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Connecting Literacy Student Folio 3 Sample Pages

Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers. What is Connecting Literacy? A developmental literacy program for Secondary schools, including: -3 student folios -3 teacher books -100s of video lessons hosted by literacy consultant, Hayley Harrison. Who is Connecting Literacy for? Secondary school students and teachers who: -are embarking on whole-school literacy improvement, OR -integrate literacy skills in the English classroom, OR -attend a timetabled literacy block. How does Connecting Literacy work? With cumulative skill development over three books where students: -Model: read and annotate an ‘anchor text’ – an authentic piece of student writing -Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach -Apply: draft their own text directly into the writing pages included in each student folio. Why do you need Connecting Literacy? -Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend. -Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike. -Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics). -Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.

Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers.

What is Connecting Literacy?

A developmental literacy program for Secondary schools, including:

-3 student folios
-3 teacher books
-100s of video lessons hosted by literacy consultant, Hayley Harrison.

Who is Connecting Literacy for?

Secondary school students and teachers who:

-are embarking on whole-school literacy improvement, OR
-integrate literacy skills in the English classroom, OR
-attend a timetabled literacy block.

How does Connecting Literacy work?

With cumulative skill development over three books where students:

-Model: read and annotate an ‘anchor text’ – an authentic piece of student writing
-Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach
-Apply: draft their own text directly into the writing pages included in each student folio.

Why do you need Connecting Literacy?

-Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend.
-Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike.
-Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics).
-Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.

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<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

‘… splendid and spectacular like I have glimpsed in the movies’<br />

Authored by<br />

Hayley<br />

Harrison<br />

and a team of students, just like you.<br />

sed in the movies’<br />

<strong>Student</strong><br />

<strong>Folio</strong>


<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

<strong>Student</strong><br />

<strong>Folio</strong><br />

Authored by<br />

Hayley<br />

Harrison<br />

and a team of students, just like you.<br />

‘… splendid and spectacular like I have glimpsed in the movies’


<strong>Connecting</strong> <strong>Literacy</strong><br />

<strong>Student</strong> <strong>Folio</strong> 3<br />

1st edition<br />

Hayley Harrison<br />

Publisher: Catherine Charles-Brown<br />

Project editor: Naomi Saligari<br />

Copy editor: Naomi Saligari<br />

Proofreader: Kelly Robinson<br />

Cover and text design: Ana Cosma (anacosma.com)<br />

Typesetter: Paul Ryan<br />

Illustrator: QBS Learning<br />

The author and publisher are grateful to the following<br />

for permission to reproduce copyright material:<br />

Cover: Stocksy/Stacy Allen<br />

Alamy/imageBroker, 71; iStockphoto/no_limit_<br />

pictures (left), 86, /splendens, 57, /suprun (pie),<br />

154, /syntika, 51, / t_kimura (Ace of hearts), 154,<br />

/ Yaslex (right), 86. Extract from Defining Moments<br />

in the History of Abstract Art by Phillip Barcio and<br />

IdeelArt.com, 95.<br />

Every effort has been made to identify copyright<br />

holders and obtain their permission for the use of<br />

copyright material. We actively solicit copyright holders<br />

or anyone with knowledge of copyright holders to<br />

come forward.<br />

Warning: It is recommended that Aboriginal and<br />

Torres Strait Islander peoples exercise caution when<br />

viewing this publication as it may contain images of<br />

deceased persons.<br />

Matilda Education Australia acknowledges all Aboriginal<br />

and Torres Strait Islander Traditional Custodians of<br />

Country and recognises their continuing connection to<br />

land, sea, culture, and community. We pay our respects<br />

to Elders past and present.<br />

First published in 2023 by Matilda Education Australia,<br />

an imprint of Meanwhile Education Pty Ltd<br />

Melbourne, Australia<br />

T: 1300 277 235<br />

E: customersupport@matildaed.com.au<br />

www.matildaeducation.com.au<br />

Copyright © Hayley Harrison 2023<br />

Copyright © Matilda Education 2023<br />

The moral rights of the authors have been asserted.<br />

All rights reserved. Except under the conditions<br />

described in the Copyright Act 1968 (Cth) of Australia<br />

(the Act) and subsequent amendments, no part of<br />

this publication may be reproduced, in any form or<br />

by any means, without the prior written permission<br />

of the copyright owner.<br />

Educational institutions copying any part of this book<br />

for educational purposes under the Act must be<br />

covered by a Copyright Agency Limited (CAL) licence<br />

for educational institutions and must have given<br />

a remuneration notice to CAL.<br />

These limitations include: restricting the copying<br />

to a maximum of one chapter or 10% of this book,<br />

whichever is greater. For details of the CAL licence<br />

for educational institutions, please contact:<br />

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Level 11, 66 Goulburn Street<br />

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Publication data<br />

Author: Hayley Harrison<br />

Title: <strong>Connecting</strong> <strong>Literacy</strong> <strong>Student</strong> <strong>Folio</strong> 3<br />

ISBN: 9780655091431<br />

A catalogue record for this<br />

book is available from the<br />

National Library of Australia<br />

Printed in Malaysia by Vivar Printing<br />

Oct-2022


<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

Contents<br />

Introduction to literacy .........................<br />

iv<br />

Unit 1: Persuasive literacy ..................... 2<br />

Unit 2: Procedural literacy ..................... 24<br />

Unit 3: Imaginative literacy .................... 48<br />

Unit 4: Informative literacy .................... 70<br />

Unit 5: Analytical literacy ...................... 94<br />

Unit 6: Reflective literacy ...................... 118<br />

Unit 7: Comparative literacy .................. 140<br />

<strong>Literacy</strong> How-to .................................. 164<br />

Comprehension ............................... 164<br />

Planning and writing ......................... 167<br />

Structures and features ...................... 174<br />

Vocabulary ..................................... 181<br />

Syntax ........................................... 183<br />

Punctuation .................................... 188<br />

Spelling ......................................... 191<br />

Speaking and listening ....................... 200<br />

Introduction to literacy<br />

iii


Introduction to literacy<br />

<strong>Literacy</strong> is a complex amalgamation of skills that interweave and are applied when<br />

reading, writing, speaking, and listening. The goal of systematically and explicitly<br />

teaching individual literacy skills is to increase the effectiveness and efficiency of<br />

students’ communication. Mastering literacy skills requires a person to understand,<br />

consolidate, and build automaticity in individual skills and then combine these skills<br />

to develop as a critical reader, coherent writer, and confident speaker.<br />

The literacy skills and strategies presented in this book are designed to be individually<br />

taught, explored, consolidated, and built upon. This learning is then explicitly transferred<br />

beyond the classroom to help students in every part of their school and everyday<br />

lives. Teaching is supported by an instructional model that consists of prior knowledge<br />

activation, explicit teaching, collaboration, independent practise, and reflection. There<br />

are layers of teaching and learning support, including links to comprehension strategies,<br />

writing organisers, and formative assessment opportunities at a lesson and unit level.<br />

