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142ND SEASON<br />
<strong>2020</strong>/<strong>21</strong><br />
ANNUAL REPORT
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
Letter From Our President<br />
STAY<br />
PRESENT.<br />
For the first time since our founding<br />
in 1879, <strong>UMS</strong> did not present any live,<br />
indoor concert performances in the<br />
<strong>2020</strong>/<strong>21</strong> season — but our impact on<br />
the community continued through an<br />
expansion of digital programming that<br />
reached audiences all over the world.<br />
As a lockdown that we initially thought<br />
might last a month or two extended<br />
into six months, and ultimately an<br />
entire season, we both situationally<br />
and intentionally moved from<br />
uncertainty to fortitude, from disbelief<br />
to resilience, and from disruption to<br />
innovation and evolution.<br />
Despite the change in the way we<br />
delivered our programs in the <strong>2020</strong>/<strong>21</strong><br />
season, we remained successful in<br />
fulfilling our mission of connecting<br />
audiences and artists in uncommon<br />
and engaging experiences and, with all<br />
of our digital programs being offered<br />
at no cost, we transcended both<br />
economic and geographic boundaries,<br />
with individuals in 65 countries across<br />
six continents viewing <strong>UMS</strong> programs.<br />
People and the human connection<br />
have always been the heart and soul<br />
of our business: certainly our artists,<br />
audiences, and supporters, but also<br />
the incredible staff that makes it all<br />
happen. I’m proud to report that over<br />
the past year, we kept our entire staff<br />
fully employed throughout all of the<br />
uncertainty, a commitment we made<br />
early on to take care of those who are<br />
so critical to the work that we do in<br />
the community. We also continued to<br />
support artists by investing in new<br />
work that will have a lasting impact. All<br />
of this was possible in because of the<br />
steadfast support of the University of<br />
Michigan and the many donors who<br />
continued to support our work.<br />
For many of our staff, this past year<br />
was a time of learning and professional<br />
growth, both by developing new skill<br />
sets that can be applied immediately<br />
and by diving into visioning and<br />
planning exercises that will allow us<br />
to come back from the pandemic in an<br />
even stronger position. We also took<br />
the social issues that exploded in the<br />
public consciousness over the past 18<br />
months as a call to action for our staff<br />
and spent a lot of time interrogating<br />
how we can become a more anti-racist<br />
organization in all that we do.<br />
The lessons learned from this most<br />
unusual year will continue to guide<br />
us in the future. There is no “back to<br />
normal” for us at <strong>UMS</strong>, but a thoughtful<br />
and ongoing progression toward a new<br />
way of implementing our work.<br />
We thank all of you for standing by<br />
us this past year, for your words of<br />
support and appreciation, and for your<br />
generosity in seeing us through an<br />
extraordinary moment. While none of<br />
us foresaw what the <strong>2020</strong>/<strong>21</strong> season<br />
would bring, we can confidently say that<br />
we are ready for what comes next —<br />
next season and into the future. As we<br />
look forward, particularly to our 150th<br />
season in 2029, we have a renewed<br />
commitment, a clarity of purpose, and<br />
a shared understanding of our vision to<br />
be an ever-present and positive force<br />
in bringing our community together.<br />
With deep gratitude for all of you who<br />
made this season possible,<br />
Matthew VanBesien<br />
President, <strong>UMS</strong><br />
2 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
3
Our Mission<br />
Our Values<br />
TO INSPIRE<br />
INDIVIDUALS AND<br />
ENRICH COMMUNITIES<br />
BY CONNECTING<br />
AUDIENCES AND<br />
ARTISTS IN UNCOMMON<br />
AND ENGAGING<br />
EXPERIENCES<br />
OUR VALUES<br />
INCLUSIVENESS AND ACCESSIBILITY<br />
We seek the broadest possible<br />
participation in accomplishing our<br />
mission involving artists, audiences, and<br />
ourselves, celebrating different cultures,<br />
perspectives, and experiences.<br />
RESPECT AND TRANSPARENCY<br />
We treat every individual with courtesy<br />
and genuine concern; we celebrate<br />
contributions from different cultures<br />
and seek mutual understanding; we are<br />
straightforward, open, and honest in all of<br />
our professional and personal interactions<br />
with others.<br />
INNOVATION AND TRADITION<br />
We value the importance of nurturing,<br />
investing in and presenting new artistic<br />
work and ideas, understanding that not all<br />
attempts will be successful; at the same<br />
time, we will celebrate and present the<br />
cultural and artistic legacy of the best<br />
traditional works of art.<br />
PARTICIPATION AND COLLABORATION<br />
We seek the active involvement of those<br />
who share our love of the arts, and we<br />
strive to establish partnerships with artists,<br />
individuals, groups, and organizations that<br />
will help us foster our mission.<br />
LEADERSHIP AND STEWARDSHIP<br />
We expect to achieve sustained excellence<br />
in all aspects of our organization. We<br />
anticipate being a model for peers to<br />
emulate, and we, in turn, seek to learn from<br />
and incorporate the best practices of each<br />
of them. We value those who contribute<br />
their time and resources and will manage<br />
<strong>UMS</strong> to provide a healthy and robust<br />
organization for all who follow.<br />
COMMITMENT TO BEING AN<br />
ANTI-RACIST ORGANIZATION<br />
We are committed not just to “not being<br />
racist,” but to being actively Anti-Racist.<br />
We recognize our privilege as a respected<br />
arts presenter with a broad platform<br />
and use our resources to champion the<br />
power of art to tell important stories about<br />
the breadth of the human experience,<br />
providing further opportunities for public<br />
discourse around socially-engaged<br />
artistic work. We have begun to deepen<br />
our diversity, equity, and inclusion work<br />
internally and externally, moving beyond<br />
representation into meaningful action and<br />
advocacy.<br />
4 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present<br />
5
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
Digital Artist Residencies<br />
DIGITAL ARTIST<br />
RESIDENCIES<br />
MANY THANKS TO THE<br />
FUNDERS WHO MADE THESE<br />
DIGITAL ARTIST RESIDENCIES<br />
POSSIBLE:<br />
Early on, <strong>UMS</strong> developed a Digital<br />
Artist Residency program as a way<br />
of supporting artists in the creation<br />
of new work while touring and live<br />
performances ground to a halt. With<br />
these projects, <strong>UMS</strong> moved into the<br />
role of producer and commissioner,<br />
providing financial support to six<br />
signature artistic projects, ranging<br />
from the famous to the lesser known<br />
and from international to regional,<br />
to develop new work in the digital<br />
space. In addition to developing<br />
the final output, these residencies<br />
provided a platform for artists<br />
to participate in a rich fabric of<br />
community activity — from public<br />
listening parties to virtual class<br />
visits behind the scenes.<br />
Carol Amster<br />
Maurice and Linda Binkow<br />
Commission on Middle Eastern<br />
American Affairs<br />
Julia Darlow and John O’Meara Stephen<br />
and Rosamund Forrest Beverley and<br />
Gerson Geltner<br />
Anne and Paul Glendon<br />
Susan and Richard Gutow<br />
Norman and Debbie Herbert<br />
Joe Malcoun and Caitlin Klein<br />
Jerry and Dale Kolins Endowment Fund<br />
The Andrew W. Mellon Foundation<br />
National Endowment for the Arts<br />
New England for the Arts’<br />
National Dance Project<br />
Newmarket LLC<br />
Tim and Sally Petersen<br />
Linh and Dug Song<br />
James and Nancy Stanley<br />
<strong>UMS</strong> Sustaining Directors<br />
6 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
7
Digital Artist Residencies<br />
Digital Artist Residencies<br />
WENDELL PIERCE (NEW ORLEANS, LA):<br />
SOME OLD BLACK MAN<br />
Some Old Black Man was the most ambitious project of the<br />
Digital Artist Residencies, with the creative team living<br />
in a “quarantine bubble” for several weeks in Ann Arbor<br />
while rehearsing this play by James Anthony Tyler and<br />
undergoing frequent testing. The team, including actors<br />
Wendell Pierce and Charlie Robinson, director Joe Cacaci,<br />
playwright James Anthony Tyler, and stage manager<br />
Tiffany Robinson, commuted to The Jam Handy in Detroit,<br />
where the production was filmed with no audience. Safety<br />
protocols were developed in close consultation with<br />
public health officials and approved by the Screen Actors<br />
Guild.<br />
The filmed play premiered in January <strong>2020</strong> and brought<br />
<strong>UMS</strong> national and international press from National Public<br />
Radio, The Times of London, and The Guardian.<br />
In addition to starring in the production,<br />
Wendell Pierce spoke at the annual U-M<br />
Diversity, Equity & Inclusion Summit and<br />
participated in a post-viewing discussion<br />
with students and faculty at the U-M College<br />
of Engineering. James Anthony Tyler spoke<br />
with students enrolled in <strong>UMS</strong>’s Engaging<br />
Performance course. Faculty members<br />
from other universities across the country,<br />
including the University of Texas at Austin,<br />
have reached out to incorporate the work<br />
into their curricula as well. Later in 2022,<br />
Some Old Black Man will premiere on PBS’s<br />
“Great Performances” series. We are grateful<br />
to Black Public Media for facilitating the<br />
relationship with PBS.<br />
BY THE NUMBERS<br />
29,349 VIEWS<br />
60 MI COUNTIES<br />
50 STATES<br />
65 COUNTRIES<br />
6 CONTINENTS<br />
“This was simply outstanding. I<br />
just lost my mom on December<br />
<strong>21</strong>, and I was her main caregiver<br />
the last 5 years of her life.<br />
THE EMOTIONAL<br />
EXCHANGES BETWEEN THE<br />
FATHER AND SON WERE<br />
PAINFULLY FAMILIAR, AND<br />
VERY MOVING.<br />
I shed many tears watching this.<br />
I also have a daughter who is<br />
mixed race so I encountered a lot<br />
of difficulty that was expressed<br />
