SandScript 2022
Art & Literature Magazine
Art & Literature Magazine
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Your fingers sit on top<br />
of black and white piano keys<br />
like how the still white chrysanthemum wilts<br />
under the fading light of a November sunset.<br />
Out of Tune<br />
Alex Bacani<br />
To Be Forgotten by One's Own Mother<br />
Lisa Periale Martin<br />
You start with a smooth legato.<br />
My mind becomes hazy with feverish harmonies.<br />
Sixteenth and eighteenth notes card through my hair,<br />
undoing weary knots like you’ve done before.<br />
Whole notes cup my face and fill my eyes<br />
with silvery mercury that falls down my face<br />
and leaves a haunting warning in its wake.<br />
The song marches into a thunderous crescendo.<br />
My brain scatters as a sharp staccato rhythm<br />
punctures my eyes over and over and over again.<br />
The silvery mercury turning into a toxic arsenic<br />
that makes my cheeks burn with a sickly scarlet red.<br />
It burns.<br />
It burns.<br />
It’s burning the space beside me,<br />
burning my beating organ chained to its cage,<br />
and threatens to leave only ashes dark as the veil of a widow.<br />
Then you play the dreaded decrescendo,<br />
and the notes dwindle away.<br />
Their sudden absence leaving me nothing<br />
but the diminished warmth in my palms<br />
and the augmented emptiness<br />
on top of the worn piano seat.<br />
The fading song draws out<br />
desperate begging from my tongue<br />
that seems to last for hours, days, weeks, months.<br />
But it doesn’t last,<br />
because the sun sets.<br />
Flowers wilt, wither, and die,<br />
leaving only their lifeless petals to be buried under the damp dirt.<br />
Your dead fingers closed the dusty piano long ago,<br />
and sealed themselves away along with it.<br />
Once again, I am reminded that<br />
December arrives, and I am left<br />
With a piano out of tune.<br />
42<br />
where do memories exist—<br />
just a synapse tickling a speck<br />
of grey matter?<br />
my mother remembers<br />
her sister, Ida, when I show<br />
her a photo—but not Ida’s<br />
hilarious husband Fred<br />
by her side<br />
is a bit fuzzy on my brother<br />
Andrew, her oldest,<br />
until I remind her<br />
but no idea who Bonnie, his wife is<br />
then I say her name with Andrew’s<br />
and she says, “yes, Andrew and Bonnie,”<br />
as if they have been one in her mind<br />
joining Bill and I for an anniversary breakfast<br />
at the Arizona Inn, a place she and dad<br />
have stayed at numerous times<br />
where we celebrated their 50th<br />
enjoyed countless meals<br />
in their elegant dining room<br />
she has no memory of any of this<br />
doesn’t remember living in so many<br />
places, their homes there,<br />
her friends and coworkers<br />
I’ll be gone from her memory banks soon<br />
43<br />
do we hold the memories for her<br />
the ones we share<br />
the ones we are privy to<br />
when she dies, and she’s free<br />
of that crippled brain<br />
will those memories, awarenesses<br />
recognition of dear ones<br />
come rushing back<br />
on the other side of the veil<br />
will it take time<br />
like recovering from<br />
a traumatic brain injury<br />
or will it all be there<br />
along with other incarnations,<br />
larger identities and forms<br />
past lives uploaded<br />
with all your photos and videos<br />
contacts and apps<br />
and yes, it’s all<br />
coming back to me now