How to use <strong>Connecting</strong> <strong>Literacy</strong>: Model, practise, apply<br />

This book is divided into seven units – which are based on the different text types that students<br />

will encounter during school and beyond – and one <strong>Literacy</strong> How-to section, which is a complete<br />

reference guide that can be referred to throughout the book:<br />

• Unit 1: Persuasive literacy<br />

• Unit 2: Procedural literacy<br />

• Unit 3: Imaginative literacy<br />

• Unit 4: Informative literacy<br />

• Unit 5: Analytical literacy<br />

• Unit 6: Reflective literacy<br />

• Unit 7: Comparative literacy<br />

• <strong>Literacy</strong> How-to section.<br />

In each unit, the students model, practise, and apply specific literacy skills to a different text type.<br />

Model<br />

Each of the seven units begins with an anchor text. Each anchor text is a model that is<br />

designed to ‘anchor’ the students’ learning as they complete the activities in the unit.<br />

The anchor texts in this series were all written by students in years 7–10, from schools<br />

across Australia.<br />

Practise<br />

Each unit has eight lessons that focus on core literacy skills and strategies:<br />

1 comprehension<br />

5 syntax<br />

2 planning and writing<br />

6 punctuation<br />

3 structures and features<br />

7 spelling<br />

4 vocabulary<br />

8 speaking and listening.<br />

At the end of the book, there is a <strong>Literacy</strong> How-to section. This is a comprehensive<br />

literacy reference guide that is designed to support teachers and students by providing<br />

content, skills, and strategies that can be applied across the units. This section is<br />

designed to connect with prior knowledge activation, and to provide opportunities<br />

for clarification and extension of understanding and skill development.<br />

iv <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Apply<br />

In each lesson, comprehension strategies are suggested to help the students to complete the<br />

activities successfully. Each unit includes writing pages for students to use to draft and edit their<br />

own original texts. By containing their learning and application in the same book, students can<br />

build a comprehensive learning folio.<br />

STRATEGY<br />

Pause to<br />

wonder and<br />

connect.<br />

<strong>Connecting</strong> <strong>Literacy</strong><br />

Model, practise, apply<br />

Comparative texts<br />

SPEAKING &<br />

LISTENING<br />

3 Apply<br />

MY WRITING PAGES<br />

2 Practise<br />

COMPREHENSION<br />

Persuasive texts<br />

Refllective texts<br />

SPELLING<br />

PUNCTUATION<br />

1 Model<br />

ANCHOR TEXT<br />

A model text written<br />

by a student,<br />

just like you<br />

PLANNING &<br />

WRITING<br />

STRUCTURES &<br />

FEATURES<br />

Procedural texts<br />

Analytical texts<br />

SYNTAX<br />

VOCABULARY<br />

Imaginative texts<br />

Informative texts<br />

LITERACY HOW-TO<br />

Your go-to literacy reference guide, to support your every step<br />

Reflect<br />

Unit confidence scores: At the start of each unit, students are invited to rate their confidence about<br />

reading, writing, speaking, and listening to the particular text type. The intention is that students will<br />

return at the end of the unit to score their learning confidence again and to celebrate their success.<br />

Lesson confidence scores: Every lesson in the <strong>Connecting</strong> <strong>Literacy</strong> series culminates in students<br />

giving themselves a score out of five: this self-assessment promotes students’ awareness of their<br />

learning and understanding. This self-assessment also provides an opportunity for teachers to note<br />

any areas that require further class time or clarification.<br />

The students’ learning in each unit is brought together with a learning ladder. Using this chart,<br />

the students can self-assess their final writing and speaking and listening task (these tasks have<br />

a speaking and listening icon in the margin) and reflect on their learning throughout the unit.<br />

Introduction to literacy<br />

v


Persuasive literacy<br />

http://mea.<br />

digital/CL3_1_0<br />

Persuasive writing is opinion writing that attempts to convince a reader of a particular<br />

point of view. It is non-fiction writing that intends to influence how the reader thinks, feels,<br />

acts, or makes decisions about a particular idea, issue, or proposal. These texts use various<br />

persuasive writing techniques to achieve their purpose; the techniques used are selected<br />

to have the most impact on the text’s particular audience. Many different text types can<br />

be persuasive, including speeches, advertisements, debates, essays, letters, reviews, flyers,<br />

and articles.<br />

Why do we create persuasive texts?<br />

The most important element of a persuasive text is that it is created to convince someone of the<br />

writer’s point of view. The text expresses how the writer thinks and feels about a topic, but its goal<br />

is to make the audience think and feel the same way as the author. People are inspired to write<br />

persuasive texts when they feel strongly about a topic, which is why persuasive writing is usually<br />

highly emotional. Authors of persuasive texts change the type of language and devices they use<br />

to persuade, depending on who they are addressing. This is why a persuasive text written for<br />

an organisation sounds very different from a persuasive text written for a friend.<br />

1 In your own words, explain why having good persuasive skills is important.<br />

2 Where might you be asked to write persuasively in the future?<br />

Page 3<br />

3 Read the anchor text. This text is a model that will help you to ‘anchor’ your learning as you<br />

complete the activities in this unit. It will also assist you to draft your own persuasive speech.<br />

The anchor text was written by a student, just like you.<br />

Rate my<br />

confidence<br />

At the end of each lesson, you will rate how confident you are about your<br />

progress through the unit. Be as honest as you can; it’s your learning!<br />

4 How confident do you currently feel about reading, writing, speaking, and listening to persuasive<br />

texts? Give yourself a confidence score out of five. Come back at the end of the unit to score your<br />

learning confidence again.<br />

Start of the unit: DD \ MM \ YYYY<br />

End of the unit: DD \ MM \ YYYY<br />

1 2 3 4 5<br />

1 2 3 4 5<br />

Not very<br />

confident<br />

Somewhat<br />

confident<br />

Confident<br />

Highly<br />

confident<br />

Super<br />

confident<br />

Not very<br />

confident<br />

Somewhat<br />

confident<br />

Confident<br />

Highly<br />

confident<br />

Super<br />

confident<br />

2 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Anchor text<br />

Persuasive speech<br />

Defend yourself 101<br />

I’m hoping you all feel very safe, sitting here together today. But I’m sure you have all felt<br />

unsafe at some time in your life and I feel our school has a responsibility to help protect<br />

us, however possible. Hello, my fellow peers, you all know my name is Angela and I’m<br />

speaking with you today to try and protect you by explaining why I believe our school<br />

should offer self-defence classes. We need to know how to defend ourselves in school,<br />

on the streets, and at work – whether it be from physical, sexual, or other assault. So many<br />

people (especially us young people) feel hopeless when fighting against someone stronger,<br />

but we can change that feeling of hopelessness if only our school had self-defence classes.<br />

