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UMS 2020/21 Annual Report

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142ND SEASON<br />

<strong>2020</strong>/<strong>21</strong><br />

ANNUAL REPORT


<strong>2020</strong>/<strong>21</strong> Season in Review<br />

Letter From Our President<br />

STAY<br />

PRESENT.<br />

For the first time since our founding<br />

in 1879, <strong>UMS</strong> did not present any live,<br />

indoor concert performances in the<br />

<strong>2020</strong>/<strong>21</strong> season — but our impact on<br />

the community continued through an<br />

expansion of digital programming that<br />

reached audiences all over the world.<br />

As a lockdown that we initially thought<br />

might last a month or two extended<br />

into six months, and ultimately an<br />

entire season, we both situationally<br />

and intentionally moved from<br />

uncertainty to fortitude, from disbelief<br />

to resilience, and from disruption to<br />

innovation and evolution.<br />

Despite the change in the way we<br />

delivered our programs in the <strong>2020</strong>/<strong>21</strong><br />

season, we remained successful in<br />

fulfilling our mission of connecting<br />

audiences and artists in uncommon<br />

and engaging experiences and, with all<br />

of our digital programs being offered<br />

at no cost, we transcended both<br />

economic and geographic boundaries,<br />

with individuals in 65 countries across<br />

six continents viewing <strong>UMS</strong> programs.<br />

People and the human connection<br />

have always been the heart and soul<br />

of our business: certainly our artists,<br />

audiences, and supporters, but also<br />

the incredible staff that makes it all<br />

happen. I’m proud to report that over<br />

the past year, we kept our entire staff<br />

fully employed throughout all of the<br />

uncertainty, a commitment we made<br />

early on to take care of those who are<br />

so critical to the work that we do in<br />

the community. We also continued to<br />

support artists by investing in new<br />

work that will have a lasting impact. All<br />

of this was possible in because of the<br />

steadfast support of the University of<br />

Michigan and the many donors who<br />

continued to support our work.<br />

For many of our staff, this past year<br />

was a time of learning and professional<br />

growth, both by developing new skill<br />

sets that can be applied immediately<br />

and by diving into visioning and<br />

planning exercises that will allow us<br />

to come back from the pandemic in an<br />

even stronger position. We also took<br />

the social issues that exploded in the<br />

public consciousness over the past 18<br />

months as a call to action for our staff<br />

and spent a lot of time interrogating<br />

how we can become a more anti-racist<br />

organization in all that we do.<br />

The lessons learned from this most<br />

unusual year will continue to guide<br />

us in the future. There is no “back to<br />

normal” for us at <strong>UMS</strong>, but a thoughtful<br />

and ongoing progression toward a new<br />

way of implementing our work.<br />

We thank all of you for standing by<br />

us this past year, for your words of<br />

support and appreciation, and for your<br />

generosity in seeing us through an<br />

extraordinary moment. While none of<br />

us foresaw what the <strong>2020</strong>/<strong>21</strong> season<br />

would bring, we can confidently say that<br />

we are ready for what comes next —<br />

next season and into the future. As we<br />

look forward, particularly to our 150th<br />

season in 2029, we have a renewed<br />

commitment, a clarity of purpose, and<br />

a shared understanding of our vision to<br />

be an ever-present and positive force<br />

in bringing our community together.<br />

With deep gratitude for all of you who<br />

made this season possible,<br />

Matthew VanBesien<br />

President, <strong>UMS</strong><br />

2 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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3


Our Mission<br />

Our Values<br />

TO INSPIRE<br />

INDIVIDUALS AND<br />

ENRICH COMMUNITIES<br />

BY CONNECTING<br />

AUDIENCES AND<br />

ARTISTS IN UNCOMMON<br />

AND ENGAGING<br />

EXPERIENCES<br />

OUR VALUES<br />

INCLUSIVENESS AND ACCESSIBILITY<br />

We seek the broadest possible<br />

participation in accomplishing our<br />

mission involving artists, audiences, and<br />

ourselves, celebrating different cultures,<br />

perspectives, and experiences.<br />

RESPECT AND TRANSPARENCY<br />

We treat every individual with courtesy<br />

and genuine concern; we celebrate<br />

contributions from different cultures<br />

and seek mutual understanding; we are<br />

straightforward, open, and honest in all of<br />

our professional and personal interactions<br />

with others.<br />

INNOVATION AND TRADITION<br />

We value the importance of nurturing,<br />

investing in and presenting new artistic<br />

work and ideas, understanding that not all<br />

attempts will be successful; at the same<br />

time, we will celebrate and present the<br />

cultural and artistic legacy of the best<br />

traditional works of art.<br />

PARTICIPATION AND COLLABORATION<br />

We seek the active involvement of those<br />

who share our love of the arts, and we<br />

strive to establish partnerships with artists,<br />

individuals, groups, and organizations that<br />

will help us foster our mission.<br />

LEADERSHIP AND STEWARDSHIP<br />

We expect to achieve sustained excellence<br />

in all aspects of our organization. We<br />

anticipate being a model for peers to<br />

emulate, and we, in turn, seek to learn from<br />

and incorporate the best practices of each<br />

of them. We value those who contribute<br />

their time and resources and will manage<br />

<strong>UMS</strong> to provide a healthy and robust<br />

organization for all who follow.<br />

COMMITMENT TO BEING AN<br />

ANTI-RACIST ORGANIZATION<br />

We are committed not just to “not being<br />

racist,” but to being actively Anti-Racist.<br />

We recognize our privilege as a respected<br />

arts presenter with a broad platform<br />

and use our resources to champion the<br />

power of art to tell important stories about<br />

the breadth of the human experience,<br />

providing further opportunities for public<br />

discourse around socially-engaged<br />

artistic work. We have begun to deepen<br />

our diversity, equity, and inclusion work<br />

internally and externally, moving beyond<br />

representation into meaningful action and<br />

advocacy.<br />

4 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present<br />

5


<strong>2020</strong>/<strong>21</strong> Season in Review<br />

Digital Artist Residencies<br />

DIGITAL ARTIST<br />

RESIDENCIES<br />

MANY THANKS TO THE<br />

FUNDERS WHO MADE THESE<br />

DIGITAL ARTIST RESIDENCIES<br />

POSSIBLE:<br />

Early on, <strong>UMS</strong> developed a Digital<br />

Artist Residency program as a way<br />

of supporting artists in the creation<br />

of new work while touring and live<br />

performances ground to a halt. With<br />

these projects, <strong>UMS</strong> moved into the<br />

role of producer and commissioner,<br />

providing financial support to six<br />

signature artistic projects, ranging<br />

from the famous to the lesser known<br />

and from international to regional,<br />

to develop new work in the digital<br />

space. In addition to developing<br />

the final output, these residencies<br />

provided a platform for artists<br />

to participate in a rich fabric of<br />

community activity — from public<br />

listening parties to virtual class<br />

visits behind the scenes.<br />

Carol Amster<br />

Maurice and Linda Binkow<br />

Commission on Middle Eastern<br />

American Affairs<br />

Julia Darlow and John O’Meara Stephen<br />

and Rosamund Forrest Beverley and<br />

Gerson Geltner<br />

Anne and Paul Glendon<br />

Susan and Richard Gutow<br />

Norman and Debbie Herbert<br />

Joe Malcoun and Caitlin Klein<br />

Jerry and Dale Kolins Endowment Fund<br />

The Andrew W. Mellon Foundation<br />

National Endowment for the Arts<br />

New England for the Arts’<br />

National Dance Project<br />

Newmarket LLC<br />

Tim and Sally Petersen<br />

Linh and Dug Song<br />

James and Nancy Stanley<br />

<strong>UMS</strong> Sustaining Directors<br />

6 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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7


Digital Artist Residencies<br />

Digital Artist Residencies<br />

WENDELL PIERCE (NEW ORLEANS, LA):<br />

SOME OLD BLACK MAN<br />

Some Old Black Man was the most ambitious project of the<br />

Digital Artist Residencies, with the creative team living<br />

in a “quarantine bubble” for several weeks in Ann Arbor<br />

while rehearsing this play by James Anthony Tyler and<br />

undergoing frequent testing. The team, including actors<br />

Wendell Pierce and Charlie Robinson, director Joe Cacaci,<br />

playwright James Anthony Tyler, and stage manager<br />

Tiffany Robinson, commuted to The Jam Handy in Detroit,<br />

where the production was filmed with no audience. Safety<br />

protocols were developed in close consultation with<br />

public health officials and approved by the Screen Actors<br />

Guild.<br />

The filmed play premiered in January <strong>2020</strong> and brought<br />

<strong>UMS</strong> national and international press from National Public<br />

Radio, The Times of London, and The Guardian.<br />

In addition to starring in the production,<br />

Wendell Pierce spoke at the annual U-M<br />

Diversity, Equity & Inclusion Summit and<br />

participated in a post-viewing discussion<br />

with students and faculty at the U-M College<br />

of Engineering. James Anthony Tyler spoke<br />

with students enrolled in <strong>UMS</strong>’s Engaging<br />

Performance course. Faculty members<br />

from other universities across the country,<br />

including the University of Texas at Austin,<br />

have reached out to incorporate the work<br />

into their curricula as well. Later in 2022,<br />

Some Old Black Man will premiere on PBS’s<br />

“Great Performances” series. We are grateful<br />

to Black Public Media for facilitating the<br />

relationship with PBS.<br />

BY THE NUMBERS<br />

29,349 VIEWS<br />

60 MI COUNTIES<br />

50 STATES<br />

65 COUNTRIES<br />

6 CONTINENTS<br />

“This was simply outstanding. I<br />

just lost my mom on December<br />

<strong>21</strong>, and I was her main caregiver<br />

the last 5 years of her life.<br />

THE EMOTIONAL<br />

EXCHANGES BETWEEN THE<br />

FATHER AND SON WERE<br />

PAINFULLY FAMILIAR, AND<br />

VERY MOVING.<br />

I shed many tears watching this.<br />

I also have a daughter who is<br />

mixed race so I encountered a lot<br />

of difficulty that was expressed<br />

in the play with being in an<br />

interracial relationship...I have<br />

also learned a lot of painful truths<br />

about systemic racism, race<br />

relations, implicit bias, and more.<br />

The subject matter was relatable<br />

and hit home.”<br />

– Dena, West Bloomfield, MI<br />

“Thank you. I thought the play<br />

was wonderful… Also, as a white<br />

elderly person, I’m very proactive<br />

trying to understand and do<br />

something about racism in our<br />

country. Your play brought a little<br />

more insight to my journey.”<br />

– Sherrie, Newcastle, OK<br />

“So glad I heard [the] interview<br />

w/Wendell Pierce on NPR, just<br />

in time to catch [the] last night<br />

of the digital broadcast. Brilliant<br />

play and captivating acting.<br />

Revealing about aspects about<br />

Black life in America now and<br />

100% applicable to my white<br />

family dynamics, too. I cannot<br />

say enough good things about<br />

the play, and I am not usually a<br />

theatre-goer!”<br />

– Aja, Auke Bay, AK<br />

“WORDS CANNOT EXPRESS<br />

THE DEPTH OF GRATITUDE I<br />

HAVE FOR <strong>UMS</strong>.<br />

Your production team across the<br />

board is world class and one of<br />

the best I have ever experienced<br />

in my career. It is because of<br />

you that this production had a<br />

successful launch. I see more for<br />

this piece in the future. What we<br />

accomplished in the middle of<br />

the pandemic was exemplary.<br />

The lasting impact is always the<br />

work that you do, and the people<br />

that you do it with. The latter of<br />

which I will remember forever.<br />

All of you at <strong>UMS</strong> have given<br />

me inspiration and hope. It is an<br />

honor working with you.”<br />

– Wendell Pierce<br />

8 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present<br />

9


Digital Artist Residencies<br />

Digital Artist Residencies<br />

TUNDE OLANIRAN (FLINT, MI)<br />

For their Digital Artist Residency, Tunde Olaniran has<br />

been creating a series of experimental performance<br />

works designed to coincide with the release of singles<br />

from an upcoming mixtape and sharing their creative<br />

process along the way. The full mixtape will be released<br />

in spring 2022.<br />

The first track, WDWHI (We Don’t Want To Hear It),<br />

was released in November <strong>2020</strong> and coincided with<br />

a virtual talk about the social, racial, and cultural<br />

intersections of pop music and performance with<br />

Tunde and fellow musicians Siena Liggins, Shara Nova,<br />

and Olly Alexander. In May 20<strong>21</strong>, <strong>UMS</strong> streamed an<br />

