Fallen Angel: In Memoriam Richard D’Amore

Vincent Ho
Fallen Angel: In Memoriam Richard D’Amore
Orchestra
Facsimile Study Score
PROMETHEAN EDITIONS
WELLINGTON

Vincent Ho
Fallen Angel: In Memoriam Richard D’Amore
Orchestra
Facsimile Study Score
Score version January 2008
Fallen Angel: In Memoriam Richard D’Amore was commissioned by the
Candian Council for the Arts and premiered by The Espirit Orchestra (cond.
Alex Pauk) at the Jane Mallett Theatre, Toronto, Ontario, Canada, May 2008.
This edition is a facsimile of the original score provided by the composer.
PEFVHFA
© 2010 Promethean Editions Limited
PO Box 10143
Wellington
NEW ZEALAND
www.prometheaneditions.com
+64 4 473 5033

Programme notes
The composer writes:
“This piece was inspired by the photo print, Eagle and Nude,
taken by American photographer, Richard D’Amore. Upon viewing
it, I was immediately struck by its angelic beauty. The motivation to
create my own musical representation of his print was heightened
after a chance meeting with Richard and his wife at a party in Los
Angeles. My conversation with him gave me the opportunity to know
the man behind the camera and hear what his insights were on each
of his works. After a delightful evening of creative discourse, I left the
party feeling overwhelmed with inspiration.
After a few months of productivity, I was saddened to hear
news of Richard’s tragic death. At that point the photo took on an
entirely different meaning. Though I had completed half of the
piece by then, I felt compelled to take the music on a different path.
What began as a programmatic setting (tone poem) transformed
into a spiritual journey. As news of Richard’s untimely death settled
in for me, other associations to his photo began to develop. One in
particular was J.S. Bach’s, Air in G for Strings, which kept replaying
in my mind the more I looked at it. Rather than resisting it, I decided
to incorporate certain quotes of Bach’s piece into the music. By
employing this method of musical quotation, I was able to re-create
the spiritual experience I felt as my perspective on Richard’s photo
changed.

Instrumentation
2 Flutes
2 Oboes
2 Clarinets in BÏ
2 Bassoons
4 Horns in F
2 Trumpets in BÏ
2 Trombones
Timpani
2 Percussion
Player 1: bamboo chimes, wind chimes, suspended cymbal (w/ bow),
nipple gongs, tam-tam, lion’s roar, slapstick, marimba,
temple blocks
Player 2: suspended cymbal (w/ bow), slapstick, bass drum,
vibraphone, bongos, congas, tom-toms,
Piano
Strings

Score in C
Flute 1
Flute 2
Oboe 1
Oboe 2
Clarinet in B 1
Clarinet in B 2
Bassoon 1
Bassoon 2
Horn in F 1&3
Horn in F 2&4
Trumpet in B 1
Trumpet in B 2
!"##$%&'%($#
)%&*$+,-."+&/.01"-2&34'+,-$
Commissioned by the Canada Council for the Arts for Alex Pauk and The Esprit Orchestra
Accel.
Accel.
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
Vincent Ho (2007)
*
*
*
*
*
*
**
**
**
**
A
*
*
Rit.
Rit.
Trombone 1
Trombone 2
Timpani
Percussion 1
Percussion 2
Piano
Violin I
Sus. Cym. (bow)
N.
N.
1
2
3
4
5
6
Altri
Accel.
Ped. -->
Accel.
Rit.
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
3 6 6 6
sul pont.
Ord.
6
3 6
6
Bamboo Chimes (Strike with stick)
Slapstick
Glissando on strings; use nails.
Rit.
L.V.
Violin II
1
2
Viola
3
4
Altri
sul pont.
sul pont.
sul pont.
sul pont.
6 6 6
6 6 6
6 6 6
6 6 6
N.
N.
Ord.
1
1
1
1
2
Violoncello
3
4
Altri
3
3
3
3
3
3
Niente
Niente
Niente
Niente
3
3
3
3
1
pizz. 3
(Do not articulate)
1
pizz. 3
(Do not articulate)
1
pizz. 3
1
(Do not articulate)
pizz. 3
1
(Do not articulate)
Contrabass
3
3
Niente
Niente
*Winds: no pitch, only air; evoke a gust of wind; follow the dynamic contour of the line.
**Trp/Hn: no pitch, only air. Reverse the placement of the mouthpiece - attach its front-end with the instrument (sealing it with your hand to create a
vacuum for maximum air-flow) and blow into its tail-end. The sound created should be similar to a "gust of wind." Follow the dynamic 1 contour of the line.
3
1
1
1
pizz.
arco
©Vincent Ho 2007
1
1

2 Fallen Angel
Fl. 1
8 (Rit.)
Accel.
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
8 (Rit.)
Accel.
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
8 (Rit.)
Accel.
Accel.
Perc. 1
Perc. 2
Pno.
Vln. I
1
2
3
Vln. II
4
5
6
Altri
8
8 (Rit.)
Accel.
Sus. cym. (bow)
Sus. cym. (bow)
s.p.
s.p.
3 6
s.p.
3 6
s.p.
3 6
s.p.
3 6
s.p.
3 6
6 6 3
6 6 3
6 6 3
6 6 3
6 6 3
s.p.
s.p.
s.p.
s.p.
s.p.
*
(Do not articulate)
pizz.
s.p.
3
6
6
6
6
6
Accel.
6 6 6
6 6 6
6 6 6
6 6 6
6 6 6
Vla.
1
2
3
4
s.p.
6
6 6
s.p.
6 6
6
s.p.
6 6
6
s.p.
6 6 6
3
3
3
3
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
6
6
6
6
Altri
Vlc.
Cb.
3
arco
5
3
3
3
5
*Piano: muted string/tone (x) - With the left hand, firmly press the end(s) of the notated string(s) (as close to the bridge as possible) while playing
the notes on the keyboard with the right hand, or vice versa.