Let me start by acknowledging that most people don’t feel like they have the strength or<br />

power to defend themselves properly. But the effect of self-defence classes is to give people<br />

the skills and confidence to protect themselves whenever necessary. Throughout history,<br />

sexual harassment rates have always been too high. In 2017, high schools in New South<br />

Wales collected survey results to discover that 30 per cent of boys and 32 per cent of girls<br />

experienced sexual harassment on school grounds! If we don’t start learning self-defence<br />

at a young age, how are we meant to defend ourselves in the very near and real future?<br />

But these vital classes are not just to protect the vulnerable victim. Dr Milkovic, head of<br />

psychology at the Royal Melbourne Hospital, explains how many concerned bystanders<br />

think of themselves as someone too weak and too powerless to make a change.<br />

Through participating in a life-changing self-defence class though, the next time we<br />

witness an innocent person being harassed, we will have the critical knowledge and<br />

confidence to step in. How can our school possibly say no to something that would<br />

benefit our life and the innumerable lives of those around us?<br />

I understand that some of you may fear you could get injured in this class. However,<br />

even in a normal PE class, there are chances of getting injured. In a PE class, our teachers<br />

support us in how to avoid getting injured, don’t they? Well, self-defence classes are<br />

literally a class about how NOT to get injured! Surely your parents would like you to be<br />

able to pre-empt and prevent an attack. They want you to be safe, don’t they?<br />

So, there seems no logical reason why our school shouldn’t start self-defence classes as<br />

soon as possible! Not only will these classes help students defend themselves against<br />

predators, but they will give us confidence to stop being bystanders and look after our<br />

friends in a safe and responsible way. At the end of the class, I encourage you to step up<br />

and sign the petition paper to bring self-defence classes on campus. With little effort,<br />

it can be your first step in knowing how to protect yourself properly.<br />

<strong>Student</strong> author: Angela (Wren) Truong<br />

Audience: Angela’s class<br />

http://mea.digital/<br />

CL3_1_A<br />

Persuasive literacy ~ Unit  1 3


1.1<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

Persuasive comprehension<br />

To understand the overall<br />

purpose of a persuasive text<br />

Part A: Question the text<br />

http://mea.digital/<br />

CL3_1_1<br />

A great strategy to use with any text that you need to understand is to question the text: What is the<br />

text saying? How and why is this being said?<br />

Read the anchor text and then answer the following questions.<br />

1 How does Angela want to change her school?<br />

Page 3<br />

STRATEGY<br />

Ask questions<br />

to find answers.<br />

2 What are self-defence classes designed to do?<br />

3 Why does Angela think that sexual harassment rates ‘have always been too high’?<br />

4 What does Angela mean when she says, ‘… defend ourselves in the very near and real future’?<br />

5 Why does Angela acknowledge ‘some’ people might not agree with her proposal?<br />

6 Why would some people fear getting injured in the self-defence class?<br />

7 How can signing a petition be the first step in the students being able to protect themselves?<br />

8 a Answer the two questions in the table below.<br />

Questions<br />

Factual questions:<br />

The answers to factual questions<br />

are explicitly stated in the text.<br />

1 How does answering a factual question about a text help<br />

you understand that text?<br />

Interpretive questions:<br />

Interpretive questions can have<br />

more than one correct answer.<br />

To find the answer/s to an<br />

interpretive question, you need<br />

to ‘read between the lines’<br />

of the text.<br />

1 How does answering an interpretive question about<br />

a text help you understand that text?<br />

4 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Re-read Questions 1 to 7 opposite. Which questions are factual questions (F)? Which questions<br />

are interpretive questions (I)? Write the letter ‘F’ or ‘I’ next to each question.<br />

Part B: Contention and intention<br />

To fully understand a persuasive text, you need to consider the text’s overall purpose: Why was it<br />

written? What does the author want you to think after reading the text (the contention or main idea)?<br />

What does the author want you to do after reading the text (the intention or call to action)?<br />

Page 164<br />

Comprehension<br />

strategies<br />

9 Annotate the anchor text by numbering the paragraphs and labelling the three main arguments.<br />

10 In the table below:<br />

a write the three arguments you identified in the anchor text in Question 9.<br />

b summarise the evidence the author used to support each argument.<br />

c identify what type of evidence the author used (anecdote, statistics, expert opinion, etc.).<br />

Page 3<br />

STRATEGY<br />

Identify and<br />

understand<br />

the pieces<br />

of the text.<br />

Argument Evidence Type of evidence<br />

Argument one:<br />

Argument two:<br />

Argument three:<br />

11 These three arguments work together to build one overall argument or main idea. What is the<br />

anchor text’s contention?<br />

Page 3<br />

12 What is the anchor text asking the audience to do? What is the text’s intention?<br />

I understand the overall purpose of a persuasive text: / 5<br />

Next time you work with a long text in any subject, number and label the paragraphs.<br />

Challenge yourself to question the text and question your interpretation of the text.<br />

TAKE IT<br />

WITH YOU<br />

1.1 Persuasive comprehension 5


1.2<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

Persuasive planning and writing<br />

To understand how to<br />

plan and develop my<br />

persuasive speech<br />

Part A: Develop your arguments<br />

http://mea.digital/<br />

CL3_1_2<br />

Page 20<br />

Writing a persuasive text is more than expressing how strongly you feel about a topic. You need to<br />

spend some time thinking about why the topic is important, what other people might think about<br />

the topic, and how you can be as convincing as possible in the time you have allocated.<br />

Your writing task for this unit is to write a speech, which will be similar to the anchor text<br />

in purpose, audience and length. In this speech, you will try to convince your classmates to<br />

sign a petition about making a particular change at your school.<br />

1 Use the concept map in Figure 1.1 below to brainstorm all the things you think should be changed<br />

at your school.<br />

Curriculum or classes or learning<br />

Resources or facilities<br />

Other<br />

Things that<br />

could be<br />

changed in<br />

my school<br />

Figure 1.1<br />

Activities or events<br />

2 Using the ideas you came up with in your brainstorm, decide which change you feel most passionate<br />

about. Next, write down three arguments or reasons why this change should happen.<br />