exclusive Live Session with Tunde and collaborators,<br />

filmed at El Club in Detroit. This Live Session idea will<br />

be revisited throughout the 20<strong>21</strong>/22 season with new<br />

collaborators from the <strong>UMS</strong> season.<br />

BY THE NUMBERS<br />

679 VIEWS OF POP<br />

BREAKDOWN<br />

(WDWHI conversation)<br />

999 VIEWS OF<br />

TUNDE OLANIRAN’S<br />

LIVE SESSION<br />

CLEO PARKER ROBINSON (DENVER CO):<br />

THE MAKING OF THE FOUR JOURNEYS<br />

<strong>UMS</strong> had planned to present the Cleo Parker Robinson<br />

Ensemble during its 50th season in January 20<strong>21</strong> with<br />

a new work called “The Four Journeys” choreographed<br />

by Amalia Viviana Basanta Hernández. The pandemic<br />

slowed — but didn’t stop — the company’s work,<br />

although the tour was postponed. As part of the Digital<br />

Artist Residency, filmmaker Alan Domínguez documented<br />

the creative process, giving insight into how a new work<br />

is developed — especially under unique circumstances<br />

where the choreographer and the company are in<br />

different countries and rehearsing via zoom. The 30-<br />

minute documentary film, which included filming in both<br />

Denver and México, where Hernández is based, premiered<br />

in October 20<strong>21</strong>.<br />

In addition to the film, Cleo participated in numerous<br />

behind-the-scenes activities during the <strong>2020</strong>/<strong>21</strong> season,<br />

including virtual visits with several University classes,<br />

mentoring emerging artists through the U-M School<br />

of Music, Theatre & Dance, and a live conversation<br />

with Wright Museum president Neil Barclay as part<br />

of a series hosted by the International Association of<br />

Blacks in Dance. <strong>UMS</strong> also presented a Digital School Day<br />

Performance featuring Cleo Parker Robinson Dance<br />

Ensemble for K-12 audiences.<br />

BY THE NUMBERS<br />

55 STUDENTS FROM<br />

VIRTUAL CLASSES<br />

3,9<strong>21</strong> STUDENTS<br />

registered for Cleo Parker Robinson<br />

School Day Performance<br />

70 HOURS OF TOTAL<br />

FOOTAGE CAPTURED<br />

over 8 virtual and live rehearsals in<br />

2 countries<br />

Over the course of the year, Tunde also visited several<br />

U-M classes and served as one of the lead artists for<br />

a U-M Arts Initiative project with Yo-Yo Ma called “A<br />

Travel Guide for Talking Hearts.”<br />

<strong>UMS</strong> first got to know artist and activist Tunde Olaniran<br />

through Yo-Yo Ma’s Day of Action in Flint in 2019, and<br />

Tunde subsequently recorded a track with Ma on his<br />

latest album.<br />

120 STUDENTS<br />

REACHED THROUGH<br />

CLASSES<br />

10 10 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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Digital Artist Residencies<br />

Digital Artist Residencies<br />

TAREK YAMANI (BEIRUT, LEBANON AND BERLIN, GERMANY) &<br />

SPEKTRAL QUARTET (CHICAGO, IL)<br />

Tarek Yamani was the first COVID cancellation at <strong>UMS</strong>,<br />

with his debut scheduled for March 13, <strong>2020</strong>. In the<br />

run-up to that concert, Spektral Quartet violist Doyle<br />

Armbrust interviewed Yamani for a program book<br />

feature, and the two realized how much they had in<br />

common artistically. During the <strong>2020</strong>/<strong>21</strong> season, as<br />

Yamani worked on composing a new work for string<br />

quartet — a first for the musician — they conducted<br />

public “virtual listening parties” to introduce each other<br />

to music that inspired them, and visited <strong>UMS</strong>’s signature<br />

“Engaging Performance” class, as well as courses in<br />

chamber music and dance. The world premiere of the<br />

new work, Berytus, took place on October 27, 20<strong>21</strong>.<br />

Berytus was co-commissioned by the Abu Dhabi Music<br />

& Arts Foundation, Ltd. Additional commissioning<br />

support was provided by the Arab American National<br />

Museum through a grant from The Andrew W. Mellon<br />

Foundation.<br />

BRIAN LOBEL &<br />

FRIENDS<br />

(LONDON, ENGLAND):<br />

24 ITALIAN SONGS &<br />

ARIAS (& VOICES)<br />

U-M alumnus Brian Lobel is a theater and performance artist now<br />

based in England who has long been focused on themes of failure and<br />

resilience among artists. With British soprano Gweneth-Ann Rand,<br />

Canadian musical director and recitalist Allyson Devenish, and British<br />

contralto Naomi Felix, Lobel’s Digital Artist Residency project was to<br />

create a digital archive featuring video recordings of each of the 24<br />

Italian Songs and Arias, a fundamental songbook in the repertoire of<br />

every opera singer, sung by a diverse group of singers who would<br />

also share their own experiences of failure. Alongside these curated<br />

videos, singers from around the world are invited to submit their own<br />

versions of the songs, all of which will be collected on a website,<br />

24ItalianSongs.com and released throughout the fall of 20<strong>21</strong>.<br />

As the website was being developed and singers contracted, Lobel<br />

visited several U-M classes, including “Storytelling for Visual Artist”<br />

and “Engaging Performance,” and also served as a mentor for<br />

emerging artists in the U-M School of Music, Theatre & Dance.<br />

12 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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13


Digital Artist Residencies<br />

JOYCE DIDONATO (BARCELONA, SPAIN):<br />

SING FOR TODAY<br />

Renowned mezzo-soprano Joyce DiDonato developed<br />

a program that uses song to respond to current events<br />

and global concerns in real time. As a precursor to her<br />

upcoming 20<strong>21</strong>/22 season premiere of a new work<br />

focused on the environment, this project incorporated<br />

both songs and conversations about issues facing the<br />

world. The series kicked off in October <strong>2020</strong> shortly<br />

before the US presidential election, with Woody Guthrie’s<br />

“This Land is Your Land” and a conversation with U-M<br />

students involved with the Poll Hero Project alongside<br />

Hamilton producer and U-M alumnus Jeffrey Seller. In<br />

December, Joyce released a beautiful recording of “Silent<br />

Night,” and on Memorial Day Weekend, she performed<br />

“Danny Boy,” accompanied by a discussion with theater<br />

producer Tom Kirdahy about grief, loss, and love.<br />

BY THE NUMBERS<br />

300,000+<br />

VIEWS ACROSS ALL<br />

PLATFORMS<br />

Sing For Today was presented in partnership with<br />

Princeton University Concerts.<br />

14 14 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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<strong>2020</strong>/<strong>21</strong> Season in Review<br />

Digital Presentations<br />

DIGITAL<br />

PRESENTATIONS<br />

Two of these digital presentations<br />

were especially notable:<br />

<strong>UMS</strong> collaborated with the Ford<br />

School of Public Policy, as part of<br />

U-M’s Democracy and Debate theme<br />

semester, to “bring” comedian Trevor<br />

Noah to campus for a unique virtual<br />

event two weeks before the <strong>2020</strong><br />

Presidential Election. With only 8 days<br />

to plan from the time the invitation<br />

was accepted until the event took<br />

place, <strong>UMS</strong> produced an interactive<br />

event that included four students<br />

from the University, including <strong>UMS</strong>’s<br />

<strong>21</strong>st Century Artist Intern and dance<br />

major Shannon Nulf. In just over a<br />

week, we announced the event and<br />

developed a new registration system,<br />

ultimately reaching more than 10,000<br />

views during the 10 days it was<br />

available on demand.<br />

In the absence of live performance, <strong>UMS</strong><br />

worked with artists around the world to help<br />

audiences stay present and connected to the<br />

beauty and creativity that the arts provide.<br />

The programs allowed us to experiment with<br />

new ways of delivering content, ranging from<br />

special viewing for selected U-M and K-12<br />

class groups to incorporating educational<br />

and contextual content into the actual<br />

performance.<br />

We even had a “group sale” for one of these<br />

events, with an alumni group in Florida<br />

collectively watching violinist James Ehnes’s<br />

recital with <strong>UMS</strong> University Programs<br />

Manager Maddy Wildman providing additional<br />

context in a real-time zoom call.<br />

One of the most popular events<br />

of most in-person seasons is the<br />

Jazz at Lincoln Center Orchestra,<br />

and our long relationship with<br />

the group and its artistic director,<br />

Wynton Marsalis, led to a series<br />

of presentations and learning<br />

experiences that touched nearly<br />

every audience and community<br />

we serve. In November, <strong>UMS</strong><br />

presented a digital presentation<br />

of The Democracy Suite, a new<br />

Marsalis composition that was<br />

performed by the Jazz at Lincoln<br />

Center Septet and written during<br />

the COVID crisis as a response to<br />

the political, social, and economic<br />

struggles facing our nation.<br />

16 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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Digital Presentations<br />

Digital Presentations<br />

In December, our K-12 community enjoyed JLCO’s Let Freedom Swing, our first-ever<br />

Digital School Day Performance. Over 50 schools in six different Michigan counties,<br />

representing 6,500 students, registered to watch this digital performance — far<br />

exceeding the in-person venue capacity that would have been available. One<br />

school logged in from 250 miles away! Within Ann Arbor Public Schools alone,<br />

classrooms from 27 schools viewed the performance, a level of district-wide<br />

participation never seen before. The Detroit School of Arts High School also used<br />

the Digital School Day Performance as the centerpiece of a day-long immersion<br />

into the world of jazz with local musicians and jazz experts.<br />

For lifelong learners, we offered JLCO’s<br />

“Swing University” in January, with nearly 100<br />

participants logging on to their computers<br />

each week for four consecutive Wednesdays<br />

to explore the roots of jazz in four major<br />

cities across the US (New York, Chicago, New<br />

Orleans, and Detroit). The program, offered in<br />

partnership with Ann Arbor’s Department of<br />

Recreation & Education, was so popular that<br />

we developed a second series of four classes<br />

all focused on Detroit in April; it was sold out<br />

before the first session.<br />

DIGITAL<br />

PRESENTATIONS<br />

Paul Taylor Dance<br />

Group<br />

(Sep <strong>2020</strong>)<br />

Takács Quartet<br />

(Oct <strong>2020</strong>)<br />

Sheku Kanneh-Mason<br />

and Isata Kanneh-<br />

Mason<br />

(Oct <strong>2020</strong>)<br />

Trevor Noah<br />

(Oct <strong>2020</strong>)<br />

Cloud Gate Dance<br />

Theatre of Taiwan<br />

(Nov <strong>2020</strong>)<br />

Wynton Marsalis and<br />

Jazz at Lincoln Center<br />

Orchestra<br />

(Nov <strong>2020</strong>)<br />

Messiah Mixtape<br />

(Dec <strong>2020</strong>)<br />

Some Old Black Man<br />

(Jan 20<strong>21</strong>)<br />

Sphinx Virtuosi<br />

(Jan 20<strong>21</strong>)<br />

James Ehnes, violin<br />

(Feb 20<strong>21</strong>)<br />

Playing with Fire<br />

(documentary about<br />

conductor Jeannette<br />

Sorrell)<br />

(Mar 20<strong>21</strong>)<br />

National Arab Orchestra<br />

(Mar 20<strong>21</strong>)<br />

Sir András Schiff, piano<br />

(Mar 20<strong>21</strong>)<br />

Daniel Bernard<br />

Roumain and J’Nai<br />

Bridges:<br />

They Still Want to Kill Us<br />

(May 20<strong>21</strong>)<br />

DIGITAL PRIDE<br />

FESTIVAL<br />

Becca Blackwell: They,<br />

Themself, and Schmerm<br />

(Jun 20<strong>21</strong>)<br />

Conspirare:<br />

Considering Matthew<br />

Shepard<br />

(Jun 20<strong>21</strong>)<br />

Taylor Mac:<br />

Whitman in the Woods<br />

(Jun 20<strong>21</strong>)<br />

DIGITAL SCHOOL DAY<br />

PERFORMANCES<br />

Ballet Folklórico de<br />

México de Amalia<br />

Hernández<br />

Caleb Teicher &<br />

Company<br />

Cleo Parker Robinson<br />

Dance<br />

Frankenstein: How<br />

to Make a Monster –<br />

Battersea Arts Centre<br />

Beatbox Academy<br />

Jazz at Lincoln<br />

Center Orchestra:<br />

Let Freedom Swing<br />

Jazz at Lincoln Center<br />

Orchestra: Who Is Joe<br />

Williams?<br />

18 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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19