Fallen Angel
3
Fl. 1
B
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
A Tempo
14
Accel.
Rit.
Accel.
A Tempo
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
1
2
3
4
5
6
14
A Tempo
14
pizz. 3
s.p.
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
Accel.
6 6
6 6
6 6
6 6
6 6
Rit.
Accel.
A Tempo
Altri
Vla.
Vlc.
Cb.
Ord.
3 5
3
Div.
3
3
Tutti
5

4 Fallen Angel
Fl. 1
19
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
19
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
19
Accel.
Perc. 1
Perc. 2
Pno.
Vln. I
19
19
pizz.
3
arco
1
2
3
4
5
6
Altri
Accel.
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6 6
s.p.
6 6
s.p.
6
6 6 6
6
6
6
6
6
6
Vln. II
1
2
3
4
5
6
s.p.
s.p.
s.p.
6 6
6 6
s.p.
6 6
s.p.
6 6
s.p.
6 6
6 6
6 6
6 6
6 6
6 6
Ord.
3
5
Altri
Vla.
Vlc.
Cb.
5

Fallen Angel
5
Fl. 1
C
24
A Tempo
Accel.
Molto
rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
24
A Tempo
Accel.
Molto
rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
24
A Tempo
Accel.
Molto
rit.
Perc. 1
Perc. 2
24
Pno.
Vln. I
A Tempo
24
arco
5
Accel.
3
3
Molto
rit.
3
Vln. II
3
Vla.
Vlc.
Cb.

6
Fallen Angel
Fl. 1
28
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
28
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
28
Accel.
Perc. 1
Perc. 2
28
Nipple gongs
Sus. Cym.
(bow)
Pno.
Vln. I
28
Vib.
Accel.
3
Vln. II
Vib.
3
3
Vla.
Vib.
Vlc.
3
Vib.
3
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
33
33
33
33
33
3
3
3
3
pizz.
Stand 2
Stand 3
Altri
Stand 1
Stand 2
Stand 3
Altri
D
Nipple Gongs
Div.
Stand 1
Div.
Div.
Div.
sul pont.
3
3
Div.
Div.
sul pont.
Fallen Angel
Accel.
Accel.
Accel.
Ord.
Ord.
arco
A Tempo
A Tempo
A Tempo
Gliss. lower strings
near the bridge;
use back of fingernails.
Div. a4
Grind
*
Div. Grind *
L.V.
Stand 1
Stand 2
7
Div.
Div.
Ord.
Ord.
*Vlc/Cb: press the bow on the strings forcefully to create a distorted sound (grind); no discernible pitch.

8
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
40 Accel.
40 Accel.
40 Accel.
A Tempo
A Tempo
A Tempo
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
Take pencil
*
*
*
*
*
*
*
*
*
*
*
*
*
*
Perc. 1
Perc. 2
40
Bass drum
Bamboo chimes
(strike with stick)
Pno.
Vln. I
40
Vln. II
Vla.
Div. a4
Vlc.
5
Cb.
*Strike music-stand with pencil (dead-stroke).

Fallen Angel
9
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
E
46 (Breath)
46
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
"P'ahhh..."
(Breath)
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Niente
Poco a poco rit.
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
Poco a poco rit.
(Back to instrument)
(Back to instrument)
(Back to instrument)
(Back to instrument)
Tb 2
"P'ahhh..."
(Breath)
Niente
Timp.
Perc. 1
46
"P'ahhh..."
Tam-tam
Niente
L.V.
Poco a poco rit.
3
Perc. 2
Vln. I
Vln. II
Vla.
Pno.
Vlc.
Cb.
46
46
(Palm cluster at
base of keybaord)
Ricochet (fast)
Ricochet (fast)
(finish independently)
Ricochet (fast)
Ricochet (fast)
(finish independently)
L.V.
Poco a poco rit.
("Seagull" effect)
*
Ad lib. On any string.
Ad lib.
Senza vib.
Senza vib.
Senza vib.
Div.
Senza vib.
Senza vib.
3
3
3
Div.
Senza vib.
Div.
*
("Seagull" effect)
Sul G
*Vla/Vlc: "Seagull effect" - maintain the same stopped-3rd/4th interval that was started with throughout the glissando.
Do not synchronize with one another (play in different tempos and durations). The resulting sound should be
"flock of seagulls."

10
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Div.
Vln. II
Vla.
Vlc.
Cb.
53
53
53
53
53
F
Sul D
(Like a crow)
3 5
N.
3
N.
Reverse mouthpiece's position
Reverse mouthpiece's position
N.

Fallen Angel
11
Fl. 1
(Airy, like a quick breath)
59
3
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
(Airy, like a quick breath)
(Airy, like a quick breath)
(Like a crow)
3
3
3 5
3
(A crow's "caw")
3
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
a2
59
N.
Reverse mouthpiece's position
N.
Reverse mouthpiece's position
a2
N.
N.
N.
N.
Tb 2
Timp.
59
Perc. 1
Perc. 2
Sus. Cym.
(fingertips)
3 3
"mf"
(=mp)
3
3
L.V.
59
Pno.
Vln. I
Div.
Vln. II
Div.
Vla.
59
Div.
N.
N.
*
Ad lib.
Sul A
Sul E
Tutti
Sul E
Vlc.
Cb.
*Violin I: "Sea-gull" effect - see note on page 8.

