Report To The Community 2021
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Celebrating “<strong>The</strong> Divine One”: (left to right)<br />
Sarah Vaughan International Jazz Vocal Competition<br />
contestants Viktorija Gečytė, Andrea Miller,<br />
Arta Jēkabsone, April May Webb, and winner<br />
G. Thomas Allen with Steve Williams, Sheila Jordan,<br />
Christian McBride, John Pizzarelli, Jazzmeia Horn<br />
and Renee Rosnes.<br />
“I feel blessed to be here, not just<br />
because this is the home of jazz<br />
and of Sarah, but also because only<br />
days before my trip here, the border<br />
reopened! Whew! Which makes this<br />
competition truly international.”<br />
in a considerably lower range —<br />
and closed out his entry with<br />
a rendition of “Misty,” one of<br />
Vaughan’s favored tunes,<br />
back up in his higher voice.<br />
<strong>The</strong> audience gave Allen a<br />
standing ovation for that<br />
performance, the only such<br />
accolade of the evening.<br />
Allen, who now serves as<br />
a voice instructor at the<br />
Chicago High School for the<br />
Arts and on the faculty of<br />
Columbia College Chicago<br />
— Viktorija Gečytė<br />
in addition to performing,<br />
took home a $5,000 prize.<br />
Allen took top honors in a field<br />
of five young singers from across<br />
the country, including locals<br />
April May Webb (from Edison),<br />
who took second place, and<br />
Arta Jēkabsone (Jersey City),<br />
who took third place honors.<br />
Viktorija Gečytė, a Lithuanian<br />
singer now based in Paris,<br />
and Andrea Miller of<br />
Costa Mesa, CA, rounded<br />
out the competition.<br />
“You can’t imagine how blessed<br />
I feel to be here,” Gečytė<br />
enthused as she took to the<br />
stage, “not just because this<br />
is the home of jazz and of<br />
Sarah, but also because only<br />
days before my trip here, the<br />
border reopened! Whew! Which<br />
makes this competition truly<br />
international. Cheers to that!”<br />
In fact, hundreds of hopefuls<br />
from more than 25 countries<br />
around the globe entered the<br />
contest this year, vying for a<br />
shot at the staged finals.<br />
A panel of industry<br />
heavyweights served as<br />
judges of the competition,<br />
including former Sassy Awards<br />
champion Jazzmeia Horn,<br />
vocalist and NEA Jazz Master<br />
Sheila Jordan, guitarist and<br />
singer John Pizzarelli, pianist<br />
and bandleader Renee<br />
Rosnes and Steven Williams,<br />
President and CEO of Newark’s<br />
jazz station, WBGO. •<br />
during COVID, a virtual competition<br />
“<strong>The</strong> heart of our music is<br />
improvisation. And, boy, haven’t<br />
we had to improvise the last<br />
15 months?” said Gary Walker,<br />
WBGO morning announcer<br />
and music director, as he<br />
kicked off the ninth annual<br />
Sarah Vaughan International<br />
Jazz Vocal Competition in June,<br />
after the event was postponed<br />
from its expected November<br />
2020 date by the pandemic.<br />
It was an unusual iteration<br />
of the competition, filmed on<br />
Prudential Hall’s Betty Wold<br />
Johnson stage without an<br />
audience. <strong>The</strong> program was<br />
then streamed on Facebook,<br />
with a distanced audience<br />
offering encouragement to the<br />
singers through cheerful posts<br />
full of clapping hands emojis.<br />
But most unusual of all? <strong>The</strong> top<br />
prize was shared by two young<br />
singers — the first time the<br />
competition has ended in a tie.<br />
Gabrielle Cavassa, 26, of<br />
New Orleans, and Tawanda<br />
Suessbrich-Joaquim, 25, a Las<br />
Cruces native, were named<br />
the winners. Each singer took<br />
home a $5,000 cash prize.<br />
“You’re witnessing history!” said<br />
Walker, as both singers were<br />
handed the first prize plaque.<br />
<strong>The</strong> pandemic shadowed the<br />
event in all kinds of ways,<br />
including giving a melancholy<br />
air to the songs performed.<br />
“This is a song about a feeling<br />
that I’ve had, but that I don’t<br />
know if I can express in words<br />
alone. It’s about things like love,<br />
desperation, hopelessness, fear,<br />
things that are hard to speak<br />
out loud, but with music I can,”<br />
Cavassa explained before<br />
segueing into “Never Let Me<br />
Go,” accompanying herself<br />
on guitar. She also performed<br />
“Easy to Love” and “I’ve<br />
Never Been in Love Before.”<br />
“This is a song about<br />
endurance — a skill I’ve been<br />
practicing this last year, as<br />
we all have,” said Suessbrich-<br />
Joaquim, introducing “Guess I’ll<br />
Hang My Tears Out <strong>To</strong> Dry.” She<br />
also performed “All Or Nothing<br />
At All,” and then, noting that<br />
is was “time for something<br />
sassy,” she launched into<br />
the much more cheerful “Ain’t<br />
Nobody’s Business” (originally<br />
“Tain’t Nobody’s Biz-ness if<br />
I Do”), a 1920s blues song.<br />
Twice the talent: For the first<br />
time in the history of NJPAC’s<br />
Sarah Vaughan International<br />
Jazz Vocal Competition, the<br />
2020 top prize was shared by<br />
two outstanding jazz vocalists,<br />
Tawanda Suessbrich-Joaquim<br />
and Gabrielle Cavassa.<br />
A total of four finalists,<br />
selected from more than 600<br />
submissions, performed live in<br />
front of only a handful of family<br />
members, and the competition<br />
judges, who included NJPAC’s<br />
Jazz Advisor Christian McBride,<br />
singers Carmen Lundy and<br />
Vanessa Rubin, producer Chuck<br />
Mitchell and WBGO’s interim<br />
president Robert Ottenhoff.<br />
<strong>The</strong> other two finalists who<br />
performed were Hailey Brinnel<br />
of Philadelphia, and Benny<br />
Bennack II of New York, who<br />
took third place in the contest. •<br />
26 njpac.org<br />
njpac.org 27