Digital Presentations<br />

DIGITAL<br />

BY THE<br />

88,000+<br />

Total Viewership – Public<br />

Digital Presentations<br />

20,000+<br />

Estimated Viewership<br />

– Digital School Day<br />

Performances<br />

Digital Presentations<br />

53,894+<br />

total hours watched of <strong>UMS</strong><br />

programs on Vimeo and<br />

YouTube<br />

NUMBERS<br />

2<br />

online<br />

courses<br />

8<br />

lessons<br />

PERFORMANCE<br />

PLAYGROUND<br />

10 Episodes<br />

16<br />

DIGITAL<br />

PRESENTATIONS<br />

6<br />

DIGITAL<br />

SCHOOL DAY<br />

PERFORMANCES<br />

$0<br />

COST TO<br />

VIEWERS<br />

50<br />

states<br />

65<br />

countries<br />

$88,024<br />

Donations supporting Digital Presentations<br />

2,415<br />

Gifts to support digital<br />

presentations<br />

1,826<br />

new donors to<br />

support this work<br />

$36.48<br />

average gift<br />

350<br />

new donors from<br />

Michigan<br />

20 20 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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Digital Presentations<br />

Digital Presentations<br />

“I just went to an amazing jazz concert called Jazz at<br />

Lincoln Center,<br />

IT WAS AWESOME!! LISTENING TO THE MUSIC<br />

WAS LIKE HAVING A BALLOON OF HAPPINESS<br />

BEING BLOWN UP INSIDE ME!!<br />

MANY THANKS TO THE<br />

FUNDERS WHO MADE OUR<br />

DIGITAL PRESENTATIONS<br />

POSSIBLE:<br />

It was like I was in a tornado of music, two kinds of music<br />

actually, they were music from instruments and music<br />

from your mouth, SINGING. There are only a few more ways<br />

to describe the performance, and here they are: It was<br />

like you are in this hole of blackness and suddenly music<br />

starts flowing into the hole like water filling up a pond, and<br />

the other way is this: it was like first it is a horrible rainy<br />

day, but suddenly the rain stops and the sun shines so<br />

brightly it’s like fire in the dark!! I really hope you get to<br />

see something like that soon.”<br />

– Third grader<br />

Arts Midwest Touring Fund<br />

Karen Bantel and Steve Geiringer<br />

Carl and Isabelle Brauer Endowment Fund<br />

State of Michigan Commission on<br />

Middle Eastern American Affairs<br />

Braylon Edwards<br />

Ilene H. Forsyth Chamber Arts<br />

Endowment Fund<br />

Ilene Forsyth Theater Endowment Fund<br />

Joel Howell and Linda Samuelson<br />

“Working virtually has its benefits for differentiating student needs and<br />

intense mentoring. The downside is not being with or participating in a<br />

class in person.<br />

WHAT THIS OPPORTUNITY DID WAS BRING STUDENTS<br />

TOGETHER IN A WAY WHERE THEY COULD SHARE THEIR<br />

FEELINGS, EXPRESS THEM PHYSICALLY AND VERBALLY AND<br />

FEEL THEY WERE LEARNING SOMETHING AND HAVING FUN...<br />

Students were still asking about the story, YouTube recordings and<br />

links as recently as the last week of school.”<br />

– Email from a teacher about Ballet Folklórico Digital School Day Performance<br />

Patti Askwith Kenner and the<br />

Bert’s Ticket program<br />

The Michigan Center for Early Christian<br />

Studies Michigan Taiwanese American<br />

Organization Gil Omenn and Martha Darling<br />

Anthony Reffells<br />

Elaine and Peter Schweitzer<br />

Helmut F. and Candis J. Stern Endowment<br />

Fund Edward and Natalie Surovell<br />

Louise Taylor<br />

Susan B. Ullrich Endowment Fund<br />

Robert O. Weisman<br />

Valerie and Jeff Wilpon<br />

22 22 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 23


<strong>2020</strong>/<strong>21</strong> Season in Review<br />

Performance Playground<br />

PERFORMANCE<br />

PLAYGROUND<br />

& OTHER K-12 ACTIVITIES<br />

With schools largely remote, <strong>UMS</strong> wanted to provide<br />

opportunities for students and families challenged by<br />

pandemic circumstances. In the summer of <strong>2020</strong>, we<br />

utilized <strong>UMS</strong> teaching artists to pilot a new program<br />

called Performance Playground. Based on feedback<br />

from regional educators and other users, we developed<br />

that pilot into a more robust program that includes a<br />

video lesson, a set of accompanying slides that provide<br />

background and links to additional resources, and a set of<br />

worksheets for students to help synthesize and reinforce<br />

learning. <strong>UMS</strong> developed 10 units during the <strong>2020</strong>/<strong>21</strong><br />

season, and plan to produce five more this coming<br />

season:<br />

Banjo:<br />

STRUMMIN’ ALONG<br />

Detroit Jit:<br />

TIME TO JIT<br />

Djembe:<br />

THE BEAT OF YOUR OWN<br />

DRUM<br />

Folkloric Ballet:<br />

DANCING THROUGH<br />

MÉXICO’S HISTORY<br />

Harp:<br />

NOT JUST ANOTHER<br />

STRINGED INSTRUMENT<br />

Musical Theater:<br />

TELLING STORIES<br />

THROUGH SONG<br />

Oud:<br />

A KING AMONG<br />

INSTRUMENTS<br />

Rap:<br />

RHYTHM AND POETRY:<br />

RAP AND HIP HOP<br />

CULTURE<br />

Slam Poetry:<br />

SPOKEN WORD<br />

Violin:<br />

VIOLIN VIGNETTE<br />

THANKS TO THE MANY<br />

FUNDERS WHO MADE OUR K-12<br />

PROGRAMS POSSIBLE:<br />

All episodes feature <strong>UMS</strong> teaching artists, many of whom<br />

regularly participate in our K-12 classroom workshops and<br />

lost work during the pandemic. This initiative allowed us<br />

to continue employing our teaching artists while offering a<br />

new virtual model for engaging with our K-12 community.<br />

All episodes are available at ums.org/playground.<br />

David and Kiana Bar ield Family<br />

Foundation David and Jo-Anna<br />

Featherman<br />

Stephen and Rosamund Forrest<br />

The Hearst Foundation<br />

David and Phyllis Herzig Endowment Fund<br />

Prudence and Amnon Rosenthal K-12<br />

Education Endowment Fund<br />

Richard and Norma Sarns<br />

24 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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<strong>2020</strong>/<strong>21</strong> Season in Review<br />

You Can Dance - Outside!<br />

YOU CAN DANCE<br />

-OUTSIDE!<br />

You Can Dance — Outside! brought joy<br />

into people’s lives in the fall of <strong>2020</strong>, just<br />

when they needed it, and the program<br />

was so successful that we expanded it in<br />

20<strong>21</strong>. Following stringent public health<br />

guidelines, we adapted this program, which<br />

historically was held at the Ann Arbor Y, to<br />

an outdoor setting, in Wheeler Park. Instead<br />

of drawing on visiting dance companies,<br />

we tapped into regional dance instructors<br />

to highlight the importance of dance in<br />

Southeast Michigan. We presented five<br />

different workshops in styles ranging from<br />

Modern to Tap to Detroit Jit, drawing 79<br />

participants along the way.<br />

“I have always<br />

wanted to take a<br />

dance class but<br />

haven’t yet done so.<br />

THIS WAS A<br />

WONDERFUL<br />

OPPORTUNITY<br />

TO TRY IT OUT<br />

I would love to take<br />

more!”<br />

– Ballet Folklórico and<br />

Tap participant<br />

“I DO NOT DANCE<br />

... BUT I’D LIKE<br />

TO KNOW HOW.<br />

I WAS TERRIBLE<br />

... BUT I DIDN’T<br />

CARE.<br />

It felt good to<br />

get outside and<br />

move... Thoroughly<br />

enjoyed it.”<br />

– Detroit Jit participant<br />

You Can Dance — Outside! was funded in part by<br />

26 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 27


<strong>2020</strong>/<strong>21</strong> Season in Review<br />

U-M Arts Integration/Campus Engagement<br />

U-M ARTS<br />

INTEGRATION<br />

CAMPUS ENGAGEMENT<br />

Sacramento Knoxx, <strong>UMS</strong>’s<br />

<strong>2020</strong>/<strong>21</strong> Research Residency<br />

Artist, is a Detroit-based, Black<br />

and Chicano rapper, activist,<br />

and multimedia artist whose<br />

creative process is guided<br />

by regional Native American<br />

(Anishinaabe), Indigneousbased<br />

teachings. Among<br />

Sacramento’s digital offerings<br />

this season, one highlight was<br />

Manidoo-Giizisoons (Little Spirit<br />

Moon), a live, interactive virtual<br />

performance marking the winter<br />

solstice. Audience members were<br />

invited to contribute sounds via<br />

computer microphones that were<br />

incorporated into a new music<br />

track that Sacramento produced<br />

in real time.<br />

Engaging Performance, the<br />

<strong>UMS</strong>/U-M arts-integrative<br />

undergraduate course offered<br />

each Winter semester, was<br />

co-taught by Drs. Naomi Andre<br />

and Charli Brissey, professors<br />

in dance and in Afroamerican<br />

and Africans studies. Because<br />

of the COVID-19 pandemic, the<br />

course focus changed from<br />

live performance to connecting<br />

students digitally with artists<br />

and activists who use the<br />

performing arts to spark dynamic<br />

conversations during challenging<br />

times. Students participated in<br />

virtual discussions with all six<br />

<strong>UMS</strong> Digital Residency artists and<br />

with Sacramento Knoxx; they also<br />

viewed archived performances,<br />

conducted research on<br />

artists, and participated in<br />

class conversations and other<br />

experiences.<br />

28 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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U-M Arts Integration/Campus Engagement<br />

