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Fallen Angel: In Memoriam Richard D’Amore

by Vincent Ho | Orchestra

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Vincent Ho

Fallen Angel: In Memoriam Richard D’Amore

Orchestra

Facsimile Study Score

PROMETHEAN EDITIONS

WELLINGTON


Vincent Ho

Fallen Angel: In Memoriam Richard D’Amore

Orchestra

Facsimile Study Score

Score version January 2008

Fallen Angel: In Memoriam Richard D’Amore was commissioned by the

Candian Council for the Arts and premiered by The Espirit Orchestra (cond.

Alex Pauk) at the Jane Mallett Theatre, Toronto, Ontario, Canada, May 2008.

This edition is a facsimile of the original score provided by the composer.

PEFVHFA

© 2010 Promethean Editions Limited

PO Box 10143

Wellington

NEW ZEALAND

www.prometheaneditions.com

+64 4 473 5033


Programme notes

The composer writes:

“This piece was inspired by the photo print, Eagle and Nude,

taken by American photographer, Richard D’Amore. Upon viewing

it, I was immediately struck by its angelic beauty. The motivation to

create my own musical representation of his print was heightened

after a chance meeting with Richard and his wife at a party in Los

Angeles. My conversation with him gave me the opportunity to know

the man behind the camera and hear what his insights were on each

of his works. After a delightful evening of creative discourse, I left the

party feeling overwhelmed with inspiration.

After a few months of productivity, I was saddened to hear

news of Richard’s tragic death. At that point the photo took on an

entirely different meaning. Though I had completed half of the

piece by then, I felt compelled to take the music on a different path.

What began as a programmatic setting (tone poem) transformed

into a spiritual journey. As news of Richard’s untimely death settled

in for me, other associations to his photo began to develop. One in

particular was J.S. Bach’s, Air in G for Strings, which kept replaying

in my mind the more I looked at it. Rather than resisting it, I decided

to incorporate certain quotes of Bach’s piece into the music. By

employing this method of musical quotation, I was able to re-create

the spiritual experience I felt as my perspective on Richard’s photo

changed.


Instrumentation

2 Flutes

2 Oboes

2 Clarinets in BÏ

2 Bassoons

4 Horns in F

2 Trumpets in BÏ

2 Trombones

Timpani

2 Percussion

Player 1: bamboo chimes, wind chimes, suspended cymbal (w/ bow),

nipple gongs, tam-tam, lion’s roar, slapstick, marimba,

temple blocks

Player 2: suspended cymbal (w/ bow), slapstick, bass drum,

vibraphone, bongos, congas, tom-toms,

Piano

Strings


Score in C


Flute 1

Flute 2

Oboe 1

Oboe 2

Clarinet in B 1

Clarinet in B 2

Bassoon 1

Bassoon 2

Horn in F 1&3

Horn in F 2&4

Trumpet in B 1

Trumpet in B 2
























































!"##$%&'%($#

)%&*$+,-."+&/.01"-2&34'+,-$

Commissioned by the Canada Council for the Arts for Alex Pauk and The Esprit Orchestra

Accel.
































Accel.


(Reverse mouthpiece's position)


(Reverse mouthpiece's position)


(Reverse mouthpiece's position)


(Reverse mouthpiece's position)


Vincent Ho (2007)

*

*

*

*

*

*

**

**

**

**

A

*

*

Rit.


























Rit.
























Trombone 1









Trombone 2









Timpani

Percussion 1

Percussion 2

Piano

Violin I


































Sus. Cym. (bow)





N.

















N.







1

2

3

4

5

6

Altri








Accel.






Ped. -->

Accel.



Rit.



sul pont.

Ord.








3 6 6 6

sul pont.


Ord.







3 6 6 6

sul pont.


Ord.








3 6 6 6

sul pont.


Ord.











3 6 6 6

sul pont.


Ord.




6






3 6

6






Bamboo Chimes (Strike with stick)

Slapstick

Glissando on strings; use nails.

