Report To The Community 2021
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into the<br />
swing<br />
of things<br />
<strong>The</strong> star-studded <strong>2021</strong> TD James Moody Jazz<br />
Festival welcomed (clockwise from top left):<br />
Chaka Khan, Lew Tabackin performing as part<br />
of Celebrating George Wein, Chris Botti, Dianne<br />
Reeves and the Maria Schneider Orchestra.<br />
TD James Moody Jazz Festival<br />
celebrates its 10th anniversary<br />
with a joyous reunion of jazz greats<br />
Over 13,000 fans<br />
attended the TD James<br />
Moody Jazz Festival<br />
“<strong>The</strong>re’s no experience like the<br />
live music experience,” said<br />
Christian McBride, in the run-up<br />
to the 10th annual TD James<br />
Moody Jazz Festival, which<br />
filled NJPAC’s campus with scat,<br />
swing and more throughout the<br />
month of November. “You can<br />
go to YouTube, you can watch<br />
television, whatever, but there’s<br />
nothing like watching musicians<br />
create. You’ll never hear the<br />
same performance twice.<br />
You might hear the same<br />
melody, but you will never<br />
hear the same performance.”<br />
It was a giddy return to<br />
the tradition of celebrating<br />
“America’s classical music”<br />
at the Arts Center, which<br />
had to skip the festival as<br />
a live event in 2020.<br />
And so many of NJPAC’s<br />
best friends came back to<br />
its stages for the occasion.<br />
Performances ranged from<br />
American standards, to<br />
crossover pop hits, to the<br />
artistry of MacArthur “Genius”<br />
grant winner Maria Schneider,<br />
whose GRAMMY®-winning<br />
latest album, Data Lords,<br />
explores the cost of our modern<br />
infatuation with technology.<br />
<strong>The</strong> inimitable 10-time<br />
GRAMMY® winner Chaka<br />
Khan, whose career spans<br />
both chart-topping pop hits<br />
and collaborations with jazz<br />
greats like Herbie Hancock,<br />
kicked off the festival, opening<br />
the event with a hit-filled set<br />
in Prudential Hall. Khan had<br />
the audience on its feet for<br />
much of the night, frequently<br />
holding her microphone out to<br />
the crowd so they could sing<br />
along to “I’m Every Woman”<br />
and “Tell Me Something Good.”<br />
<strong>The</strong> following weekend, trumpeter<br />
Chris Botti returned to NJPAC, his<br />
silky-smooth horn mesmerizing<br />
audiences in Prudential Hall,<br />
even as he walked off the<br />
stage and into the audience<br />
to play right in front of them.<br />
And beloved vocalist and NEA<br />
Jazz Master Dianne Reeves<br />
made two return appearances<br />
as well, dueting with Christian<br />
McBride at the Sarah Vaughan<br />
International Jazz Vocal<br />
Competition and sharing the<br />
stage with the all-star, all-female<br />
troupe Artemis, which boasts<br />
pianist Renee Rosnes, clarinetist<br />
and soprano sax player<br />
Anat Cohen, trumpeter Ingrid<br />
Jensen, tenor sax player Nicole<br />
Glover, bassist Noriko Ueda<br />
and drummer Allison Miller.<br />
<strong>The</strong> Arts Center’s Chase Room<br />
became an intimate jazz<br />
club for the month, hosting<br />
Broadway actress and singer<br />
Lillias White performing a<br />
tribute to Newark’s own Sarah<br />
Vaughan, and the Django<br />
Festival Allstars, with their<br />
salute to Gypsy jazz guitarist<br />
Django Reinhardt’s music.<br />
In the Victoria <strong>The</strong>ater, the<br />
festival pushed genre boundaries<br />
by welcoming back the<br />
Jersey City-based Nimbus<br />
Dance Company, which has<br />
choreographed works to jazz<br />
music as part of the festival before.<br />
This time, the group appeared<br />
with tango virtuoso Pedro Giraudo<br />
and his Tango Quartet to debut<br />
a new collaboration, Raucous<br />
Caucus Tango, performed in front<br />
of a flickering video installation.<br />
Christian McBride played his<br />
masterwork, <strong>The</strong> Movement<br />
Revisited, a tribute to the<br />
heroes of the Civil Rights<br />
Movement, at a celebratory<br />
performance with the early hip<br />
hop group <strong>The</strong> Last Poets.<br />
But perhaps the festival’s most<br />
poignant night was its closing<br />
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