U-M Arts Integration/Campus Engagement<br />

Due to our move to all-digital<br />

formats, <strong>UMS</strong> tapped into its<br />

regional, national, and global<br />

artist networks to provide<br />

additional opportunities for<br />

arts integration with U-M<br />

courses. Professor Todd Allen<br />

(“Fundamentals of Nuclear<br />

Engineering”), for example,<br />

worked with a local conductor<br />

and composer to put on an<br />

interactive concert for his<br />

students connecting classical<br />

music with nuclear engineering.<br />

UNIVERSITY OF MICHIGAN ARTS INITIATIVE<br />

Not long before COVID-19 shuttered<br />

performance venues, President Mark Schlissel<br />

and the University of Michigan announced the<br />

startup phase of an Arts Initiative, with the goals<br />

of enhancing students’ creative capacities to<br />

solve problems; increasing understanding of<br />

the human experience; catalyzing innovation<br />

and insights through multidisciplinary research;<br />

promoting the importance of arts in a research<br />

university; and increasing U-M’s public<br />

engagement through the arts. <strong>UMS</strong> President<br />

Matthew VanBesien has served on the working<br />

group that developed the Arts Initiative<br />

since its inception, as well as<br />

on the search committee<br />

for the Arts Initiative’s first<br />

managing director.<br />

In the summer of 20<strong>21</strong>,<br />

Christopher Audain was<br />

appointed the very first<br />

managing director of the Arts<br />

Initiative. Chris brings a background<br />

in grantmaking, music, and the performing arts<br />

with a focus on increasing access and building<br />

organizational capacity so that more people can<br />

benefit from the transformational power of art.<br />

Course Development faculty grantees integrated <strong>UMS</strong> digital<br />

presentations into their coursework. Dance Professor Angela Kane<br />

(“Writing Dancing”) incorporated <strong>UMS</strong> digital presentations from Paul<br />

Taylor Dance Company and Cloud Gate Dance Theatre of Taiwan into<br />

her class, and used Course Development Grant funds to hire guest<br />

speakers who specialize in the intersection of writing and dance. U-M<br />

faculty member Sara Alderstein-Gonzalez included a performance<br />

in Nichols Arboretum (above) by local musician and educator Noah<br />

Fishman and Emma Sloan in her “Restoration Ecology Applications”<br />

class. Students learned about traditional American folk music and<br />

bluegrass, forging connections with restoration ecology.<br />

During the <strong>2020</strong>/<strong>21</strong> season, <strong>UMS</strong> was closely<br />

involved with the initial activities of the Arts<br />

Initiative, including serving on the steering<br />

committee for and producing the Arts Initiative<br />

launch event, A Travel Guide for Talking Hearts,<br />

with Yo-Yo Ma; local artists Nour Ballout, Tunde<br />

Olaniran, and Avery Williamson; and students from<br />

all three U-M campuses Audrey Banks (Flint),<br />

Constance Burroughs (Dearborn), Alyssa Melani<br />

(Ann Arbor), and Ashwin Prakash (Ann Arbor).<br />

<strong>UMS</strong> is also a partner for one of the curated<br />

large-scale pilot projects supported by the Arts<br />

Initiative, which is providing financial support for<br />

the <strong>UMS</strong>-SMTD collaboration of Fiddler on the<br />

Roof in Concert in February 2022.<br />

30 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 31


<strong>2020</strong>/<strong>21</strong> Season in Review Government Funding & Support<br />

GOVERNMENT<br />

FUNDING &<br />

SUPPORT<br />

PAYCHECK PROTECTION<br />

PROGRAM<br />

<strong>UMS</strong> applied for, and received,<br />

support from the Paycheck<br />

Protection Program (PPP), which<br />

helped us keep our staff fully<br />

employed during the COVID crisis.<br />

In addition to the PPP loan of<br />

$458,432 that was forgiven in<br />

FY20, <strong>UMS</strong> received an additional<br />

loan of $362,800 for FY<strong>21</strong>, which<br />

we expect will also be forgiven.<br />

We are grateful to<br />

our partners at Bank<br />

of Ann Arbor for<br />

their assistance in<br />

navigating the PPP<br />

process.<br />

FORWARD FUND<br />

In April 20<strong>21</strong>, <strong>UMS</strong> announced the Forward Fund, an eightmonth<br />

fundraising initiative to help provide funding over the<br />

next 2-3 seasons to help offset projected operational deficits<br />

due to both increased costs required to implement safety<br />

measures and reduced revenues from smaller audiences.<br />

As of November 1<br />

316 DONORS<br />

CONTRIBUTED<br />

$300,512<br />

Thanks to Bank of Ann Arbor,<br />

which matched new gifts during<br />

the launch of the initiative, and to<br />

Tim and Robin Damschroder, who<br />

provided a match in the fall.<br />

Board Members Versell Smith and<br />

Christina Kim talked about why<br />

they gave to the Forward Fund.<br />

Versell Smith<br />

Christina Kim<br />

32 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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<strong>2020</strong>/<strong>21</strong> Season in Review Internal <strong>UMS</strong> News<br />

INTERNAL<br />

<strong>UMS</strong> NEWS<br />

BOARD CHANGES<br />

At the end of the <strong>2020</strong>/<strong>21</strong> season,<br />

<strong>UMS</strong> recognized six outgoing board<br />

members: Tiffany Ford, Kathy<br />

Goldberg, Tim Johnson, Sarah Nicoli,<br />

Knut Simonsen, and Kevin Hegarty,<br />

as well as outgoing Ambassadors<br />

Chair Elena Snyder.<br />

STAFF ADDITIONS<br />

During the FY<strong>21</strong> season, <strong>UMS</strong> prioritized keeping our staff, who are the heart and soul of all that<br />

we do, fully employed. We also welcomed two new staff members to our team this summer,<br />

filling roles that had been vacated during the season:<br />

We also want to recognize and<br />

thank Tim Petersen, who will<br />

continue on the Board as the past<br />

chair. His steadfast leadership and<br />

wise counsel was tremendously<br />

appreciated during this unusual<br />

year. Tim and his wife, Sally, also<br />

demonstrated unprecedented<br />

generosity through their lead gift<br />

supporting the production of Some<br />

Old Black Man.<br />

Alexandria Davis, Community & Audience Programs Manager,<br />

joined the <strong>UMS</strong> Education & Community Engagement team<br />

in June 20<strong>21</strong>. She has an extensive background in dance as a<br />

performer, educator, and choreographer, and has been active<br />

in leading community engagement programs throughout her<br />

career. She holds a BFA in Dance and Certificate in Dance in<br />

Medicine from the University of Florida and recently completed<br />

her Master’s degree in Dance Choreography at U-M. She has<br />

over 10 years of experience in creating and leading community<br />

and audience engagement programs through both partnerships<br />

and individual creative projects for youth and adults in Central<br />

Florida and in Southeastern and Western Michigan, including<br />

Mama’s Club: Arts, Social Justice, and Advocacy Collective and<br />

many more.<br />

Samantha Williams, Marketing & Media Relations Manager,<br />

joined <strong>UMS</strong> in August 20<strong>21</strong>. Sam attended Stanford University<br />

as an opera major, where she co-founded BLACKstage Theater<br />

Company. She completed her Master’s degree in Music at the<br />

University of Michigan in <strong>2020</strong>, serving as a research fellow<br />

with the EXCEL program at SMTD as well as completing an<br />

advancement internship with Washington (DC) Performing Arts.<br />

In addition to her part-time role at <strong>UMS</strong>, she is finishing up her<br />

Specialist in Music (vocal performance) degree at U-M and<br />

developing a recital project that is examining patriotism from<br />

three different American perspectives: African American, Native<br />

American, and white working-class American.<br />

As part of the annual<br />

meeting, the <strong>UMS</strong> Board<br />

of Directors elected new<br />

officers and members. For<br />

the first time, the Board will<br />

be co-led by two women:<br />

noted economist and<br />

Professor of International<br />

Relations and Economics at<br />

Michigan State University<br />

Lisa D. Cook and local<br />

attorney and philanthropist<br />

Rachel Bendit, who was<br />

re-elected to the Board after<br />

serving two years as the<br />

co-chair of <strong>UMS</strong>’s National<br />

Council.<br />

Cook and Bendit are<br />

joined by Vice Chair Brian<br />

Willen, Treasurer Rob<br />

VanRenterghem, and<br />

Secretary Christina Kim.<br />

34 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 35


Internal <strong>UMS</strong> News<br />

Internal <strong>UMS</strong> News<br />

The class of new board members<br />

elected for a renewable four-year<br />

term is composed entirely of women:<br />

Karen Chapell, a managing partner<br />

at Retirement Income Solutions; Dr.<br />

Preeti N. Malani, the University of<br />

Michigan’s Chief Health Officer; visual<br />

artist Chrislan Fuller Manuel; and Alicia<br />

Torres, an executive and entrepreneur<br />

who currently serves as Chief Financial<br />

Officer for FreightVerify. Rachel Bendit,<br />

an attorney and mediator who served on<br />

the Board from 2012-20 and has been<br />

co-chair of <strong>UMS</strong>’s National Council for<br />

the past two years, was also elected to<br />

the Board.<br />

Karen Chapell<br />

Dr. Preeti N. Malani<br />

COMMITMENT TO<br />

ANTI-RACISM<br />

Chrislan Fuller Manuel<br />

Alicia Torres<br />

EVERYBODY IN, NOBODY OUT:<br />

INSPIRING COMMUNITY AT MICHIGAN’S<br />

UNIVERSITY MUSICAL SOCIETY<br />

<strong>UMS</strong> President Emeritus Ken Fischer published a<br />

reflection of the power of the performing arts to engage<br />

and enrich communities, not by handing down cultural<br />

enrichment from on high, but by meeting communities<br />

where they live and helping them preserve cultural<br />

heritage, incubate talent, and find ways to make<br />

community voices heard. Published in July <strong>2020</strong>, and with<br />

a foreword by Wynton Marsalis, Ken’s book was featured<br />

in numerous media outlets and book talks. A portion of the<br />

proceeds of the book were donated to <strong>UMS</strong>.<br />

<strong>UMS</strong> initiated Diversity, Equity and Inclusion training in 2019,<br />

engaging Art Equity for day-long and half-day workshops with<br />

staff and board. In <strong>2020</strong>, the murder of George Floyd and resulting<br />

protests, along with dramatic racial disparities in healthcare<br />

outcomes during the pandemic, prompted important discussions<br />

among <strong>UMS</strong> staff and leadership. From these discussions emerged<br />

a pressing need and interest for <strong>UMS</strong> to prioritize anti-racism<br />

learning and the creation of a plan for <strong>UMS</strong>.<br />

Working with Justin Laing from Hillombo Consulting, the entire<br />

company, including staff and board, participated in learning<br />

sessions and explored an adaptive leadership approach to building<br />

antiracist practices that would disrupt our participation in systemic<br />

racism. From these workshops, <strong>UMS</strong> developed three staff-led<br />

“learning projects” that will continue to guide our work in this area.<br />

Additionally, the Board has formed its own Anti-Racism Committee.<br />

36 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

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<strong>2020</strong>/<strong>21</strong> Season in Review<br />