12
Fallen Angel
Fl. 1
64
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
64
3 5
3
3
3
3
3
N.
N.
N.
N.
Tb 2
Timp.
64
Perc. 1
Sus. Cym.
(fingertips)
3
3
Perc. 2
"mf"
(=mp)
Pno.
Vln. I
Vln. II
64
64
(finish independently)
(finish independently)
Div.
Div.
Vla.
(finish independently)
Div.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
69
69
69
69
69
5
3 5
Sus. Cym.
(bow)
3
5
3 5
Fallen Angel
Non-div.
5
3 5
13
5
5

14
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
75
3
3
("squawk")
("squawk")
3
3
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
75
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
75
75
75
pizz.
Div.
Bamboo chimes
Slapstick
arco
Tutti
Vln. II
pizz.
Div.
arco
Tutti
Vla.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Div.
Vln. II
Vla.
Vlc.
Cb.
81
81
81
81
Sus. Cym.
(fingertips)
81
3
"mf"
3
3
G
Fallen Angel
3 5
3
3 5
3
5
(bow)
Sus. Cym.
Sul
A
Div.
Div.
Sul E
15
3
3
3

16
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Accel.
87
5
87 Accel.
3
3
3
3
3
3
3
Rit.
Soli
3
Rit.
sfmp
Fallen Angel
Soli
3
Poco accel.
3
Poco accel.
Hn. 2&4
B Tpt. 1
sfmp
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
87 Accel.
Nipple gongs
(beaters)
Rit.
N.
*
Poco accel.
Perc. 2
87
Gliss. lower strings near the
Pno.
Vln. I
Div.
Vln. II
87
bridge; use thumb (flesh)
L.V.
Use flesh of fingers
Vla.
Non-div.
pizz.
arco
Vlc.
Cb.
*Timpani: tune to the lowest, indiscernible pitch.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vlc.
Vla.
1
2
3
4
Altri
Cb.
93
93 (Poco accel.)
93 (Poco accel.)
93
93
(Poco accel.)
3
3
Rit.
Rit.
Rit.
Sus cym.
Bass drum
Fallen Angel
(bow)
3
3
Accel.
3
Accel.
Accel.
3
3
3
17
L.V.
3
3
3

18
Fallen Angel
Fl. 1
H
100
Accel.
Fl. 2
Ob. 1
5
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
Solo
100
3
3
Accel.
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
100
Lion's roar
Accel.
Perc. 2
100
Pno.
Vln. I
100 Div.
Gliss. lower strings
Accel.
Vln. II
Div.
Vla.
Div.
Vlc.
Div. a4
Cb.
Div.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
Fallen Angel
(Accel.) Rit.
Rit. Accel.
105
3
3
3
3
3
3
5
105
Rit.
Accel.
Straight mute
Straight mute
Straight mute
Senza sord.
105
Straight mute
Senza sord.
(Accel.) Rit.
105
Rit.
Accel.
Sus. Cym
N.
(bow)
Nipple gongs
Bass drum
105
L.V.
Rit. Accel.
105 (Accel.)
Rit.
3
3
Non-div.
arco
pizz.
3
1
2
3
4
Altri
3
19

20
Fallen Angel
Fl. 1
I
112
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
112
Straight mute
Straight mute
Tb 2
Timp.
Perc. 1
112
Lion's roar
Perc. 2
112
Pno.
Vln. I
L.V.
112
3
Vln. II
3
Vla.
3
Vlc.
Div. a4
Cb.

Fallen Angel
21
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
117
(Airy; random fingering)
(Airy; random fingering)
(Air only; a gust of wind)
(Air only; a gust of wind)
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
117
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
117
Lion's roar
117
117 Div.
Slapstick
Glissando on strings; use nails.
L.V.
Vln. II
Div.
Vla.
Div.
Div.
Vlc.
Stand 1
Stand 2
Cb.

22
Fallen Angel
Fl. 1
123
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
123
(Re-attach mouthpiece)
3
3
(Optional: 1/2 tone trill)
(Optional: 1/2 tone trill)
Hn. 2&4
(Re-attach mouthpiece)
B Tpt. 1
(Re-attach mouthpiece)
Senza sord.
B Tpt. 2
(Re-attach mouthpiece)
Senza sord.
Tb 1
Tb 2
Timp.
Perc. 1
123
Sus. Cym.
Perc. 2
123
Pno.
Vln. I
123
Vln. II
Div.
Vla.
Vlc.
Cb.

Fallen Angel
23
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
128
128
J
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
128
Slapstick
Perc. 2
Pno.
Vln. I
128
128
Vln. II
Vla.
Vlc.
Cb.

24
Fallen Angel
Fl. 1
133
Poco accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
133
Poco accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
133
Sus. Cym.
Poco accel.
Perc. 2
133
Pno.
Vln. I
133
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
25
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
K
138
138
138
(stop)
Slapstick
138
138
Div.
Div.
Take slapstick
from Percussion II
Slapstick
Quickly pass the
slapstick to Percussion I

26
Fallen Angel
Fl. 1
L
144
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
144
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Soli
Soli
144
3
3
3
3
5
3
Perc. 2
Pno.
Vln. I
Bass drum
144
144
L.V.
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
27
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
149
149
149
149
149
Rip
Rip
Marimba
Xylophone

28
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
154
154
154
154
154
5
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
29
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
159
159
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
159
159
159
Vln. II
Vla.
Vlc.
Cb.