Rit.















L.V.



Violin II

1

2

Viola

3

4

Altri










































sul pont.


sul pont.


sul pont.


sul pont.














6 6 6












6 6 6














6 6 6



















6 6 6


N.

N.











Ord.

















1

1

1







1

2

Violoncello

3

4

Altri

3






3







3




3











3



3







Niente


Niente


Niente


Niente









3





3





3






3













1



pizz. 3







(Do not articulate)


1




pizz. 3







(Do not articulate)


1



pizz. 3









1


(Do not articulate)



pizz. 3







1


(Do not articulate)



Contrabass


3





3








Niente


Niente

*Winds: no pitch, only air; evoke a gust of wind; follow the dynamic contour of the line.

**Trp/Hn: no pitch, only air. Reverse the placement of the mouthpiece - attach its front-end with the instrument (sealing it with your hand to create a



vacuum for maximum air-flow) and blow into its tail-end. The sound created should be similar to a "gust of wind." Follow the dynamic 1 contour of the line.



3







1


1

1


pizz.







arco



©Vincent Ho 2007

1

1


2 Fallen Angel

Fl. 1

8 (Rit.)


Accel.







Accel.



Fl. 2








Ob. 1








Ob. 2








B Cl. 1








B Cl. 2








Bsn. 1








Bsn. 2

Hn. 1&3


8 (Rit.)



Accel.










Accel.




Hn. 2&4








B Tpt. 1








B Tpt. 2








Tb 1








Tb 2








Timp.

8 (Rit.)


Accel.







Accel.



Perc. 1

Perc. 2

Pno.

Vln. I

1

2

3

Vln. II

4

5

6

Altri



8







8 (Rit.)













Accel.










Sus. cym. (bow)


Sus. cym. (bow)








s.p.




s.p.





3 6


s.p.




3 6


s.p.




3 6


s.p.




3 6


s.p.






3 6











6 6 3






6 6 3







6 6 3








6 6 3














6 6 3




s.p.

s.p.

s.p.

s.p.

s.p.





*



(Do not articulate)

pizz.





s.p.







3











6





6





6





6






6





Accel.










6 6 6






6 6 6







6 6 6









6 6 6










6 6 6






Vla.

1

2

3

4













s.p.







6


6 6

s.p.



6 6

6



s.p.







6 6


6


s.p.









6 6 6




3




3




3



3


s.p.




6 6



s.p.




6 6



s.p.





6 6



s.p.






6 6









6




6




6




6






Altri








Vlc.

Cb.





3


arco














5



3




3


3

















5

*Piano: muted string/tone (x) - With the left hand, firmly press the end(s) of the notated string(s) (as close to the bridge as possible) while playing

the notes on the keyboard with the right hand, or vice versa.


Fallen Angel

3

Fl. 1

B

A Tempo

14



Accel.



Rit.


Accel.



A Tempo



Fl. 2







Ob. 1







Ob. 2







B Cl. 1







B Cl. 2







Bsn. 1







Bsn. 2

Hn. 1&3


A Tempo

14




Accel.




Rit.



Accel.





A Tempo



Hn. 2&4







B Tpt. 1







B Tpt. 2







Tb 1







Tb 2







Timp.

A Tempo

14



Accel.



Rit.


Accel.



A Tempo



Perc. 1










Perc. 2







Pno.

Vln. I

Vln. II

1

2

3

4

5

6

14





A Tempo

14

pizz. 3






s.p.






s.p.







6 6


s.p.







6 6


s.p.





6 6



s.p.





6 6



s.p.





6 6


Accel.












6 6






6 6








6 6









6 6










6 6



Rit.










Accel.













A Tempo









Altri







Vla.

Vlc.

Cb.



Ord.






















3 5













3



Div.


3












3






Tutti




5


4 Fallen Angel

Fl. 1

19





Accel.