Who Makes It Possible<br />

WHO MAKES<br />

IT POSSIBLE<br />

Thank you to our community of donors who made<br />

generous annual gifts and/or ticket donations to <strong>UMS</strong><br />

from Sep 1, <strong>2020</strong> – Sep 1, 20<strong>21</strong>.<br />

These gifts were given<br />

in support of the <strong>UMS</strong><br />

<strong>Annual</strong> Fund, <strong>UMS</strong><br />

Forward Fund, <strong>UMS</strong><br />

Student Experiences,<br />

<strong>UMS</strong> Endowment<br />

Funds, and other<br />

special initiatives. We<br />

are especially grateful<br />

to those donors who<br />

contributed to both<br />

the <strong>Annual</strong> Fund and<br />

the Forward Fund, as<br />

indicated by a * on the<br />

following pages.<br />

We apologize in advance<br />

for any omissions or errors<br />

– please contact us at<br />

umsgiving@umich.edu with<br />

corrections.<br />

Due to limited space, we have<br />

listed those whose giving<br />

totaled $250 and above. You<br />

can view the full donor listing<br />

on our website.<br />

Anonymous<br />

Goncalo and Cristen Abecasis<br />

Judith Abrams<br />

Diane M. Agresta<br />

Debra Aidun<br />

Roger Albin and Nili<br />

Tannenbaum*<br />

Raymond and Sandy Aldrich<br />

Michael and Suzan Alexander<br />

John Alexander and Carolyn<br />

King<br />

All Seasons<br />

Michael Allemang and Janis<br />

Bobrin*<br />

James and Catherine Allen<br />

Richard and Mona Alonzo<br />

Christine W. Alvey<br />

Carol Amster*<br />

Helen and David Aminoff<br />

Neil P. Anderson<br />

Christiane Anderson<br />

Sandra and David Anderson*<br />

Dave and Katie Andrea*<br />

Catherine M. Andrea<br />

Carmen and Chris<br />

Andrianopoulos<br />

Paul M. Angell Family<br />

Foundation<br />

Ann Arbor Area Community<br />

Foundation<br />

Mrs. E. Tissy Ansbacher<br />

Todd and Teresa Anson<br />

Elaine and Ralph Anthony<br />

Harlene and Henry Appelman<br />

Meena Ariagno<br />

Gaard and Ellen Arneson<br />

Arts Midwest Touring Fund<br />

Bob and Martha Ause<br />

Stuart Baggaley and Amy<br />

Seetoo<br />

Menakka and Essel Bailey*<br />

Lisa and Jim Baker<br />

Laurence R. and Barbara K.<br />

Baker<br />

Reg and Pat Baker<br />

Lynn Baldwin and Tim<br />

McIntyre*<br />

Christopher and Lesli Ballard<br />

Emily W. Bandera, M.D.<br />

Bank of Ann Arbor*<br />

Karen Bantel and Steve<br />

Geiringer*<br />

Dr. Jayapalli R. Bapuraj<br />

Dr. Carol Barbour and Dr. Sid<br />

Gilman*<br />

Rosalyn, Joshua and Beth<br />

Barclay<br />

John and Ginny Bareham<br />

David and Monika Barera*<br />

David and Kiana Barfield*<br />

Richard M. Barron*<br />

Robert and Wanda Bartlett*<br />

Lois and David Baru<br />

Rajeev Batra and Priscilla A<br />

Spencer<br />

Anne Beaubien<br />

Gorman and Andrea<br />

Beauchamp<br />

Astrid B. Beck<br />

Kenneth and Eileen Behmer*<br />

Christina Bellows and Joe<br />

Alberts<br />

Rachel Bendit and Mark<br />

Bernstein*<br />

Elaine A. Bennett<br />

David and Hellen Bennett*<br />

Ronald and Linda Benson*<br />

Kathleen Benton and Robert<br />

Brown<br />

Rosemary R. Berardi and<br />

Carolyn R. Zaleon<br />

Lynda W. Berg<br />

Ramon and Peggy Berguer<br />

LS Berlin and Jean McPhail<br />

Andrew and Lisa Bernstein<br />

Sheldon and Barbara Berry<br />

John Billi and Sheryl Hirsch<br />

Sara Billmann and Jeffrey<br />

Kuras*<br />

Maurice and Linda Binkow<br />

Joan Binkow*<br />

Dr. Elizabeth S. Bishop*<br />

Mary E. Black<br />

James Blackburn and Lynn<br />

Videka<br />

John Blankley and Maureen<br />

Foley*<br />

Bobbie and Don Blitz<br />

Ronald and Mimi Bogdasarian<br />

Charles and Linda Borgsdorf<br />

Grace Jordison Boxer<br />

Dr. and Mrs. Ralph R. Bozell<br />

Joel Bregman and Elaine<br />

Pomeranz*<br />

David and Sharon Brooks*<br />

Stephen and Faith Brown*<br />

Craig and Vicki Brown*<br />

Christie Brown and Jerry<br />

Davis*<br />

Cindy Browne<br />

Marco and Melissa Bruzzano*<br />

Robert and Jeannine<br />

Buchanan<br />

Ellen and Brian Buggy*<br />

Tom and Lori Buiteweg*<br />

Lawrence and Valerie Bullen<br />

Alan J. Burg and Kenneth L.<br />

Hillenburg D.D.S., M.S.<br />

Charles and Joan Burleigh<br />

Dan Burns and Smilka<br />

Zdravkovska<br />

Jim and Cyndi Burnstein<br />

Tony and Jane Burton*<br />

Edward and Mary Cady<br />

Michelle and Andrew Caird<br />

Sarah Nicoli Calderini<br />

Susan and Oliver Cameron<br />

Brian and Mary Campbell<br />

Sally Camper and Bob Lyons<br />

Valerie and David Canter<br />

Thomas and Colleen Carey<br />

Jack and Susan Carlson<br />

Jenny and Jim Carpenter<br />

Carolyn M. Carty<br />

The Cass Family Charitable<br />

Fund, in memory of Darragh<br />

Weisman<br />

Matt Castanier and Anne<br />

Marsan*<br />

A. Craig Cattell<br />

Jack Cederquist and Meg<br />

Kennedy Shaw<br />

Angela Cesere and Rob<br />

Thomas<br />

Charlie and Karen Chapell*<br />

Samuel and Roberta Chappell<br />

Anne Chase<br />

Cynthia Chase<br />

Patricia Chatas<br />

Barry and Marjorie Checkoway<br />

W Peter Cherry<br />

John and Camilla Chiapuris<br />

Felix and Ann Chow<br />

Beverly Ciokajlo<br />

Mark Clague and Laura<br />

Jackson<br />

Cheryl and Brian Clarkson<br />

Donald and Astrid Cleveland*<br />

Carl Cohen<br />

Ellen and Hubert Cohen*<br />

John Coleman<br />

Mary Sue and Kenneth<br />

Coleman<br />

Community Foundation for<br />

Southeast Michigan<br />

Roger and Midge Cone<br />

Jennifer Conlin and Daniel<br />

Rivkin<br />

Conlin Travel<br />

Angelos and Kathy<br />

Constantinides<br />

Dr. Lisa D. Cook*<br />

Connie and Jim Cook<br />

Jeff Cooper and Peggy Daub<br />

Arnold and Susan Coran<br />

Richard D. and Nancy M.<br />

Cowan<br />

Katherine and Clifford Cox<br />

Mac and Nita Cox<br />

The Cozad Family<br />

CR Investments LLC<br />

Clifford and Laura Craig*<br />

Roger Craig and Sherry Root*<br />

Susan Bozell Craig and Family<br />

Richard and Penelope<br />

Crawford<br />

Drs. Reates Curry and Alec<br />

Gallimore*<br />

Christopher Dahl and Ruth<br />

Rowse*<br />

Marylee Dalton and Lynn<br />

Drickamer*<br />

Connie D’Amato*<br />

Timothy and Robin<br />

Damschroder*<br />

Dave Daniszewski<br />

Julia Donovan Darlow and<br />

John Corbett O’Meara<br />

Art and Lyn Powrie Davidge<br />

Ellie and Ed Davidson*<br />

Ryan Davis*<br />

Meg and Brian Delaney<br />

Marylene Delbourg-Delphis<br />

David Deromedi<br />

Michele Derr<br />

Brian Dervishi*<br />

Sally and Larry DiCarlo<br />

Alison and Keith Dickey<br />

Macdonald and Carolin Dick<br />

Susan Diehl<br />

Connie and Paul Dimond<br />

Andrzej and Cynthia Dlugosz*<br />

Molly Dobson<br />

Steve and Judy Dobson*<br />

Jim and Patsy Donahey<br />

Sharon and Dallas Dort*<br />

John Dryden and Diana Raimi*<br />

DTE Energy<br />

Jill and Doug Dunn<br />

Don and Kathy Duquette<br />

Grace Duren<br />

Ed and Mary Durfee<br />

Swati Dutta<br />

Jane Dutton and Lloyd<br />

Sandelands<br />

Nick and Kelly Dyer<br />

James Eder and Kim Redic<br />

Rosalie Edwards/Vibrant Ann<br />

Arbor Fund<br />

Morgan and Sally Edwards<br />

Charles and Julia Eisendrath<br />

Alan S. Eiser<br />

38 38 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

Stay Present<br />

39


<strong>2020</strong>/<strong>21</strong> Season in Review Who Makes It Possible<br />