in the play with being in an<br />
interracial relationship...I have<br />
also learned a lot of painful truths<br />
about systemic racism, race<br />
relations, implicit bias, and more.<br />
The subject matter was relatable<br />
and hit home.”<br />
– Dena, West Bloomfield, MI<br />
“Thank you. I thought the play<br />
was wonderful… Also, as a white<br />
elderly person, I’m very proactive<br />
trying to understand and do<br />
something about racism in our<br />
country. Your play brought a little<br />
more insight to my journey.”<br />
– Sherrie, Newcastle, OK<br />
“So glad I heard [the] interview<br />
w/Wendell Pierce on NPR, just<br />
in time to catch [the] last night<br />
of the digital broadcast. Brilliant<br />
play and captivating acting.<br />
Revealing about aspects about<br />
Black life in America now and<br />
100% applicable to my white<br />
family dynamics, too. I cannot<br />
say enough good things about<br />
the play, and I am not usually a<br />
theatre-goer!”<br />
– Aja, Auke Bay, AK<br />
“WORDS CANNOT EXPRESS<br />
THE DEPTH OF GRATITUDE I<br />
HAVE FOR <strong>UMS</strong>.<br />
Your production team across the<br />
board is world class and one of<br />
the best I have ever experienced<br />
in my career. It is because of<br />
you that this production had a<br />
successful launch. I see more for<br />
this piece in the future. What we<br />
accomplished in the middle of<br />
the pandemic was exemplary.<br />
The lasting impact is always the<br />
work that you do, and the people<br />
that you do it with. The latter of<br />
which I will remember forever.<br />
All of you at <strong>UMS</strong> have given<br />
me inspiration and hope. It is an<br />
honor working with you.”<br />
– Wendell Pierce<br />
8 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present<br />
9
Digital Artist Residencies<br />
Digital Artist Residencies<br />
TUNDE OLANIRAN (FLINT, MI)<br />
For their Digital Artist Residency, Tunde Olaniran has<br />
been creating a series of experimental performance<br />
works designed to coincide with the release of singles<br />
from an upcoming mixtape and sharing their creative<br />
process along the way. The full mixtape will be released<br />
in spring 2022.<br />
The first track, WDWHI (We Don’t Want To Hear It),<br />
was released in November <strong>2020</strong> and coincided with<br />
a virtual talk about the social, racial, and cultural<br />
intersections of pop music and performance with<br />
Tunde and fellow musicians Siena Liggins, Shara Nova,<br />
and Olly Alexander. In May 20<strong>21</strong>, <strong>UMS</strong> streamed an<br />
exclusive Live Session with Tunde and collaborators,<br />
filmed at El Club in Detroit. This Live Session idea will<br />
be revisited throughout the 20<strong>21</strong>/22 season with new<br />
collaborators from the <strong>UMS</strong> season.<br />
BY THE NUMBERS<br />
679 VIEWS OF POP<br />
BREAKDOWN<br />
(WDWHI conversation)<br />
999 VIEWS OF<br />
TUNDE OLANIRAN’S<br />
LIVE SESSION<br />
CLEO PARKER ROBINSON (DENVER CO):<br />
THE MAKING OF THE FOUR JOURNEYS<br />
<strong>UMS</strong> had planned to present the Cleo Parker Robinson<br />
Ensemble during its 50th season in January 20<strong>21</strong> with<br />
a new work called “The Four Journeys” choreographed<br />
by Amalia Viviana Basanta Hernández. The pandemic<br />
slowed — but didn’t stop — the company’s work,<br />
although the tour was postponed. As part of the Digital<br />
Artist Residency, filmmaker Alan Domínguez documented<br />
the creative process, giving insight into how a new work<br />
is developed — especially under unique circumstances<br />
where the choreographer and the company are in<br />
different countries and rehearsing via zoom. The 30-<br />
minute documentary film, which included filming in both<br />
Denver and México, where Hernández is based, premiered<br />
in October 20<strong>21</strong>.<br />
In addition to the film, Cleo participated in numerous<br />
behind-the-scenes activities during the <strong>2020</strong>/<strong>21</strong> season,<br />
including virtual visits with several University classes,<br />
mentoring emerging artists through the U-M School<br />
of Music, Theatre & Dance, and a live conversation<br />
with Wright Museum president Neil Barclay as part<br />
of a series hosted by the International Association of<br />
Blacks in Dance. <strong>UMS</strong> also presented a Digital School Day<br />
Performance featuring Cleo Parker Robinson Dance<br />
Ensemble for K-12 audiences.<br />
BY THE NUMBERS<br />
55 STUDENTS FROM<br />
VIRTUAL CLASSES<br />
3,9<strong>21</strong> STUDENTS<br />
registered for Cleo Parker Robinson<br />
School Day Performance<br />
70 HOURS OF TOTAL<br />
FOOTAGE CAPTURED<br />
over 8 virtual and live rehearsals in<br />
2 countries<br />
Over the course of the year, Tunde also visited several<br />
U-M classes and served as one of the lead artists for<br />
a U-M Arts Initiative project with Yo-Yo Ma called “A<br />
Travel Guide for Talking Hearts.”<br />
<strong>UMS</strong> first got to know artist and activist Tunde Olaniran<br />
through Yo-Yo Ma’s Day of Action in Flint in 2019, and<br />
Tunde subsequently recorded a track with Ma on his<br />
latest album.<br />
120 STUDENTS<br />
REACHED THROUGH<br />
CLASSES<br />
10 10 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
11
Digital Artist Residencies<br />
Digital Artist Residencies<br />
TAREK YAMANI (BEIRUT, LEBANON AND BERLIN, GERMANY) &<br />
SPEKTRAL QUARTET (CHICAGO, IL)<br />
Tarek Yamani was the first COVID cancellation at <strong>UMS</strong>,<br />
with his debut scheduled for March 13, <strong>2020</strong>. In the<br />
run-up to that concert, Spektral Quartet violist Doyle<br />
Armbrust interviewed Yamani for a program book<br />
feature, and the two realized how much they had in<br />
common artistically. During the <strong>2020</strong>/<strong>21</strong> season, as<br />
Yamani worked on composing a new work for string<br />
quartet — a first for the musician — they conducted<br />
public “virtual listening parties” to introduce each other<br />
to music that inspired them, and visited <strong>UMS</strong>’s signature<br />
“Engaging Performance” class, as well as courses in<br />
chamber music and dance. The world premiere of the<br />
new work, Berytus, took place on October 27, 20<strong>21</strong>.<br />
Berytus was co-commissioned by the Abu Dhabi Music<br />
& Arts Foundation, Ltd. Additional commissioning<br />
support was provided by the Arab American National<br />
Museum through a grant from The Andrew W. Mellon<br />
Foundation.<br />
BRIAN LOBEL &<br />
FRIENDS<br />
(LONDON, ENGLAND):<br />
24 ITALIAN SONGS &<br />
ARIAS (& VOICES)<br />
U-M alumnus Brian Lobel is a theater and performance artist now<br />
based in England who has long been focused on themes of failure and<br />
resilience among artists. With British soprano Gweneth-Ann Rand,<br />
Canadian musical director and recitalist Allyson Devenish, and British<br />
contralto Naomi Felix, Lobel’s Digital Artist Residency project was to<br />
create a digital archive featuring video recordings of each of the 24<br />
Italian Songs and Arias, a fundamental songbook in the repertoire of<br />
every opera singer, sung by a diverse group of singers who would<br />
also share their own experiences of failure. Alongside these curated<br />
videos, singers from around the world are invited to submit their own<br />
versions of the songs, all of which will be collected on a website,<br />
24ItalianSongs.com and released throughout the fall of 20<strong>21</strong>.<br />
As the website was being developed and singers contracted, Lobel<br />
visited several U-M classes, including “Storytelling for Visual Artist”<br />
and “Engaging Performance,” and also served as a mentor for<br />
emerging artists in the U-M School of Music, Theatre & Dance.<br />
12 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
13
Digital Artist Residencies<br />
JOYCE DIDONATO (BARCELONA, SPAIN):<br />
SING FOR TODAY<br />
Renowned mezzo-soprano Joyce DiDonato developed<br />
a program that uses song to respond to current events<br />
and global concerns in real time. As a precursor to her<br />
upcoming 20<strong>21</strong>/22 season premiere of a new work<br />
focused on the environment, this project incorporated<br />
both songs and conversations about issues facing the<br />
world. The series kicked off in October <strong>2020</strong> shortly<br />
before the US presidential election, with Woody Guthrie’s<br />
“This Land is Your Land” and a conversation with U-M<br />
students involved with the Poll Hero Project alongside<br />
Hamilton producer and U-M alumnus Jeffrey Seller. In<br />
December, Joyce released a beautiful recording of “Silent<br />
Night,” and on Memorial Day Weekend, she performed<br />
“Danny Boy,” accompanied by a discussion with theater<br />
producer Tom Kirdahy about grief, loss, and love.<br />
BY THE NUMBERS<br />
300,000+<br />
VIEWS ACROSS ALL<br />
PLATFORMS<br />
Sing For Today was presented in partnership with<br />
Princeton University Concerts.<br />
14 14 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
15
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
Digital Presentations<br />
DIGITAL<br />
PRESENTATIONS<br />
Two of these digital presentations<br />
were especially notable:<br />
<strong>UMS</strong> collaborated with the Ford<br />
School of Public Policy, as part of<br />
U-M’s Democracy and Debate theme<br />
semester, to “bring” comedian Trevor<br />
Noah to campus for a unique virtual<br />
event two weeks before the <strong>2020</strong><br />
Presidential Election. With only 8 days<br />
to plan from the time the invitation<br />
was accepted until the event took<br />
place, <strong>UMS</strong> produced an interactive<br />
event that included four students<br />
from the University, including <strong>UMS</strong>’s<br />
<strong>21</strong>st Century Artist Intern and dance<br />
major Shannon Nulf. In just over a<br />
week, we announced the event and<br />
developed a new registration system,<br />
ultimately reaching more than 10,000<br />
views during the 10 days it was<br />
available on demand.<br />
In the absence of live performance, <strong>UMS</strong><br />
worked with artists around the world to help<br />
audiences stay present and connected to the<br />
beauty and creativity that the arts provide.<br />
The programs allowed us to experiment with<br />
new ways of delivering content, ranging from<br />
