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Credits For An Un-Made Movie by Kara Williams Wind Ensemble Grade 4 Duration 6:15min PROGRAM NOTES Having been an unresolved idea for over a decade, Credits for an Un-Made Movie was only realised as a complete work in January 2022. Although premiered as an orchestral version in April of that year, Credits for an Un-Made Movie was originally written for Wind Band; and it has finally been published as per original intent. Treating each player as a soloist, this 6'15" overture-style work pays homage to musical imagery characteristic of screen soundtracks. The listener is invited to sit back and create their own movie to what would be the main themes played during the closing credits. COMPOSER BIO Kara Williams (b. 1970) wasn’t formally introduced to music tuition until secondary school. After a short time learning clarinet, Kara taught herself flute and saxophone (guitar, violin, trumpet, and trombone also reputedly made public appearances during this time), paving the way for her life-long love of doubling and performing in big bands and music theatre. After several years teaching instrumental music and performing in a commercial band in regional Victoria/New South Wales, Kara successfully auditioned for the Royal Australian Navy Band as a full-time musician. During her 24-year career, Kara was utilised on a variety of instruments, including double reeds, and was prolific writing arrangements for a variety of traditional and commercial style ensembles. It wasn’t until Kara moved back to regional life after leaving the military, that she was inspired to compose her own music. Starting with a handful of original pieces for novice school bands, Kara has since gone on to compose more complex and substantial works for orchestra and wind band. She has also written works for the Riverina’s Assai Quartet (flute, violin, guitar, bassoon). Her varied performing history, intimate understanding of the technical and musical capabilities of musical instruments, and her love of screen soundtracks, music theatre, jazz, and Latin/Afro Cuban music is evident in the music she writes. Whilst Kara’s compositions are harmonically and rhythmically traditional in nature, her creative process is quite organic; underpinned by a desire for players and audience to connect to something ‘comfortably familiar’, and for every performer to have something interesting to play.
Piccolo Flute 1 Flute 2 Oboe English Horn Bassoon Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Horn in F 1 Horn in F 2 Trumpet in Bb 1 Trumpet in Bb 2 Trumpet in Bb 3 Trumpet in Bb 4 Trombone 1 Trombone 2 Bass Trombone Euphonium Tuba Double Bass Timpani Cymbals ° 3 & bb b b 4 ¢ & b ° & bb b Directed, heavily q=144 3 & b b b b 4 3 & bb b b 4 3 & bb b b 4 & b b b 3 4 ? b b 3 b b 4 ∑ ? 3 ¢ b b b b 4 ∑ ° ? 