Report To The Community 2021
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face to face<br />
Arts education at NJPAC<br />
evolves again,<br />
with a mix of in-person,virtual and hybrid programs<br />
“We had<br />
to move<br />
forward<br />
to evolve —<br />
we’re a learning<br />
community, we<br />
reflect, learn<br />
and act accordingly”<br />
– Jennifer Tsukayama<br />
Stephen Dent, Faculty<br />
Member for Hip Hop Arts<br />
& Culture, leads students in<br />
an arts training program.<br />
When NJPAC’s Arts Education<br />
staff returned to its home base,<br />
the Center for Arts Education,<br />
in the fall of <strong>2021</strong>, they realized<br />
they had a lot of work to do.<br />
For starters, after more than<br />
a year without in-person<br />
classes, the building itself<br />
needed an overhaul.<br />
“We had to clean out and scrub<br />
down everything. <strong>The</strong> building<br />
had been empty for so long,”<br />
remembers Jennifer Tsukayama,<br />
Vice President of Arts Education.<br />
But the tidying up, while<br />
extensive — the entire Center for<br />
Arts Education was sanitized<br />
with hospital-grade cleaners,<br />
reorganized, painted, had HEPA<br />
air purifiers installed in every room<br />
and had needlepoint bipolar<br />
ionization systems installed in<br />
all its HVAC units — was only the<br />
prelude to the work Tsukayama<br />
and her team did in transforming<br />
NJPAC’s education programs<br />
themselves, to incorporate both<br />
the lessons learned over 18 months<br />
of virtual teaching and an<br />
expanded focus on redeveloping<br />
the Arts Center’s education<br />
programs to nurture students<br />
with trauma-informed, healingcentered,<br />
anti-racist and culturally<br />
responsive practices, as well as<br />
student activism opportunities<br />
and the support of social workers.<br />
“We had to move forward,<br />
to evolve — we’re a learning<br />
community we reflect,<br />
learn, and act accordingly,”<br />
says Tsukayama.<br />
<strong>The</strong> first step was transitioning<br />
NJPAC’s arts training programs<br />
from a fully virtual model to a<br />
hybrid one, with some programs<br />
held in-person and some<br />
remaining online — and some<br />
continuing on both tracks.<br />
“<strong>The</strong>re were many conversations<br />
about how we were going to<br />
transition safely,” says Vicky<br />
Revesz, Senior Director of<br />
Operations for Arts Education.<br />
Just determining how many<br />
students could be accommodated<br />
in a classroom was a struggle;<br />
several programs reduced<br />
the number of participants to<br />
allow for social distancing.<br />
“But the kids were so, so ready<br />
for it. We heard it nonstop:<br />
When can we come back?<br />
When is class in-person again?<br />
<strong>The</strong>y wanted to be back in<br />
that building,” Revesz says.<br />
NJPAC’s <strong>2021</strong> summer camps,<br />
however — including the City<br />
Verses summer camp, and the<br />
Geri Allen Jazz Camp for female<br />
or nonbinary pre-professional<br />
musicians — remained virtual,<br />
allowing students from across<br />
the country and beyond to<br />
participate. Costs to attend were<br />
also kept low to accommodate<br />
families still struggling with the<br />
financial impact of the pandemic.<br />
“We had students from across<br />
the country, from different parts<br />
of the world, and we didn’t want<br />
to lose them, they’re part of our<br />
community now. At the same<br />
time, we knew we were going<br />
to be competing with outdoor<br />
camps and activities, and with<br />
Zoom fatigue, so we redesigned<br />
the summer camps again, with<br />
multiple options for participation,”<br />
Tsukayama explains.<br />
In the fall, most arts training<br />
programs returned as in-person<br />
classes and “from the moment<br />
a child walked in the door,<br />
every little detail had to be<br />
worked out. <strong>The</strong>ir whole day<br />
had to be reimagined,” says<br />
Roe Bell, Senior Manager of<br />
Schools and On-Site Programs.<br />
Entry times were staggered to<br />
prevent crowding in hallways.<br />
Students were checked into the<br />
building and into each classroom<br />
via iPad, leaving a digital record<br />
to facilitate contact tracing.<br />
<strong>The</strong>n came the logistics of<br />
teaching the arts safely — for<br />
example, figuring out how<br />
to conduct musical theater<br />
classes in which students sing<br />
together, or Jazz for Teens<br />
ensemble rehearsals, where<br />
young musicians play together<br />
on trumpets and clarinets.<br />
“We had to do a lot of research<br />
about aerosol spread,” says<br />
Revesz. “In the end we got bell<br />
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