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Jazz Ain't Dead "Halloween Edition" Boogie Man Swing Commemorative Program 2021

Jazz Ain't Dead "Halloween Edition" Boogie Man Swing 2021 Performance Produced by Jazzmobile, Denny Farrell Riverbank State Park, Jazz Ain't Dead Choreography by Candice Michelle Franklin Music Direction by Axel Tosca YouTube Link to FULL SHOW Video URL: https://youtu.be/JkgWjOBSJcc Special Guests: Sekou McMiller -Afro Latin Jazz Dance Master Samuel Coleman -Jazz Vernacular Swing Dance Master Band: Axel Tosca, Keys Barry Stephenson, Bass David Gibson, Drums Jerome Jordan, Guitar Rogerst Charles, Alto Sax Alphonso Horne, Trumpet Knoel Scott, Baritone Sax/Flute Calvin Booker, Tap Artist Singers: Antoinette Montague, Lead Vocals Rick Delancy, Song & Dance Man Dancers: Candice Michele Franklin Alexzandra Knapp Lyndsey Arorash Jerome Melsaun Warren Brandon Jones Steven Orrego Upegui Ryan Albee Maddie Pineda Audrey Borst Nia Simone Washington Jason Herbert

Jazz Ain't Dead "Halloween Edition" Boogie Man Swing 2021 Performance

Produced by Jazzmobile, Denny Farrell Riverbank State Park, Jazz Ain't Dead
Choreography by Candice Michelle Franklin
Music Direction by Axel Tosca

YouTube Link to FULL SHOW Video URL:
https://youtu.be/JkgWjOBSJcc

Special Guests:
Sekou McMiller -Afro Latin Jazz Dance Master
Samuel Coleman -Jazz Vernacular Swing Dance Master

Band:
Axel Tosca, Keys
Barry Stephenson, Bass
David Gibson, Drums
Jerome Jordan, Guitar
Rogerst Charles, Alto Sax
Alphonso Horne, Trumpet
Knoel Scott, Baritone Sax/Flute
Calvin Booker, Tap Artist

Singers:
Antoinette Montague, Lead Vocals
Rick Delancy, Song & Dance Man

Dancers:
Candice Michele Franklin
Alexzandra Knapp
Lyndsey Arorash
Jerome Melsaun Warren
Brandon Jones
Steven Orrego Upegui
Ryan Albee
Maddie Pineda
Audrey Borst
Nia Simone Washington
Jason Herbert

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Robin Bell-Stevens,

Jazzmobile Director & Executive Producer

Jazzmobile's mission is to present, preserve, promote

and propagate America's classical music, Jazz. We

achieve this through our core programs: Summerfest,

Lecture Demonstrations (in schools, museums and

senior centers) and Saturday Jazz Workshops and

special presentations in concert halls, night clubs,

churches and other venues.

We are the first U.S. not-for-profit arts and cultural

organization created with a mission just for Jazz. Since

the beginning, we have been bringing high quality Jazz

performances and Jazz education programs to area

residents, tourists and other visitors. We have also

toured nationally and internationally. Under the banner

of the 'Super Jazz Band' Produced by Jazzmobile we

have toured the United States and cities in Europe and

Japan. Since the beginning, we have reached diverse

audiences, exceeding 4,000,000.

Jazzmobile was founded in 1964 by National

Endowment for the Arts Jazz Master, pianist, Dr. Billy

Taylor and philanthropist and arts administrator, Ms.

Daphne Arnstein. Together NEA Jazz Master Jimmy

Heath and Dr. Taylor founded our core programs and

since the beginning, we have been bringing high quality Jazz performances and education programs.

1921-1922 we are celebrating Dr. Billy Taylor’s 100 th Birthday!

Whether on the street, in a park or at a major concert hall here or abroad, Jazzmobile works in

partnership with like-minded organizations to present world-class Jazz performances that enrich the

culture and imbue new life into the surrounding area.

Our workshops, master classes, lecture demonstrations, and arts enrichment programs train and

inform the next generation of Jazz vocalists, musicians and audiences, while also exposing youth to

this vibrant art form. For jazz aficionados and other enthusiasts, our panel discussions increase the

knowledge of our many adult followers. Our primary aim is to reach out to communities where Jazz

was nurtured, and new forms of this music are born.

We are very proud of being an inspiration to other organizations such as The Manchester Craftsman's

Guild in Pennsylvania and New York City’s Jazz at Lincoln Center.

For more information about Jazzmobile visit www.jazzmobile.org.

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