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Report To The Community 2021

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into the<br />

swing<br />

of things<br />

<strong>The</strong> star-studded <strong>2021</strong> TD James Moody Jazz<br />

Festival welcomed (clockwise from top left):<br />

Chaka Khan, Lew Tabackin performing as part<br />

of Celebrating George Wein, Chris Botti, Dianne<br />

Reeves and the Maria Schneider Orchestra.<br />

TD James Moody Jazz Festival<br />

celebrates its 10th anniversary<br />

with a joyous reunion of jazz greats<br />

Over 13,000 fans<br />

attended the TD James<br />

Moody Jazz Festival<br />

“<strong>The</strong>re’s no experience like the<br />

live music experience,” said<br />

Christian McBride, in the run-up<br />

to the 10th annual TD James<br />

Moody Jazz Festival, which<br />

filled NJPAC’s campus with scat,<br />

swing and more throughout the<br />

month of November. “You can<br />

go to YouTube, you can watch<br />

television, whatever, but there’s<br />

nothing like watching musicians<br />

create. You’ll never hear the<br />

same performance twice.<br />

You might hear the same<br />

melody, but you will never<br />

hear the same performance.”<br />

It was a giddy return to<br />

the tradition of celebrating<br />

“America’s classical music”<br />

at the Arts Center, which<br />

had to skip the festival as<br />

a live event in 2020.<br />

And so many of NJPAC’s<br />

best friends came back to<br />

its stages for the occasion.<br />

Performances ranged from<br />

American standards, to<br />

crossover pop hits, to the<br />

artistry of MacArthur “Genius”<br />

grant winner Maria Schneider,<br />

whose GRAMMY®-winning<br />

latest album, Data Lords,<br />

explores the cost of our modern<br />

infatuation with technology.<br />

<strong>The</strong> inimitable 10-time<br />

GRAMMY® winner Chaka<br />

Khan, whose career spans<br />

both chart-topping pop hits<br />

and collaborations with jazz<br />

greats like Herbie Hancock,<br />

kicked off the festival, opening<br />

the event with a hit-filled set<br />

in Prudential Hall. Khan had<br />

the audience on its feet for<br />

much of the night, frequently<br />

holding her microphone out to<br />

the crowd so they could sing<br />

along to “I’m Every Woman”<br />

and “Tell Me Something Good.”<br />

<strong>The</strong> following weekend, trumpeter<br />

Chris Botti returned to NJPAC, his<br />

silky-smooth horn mesmerizing<br />

audiences in Prudential Hall,<br />

even as he walked off the<br />

stage and into the audience<br />

to play right in front of them.<br />

And beloved vocalist and NEA<br />

Jazz Master Dianne Reeves<br />

made two return appearances<br />

as well, dueting with Christian<br />

McBride at the Sarah Vaughan<br />

International Jazz Vocal<br />

Competition and sharing the<br />

stage with the all-star, all-female<br />

troupe Artemis, which boasts<br />

pianist Renee Rosnes, clarinetist<br />

and soprano sax player<br />

Anat Cohen, trumpeter Ingrid<br />

Jensen, tenor sax player Nicole<br />

Glover, bassist Noriko Ueda<br />

and drummer Allison Miller.<br />

<strong>The</strong> Arts Center’s Chase Room<br />

became an intimate jazz<br />

club for the month, hosting<br />

Broadway actress and singer<br />

Lillias White performing a<br />

tribute to Newark’s own Sarah<br />

Vaughan, and the Django<br />

Festival Allstars, with their<br />

salute to Gypsy jazz guitarist<br />

Django Reinhardt’s music.<br />

In the Victoria <strong>The</strong>ater, the<br />

festival pushed genre boundaries<br />

by welcoming back the<br />

Jersey City-based Nimbus<br />

Dance Company, which has<br />

choreographed works to jazz<br />

music as part of the festival before.<br />

This time, the group appeared<br />

with tango virtuoso Pedro Giraudo<br />

and his Tango Quartet to debut<br />

a new collaboration, Raucous<br />

Caucus Tango, performed in front<br />

of a flickering video installation.<br />

Christian McBride played his<br />

masterwork, <strong>The</strong> Movement<br />

Revisited, a tribute to the<br />

heroes of the Civil Rights<br />

Movement, at a celebratory<br />

performance with the early hip<br />

hop group <strong>The</strong> Last Poets.<br />

But perhaps the festival’s most<br />

poignant night was its closing<br />

njpac.org 19

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