Fallen Angel: In Memoriam Richard D’Amore

Vincent Ho
Fallen Angel: In Memoriam Richard D’Amore
Orchestra
Facsimile Study Score
PROMETHEAN EDITIONS
WELLINGTON

Vincent Ho
Fallen Angel: In Memoriam Richard D’Amore
Orchestra
Facsimile Study Score
Score version January 2008
Fallen Angel: In Memoriam Richard D’Amore was commissioned by the
Candian Council for the Arts and premiered by The Espirit Orchestra (cond.
Alex Pauk) at the Jane Mallett Theatre, Toronto, Ontario, Canada, May 2008.
This edition is a facsimile of the original score provided by the composer.
PEFVHFA
© 2010 Promethean Editions Limited
PO Box 10143
Wellington
NEW ZEALAND
www.prometheaneditions.com
+64 4 473 5033

Programme notes
The composer writes:
“This piece was inspired by the photo print, Eagle and Nude,
taken by American photographer, Richard D’Amore. Upon viewing
it, I was immediately struck by its angelic beauty. The motivation to
create my own musical representation of his print was heightened
after a chance meeting with Richard and his wife at a party in Los
Angeles. My conversation with him gave me the opportunity to know
the man behind the camera and hear what his insights were on each
of his works. After a delightful evening of creative discourse, I left the
party feeling overwhelmed with inspiration.
After a few months of productivity, I was saddened to hear
news of Richard’s tragic death. At that point the photo took on an
entirely different meaning. Though I had completed half of the
piece by then, I felt compelled to take the music on a different path.
What began as a programmatic setting (tone poem) transformed
into a spiritual journey. As news of Richard’s untimely death settled
in for me, other associations to his photo began to develop. One in
particular was J.S. Bach’s, Air in G for Strings, which kept replaying
in my mind the more I looked at it. Rather than resisting it, I decided
to incorporate certain quotes of Bach’s piece into the music. By
employing this method of musical quotation, I was able to re-create
the spiritual experience I felt as my perspective on Richard’s photo
changed.

Instrumentation
2 Flutes
2 Oboes
2 Clarinets in BÏ
2 Bassoons
4 Horns in F
2 Trumpets in BÏ
2 Trombones
Timpani
2 Percussion
Player 1: bamboo chimes, wind chimes, suspended cymbal (w/ bow),
nipple gongs, tam-tam, lion’s roar, slapstick, marimba,
temple blocks
Player 2: suspended cymbal (w/ bow), slapstick, bass drum,
vibraphone, bongos, congas, tom-toms,
Piano
Strings

Score in C
Flute 1
Flute 2
Oboe 1
Oboe 2
Clarinet in B 1
Clarinet in B 2
Bassoon 1
Bassoon 2
Horn in F 1&3
Horn in F 2&4
Trumpet in B 1
Trumpet in B 2
!"##$%&'%($#
)%&*$+,-."+&/.01"-2&34'+,-$
Commissioned by the Canada Council for the Arts for Alex Pauk and The Esprit Orchestra
Accel.
Accel.
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
Vincent Ho (2007)
*
*
*
*
*
*
**
**
**
**
A
*
*
Rit.
Rit.
Trombone 1
Trombone 2
Timpani
Percussion 1
Percussion 2
Piano
Violin I
Sus. Cym. (bow)
N.
N.
1
2
3
4
5
6
Altri
Accel.
Ped. -->
Accel.
Rit.
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
6
3 6
6
Bamboo Chimes (Strike with stick)
Slapstick
Glissando on strings; use nails.
Rit.
L.V.
Violin II
1
2
Viola
3
4
Altri
sul pont.
sul pont.
sul pont.
sul pont.
6 6 6
6 6 6
6 6 6
6 6 6
N.
N.
Ord.
1
1
1
1
2
Violoncello
3
4
Altri
3
3
3
3
3
3
Niente
Niente
Niente
Niente
3
3
3
3
1
pizz. 3
(Do not articulate)
1
pizz. 3
(Do not articulate)
1
pizz. 3
1
(Do not articulate)
pizz. 3
1
(Do not articulate)
Contrabass
3
3
Niente
Niente
*Winds: no pitch, only air; evoke a gust of wind; follow the dynamic contour of the line.
**Trp/Hn: no pitch, only air. Reverse the placement of the mouthpiece - attach its front-end with the instrument (sealing it with your hand to create a
vacuum for maximum air-flow) and blow into its tail-end. The sound created should be similar to a "gust of wind." Follow the dynamic 1 contour of the line.
3
1
1
1
pizz.
arco
©Vincent Ho 2007
1
1