special viewing for selected U-M and K-12<br />
class groups to incorporating educational<br />
and contextual content into the actual<br />
performance.<br />
We even had a “group sale” for one of these<br />
events, with an alumni group in Florida<br />
collectively watching violinist James Ehnes’s<br />
recital with <strong>UMS</strong> University Programs<br />
Manager Maddy Wildman providing additional<br />
context in a real-time zoom call.<br />
One of the most popular events<br />
of most in-person seasons is the<br />
Jazz at Lincoln Center Orchestra,<br />
and our long relationship with<br />
the group and its artistic director,<br />
Wynton Marsalis, led to a series<br />
of presentations and learning<br />
experiences that touched nearly<br />
every audience and community<br />
we serve. In November, <strong>UMS</strong><br />
presented a digital presentation<br />
of The Democracy Suite, a new<br />
Marsalis composition that was<br />
performed by the Jazz at Lincoln<br />
Center Septet and written during<br />
the COVID crisis as a response to<br />
the political, social, and economic<br />
struggles facing our nation.<br />
16 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
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17
Digital Presentations<br />
Digital Presentations<br />
In December, our K-12 community enjoyed JLCO’s Let Freedom Swing, our first-ever<br />
Digital School Day Performance. Over 50 schools in six different Michigan counties,<br />
representing 6,500 students, registered to watch this digital performance — far<br />
exceeding the in-person venue capacity that would have been available. One<br />
school logged in from 250 miles away! Within Ann Arbor Public Schools alone,<br />
classrooms from 27 schools viewed the performance, a level of district-wide<br />
participation never seen before. The Detroit School of Arts High School also used<br />
the Digital School Day Performance as the centerpiece of a day-long immersion<br />
into the world of jazz with local musicians and jazz experts.<br />
For lifelong learners, we offered JLCO’s<br />
“Swing University” in January, with nearly 100<br />
participants logging on to their computers<br />
each week for four consecutive Wednesdays<br />
to explore the roots of jazz in four major<br />
cities across the US (New York, Chicago, New<br />
Orleans, and Detroit). The program, offered in<br />
partnership with Ann Arbor’s Department of<br />
Recreation & Education, was so popular that<br />
we developed a second series of four classes<br />
all focused on Detroit in April; it was sold out<br />
before the first session.<br />
DIGITAL<br />
PRESENTATIONS<br />
Paul Taylor Dance<br />
Group<br />
(Sep <strong>2020</strong>)<br />
Takács Quartet<br />
(Oct <strong>2020</strong>)<br />
Sheku Kanneh-Mason<br />
and Isata Kanneh-<br />
Mason<br />
(Oct <strong>2020</strong>)<br />
Trevor Noah<br />
(Oct <strong>2020</strong>)<br />
Cloud Gate Dance<br />
Theatre of Taiwan<br />
(Nov <strong>2020</strong>)<br />
Wynton Marsalis and<br />
Jazz at Lincoln Center<br />
Orchestra<br />
(Nov <strong>2020</strong>)<br />
Messiah Mixtape<br />
(Dec <strong>2020</strong>)<br />
Some Old Black Man<br />
(Jan 20<strong>21</strong>)<br />
Sphinx Virtuosi<br />
(Jan 20<strong>21</strong>)<br />
James Ehnes, violin<br />
(Feb 20<strong>21</strong>)<br />
Playing with Fire<br />
(documentary about<br />
conductor Jeannette<br />
Sorrell)<br />
(Mar 20<strong>21</strong>)<br />
National Arab Orchestra<br />
(Mar 20<strong>21</strong>)<br />
Sir András Schiff, piano<br />
(Mar 20<strong>21</strong>)<br />
Daniel Bernard<br />
Roumain and J’Nai<br />
Bridges:<br />
They Still Want to Kill Us<br />
(May 20<strong>21</strong>)<br />
DIGITAL PRIDE<br />
FESTIVAL<br />
Becca Blackwell: They,<br />
Themself, and Schmerm<br />
(Jun 20<strong>21</strong>)<br />
Conspirare:<br />
Considering Matthew<br />
Shepard<br />
(Jun 20<strong>21</strong>)<br />
Taylor Mac:<br />
Whitman in the Woods<br />
(Jun 20<strong>21</strong>)<br />
DIGITAL SCHOOL DAY<br />
PERFORMANCES<br />
Ballet Folklórico de<br />
México de Amalia<br />
Hernández<br />
Caleb Teicher &<br />
Company<br />
Cleo Parker Robinson<br />
Dance<br />
Frankenstein: How<br />
to Make a Monster –<br />
Battersea Arts Centre<br />
Beatbox Academy<br />
Jazz at Lincoln<br />
Center Orchestra:<br />
Let Freedom Swing<br />
Jazz at Lincoln Center<br />
Orchestra: Who Is Joe<br />
Williams?<br />
18 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
19
Digital Presentations<br />
DIGITAL<br />
BY THE<br />
88,000+<br />
Total Viewership – Public<br />
Digital Presentations<br />
20,000+<br />
Estimated Viewership<br />
– Digital School Day<br />
Performances<br />
Digital Presentations<br />
53,894+<br />
total hours watched of <strong>UMS</strong><br />
programs on Vimeo and<br />
YouTube<br />
NUMBERS<br />
2<br />
online<br />
courses<br />
8<br />
lessons<br />
PERFORMANCE<br />
PLAYGROUND<br />
10 Episodes<br />
16<br />
DIGITAL<br />
PRESENTATIONS<br />
6<br />
DIGITAL<br />
SCHOOL DAY<br />
PERFORMANCES<br />
$0<br />
COST TO<br />
VIEWERS<br />
50<br />
states<br />
65<br />
countries<br />
$88,024<br />
Donations supporting Digital Presentations<br />
2,415<br />
Gifts to support digital<br />
presentations<br />
1,826<br />
new donors to<br />
support this work<br />
$36.48<br />
average gift<br />
350<br />
new donors from<br />
Michigan<br />
20 20 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
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<strong>21</strong>
Digital Presentations<br />
Digital Presentations<br />
“I just went to an amazing jazz concert called Jazz at<br />
Lincoln Center,<br />
IT WAS AWESOME!! LISTENING TO THE MUSIC<br />
WAS LIKE HAVING A BALLOON OF HAPPINESS<br />
BEING BLOWN UP INSIDE ME!!<br />
MANY THANKS TO THE<br />
FUNDERS WHO MADE OUR<br />
DIGITAL PRESENTATIONS<br />
POSSIBLE:<br />
It was like I was in a tornado of music, two kinds of music<br />
actually, they were music from instruments and music<br />
from your mouth, SINGING. There are only a few more ways<br />
to describe the performance, and here they are: It was<br />
like you are in this hole of blackness and suddenly music<br />
starts flowing into the hole like water filling up a pond, and<br />
the other way is this: it was like first it is a horrible rainy<br />
day, but suddenly the rain stops and the sun shines so<br />
brightly it’s like fire in the dark!! I really hope you get to<br />
see something like that soon.”<br />
– Third grader<br />
Arts Midwest Touring Fund<br />
Karen Bantel and Steve Geiringer<br />
Carl and Isabelle Brauer Endowment Fund<br />
State of Michigan Commission on<br />
Middle Eastern American Affairs<br />
Braylon Edwards<br />
Ilene H. Forsyth Chamber Arts<br />
Endowment Fund<br />
Ilene Forsyth Theater Endowment Fund<br />
Joel Howell and Linda Samuelson<br />
“Working virtually has its benefits for differentiating student needs and<br />
intense mentoring. The downside is not being with or participating in a<br />
class in person.<br />
WHAT THIS OPPORTUNITY DID WAS BRING STUDENTS<br />
TOGETHER IN A WAY WHERE THEY COULD SHARE THEIR<br />
FEELINGS, EXPRESS THEM PHYSICALLY AND VERBALLY AND<br />
FEEL THEY WERE LEARNING SOMETHING AND HAVING FUN...<br />
Students were still asking about the story, YouTube recordings and<br />
links as recently as the last week of school.”<br />
– Email from a teacher about Ballet Folklórico Digital School Day Performance<br />
Patti Askwith Kenner and the<br />
Bert’s Ticket program<br />
The Michigan Center for Early Christian<br />
Studies Michigan Taiwanese American<br />
Organization Gil Omenn and Martha Darling<br />
Anthony Reffells<br />
Elaine and Peter Schweitzer<br />
Helmut F. and Candis J. Stern Endowment<br />
Fund Edward and Natalie Surovell<br />
Louise Taylor<br />
Susan B. Ullrich Endowment Fund<br />
Robert O. Weisman<br />
Valerie and Jeff Wilpon<br />
22 22 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 23
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
Performance Playground<br />
PERFORMANCE<br />
PLAYGROUND<br />
& OTHER K-12 ACTIVITIES<br />
With schools largely remote, <strong>UMS</strong> wanted to provide<br />
opportunities for students and families challenged by<br />
pandemic circumstances. In the summer of <strong>2020</strong>, we<br />
utilized <strong>UMS</strong> teaching artists to pilot a new program<br />
called Performance Playground. Based on feedback<br />
from regional educators and other users, we developed<br />
that pilot into a more robust program that includes a<br />
video lesson, a set of accompanying slides that provide<br />
background and links to additional resources, and a set of<br />
worksheets for students to help synthesize and reinforce<br />
learning. <strong>UMS</strong> developed 10 units during the <strong>2020</strong>/<strong>21</strong><br />
season, and plan to produce five more this coming<br />
season:<br />
Banjo:<br />
STRUMMIN’ ALONG<br />
Detroit Jit:<br />
TIME TO JIT<br />
Djembe:<br />
THE BEAT OF YOUR OWN<br />
DRUM<br />
Folkloric Ballet:<br />
DANCING THROUGH<br />
MÉXICO’S HISTORY<br />
Harp:<br />
NOT JUST ANOTHER<br />
STRINGED INSTRUMENT<br />
Musical Theater:<br />
TELLING STORIES<br />
THROUGH SONG<br />
Oud:<br />
A KING AMONG<br />
INSTRUMENTS<br />
Rap:<br />
RHYTHM AND POETRY:<br />
RAP AND HIP HOP<br />
CULTURE<br />
Slam Poetry:<br />
SPOKEN WORD<br />
Violin:<br />
VIOLIN VIGNETTE<br />
THANKS TO THE MANY<br />
FUNDERS WHO MADE OUR K-12<br />
PROGRAMS POSSIBLE:<br />
All episodes feature <strong>UMS</strong> teaching artists, many of whom<br />
regularly participate in our K-12 classroom workshops and<br />
lost work during the pandemic. This initiative allowed us<br />
to continue employing our teaching artists while offering a<br />
new virtual model for engaging with our K-12 community.<br />
All episodes are available at ums.org/playground.<br />
David and Kiana Bar ield Family<br />
Foundation David and Jo-Anna<br />
Featherman<br />
Stephen and Rosamund Forrest<br />
The Hearst Foundation<br />
David and Phyllis Herzig Endowment Fund<br />
Prudence and Amnon Rosenthal K-12<br />
Education Endowment Fund<br />
Richard and Norma Sarns<br />
24 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
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25
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
You Can Dance - Outside!<br />
YOU CAN DANCE<br />
-OUTSIDE!<br />
You Can Dance — Outside! brought joy<br />
into people’s lives in the fall of <strong>2020</strong>, just<br />