30
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
164
164
Fallen Angel
M
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
164
164
164
3
3
3
3
Vla.
Vlc.
Cb.

Fallen Angel
31
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
168
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
168
168
Rip
Rip
Perc. 2
168
Pno.
Vln. I
168
Vln. II
Vla.
Vlc.
Cb.

32
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
172
172
172
Sus. Cym.
172
Pno.
Vln. I
172
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
33
Fl. 1
Fl. 2
177
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
177
Timp.
Perc. 1
177
Perc. 2
177
Pno.
Vln. I
177
Vln. II
Vla.
Vlc.
Cb.

34
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
N
181
181
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
181
MRB.
(HARD mallets)
VIB.
(HARD mallets)
secco
181
181
Vla.
Vlc.
pizz.
Cb.
pizz.

Fallen Angel
35
Fl. 1
186
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
186
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
186
186
Vln. I
186
Vln. II
Vla.
Vlc.
arco
Cb.
pizz.

36
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
O Soli
191
191
Soli
Soli
3
Soli
3
3
Soli
3
Soli
Soli
Soli
3
3
3
3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
3
3
3
3
3
3
3
3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
191
191
L.V.
191
Vln. II
Vla.
Vlc.
pizz.
Cb.
pizz.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
195
Airy
Airy
195
Airy
195
195
195
4:3
4:3
4:3
4:3
4:3
4:3
4:3
4:3
Fallen Angel
pizz.
pizz.
pizz.
37
3
3
3
3
3
3
3
3
arco
arco
arco

38
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
Fallen Angel
199
pizz.
199
199
secco
secco
199
199
pizz.
P
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5:3

Fallen Angel
39
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Div.
Vln. II
Vla.
Vlc.
Cb.
204
3
3
3
3
204
204
204
204
3
3
3
3
Div.
3
arco
3
3
3
3
3
3
3
arco

40
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
209
209
209
209
209
Q
arco
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5
5:3
5:3
5
5:3
5

Fallen Angel
41
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
215
215
215
215
215
R
arco
4:3
3
3
4:3
3
4:3
3
4:3
3
4:3
3
4:3
Slapstick

42
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
220
220
220
Nipple gongs
3
220
220
3
3
3
3
3
3
Tam-tam
3
3
3
3
3
3

Fallen Angel
43
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
224
224
224
224
224
1.
2.
3.
4.
5.
6.
Altri
Slapstick
Bongos + Congas +
Tom-toms + Bass drum
Glissando on strings; use nails.
2.
3.
4.
5.
6.
Altri
1.
(quasi-chromatic)
(quasi-chromatic)
(quasi-chromatic)
L.V.
Accel.
Accel.
Accel.
Accel.
2.
3.
4.
Altri
1.
Non-div.
S
Solo

44
Fallen Angel
Fl. 1
231
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Vib.
3
Vib.
3
5
Bsn. 1
Bsn. 2
Hn. 1&3
231
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
231
Nipple gong
Perc. 2
Pno.
Vln. I
231
3
231 pizz.
3
3
pizz.
3
3
3
arco
Vln. II
pizz.
3
pizz.
3
arco
Vla.
pizz.
3
pizz.
3
arco
Vlc.
pizz.
3
pizz.
3
arco
Cb.
pizz.
pizz.
arco
Div.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
238
238
238
238
238
3
Ad lib.*
Fallen Angel
3
Sus. Cym.
(bow)
45
5
3
*Percussion 2: play bongos/congas/tom-toms only during the ad lib. Save the bass drum for last (following mesaure).

46
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
244
3
3
244 Rit.
Rit.
Straight mute
T
3
3
3
3
3
3
3
3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
5:3
B Tpt. 2
Tb 1
Tb 2
Timp.
244 Rit.
Straight mute
Straight mute
Straight mute
Perc. 1
Perc. 2
Pno.
Vln. I
244
3
244 Rit.
Sus. Cym.
(bow)
MRB.
VIB.
Vln. II
Vla.
Vlc.
Non-div.
pizz.
Cb.
pizz.

Fallen Angel
47
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
250
5
250
5
5
5
5
5
5
5
5
3
5
3
5
3
5
3
5
3
5
3
5
5
3
3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
250
250
250
Vln. II
Vla.
Vlc.
arco
Cb.
pizz.

48
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
254
3
3
3
3
254
3
3
3
3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
254
254
3
3
5
5
Pno.
Vln. I
254
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
49
U
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
259
259
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
259
259
Bass drum
6
Temple-blocks
Slapstick
Sus. Cym.
Pno.
Vln. I
259
Vln. II
Vla.
Vlc.
Cb.