Fl. 2







Ob. 1







Ob. 2







B Cl. 1







B Cl. 2







Bsn. 1







Bsn. 2







Hn. 1&3

19





Accel.




Hn. 2&4







B Tpt. 1







B Tpt. 2







Tb 1







Tb 2







Timp.

19





Accel.




Perc. 1

Perc. 2



















Pno.

Vln. I

19



19





pizz.




3












arco

1

2

3

4

5

6

Altri


Accel.

s.p.



6 6 6




s.p.









6 6 6



s.p.










6 6 6



s.p.














6 6 6



s.p.












6 6



s.p.









6



6 6 6







6





6





6





6





6





6












Vln. II

1

2

3

4

5

6


















s.p.

s.p.

s.p.

6 6





6 6




s.p.

6 6




s.p.

6 6




s.p.


6 6









6 6







6 6









6 6









6 6









6 6




Ord.

3

5
















Altri




Vla.

Vlc.

Cb.























































5


Fallen Angel

5

Fl. 1

C

24


A Tempo



Accel.




Molto

rit.


Fl. 2






Ob. 1






Ob. 2






B Cl. 1






B Cl. 2






Bsn. 1






Bsn. 2

Hn. 1&3


24


A Tempo




Accel.






Molto

rit.



Hn. 2&4






B Tpt. 1






B Tpt. 2






Tb 1






Tb 2

Timp.


24


A Tempo




Accel.






Molto

rit.



Perc. 1






Perc. 2






24






Pno.

Vln. I


A Tempo

24

arco




5



Accel.




3













3








Molto

rit.





3



Vln. II





















3



Vla.



















Vlc.










Cb.


6

Fallen Angel

Fl. 1

28







Accel.


Fl. 2








Ob. 1








Ob. 2








B Cl. 1








B Cl. 2








Bsn. 1







Bsn. 2








Hn. 1&3

28







Accel.


Hn. 2&4








B Tpt. 1








B Tpt. 2








Tb 1







Tb 2








Timp.

28






Accel.


Perc. 1

Perc. 2



28






Nipple gongs













Sus. Cym.

(bow)









Pno.

Vln. I




28















Vib.



Accel.



3


Vln. II

















Vib.


3




3

Vla.














Vib.





Vlc.





3






Vib.


3





Cb.


Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.


33















33











33







33






33





3







3







3







3






























pizz.




























Stand 2

Stand 3

Altri

Stand 1





Stand 2

Stand 3

Altri









D

Nipple Gongs

Div.

Stand 1

Div.

Div.


Div.


sul pont.

3



3




Div.





Div.
















sul pont.



































Fallen Angel
































































Accel.

Accel.

Accel.




Ord.


Ord.











































arco

A Tempo










A Tempo



A Tempo



Gliss. lower strings

near the bridge;

use back of fingernails.



















Div. a4

Grind

*








Div. Grind *



L.V.







Stand 1

Stand 2

7





















Div.


Div.








Ord.





Ord.





*Vlc/Cb: press the bow on the strings forcefully to create a distorted sound (grind); no discernible pitch.


8

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

40 Accel.
















40 Accel.












40 Accel.




















A Tempo










A Tempo








A Tempo


















Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil

Take pencil






























*




*



*



*



*



*



*



*



*



*



*



*



*



*


















Perc. 1

Perc. 2



40












Bass drum








Bamboo chimes

(strike with stick)















Pno.

Vln. I





40





































Vln. II

























Vla.

Div. a4

Vlc.











5
























































Cb.































*Strike music-stand with pencil (dead-stroke).


Fallen Angel

9

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

E


46 (Breath)









46






"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

"P'ahhh..."



(Breath)

Niente

Niente

Niente

Niente

Niente

Niente

Niente

Niente

Niente

Niente

Niente

Niente














Poco a poco rit.

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)

Poco a poco rit.

(Back to instrument)

(Back to instrument)

(Back to instrument)

(Back to instrument)


















































































Tb 2


"P'ahhh..."



