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<strong>ISSUE</strong> <strong>IV</strong> 27<br />
SONG FOR STANDING BELLS<br />
Robert Fanning<br />
What’s left of every word is bone and shell.<br />
Etched husks, wind-hewn, deserted instruments<br />
we ring with breath. The body’s empty bell<br />
brims. A tunnel of hum, we rim and spill<br />
through syllables, skimming lines to animate<br />
what’s left. Every word. Bones, shells,<br />
feathers, wave-worn stones. This windfall<br />
hour. The song you hold this moment’s<br />
wearing breath. The body’s empty bell<br />
resounds the notes, vessels cast to spell<br />
what’s missing. Unveiling the whole in fragments.<br />
What’s left if the very world is bone, a shell<br />
drained dry. Your voice divines, a word-drawn well<br />
to reach the remnant sea. To swell the absence<br />
we ring. With breath, the body’s empty bell<br />
flows through interstices, fills every hull<br />
and carapace. Toward nothing. Toward resonance.<br />
What’s left of every word is bone and shell;<br />
we ring with breath the body’s empty bell.