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ISSUE IV

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<strong>ISSUE</strong> <strong>IV</strong> 27<br />

SONG FOR STANDING BELLS<br />

Robert Fanning<br />

What’s left of every word is bone and shell.<br />

Etched husks, wind-hewn, deserted instruments<br />

we ring with breath. The body’s empty bell<br />

brims. A tunnel of hum, we rim and spill<br />

through syllables, skimming lines to animate<br />

what’s left. Every word. Bones, shells,<br />

feathers, wave-worn stones. This windfall<br />

hour. The song you hold this moment’s<br />

wearing breath. The body’s empty bell<br />

resounds the notes, vessels cast to spell<br />

what’s missing. Unveiling the whole in fragments.<br />

What’s left if the very world is bone, a shell<br />

drained dry. Your voice divines, a word-drawn well<br />

to reach the remnant sea. To swell the absence<br />

we ring. With breath, the body’s empty bell<br />

flows through interstices, fills every hull<br />

and carapace. Toward nothing. Toward resonance.<br />

What’s left of every word is bone and shell;<br />

we ring with breath the body’s empty bell.

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