cf331e<br />
Primary Font: DIN 2014 Narrow<br />
Body Font: Agenda Regular<br />
A B C D E F G H I J K L M N O P Q R S T<br />
U V W X Y Z<br />
A B C D E F G H I J K L M N O P Q R<br />
S T U V W X Y Z<br />
a b c d e f g h i j k l m n<br />
o p q r s t u v w x y z<br />
a b c d e f g h i j k l m n<br />
o p q r s t u v w x y z<br />
Yellow<br />
CMYK: 0, 22, 96, 0<br />
RGB: 255, 199, 29<br />
Hex: #ffc71d<br />
Sleek White<br />
CMYK: 0, 0, 0, 0<br />
RGB: 255, 255, 255<br />
Hex: #ffffff<br />
Project Name<br />
Branding & Identity<br />
35
Locality Magazine Layout 39
Locality Magazine Layout 41
05<br />
Initial Logo Concepts<br />
HAPPY BAKESHOP<br />
Brand Identity, Logo <strong>Design</strong>, Packaging <strong>Design</strong><br />
the<br />
The Happy Bakeshop began with three friends and a dream. This joyful trio wanted to make a bakery<br />
that would bring happiness to their customers. After some long nights, “Happy Cakes” was born in 2006.<br />
About a decade and a name change later, the Happy Bakeshop still brings smiles to those who visit.<br />
The Happy Bakeshop’s primary logo is classic, clean, and joyful. It emphasizes the Happy Bakery’s<br />
professionalism and friendliness. The logo bridges Bebas Neue’s strong, condensed forms with an<br />
approachable hand-written font inspired by Alkaline Bold.<br />
Bakesh op<br />
ba k e s h o p<br />
Original Logo<br />
HAPPY<br />
bakeshop<br />
the<br />
happy<br />
bakeshop.<br />
HAPPY<br />
bakeshop<br />
B<br />
P<br />
A K ESH O<br />
HAPPY<br />
bakeshop<br />
es td<br />
bakeshop<br />
2006<br />
d e n v e r<br />
Happy Bakeshop<br />
Branding & Identity<br />
45
Logo Anatomy<br />
HAPPY<br />
Bakeshop<br />
Unmodified Alkaline Bold<br />
Getaway Cafe & Bakery<br />
Branding & Identity<br />
47
ebas neue<br />
abcdefghi<br />
jklmnopqr<br />
stuvwxyz<br />
#EAAA28<br />
R:34 G:170 B:40<br />
C:8 M:35 Y:97 K:0<br />
#266BAB<br />
R:38 G:107 B:171<br />
C:87 M:57 Y:7 K:0<br />
Lato<br />
abcdefghi<br />
jklmnopqr<br />
stuvwxyz<br />
#25408F<br />
R:37 G:64 B:143<br />
C:100 M:90 Y:10 K:0<br />
#DF5E3A<br />
R:223 G:94 B:38<br />
C:7 M:77 Y:85 K:1<br />
Happy Bakeshop<br />
Branding & Identity<br />
49
Happy Bakeshop Branding & Identity 051
M A R I E L Y M A R Q U E Z