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Art & Literature Magazine

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Your fingers sit on top<br />

of black and white piano keys<br />

like how the still white chrysanthemum wilts<br />

under the fading light of a November sunset.<br />

Out of Tune<br />

Alex Bacani<br />

To Be Forgotten by One's Own Mother<br />

Lisa Periale Martin<br />

You start with a smooth legato.<br />

My mind becomes hazy with feverish harmonies.<br />

Sixteenth and eighteenth notes card through my hair,<br />

undoing weary knots like you’ve done before.<br />

Whole notes cup my face and fill my eyes<br />

with silvery mercury that falls down my face<br />

and leaves a haunting warning in its wake.<br />

The song marches into a thunderous crescendo.<br />

My brain scatters as a sharp staccato rhythm<br />

punctures my eyes over and over and over again.<br />

The silvery mercury turning into a toxic arsenic<br />

that makes my cheeks burn with a sickly scarlet red.<br />

It burns.<br />

It burns.<br />

It’s burning the space beside me,<br />

burning my beating organ chained to its cage,<br />

and threatens to leave only ashes dark as the veil of a widow.<br />

Then you play the dreaded decrescendo,<br />

and the notes dwindle away.<br />

Their sudden absence leaving me nothing<br />

but the diminished warmth in my palms<br />

and the augmented emptiness<br />

on top of the worn piano seat.<br />

The fading song draws out<br />

desperate begging from my tongue<br />

that seems to last for hours, days, weeks, months.<br />

But it doesn’t last,<br />

because the sun sets.<br />

Flowers wilt, wither, and die,<br />

leaving only their lifeless petals to be buried under the damp dirt.<br />

Your dead fingers closed the dusty piano long ago,<br />

and sealed themselves away along with it.<br />

Once again, I am reminded that<br />

December arrives, and I am left<br />

With a piano out of tune.<br />

42<br />

where do memories exist—<br />

just a synapse tickling a speck<br />

of grey matter?<br />

my mother remembers<br />

her sister, Ida, when I show<br />

her a photo—but not Ida’s<br />

hilarious husband Fred<br />

by her side<br />

is a bit fuzzy on my brother<br />

Andrew, her oldest,<br />

until I remind her<br />

but no idea who Bonnie, his wife is<br />

then I say her name with Andrew’s<br />

and she says, “yes, Andrew and Bonnie,”<br />

as if they have been one in her mind<br />

joining Bill and I for an anniversary breakfast<br />

at the Arizona Inn, a place she and dad<br />

have stayed at numerous times<br />

where we celebrated their 50th<br />

enjoyed countless meals<br />

in their elegant dining room<br />

she has no memory of any of this<br />

doesn’t remember living in so many<br />

places, their homes there,<br />

her friends and coworkers<br />

I’ll be gone from her memory banks soon<br />

43<br />

do we hold the memories for her<br />

the ones we share<br />

the ones we are privy to<br />

when she dies, and she’s free<br />

of that crippled brain<br />

will those memories, awarenesses<br />

recognition of dear ones<br />

come rushing back<br />

on the other side of the veil<br />

will it take time<br />

like recovering from<br />

a traumatic brain injury<br />

or will it all be there<br />

along with other incarnations,<br />

larger identities and forms<br />

past lives uploaded<br />

with all your photos and videos<br />

contacts and apps<br />

and yes, it’s all<br />

coming back to me now

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