when they needed it, and the program<br />
was so successful that we expanded it in<br />
20<strong>21</strong>. Following stringent public health<br />
guidelines, we adapted this program, which<br />
historically was held at the Ann Arbor Y, to<br />
an outdoor setting, in Wheeler Park. Instead<br />
of drawing on visiting dance companies,<br />
we tapped into regional dance instructors<br />
to highlight the importance of dance in<br />
Southeast Michigan. We presented five<br />
different workshops in styles ranging from<br />
Modern to Tap to Detroit Jit, drawing 79<br />
participants along the way.<br />
“I have always<br />
wanted to take a<br />
dance class but<br />
haven’t yet done so.<br />
THIS WAS A<br />
WONDERFUL<br />
OPPORTUNITY<br />
TO TRY IT OUT<br />
I would love to take<br />
more!”<br />
– Ballet Folklórico and<br />
Tap participant<br />
“I DO NOT DANCE<br />
... BUT I’D LIKE<br />
TO KNOW HOW.<br />
I WAS TERRIBLE<br />
... BUT I DIDN’T<br />
CARE.<br />
It felt good to<br />
get outside and<br />
move... Thoroughly<br />
enjoyed it.”<br />
– Detroit Jit participant<br />
You Can Dance — Outside! was funded in part by<br />
26 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 27
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
U-M Arts Integration/Campus Engagement<br />
U-M ARTS<br />
INTEGRATION<br />
CAMPUS ENGAGEMENT<br />
Sacramento Knoxx, <strong>UMS</strong>’s<br />
<strong>2020</strong>/<strong>21</strong> Research Residency<br />
Artist, is a Detroit-based, Black<br />
and Chicano rapper, activist,<br />
and multimedia artist whose<br />
creative process is guided<br />
by regional Native American<br />
(Anishinaabe), Indigneousbased<br />
teachings. Among<br />
Sacramento’s digital offerings<br />
this season, one highlight was<br />
Manidoo-Giizisoons (Little Spirit<br />
Moon), a live, interactive virtual<br />
performance marking the winter<br />
solstice. Audience members were<br />
invited to contribute sounds via<br />
computer microphones that were<br />
incorporated into a new music<br />
track that Sacramento produced<br />
in real time.<br />
Engaging Performance, the<br />
<strong>UMS</strong>/U-M arts-integrative<br />
undergraduate course offered<br />
each Winter semester, was<br />
co-taught by Drs. Naomi Andre<br />
and Charli Brissey, professors<br />
in dance and in Afroamerican<br />
and Africans studies. Because<br />
of the COVID-19 pandemic, the<br />
course focus changed from<br />
live performance to connecting<br />
students digitally with artists<br />
and activists who use the<br />
performing arts to spark dynamic<br />
conversations during challenging<br />
times. Students participated in<br />
virtual discussions with all six<br />
<strong>UMS</strong> Digital Residency artists and<br />
with Sacramento Knoxx; they also<br />
viewed archived performances,<br />
conducted research on<br />
artists, and participated in<br />
class conversations and other<br />
experiences.<br />
28 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
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29
U-M Arts Integration/Campus Engagement<br />
U-M Arts Integration/Campus Engagement<br />
Due to our move to all-digital<br />
formats, <strong>UMS</strong> tapped into its<br />
regional, national, and global<br />
artist networks to provide<br />
additional opportunities for<br />
arts integration with U-M<br />
courses. Professor Todd Allen<br />
(“Fundamentals of Nuclear<br />
Engineering”), for example,<br />
worked with a local conductor<br />
and composer to put on an<br />
interactive concert for his<br />
students connecting classical<br />
music with nuclear engineering.<br />
UNIVERSITY OF MICHIGAN ARTS INITIATIVE<br />
Not long before COVID-19 shuttered<br />
performance venues, President Mark Schlissel<br />
and the University of Michigan announced the<br />
startup phase of an Arts Initiative, with the goals<br />
of enhancing students’ creative capacities to<br />
solve problems; increasing understanding of<br />
the human experience; catalyzing innovation<br />
and insights through multidisciplinary research;<br />
promoting the importance of arts in a research<br />
university; and increasing U-M’s public<br />
engagement through the arts. <strong>UMS</strong> President<br />
Matthew VanBesien has served on the working<br />
group that developed the Arts Initiative<br />
since its inception, as well as<br />
on the search committee<br />
for the Arts Initiative’s first<br />
managing director.<br />
In the summer of 20<strong>21</strong>,<br />
Christopher Audain was<br />
appointed the very first<br />
managing director of the Arts<br />
Initiative. Chris brings a background<br />
in grantmaking, music, and the performing arts<br />
with a focus on increasing access and building<br />
organizational capacity so that more people can<br />
benefit from the transformational power of art.<br />
Course Development faculty grantees integrated <strong>UMS</strong> digital<br />
presentations into their coursework. Dance Professor Angela Kane<br />
(“Writing Dancing”) incorporated <strong>UMS</strong> digital presentations from Paul<br />
Taylor Dance Company and Cloud Gate Dance Theatre of Taiwan into<br />
her class, and used Course Development Grant funds to hire guest<br />
speakers who specialize in the intersection of writing and dance. U-M<br />
faculty member Sara Alderstein-Gonzalez included a performance<br />
in Nichols Arboretum (above) by local musician and educator Noah<br />
Fishman and Emma Sloan in her “Restoration Ecology Applications”<br />
class. Students learned about traditional American folk music and<br />
bluegrass, forging connections with restoration ecology.<br />
During the <strong>2020</strong>/<strong>21</strong> season, <strong>UMS</strong> was closely<br />
involved with the initial activities of the Arts<br />
Initiative, including serving on the steering<br />
committee for and producing the Arts Initiative<br />
launch event, A Travel Guide for Talking Hearts,<br />
with Yo-Yo Ma; local artists Nour Ballout, Tunde<br />
Olaniran, and Avery Williamson; and students from<br />
all three U-M campuses Audrey Banks (Flint),<br />
Constance Burroughs (Dearborn), Alyssa Melani<br />
(Ann Arbor), and Ashwin Prakash (Ann Arbor).<br />
<strong>UMS</strong> is also a partner for one of the curated<br />
large-scale pilot projects supported by the Arts<br />
Initiative, which is providing financial support for<br />
the <strong>UMS</strong>-SMTD collaboration of Fiddler on the<br />
Roof in Concert in February 2022.<br />
30 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 31
<strong>2020</strong>/<strong>21</strong> Season in Review Government Funding & Support<br />
GOVERNMENT<br />
FUNDING &<br />
SUPPORT<br />
PAYCHECK PROTECTION<br />
PROGRAM<br />
<strong>UMS</strong> applied for, and received,<br />
support from the Paycheck<br />
Protection Program (PPP), which<br />
helped us keep our staff fully<br />
employed during the COVID crisis.<br />
In addition to the PPP loan of<br />
$458,432 that was forgiven in<br />
FY20, <strong>UMS</strong> received an additional<br />
loan of $362,800 for FY<strong>21</strong>, which<br />
we expect will also be forgiven.<br />
We are grateful to<br />
our partners at Bank<br />
of Ann Arbor for<br />
their assistance in<br />
navigating the PPP<br />
process.<br />
FORWARD FUND<br />
In April 20<strong>21</strong>, <strong>UMS</strong> announced the Forward Fund, an eightmonth<br />
fundraising initiative to help provide funding over the<br />
next 2-3 seasons to help offset projected operational deficits<br />
due to both increased costs required to implement safety<br />
measures and reduced revenues from smaller audiences.<br />
As of November 1<br />
316 DONORS<br />
CONTRIBUTED<br />
$300,512<br />
Thanks to Bank of Ann Arbor,<br />
which matched new gifts during<br />
the launch of the initiative, and to<br />
Tim and Robin Damschroder, who<br />
provided a match in the fall.<br />
Board Members Versell Smith and<br />
Christina Kim talked about why<br />
they gave to the Forward Fund.<br />
Versell Smith<br />
Christina Kim<br />
32 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
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33
<strong>2020</strong>/<strong>21</strong> Season in Review Internal <strong>UMS</strong> News<br />
INTERNAL<br />
<strong>UMS</strong> NEWS<br />
BOARD CHANGES<br />
At the end of the <strong>2020</strong>/<strong>21</strong> season,<br />
<strong>UMS</strong> recognized six outgoing board<br />
members: Tiffany Ford, Kathy<br />
Goldberg, Tim Johnson, Sarah Nicoli,<br />
Knut Simonsen, and Kevin Hegarty,<br />
as well as outgoing Ambassadors<br />
Chair Elena Snyder.<br />
STAFF ADDITIONS<br />
During the FY<strong>21</strong> season, <strong>UMS</strong> prioritized keeping our staff, who are the heart and soul of all that<br />
we do, fully employed. We also welcomed two new staff members to our team this summer,<br />
filling roles that had been vacated during the season:<br />
We also want to recognize and<br />
thank Tim Petersen, who will<br />
continue on the Board as the past<br />
chair. His steadfast leadership and<br />
wise counsel was tremendously<br />
appreciated during this unusual<br />
year. Tim and his wife, Sally, also<br />
demonstrated unprecedented<br />
generosity through their lead gift<br />
supporting the production of Some<br />
Old Black Man.<br />
Alexandria Davis, Community & Audience Programs Manager,<br />
joined the <strong>UMS</strong> Education & Community Engagement team<br />
in June 20<strong>21</strong>. She has an extensive background in dance as a<br />
performer, educator, and choreographer, and has been active<br />
in leading community engagement programs throughout her<br />
career. She holds a BFA in Dance and Certificate in Dance in<br />
Medicine from the University of Florida and recently completed<br />
her Master’s degree in Dance Choreography at U-M. She has<br />
over 10 years of experience in creating and leading community<br />
and audience engagement programs through both partnerships<br />
and individual creative projects for youth and adults in Central<br />
Florida and in Southeastern and Western Michigan, including<br />
Mama’s Club: Arts, Social Justice, and Advocacy Collective and<br />
many more.<br />
Samantha Williams, Marketing & Media Relations Manager,<br />
joined <strong>UMS</strong> in August 20<strong>21</strong>. Sam attended Stanford University<br />
as an opera major, where she co-founded BLACKstage Theater<br />