50
Fallen Angel
Fl. 1
Fl. 2
264
Accel.
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
264
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
264
264
Accel.
Temple-blocks
Pno.
Vln. I
Vln. II
Vla.
264
Accel.
Div.
Div.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Vln I
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Vln II
Pno.
1
2
3
4
5
6
Altri
1
2
3
4
5
6
Altri
Vla
Vlc.
Cb.
269
269
269
269
(Highest notes possible)
(Highest notes possible)
(Highest notes possible)
Accel.
Accel.
Accel.
269
1
Fallen Angel
2
3
4
Altri
51
V
Solo
*
6
Slapstick
Non-div.
arco
*Timpani: lowest indiscernible pitch

52
Fl. 1
274
Fallen Angel
Molto
rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
3
3
3
Bsn. 1
Bsn. 2
Hn. 1&3
274
Molto
rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
274
Molto
rit.
Perc. 2
274
Bass drum + Tom tom
Pno.
Vln. I
274
Molto
rit.
Vln. II
Vla.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
W
A Tempo
280
280 A Tempo
Rit.
Rit.
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
Fallen Angel
X
(Airy; random fingering)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Air only, no pitch)
(Re-attach moutpiece)
(Re-attach moutpiece)
Harmon mute
Harmon mute
53
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
1
2
3
Vln I
4
5
6
280 A Tempo
280
280 A Tempo
Rit.
Nipple gong
3
3
Div.
Bamboo chimes
Slapstick
Gliss. on strings;
use nails
L.V.
Ord.
Tam-tam
s.p.
Altri
1
2
3
Vln II
4
5
6
Intense,
full bows
Intense,
full bows
Intense,
full bows
Intense,
full
bows
Intense,
full
Intense,
bows
full
bows
3
3
3
3
3
3
Ord.
Div.
s.p.
Altri
1
2
Vla
3
4
Intense,
full bows
Intense,
full bows
Intense,
full
bows
Intense,
full
bows
3
3
3
3
pizz.
arco
Altri
Vlc.
Cb.
Div. a 4
arco
pizz.
pizz.
arco
arco

54
Fallen Angel
Fl. 1
289
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
289
*
3 3 5
*
("squawk")
3 3
(A crow's "caw")
(A crow's "caw")
*
5
(A crow's "caw")
*
(Reverse mouthpiece's position)
3
Hn. 2&4
(Reverse mouthpiece's position)
B Tpt. 1
B Tpt. 2
Tb 1
Harmon mute
Harmon mute
Senza sord.
Senza sord.
(Reverse mouthpiece's position)
(Reverse mouthpiece's position)
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
289
289
289
Bass drum
Molto sul pont.
(Highest note possible)
3
3
Nipple gongs
(Switch to playing behind the bridge)
6
3
3
Bongos + Congas + Tom toms
Vln. II
Molto sul pont.
(Highest note possible)
(Switch to playing behind the bridge)
Ad lib.
On any high note.
Vla.
("Seagull" effect)
Ad lib. On any string.
Vlc.
("Seagull" effect)
Cb.
Ad lib.
Sul G
*Cl./Ob: Ad libitum; play motives in any order; repeat when necessary; start restrained but gradually grow more and more
frenetic; evoke a flock of crows.

Fallen Angel
55
Fl. 1
Fl. 2
Ob. 1
(Airy; random fingering)
293
(A crow's "caw")
293
293
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Tb 2
Timp.
293
Perc. 1
Perc. 2
Pno.
Vln. I
Bamboo chimes
Tam-tam
293
Ad libitum
Nipple gongs
5
3
Temple-blocks
Bass drum
Ad libitum
6
Vln. II
Vla.
Vlc.
Cb.

56
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
297
297
297
297
297
Div. a4
Y
arco
arco
arco
3
3
3
3
3
Any high note
(wild vibrato)
6
("squawk")
Div. a4
arco
arco
arco
Any high note
(wild vibrato)
Any high note
5
(wild vibrato)
3
3
6

Fallen Angel
57
Fl. 1
Fl. 2
Ob. 1
303
5
Any high note
(wild vibrato)
(Airy; random fingering)
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
303
303
303
303
Div. a4
Ad
lib.*
arco
arco
arco
Straight mute
Straight mute
Rip
Nipple gongs
3
3
Rip
5
Div.
Slapstick
*Percussion 2: play bongos and tom-toms only during the ad lib. Save the bass drum for last (following mesaure).

58
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
309
Fallen Angel
Wild!
Wild!
Wild!
Wild!
309
309
5
309
309
Div.
Div.
Z

Fallen Angel
59
Fl. 1
313
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
313
Senza sord.
(As low as possible)
Senza sord.
Tb 2
Timp.
Perc. 1
Perc. 2
313
313
Sus. Cym.
5
Pno.
Vln. I
313
Vln. II
Div.
Vla.
Vlc.
Cb.

60
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
317
317
317
317
317
Fallen Angel
6
5
AA
Open
Open
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
61
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
321
321
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
321
321
5
5
5
5
5
6
6
Pno.
Vln. I
321
Vln. II
Vla.
Vlc.
Cb.

62
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
325
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
325
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Reverse mouthpiece's position
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
325
325
325
6
6
Vln. II
Vla.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
AB
329
Wildly
Wildly
Wildly
Wildly
Any high notes
Any high notes
Any high notes
5
Any high notes
5
5
5
3
Fallen Angel
3
3
3
63
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
(Air only; a gust of wind)
329
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Air only; a gust of wind)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Timp.
329
Perc. 1
Perc. 2
329
Slapstick
Sus. Cym.
Temple-blocks
6
Pno.
Vln. I
329
Sul E
arco
Vln. II
Sul A
arco
Sul D
Vla.
Vlc.
Cb.
("Seagull" effect)
Sul A
("Seagull" effect)
Sul G

64
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
AC
*
333
*
*
*
*
*
Fallen Angel
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
333
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
333
333
333
6
Vln. II
Vla.
Vlc.
Cb.
*Woodwinds: highest notes possible.