3 What could be a counter argument to your idea for a change at your school? Which of your<br />

arguments proves why the counter argument is invalid?<br />

4 Taking into consideration all your points, what are you arguing overall? What is the contention of<br />

your speech?<br />

6 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Part B: Revise your text for your audience and purpose<br />

Keep in mind that your speech will be presented to your class; this will change the way you approach<br />

drafting your speech. The more clearly you can predict how your speech will make your classmates<br />

think and feel, the better you will be able to specifically and purposefully write your speech to<br />

achieve your intention.<br />

5 After listening to your speech, what do you want your audience to do? What is the intention<br />

of your speech?<br />

STRATEGY<br />

Understand<br />

the purpose<br />

of the text<br />

or feature.<br />

6 How does your audience currently feel about your topic?<br />

7 What else interests your audience? What do they care about? How can you use your audience’s<br />

interests in your speech?<br />

8 Using the information from Questions 5, 6, and 7, decide what evidence will connect to your<br />

audience most successfully, while supporting your arguments.<br />

Arguments<br />

Argument one:<br />

Argument two:<br />

Evidence<br />

Page 172<br />

Finding<br />

appropriate<br />

evidence<br />

Argument three:<br />

Page 3<br />

9 Using the anchor text as a model and the arguments and evidence you identified in Question 8,<br />

write a draft of your speech. You can write your draft in the writing pages at the end of this unit.<br />

We will continue to revise your speech throughout the unit, so for now, write the first draft, knowing<br />

it doesn’t have to be perfect, but it is enough to start experimenting with.<br />

Page 20<br />

Page 172<br />

Turning a plan<br />

into a draft<br />

I understand how to plan and develop my persuasive speech: / 5<br />

Next time you are asked to write a specific text type in another class, first consider the<br />

text’s audience and purpose. Then, directly match your writing to the audience and<br />

purpose you have identified. This is particularly useful in assessments and exams.<br />

TAKE IT<br />

WITH YOU<br />

1.2 Persuasive planning and writing 7


1.3<br />

Persuasive structures<br />

and features<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand the key structural<br />

elements and language features<br />

of persuasive speeches<br />

Part A: Persuasive speeches<br />

http://mea.digital/<br />

CL3_1_3<br />

Page 3<br />

STRATEGY<br />

Identify and<br />

understand<br />

the pieces of<br />

the text.<br />

The structural elements and language features of a persuasive speech require the speech to be<br />

planned in a similar way to an essay but written quite differently. This is because the text is being<br />

written to be spoken and this is not a common way to write.<br />

1 In the table below, using the anchor text as a guide, identify the key structural elements and<br />

language features of the different parts of a persuasive speech.<br />

The structural elements of a persuasive speech<br />

Introduction Body paragraphs Conclusion<br />

The language features of a persuasive speech<br />

2 Considering the structural elements and the language features you identified in Question 1, what<br />

are the similarities and differences between a persuasive speech and a persuasive essay?<br />

Page 174<br />

Text forms<br />

Similarities<br />

• They both have paragraphs.<br />

Differences<br />

• Speeches use personal pronouns (I, you, me);<br />

essays do not.<br />

Part B: Persuasive devices<br />

Persuasive devices are essentially rhetoric, which is the use and manipulation of language to<br />

convey a message. Strong persuasive texts use of a variety of rhetorical devices to sway or convince<br />

the audience or reader. Combined, these persuasive devices can make a text very convincing.<br />

8 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


One of the most powerful, yet subtle, uses of rhetoric is the appeal. Appeals use a variety of other<br />

persuasive devices to help achieve their goal: to connect to the intellectual, moral, or emotional<br />

responses of the audience. A persuasive text can appeal to anything. Aristotle categorised appeals<br />

into three main categories: ethos, pathos, and logos.<br />

Type of appeal<br />

Ethos: appeal to ethics<br />

Pathos: appeal to emotions<br />

Logos: appeal to logic<br />

What the appeal does<br />

The author builds credibility, so the audience trusts what they<br />

are saying.<br />

The author makes the audience feel certain emotions about specific<br />

people and things.<br />

The author uses reason and logic, facts, and experts to validate<br />

the arguments they are presenting.<br />

3 Match each example from the anchor text below to the type of appeal it is using.<br />

Example from the anchor text<br />

‘Hello, my fellow peers, you all know my name is Angela and<br />

I’m speaking with you today to try and protect you’<br />

‘… most people don’t feel like they have the strength or power<br />

to defend themselves properly’<br />

‘How can our school possibly say no to something that would benefit<br />

our life and the innumerable lives of those around us?’<br />

Type of appeal<br />

(ethos, pathos, or logos)<br />

Page 3<br />

4 In the anchor text, highlight and label one example of each of the following persuasive devices:<br />

rule of three, statistics, generalisation, rhetorical question, emotive language, and alliteration.<br />

5 What other persuasive devices can you find in the anchor text? Highlight and label these devices.<br />

6 Persuasive devices rarely work in isolation, as shown by this sentence from the anchor text:<br />

‘How can our school possibly say no to something that would benefit our life and the innumerable<br />

lives of those around us?’<br />

Page 178<br />

Literary and<br />

persuasive<br />

devices<br />

STRATEGY<br />

Pause to<br />

wonder and<br />

connect.<br />

a How many devices can you identify in this sentence?<br />

b Describe the effect of the persuasive devices working together in this sentence.<br />

7 Identify the structural elements and language features in your speech. What persuasive devices have<br />

you used in your speech? How could you make your speech more persuasive? Revise your draft.<br />

Page 20<br />

I understand the key structural elements and language features of persuasive speeches: / 5<br />

Persuasive devices are not just for persuasive texts. Can you use the ‘rule of three’ or<br />

emotive language in another piece of writing this week?<br />

TAKE IT<br />

WITH YOU<br />

1.3 Persuasive structures and features 9


1.4<br />

http://mea.digital/<br />

CL3_1_4<br />

Persuasive vocabulary<br />

Part A: Emotive language<br />

L E A R N I N G<br />

A text that makes someone feel something is far more likely to convince its reader or audience to<br />

think something or to do something. By using language that evokes emotion, writers connect to<br />

their readers in a way that is memorable and persuasive.<br />

I N T E N T I O N :<br />

To understand emotive<br />

language, denotation, and<br />

connotation in persuasive<br />

writing<br />

1 In the following sentences, highlight the emotive words and identify what emotion is being<br />

expressed by these words.<br />

a The innocent bystander stood frozen, unable to tear his eyes away.<br />

b The vicious thug saw red and snapped as she lunged closer.<br />

c The underestimated victim took a deep breath and concentrated on what they had learnt.<br />