Charles and Julie Ellis*<br />

Joan H. Engel*<br />

Johanna Epstein and Steven<br />

Katz<br />

Barbara Ericson*<br />

Harvey and Elly Falit<br />

David and Jo-Anna<br />

Featherman<br />

Michael and Ann Feeney<br />

Steve Feenstra and Pamela<br />

Ruiter-Feenstra*<br />

Carol Finerman*<br />

David Fink and Marina Mata<br />

Sara and Bill Fink<br />

Penny and Ken Fischer<br />

Norman and Jeanne Fischer<br />

C. Peter and Beverly A.<br />

Fischer<br />

Susan R. Fisher<br />

Barbara G. Fleischman<br />

Arnold Fleischmann*<br />

Kathleen Fleming*<br />

Esther Floyd<br />

Larry and Dorothy Fobes<br />

Jessica Fogel and Lawrence<br />

Weiner<br />

Scott and Janet Fogler<br />

George W. Ford<br />

Ford Motor Company Fund<br />

Gerald R. Ford School of<br />

Public Policy<br />

Susan L. Froelich and Richard<br />

E. Ingram<br />

Stephen and Rosamund<br />

Forrest*<br />

Ruth C. Forrest<br />

David Fox and Paula<br />

Bockenstedt<br />

Betsy Foxman and Michael<br />

Boehnke<br />

Dan and Jill Francis<br />

Sara and Michael Frank*<br />

Randall and Ellen Frank<br />

Leon and Marcia Friedman<br />

Bernard Friedman and Sarah<br />

Mack<br />

Philip and Renée Woodten<br />

Frost<br />

Carol Gagliardi and David<br />

Flesher<br />

Barbara Garavaglia<br />

Patricia M. Garcia and Dennis<br />

Dahlmann<br />

Chris Gardiner and Cynthia<br />

Koch*<br />

Gwyn and Jay Gardner*<br />

Jan Garfinkle and Mike<br />

O’Donnell Chris Genteel<br />

and Dara Moses<br />

Mr. and Mrs. Martin J.<br />

Gargaro*<br />

Sandra Gast and Greg Kolecki<br />

Thomas and Barbara<br />

Gelehrter<br />

Beverley and Gerson Geltner<br />

Charles H. Gershenson Trust<br />

J. Martin and Tara Gillespie/<br />

Hansen Marketing<br />

Services Inc.<br />

Zita and Wayne Gillis*<br />

David and Maureen Ginsburg<br />

Heather and Seth Gladstein<br />

Steve Glauberman and<br />

Margaret Schankler<br />

Anne and Paul Glendon<br />

Drs. Vijay and Sara Goburdhun<br />

Mr. and Mrs. Charles and<br />

Janet Goss<br />

John and Sherri Goff*<br />

Katherine and Tom Goldberg*<br />

Google Foundation<br />

Gary Boren<br />

Michael L. Gowing<br />

Martha and Larry Gray*<br />

John and Renee Greden<br />

Dr. Leslie M. Green<br />

Richard and Linda Greene<br />

Linda Gregerson and Steven<br />

Mullaney*<br />

John R. Griffith and Sharon R.<br />

Quiroz<br />

Robert and Trudy Grimmer<br />

Henry Grix and Howard Israel<br />

Margaret and Phil Guire<br />

Arthur W. Gulick<br />

Stephen and Jessica Gushee*<br />

Susan and Richard Gutow<br />

Robert and Karen Hahn*<br />

Bob and Dannielle Hamilton<br />

Randall and Nancy Harbour<br />

Alan Harnik and Professor<br />

Gillian Feeley-Harnik<br />

Cayenne Harris<br />

Susan Harris*<br />

David N. Harris<br />

Clifford and Alice Hart<br />

Larry Hastie<br />

Craig Hausman and Holly<br />

Heaviland, PhD<br />

Diana Hawes*<br />

Dan and Jane Hayes*<br />

Anne Heacock and Stephen<br />

Fisher<br />

Jim Heaton and Lou Ellyn<br />

Green<br />

Joel and Jacqui Heidelbaugh<br />

Jackie Henniger<br />

Norman and Debbie Herbert*<br />

Alfred and Therese Hero<br />

David and Phyllis Herzig<br />

Margaret Higley<br />

Paul and Nancy Hillegonds<br />

Anne Hiller*<br />

Timothy Hofer and Valerie<br />

Kivelson<br />

Gideon and Carol Hoffer<br />

Maxine and Jeff Hoffman*<br />

Carol and Dieter Hohnke<br />

Maurita Holland*<br />

Rebecca Hong<br />

Robert and Barbara<br />

Hooberman<br />

Paul Hossler and Charlene<br />

Bignall*<br />

Joel Howell and Linda<br />

Samuelson*<br />

Linda S. Hubbard<br />

William and Sarah Hufford<br />

Jane H. Hughes*<br />

Greg and Carol Hulbert<br />

Jim and Colleen Hume<br />

Richard and Lesley Hume*<br />

Ann D. Hungerman<br />

Eileen and Saul Hymans<br />

Indian Trail Charitable<br />

Foundation/Patti Askwith<br />

Kenner<br />

Dr. Joachim Janecke<br />

Ibrahim and Therese Jarjoura*<br />

Wallie and Janet Jeffries*<br />

Marilyn J. Jeffs<br />

Feng Jiang and Lydia Qiu*<br />

Timothy and Jo Wiese<br />

Johnson*<br />

Sue and Kevin Johnson<br />

Henry and Billie Johnson<br />

Drs. Kent and Mary Johnson*<br />

Mattias Jonsson and Johanna<br />

Eriksson<br />

Jim Joyce and Emily Santer<br />

Professors Monica and Fritz<br />

Kaenzig*<br />

Dr. and Mrs. M. Kaminski<br />

Elizabeth Kassab*<br />

E. Daniel and Kay Long<br />

Barbara Kaye and John<br />

Hogikyan*<br />

Robert and Jeri Kelch<br />

Jim Keller and Mary Ellen Hoy<br />

Deborah Keller-Cohen and<br />

Evan Cohen<br />

Dr. Barbara J. Kelly<br />

Sally Kennedy<br />

Bonnie and Robert Kidd*<br />

Paul and Leah Kileny<br />

Charles and Christina Kim*<br />

Edward Kimball*<br />

Cathy and Bill King<br />

Tom and Connie Kinnear*<br />

Diane Kirkpatrick<br />

Marvin Krislov<br />

Rich and Myra Klarman<br />

Wally and Robert Klein<br />

Shira and Steve Klein<br />

Phil Klintworth<br />

Jean and Arnold Kluge<br />

Carolyn and Jim Knake<br />

Michael Koen<br />

Rosalie and Ron Koenig*<br />

Joseph and Marilynn<br />

Kokoszka<br />

Dr. and Mrs. Jerry Kolins<br />

Michael J. Kondziolka and<br />

Mathias-Philippe Badin*<br />

William and Alice Kopp*<br />

Barbara and Michael<br />

Kratchman<br />

Martha Krehbiel<br />

Samuel and Marilyn Krimm*<br />

Donald and Jeanne Kunz<br />

Tim and Kathy Laing<br />

Jane Fryman Laird<br />

Deborah Lamm<br />

Lucy and Ken Langa<br />

Linda M. Langer<br />

Danielle and Mika LaVaque-<br />

Manty<br />

Ted and Wendy Lawrence<br />

John K. Lawrence and Jeanine<br />

A. DeLay<br />

John and Theresa Lee<br />

Kathy Legatski<br />

David Leichtman and Laura A.<br />

McGinn<br />

Richard LeSueur*<br />

James and Melissa Lewis*<br />

Marie Lewis<br />

Carolyn and Paul Lichter*<br />

Evie and Allen Lichter<br />

Jeffrey and Deborah Liker<br />

Richard and Carolyn Lineback<br />

Rod and Robin Little<br />

Daniel Little and Bernadette<br />

Lintz<br />

Margaret and Ronald Lomax*<br />

Bruce Loughry<br />

William and Lois Lovejoy<br />

Fran Lyman<br />

Tim and Lisa Lynch*<br />

Barbara and Edward Lynn<br />

Marjorie Lynn<br />

Marilyn and Frode<br />

Maaseidvaag<br />

John MacKrell<br />

Jayne Maerker<br />

Jackie and Hans Maier<br />

Preeti Malani and Mark<br />

Zacharek<br />

Joseph Malcoun and Caitlin<br />

Klein<br />

Prof. William Malm and Jutta<br />

Gerber-Malm*<br />

Warde and Chrislan Manuel*<br />

Mardi Gras Fund<br />

Betsy Yvonne Mark*<br />

W. Harry Marsden*<br />

Emily Moore-Marshall and Tim<br />

Marshall*<br />

Michael and Kristie Martin*<br />

Ann W. Martin and Russ<br />

Larson*<br />

Martin Family Foundation*<br />

Sandra Lau Martins<br />

Masco Corporation<br />

Mary M. Matthews*<br />

Jerry A. and Deborah Orr May<br />

Olivia Maynard and Olof<br />

Karlstrom<br />

Margaret and Harris<br />

McClamroch<br />

W Joseph McCune and<br />

Georgiana M Sanders*<br />

Griff and Pat McDonald<br />

Daniel and Carol McDonnell<br />

James H. McIntosh and Elaine<br />

K. Gazda<br />

Thomas and Lisa McKarns*<br />

Erin McKean and Steve<br />

Sullivan<br />

Thomas and Deborah<br />

McMullen<br />

Tom and Debby McMullen<br />

Beth McNally*<br />

Carole and Dennis McNamara<br />

Marilyn Meeker*<br />

Dr. Gerlinda S. Melchiori<br />

The Andrew W. Mellon<br />

Foundation<br />

Stefano Mengozzi and Karen<br />

Deam-Mengozzi<br />

Mrs. Robert E. Meredith<br />

Lynne Metty*<br />

Fei Fei and John Metzler<br />

Mike and Rachelle Michelon<br />

Michigan Center for Early<br />

Christian Studies<br />

Michigan Council for Arts and<br />

Cultural Affairs<br />

Michigan Medicine<br />

J.M. Miller Engineering, Inc.<br />

John and Sally Mitani<br />

Candy and Andy Mitchell*<br />

Bert and Kathy Moberg<br />

Elizabeth and John Moje<br />

Dagmar Moore*<br />

Paul Morel and Linda<br />

Woodworth<br />

Kara and Lewis Morgenstern<br />

Melinda Morris<br />

THE MOSAIC FOUNDATION (of<br />

R. & P. Heydon<br />

Agnes Moy-Sarns and David<br />

Sarns/SI Company<br />

Trevor Mudge and Janet Van<br />

Valkenburg<br />

Bernhard and Donna Muller<br />

Lisa Murray and Michael Gatti<br />

Hillary Murt and Bruce<br />

Friedman<br />

Lora G. Myers*<br />

Heidi A Naasko<br />

Sarah Naasko and Jonathan<br />

Smith<br />

Drs. Louis Nagel and Julie<br />

Jaffee Nagel<br />

National Endowment for the<br />

Arts<br />

Andree Naylor*<br />

Erika Nelson and David<br />

Wagener<br />

Kay and Gayl Ness*<br />

Netscout<br />

New England Foundation for<br />

the Arts<br />

Sarah W. Newman*<br />

Newmarket LLC<br />

Nathan Ng<br />

Richard and Susan Nisbett<br />

John and Martha Nitz<br />

Susan and Daniel Noetzel<br />

William Nolting and Donna<br />

Parmelee<br />

Christer and Outi Nordman*<br />

Rob and Quincy Northrup<br />

Arthur S. Nusbaum<br />

Caroline and Mitchell<br />

Nussbaum<br />

Fola Odetola*<br />

Old National Bank<br />

Old National Bank Foundation<br />

Natalie and David Olds<br />

Constance K. Olson<br />

Beverly Olson<br />

Gil Omenn and Martha Darling<br />

Jill O’Neill<br />

Elizabeth Ong<br />

Susan and Mark Orringer<br />

Constance Osler<br />

Marysia Ostafin and George<br />

Smillie<br />

Elisa Ostafin and Hossein<br />

Keshtkar*<br />

Liz and Mohammad Othman<br />

Anna Owens and Tom Cook*<br />

Patrick and Nancy Paige<br />

Stephen and Elizabeth Palms<br />

Carlos Palomares and Julia<br />

Owens<br />

Karen Pancost<br />

William and Hedda Panzer<br />

Karen Park and John Beranek<br />

James and Joan Penner-Hahn<br />

Stephen R. Perrin*<br />

Tim and Sally Petersen<br />

Margaret and Jack Petersen*<br />

Wesen and William Peterson<br />

Pfizer Foundation<br />

Marianne Udow-Phillips and<br />

Bill Phillips<br />

Mark and Margaret Pieroni*<br />

Elaine and Bertram Pitt<br />

PNC Foundation<br />

Olga Podolyako<br />

Susan Pollans and Alan Levy<br />

Tom Porter<br />

Jeffrey and Joanna Post<br />

Linda Powell and James Taylor<br />

Prof. Sara A. Pozzi, Ph.D.<br />

Diana Pratt<br />

Lorna B. Prescott<br />

Rick and Mary Price*<br />

Karen and Berislav Primorac<br />

John and Nancy Prince<br />

Jay Ptashek and Karen Elizaga<br />

Peter Railton and Rebecca<br />

Scott<br />

Patricia L. Randle and James<br />

R. Eng<br />

Venkat Rao*<br />

James Read<br />

Bonnie Reece<br />

Jeff and Katie Reece<br />

Anthony L. Reffells<br />

Donald Regan and Elizabeth<br />

Axelson<br />

Ray and Ginny Reilly<br />

Retirement Income Solutions<br />

Floretta Reynolds*<br />

James and Ligia Reynolds<br />

Lou and Sheila Rice<br />

Randel Richner and Eric<br />

Russell<br />

Douglas and Robin Richstone<br />

Jonathan and Anala Rodgers<br />

Felix and Caroline Rogers*<br />

Doug and Nancy Roosa<br />

Stephen Rosenblum and<br />

Rosalyn Sarver*<br />

Prue Rosenthal<br />

Bert Rossi<br />

Rosemarie Haag Rowney*<br />

Carol D. Rugg and Richard K.<br />

Montmorency<br />

Don and Judy Rumelhart<br />

Linda and Leonard Sahn<br />

Amy Saldinger and Robert<br />

Axelrod<br />