2 Fallen Angel
Fl. 1
8 (Rit.)
Accel.
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
8 (Rit.)
Accel.
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
8 (Rit.)
Accel.
Accel.
Perc. 1
Perc. 2
Pno.
Vln. I
1
2
3
Vln. II
4
5
6
Altri
8
8 (Rit.)
Accel.
Sus. cym. (bow)
Sus. cym. (bow)
s.p.
s.p.
3 6
s.p.
3 6
s.p.
3 6
s.p.
3 6
s.p.
3 6
6 6 3
6 6 3
6 6 3
6 6 3
6 6 3
s.p.
s.p.
s.p.
s.p.
s.p.
*
(Do not articulate)
pizz.
s.p.
3
6
6
6
6
6
Accel.
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
Vla.
1
2
3
4
s.p.
6
6 6
s.p.
6 6
6
s.p.
6 6
6
s.p.
6 6 6
3
3
3
3
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
6
6
6
6
Altri
Vlc.
Cb.
3
arco
5
3
3
3
5
*Piano: muted string/tone (x) - With the left hand, firmly press the end(s) of the notated string(s) (as close to the bridge as possible) while playing
the notes on the keyboard with the right hand, or vice versa.

Fallen Angel
3
Fl. 1
B
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
1
2
3
4
5
6
14
A Tempo
14
pizz. 3
s.p.
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
Accel.
6 6
6 6
6 6
6 6
6 6
Rit.
Accel.
A Tempo
Altri
Vla.
Vlc.
Cb.
Ord.
3 5
3
Div.
3
3
Tutti
5

4 Fallen Angel
Fl. 1
19
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
19
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
19
Accel.
Perc. 1
Perc. 2
Pno.
Vln. I
19
19
pizz.
3
arco
1
2
3
4
5
6
Altri
Accel.
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6
s.p.
6
6 6 6
6
6
6
6
6
6
Vln. II
1
2
3
4
5
6
s.p.
s.p.
s.p.
6 6
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
6 6
6 6
6 6
6 6
6 6
Ord.
3
5
Altri
Vla.
Vlc.
Cb.
5

Fallen Angel
5
Fl. 1
C
24
A Tempo
Accel.
Molto
rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
24
A Tempo
Accel.
Molto
rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
24
A Tempo
Accel.
Molto
rit.
Perc. 1
Perc. 2
24
Pno.
Vln. I
A Tempo
24
arco
5
Accel.
3
3
Molto
rit.
3
Vln. II
3
Vla.
Vlc.
Cb.

6
Fallen Angel
Fl. 1
28
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
28
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
28
Accel.
Perc. 1
Perc. 2
28
Nipple gongs
Sus. Cym.
(bow)
Pno.
Vln. I
28
Vib.
Accel.
3
Vln. II
Vib.
3
3
Vla.
Vib.
Vlc.
3
Vib.
3
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
33
33
33
33
33
3
3
3
3
pizz.
Stand 2
Stand 3
Altri
Stand 1
Stand 2
Stand 3
Altri
D
Nipple Gongs
Div.
Stand 1
Div.
Div.
Div.
sul pont.
3
3
Div.
Div.
sul pont.
Fallen Angel
Accel.
Accel.
Accel.
Ord.
Ord.
arco
A Tempo
A Tempo
A Tempo
Gliss. lower strings
near the bridge;
use back of fingernails.
Div. a4
Grind
*
Div. Grind *
L.V.
Stand 1
Stand 2
7
Div.
Div.
Ord.
Ord.
*Vlc/Cb: press the bow on the strings forcefully to create a distorted sound (grind); no discernible pitch.

8
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
40 Accel.
40 Accel.
40 Accel.
A Tempo
A Tempo
A Tempo
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
*
*
*
*
*
*
*
*
*
*
*
*
*
*
Perc. 1
Perc. 2
40
Bass drum
Bamboo chimes
(strike with stick)
Pno.
Vln. I
40
Vln. II
Vla.
Div. a4
Vlc.
5
Cb.
*Strike music-stand with pencil (dead-stroke).

