Report To The Community 2021
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ig band and playing standup<br />
bass, with contributions by<br />
singer Alicia Olatuja and the<br />
18-member Voices of the Flame<br />
choir (led by J.D. Steele, who<br />
also stepped out to do some<br />
electrifying singing of his own).<br />
Four orators — poets Sonia<br />
Sanchez, Willie Perdomo and<br />
John Murillo, and actor Dion<br />
Graham — did the readings,<br />
which were interspersed<br />
throughout the musical<br />
passages. <strong>The</strong>y then joined<br />
forces to cap the piece with<br />
excerpts from Barack Obama’s<br />
presidential election victory<br />
speech of 2008, concluding<br />
with his call to “reaffirm that<br />
fundamental truth that out of<br />
many, we are one; that while we<br />
breathe, we hope; and where we<br />
are met with cynicism and doubt<br />
and those who tell us that we<br />
can’t, we will respond with that<br />
timeless creed that sums up the<br />
spirit of a people: Yes, we can.”<br />
McBride wrote the first version<br />
of <strong>The</strong> Movement Revisited in<br />
1998, but has modified it in<br />
various ways over the years.<br />
It was released in February<br />
2020, in album form, on the<br />
Mack Avenue jazz label.<br />
McBride has not presented the<br />
work in concert since 2015, and<br />
had never done so before in<br />
New Jersey. In a pre-show<br />
interview, he said he felt it was<br />
“the right time…and the right<br />
place” to perform it again, adding<br />
that “the mood of the concert is<br />
one of hope and promise” and<br />
that “if you start listening closely<br />
to the words and if you get, not<br />
a sense of pride, but a sense of<br />
what to do — a course of action —<br />
I think it makes you feel good.”<br />
As electrifying as that<br />
performance was, the opening<br />
act was almost its equal in<br />
terms of emotional power,<br />
particularly for an audience<br />
that included many from the<br />
Newark community, including<br />
large numbers of students who<br />
were invited to the show.<br />
Taking the stage as the<br />
concert began were <strong>The</strong> Last<br />
Poets — Umar Bin Hassan,<br />
Abiodun Oyewole and Baba<br />
Don Babatunde — whose work<br />
in the 1960s and 1970s, fusing<br />
socially conscious poetry with<br />
music, was a major influence on<br />
future rappers and spoken word<br />
“<strong>The</strong> Movement<br />
Revisited is a<br />
celebration of<br />
social justice<br />
movements, past<br />
and present and<br />
a clarion call to<br />
take action<br />
toward a more<br />
fair and just<br />
future.”<br />
— John Schreiber<br />
artists. <strong>The</strong>ir appearance at the<br />
event was facilitated by famed<br />
musician and producer James<br />
Mtume and his son, Fa Mtume.<br />
<strong>The</strong> Last Poets were joined<br />
throughout their performance by<br />
Newark Mayor Ras J. Baraka, a<br />
poet whose father, the late Amiri<br />
Baraka, was a major influence<br />
on <strong>The</strong> Last Poets themselves<br />
with his poetry and activism.<br />
As part of the set, Mayor Baraka<br />
gave a fiery reading of his own<br />
spoken word composition, What<br />
We Want, drawing ardent cheers<br />
from the crowd by envisioning<br />
the world as “one big, giant,<br />
outrageous we” and making a<br />
series of assertions such as “we<br />
need to allow everyone to vote,<br />
to be represented no matter<br />
where they are, no matter what<br />
language they speak, no matter<br />
what God they speak to.”<br />
Welcoming the audience to<br />
the show, NJPAC President<br />
and CEO John Schreiber said<br />
that “tonight’s performance is<br />
part jazz concert, part poetry<br />
reading, part celebration of<br />
social justice movements, past<br />
and present and part clarion<br />
call to take action towards a<br />
more fair and just future.”<br />
Schreiber also thanked festival<br />
sponsor TD Bank (“they have<br />
helped us keep great jazz<br />
playing here at the Arts Center<br />
for 10 years,” he said) and<br />
emphasized that the show<br />
was part of the City Verses:<br />
Amplifying New Voices Through<br />
Jazz and Poetry program<br />
that NJPAC is conducting<br />
in partnership with Rutgers<br />
University-Newark, with<br />
support from a grant by the<br />
Andrew W. Mellon Foundation.<br />
“And it was an intentional<br />
choice to put <strong>The</strong> Last Poets<br />
and the Mayor together on<br />
stage for this particular show<br />
about civil rights and the<br />
Black American experience<br />
in the struggle,” explains<br />
Jennie Wasserman, Project<br />
Director of City Verses.<br />
“It was the mayor’s father,<br />
Amiri Baraka, who inspired<br />
and mentored <strong>The</strong> Last Poets<br />
as a fledgling group in the ’60s.<br />
So it was really a full-circle<br />
Newark arts, culture and<br />
history moment! It was<br />
important and courageous,<br />
I think, for NJPAC to program<br />
the politically charged, often<br />
searing social commentary<br />
<strong>The</strong> Last Poets are known<br />
for,” says Wasserman.<br />
“<strong>The</strong> whole night was absolutely<br />
magical,” Schreiber concludes,<br />
“from beginning to end.” •<br />
<strong>The</strong> Movement Revisited featured (clockwise from<br />
top left) bassist-composer Christian McBride, poets<br />
John Murillo and Sonia Sanchez, and Mayor<br />
Ras Baraka reading alongside <strong>The</strong> Last Poets.<br />
22 njpac.org<br />
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