Volume 27 Issue 4 - February 2022
Gould's Wall -- Philip Akin's "breadcrumb trail; orchestras buying into hope; silver linings to the music theatre lockdown blues; Charlotte Siegel's watershed moments; Deep Wireless at 20; and guess who is Back in Focus. All this and more, now online for your reading pleasure.
Gould's Wall -- Philip Akin's "breadcrumb trail; orchestras buying into hope; silver linings to the music theatre lockdown blues; Charlotte Siegel's watershed moments; Deep Wireless at 20; and guess who is Back in Focus. All this and more, now online for your reading pleasure.
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Angela Hewitt<br />
Available now at<br />
bookdepository.com<br />
RICHARD TERMINE<br />
TSO<br />
Unlike the ill-fated fall reopening, when the TSO waited for the<br />
50percent capacity cap before resuming, this time they are in, boots<br />
and all even at the 500-capacity cap. They have announced a full<br />
slate of diverse live programming over the next six weeks, with music<br />
director Gustavo Gimeno leading the orchestra, <strong>February</strong> 2, 3 and 5,<br />
in Schumann’s FIrst Symphony, “Spring,” composed in January and<br />
<strong>February</strong> of 1841 in anticipation of better weather ahead. Also on the<br />
program is Scylla, Jordan Pal’s concerto for trombone and orchestra<br />
written as a showcase for TSO principal trombone, Gordon Wolfe.<br />
Even before the <strong>February</strong> feast begins, there will be an appetizer<br />
available: a performance of Gimeno conducting Beethoven’s jovial<br />
Symphony No.2 Op.36, to be streamed live on January 28 and available<br />
on demand until <strong>February</strong> 4. In that concert, Beethoven’s Second<br />
proves to be a fruitful muse for Odawa First Nation composer Barbara<br />
Assiginaak, whose Innenohr meditates on the German master’s<br />
storied love of nature. Missy Mazzoli’s evocative Dark with Excessive<br />
Bright also draws inspiration from the past, bringing Baroque-era<br />
techniques into the 21st century through the skillful bow of TSO principal<br />
double bass, Jeffrey Beecher.<br />
There’s something for everyone in the mix. On <strong>February</strong> 12, the TSO<br />
and conductor Lucas Waldin celebrate Valentine’s Day (well, close<br />
enough!) with a selection of romantic songs from musical theatre and<br />
the movies, including favourites from The Phantom of the Opera,<br />
West Side Story, La La Land and the iconic “Love Theme” from<br />
Tchaikovsky’s Romeo and Juliet.<br />
Then celebrated pianist Angela Hewitt takes charge on <strong>February</strong> 16,<br />
17 and 19, leading a varied program from the keyboard. Two wellknown<br />
concertos – Mozart’s No.12 K414 and Bach’s No.2 BWV1053 –<br />
anchor the concert. Two lesser-known works complete the program:<br />
Saint-Saëns’ charming Wedding Cake Op.76, a valse-caprice for piano<br />
and strings written as a nuptial tribute to pianist Caroline Montigny-<br />
Rémaury; and Finzi’s Eclogue for Piano and String Orchestra Op.10.<br />
Chinese-born Xian Zhang leads the TSO on <strong>February</strong> 26 and <strong>27</strong> in<br />
Beethoven’s energetic Symphony No.4; principal flute Kelly Zimba is<br />
the soloist in Nielsen’s masterful Flute Concerto. Then, on March 9, 10,<br />
12 and 13, 32-year-old American, Ryan Bancroft, the newly appointed<br />
chief conductor of the the Royal Stockholm Philharmonic Orchestra,<br />
thewholenote.com <strong>February</strong> <strong>2022</strong> | 11