Fallen Angel
9
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
E
46 (Breath)
46
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Poco a poco rit.
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
Poco a poco rit.
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
Tb 2
"P'ahhh..."
(Breath)
Niente
Timp.
Perc. 1
46
"P'ahhh..."
Tam-tam
Niente
L.V.
Poco a poco rit.
3
Perc. 2
Vln. I
Vln. II
Vla.
Pno.
Vlc.
Cb.
46
46
(Palm cluster at
base of keybaord)
Ricochet (fast)
Ricochet (fast)
(finish independently)
Ricochet (fast)
Ricochet (fast)
(finish independently)
L.V.
Poco a poco rit.
("Seagull" effect)
*
Ad lib. On any string.
Ad lib.
Senza vib.
Senza vib.
Senza vib.
Div.
Senza vib.
Senza vib.
3
3
3
Div.
Senza vib.
Div.
*
("Seagull" effect)
Sul G
*Vla/Vlc: "Seagull effect" - maintain the same stopped-3rd/4th interval that was started with throughout the glissando.
Do not synchronize with one another (play in different tempos and durations). The resulting sound should be
"flock of seagulls."

10
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Div.
Vln. II
Vla.
Vlc.
Cb.
53
53
53
53
53
F
Sul D
(Like a crow)
3 5
N.
3
N.
Reverse mouthpiece's position
Reverse mouthpiece's position
N.

Fallen Angel
11
Fl. 1
(Airy, like a quick breath)
59
3
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
(Airy, like a quick breath)
(Airy, like a quick breath)
(Like a crow)
3
3
3 5
3
(A crow's "caw")
3
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
a2
59
N.
Reverse mouthpiece's position
N.
Reverse mouthpiece's position
a2
N.
N.
N.
N.
Tb 2
Timp.
59
Perc. 1
Perc. 2
Sus. Cym.
(fingertips)
3 3
"mf"
(=mp)
3
3
L.V.
59
Pno.
Vln. I
Div.
Vln. II
Div.
Vla.
59
Div.
N.
N.
*
Ad lib.
Sul A
Sul E
Tutti
Sul E
Vlc.
Cb.
*Violin I: "Sea-gull" effect - see note on page 8.

12
Fallen Angel
Fl. 1
64
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
64
3 5
3
3
3
3
3
N.
N.
N.
N.
Tb 2
Timp.
64
Perc. 1
Sus. Cym.
(fingertips)
3
3
Perc. 2
"mf"
(=mp)
Pno.
Vln. I
Vln. II
64
64
(finish independently)
(finish independently)
Div.
Div.
Vla.
(finish independently)
Div.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
69
69
69
69
69
5
3 5
Sus. Cym.
(bow)
3
5
3 5
Fallen Angel
Non-div.
5
3 5
13
5
5

14
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
75
3
3
("squawk")
("squawk")
3
3
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
75
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
75
75
75
pizz.
Div.
Bamboo chimes
Slapstick
arco
Tutti
Vln. II
pizz.
Div.
arco
Tutti
Vla.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Div.
Vln. II
Vla.
Vlc.
Cb.
81
81
81
81
Sus. Cym.
(fingertips)
81
3
"mf"
3
3
G
Fallen Angel
3 5
3
3 5
3
5
(bow)
Sus. Cym.
Sul
A
Div.
Div.
Sul E
15
3
3
3

16
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Accel.
87
5
87 Accel.
3
3
3
3
3
3
3
Rit.
Soli
3
Rit.
sfmp
Fallen Angel
Soli
3
Poco accel.
3
Poco accel.
Hn. 2&4
B Tpt. 1
sfmp
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
87 Accel.
Nipple gongs
(beaters)
Rit.
N.
*
Poco accel.
Perc. 2
87
Gliss. lower strings near the
Pno.
Vln. I
Div.
Vln. II
87
bridge; use thumb (flesh)
L.V.
Use flesh of fingers
Vla.
Non-div.
pizz.
arco
Vlc.
Cb.
*Timpani: tune to the lowest, indiscernible pitch.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vlc.
Vla.
1
2
3
4
Altri
Cb.
93
93 (Poco accel.)
93 (Poco accel.)
93
93
(Poco accel.)
3
3
Rit.
Rit.
Rit.
Sus cym.
Bass drum
Fallen Angel
(bow)
3
3
Accel.
3
Accel.
Accel.
3
3
3
17
L.V.
3
3
3