2 Consider the three people in Question 1. What judgements did you make about these people?<br />

How did you interpret their situations? How are they feeling?<br />

a The bystander The bystander is too scared to do anything.<br />

b The thug<br />

<br />

c The victim<br />

3 Underline the emotive words in paragraph three of the anchor text.<br />

Page 3<br />

4 The text below claims that selling junk food in a cafeteria is a terrible thing. Change the bolded<br />

emotive words so the text claims that selling junk food in a cafeteria is a great thing.<br />

I walk into the cafeteria and the stench of deep-fried oil slams into my face. I look across the bainmarie<br />

and all I can see are the greasy towers of processed food. It all looks like an oil factory ready<br />

to explode. I can’t understand why, in this day and age, we are still putting the lives of vulnerable<br />

children at risk by normalising such rubbish as ‘food’ that is fit for consumption.<br />

Part B: Denotation and connotation<br />

Every word has a standard definition or a literal meaning, which is called a word’s denotation.<br />

Many words also have a connotation, which is the feeling evoked by the word; a connotation<br />

is a suggested or implied meaning.<br />

For example: The sandpaper is gritty. That side of town is gritty.<br />

(Denotation: having (Connotation: that side of town is rough; it’s a tough<br />

a rough texture)<br />

neighbourhood with high incidences of crime)<br />

10 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


A word’s connotation can be further classified as being either negative or positive.<br />

5 From the anchor text, choose a word with a negative connotation and a word with a positive<br />

connotation, then complete the following table.<br />

Word<br />

from the<br />

anchor text<br />

Positive or<br />

negative<br />

connotation<br />

Denotation (definition<br />

or literal meaning)<br />

Connotation (implied meaning)<br />

Page 3<br />

Vital Positive Something that is<br />

necessary<br />

Most important thing that will help<br />

your life<br />

6 For each of the words in the table below, identify a synonym that has a different connotation.<br />

Positive connotation Neutral connotation Negative connotation<br />

Infatuated Highly interested Obsessed<br />

Page 181<br />

Word meanings<br />

Assertive<br />

Timid<br />

Mature<br />

Pushy<br />

Giving<br />

7 Decide whether each of the following words shows someone is not very determined, or determined,<br />

or very determined.<br />

wavering, adamant, headstrong, faltering, inflexible, persistent,<br />

rigid, stubborn, tenacious, hesitant, unrelenting<br />

Not very determined:<br />

Determined:<br />

Very determined:<br />

8 How do you want your audience to feel during your speech?<br />

Page 20<br />

9 Revise your speech to appeal to your audience’s feelings. Experiment with your language choices<br />

to make them more emotive. Include more descriptive words so your audience knows how to feel<br />

about what you are talking about.<br />

I understand emotive language, denotation, and connotation in persuasive writing: / 5<br />

Challenge yourself to find and use emotive language, with both positive and negative<br />

connotations, in other subjects.<br />

TAKE IT<br />

WITH YOU<br />

1.4 Persuasive vocabulary 11


1.5<br />

Persuasive syntax<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand the differences between<br />

spoken and written language, including<br />

maintaining the subject–verb agreement<br />

Part A: Spoken versus written language<br />

http://mea.digital/<br />

CL3_1_5<br />

Page 202<br />

Spoken versus<br />

written language<br />

The differences between spoken and written language go beyond the different words and syntax<br />

(sentence structure) used in these two types of language. In written texts, we use punctuation to help<br />

convey the meaning of the words; whereas, in spoken texts, we use our voice and body language to<br />

assist us to convey our meaning to our audience. However, these differences become blurred when<br />

we write a text that is going to be spoken.<br />

1 What are the key similarities and differences between spoken language and written language?<br />

Page 3<br />

2 How have the following sentences in the anchor text been written to make them sound more<br />

like the way a person speaks?<br />

a ‘I’m hoping you all feel very safe, sitting here together today.’<br />

b ‘So many people (especially us young people) feel hopeless when fighting against someone …’<br />

STRATEGY<br />

Connect with<br />

the language<br />

choices.<br />

3 a Record yourself speaking naturally about aliens for 10 seconds. Transcribe what you said exactly,<br />

and then revise it to fix the grammatical errors, repetitions, etc.<br />

b Reflect on your spoken and written texts about aliens. What are the differences between your<br />

spoken and written syntax?<br />

A spoken text is not always informal. Although the structural elements and language features of<br />

a formal speech are similar to those used in a formal written text, there are still key differences<br />

between these two text types.<br />

4 What are the differences between a formal speech and a formal written text?<br />

Formal speech<br />

Formal written text<br />

A formal written text:<br />

• has long, complex sentences<br />

• repeats phrases and ideas less frequently<br />

than spoken texts<br />

• uses simple transitions and paragraphing<br />

to break up ideas<br />

12 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Formal speech (cont.)<br />

Formal written text (cont.)<br />

• uses punctuation to control the tone of<br />

the text and to present ideas clearly<br />

• is more likely to use nominalisation than<br />

a speech<br />

• is less likely to use pictures and graphics<br />

to support the ideas in the text<br />

• uses specific devices (expert opinion, logic<br />

and reason, statistics, etc.) to present ideas.<br />

Part B: Subject–verb agreement<br />

Every sentence needs a subject (someone or something doing something) and a predicate<br />

(which includes a main verb to show what the subject is doing). In English sentences, the subject<br />

and the verb must ‘agree’ with each other. What this means is:<br />

• if a subject is singular (one), the verb must also be singular For example: He suggests<br />

• if a subject is plural (more than one), the verb must also be plural. For example: They suggest<br />

Page 186<br />

Subject and<br />

predicate<br />

The exception is the first-person pronoun ‘I’, which uses a plural verb. For example: I suggest<br />

In the past tense, the subject–verb agreement stays the same regardless of whether the subject<br />

is singular or plural. For example: The teacher suggested we should sign the petition.<br />

The teachers suggested we should sign the petition.<br />

The further apart the subject is to the verb, the more difficult it can be to make sure they agree.<br />

Watch out for prepositional phrases, brackets, and appositives trying to distract you!<br />

Page 187<br />

Tense<br />

When there are multiple subjects in a sentence, you need to concentrate very specifically on the<br />

subject–verb agreement. To make sure the subjects and verbs agree, look at the subjects in the<br />

sentence and consider: Are the subjects all singular? Are the subjects joined with a conjunction<br />

(for, and, nor, but, or, yet, so)?<br />

5 In each sentence, underline the subject/s and circle the verb. Do the subjects and verbs agree?<br />

a The room of empty chairs waits for the bell to ring.<br />

b The instructor, a specialist in self-defence, speak from experience.<br />

STRATEGY<br />

Connect the<br />

subject and<br />

the predicate.<br />

c Either Elijah or Emilia is the class assistant today.<br />

d The task and the resources is waiting for submission.<br />

6 Does your speech read like a text that is intended to be spoken? How can you find the balance<br />

between writing formally and writing a text that is intended to be spoken to your class?<br />