3 ¢ 4 ∑ ° 3 / 4 ∑ A à U > Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Œ œ œ œ œ œ œ œ 2 3 4 4 U à > Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Œ œ œ œ œ œ œ œ 2 3 4 4 U à > Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Œ œ œ œ œ œ œ œ 2 3 4 4 U 2 à> Ó ∑ ∑ ∑ ∑ Œ Œ œ ˙ ˙ œ ˙ ˙ ˙ ˙ œ ˙ ˙ 3 4 œ œ 4 mf f mf mf f f mf f mf f f f f mf mf mf f f mf mf f f mf f f f f f f mf mf œ œ 2 à > œ œ œ œ œ ˙ ˙ ˙ œ ˙ ˙ 3 4 œ œ 4 mf mf mf mf mf mf mf mf f f f f 2 œ 3 4 Œ 4 3 2 3 & bb U à > 4 ∑ ∑ ∑ ∑ ∑ ∑ Œ Œ 4 4 > œ ˙ ˙ œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙ œ œ œ mf f f 3 2 3 & bb U à 4 ∑ ∑ ∑ ∑ ∑ Œ œ œ ˙ Œ Œ 4 > 4 > œ ˙ ˙ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ mf f f 3 2 3 & bb U à 4 ∑ ∑ ∑ ∑ ∑ Œ Œ ∑ Œ Œ 4 4 > > œ ˙ ˙ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ f f mf 3 2 3 & b b U 4 ∑ ∑ ∑ Œ Œ ∑ Œ Œ 4 Œ 4 ˙ œ ˙ ˙ ˙ ˙ œ ˙ ˙ œ ˙ ˙ œ f mf 3 2 3 & b U à 4 ∑ ∑ ∑ ∑ ∑ 4 4 > œ ˙ ˙ Œ œ œ ˙ œ œ œ œ œ œ ˙ œ œ œ œ Œ œ œ œ œ œ œ œ > 3 & b 4 ∑ U ˙ & b b & b b b & bb & bb & bb & bb 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 ∑ ∑ ∑ ∑ ? b b 3 b b 4 ∑ ? b b 3 b b 4 ∑ ? b b 3 b b 4 ∑ ? b b 3 b b 4 ∑ ? b b 3 b b 4 ∑ Credits For An Un-Made Movie U ∑ ∑ > œ ˙ ˙ Œ Œ ∑ ∑ U ˙ U ˙ U ˙ U > œ ˙ ˙ œ œ œ œ œ œ U > œ ˙ ˙ œ œ œ œ œ œ ∑ ∑ ∑ ∑ U Ó œ œ ∑ ∑ ∑ Œ œ ˙ ˙ ∑ ∑ ∑ ∑ Œ Œ œ ˙ ˙ ˙ ∑ ˙ œ œ œ œ œ œ œ ˙ ∑ ∑ ∑ Œ œ œ œ ˙ ˙ ∑ ∑ Œ Kara Williams 2 3 œ ˙ ˙ œ 4 œ Œ 4 2 3 4 œ Œ 4 ∑ ∑ Œ Œ ∑ 2 3 œ ˙ ˙ ˙ ˙ Œ Œ œ ˙ ˙ œ ˙ ˙ 4 œ Œ 4 ∑ œ ˙ ˙ Œ Œ Œ 2 3 œ œ œ œ œ œ œ œ œ œ 4 Œ 4 2 3 œ ˙ ˙ Œ ∑ ∑ Œ œ œ œ œ œ ˙ ˙ Œ œ œ œ œ œ œ œ œ 4 œ Œ 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ U Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ Œ Œ U Ó U Ó U ˙ U ˙ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2 à ˙ > 3 4 œ œ 4 2 à 3 4 > 4 œ œ œ œ œ œ œ œ œ 2 à 3 œ œ œ œ œ 4 4 œ œ œ œ > œ 2 à Œ 3 4 4 œ œ œ œ œ œ > œ mf f œ ˙ ˙ œ œ 2 3 4 Œ 4 f f f 2 œ 3 4 Œ 4 U ∑ ∑ Œ Œ ∑ 2 3 ˙ Ó ˙ œ ˙ ˙ œ ˙ ˙ 4 œ Œ 4 œ ˙ ˙ ˙ f mf U ˙ ∑ ∑ Œ Œ ∑ 2 3 œ ˙ ˙ ˙ ˙ Ó œ ˙ ˙ œ ˙ ˙ 4 œ Œ 4 U ˙ ∑ ∑ Œ Œ ∑ mf œ ˙ ˙ ˙ ˙ 2 3 4 Œ 4 œ ˙ ˙ œ ˙ ˙ œ U ˙ ∑ ∑ Œ Œ ∑ 2 3 œ ˙ ˙ ˙ ˙ Ó œ ˙ ˙ œ ˙ ˙ 4 œ Œ 4 U b æ˙ UÓ œ ˙ ˙ ˙ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ ˙ ˙ œ œ œ œ œ œ œ œ œ œ ˙ ˙ œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 2 3 4 ∑ 4 2 3 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 ∑ 4 ˙ Ó ˙ Œ Œ œ œ œ œ œ œ œ œ œ œ œ Snare Drum 3 2 3 / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 ∑ 4 Bass Drum Triangle / 3 4 ∑ / 3 4 ∑ > UÓ 2 Œ 3 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 œ 4 UÓ 2 3 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 ∑ 4 f Tambourine 3 2 3 ¢ / 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 4 ∑ 4 Copyright (c) 2010 Kara Williams This Licensed Edition Copyright (c) 2022 Matt Klohs www.mattklohs.com
Page 1: Credits For An Un-made Movie Wind E
Page 5 and 6: 4 Picc. Fl. 1 Fl. 2 Ob. Eng. Hn. 32
Page 7 and 8: 6 Picc. Fl. 1 Fl. 2 Ob. Eng. Hn. Bs
Page 9 and 10: 8 Picc. Fl. 1 Fl. 2 Ob. 86 I ° & b
Page 11 and 12: 10 Picc. Fl. 1 Fl. 2 Ob. Eng. Hn. B
Page 13 and 14: 12 Picc. Fl. 1 Fl. 2 N q=144 Lightl

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