(Breath)

Niente








Timp.

Perc. 1


46





"P'ahhh..."

Tam-tam




Niente

L.V.


Poco a poco rit.






3















Perc. 2

Vln. I

Vln. II

Vla.

Pno.

Vlc.

Cb.


46




46










(Palm cluster at

base of keybaord)



Ricochet (fast)




Ricochet (fast)

(finish independently)




Ricochet (fast)




Ricochet (fast)







(finish independently)







L.V.

Poco a poco rit.






("Seagull" effect)

*

Ad lib. On any string.







Ad lib.






























Senza vib.



Senza vib.








Senza vib.


Div.




Senza vib.





Senza vib.

3















3






3


Div.




Senza vib.















Div.



*

("Seagull" effect)

Sul G












*Vla/Vlc: "Seagull effect" - maintain the same stopped-3rd/4th interval that was started with throughout the glissando.

Do not synchronize with one another (play in different tempos and durations). The resulting sound should be

"flock of seagulls."


10

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Div.

Vln. II

Vla.

Vlc.

Cb.

53









53







53




53



53





























































































F












Sul D


























(Like a crow)












































3 5






















N.
















3

N.











Reverse mouthpiece's position



Reverse mouthpiece's position











N.


Fallen Angel

11

Fl. 1

(Airy, like a quick breath)

59











3






Fl. 2







Ob. 1







Ob. 2







B Cl. 1

B Cl. 2

Bsn. 1






(Airy, like a quick breath)


























(Airy, like a quick breath)












(Like a crow)












3

3









3 5




3

(A crow's "caw")






3

Bsn. 2







Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

a2

59









N.

Reverse mouthpiece's position


N.


Reverse mouthpiece's position







a2












N.

N.





N.

N.
















Tb 2







Timp.

59







Perc. 1

Perc. 2



Sus. Cym.

(fingertips)


3 3

"mf"

(=mp)



3

3


L.V.







59







Pno.

Vln. I

Div.

Vln. II

Div.

Vla.



59










Div.

















N.

N.











*







Ad lib.

Sul A








Sul E





Tutti
















Sul E











Vlc.













Cb.










*Violin I: "Sea-gull" effect - see note on page 8.


12

Fallen Angel

Fl. 1

64








Fl. 2








Ob. 1








Ob. 2








B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1








64









3 5





















3


















3















3

3
































3






















N.

N.






N.

N.



Tb 2








Timp.

64








Perc. 1







Sus. Cym.

(fingertips)



3

3

Perc. 2







"mf"

(=mp)


Pno.

Vln. I

Vln. II

64



64

















(finish independently)





(finish independently)













Div.


Div.






















Vla.




(finish independently)






Div.










Vlc.











Cb.


Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

69









69







69




69














69









5











3 5



















Sus. Cym.




(bow)










































3







5






3 5



















Fallen Angel


















Non-div.





5







































3 5























13





5













5


14

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

75























3

3










("squawk")



("squawk")

























































3


3

























































Bsn. 2







Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

75













Reverse mouthpiece's position

Reverse mouthpiece's position

Reverse mouthpiece's position

Reverse mouthpiece's position







(Air only; a gust of wind)



(Air only; a gust of wind)


(Air only; a gust of wind)




(Air only; a gust of wind)








(Re-attach mouthpiece)


(Re-attach mouthpiece)


(Re-attach mouthpiece)


(Re-attach mouthpiece)


Tb 1







Tb 2







Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

75

75

75




























pizz.

Div.





















Bamboo chimes

Slapstick








arco

Tutti






























Vln. II






pizz.

Div.





arco

Tutti





Vla.













Vlc.















Cb.


Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Div.

Vln. II

Vla.

Vlc.

Cb.

81












81







81




81

Sus. Cym.

(fingertips)



81










3

"mf"
























3






















3

G

Fallen Angel










3 5









3

















3 5

3

5











(bow)

Sus. Cym.