Make sure your subjects and verbs all agree!<br />

Page 20<br />

I understand the differences between spoken and written language,<br />

including maintaining the subject–verb agreement: / 5<br />

Hearing and seeing the differences between formal spoken and written texts can help<br />

you build sophistication in your writing. Be courageous and experiment with writing in<br />

a way that is very different to the way you speak. And, as your sentences become more<br />

complex, don’t forget to check that your subjects and verbs still agree!<br />

TAKE IT<br />

WITH YOU<br />

1.5 Persuasive syntax 13


1.6<br />

L E A R N I N G<br />

Persuasive punctuation<br />

I N T E N T I O N :<br />

To understand the impact<br />

exclamation and question<br />

marks have on a written text<br />

Part A: Exclamation marks!<br />

http://mea.digital/<br />

CL3_1_6<br />

Exclamation marks show emphasis and emotion in writing. They are powerful punctuation marks –<br />

particularly in persuasive texts – but they need to be controlled to ensure the exclamation marks<br />

used have the greatest impact. The exclamation mark is often considered to be an informal<br />

punctuation mark, particularly when it is used repeatedly in a text.<br />

Page 188<br />

Types of<br />

punctuation<br />

1 Consider the following sentences from the anchor text that use exclamation marks. What impact<br />

does each exclamation mark have on the sentence?<br />

a ‘… high schools in New South Wales collected survey results to discover that 30 per cent of boys<br />

and 32 per cent of girls experienced sexual harassment on school grounds!’<br />

Page 3<br />

b ‘Well, self-defence classes are literally a class about how NOT to get injured!’<br />

2 Write a sentence, using an exclamation mark, to show each of the following emotions.<br />

a Frustration<br />

b Passion<br />

c Determination<br />

3 Why is it beneficial to use exclamation marks in a written speech, considering that the audience<br />

will hear the speech and not read it (that is, the audience won’t ‘see’ the exclamation marks)?<br />

Part B: Question marks?<br />

Questions in speeches are called rhetorical questions because the question is a statement; the<br />

answer is implied, and the speaker is not expecting an answer from the audience. Asking a rhetorical<br />

question is a powerful persuasive device that can be used in both written and spoken persuasive<br />

writing. However, they have to be controlled: asking a few rhetorical questions can be persuasive;<br />

asking too many can be overwhelming!<br />

4 In the anchor text, why did Angela choose to finish each body paragraph with a rhetorical question?<br />

Page 3<br />

STRATEGY<br />

Connect the<br />

punctuation<br />

to what is<br />

being said.<br />

14 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


When using question marks alongside quotation marks:<br />

• if the question relates to the quote, then the question mark stays inside the quotation marks<br />

• if the question is part of the sentence, then the question mark goes outside the quotation marks.<br />

For example: Then he asked, ‘Why are we doing this?’ Why did he say, ‘This has been done’?<br />

5 In the following sentences, decide whether the question mark should go inside or outside<br />

the quotation marks.<br />

a Has anyone ever asked, ‘Why haven’t we done this already’<br />

b What do you do when someone says, ‘I can’t help you right now’<br />

c We need to ask each other, ‘Do you feel safe today’<br />

Part C: The interrobang?!<br />

The interrobang is the combination of an exclamation mark with a question mark (for example,<br />

?! or !?! or any other combination). This punctuation mark is used to show that a question is being<br />

asked with significant emphasis or emotion. The interrobang is a non-standard form of punctuation<br />

that is becoming more acceptable in informal texts.<br />

6 List the different types of text where it would be appropriate to use an interrobang.<br />

7 The following sentences do not use an interrobang correctly. Explain why.<br />

a I think self-defence classes are a great idea!?!<br />

b Dear Principal Le, why don’t we have self-defence classes already!?!<br />

8 a Revise your speech to use at least one exclamation mark for effect. Although the audience won’t<br />

see the exclamation mark, it will help you use the right tone when you deliver your speech.<br />

b Rhetorical questions are compelling in persuasive writing. Have you used any rhetorical questions<br />

in your speech? Revise your speech to include at least one.<br />

Page 20<br />

c Check you have used punctuation accurately in your speech. While the audience won’t see<br />

your punctuation, it will help you find the right pace, tone, and when to pause as you deliver<br />

your speech.<br />

I understand the impact exclamation and question marks have on a written text: / 5<br />

It is easy to overlook punctuation. Challenge yourself to notice punctuation such as<br />

exclamation and question marks in other subjects, and to observe how they are used.<br />

TAKE IT<br />

WITH YOU<br />

1.6 Persuasive punctuation 15


1.7<br />

Persuasive spelling<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand how prefixes<br />

and suffixes impact words<br />

Part A: Prefixes<br />

http://mea.digital/<br />

CL3_1_7<br />

A prefix is a group of letters that is added to the beginning of a word. Each prefix has its own<br />

meaning; this meaning does not change, regardless of what word the prefix is attached to.<br />

Adding a prefix to a word can make the word opposite (nonfiction) or negative (uncooked).<br />

Prefixes can be used to show time (preservice), manner (overpopulated), or an amount (biannual).<br />

1 Complete the following table and note the impact of adding prefixes to different words.<br />

Page 195<br />

Bases and affixes<br />

Prefix Prefix meaning Base<br />

word<br />

New word<br />

created<br />

Other words that use<br />

the prefix<br />

STRATEGY<br />

Consider the<br />

meaning and<br />

pronunciation<br />

of familiar<br />

parts of<br />

the word.<br />

pre<br />

e<br />

ex<br />

ec<br />

ef<br />

(These are all<br />

assimilated<br />

prefixes.)<br />

before<br />

(for example:<br />

‘preview’ means<br />

‘before viewing’)<br />

out of, from within,<br />

beyond<br />

(for example: ‘exit’<br />

means ‘out of it’)<br />

arrange<br />

fabricated<br />

destined<br />

motion<br />

change<br />

centric<br />

fort<br />

Page 3<br />

2 Consider the following words from the anchor text. Explain how the prefix in each word impacts<br />

the overall meaning of the word.<br />

a Prevent:<br />

b Effect:<br />

c Pre-empt:<br />

3 ‘Predator’ starts with ‘pre’ but does not mean ‘before’. Why does predator start with ‘pre’?<br />