Jay and Susan Sandweiss<br />

Dick and Norma Sarns<br />

Michael and Kimm Sarosi<br />

Michele and Eli Saulson<br />

Maya Savarino<br />

Mike and Annmarie Savitski<br />

Albert J. and Jane L. Sayed<br />

Helga and Jochen Schacht<br />

Mary A. Schieve<br />

David Schmidt and Jane<br />

Myers<br />

Ann and Tom Schriber<br />

Richard Schultz*<br />

John J. H. Schwarz<br />

Elaine and Peter Schweitzer<br />

Ruth Scodel<br />

John Scudder and Regan<br />

Knapp<br />

Larry and Bev Seiford<br />

Suzanne Selig<br />

Erik Serr<br />

Ellie Serras*<br />

Joe and Yvonne Sesi/Sesi<br />

Lincoln<br />

Matthew Shapiro and Susan<br />

Garetz<br />

Elvera Shappirio*<br />

Janet Shatusky<br />

Patrick and Carol Sherry*<br />

Susan and Patrick Shields*<br />

John and Arlene Shy<br />

Alyce K. Sigler<br />

Nina Silbergleit*<br />

Sandy and Dick Simon*<br />

Frankie and Scott Simonds*<br />

Anne and Knut Simonsen<br />

Robert and Elaine Sims<br />

Katherine R. Spindler<br />

Sue and Don Sinta<br />

Brooks Sitterley<br />

Jurgen Skoppek<br />

Barbara Furin Sloat*<br />

Susan M. Smith and Robert<br />

H. Gray<br />

Rodney Smith and Janet<br />

Kemink<br />

Sidonie Smith and Greg<br />

Grieco<br />

Gregory Smith, MD and<br />

Margaret Smith<br />

Edwin and Diane Smith<br />

Will and Megann Smith<br />

Linh and Dug Song<br />

Cheryl Soper<br />

Cynthia Sorensen and Henry<br />

Rueter*<br />

Juanita and Joseph Spallina<br />

Gretta Spier and Jonathan<br />

Rubin<br />

Jeff Spindler<br />

Ted St. Antoine*<br />

Michael B. Staebler and<br />

Jennifer R. Poteat<br />

Andrea and Gus Stager<br />

Gary and Diane Stahle<br />

Leslie Stainton and Steven<br />

Whiting<br />

Steve Stancroff and Tamar<br />

Springer*<br />

Daniel Stankey<br />

Nancy and James Stanley*<br />

State of Michigan<br />

Commission on Middle<br />

Eastern American Affairs<br />

Jan and Elena Stegemann*<br />

Daniel and Susan Stepek*<br />

Candis Stern*<br />

Dana and Diana Stetson*<br />

Rick and Lia Stevens<br />

Cynthia J. Stewart<br />

Charles Stewart Mott<br />

Foundation<br />

Mary Stockwell<br />

James L. Stoddard*<br />

Gail Ferguson Stout*<br />

Dalia Strasius<br />

Karen and David Stutz<br />

Dennis and Jan Sullivan<br />

Edward and Natalie Surovell<br />

Suzanne Tainter and Kenneth<br />

Boyer<br />

Brian and Lee Talbot<br />

Sandy Talbott and Mark<br />

Lindley<br />

Louise Taylor<br />

Stephan Taylor and Elizabeth<br />

Stumbo<br />

Eva E. Taylor<br />

Nancy Teichert<br />

William Tennant<br />

Denise Thal and David Scobey<br />

Bette M. Thompson*<br />

Carrie and Peter Throm*<br />

Mary Tift*<br />

Hitomi Tonomura<br />

Peter Toogood and Hanna<br />

Song<br />

Michael and Marcia Torrey*<br />

Louise Townley<br />

Jeffrey and Lisa Tulin-Silver<br />

Jody Tull<br />

Claire Turcotte<br />

Kay Tuttle and Gordon Larsen*<br />

Tyler Family Fund<br />

Alvan Uhle<br />

University of Michigan<br />

University of Michigan Arts<br />

Initiative<br />

University of Michigan<br />

College of Engineering<br />

University of Michigan Credit<br />

Union<br />

University of Michigan School<br />

of Music, Theatre, and<br />

Dance<br />

Joyce A. Urba and David J.<br />

Kinsella<br />

Alison and Matthew Uzieblo<br />

Jack and Marilyn van der<br />

Velde<br />

Bram van Leer<br />

Alicia P. Van Pelt<br />

Matthew VanBesien and<br />

Rosie Jowitt<br />

Carol VanBesien<br />

Karla and Hugo Vandersypen*<br />

Robert and Cynthia<br />

VanRenterghem<br />

Donald Vereen and Susan<br />

Collins<br />

Dody Viola<br />

Virginia Wait*<br />

Richard S. Walinski<br />

C. Glen Walter and Edite B.<br />

Walter, MD<br />

Margaret Walter*<br />

Shaomeng Wang and Ju-Yun<br />

Li*<br />

Paul Ward and Laura Lamps<br />

Jo Ann Ward<br />

Jeff Warren and Betsy<br />

Garofalo<br />

Ruth A Watson<br />

Harvey and Robin Wax<br />

Richard and Madelon Weber<br />

Professor J. Wehrley and Mrs.<br />

Patricia Chapman*<br />

Katherane Weider<br />

Mr. and Mrs. Richard C.<br />

Weiermiller*<br />

Neal and Susan Weinberg<br />

Richard and Gretchen Weir<br />

Ronald and Eileen Weiser<br />

Robert O. Weisman<br />

Edward and Colleen Weiss*<br />

Hermann Weiss and Rebecca<br />

Hoort<br />

James and Karen Westphal<br />

Robert Westveer<br />

Julie Wheaton*<br />

Mary Ann Whipple<br />

Kathy White<br />

Amy White<br />

James B. White and Mary F.<br />

White*<br />

Susan Whitlock and Dr. Earl<br />

Lewis<br />

Max Wicha and Sheila<br />

Crowley*<br />

Peter and Karen Wildman*<br />

David and Anne Wilhoit<br />

Brian Willen and Monica<br />

Hakimi*<br />

Valerie and Jeff Wilpon<br />

Thomas K. Wilson<br />

Robin Wilson*<br />

I. W. Winsten*<br />

Lawrence and Mary Wise<br />

Max and Mary Wisgerhof<br />

Charles Witke and Aileen<br />

Gatten<br />

Steven and Helen Woghin<br />

Charlotte A. Wolfe*<br />

Katherine Woo*<br />

Douglas Wood and Kay<br />

Holsinger*<br />

Eric Woodhams*<br />

The Worsham Family<br />

Foundation<br />

Frances A. Wright<br />

Mary Jean and John Yablonky<br />

The Zelenock Family<br />

Gail and David Zuk<br />

<strong>UMS</strong><br />

TRIBUTE<br />

GIFTS<br />

September 1, <strong>2020</strong> –<br />

October 1, 20<strong>21</strong><br />

Throughout the past year,<br />

donations have been<br />

made in memory of and/or<br />

in honor of the following<br />

individuals.<br />

Bert Askwith (1911-2015)<br />

Mel L. Barclay, MD<br />

William J. Beird<br />

DJ and Dieter Boehm<br />

Sally Cushing<br />

Father Tim Dombrowski<br />

Ken and Penny Fischer<br />

Ken Guire<br />

Jim Heitler<br />

Lloyd and Edith Herrold<br />

Christa Janecke<br />

Amrita and Pritika Karwa<br />

Theophilius Odetola<br />

Anne Parsons<br />

Lois Stegeman<br />

Matthew VanBesien<br />

Darragh Weisman<br />

Clayton and Ann Wilhite<br />

40 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 41


<strong>2020</strong>/<strong>21</strong> Season in Review Financials<br />

FY<strong>21</strong><br />

FINANCIALS<br />

OPERATING RESULTS FY<strong>21</strong> FY20 FY19<br />

Ticket Revenue (1) $-0- $2,449,250 $2,848,772<br />

Other Earned Revenues $146,495 $480,896 $644,505<br />

Net Investment Income $1,095,257 $1,083,035 $1,040,284<br />

Gifts and Grants (2,6) $3,107,899 $3,734,791 $3,359,812<br />

Gifts and Grants Released from Restrictions (3) $601,740 $100,085 $630,<strong>21</strong>5<br />

University of Michigan (4) $1,526,000 $1,070,000 $1,065,000<br />

Operating Revenue $6,477,391 $8,918,057 $9,588,588<br />

Concert Expenses & Related Programs (5) $2,807,801 $5,684,862 $6,403,839<br />

Administrative Expenses (6) $1,843,990 $1,677,273 $1,784,454<br />

Our 142nd season was the first in <strong>UMS</strong>’s history where we did not present any live, in-person performances;<br />

nevertheless, we hope you can see the impact of <strong>UMS</strong> activities both within our community and around the<br />

world. We’re grateful to the committed staff, dedicated board and volunteers, and generous donors and<br />

investors who make it all possible.<br />

Our complete audited financial statements are available on our website at ums.org/about/financialstatements,<br />

with a top-line summary on the next page. For comparison purposes, we have included FY19<br />

(our last full season of in-person performances) and FY20 (with the last two months of performances<br />

canceled due to the pandemic), in addition to the most recent statements reflecting FY<strong>21</strong>.<br />

Our positive bottom line from operations during FY<strong>21</strong> was due in part to the U.S. Government’s second round<br />

of support through the Paycheck Protection Program (“PPP”); this grant of $362,800 is recognized in the<br />

Gifts and Grants line in our Operating Results. Extraordinary fundraising allowed us to offset the absence of<br />

ticket revenues given that all of our digital events were offered free-of-charge. Our overall change in net<br />

assets showed a gain of $9,114,195, largely due to unrealized gains on our board-designated endowment<br />

and our donor-restricted endowment funds.<br />

The FY<strong>21</strong> statements are representative of <strong>UMS</strong>’s overall position of financial strength due to the deep<br />

commitment of its audiences and donors. Nevertheless, as we look ahead, we anticipate that the coming<br />

years will be difficult for the organization, with continued uncertainty due to the ongoing pandemic and its<br />

impact on both artist tours and attendance at live performances.<br />

We are extraordinarily grateful to all who continue to support <strong>UMS</strong> during these uncertain times.<br />

Sincerely,<br />

Development Expenses $1,183,987 $1,262,940 $1,469,245<br />

Operating Expenses $5,835,778 $8,625,075 $9,657,538<br />

Net Surplus/(Deficit) from Operations $641,613 $292,982 ($68,950)<br />

NET ASSETS (including Endowment Funds) FY<strong>21</strong> FY20 FY19<br />

Beginning Balance - Funds Without Donor Restrictions $7,741,125 $7,889,229 $7,804,591<br />

Beginning Balance - Funds With Donor Restrictions $19,389,286 $19,361,7<strong>21</strong> $19,093,789<br />

Beginning Balance - All Funds $27,130,411 $27,250,950 $26,898,380<br />

Gifts and Grants $494,082 $1,106,872 $523,583<br />

Gifts and Grants Released from Restrictions (3) ($601,740) ($100,085) ($630,<strong>21</strong>5)<br />

Net Investment Income $60,014 $50,240 $43,<strong>21</strong>4<br />

Net Unrealized Gain on Investments Without Donor Restrictions $2,445,489 ($444,613) $153,588<br />

Net Unrealized Gain on Investments With Donor Restrictions $6,074,737 ($1,025,935) $331,350<br />

Net Surplus/(Deficit) from Operations $641,613 $292,982 ($68,950)<br />

Matthew VanBesien<br />

President, <strong>UMS</strong><br />

Tim Petersen<br />

Chair, <strong>UMS</strong> Board of Directors<br />

Ending Balance - All Funds $36,244,606 $27,130,411 $27,250,950<br />

Total Change in Net Assets $9,114,195 ($120,539) $352,570<br />

42 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong><br />

(1) In FY19 and FY20, ticket donations were recorded as Ticket Revenue. In FY<strong>21</strong>, ticket donations were recorded as Gifts and Grants. (2) This line also<br />

includes $458,432 from the Paycheck Protection Program in FY20 and $362,800 in FY<strong>21</strong>. The FY20 amount has been forgiven, and the FY<strong>21</strong> amount<br />

is expected to be forgiven as the terms of the program were met. (3) Represents gifts and grants received in prior years whose purpose or timing<br />

conditions were met. (4) Represents discretionary support provided by the U-M Offices of the President and Provost, as well as other University units.<br />

(5) Includes digital artist residencies and digital programming expense for FY<strong>21</strong> when there were no in-person performances. (6) Includes estimated<br />

market value of in-kind subsidized lease costs for office space. This amount totals approximately $143,000 in each year.<br />