Fallen Angel
65
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
337
3
3
3
Slapstick
337
337
337
3
3
3
Sus. Cym.
5
5
5
5
5
5
3 5
3
5
3
3 5
3 5
3 5
5
3
3
3
3
3
3
Pno.
Vln. I
337
Vln. II
Vla.
Vlc.
Cb.

66
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
341
341
341
Sus. Cym.
341
Pno.
Vln. I
341
Vln. II
Vla.
Vlc.
Cb.

Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
346
346
346
Fallen Angel
AD
67
Perc. 2
346
Pno.
Vln. I
346
Vln. II
Vla.
Vlc.
Cb.

68
Fl. 1
Fl. 2
Ob. 1
349
Fallen Angel
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
349
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
349
349
349
* secco
Tam-tam
secco
(White note cluster;
use right forearm)
Nipple gongs
Div.
Div.
Temple-blocks
6
6
6
Div.
Vlc.
Cb.
Div.
Div.
*Timpani: two lowest, indescernible pitches.

Fallen Angel
69
Fl. 1
Fl. 2
354
Poco a poco rit.
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
354Poco a poco rit.
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Vln. I
Vln. II
Vla.
Pno.
Vlc.
Cb.
354 Poco a poco rit.
Tam-tam
Bamboo chimes
354
354
Poco a poco rit.
*
*
*
*
"Aw..."
"Aw..."
"Aw..."
"Aw..."
Div.
("Seagull" effect)
("Seagull" effect)
*
*
*
*
"Aw..."
"Aw..."
"Aw..."
"Aw..."
N.
N.
N.
N.
*Strings: Begin singing the pitch being played either in unison or at the most comfortable octave transposition. The pitch
being played on the instrument should diminish to nothing as the voice takes over.
Sus. Cym.
arco
Ricochet (fast)
N.
N.
N.

70
Fallen Angel
Fl. 1
(Poco a poco rit.)
360
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
360
(Poco a poco rit.)
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
360(Poco a poco rit.)
360
(Poco a poco rit.)
360
("Aw...")
("Aw...")
("Aw...")
("Aw...")
("Aw...")
("Aw...")
("Aw...")
("Aw...")
Niente
"Oo..."
"Oo..."
"Oo..."
"Oo..."
arco
Ricochet (fast)
"Oo..."
"Oo..."
"Oo..."
"Oo..."
Nipple gongs

Fallen Angel
71
Fl. 1
AE
367
AF Fantasia
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
367
Harmon mute
Harmon mute
Harmon mute
Harmon mute
367
367
Tam-tam
367
"Ah..."
"Ah..."
"Ah..."
"Ah..."
"Ah..."
Senza sord.
Senza sord.
Sus. Cym.
(bow)
"Oo..."
"Oo..."
"Oo..."
"Oo..."
"Oo..."
Fantasia
Fantasia
Fantasia
Solo
Bass drum
(relaxed and reflectively)
3 3 3
10
Vlc.
Cb.
"Ah..."
"Ah..."
"Oo..."
"Oo..."

72
Fallen Angel
Fl. 1
374
Molto
accel.
Molto
rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
374
Molto
accel.
Molto
rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
374
Molto
accel.
Molto
rit.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
374
374
Tam-tam
("Oo...")
("Oo...")
7 3
N.
N.
Molto
accel.
(wire brushes)
Sus. Cym.
5
(bow)
5
Molto
rit.
N.
N.
Vla.
("Oo...")
N.
N.
Vlc.
("Oo...")
N.
N.
Cb.
N.

Fallen Angel
73
Fl. 1
379
Molto
accel.
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
379
Molto
accel.
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
379
Molto
accel.
Rit.
Perc. 1
Perc. 2
Pno.
Vln. I
379
379
5
Molto
accel.
5
5
Rit.
5
5
5
Vln. II
Vla.
Vlc.
Solo
Cb.
Sul G
Div.
Sul G
Sul G

74
Fallen Angel
Fl. 1
383
Accel.
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
383
Accel.
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
383
Accel.
Rit.
Perc. 1
Perc. 2
Pno.
383
3
5
5
5
5
5
5
5
5
5
Vln. I
383
Accel.
Rit.
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
75
Fl. 1
Fl. 2
386 Senza misura
AG
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
386
Senza misura
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
386 Senza misura
Perc. 1
Perc. 2
Pno.
Vln. I
6
386
6
(Drift away)
386
(molto rit.)
Con sord.
Sus. Cym.
(Fingertips)
"pp"
(=ppp)
(Cue conductor)
"mp"
(=p)
6 6 6 3
Div.
6 6 6 3
Vln. II
Con sord.
6 6 6 3
Div.
6 6 6 3
Vla.
Con sord.
6 6 6 3
Div.
6 6 6 3
Vlc.
Cb.
Solo
Sul G
Div. a4

76
Fallen Angel
Fl. 1
388
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
388
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
388
Perc. 1
"pp"
"mp"
(bow)
Perc. 2
Pno.
Vln. I
388
388
N.
6 6 3
6 6 3
N.
Vln. II
N.
6 6 3
6 6 3
N.
Vla.
N.
6 6 3
6 6 3
N.
Vlc.
Cb.
N.
N.
N.
N.
Sul G

Fallen Angel
77
AH
Fl. 1
393 Rit.
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
393 Rit.
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
393 Rit.
Accel.
Perc. 1
Perc. 2
Pno.
Vln. I
393
393 Rit.
Accel.
3 6 6 6
3 6 6
6
Vln. II
Vla.
Vlc.
Cb.
Sul G
Sul D

78
Fallen Angel
Fl. 1
396 (Accel.)
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
396 (Accel.)
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
396 (Accel.)
Tam-tam
(wire brushes)
(beaters)
Rit.
Nipple gongs
Niente
Perc. 2
Pno.
Vln. I
396
396
5
5
5
5
5
5
5
Senza sord.
5
5
5
pizz.
5
Vln. II
Senza sord.
5
Vla.
Senza sord.
5
5
5
5
5
Vlc.
5
5 5
Cb.