4 The assimilated prefix ‘ob, op, of, oc’ means ‘against, in the way’. Decide which prefix is used<br />

to spell the following words.<br />

Note that we use ‘op’ before p, ‘of’ before f, ‘oc’ before c, and ‘ob’ before all other letters.<br />

e, ex, ec, ef ob, op, of, oc<br />

____tend<br />

____ject<br />

____static<br />

____fective<br />

____ist<br />

____cur<br />

____ject<br />

____pose<br />

____fend<br />

____casion<br />

16 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Part B: Suffixes<br />

A suffix is a letter or group of letters added to the end of a word to create a new word. Rather than<br />

changing a word’s meaning, a suffix changes the word’s function in a sentence. Just by noticing<br />

a word’s suffix, we know what the word is doing in the sentence.<br />

Suffixes can create a plural, or change the tense:<br />

For example: persuade + s = persuades; persuade + ed = persuaded; persuade + ing = persuading<br />

Suffixes can also completely change how the word can grammatically be used.<br />

For example: persuade + er = persuader (changes to a noun: a person)<br />

persuade + sion = persuasion (changes to a noun: a process)<br />

persuade + ive = persuasive (changes to an adjective: describing a noun)<br />

5 Change the verb ‘offend’ by adding appropriate suffixes.<br />

Original word Change to … New word<br />

offend<br />

past tense<br />

offend<br />

adjective<br />

offend<br />

noun<br />

Over 95 per cent of all suffixes used are ‘ed’ (past-tense verb), ‘ing’ (present-participle verb),<br />

‘ly’ (adverb), or ‘s/es’ (plural).<br />

STRATEGY<br />

Connect<br />

the word to<br />

its function.<br />

Page 195<br />

Bases and<br />

affixes<br />

6 Categorise these suffixes into the part of speech they indicate.<br />

age, ify, ful, dom, ise, al, ous, ate, ance/ence, y, ic, en, er, ment, ist, ion, ing, ish<br />

Noun Verb Adjective<br />

7 In the anchor text, circle one noun suffix, one verb suffix, and one adjective suffix.<br />

8 Using the spelling rules outlined in the <strong>Literacy</strong> How-to section (page 191), work out the correct<br />

spelling for the following words and their suffixes. Explain why each word is spelled this way.<br />

a Control + er<br />

b State + ing<br />

Page 3<br />

Page 197<br />

Spelling<br />

generalisations<br />

c Testify + ed<br />

9 Check the spelling in your speech. Have you accurately used prefixes and suffixes? How many have<br />

you used? Are they positive or negative? Consider some synonyms and experiment with alliteration,<br />

puns, rhyme, or repetition in your speech.<br />

Page 20<br />

I understand how prefixes and suffixes impact words: / 5<br />

By changing a word’s suffix, you can use the word in a different context. You can<br />

change a word’s meaning by adding a prefix. See how powerful word choice can<br />

be by experimenting with different words in different subjects.<br />

TAKE IT<br />

WITH YOU<br />

1.7 Persuasive spelling 17


1.8<br />

Persuasive speaking and listening<br />

Part A: Voice and body language<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand<br />

how people speak<br />

persuasively for<br />

different audiences<br />

and purposes<br />

http://mea.digital/<br />

CL3_1_8<br />

Page 200<br />

Voice and body<br />

language<br />

There are two main things to focus on when giving a speech: your voice and your body language.<br />

This expression of your text can be supported with multimedia or images.<br />

1 Watch the video of the anchor text by scanning the QR code on page 3.<br />

2 Complete the following table by identifying how the speaker used her voice and body to<br />

be persuasive.<br />

Voice<br />

Body<br />

Page 3<br />

STRATEGY<br />

Identify and<br />

understand<br />

the pieces of<br />

the text.<br />

3 a Practise reading the first paragraph of your speech out loud. Each time you read the paragraph,<br />

focus on a different element of your voice or body:<br />

• Pace: How slow do you need to speak so your audience can follow what you’re saying?<br />

• Expression: Try speaking as if you are really happy or really frustrated.<br />

• Gestures: Put down your speech and experiment with what you can do with your hands.<br />

• Emphasis: Experiment with putting different levels of emphasis on different words.<br />

• Facial expressions: What happens if you smile as you speak? Or if you frown?<br />

• Volume: Try speaking quietly, and then loudly. Where do you project from?<br />

• Body positions: What does it feel like to cross your legs or lean against something?<br />

What position makes you feel the most confident?<br />

b How did the meaning of the paragraph change depending on how you spoke or moved your body?<br />

Part B: The active audience<br />

Our lives are filled with persuasive texts. We are constantly being told we should buy something,<br />

do something, think something, or feel a certain way about something. In some situations, it is<br />

obvious that someone is being persuasive (for example, if they are trying to sell us something);<br />

however, in other situations, it may not be so clear (for example, if someone is presenting an idea<br />

or belief). It is in these situations that we need to be not just an active listener, but a critical one.<br />

4 For each audience response in the table, identify a situation where the response is appropriate.<br />

Situation<br />

Appropriate audience response<br />

Listening quietly, eyes focused on the speaker, clapping at the end<br />

Yelling, singing, talking, dancing, and clapping<br />

Laughing at appropriate sections, cheering at the end<br />

Talking, chanting, and clapping<br />

Being quiet during play, and then clapping and yelling after a shot<br />

18 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


5 How can you be an active listener during your classmates’ presentations? What is an appropriate<br />

audience in this situation?<br />

6 Imagine one of your classmates is giving their speech. You notice they are shaking, sweating,<br />

and losing control of their voice. As an audience member, how can you be even more supportive<br />

of a particularly nervous speaker?<br />

STRATEGY<br />

Pause to<br />

wonder and<br />

connect.<br />

7 You have spent this unit revising your speech into a quality piece of writing. Now you need to<br />

rehearse your speech so it is ready to be presented to your class. You should rehearse or practise<br />

your speech until you know it well enough so you don’t have to read every word and you can make<br />

eye contact with members of your audience. Rehearsing your speech will also help you to find a<br />

good pace, know where the pauses are, what words need emphasis, and what tone of voice works<br />

best in which parts.<br />

Page 20<br />

8 Think about presenting your speech. What are you feeling most confident about?<br />

9 Think about presenting your speech. What are you most nervous about? How might you overcome<br />

these nerves?<br />

I understand how people speak persuasively for different audiences and purposes: / 5<br />

Consider how you can use general class discussions and group work to improve both<br />

your speaking and listening skills. These are vital life skills, and you can use them in<br />

every subject, so noticing what someone is doing when they are speaking or listening<br />

really well (or badly!) can help reinforce your own speaking and listening development.<br />