Company. She completed her Master’s degree in Music at the<br />
University of Michigan in <strong>2020</strong>, serving as a research fellow<br />
with the EXCEL program at SMTD as well as completing an<br />
advancement internship with Washington (DC) Performing Arts.<br />
In addition to her part-time role at <strong>UMS</strong>, she is finishing up her<br />
Specialist in Music (vocal performance) degree at U-M and<br />
developing a recital project that is examining patriotism from<br />
three different American perspectives: African American, Native<br />
American, and white working-class American.<br />
As part of the annual<br />
meeting, the <strong>UMS</strong> Board<br />
of Directors elected new<br />
officers and members. For<br />
the first time, the Board will<br />
be co-led by two women:<br />
noted economist and<br />
Professor of International<br />
Relations and Economics at<br />
Michigan State University<br />
Lisa D. Cook and local<br />
attorney and philanthropist<br />
Rachel Bendit, who was<br />
re-elected to the Board after<br />
serving two years as the<br />
co-chair of <strong>UMS</strong>’s National<br />
Council.<br />
Cook and Bendit are<br />
joined by Vice Chair Brian<br />
Willen, Treasurer Rob<br />
VanRenterghem, and<br />
Secretary Christina Kim.<br />
34 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 35
Internal <strong>UMS</strong> News<br />
Internal <strong>UMS</strong> News<br />
The class of new board members<br />
elected for a renewable four-year<br />
term is composed entirely of women:<br />
Karen Chapell, a managing partner<br />
at Retirement Income Solutions; Dr.<br />
Preeti N. Malani, the University of<br />
Michigan’s Chief Health Officer; visual<br />
artist Chrislan Fuller Manuel; and Alicia<br />
Torres, an executive and entrepreneur<br />
who currently serves as Chief Financial<br />
Officer for FreightVerify. Rachel Bendit,<br />
an attorney and mediator who served on<br />
the Board from 2012-20 and has been<br />
co-chair of <strong>UMS</strong>’s National Council for<br />
the past two years, was also elected to<br />
the Board.<br />
Karen Chapell<br />
Dr. Preeti N. Malani<br />
COMMITMENT TO<br />
ANTI-RACISM<br />
Chrislan Fuller Manuel<br />
Alicia Torres<br />
EVERYBODY IN, NOBODY OUT:<br />
INSPIRING COMMUNITY AT MICHIGAN’S<br />
UNIVERSITY MUSICAL SOCIETY<br />
<strong>UMS</strong> President Emeritus Ken Fischer published a<br />
reflection of the power of the performing arts to engage<br />
and enrich communities, not by handing down cultural<br />
enrichment from on high, but by meeting communities<br />
where they live and helping them preserve cultural<br />
heritage, incubate talent, and find ways to make<br />
community voices heard. Published in July <strong>2020</strong>, and with<br />
a foreword by Wynton Marsalis, Ken’s book was featured<br />
in numerous media outlets and book talks. A portion of the<br />
proceeds of the book were donated to <strong>UMS</strong>.<br />
<strong>UMS</strong> initiated Diversity, Equity and Inclusion training in 2019,<br />
engaging Art Equity for day-long and half-day workshops with<br />
staff and board. In <strong>2020</strong>, the murder of George Floyd and resulting<br />
protests, along with dramatic racial disparities in healthcare<br />
outcomes during the pandemic, prompted important discussions<br />
among <strong>UMS</strong> staff and leadership. From these discussions emerged<br />
a pressing need and interest for <strong>UMS</strong> to prioritize anti-racism<br />
learning and the creation of a plan for <strong>UMS</strong>.<br />
Working with Justin Laing from Hillombo Consulting, the entire<br />
company, including staff and board, participated in learning<br />
sessions and explored an adaptive leadership approach to building<br />
antiracist practices that would disrupt our participation in systemic<br />
racism. From these workshops, <strong>UMS</strong> developed three staff-led<br />
“learning projects” that will continue to guide our work in this area.<br />
Additionally, the Board has formed its own Anti-Racism Committee.<br />
36 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
37
<strong>2020</strong>/<strong>21</strong> Season in Review<br />
Who Makes It Possible<br />
WHO MAKES<br />
IT POSSIBLE<br />
Thank you to our community of donors who made<br />
generous annual gifts and/or ticket donations to <strong>UMS</strong><br />
from Sep 1, <strong>2020</strong> – Sep 1, 20<strong>21</strong>.<br />
These gifts were given<br />
in support of the <strong>UMS</strong><br />
<strong>Annual</strong> Fund, <strong>UMS</strong><br />
Forward Fund, <strong>UMS</strong><br />
Student Experiences,<br />
<strong>UMS</strong> Endowment<br />
Funds, and other<br />
special initiatives. We<br />
are especially grateful<br />
to those donors who<br />
contributed to both<br />
the <strong>Annual</strong> Fund and<br />
the Forward Fund, as<br />
indicated by a * on the<br />
following pages.<br />
We apologize in advance<br />
for any omissions or errors<br />
– please contact us at<br />
umsgiving@umich.edu with<br />
corrections.<br />
Due to limited space, we have<br />
listed those whose giving<br />
totaled $250 and above. You<br />
can view the full donor listing<br />
on our website.<br />
Anonymous<br />
Goncalo and Cristen Abecasis<br />
Judith Abrams<br />
Diane M. Agresta<br />
Debra Aidun<br />
Roger Albin and Nili<br />
Tannenbaum*<br />
Raymond and Sandy Aldrich<br />
Michael and Suzan Alexander<br />
John Alexander and Carolyn<br />
King<br />
All Seasons<br />
Michael Allemang and Janis<br />
Bobrin*<br />
James and Catherine Allen<br />
Richard and Mona Alonzo<br />
Christine W. Alvey<br />
Carol Amster*<br />
Helen and David Aminoff<br />
Neil P. Anderson<br />
Christiane Anderson<br />
Sandra and David Anderson*<br />
Dave and Katie Andrea*<br />
Catherine M. Andrea<br />
Carmen and Chris<br />
Andrianopoulos<br />
Paul M. Angell Family<br />
Foundation<br />
Ann Arbor Area Community<br />
Foundation<br />
Mrs. E. Tissy Ansbacher<br />
Todd and Teresa Anson<br />
Elaine and Ralph Anthony<br />
Harlene and Henry Appelman<br />
Meena Ariagno<br />
Gaard and Ellen Arneson<br />
Arts Midwest Touring Fund<br />
Bob and Martha Ause<br />
Stuart Baggaley and Amy<br />
Seetoo<br />
Menakka and Essel Bailey*<br />
Lisa and Jim Baker<br />
Laurence R. and Barbara K.<br />
Baker<br />
Reg and Pat Baker<br />
Lynn Baldwin and Tim<br />
McIntyre*<br />
Christopher and Lesli Ballard<br />
Emily W. Bandera, M.D.<br />
Bank of Ann Arbor*<br />
Karen Bantel and Steve<br />
Geiringer*<br />
Dr. Jayapalli R. Bapuraj<br />
Dr. Carol Barbour and Dr. Sid<br />
Gilman*<br />
Rosalyn, Joshua and Beth<br />
Barclay<br />
John and Ginny Bareham<br />
David and Monika Barera*<br />
David and Kiana Barfield*<br />
Richard M. Barron*<br />
Robert and Wanda Bartlett*<br />
Lois and David Baru<br />
Rajeev Batra and Priscilla A<br />
Spencer<br />
Anne Beaubien<br />
Gorman and Andrea<br />
Beauchamp<br />
Astrid B. Beck<br />
Kenneth and Eileen Behmer*<br />
Christina Bellows and Joe<br />
Alberts<br />
Rachel Bendit and Mark<br />
Bernstein*<br />
Elaine A. Bennett<br />
David and Hellen Bennett*<br />
Ronald and Linda Benson*<br />
Kathleen Benton and Robert<br />
Brown<br />
Rosemary R. Berardi and<br />
Carolyn R. Zaleon<br />
Lynda W. Berg<br />
Ramon and Peggy Berguer<br />
LS Berlin and Jean McPhail<br />
Andrew and Lisa Bernstein<br />
Sheldon and Barbara Berry<br />
John Billi and Sheryl Hirsch<br />
Sara Billmann and Jeffrey<br />
Kuras*<br />
Maurice and Linda Binkow<br />
Joan Binkow*<br />
Dr. Elizabeth S. Bishop*<br />
Mary E. Black<br />
James Blackburn and Lynn<br />
Videka<br />
John Blankley and Maureen<br />
Foley*<br />
Bobbie and Don Blitz<br />
Ronald and Mimi Bogdasarian<br />
Charles and Linda Borgsdorf<br />
Grace Jordison Boxer<br />
Dr. and Mrs. Ralph R. Bozell<br />
Joel Bregman and Elaine<br />
Pomeranz*<br />
David and Sharon Brooks*<br />
Stephen and Faith Brown*<br />
Craig and Vicki Brown*<br />
Christie Brown and Jerry<br />
Davis*<br />
Cindy Browne<br />
Marco and Melissa Bruzzano*<br />
Robert and Jeannine<br />
Buchanan<br />
Ellen and Brian Buggy*<br />
Tom and Lori Buiteweg*<br />
Lawrence and Valerie Bullen<br />
Alan J. Burg and Kenneth L.<br />
Hillenburg D.D.S., M.S.<br />
Charles and Joan Burleigh<br />
Dan Burns and Smilka<br />
Zdravkovska<br />
Jim and Cyndi Burnstein<br />
Tony and Jane Burton*<br />
Edward and Mary Cady<br />
Michelle and Andrew Caird<br />
Sarah Nicoli Calderini<br />
Susan and Oliver Cameron<br />
Brian and Mary Campbell<br />
Sally Camper and Bob Lyons<br />
Valerie and David Canter<br />
Thomas and Colleen Carey<br />
Jack and Susan Carlson<br />
Jenny and Jim Carpenter<br />
Carolyn M. Carty<br />
The Cass Family Charitable<br />
Fund, in memory of Darragh<br />
Weisman<br />
Matt Castanier and Anne<br />
Marsan*<br />
A. Craig Cattell<br />
Jack Cederquist and Meg<br />
Kennedy Shaw<br />
Angela Cesere and Rob<br />
Thomas<br />
Charlie and Karen Chapell*<br />
Samuel and Roberta Chappell<br />
Anne Chase<br />
Cynthia Chase<br />
Patricia Chatas<br />
Barry and Marjorie Checkoway<br />
W Peter Cherry<br />
John and Camilla Chiapuris<br />
Felix and Ann Chow<br />
Beverly Ciokajlo<br />
Mark Clague and Laura<br />
Jackson<br />
Cheryl and Brian Clarkson<br />
Donald and Astrid Cleveland*<br />
Carl Cohen<br />
Ellen and Hubert Cohen*<br />
John Coleman<br />
Mary Sue and Kenneth<br />
Coleman<br />
Community Foundation for<br />
Southeast Michigan<br />
Roger and Midge Cone<br />
Jennifer Conlin and Daniel<br />
Rivkin<br />
Conlin Travel<br />
Angelos and Kathy<br />
Constantinides<br />
Dr. Lisa D. Cook*<br />
Connie and Jim Cook<br />
Jeff Cooper and Peggy Daub<br />
Arnold and Susan Coran<br />
Richard D. and Nancy M.<br />
Cowan<br />
Katherine and Clifford Cox<br />
Mac and Nita Cox<br />
The Cozad Family<br />
CR Investments LLC<br />
Clifford and Laura Craig*<br />
Roger Craig and Sherry Root*<br />
Susan Bozell Craig and Family<br />
Richard and Penelope<br />
Crawford<br />
Drs. Reates Curry and Alec<br />
Gallimore*<br />
Christopher Dahl and Ruth<br />
Rowse*<br />
Marylee Dalton and Lynn<br />
Drickamer*<br />
Connie D’Amato*<br />
Timothy and Robin<br />
Damschroder*<br />
Dave Daniszewski<br />
Julia Donovan Darlow and<br />
John Corbett O’Meara<br />
Art and Lyn Powrie Davidge<br />
Ellie and Ed Davidson*<br />
Ryan Davis*<br />
Meg and Brian Delaney<br />
Marylene Delbourg-Delphis<br />
David Deromedi<br />
Michele Derr<br />
Brian Dervishi*<br />
Sally and Larry DiCarlo<br />
