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Report To The Community 2021

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ig band and playing standup<br />

bass, with contributions by<br />

singer Alicia Olatuja and the<br />

18-member Voices of the Flame<br />

choir (led by J.D. Steele, who<br />

also stepped out to do some<br />

electrifying singing of his own).<br />

Four orators — poets Sonia<br />

Sanchez, Willie Perdomo and<br />

John Murillo, and actor Dion<br />

Graham — did the readings,<br />

which were interspersed<br />

throughout the musical<br />

passages. <strong>The</strong>y then joined<br />

forces to cap the piece with<br />

excerpts from Barack Obama’s<br />

presidential election victory<br />

speech of 2008, concluding<br />

with his call to “reaffirm that<br />

fundamental truth that out of<br />

many, we are one; that while we<br />

breathe, we hope; and where we<br />

are met with cynicism and doubt<br />

and those who tell us that we<br />

can’t, we will respond with that<br />

timeless creed that sums up the<br />

spirit of a people: Yes, we can.”<br />

McBride wrote the first version<br />

of <strong>The</strong> Movement Revisited in<br />

1998, but has modified it in<br />

various ways over the years.<br />

It was released in February<br />

2020, in album form, on the<br />

Mack Avenue jazz label.<br />

McBride has not presented the<br />

work in concert since 2015, and<br />

had never done so before in<br />

New Jersey. In a pre-show<br />

interview, he said he felt it was<br />

“the right time…and the right<br />

place” to perform it again, adding<br />

that “the mood of the concert is<br />

one of hope and promise” and<br />

that “if you start listening closely<br />

to the words and if you get, not<br />

a sense of pride, but a sense of<br />

what to do — a course of action —<br />

I think it makes you feel good.”<br />

As electrifying as that<br />

performance was, the opening<br />

act was almost its equal in<br />

terms of emotional power,<br />

particularly for an audience<br />

that included many from the<br />

Newark community, including<br />

large numbers of students who<br />

were invited to the show.<br />

Taking the stage as the<br />

concert began were <strong>The</strong> Last<br />

Poets — Umar Bin Hassan,<br />

Abiodun Oyewole and Baba<br />

Don Babatunde — whose work<br />

in the 1960s and 1970s, fusing<br />

socially conscious poetry with<br />

music, was a major influence on<br />

future rappers and spoken word<br />

“<strong>The</strong> Movement<br />

Revisited is a<br />

celebration of<br />

social justice<br />

movements, past<br />

and present and<br />

a clarion call to<br />

take action<br />

toward a more<br />

fair and just<br />

future.”<br />

— John Schreiber<br />

artists. <strong>The</strong>ir appearance at the<br />

event was facilitated by famed<br />

musician and producer James<br />

Mtume and his son, Fa Mtume.<br />

<strong>The</strong> Last Poets were joined<br />

throughout their performance by<br />

Newark Mayor Ras J. Baraka, a<br />

poet whose father, the late Amiri<br />

Baraka, was a major influence<br />

on <strong>The</strong> Last Poets themselves<br />

with his poetry and activism.<br />

As part of the set, Mayor Baraka<br />

gave a fiery reading of his own<br />

spoken word composition, What<br />

We Want, drawing ardent cheers<br />

from the crowd by envisioning<br />

the world as “one big, giant,<br />

outrageous we” and making a<br />

series of assertions such as “we<br />

need to allow everyone to vote,<br />

to be represented no matter<br />

where they are, no matter what<br />

language they speak, no matter<br />

what God they speak to.”<br />

Welcoming the audience to<br />

the show, NJPAC President<br />

and CEO John Schreiber said<br />

that “tonight’s performance is<br />

part jazz concert, part poetry<br />

reading, part celebration of<br />

social justice movements, past<br />

and present and part clarion<br />

call to take action towards a<br />

more fair and just future.”<br />

Schreiber also thanked festival<br />

sponsor TD Bank (“they have<br />

helped us keep great jazz<br />

playing here at the Arts Center<br />

for 10 years,” he said) and<br />

emphasized that the show<br />

was part of the City Verses:<br />

Amplifying New Voices Through<br />

Jazz and Poetry program<br />

that NJPAC is conducting<br />

in partnership with Rutgers<br />

University-Newark, with<br />

support from a grant by the<br />

Andrew W. Mellon Foundation.<br />

“And it was an intentional<br />

choice to put <strong>The</strong> Last Poets<br />

and the Mayor together on<br />

stage for this particular show<br />

about civil rights and the<br />

Black American experience<br />

in the struggle,” explains<br />

Jennie Wasserman, Project<br />

Director of City Verses.<br />

“It was the mayor’s father,<br />

Amiri Baraka, who inspired<br />

and mentored <strong>The</strong> Last Poets<br />

as a fledgling group in the ’60s.<br />

So it was really a full-circle<br />

Newark arts, culture and<br />

history moment! It was<br />

important and courageous,<br />

I think, for NJPAC to program<br />

the politically charged, often<br />

searing social commentary<br />

<strong>The</strong> Last Poets are known<br />

for,” says Wasserman.<br />

“<strong>The</strong> whole night was absolutely<br />

magical,” Schreiber concludes,<br />

“from beginning to end.” •<br />

<strong>The</strong> Movement Revisited featured (clockwise from<br />

top left) bassist-composer Christian McBride, poets<br />

John Murillo and Sonia Sanchez, and Mayor<br />

Ras Baraka reading alongside <strong>The</strong> Last Poets.<br />

22 njpac.org<br />

njpac.org 23

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