TAKE IT<br />

WITH YOU<br />

1.8 Persuasive speaking and listening 19


1.9<br />

My persuasive speech draft<br />

20 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


M Y P E R S U A S I V E S P E E C H D R A F T<br />

1.9 My persuasive speech draft 21


1.9<br />

My persuasive speech draft<br />

22 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3


Persuasive literacy learning ladder<br />

Writing task: Write a persuasive speech in which you try to convince your classmates<br />

to sign a petition about making a particular change at your school.<br />

1.5 I am confident<br />

I can effectively<br />

question a<br />

persuasive text<br />

to identify the<br />

main contention,<br />

intention, and key<br />

arguments.<br />

2.5 I am confident<br />

I can develop<br />

arguments to<br />

build towards<br />

a contention and<br />

to use evidence<br />

to support these<br />

ideas when writing<br />

persuasive texts.<br />

3.5 I am confident<br />

I can use appropriate<br />

structural elements<br />

and features<br />

(including a variety of<br />

persuasive devices)<br />

when writing<br />

persuasive texts.<br />

4.5 I am confident<br />

I can control my<br />

use of language<br />

to evoke specific<br />

feelings in my<br />

audience when<br />

writing persuasive<br />

texts.<br />

5.5 I am<br />

confident I can<br />

control a variety<br />

of appropriate<br />

language features<br />

(including subject–<br />

verb agreement)<br />

when writing<br />

persuasive texts.<br />

6.5 I am<br />

confident I can<br />

make informed<br />

and conscious<br />

decisions when<br />

using punctuation<br />

for effect when<br />

writing persuasive<br />

texts.<br />

7.5 I am confident<br />

I can use different<br />

strategies to spell<br />

unfamiliar words<br />

(particularly those<br />

using prefixes and<br />

suffixes) when<br />

writing persuasive<br />

texts.<br />

8.5 I am confident<br />

I can rehearse and<br />

present persuasive<br />

texts that show my<br />

understanding of a<br />

variety of persuasive<br />

and presentation<br />

techniques.<br />

1.4 I have<br />

questioned my<br />

speech to ensure<br />

my contention,<br />

intention, and<br />

arguments<br />

are clear.<br />

2.4 I have<br />

effectively<br />

connected my<br />

arguments with<br />

my contention and<br />

used evidence with<br />

purpose to support<br />

these ideas.<br />

3.4 I have effectively<br />

used appropriate<br />

structural elements<br />

and features<br />

(including a variety of<br />

persuasive devices)<br />

for persuasive effect.<br />

4.4 I have<br />

effectively used<br />

language to<br />

evoke specific and<br />

desired feelings in<br />

my audience.<br />

5.4 I have<br />

effectively used<br />

appropriate<br />

language features<br />

to write a text that<br />

will be spoken.<br />

6.4 I have<br />

effectively used<br />

punctuation to<br />

improve the tone<br />

of my speech<br />

and add to its<br />

persuasiveness.<br />

7.4 I have used<br />

different spelling<br />

strategies to<br />

accurately spell<br />

unfamiliar words,<br />

including those<br />

with prefixes<br />

and suffixes.<br />

8.4 I have presented<br />

a well-rehearsed<br />

speech that showed<br />

my understanding<br />

and application<br />

of persuasive<br />

and presentation<br />

techniques.<br />

1.3 I have<br />

experimented<br />

with different<br />

ways to make<br />

my contention,<br />

intention, and<br />

arguments clear<br />

in my speech.<br />

2.3 I have<br />

experimented –<br />

during my<br />

revisions – with<br />

ways to connect<br />

my evidence to my<br />

arguments, and<br />

my arguments to<br />

my contention.<br />

3.3 I have<br />

experimented –<br />

during my revisions –<br />

with how best to<br />

use the structural<br />

elements and<br />

language features of<br />

persuasive writing<br />

for effect.<br />

4.3 I have<br />

experimented –<br />

during my<br />

revisions – with<br />

different ways to<br />

use language for<br />

emotional effect.<br />

5.3 I have<br />

experimented –<br />

during my<br />

revisions – with<br />

ways to use<br />

language features<br />

to create a<br />

spoken text.<br />

6.3 I have<br />

experimented –<br />

during my<br />

revisions – with<br />

ways to use<br />

punctuation to<br />

enhance my<br />

writing.<br />

7.3 I have tried<br />

spelling unfamiliar<br />

words that use<br />

prefixes and<br />

suffixes.<br />

8.3 I have<br />

experimented –<br />

during my<br />

rehearsals – with<br />

different ways<br />

to present my<br />

speech so it could<br />

be as persuasive<br />

as possible.<br />

1.2 I have<br />

explained my<br />

contention,<br />

intention, and<br />

arguments<br />

throughout<br />

my speech.<br />

2.2 I have used<br />

appropriate<br />

arguments<br />

and evidence<br />

to support my<br />

contention overall.<br />

3.2 I have followed<br />

the structural<br />

elements of a<br />

persuasive speech<br />

and included several<br />

persuasive devices.<br />

4.2 I have included<br />

some words that<br />

show a positive or<br />

negative feeling<br />

towards my topic.<br />

5.2 I have shown<br />

an understanding<br />

of the difference<br />

between written<br />

and spoken texts<br />

when creating<br />

my speech.<br />

6.2 I have<br />

accurately used<br />

a variety of<br />

punctuation<br />

independently.<br />

7.2 I have<br />

independently<br />

edited my<br />

spelling errors.<br />

8.2 I have presented<br />

my speech using<br />

different voice and<br />

body language<br />

strategies.<br />

1.1 I have<br />

directly stated<br />

my contention,<br />

intention, and<br />

arguments.<br />

2.1 I have included<br />

arguments and<br />

evidence in<br />

my speech.<br />

3.1 I have followed<br />

the structural<br />

elements of a<br />

persuasive speech<br />

with support and<br />

included a few<br />

persuasive devices.<br />

4.1 I have included<br />

some emotive<br />

words with<br />

support.<br />

5.1 I have written<br />

a text that is<br />

intended to<br />

be spoken.<br />

6.1 I have<br />

accurately used<br />

punctuation with<br />

support.<br />

7.1 I have edited<br />

my spelling errors<br />

with support.<br />

8.1 I have presented<br />

my persuasive<br />

speech.<br />

1.0 Not shown 2.0 Not shown 3.0 Not shown 4.0 Not shown 5.0 Not shown 6.0 Not shown 7.0 Not shown 8.0 Not shown<br />

1 Comprehension 2 Planning and<br />

writing<br />

3 Structures and<br />

features<br />

4 Vocabulary 5 Syntax 6 Punctuation 7 Spelling 8 Speaking and<br />

listening<br />

Persuasive literacy learning ladder 23

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