Fallen Angel
79
Fl. 1
399 (Rit.)
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
399
(Rit.)
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
399
(Rit.)
Rit.
Perc. 1
Sus. Cym.
(wire brushes)
Perc. 2
Pno.
399
5
5
5
3
Vln. I
399
(Rit.)
Rit.
Vln. II
Vla.
Vlc.
N.
Cb.
N.

80
Fallen Angel
Fl. 1
Molto
402 accel.
Rit.
AI
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Molto
402 accel.
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
402
Molto
accel.
Rit.
Sus. Cym.
Perc. 1
(fingertips)
"pp"
"mp"
Perc. 2
Pno.
Vln. I
5
402
402
Molto
accel.
5
Rit.
5
5
Con sord.
6 6 6 3
6 6 6 3
Vln. II
Con sord.
6 6 6 3
6 6 6 3
Vla.
Con sord.
6 6 6 3
6 6 6 3
Vlc.
Cb.
Div. a4

Fallen Angel
81
Fl. 1
405
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
405
Accel.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
405
Accel.
Perc. 1
"pp"
"mp"
Perc. 2
Pno.
Vln. I
405
405
N.
6 6 3
6 6 3
N.
Vln. II
N.
6 6 3
6 6 3
N.
Vla.
N.
6 6 3
6 6 3
N.
Vlc.
Div. a4
Cb.
N.
N.
N.
N.

82
Fallen Angel
Fl. 1
409 Rit.
AJ
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
409
Rit.
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
409
Rit.
Rit.
Perc. 1
Perc. 2
Pno.
Vln. I
409
409
"p"
(=pp)
"mf"
(=mp)
6 6 3
N.
(Tenderly)
3
Vln. II
6 6 3
N.
Vla.
6 6 3
N.
Vlc.
Div. a4
Cb.
N.
N.

Fallen Angel
83
Fl. 1
Fl. 2
413
Poco rit.
A Tempo
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
413
Poco rit.
A Tempo
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
413
Poco rit.
A Tempo
Perc. 1
"p"
"mf"
"p"
"mf"
Perc. 2
Pno.
Vln. I
413
6 6 3
3
413
6 6 3
N.
3
6 6 3
N.
3 6
Vln. II
6 6 3
6
N.
6 3
6 6 3
N.
Vla.
6 6 3
6
N.
6 3
6 6 3
N.
Vlc.
Div. a4
Cb.
N.
N.
N.
N.

84
Fallen Angel
Fl. 1
417
Poco rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
417
Poco rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
417
Poco rit.
Perc. 1
"p"
"mf"
"pp"
"mp"
Perc. 2
Pno.
Vln. I
417
417
6 6 3
N.
Poco rit.
6 3
3
N.
3 6 3
N.
N.
Vln. II
6 6 3
N.
3 6 3
3 6 3
N.
Vla.
6 6 3
N.
3 6 3
3 6 3
N.
Vlc.
Div. a4
Cb.
N.
N.

Fallen Angel
85
Fl. 1
Fl. 2
Ob. 1
A Tempo
421
AK
Accel.
3
3
3
3
3
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
3 3
3 3 3 3
3 3 3
Bsn. 2
Hn. 1&3
Hn. 2&4
A Tempo
421
Accel.
2.
1.
B Tpt. 1
B Tpt. 2
Tb 1
Harmon mute
Harmon mute
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
421A Tempo
421
"pp"
"p"
(beater/sticks)
3 6 3
421
3 6 3
N.
Accel.
Tam-tam
VIB.
Ped. --->
Sus. Cym.
(Like a "swell" of colors)
3 3
(Like a "swell" of colors)
3 3
3
3
3
3
3
3
3 3
3 3 3 3
Vln. II
3 6 3
6
N.
3 3
Vla.
3 6 3
3 6 3
N.
Vlc.
Div. a4
Cb.
N.
N.
Non-div.
Non-div.

86
Fallen Angel
Fl. 1
Fl. 2
Ob. 1
Rit.
426
3
3
3
3
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
3
3
3 3
3
3
3
3
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Rit.
426
Senza sord.
Senza sord.
Tb 2
Timp.
426 Rit.
Perc. 1
Perc. 2
Pno.
Vln. I
426
Rit.
426
3 3 3 3
3 3 3 3
3 3 3
3
3 3
3
3 3
L.V.
3
Con sord.
(fingertips)
"mp"
(fade in)
(beaters)
Nipple gong
Vln. II
Con sord.
(fade in)
Vla.
Con sord.
(fade in)
Vlc.
Cb.
Con sord.
(fade in)

Fallen Angel
87
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Vln. I
Vln. II
Vla.
Pno.
Vlc.
Cb.
AL
433
433
433
433
Gliss. lower strings near the
3
bridge; use flesh of fingers.
L.V.
3 3 3
[J.S. Bach - "Air", Orchestral
Suite N° 3, Bwv 1068]
433
*
Div.
Senza sord.
N.
(Like a distant memory)
(fade away)
*(Like a distant memory)
(fade away)
Senza sord.
N.
(Like a distant memory)
* (fade away)
Senza sord.
N.
(Like a distant memory)
Div.
(fade away)
*
Senza sord.
N.
Tam-tam
(wire brushes)
*Strings: "fade" into the Bach excerpts (like a distant memory). The goal is to capture a nostalgic sentiment.