Alison and Keith Dickey<br />
Macdonald and Carolin Dick<br />
Susan Diehl<br />
Connie and Paul Dimond<br />
Andrzej and Cynthia Dlugosz*<br />
Molly Dobson<br />
Steve and Judy Dobson*<br />
Jim and Patsy Donahey<br />
Sharon and Dallas Dort*<br />
John Dryden and Diana Raimi*<br />
DTE Energy<br />
Jill and Doug Dunn<br />
Don and Kathy Duquette<br />
Grace Duren<br />
Ed and Mary Durfee<br />
Swati Dutta<br />
Jane Dutton and Lloyd<br />
Sandelands<br />
Nick and Kelly Dyer<br />
James Eder and Kim Redic<br />
Rosalie Edwards/Vibrant Ann<br />
Arbor Fund<br />
Morgan and Sally Edwards<br />
Charles and Julia Eisendrath<br />
Alan S. Eiser<br />
38 38 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
Stay Present<br />
39
<strong>2020</strong>/<strong>21</strong> Season in Review Who Makes It Possible<br />
Charles and Julie Ellis*<br />
Joan H. Engel*<br />
Johanna Epstein and Steven<br />
Katz<br />
Barbara Ericson*<br />
Harvey and Elly Falit<br />
David and Jo-Anna<br />
Featherman<br />
Michael and Ann Feeney<br />
Steve Feenstra and Pamela<br />
Ruiter-Feenstra*<br />
Carol Finerman*<br />
David Fink and Marina Mata<br />
Sara and Bill Fink<br />
Penny and Ken Fischer<br />
Norman and Jeanne Fischer<br />
C. Peter and Beverly A.<br />
Fischer<br />
Susan R. Fisher<br />
Barbara G. Fleischman<br />
Arnold Fleischmann*<br />
Kathleen Fleming*<br />
Esther Floyd<br />
Larry and Dorothy Fobes<br />
Jessica Fogel and Lawrence<br />
Weiner<br />
Scott and Janet Fogler<br />
George W. Ford<br />
Ford Motor Company Fund<br />
Gerald R. Ford School of<br />
Public Policy<br />
Susan L. Froelich and Richard<br />
E. Ingram<br />
Stephen and Rosamund<br />
Forrest*<br />
Ruth C. Forrest<br />
David Fox and Paula<br />
Bockenstedt<br />
Betsy Foxman and Michael<br />
Boehnke<br />
Dan and Jill Francis<br />
Sara and Michael Frank*<br />
Randall and Ellen Frank<br />
Leon and Marcia Friedman<br />
Bernard Friedman and Sarah<br />
Mack<br />
Philip and Renée Woodten<br />
Frost<br />
Carol Gagliardi and David<br />
Flesher<br />
Barbara Garavaglia<br />
Patricia M. Garcia and Dennis<br />
Dahlmann<br />
Chris Gardiner and Cynthia<br />
Koch*<br />
Gwyn and Jay Gardner*<br />
Jan Garfinkle and Mike<br />
O’Donnell Chris Genteel<br />
and Dara Moses<br />
Mr. and Mrs. Martin J.<br />
Gargaro*<br />
Sandra Gast and Greg Kolecki<br />
Thomas and Barbara<br />
Gelehrter<br />
Beverley and Gerson Geltner<br />
Charles H. Gershenson Trust<br />
J. Martin and Tara Gillespie/<br />
Hansen Marketing<br />
Services Inc.<br />
Zita and Wayne Gillis*<br />
David and Maureen Ginsburg<br />
Heather and Seth Gladstein<br />
Steve Glauberman and<br />
Margaret Schankler<br />
Anne and Paul Glendon<br />
Drs. Vijay and Sara Goburdhun<br />
Mr. and Mrs. Charles and<br />
Janet Goss<br />
John and Sherri Goff*<br />
Katherine and Tom Goldberg*<br />
Google Foundation<br />
Gary Boren<br />
Michael L. Gowing<br />
Martha and Larry Gray*<br />
John and Renee Greden<br />
Dr. Leslie M. Green<br />
Richard and Linda Greene<br />
Linda Gregerson and Steven<br />
Mullaney*<br />
John R. Griffith and Sharon R.<br />
Quiroz<br />
Robert and Trudy Grimmer<br />
Henry Grix and Howard Israel<br />
Margaret and Phil Guire<br />
Arthur W. Gulick<br />
Stephen and Jessica Gushee*<br />
Susan and Richard Gutow<br />
Robert and Karen Hahn*<br />
Bob and Dannielle Hamilton<br />
Randall and Nancy Harbour<br />
Alan Harnik and Professor<br />
Gillian Feeley-Harnik<br />
Cayenne Harris<br />
Susan Harris*<br />
David N. Harris<br />
Clifford and Alice Hart<br />
Larry Hastie<br />
Craig Hausman and Holly<br />
Heaviland, PhD<br />
Diana Hawes*<br />
Dan and Jane Hayes*<br />
Anne Heacock and Stephen<br />
Fisher<br />
Jim Heaton and Lou Ellyn<br />
Green<br />
Joel and Jacqui Heidelbaugh<br />
Jackie Henniger<br />
Norman and Debbie Herbert*<br />
Alfred and Therese Hero<br />
David and Phyllis Herzig<br />
Margaret Higley<br />
Paul and Nancy Hillegonds<br />
Anne Hiller*<br />
Timothy Hofer and Valerie<br />
Kivelson<br />
Gideon and Carol Hoffer<br />
Maxine and Jeff Hoffman*<br />
Carol and Dieter Hohnke<br />
Maurita Holland*<br />
Rebecca Hong<br />
Robert and Barbara<br />
Hooberman<br />
Paul Hossler and Charlene<br />
Bignall*<br />
Joel Howell and Linda<br />
Samuelson*<br />
Linda S. Hubbard<br />
William and Sarah Hufford<br />
Jane H. Hughes*<br />
Greg and Carol Hulbert<br />
Jim and Colleen Hume<br />
Richard and Lesley Hume*<br />
Ann D. Hungerman<br />
Eileen and Saul Hymans<br />
Indian Trail Charitable<br />
Foundation/Patti Askwith<br />
Kenner<br />
Dr. Joachim Janecke<br />
Ibrahim and Therese Jarjoura*<br />
Wallie and Janet Jeffries*<br />
Marilyn J. Jeffs<br />
Feng Jiang and Lydia Qiu*<br />
Timothy and Jo Wiese<br />
Johnson*<br />
Sue and Kevin Johnson<br />
Henry and Billie Johnson<br />
Drs. Kent and Mary Johnson*<br />
Mattias Jonsson and Johanna<br />
Eriksson<br />
Jim Joyce and Emily Santer<br />
Professors Monica and Fritz<br />
Kaenzig*<br />
Dr. and Mrs. M. Kaminski<br />
Elizabeth Kassab*<br />
E. Daniel and Kay Long<br />
Barbara Kaye and John<br />
Hogikyan*<br />
Robert and Jeri Kelch<br />
Jim Keller and Mary Ellen Hoy<br />
Deborah Keller-Cohen and<br />
Evan Cohen<br />
Dr. Barbara J. Kelly<br />
Sally Kennedy<br />
Bonnie and Robert Kidd*<br />
Paul and Leah Kileny<br />
Charles and Christina Kim*<br />
Edward Kimball*<br />
Cathy and Bill King<br />
Tom and Connie Kinnear*<br />
Diane Kirkpatrick<br />
Marvin Krislov<br />
Rich and Myra Klarman<br />
Wally and Robert Klein<br />
Shira and Steve Klein<br />
Phil Klintworth<br />
Jean and Arnold Kluge<br />
Carolyn and Jim Knake<br />
Michael Koen<br />
Rosalie and Ron Koenig*<br />
Joseph and Marilynn<br />
Kokoszka<br />
Dr. and Mrs. Jerry Kolins<br />
Michael J. Kondziolka and<br />
Mathias-Philippe Badin*<br />
William and Alice Kopp*<br />
Barbara and Michael<br />
Kratchman<br />
Martha Krehbiel<br />
Samuel and Marilyn Krimm*<br />
Donald and Jeanne Kunz<br />
Tim and Kathy Laing<br />
Jane Fryman Laird<br />
Deborah Lamm<br />
Lucy and Ken Langa<br />
Linda M. Langer<br />
Danielle and Mika LaVaque-<br />
Manty<br />
Ted and Wendy Lawrence<br />
John K. Lawrence and Jeanine<br />
A. DeLay<br />
John and Theresa Lee<br />
Kathy Legatski<br />
David Leichtman and Laura A.<br />
McGinn<br />
Richard LeSueur*<br />
James and Melissa Lewis*<br />
Marie Lewis<br />
Carolyn and Paul Lichter*<br />
Evie and Allen Lichter<br />
Jeffrey and Deborah Liker<br />
Richard and Carolyn Lineback<br />
Rod and Robin Little<br />
Daniel Little and Bernadette<br />
Lintz<br />
Margaret and Ronald Lomax*<br />
Bruce Loughry<br />
William and Lois Lovejoy<br />
Fran Lyman<br />
Tim and Lisa Lynch*<br />
Barbara and Edward Lynn<br />
Marjorie Lynn<br />
Marilyn and Frode<br />
Maaseidvaag<br />
John MacKrell<br />
Jayne Maerker<br />
Jackie and Hans Maier<br />
Preeti Malani and Mark<br />
Zacharek<br />
Joseph Malcoun and Caitlin<br />
Klein<br />
Prof. William Malm and Jutta<br />
Gerber-Malm*<br />
Warde and Chrislan Manuel*<br />
Mardi Gras Fund<br />
Betsy Yvonne Mark*<br />
W. Harry Marsden*<br />
Emily Moore-Marshall and Tim<br />
Marshall*<br />
Michael and Kristie Martin*<br />
Ann W. Martin and Russ<br />
Larson*<br />
Martin Family Foundation*<br />
Sandra Lau Martins<br />
Masco Corporation<br />
Mary M. Matthews*<br />
Jerry A. and Deborah Orr May<br />
Olivia Maynard and Olof<br />
Karlstrom<br />
Margaret and Harris<br />
McClamroch<br />
W Joseph McCune and<br />
Georgiana M Sanders*<br />
Griff and Pat McDonald<br />
Daniel and Carol McDonnell<br />
James H. McIntosh and Elaine<br />
K. Gazda<br />
Thomas and Lisa McKarns*<br />
Erin McKean and Steve<br />
Sullivan<br />
Thomas and Deborah<br />
McMullen<br />
Tom and Debby McMullen<br />
Beth McNally*<br />
Carole and Dennis McNamara<br />
Marilyn Meeker*<br />
Dr. Gerlinda S. Melchiori<br />
The Andrew W. Mellon<br />
Foundation<br />
Stefano Mengozzi and Karen<br />
Deam-Mengozzi<br />
Mrs. Robert E. Meredith<br />
Lynne Metty*<br />
Fei Fei and John Metzler<br />
Mike and Rachelle Michelon<br />
Michigan Center for Early<br />
Christian Studies<br />
Michigan Council for Arts and<br />
Cultural Affairs<br />
Michigan Medicine<br />
J.M. Miller Engineering, Inc.<br />
John and Sally Mitani<br />
Candy and Andy Mitchell*<br />
Bert and Kathy Moberg<br />
Elizabeth and John Moje<br />
Dagmar Moore*<br />
Paul Morel and Linda<br />
Woodworth<br />
Kara and Lewis Morgenstern<br />
Melinda Morris<br />
THE MOSAIC FOUNDATION (of<br />
R. & P. Heydon<br />
Agnes Moy-Sarns and David<br />
Sarns/SI Company<br />
Trevor Mudge and Janet Van<br />
Valkenburg<br />
Bernhard and Donna Muller<br />
Lisa Murray and Michael Gatti<br />
Hillary Murt and Bruce<br />
Friedman<br />
Lora G. Myers*<br />
Heidi A Naasko<br />
Sarah Naasko and Jonathan<br />
Smith<br />
Drs. Louis Nagel and Julie<br />
Jaffee Nagel<br />
National Endowment for the<br />
Arts<br />
Andree Naylor*<br />
Erika Nelson and David<br />
Wagener<br />
Kay and Gayl Ness*<br />
Netscout<br />
New England Foundation for<br />
the Arts<br />
Sarah W. Newman*<br />
Newmarket LLC<br />
Nathan Ng<br />
Richard and Susan Nisbett<br />
John and Martha Nitz<br />
Susan and Daniel Noetzel<br />
William Nolting and Donna<br />
Parmelee<br />
Christer and Outi Nordman*<br />
Rob and Quincy Northrup<br />
Arthur S. Nusbaum<br />
Caroline and Mitchell<br />
Nussbaum<br />
Fola Odetola*<br />
Old National Bank<br />
Old National Bank Foundation<br />
Natalie and David Olds<br />
Constance K. Olson<br />
Beverly Olson<br />
Gil Omenn and Martha Darling<br />
Jill O’Neill<br />
Elizabeth Ong<br />
Susan and Mark Orringer<br />
Constance Osler<br />
Marysia Ostafin and George<br />
Smillie<br />
Elisa Ostafin and Hossein<br />
Keshtkar*<br />
Liz and Mohammad Othman<br />
Anna Owens and Tom Cook*<br />
Patrick and Nancy Paige<br />
Stephen and Elizabeth Palms<br />
Carlos Palomares and Julia<br />
Owens<br />
Karen Pancost<br />
William and Hedda Panzer<br />
Karen Park and John Beranek<br />
James and Joan Penner-Hahn<br />
Stephen R. Perrin*<br />
Tim and Sally Petersen<br />
Margaret and Jack Petersen*<br />
Wesen and William Peterson<br />
Pfizer Foundation<br />
Marianne Udow-Phillips and<br />
Bill Phillips<br />
Mark and Margaret Pieroni*<br />
Elaine and Bertram Pitt<br />
PNC Foundation<br />
Olga Podolyako<br />
Susan Pollans and Alan Levy<br />
Tom Porter<br />
Jeffrey and Joanna Post<br />
Linda Powell and James Taylor<br />
Prof. Sara A. Pozzi, Ph.D.<br />
Diana Pratt<br />
Lorna B. Prescott<br />
Rick and Mary Price*<br />