Stay Present<br />

43


<strong>2020</strong>/<strong>21</strong> Season in Review Financials<br />

THE <strong>2020</strong>/<strong>21</strong> (DIGITAL) SEASON <strong>UMS</strong> STAFF<br />

SEPTEMBER <strong>2020</strong><br />

Paul Taylor Dance Group<br />

OCTOBER <strong>2020</strong><br />

Takács Quartet<br />

Sheku Kanneh-Mason and<br />

Isata Kanneh-Mason<br />

Trevor Noah<br />

NOVEMBER <strong>2020</strong><br />

Cloud Gate Dance Theatre of<br />

Taiwan<br />

Wynton Marsalis and Jazz at<br />

Lincoln Center Orchestra<br />

Listening Parties with Tarek<br />

Yamani and the Spektral<br />

Quartet (Digital Artist<br />

Residency)<br />

DECEMBER <strong>2020</strong><br />

Messiah Mixtape<br />

Jazz at Lincoln Center<br />

Orchestra School Day<br />

Performance: Let Freedom<br />

Swing<br />

JANUARY 20<strong>21</strong><br />

Some Old Black Man with<br />

Wendell Pierce and Charlie<br />

Robinson (Digital Artist<br />

Residency)<br />

Sphinx Virtuosi<br />

Cleo Parker Robinson Dance<br />

School Day Performance<br />

Jazz at Lincoln Center’s Swing<br />

University: Jazz from New<br />

Orleans, Chicago, New York,<br />

and Detroit<br />

FEBRUARY 20<strong>21</strong><br />

Caleb Teicher & Company<br />

School Day Performance<br />

James Ehnes, violin<br />

MARCH 20<strong>21</strong><br />

Ballet Folklórico de México de<br />

Amalia Hernández School Day<br />

Performance<br />

Jazz at Lincoln Center<br />

Orchestra School Day<br />

Performance: Who Is Joe<br />

Williams?<br />

Playing with Fire (documentary<br />

about conductor Jeannette<br />

Sorrell)<br />

National Arab Orchestra<br />

Sir András Schiff, piano<br />

APRIL 20<strong>21</strong><br />

School Day Performance:<br />

Frankenstein: How to Make<br />

a Monster – Battersea Arts<br />

Centre Beatbox Academy<br />

Jazz at Lincoln Center’s Swing<br />

University: Jazz in Detroit<br />

Live Session with Tunde<br />

Olaniran<br />

MAY 20<strong>21</strong><br />

Daniel Bernard Roumain and<br />

J’Nai Bridges: They Still Want<br />

to Kill Us<br />

JUNE 20<strong>21</strong><br />

Digital Pride Festival<br />

Becca Blackwell: They,<br />

Themself, and Schmerm<br />

Conspirare: Considering<br />

Matthew Shepard<br />

Taylor Mac: Whitman in the<br />

Woods<br />

Matthew VanBesien,<br />

President<br />

Administration & Finance<br />

Carmen Rodriguez,<br />

Vice President, Finance<br />

and Administration<br />

Jessica Adamczyk,<br />

Executive Assistant to the<br />

President<br />

Patricia Hayes,<br />

Finance Manager (through<br />

August 20<strong>21</strong>)<br />

John Peckham,<br />

Information Systems<br />

Manager<br />

Anna Simmons,<br />

Systems Specialist<br />

(through May 20<strong>21</strong>)<br />

Development<br />

Ryan Davis,<br />

Vice President and Chief<br />

Development Officer<br />

Susan Bozell Craig,<br />

Director of Development<br />

Amanda Dempsey,<br />

Development Associate<br />

(through April 20<strong>21</strong>)<br />

Rachelle Michelon,<br />

<strong>Annual</strong> Giving Manager<br />

Lisa Michiko Murray,<br />

Associate Director of<br />

Development, Foundation<br />

& Government Relations<br />

Margaret Reid,<br />

Associate Director of<br />

Development, Major Gifts<br />

and Planned Giving<br />

Will Smith, Assistant Manager,<br />

Major Gifts<br />

Education & Community<br />

Engagement<br />

Cayenne Harris,<br />

Vice President, Education<br />

& Community Engagement<br />

Alexandria Davis,<br />

Community & Audience<br />

Programs Manager<br />

Christina Mozumdar,<br />

Education & Community<br />

Engagement Programs<br />

Manager (through April<br />

20<strong>21</strong>)<br />

Terri Park,<br />

Associate Director of<br />

Education & Community<br />

Engagement, K-12<br />

Programs<br />

Maddy Wildman,<br />

University Programs<br />

Manager<br />

Marketing & Communications<br />

Sara Billmann,<br />

Vice President, Marketing<br />

& Communications<br />

Jacob Gibson,<br />

Marketing &<br />

Communications Associate<br />

Mallory Shea,<br />

Marketing & Media<br />

Relations Manager<br />

(through April 20<strong>21</strong>)<br />

Samantha Williams,<br />

Marketing & Media<br />

Relations Manager<br />

Eric Woodhams,<br />

Director of Digital Media<br />

Patron Services<br />

Christina Bellows,<br />

Director of Patron Services<br />

Rochelle Clark,<br />

Ticket Services Associate<br />

Bridget Kojima,<br />

Group Sales and<br />

Promotions Associate<br />

Nina Renella,<br />

Interim Front of House<br />

Assistant Manager<br />

Anné Renforth,<br />

Ticket Services Assistant<br />

Manager<br />

Victoria Spain,<br />

Front of House Assistant<br />

Manager (though August<br />

20<strong>21</strong>)<br />

Production/Programming<br />

Michael Kondziolka,<br />

Vice President,<br />

Programming & Production<br />

Jeffrey Beyersdorf,<br />

Production Director<br />

Alex Gay,<br />

Assistant Production<br />

Manager<br />

Anne Grove,<br />

Artist Services Manager<br />

Mark Jacobson,<br />

Senior Programming<br />

Manager<br />

Mary Roeder,<br />

Programming Manager<br />

<strong>UMS</strong> Choral Union<br />

Scott Hanoian,<br />

Music Director and<br />

Conductor<br />

Kathleen Operhall,<br />

Chorus Manager<br />

Student Employees &<br />

Part-Time Assistants<br />

Olivia Johnson,<br />

Patron Services Assistant<br />

Jacob Rogers,<br />

Patron Services Assistant<br />

Justine Sedky,<br />

Patron Services Assistant<br />

<strong>UMS</strong> <strong>2020</strong>/<strong>21</strong> BOARD OF<br />

DIRECTORS<br />

Tim Petersen,<br />

Chair<br />

Lisa D. Cook,<br />

Co-Vice Chair<br />

Brian Willen,<br />

Co-Vice Chair<br />

Rob VanRenterghem,<br />

Treasurer<br />

Christopher Conlin,<br />

Secretary<br />

Susan E. Alcock<br />

Karen Bantel<br />

Kiana Barfield<br />

Marco Bruzzano<br />

Mary Lincoln Campbell<br />

Timothy R. Damschroder<br />

Tiffany L. Ford<br />

Alec Gallimore<br />

Katherine Goldberg<br />

Linda Gregerson<br />

Stephen Henderson<br />

Ibrahim Jarjoura<br />

Timothy B. Johnson<br />

Barbara Kaye<br />

Christina Kim<br />

Timothy G. Lynch<br />

Timothy G. Marshall<br />

Michael C. Martin<br />

Sarah Nicoli<br />

Peter Schweitzer<br />

Knut Simonsen<br />

Versell Smith, Jr.<br />

Linh Song<br />

Gail Ferguson Stout<br />

Victor J. Strecher<br />

Ex-officio Members:<br />

Susan M. Collins,<br />

Provost, U-M<br />

David Gier,<br />

Dean, School of Music,<br />

Theatre & Dance, U-M<br />

Kevin Hegarty,<br />

Executive Vice President<br />

and Chief Financial Officer,<br />

U-M<br />

Mark Schlissel,<br />

President, U-M<br />

Jeanice Kerr Swift,<br />

Superintendent of Ann<br />

Arbor Public Schools<br />

Representatives to the Board:<br />

Rachel Bendit,<br />

<strong>UMS</strong> National Council<br />

Thomas C. Kinnear,<br />

<strong>UMS</strong> Sustaining Directors<br />

Prudence Rosenthal,<br />

<strong>UMS</strong> Sustaining Directors<br />

Elena Snyder,<br />

<strong>UMS</strong> Ambassadors<br />

<strong>UMS</strong> NATIONAL COUNCIL<br />

Rachel Bendit, Co-Chair<br />

Ann Arbor<br />

Wynton Marsalis, Honorary<br />

Co-Chair<br />

New York<br />

Andrew Bernstein<br />

New York<br />

Maurice Binkow<br />

Ann Arbor<br />

Kenneth A. and Noreen<br />

Buckfire<br />

New York<br />

Peter Cummings<br />

Detroit<br />

Marylene Delbourg–Delphis<br />

Menlo Park and Pebble<br />

Beach<br />

Sophie Delphis<br />

New York<br />

Barbara G. Fleischman<br />

New York<br />

Maxine Frankel<br />

Bloomfield Hills<br />

Katherine Hein M.D.<br />

Boston<br />

Patti Kenner<br />

New York<br />

Wallis Klein<br />

La Jolla and Charlevoix<br />

Jerry Kolins M.D. and Dale<br />

Kolins<br />

Escondido<br />

David Leichtman and Laura<br />

McGinn<br />

New York<br />

Chrislan Fuller Manuel<br />

Ann Arbor<br />

Bridget M. McCormack and<br />

Steven P. Croley<br />

Ann Arbor<br />

Jordan Morgan<br />

Ann Arbor<br />

Caroline Nussbaum<br />

New York<br />

Jay Ptashek and Karen Elizaga<br />

New York<br />

James Read<br />

Stamford<br />

James Stanley M.D. and<br />

Nancy Stanley<br />

Ann Arbor<br />

Louise Taylor<br />

Ann Arbor<br />

Bruce Tuchman<br />

New York<br />

Eileen Weiser<br />

Ann Arbor<br />

Diane Zola<br />

New York<br />

Tim Petersen (Ex-Officio)<br />

Ann Arbor<br />

In Memoriam<br />

Clayton and Ann Wilhite<br />

Ann Arbor<br />

<strong>UMS</strong> AMBASSADORS<br />

Ambassador Executive<br />

Committee<br />

Michael Lee,<br />

Chair<br />

Cathy King,<br />

Vice Chair and<br />

Membership<br />

Committee Co-Chair<br />

Lisa Armstrong,<br />

Treasurer<br />

Beth McNally,<br />

Secretary<br />

Jay Kain,<br />

Membership Committee<br />

Co-Chair<br />

Kirsten Williams,<br />

School Day Performance<br />

Volunteer Chair<br />

Athena Papageorgiou,<br />

Member-At-Large<br />

Elena Snyder,<br />

Immediate Past Chair<br />

Ambassador General<br />

Membership<br />

Arlene Barnes<br />

Astrid Beck<br />

Sue Beel<br />

Todd Beel<br />

Elaine Bennett<br />

Mike Dergis<br />

Janet Galardi Popper<br />

Joan Kadis<br />

Nancy Karp<br />

Kathy Kiehl<br />

Leah Korth<br />

Garrett Lefkowitz<br />

Rita Malone<br />

Daria Massimilla<br />

Sharon Peterson Dort<br />

Pat Rideout<br />

Jill Ross<br />

Ellen Sapper<br />

Andrew Schneider<br />

Pam Tabbaa<br />

Sarajane Winkelman<br />

44 <strong>2020</strong>/<strong>21</strong> <strong>Annual</strong> <strong>Report</strong> Stay Present 45


2014 National Medal of Arts Recipient<br />

@<strong>UMS</strong>PRESENTS<br />

<strong>UMS</strong>.ORG——734.764.2538 Front Cover: Wendell Pierce and Charlie Robinson; Publication Date: November 20<strong>21</strong>

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