18
Fallen Angel
Fl. 1
H
100
Accel.
Fl. 2
Ob. 1
5
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
Solo
100
3
3
Accel.
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
100
Lion's roar
Accel.
Perc. 2
100
Pno.
Vln. I
100 Div.
Gliss. lower strings
Accel.
Vln. II
Div.
Vla.
Div.
Vlc.
Div. a4
Cb.
Div.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
Fallen Angel
(Accel.) Rit.
Rit. Accel.
105
3
3
3
3
3
3
5
105
Rit.
Accel.
Straight mute
Straight mute
Straight mute
Senza sord.
105
Straight mute
Senza sord.
(Accel.) Rit.
105
Rit.
Accel.
Sus. Cym
N.
(bow)
Nipple gongs
Bass drum
105
L.V.
Rit. Accel.
105 (Accel.)
Rit.
3
3
Non-div.
arco
pizz.
3
1
2
3
4
Altri
3
19

20
Fallen Angel
Fl. 1
I
112
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
112
Straight mute
Straight mute
Tb 2
Timp.
Perc. 1
112
Lion's roar
Perc. 2
112
Pno.
Vln. I
L.V.
112
3
Vln. II
3
Vla.
3
Vlc.
Div. a4
Cb.

Fallen Angel
21
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
117
(Airy; random fingering)
(Airy; random fingering)
(Air only; a gust of wind)
(Air only; a gust of wind)
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
117
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
117
Lion's roar
117
117 Div.
Slapstick
Glissando on strings; use nails.
L.V.
Vln. II
Div.
Vla.
Div.
Div.
Vlc.
Stand 1
Stand 2
Cb.

22
Fallen Angel
Fl. 1
123
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
123
(Re-attach mouthpiece)
3
3
(Optional: 1/2 tone trill)
(Optional: 1/2 tone trill)
Hn. 2&4
(Re-attach mouthpiece)
B Tpt. 1
(Re-attach mouthpiece)
Senza sord.
B Tpt. 2
(Re-attach mouthpiece)
Senza sord.
Tb 1
Tb 2
Timp.
Perc. 1
123
Sus. Cym.
Perc. 2
123
Pno.
Vln. I
123
Vln. II
Div.
Vla.
Vlc.
Cb.

Fallen Angel
23
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
128
128
J
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
128
Slapstick
Perc. 2
Pno.
Vln. I
128
128
Vln. II
Vla.
Vlc.
Cb.

24
Fallen Angel
Fl. 1
133
Poco accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
133
Poco accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
133
Sus. Cym.
Poco accel.
Perc. 2
133
Pno.
Vln. I
133
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
25
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
K
138
138
138
(stop)
Slapstick
138
138
Div.
Div.
Take slapstick
from Percussion II
Slapstick
Quickly pass the
slapstick to Percussion I

26
Fallen Angel
Fl. 1
L
144
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
144
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Soli
Soli
144
3
3
3
3
5
3
Perc. 2
Pno.
Vln. I
Bass drum
144
144
L.V.
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
27
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
149
149
149
149
149
Rip
Rip
Marimba
Xylophone

28
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
154
154
154
154
154
5
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
29
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
159
159
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
159
159
159
Vln. II
Vla.
Vlc.
Cb.

30
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
164
164
Fallen Angel
M
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
164
164
164
3
3
3
3
Vla.
Vlc.
Cb.

Fallen Angel
31
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
168
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
168
168
Rip
Rip
Perc. 2
168
Pno.
Vln. I
168
Vln. II
Vla.
Vlc.
Cb.

32
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
172
172
172
Sus. Cym.
172
Pno.
Vln. I
172
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
33
Fl. 1
Fl. 2
177
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
177
Timp.
Perc. 1
177
Perc. 2
177
Pno.
Vln. I
177
Vln. II
Vla.
Vlc.
Cb.

34
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
N
181
181
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
181
MRB.
(HARD mallets)
VIB.
(HARD mallets)
secco
181
181
Vla.
Vlc.
pizz.
Cb.
pizz.

Fallen Angel
35
Fl. 1
186
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
186
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
186
186