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Volume 27 Issue 3 - December 2021 / January 2022

Many Happy Returns: the rebirth of Massey Hall -- from venue to hub; music theatre's re-emergence from postponement limbo; pianist Vikingur Ólafsson's return visit to to "Glenn Gould's hometown"; guest writer music librarian Gary Corrin is back from his post behind the scenes in the TSO library; Music for Change returns to 21C; and here we all are again! Welcome back. Fingers crossed, here we go.

Many Happy Returns: the rebirth of Massey Hall -- from venue to hub; music theatre's re-emergence from postponement limbo; pianist Vikingur Ólafsson's return visit to to "Glenn Gould's hometown"; guest writer music librarian Gary Corrin is back from his post behind the scenes in the TSO library; Music for Change returns to 21C; and here we all are again! Welcome back. Fingers crossed, here we go.

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Speaking

of happy

returns ...

THE

BLUE

PAGES

It is with a growing sense of optimism that we continue to

welcome new and returning presenters to our Blue Pages

directory, as their plans firm up for the calendar year ahead.

Take a look at the index to our BLUE PAGES DIRECTORY OF

MUSIC MAKERS on page 33, which keeps growing issue by

issue. Full profiles can be found at thewholenote.com/blue.

All in all, there’s a growing sense of hope and new beginnings, coupled

with a pragmatism in regard to maintaining a safe approach to

performing. Here’s just a taste, from profiles recently added:

“After ‘going to ground’ for most of 2019/20,” writes Nine Sparrows

Arts Foundation, “in cooperation with Yorkminster Park Baptist

Church, we return this December with a virtual presentation of City

Carol Sing 2021, and a plan to resume our Tuesday Lunchtime Chamber

Music series in January 2022.”

The Toronto Symphony Orchestra will “continue to offer a range of

performance options, from a much anticipated return to in-person

concerts at Roy Thomson Hall and the George Weston Recital Hall to a

continuation of virtual concerts streamed throughout the season.”

“After a year of virtual rehearsals,” Etobicoke Centennial Choir

announces, “our dedicated choristers have returned to safely and

joyfully harmonizing together in person ... We are planning a virtual

streamed concert in December, including Saint-Saëns’ Christmas

Oratorio, with a return to live performances in 2022.”

Some are concentrating for now on consolidating the online gains

forced on them by pandemic necessity. “In November 2020, The

Toronto Consort launched Early Music TV – an all-new video-ondemand

service dedicated to music from 1100-1700 AD. Early Music TV

offers feature-length productions, behind-the-scenes documentaries,

and extensive video and audio libraries.”

And if you’re looking for something to do on New Year’s Day,

Attila Glatz Concert Productions’ “energetic, lighthearted, and

full-of-romance Salute to Vienna New Year’s Concert … celebrates

the limitless possibilities each New Year brings.”

And so say all of us.

If you’re a music presenter or arts services organization, there’s still

time to join our Blue Pages directory. To celebrate a new year that

is a new beginning in more ways than one, in our next print edition

(January 21 2022) we’ll publish a consolidated directory of all profiles

received by January 6, 2022. For details on how to join contact

Karen Ages at members@thewholenote.com

Thursday January 13 at 8 pm

Juilliard Quartet

Tuesday January 25 at 8 pm

Vanessa

Benelli Mosell

Tickets: 416-366-7723

option 2

27 Front Street East, Toronto

| music-toronto.com

thewholenote.com December 2021 and January 2022 | 9

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