Sul


A













Div.
















Div.














Sul E



15









3









3




3


16

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Accel.

87















5

87 Accel.





3



















3


3

3









3

3






3








Rit.














Soli

3



















Rit.


sfmp

Fallen Angel




Soli

3





























Poco accel.









3




Poco accel.



















Hn. 2&4

B Tpt. 1









sfmp










B Tpt. 2








Tb 1








Tb 2








Timp.

Perc. 1

87 Accel.






Nipple gongs

(beaters)


Rit.




N.





*




Poco accel.






Perc. 2








87








Gliss. lower strings near the

Pno.

Vln. I

Div.

Vln. II





87












bridge; use thumb (flesh)






L.V.



Use flesh of fingers



























Vla.




Non-div.

pizz.








arco




Vlc.

Cb.















































*Timpani: tune to the lowest, indiscernible pitch.


Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vlc.

Vla.

1

2

3

4

Altri

Cb.

93

















93 (Poco accel.)














93 (Poco accel.)








93







93





























(Poco accel.)












3





































3
































Rit.


Rit.

Rit.










































Sus cym.

Bass drum




Fallen Angel




(bow)






3


3































Accel.









3





Accel.


Accel.
















3































3











3




































17





































L.V.








3





3










3


18

Fallen Angel

Fl. 1

H

100







Accel.


Fl. 2







Ob. 1






5









Ob. 2







B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

Solo























100






























































3

3





Accel.













B Tpt. 1







B Tpt. 2







Tb 1







Tb 2







Timp.

Perc. 1


100








Lion's roar











Accel.



Perc. 2


100















Pno.

Vln. I





100 Div.














Gliss. lower strings





















Accel.


Vln. II


Div.



















Vla.


Div.





















Vlc.

Div. a4

Cb.
































Div.


Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1

Hn. 2

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

Fallen Angel

(Accel.) Rit.


Rit. Accel.

105

































3





3

















3




























3

3




























3










5





























105





Rit.




Accel.























Straight mute











Straight mute










Straight mute



Senza sord.





105

Straight mute






Senza sord.






(Accel.) Rit.


105


Rit.

Accel.









Sus. Cym

N.

(bow)

Nipple gongs












Bass drum








105






L.V.












Rit. Accel.


105 (Accel.)

Rit.












3















3




Non-div.

arco

pizz.














3





1















2










3










4









Altri


















3







19


20

Fallen Angel

Fl. 1

I

112








Fl. 2








Ob. 1

Ob. 2

B Cl. 1

B Cl. 2






































































Bsn. 1








Bsn. 2








Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1


112




























Straight mute




Straight mute








































Tb 2







Timp.

Perc. 1

112





Lion's roar

















Perc. 2






112
















Pno.

Vln. I

L.V.







112




















3



Vln. II


















3






Vla.



























3




Vlc.

Div. a4

Cb.


Fallen Angel

21

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

117























































































































(Airy; random fingering)











(Airy; random fingering)









(Air only; a gust of wind)



(Air only; a gust of wind)






















Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1


117



























































Reverse mouthpiece's position

Reverse mouthpiece's position

Reverse mouthpiece's position

Reverse mouthpiece's position

















(Air only; a gust of wind)

(Air only; a gust of wind)



(Air only; a gust of wind)






(Air only; a gust of wind)











Tb 2








Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

117





Lion's roar










117










117 Div.



















































Slapstick

Glissando on strings; use nails.




















L.V.





Vln. II

Div.






















Vla.

Div.

























Div.






Vlc.

Stand 1

Stand 2

Cb.


22

Fallen Angel

Fl. 1

123







Fl. 2







Ob. 1







Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3















123













(Re-attach mouthpiece)



























3

3
















































(Optional: 1/2 tone trill)

(Optional: 1/2 tone trill)








































Hn. 2&4


(Re-attach mouthpiece)






B Tpt. 1


(Re-attach mouthpiece)


Senza sord.