Karen and Berislav Primorac<br />
John and Nancy Prince<br />
Jay Ptashek and Karen Elizaga<br />
Peter Railton and Rebecca<br />
Scott<br />
Patricia L. Randle and James<br />
R. Eng<br />
Venkat Rao*<br />
James Read<br />
Bonnie Reece<br />
Jeff and Katie Reece<br />
Anthony L. Reffells<br />
Donald Regan and Elizabeth<br />
Axelson<br />
Ray and Ginny Reilly<br />
Retirement Income Solutions<br />
Floretta Reynolds*<br />
James and Ligia Reynolds<br />
Lou and Sheila Rice<br />
Randel Richner and Eric<br />
Russell<br />
Douglas and Robin Richstone<br />
Jonathan and Anala Rodgers<br />
Felix and Caroline Rogers*<br />
Doug and Nancy Roosa<br />
Stephen Rosenblum and<br />
Rosalyn Sarver*<br />
Prue Rosenthal<br />
Bert Rossi<br />
Rosemarie Haag Rowney*<br />
Carol D. Rugg and Richard K.<br />
Montmorency<br />
Don and Judy Rumelhart<br />
Linda and Leonard Sahn<br />
Amy Saldinger and Robert<br />
Axelrod<br />
Jay and Susan Sandweiss<br />
Dick and Norma Sarns<br />
Michael and Kimm Sarosi<br />
Michele and Eli Saulson<br />
Maya Savarino<br />
Mike and Annmarie Savitski<br />
Albert J. and Jane L. Sayed<br />
Helga and Jochen Schacht<br />
Mary A. Schieve<br />
David Schmidt and Jane<br />
Myers<br />
Ann and Tom Schriber<br />
Richard Schultz*<br />
John J. H. Schwarz<br />
Elaine and Peter Schweitzer<br />
Ruth Scodel<br />
John Scudder and Regan<br />
Knapp<br />
Larry and Bev Seiford<br />
Suzanne Selig<br />
Erik Serr<br />
Ellie Serras*<br />
Joe and Yvonne Sesi/Sesi<br />
Lincoln<br />
Matthew Shapiro and Susan<br />
Garetz<br />
Elvera Shappirio*<br />
Janet Shatusky<br />
Patrick and Carol Sherry*<br />
Susan and Patrick Shields*<br />
John and Arlene Shy<br />
Alyce K. Sigler<br />
Nina Silbergleit*<br />
Sandy and Dick Simon*<br />
Frankie and Scott Simonds*<br />
Anne and Knut Simonsen<br />
Robert and Elaine Sims<br />
Katherine R. Spindler<br />
Sue and Don Sinta<br />
Brooks Sitterley<br />
Jurgen Skoppek<br />
Barbara Furin Sloat*<br />
Susan M. Smith and Robert<br />
H. Gray<br />
Rodney Smith and Janet<br />
Kemink<br />
Sidonie Smith and Greg<br />
Grieco<br />
Gregory Smith, MD and<br />
Margaret Smith<br />
Edwin and Diane Smith<br />
Will and Megann Smith<br />
Linh and Dug Song<br />
Cheryl Soper<br />
Cynthia Sorensen and Henry<br />
Rueter*<br />
Juanita and Joseph Spallina<br />
Gretta Spier and Jonathan<br />
Rubin<br />
Jeff Spindler<br />
Ted St. Antoine*<br />
Michael B. Staebler and<br />
Jennifer R. Poteat<br />
Andrea and Gus Stager<br />
Gary and Diane Stahle<br />
Leslie Stainton and Steven<br />
Whiting<br />
Steve Stancroff and Tamar<br />
Springer*<br />
Daniel Stankey<br />
Nancy and James Stanley*<br />
State of Michigan<br />
Commission on Middle<br />
Eastern American Affairs<br />
Jan and Elena Stegemann*<br />
Daniel and Susan Stepek*<br />
Candis Stern*<br />
Dana and Diana Stetson*<br />
Rick and Lia Stevens<br />
Cynthia J. Stewart<br />
Charles Stewart Mott<br />
Foundation<br />
Mary Stockwell<br />
James L. Stoddard*<br />
Gail Ferguson Stout*<br />
Dalia Strasius<br />
Karen and David Stutz<br />
Dennis and Jan Sullivan<br />
Edward and Natalie Surovell<br />
Suzanne Tainter and Kenneth<br />
Boyer<br />
Brian and Lee Talbot<br />
Sandy Talbott and Mark<br />
Lindley<br />
Louise Taylor<br />
Stephan Taylor and Elizabeth<br />
Stumbo<br />
Eva E. Taylor<br />
Nancy Teichert<br />
William Tennant<br />
Denise Thal and David Scobey<br />
Bette M. Thompson*<br />
Carrie and Peter Throm*<br />
Mary Tift*<br />
Hitomi Tonomura<br />
Peter Toogood and Hanna<br />
Song<br />
Michael and Marcia Torrey*<br />
Louise Townley<br />
Jeffrey and Lisa Tulin-Silver<br />
Jody Tull<br />
Claire Turcotte<br />
Kay Tuttle and Gordon Larsen*<br />
Tyler Family Fund<br />
Alvan Uhle<br />
University of Michigan<br />
University of Michigan Arts<br />
Initiative<br />
University of Michigan<br />
College of Engineering<br />
University of Michigan Credit<br />
Union<br />
University of Michigan School<br />
of Music, Theatre, and<br />
Dance<br />
Joyce A. Urba and David J.<br />
Kinsella<br />
Alison and Matthew Uzieblo<br />
Jack and Marilyn van der<br />
Velde<br />
Bram van Leer<br />
Alicia P. Van Pelt<br />
Matthew VanBesien and<br />
Rosie Jowitt<br />
Carol VanBesien<br />
Karla and Hugo Vandersypen*<br />
Robert and Cynthia<br />
VanRenterghem<br />
Donald Vereen and Susan<br />
Collins<br />
Dody Viola<br />
Virginia Wait*<br />
Richard S. Walinski<br />
C. Glen Walter and Edite B.<br />
Walter, MD<br />
Margaret Walter*<br />
Shaomeng Wang and Ju-Yun<br />
Li*<br />
Paul Ward and Laura Lamps<br />
Jo Ann Ward<br />
Jeff Warren and Betsy<br />
Garofalo<br />
Ruth A Watson<br />
Harvey and Robin Wax<br />
Richard and Madelon Weber<br />
Professor J. Wehrley and Mrs.<br />
Patricia Chapman*<br />
Katherane Weider<br />
Mr. and Mrs. Richard C.<br />
Weiermiller*<br />
Neal and Susan Weinberg<br />
Richard and Gretchen Weir<br />
Ronald and Eileen Weiser<br />
Robert O. Weisman<br />
Edward and Colleen Weiss*<br />
Hermann Weiss and Rebecca<br />
Hoort<br />
James and Karen Westphal<br />
Robert Westveer<br />
Julie Wheaton*<br />
Mary Ann Whipple<br />
Kathy White<br />
Amy White<br />
James B. White and Mary F.<br />
White*<br />
Susan Whitlock and Dr. Earl<br />
Lewis<br />
Max Wicha and Sheila<br />
Crowley*<br />
Peter and Karen Wildman*<br />
David and Anne Wilhoit<br />
Brian Willen and Monica<br />
Hakimi*<br />
Valerie and Jeff Wilpon<br />
Thomas K. Wilson<br />
Robin Wilson*<br />
I. W. Winsten*<br />
Lawrence and Mary Wise<br />
Max and Mary Wisgerhof<br />
Charles Witke and Aileen<br />
Gatten<br />
Steven and Helen Woghin<br />
Charlotte A. Wolfe*<br />
Katherine Woo*<br />
Douglas Wood and Kay<br />
Holsinger*<br />
Eric Woodhams*<br />
The Worsham Family<br />
Foundation<br />
Frances A. Wright<br />
Mary Jean and John Yablonky<br />
The Zelenock Family<br />
Gail and David Zuk<br />
<strong>UMS</strong><br />
TRIBUTE<br />
GIFTS<br />
September 1, <strong>2020</strong> –<br />
October 1, 20<strong>21</strong><br />
Throughout the past year,<br />
donations have been<br />
made in memory of and/or<br />
in honor of the following<br />
individuals.<br />
Bert Askwith (1911-2015)<br />
Mel L. Barclay, MD<br />
William J. Beird<br />
DJ and Dieter Boehm<br />
Sally Cushing<br />
Father Tim Dombrowski<br />
Ken and Penny Fischer<br />
Ken Guire<br />
Jim Heitler<br />
Lloyd and Edith Herrold<br />
Christa Janecke<br />
Amrita and Pritika Karwa<br />
Theophilius Odetola<br />
Anne Parsons<br />
Lois Stegeman<br />
Matthew VanBesien<br />
Darragh Weisman<br />
Clayton and Ann Wilhite<br />
40 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 41
<strong>2020</strong>/<strong>21</strong> Season in Review Financials<br />
FY<strong>21</strong><br />
FINANCIALS<br />
OPERATING RESULTS FY<strong>21</strong> FY20 FY19<br />
Ticket Revenue (1) $-0- $2,449,250 $2,848,772<br />
Other Earned Revenues $146,495 $480,896 $644,505<br />
Net Investment Income $1,095,257 $1,083,035 $1,040,284<br />
Gifts and Grants (2,6) $3,107,899 $3,734,791 $3,359,812<br />
Gifts and Grants Released from Restrictions (3) $601,740 $100,085 $630,<strong>21</strong>5<br />
University of Michigan (4) $1,526,000 $1,070,000 $1,065,000<br />
Operating Revenue $6,477,391 $8,918,057 $9,588,588<br />
Concert Expenses & Related Programs (5) $2,807,801 $5,684,862 $6,403,839<br />
Administrative Expenses (6) $1,843,990 $1,677,273 $1,784,454<br />
Our 142nd season was the first in <strong>UMS</strong>’s history where we did not present any live, in-person performances;<br />
nevertheless, we hope you can see the impact of <strong>UMS</strong> activities both within our community and around the<br />
world. We’re grateful to the committed staff, dedicated board and volunteers, and generous donors and<br />
investors who make it all possible.<br />
Our complete audited financial statements are available on our website at ums.org/about/financialstatements,<br />
with a top-line summary on the next page. For comparison purposes, we have included FY19<br />
(our last full season of in-person performances) and FY20 (with the last two months of performances<br />
canceled due to the pandemic), in addition to the most recent statements reflecting FY<strong>21</strong>.<br />
Our positive bottom line from operations during FY<strong>21</strong> was due in part to the U.S. Government’s second round<br />
of support through the Paycheck Protection Program (“PPP”); this grant of $362,800 is recognized in the<br />
Gifts and Grants line in our Operating Results. Extraordinary fundraising allowed us to offset the absence of<br />
ticket revenues given that all of our digital events were offered free-of-charge. Our overall change in net<br />
assets showed a gain of $9,114,195, largely due to unrealized gains on our board-designated endowment<br />
and our donor-restricted endowment funds.<br />
The FY<strong>21</strong> statements are representative of <strong>UMS</strong>’s overall position of financial strength due to the deep<br />
commitment of its audiences and donors. Nevertheless, as we look ahead, we anticipate that the coming<br />
years will be difficult for the organization, with continued uncertainty due to the ongoing pandemic and its<br />
impact on both artist tours and attendance at live performances.<br />
We are extraordinarily grateful to all who continue to support <strong>UMS</strong> during these uncertain times.<br />
Sincerely,<br />
Development Expenses $1,183,987 $1,262,940 $1,469,245<br />
Operating Expenses $5,835,778 $8,625,075 $9,657,538<br />
Net Surplus/(Deficit) from Operations $641,613 $292,982 ($68,950)<br />
NET ASSETS (including Endowment Funds) FY<strong>21</strong> FY20 FY19<br />
Beginning Balance - Funds Without Donor Restrictions $7,741,125 $7,889,229 $7,804,591<br />
Beginning Balance - Funds With Donor Restrictions $19,389,286 $19,361,7<strong>21</strong> $19,093,789<br />
Beginning Balance - All Funds $27,130,411 $27,250,950 $26,898,380<br />
Gifts and Grants $494,082 $1,106,872 $523,583<br />
Gifts and Grants Released from Restrictions (3) ($601,740) ($100,085) ($630,<strong>21</strong>5)<br />
Net Investment Income $60,014 $50,240 $43,<strong>21</strong>4<br />
Net Unrealized Gain on Investments Without Donor Restrictions $2,445,489 ($444,613) $153,588<br />
Net Unrealized Gain on Investments With Donor Restrictions $6,074,737 ($1,025,935) $331,350<br />
Net Surplus/(Deficit) from Operations $641,613 $292,982 ($68,950)<br />
Matthew VanBesien<br />
President, <strong>UMS</strong><br />
Tim Petersen<br />
Chair, <strong>UMS</strong> Board of Directors<br />
