Report To The Community 2021
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“Our connection to the community<br />
is embedded in NJPAC’s DNA.”<br />
– Donna Walker-Kuhne<br />
Some cultural institutions<br />
quickly turn into their own little<br />
gated communities. Inside?<br />
<strong>The</strong> traditional arts and a<br />
passive audience. Outside?<br />
Everything and everyone else,<br />
including cultural change,<br />
social questions, informed<br />
debate and real diversity.<br />
But that was never the<br />
model for NJPAC.<br />
“Our connection to the<br />
community is embedded<br />
in our DNA,” says Donna<br />
Walker-Kuhne, the Center’s<br />
Senior Advisor for Diversity,<br />
Equity and Inclusion.<br />
“Newark is a city of color, and<br />
while we serve many audiences,<br />
we have a responsibility to<br />
respond to that community<br />
and their different interests.<br />
the workplace, and the impact<br />
of racism on people of color<br />
in the LGBTQ+ community.<br />
“<strong>The</strong> Black women in business<br />
event had a very dynamic panel<br />
and great participation from<br />
the audience,” says Walker-<br />
Kuhne, naming some of her<br />
favorite events. “Colorism was<br />
a very hot subject, too.”<br />
Most of the programs offered<br />
during <strong>2021</strong> were part of the<br />
PSEG True Diversity Film Series,<br />
which pairs screenings of<br />
socially engaged cinema with<br />
provocative, post-screening talks.<br />
“We’ve gotten into a kind of<br />
rhythm,” Walker-Kuhne says.<br />
“<strong>The</strong> films and panels ignite<br />
very interesting discussions<br />
on topics like sexuality,<br />
violence, immigration and<br />
and choreographer, drew<br />
viewers from around the country<br />
to both watch the film and hear<br />
afterwards from his successors<br />
at the helm of the Alvin Ailey<br />
American Dance <strong>The</strong>ater — both<br />
Robert Battle, current artistic<br />
director of the company, and<br />
Judith Jamison, the company’s<br />
artistic director emerita.<br />
Throughout <strong>2021</strong>, these<br />
programs remained virtual<br />
events, even as NJPAC opened<br />
its theaters — ensuring their<br />
accessibility to all, in New Jersey<br />
and beyond, and the ability for<br />
the community to discuss these<br />
important topics safely, even<br />
during the Omicron surge.<br />
“We decided to go right into<br />
your living room,” explains<br />
Eyesha K. Marable, Assistant<br />
standing in solidarity w<br />
NJPAC’s <strong>2021</strong> social justice programming events<br />
included (clockwise from top left): Immigration:<br />
Enforcement, Detention and Advocacy; Economic Justice:<br />
Poverty, Injustice and Racism; Queer, Black, Trans:<br />
Creating Safe Spaces for All Identities; and Colorism:<br />
<strong>The</strong> Darker Side of Fair<br />
We’re constantly stretching<br />
and looking for ways to<br />
deepen our connection with,<br />
and impact on, the community.”<br />
That bond has grown even<br />
stronger over the past year,<br />
as the Arts Center’s crossdepartmental<br />
Social Justice<br />
Programming Task Force,<br />
established in the days following<br />
George Floyd’s murder and<br />
the revival of the social justice<br />
movement, expanded on its<br />
work in its second season.<br />
For almost two years now, thanks<br />
to the work of the Task Force,<br />
NJPAC has offered at least one<br />
program every month focused<br />
on race, equity and justice.<br />
In <strong>2021</strong>, programs included<br />
symposia on such of-the-moment<br />
subjects as the ongoing push for<br />
reparations for Black communities,<br />
colorism, immigration policy, the<br />
challenges Black women face in<br />
water. <strong>The</strong> series has become<br />
a particular passion of mine.”<br />
Last year films included<br />
documentaries like Darker<br />
Side of Fair, a 2004 film<br />
on the prejudice faced by<br />
dark-skinned women in India;<br />
Banished: How Whites Drove<br />
Blacks Out of <strong>To</strong>wn in America,<br />
which examines on the<br />
expulsion of Black families from<br />
neighborhoods across the South<br />
during the post-Reconstruction<br />
era; and Rust, by Newarkbased<br />
filmmakers Marylou<br />
and Jerome Bongiorno, which<br />
focuses on Newark as a<br />
microcosm of the effects that<br />
deindustrialization, racism and<br />
mass incarceration have had<br />
on the lives of the working poor,<br />
especially people of color.<br />
In January 2022, a screening of<br />
Ailey, a biographical film about<br />
the celebrated Black dancer<br />
Vice President of <strong>Community</strong><br />
Engagement. “We offered<br />
people the opportunity to<br />
view something in advance<br />
via a link, and then join us<br />
online, where we had five<br />
to seven amazing panelists<br />
engage in a conversation<br />
about the film and the topic.”<br />
“It’s a bit of a book club<br />
model now, and it’s working<br />
terrifically,” says Walker-Kuhne.<br />
“Of course, it’s lovely whenever<br />
you can come together<br />
communally, in a theater.<br />
But I think, even as we move<br />
past the pandemic, we’re<br />
going to keep a hybrid option<br />
for this. We’ve heard from so<br />
many people, ‘I love joining<br />
in these discussions — but I<br />
especially love being able to<br />
do it now from the comfort and<br />
safety of my own home!’” •<br />
– Stephen Whitty<br />
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