B Tpt. 2


(Re-attach mouthpiece)


Senza sord.





Tb 1







Tb 2







Timp.

Perc. 1

123
























Sus. Cym.






































Perc. 2







123







Pno.







Vln. I

123









Vln. II

Div.


















































Vla.







































Vlc.





































Cb.


Fallen Angel

23

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

128






















128



















J














































































































































Hn. 2&4







B Tpt. 1







B Tpt. 2







Tb 1







Tb 2







Timp.

Perc. 1

128
































Slapstick





































Perc. 2







Pno.

Vln. I

128



128






















































Vln. II








































Vla.















































Vlc.





































Cb.


24

Fallen Angel

Fl. 1

133












Poco accel.










Fl. 2





















Ob. 1





















Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3






133
















































































Poco accel.








































Hn. 2&4









B Tpt. 1








B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1




133









































Sus. Cym.







Poco accel.

























Perc. 2







133















Pno.

Vln. I





133





























Vln. II











































Vla.




































Vlc.



















































Cb.


Fallen Angel

25

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

K



138






















































138


























138







(stop)






Slapstick






138











138
















Div.











Div.

























































































Take slapstick

from Percussion II

Slapstick



Quickly pass the


slapstick to Percussion I


26

Fallen Angel

Fl. 1

L

144







Fl. 2







Ob. 1







Ob. 2







B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3















144



































































































Hn. 2&4







B Tpt. 1










B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1


Soli




Soli




144

















3

3


























3





3



















5


















3
















Perc. 2

Pno.

Vln. I

Bass drum




144









144




L.V.


























Vln. II




















Vla.






























Vlc.





























Cb.


Fallen Angel

27

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

149









149







149




149



149





















































































Rip



Rip















































































































































































Marimba








Xylophone


28

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I


154

































154













154

























154










154











5
































































































































































































Vln. II

























Vla.






























Vlc.
























Cb.


Fallen Angel

29

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

159

























































159








































































































































B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I







159





















159













159





















































































































Vln. II


































Vla.

























Vlc.
























Cb.


30

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

164









164




































































Fallen Angel


M














































































Hn. 2&4

B Tpt. 1

























B Tpt. 2






Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II



164





164



164























































3






































3






































3


3






Vla.





















Vlc.























Cb.


Fallen Angel

31

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

168





























































































































Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1


168






















168





Rip

Rip





















































































































































Perc. 2






168






Pno.






Vln. I

168
























Vln. II






























Vla.
































Vlc.



























Cb.


32

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

172














































































































































































































172
































































































































172















Sus. Cym.











































































172







Pno.

Vln. I


172












































Vln. II




































Vla.


































Vlc.





































Cb.


Fallen Angel

33

Fl. 1

Fl. 2




177










































Ob. 1




















Ob. 2


















B Cl. 1


















B Cl. 2



















Bsn. 1


















Bsn. 2




















Hn. 1&3

Hn. 2&4

B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

177
















































































Timp.

Perc. 1

177

















































Perc. 2






177






Pno.

Vln. I





177















Vln. II



















Vla.













Vlc.
















Cb.


34

Fallen Angel

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B Cl. 1

B Cl. 2

Bsn. 1

Bsn. 2

Hn. 1&3

N

181









181



















































































































Hn. 2&4







B Tpt. 1

B Tpt. 2

Tb 1

Tb 2

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II





181






MRB.

(HARD mallets)



VIB.



(HARD mallets)

secco








181














181

























































































































































Vla.











Vlc.








pizz.













Cb.







pizz.


Fallen Angel

35

Fl. 1

186








Fl. 2








Ob. 1








Ob. 2








B Cl. 1








B Cl. 2








Bsn. 1

Bsn. 2

Hn. 1&3




186































Hn. 2&4








B Tpt. 1








B Tpt. 2








Tb 1







Tb 2







Timp.

Perc. 1

Perc. 2

Pno.

186





















186