Ending Balance - All Funds $36,244,606 $27,130,411 $27,250,950<br />
Total Change in Net Assets $9,114,195 ($120,539) $352,570<br />
42 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />
(1) In FY19 and FY20, ticket donations were recorded as Ticket Revenue. In FY<strong>21</strong>, ticket donations were recorded as Gifts and Grants. (2) This line also<br />
includes $458,432 from the Paycheck Protection Program in FY20 and $362,800 in FY<strong>21</strong>. The FY20 amount has been forgiven, and the FY<strong>21</strong> amount<br />
is expected to be forgiven as the terms of the program were met. (3) Represents gifts and grants received in prior years whose purpose or timing<br />
conditions were met. (4) Represents discretionary support provided by the U-M Offices of the President and Provost, as well as other University units.<br />
(5) Includes digital artist residencies and digital programming expense for FY<strong>21</strong> when there were no in-person performances. (6) Includes estimated<br />
market value of in-kind subsidized lease costs for office space. This amount totals approximately $143,000 in each year.<br />
Stay Present<br />
43
<strong>2020</strong>/<strong>21</strong> Season in Review Financials<br />
THE <strong>2020</strong>/<strong>21</strong> (DIGITAL) SEASON <strong>UMS</strong> STAFF<br />
SEPTEMBER <strong>2020</strong><br />
Paul Taylor Dance Group<br />
OCTOBER <strong>2020</strong><br />
Takács Quartet<br />
Sheku Kanneh-Mason and<br />
Isata Kanneh-Mason<br />
Trevor Noah<br />
NOVEMBER <strong>2020</strong><br />
Cloud Gate Dance Theatre of<br />
Taiwan<br />
Wynton Marsalis and Jazz at<br />
Lincoln Center Orchestra<br />
Listening Parties with Tarek<br />
Yamani and the Spektral<br />
Quartet (Digital Artist<br />
Residency)<br />
DECEMBER <strong>2020</strong><br />
Messiah Mixtape<br />
Jazz at Lincoln Center<br />
Orchestra School Day<br />
Performance: Let Freedom<br />
Swing<br />
JANUARY 20<strong>21</strong><br />
Some Old Black Man with<br />
Wendell Pierce and Charlie<br />
Robinson (Digital Artist<br />
Residency)<br />
Sphinx Virtuosi<br />
Cleo Parker Robinson Dance<br />
School Day Performance<br />
Jazz at Lincoln Center’s Swing<br />
University: Jazz from New<br />
Orleans, Chicago, New York,<br />
and Detroit<br />
FEBRUARY 20<strong>21</strong><br />
Caleb Teicher & Company<br />
School Day Performance<br />
James Ehnes, violin<br />
MARCH 20<strong>21</strong><br />
Ballet Folklórico de México de<br />
Amalia Hernández School Day<br />
Performance<br />
Jazz at Lincoln Center<br />
Orchestra School Day<br />
Performance: Who Is Joe<br />
Williams?<br />
Playing with Fire (documentary<br />
about conductor Jeannette<br />
Sorrell)<br />
National Arab Orchestra<br />
Sir András Schiff, piano<br />
APRIL 20<strong>21</strong><br />
School Day Performance:<br />
Frankenstein: How to Make<br />
a Monster – Battersea Arts<br />
Centre Beatbox Academy<br />
Jazz at Lincoln Center’s Swing<br />
University: Jazz in Detroit<br />
Live Session with Tunde<br />
Olaniran<br />
MAY 20<strong>21</strong><br />
Daniel Bernard Roumain and<br />
J’Nai Bridges: They Still Want<br />
to Kill Us<br />
JUNE 20<strong>21</strong><br />
Digital Pride Festival<br />
Becca Blackwell: They,<br />
Themself, and Schmerm<br />
Conspirare: Considering<br />
Matthew Shepard<br />
Taylor Mac: Whitman in the<br />
Woods<br />
Matthew VanBesien,<br />
President<br />
Administration & Finance<br />
Carmen Rodriguez,<br />
Vice President, Finance<br />
and Administration<br />
Jessica Adamczyk,<br />
Executive Assistant to the<br />
President<br />
Patricia Hayes,<br />
Finance Manager (through<br />
August 20<strong>21</strong>)<br />
John Peckham,<br />
Information Systems<br />
Manager<br />
Anna Simmons,<br />
Systems Specialist<br />
(through May 20<strong>21</strong>)<br />
Development<br />
Ryan Davis,<br />
Vice President and Chief<br />
Development Officer<br />
Susan Bozell Craig,<br />
Director of Development<br />
Amanda Dempsey,<br />
Development Associate<br />
(through April 20<strong>21</strong>)<br />
Rachelle Michelon,<br />
<strong>Annual</strong> Giving Manager<br />
Lisa Michiko Murray,<br />
Associate Director of<br />
Development, Foundation<br />
& Government Relations<br />
Margaret Reid,<br />
Associate Director of<br />
Development, Major Gifts<br />
and Planned Giving<br />
Will Smith, Assistant Manager,<br />
Major Gifts<br />
Education & Community<br />
Engagement<br />
Cayenne Harris,<br />
Vice President, Education<br />
& Community Engagement<br />
Alexandria Davis,<br />
Community & Audience<br />
Programs Manager<br />
Christina Mozumdar,<br />
Education & Community<br />
Engagement Programs<br />
Manager (through April<br />
20<strong>21</strong>)<br />
Terri Park,<br />
Associate Director of<br />
Education & Community<br />
Engagement, K-12<br />
Programs<br />
Maddy Wildman,<br />
University Programs<br />
Manager<br />
Marketing & Communications<br />
Sara Billmann,<br />
Vice President, Marketing<br />
& Communications<br />
Jacob Gibson,<br />
Marketing &<br />
Communications Associate<br />
Mallory Shea,<br />
Marketing & Media<br />
Relations Manager<br />
(through April 20<strong>21</strong>)<br />
Samantha Williams,<br />
Marketing & Media<br />
Relations Manager<br />
Eric Woodhams,<br />
Director of Digital Media<br />
Patron Services<br />
Christina Bellows,<br />
Director of Patron Services<br />
Rochelle Clark,<br />
Ticket Services Associate<br />
Bridget Kojima,<br />
Group Sales and<br />
Promotions Associate<br />
Nina Renella,<br />
Interim Front of House<br />
Assistant Manager<br />
Anné Renforth,<br />
Ticket Services Assistant<br />
Manager<br />
Victoria Spain,<br />
Front of House Assistant<br />
Manager (though August<br />
20<strong>21</strong>)<br />
Production/Programming<br />
Michael Kondziolka,<br />
Vice President,<br />
Programming & Production<br />
Jeffrey Beyersdorf,<br />
Production Director<br />
Alex Gay,<br />
Assistant Production<br />
Manager<br />
Anne Grove,<br />
Artist Services Manager<br />
Mark Jacobson,<br />
Senior Programming<br />
Manager<br />
Mary Roeder,<br />
Programming Manager<br />
<strong>UMS</strong> Choral Union<br />
Scott Hanoian,<br />
Music Director and<br />
Conductor<br />
Kathleen Operhall,<br />
Chorus Manager<br />
Student Employees &<br />
Part-Time Assistants<br />
Olivia Johnson,<br />
Patron Services Assistant<br />
Jacob Rogers,<br />
Patron Services Assistant<br />
Justine Sedky,<br />
Patron Services Assistant<br />
<strong>UMS</strong> <strong>2020</strong>/<strong>21</strong> BOARD OF<br />
DIRECTORS<br />
Tim Petersen,<br />
Chair<br />
Lisa D. Cook,<br />
Co-Vice Chair<br />
Brian Willen,<br />
Co-Vice Chair<br />
Rob VanRenterghem,<br />
Treasurer<br />
Christopher Conlin,<br />
Secretary<br />
Susan E. Alcock<br />
Karen Bantel<br />
Kiana Barfield<br />
Marco Bruzzano<br />
Mary Lincoln Campbell<br />
Timothy R. Damschroder<br />
Tiffany L. Ford<br />
Alec Gallimore<br />
Katherine Goldberg<br />
Linda Gregerson<br />
Stephen Henderson<br />
Ibrahim Jarjoura<br />
Timothy B. Johnson<br />
Barbara Kaye<br />
Christina Kim<br />
Timothy G. Lynch<br />
Timothy G. Marshall<br />
Michael C. Martin<br />
Sarah Nicoli<br />
Peter Schweitzer<br />
Knut Simonsen<br />
Versell Smith, Jr.<br />
Linh Song<br />
Gail Ferguson Stout<br />
Victor J. Strecher<br />
Ex-officio Members:<br />
Susan M. Collins,<br />
Provost, U-M<br />
David Gier,<br />
Dean, School of Music,<br />
Theatre & Dance, U-M<br />
Kevin Hegarty,<br />
Executive Vice President<br />
and Chief Financial Officer,<br />
U-M<br />
Mark Schlissel,<br />
President, U-M<br />
Jeanice Kerr Swift,<br />
Superintendent of Ann<br />
Arbor Public Schools<br />
Representatives to the Board:<br />
Rachel Bendit,<br />
<strong>UMS</strong> National Council<br />
Thomas C. Kinnear,<br />
<strong>UMS</strong> Sustaining Directors<br />
Prudence Rosenthal,<br />
<strong>UMS</strong> Sustaining Directors<br />
Elena Snyder,<br />
<strong>UMS</strong> Ambassadors<br />
<strong>UMS</strong> NATIONAL COUNCIL<br />
Rachel Bendit, Co-Chair<br />
Ann Arbor<br />
Wynton Marsalis, Honorary<br />
Co-Chair<br />
New York<br />
Andrew Bernstein<br />
New York<br />
Maurice Binkow<br />
Ann Arbor<br />
Kenneth A. and Noreen<br />
Buckfire<br />
New York<br />
Peter Cummings<br />
Detroit<br />
Marylene Delbourg–Delphis<br />
Menlo Park and Pebble<br />
Beach<br />
Sophie Delphis<br />
New York<br />
Barbara G. Fleischman<br />
New York<br />
Maxine Frankel<br />
Bloomfield Hills<br />
Katherine Hein M.D.<br />
Boston<br />
Patti Kenner<br />
New York<br />
Wallis Klein<br />
La Jolla and Charlevoix<br />
Jerry Kolins M.D. and Dale<br />
Kolins<br />
Escondido<br />
David Leichtman and Laura<br />
McGinn<br />
New York<br />
Chrislan Fuller Manuel<br />
Ann Arbor<br />
Bridget M. McCormack and<br />
Steven P. Croley<br />
Ann Arbor<br />
Jordan Morgan<br />
Ann Arbor<br />
Caroline Nussbaum<br />
New York<br />
Jay Ptashek and Karen Elizaga<br />
New York<br />
James Read<br />
Stamford<br />
James Stanley M.D. and<br />
Nancy Stanley<br />
Ann Arbor<br />
Louise Taylor<br />
Ann Arbor<br />
Bruce Tuchman<br />
New York<br />
Eileen Weiser<br />
Ann Arbor<br />
Diane Zola<br />
New York<br />
Tim Petersen (Ex-Officio)<br />
Ann Arbor<br />
In Memoriam<br />
Clayton and Ann Wilhite<br />
Ann Arbor<br />
<strong>UMS</strong> AMBASSADORS<br />
Ambassador Executive<br />
Committee<br />
Michael Lee,<br />
Chair<br />
Cathy King,<br />
Vice Chair and<br />
Membership<br />
Committee Co-Chair<br />
Lisa Armstrong,<br />
Treasurer<br />
Beth McNally,<br />
Secretary<br />
Jay Kain,<br />
Membership Committee<br />
Co-Chair<br />
Kirsten Williams,<br />
School Day Performance<br />
Volunteer Chair<br />
Athena Papageorgiou,<br />
Member-At-Large<br />
Elena Snyder,<br />
Immediate Past Chair<br />
Ambassador General<br />
Membership<br />
Arlene Barnes<br />
Astrid Beck<br />
Sue Beel<br />
Todd Beel<br />
Elaine Bennett<br />
Mike Dergis<br />
Janet Galardi Popper<br />
Joan Kadis<br />
Nancy Karp<br />
Kathy Kiehl<br />
Leah Korth<br />
Garrett Lefkowitz<br />
Rita Malone<br />
Daria Massimilla<br />
Sharon Peterson Dort<br />
Pat Rideout<br />
Jill Ross<br />
Ellen Sapper<br />
Andrew Schneider<br />
Pam Tabbaa<br />
Sarajane Winkelman<br />
44 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 45
2014 National Medal of Arts Recipient<br />
@<strong>UMS</strong>PRESENTS<br />
<strong>UMS</strong>.ORG——734.764.2538 Front Cover: Wendell Pierce and Charlie Robinson; Publication Date: November 20<strong>21</strong>