88
Fallen Angel
Fl. 1
437
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
437
Rit.
Reverse mouthpiece's position
Hn. 2&4
Reverse mouthpiece's position
B Tpt. 1
Reverse mouthpiece's position
B Tpt. 2
Reverse mouthpiece's position
Tb 1
Reverse mouthpiece's position
Tb 2
Reverse mouthpiece's position
Timp.
437
Rit.
Perc. 1
Perc. 2
Pno.
Vln. I
437
437
Rit.
Vln. II
Vla.
Vlc.
Ad lib.
Sul D ("Seagull" effect)
Stand 1
Solo
Cb.

Fallen Angel
89
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Ad lib.
441
(Wind)
(Wind)
(Wind)
Ad lib.
(Wind)
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
441
(Wind)
(Wind)
(Wind)
(Wind)
(Wind)
(Wind)
441
441
Bamboo/wind chimes
(fingertips)
Ad lib.
441
Sus. Cym.
"mf"
6
"p"
6
(fade in)
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Vln. II
(fade in)
Vla.
(fade in)
Vlc.
Tutti
(fade in)
Cb.

90
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Vln. I
Vln. II
Vla.
Pno.
Vlc.
Cb.
AM
Fallen Angel
Ad lib.
442
(Die away)
Ad lib.
(Die away)
"Crow"
Ad lib.
(Distantly)
(Die away)
3
"Crow"
(Distantly)
Ad lib.
(Die away)
3
Ad lib./do not
synchronize with others
442
(A gentle breeze)
(A gentle breeze)
(A gentle breeze)
(A gentle breeze)
Reverse mouthpiece's position
N.
Reverse mouthpiece's position
N.
442
Gongs + tam-tam
(beaters)
(Distantly)
3
Ad libitum (Die away)
VIB. (Blur)
L.V.
442
3 3
442 (Like
a distant memory)
N.
(Die away)
(Like
a distant memory)
*
3
3 3 3 3
3
Div.
(Die away)
*
(Like
a distant memory)
3 3 3 3
(Die away)
*
(Like
a distant memory)
Div.
*Vln/Vla: maintain the alternating pattern (between the stopped note and the stopped-4th artificial harmonic) throughout
the glissando.

Fallen Angel
91
Fl. 1
447
Poco rit.
AN
Accel.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
447
3
Sim.
Sim.
Sim.
Sim.
3
Poco rit.
N.
N.
N.
N.
Accel.
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
447
447
447
Bass drum
Poco rit.
Poco rit.
Accel.
Sus. Cym.
(fingertips)
"p"
(Like a "swell" of colors)
3 3
Accel.
Bamboo/wind chimes
3 3 3
3 3 3 3
3
Vln. II
Vla.
("Seagull" effect)
Sul E Ad lib.
Vlc.
Cb.
Div. a4
N.
pizz.

92
Fallen Angel
Fl. 1
Rit.
452
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
452 Rit.
(Re-attach mouthpiece)
(Re-attach mouthpiece)
Rit.
1.
2.
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
452
Rit.
Rit.
Perc. 1
Perc. 2
Pno.
Vln. I
"mf"
452
452
Rit.
3 3 3 3
3 3 3
3 3
3
(Finish by the end of the measure)
(Drift away)
Ad libitum
Rit.
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
93
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vlc.
Cb.
456
456
456
456
456
Tam-tam
(Keyboard
cluster)
Con sord.
Con sord.
Con sord.
(fade in)
(Gliss. lower strings)
(fade in)
Con sord.
(fade in)
3 3
(fade in)
AO
Poco
rit.
Poco
rit.
Poco
rit.
3
Poco rit.
(fade away)
Div.
(Like a distant memory)
(fade away)
Div.
(Like a distant memory)
(fade away)
Div.
(Like a distant memory)
(fade away)
(Like a distant memory)
N.
N.
N.
N.

94
Fallen Angel
Fl. 1
462
(Distantly)
462
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
462
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
462
Perc. 1
Perc. 2
Pno.
Bass drum
3
3 3
(Distantly)
3
Vln. I
462
Vln. II
Vla.
Vlc.
Cb.

Fallen Angel
95
Fl. 1
466
Senza misura
AP
Rit.
Fl. 2
Ob. 1
Ob. 2
B Cl. 1
B Cl. 2
Bsn. 1
Bsn. 2
Hn. 1&3
466
Senza misura
Rit.
Hn. 2&4
B Tpt. 1
B Tpt. 2
Tb 1
Tb 2
Timp.
466
Senza misura
Rit.
Perc. 1
Sus. Cym.
(fingertips)
Perc. 2
Pno.
Vln. I
Ad libitum
466
466
"pp"
"mp"
(molto rit.)
Con sord.
Div.
(Cue conductor)
Senza vibrato
Rit.
N.
Vln. II
Con sord.
Div.
Senza vibrato
N.
Vla.
Con sord.
Div.
Senza vibrato
N.
Vlc.
Con sord.
Senza vibrato
N.
Cb.
Div.
Sul G
Sul G
Solo
Solo Sul D