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Celebrating “<strong>The</strong> Divine One”: (left to right)<br />

Sarah Vaughan International Jazz Vocal Competition<br />

contestants Viktorija Gečytė, Andrea Miller,<br />

Arta Jēkabsone, April May Webb, and winner<br />

G. Thomas Allen with Steve Williams, Sheila Jordan,<br />

Christian McBride, John Pizzarelli, Jazzmeia Horn<br />

and Renee Rosnes.<br />

“I feel blessed to be here, not just<br />

because this is the home of jazz<br />

and of Sarah, but also because only<br />

days before my trip here, the border<br />

reopened! Whew! Which makes this<br />

competition truly international.”<br />

in a considerably lower range —<br />

and closed out his entry with<br />

a rendition of “Misty,” one of<br />

Vaughan’s favored tunes,<br />

back up in his higher voice.<br />

<strong>The</strong> audience gave Allen a<br />

standing ovation for that<br />

performance, the only such<br />

accolade of the evening.<br />

Allen, who now serves as<br />

a voice instructor at the<br />

Chicago High School for the<br />

Arts and on the faculty of<br />

Columbia College Chicago<br />

— Viktorija Gečytė<br />

in addition to performing,<br />

took home a $5,000 prize.<br />

Allen took top honors in a field<br />

of five young singers from across<br />

the country, including locals<br />

April May Webb (from Edison),<br />

who took second place, and<br />

Arta Jēkabsone (Jersey City),<br />

who took third place honors.<br />

Viktorija Gečytė, a Lithuanian<br />

singer now based in Paris,<br />

and Andrea Miller of<br />

Costa Mesa, CA, rounded<br />

out the competition.<br />

“You can’t imagine how blessed<br />

I feel to be here,” Gečytė<br />

enthused as she took to the<br />

stage, “not just because this<br />

is the home of jazz and of<br />

Sarah, but also because only<br />

days before my trip here, the<br />

border reopened! Whew! Which<br />

makes this competition truly<br />

international. Cheers to that!”<br />

In fact, hundreds of hopefuls<br />

from more than 25 countries<br />

around the globe entered the<br />

contest this year, vying for a<br />

shot at the staged finals.<br />

A panel of industry<br />

heavyweights served as<br />

judges of the competition,<br />

including former Sassy Awards<br />

champion Jazzmeia Horn,<br />

vocalist and NEA Jazz Master<br />

Sheila Jordan, guitarist and<br />

singer John Pizzarelli, pianist<br />

and bandleader Renee<br />

Rosnes and Steven Williams,<br />

President and CEO of Newark’s<br />

jazz station, WBGO. •<br />

during COVID, a virtual competition<br />

“<strong>The</strong> heart of our music is<br />

improvisation. And, boy, haven’t<br />

we had to improvise the last<br />

15 months?” said Gary Walker,<br />

WBGO morning announcer<br />

and music director, as he<br />

kicked off the ninth annual<br />

Sarah Vaughan International<br />

Jazz Vocal Competition in June,<br />

after the event was postponed<br />

from its expected November<br />

2020 date by the pandemic.<br />

It was an unusual iteration<br />

of the competition, filmed on<br />

Prudential Hall’s Betty Wold<br />

Johnson stage without an<br />

audience. <strong>The</strong> program was<br />

then streamed on Facebook,<br />

with a distanced audience<br />

offering encouragement to the<br />

singers through cheerful posts<br />

full of clapping hands emojis.<br />

But most unusual of all? <strong>The</strong> top<br />

prize was shared by two young<br />

singers — the first time the<br />

competition has ended in a tie.<br />

Gabrielle Cavassa, 26, of<br />

New Orleans, and Tawanda<br />

Suessbrich-Joaquim, 25, a Las<br />

Cruces native, were named<br />

the winners. Each singer took<br />

home a $5,000 cash prize.<br />

“You’re witnessing history!” said<br />

Walker, as both singers were<br />

handed the first prize plaque.<br />

<strong>The</strong> pandemic shadowed the<br />

event in all kinds of ways,<br />

including giving a melancholy<br />

air to the songs performed.<br />

“This is a song about a feeling<br />

that I’ve had, but that I don’t<br />

know if I can express in words<br />

alone. It’s about things like love,<br />

desperation, hopelessness, fear,<br />

things that are hard to speak<br />

out loud, but with music I can,”<br />

Cavassa explained before<br />

segueing into “Never Let Me<br />

Go,” accompanying herself<br />

on guitar. She also performed<br />

“Easy to Love” and “I’ve<br />

Never Been in Love Before.”<br />

“This is a song about<br />

endurance — a skill I’ve been<br />

practicing this last year, as<br />

we all have,” said Suessbrich-<br />

Joaquim, introducing “Guess I’ll<br />

Hang My Tears Out <strong>To</strong> Dry.” She<br />

also performed “All Or Nothing<br />

At All,” and then, noting that<br />

is was “time for something<br />

sassy,” she launched into<br />

the much more cheerful “Ain’t<br />

Nobody’s Business” (originally<br />

“Tain’t Nobody’s Biz-ness if<br />

I Do”), a 1920s blues song.<br />

Twice the talent: For the first<br />

time in the history of NJPAC’s<br />

Sarah Vaughan International<br />

Jazz Vocal Competition, the<br />

2020 top prize was shared by<br />

two outstanding jazz vocalists,<br />

Tawanda Suessbrich-Joaquim<br />

and Gabrielle Cavassa.<br />

A total of four finalists,<br />

selected from more than 600<br />

submissions, performed live in<br />

front of only a handful of family<br />

members, and the competition<br />

judges, who included NJPAC’s<br />

Jazz Advisor Christian McBride,<br />

singers Carmen Lundy and<br />

Vanessa Rubin, producer Chuck<br />

Mitchell and WBGO’s interim<br />

president Robert Ottenhoff.<br />

<strong>The</strong> other two finalists who<br />

performed were Hailey Brinnel<br />

of Philadelphia, and Benny<br />

Bennack II of New York, who<br />

took third place in the contest. •<br />

26 njpac.org<br />

njpac.org 27

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