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Connecting Literacy Teacher Book 2 Sample Pages

Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers. What is Connecting Literacy? A developmental literacy program for Secondary schools, including: -3 student folios -3 teacher books -100s of video lessons hosted by literacy consultant, Hayley Harrison. Who is Connecting Literacy for? Secondary school students and teachers who: -are embarking on whole-school literacy improvement, OR -integrate literacy skills in the English classroom, OR -attend a timetabled literacy block. How does Connecting Literacy work? With cumulative skill development over three books where students: -Model: read and annotate an ‘anchor text’ – an authentic piece of student writing -Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach -Apply: draft their own text directly into the writing pages included in each student folio. Why do you need Connecting Literacy? -Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend. -Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike. -Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics). -Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.

Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers.

What is Connecting Literacy?

A developmental literacy program for Secondary schools, including:

-3 student folios
-3 teacher books
-100s of video lessons hosted by literacy consultant, Hayley Harrison.

Who is Connecting Literacy for?

Secondary school students and teachers who:

-are embarking on whole-school literacy improvement, OR
-integrate literacy skills in the English classroom, OR
-attend a timetabled literacy block.

How does Connecting Literacy work?

With cumulative skill development over three books where students:

-Model: read and annotate an ‘anchor text’ – an authentic piece of student writing
-Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach
-Apply: draft their own text directly into the writing pages included in each student folio.

Why do you need Connecting Literacy?

-Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend.
-Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike.
-Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics).
-Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.

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<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

‘… so I can grow into the person I am and will ultimately be’<br />

Authored by<br />

Hayley<br />

Harrison<br />

and a team of students, just like you.<br />

<strong>Teacher</strong><br />

<strong>Book</strong>


‘… so I can grow into the person I am and will ultimately be’<br />

<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

<strong>Teacher</strong><br />

<strong>Book</strong><br />

Authored by<br />

Hayley<br />

Harrison<br />

and a team of students, just like you.


<strong>Connecting</strong> <strong>Literacy</strong><br />

<strong>Teacher</strong> <strong>Book</strong> 2<br />

1st edition<br />

Hayley Harrison<br />

Publisher: Catherine Charles-Brown<br />

Project editor: Naomi Saligari<br />

Copy editor: Naomi Saligari<br />

Proofreader: Kelly Robinson<br />

Cover and text design: Ana Cosma (anacosma.com)<br />

Typesetter: Paul Ryan<br />

Illustrator: QBS Learning<br />

The author and publisher are grateful to the following<br />

for permission to reproduce copyright material:<br />

Cover: Stocksy/Liliya Rodnikova<br />

Alamy/Science History Images, 71; iStockphoto/<br />

Kosolovskyy, 111, / Syntika, 51.<br />

Every effort has been made to identify copyright<br />

holders and obtain their permission for the use of<br />

copyright material. We actively solicit copyright<br />

holders or anyone with knowledge of copyright<br />

holders to come forward.<br />

Warning: It is recommended that Aboriginal and<br />

Torres Strait Islander peoples exercise caution when<br />

viewing this publication as it may contain images of<br />

deceased persons.<br />

Matilda Education Australia acknowledges all Aboriginal<br />

and Torres Strait Islander Traditional Custodians of<br />

Country and recognises their continuing connection to<br />

land, sea, culture, and community. We pay our respects<br />

to Elders past and present.<br />

First published in 2023 by Matilda Education Australia,<br />

an imprint of Meanwhile Education Pty Ltd<br />

Melbourne, Australia<br />

T: 1300 277 235<br />

E: customersupport@matildaed.com.au<br />

www.matildaeducation.com.au<br />

Copyright © Hayley Harrison 2023<br />

Copyright © Matilda Education 2023<br />

The moral rights of the authors have been asserted.<br />

All rights reserved. Except under the conditions<br />

described in the Copyright Act 1968 (Cth) of Australia<br />

(the Act) and subsequent amendments, no part of<br />

this publication may be reproduced, in any form or<br />

by any means, without the prior written permission<br />

of the copyright owner.<br />

Educational institutions copying any part of this book<br />

for educational purposes under the Act must be<br />

covered by a Copyright Agency Limited (CAL) licence<br />

for educational institutions and must have given<br />

a remuneration notice to CAL.<br />

These limitations include: restricting the copying<br />

to a maximum of one chapter or 10% of this book,<br />

whichever is greater. For details of the CAL licence<br />

for educational institutions, please contact:<br />

Copyright Agency Limited<br />

Level 11, 66 Goulburn Street<br />

Sydney, NSW 2000<br />

Toll-free phone number (landlines only): 1800066844<br />

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Email: memberservices@copyright.com.au<br />

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Publication data<br />

Author: Hayley Harrison<br />

Title: <strong>Connecting</strong> <strong>Literacy</strong> <strong>Teacher</strong> <strong>Book</strong> 2<br />

ISBN: 9780655091455<br />

A catalogue record for this<br />

book is available from the<br />

National Library of Australia<br />

Printed in Australia by Courtney Brands<br />

Oct-2022


<strong>Connecting</strong><br />

<strong>Literacy</strong><br />

Contents<br />

Introduction to literacy .........................<br />

iv<br />

Unit 1: Persuasive literacy ..................... 2<br />

Unit 2: Procedural literacy ..................... 24<br />

Unit 3: Imaginative literacy .................... 48<br />

Unit 4: Informative literacy .................... 70<br />

Unit 5: Analytical literacy ...................... 94<br />

Unit 6: Reflective literacy ...................... 120<br />

Unit 7: Comparative literacy .................. 142<br />

<strong>Literacy</strong> How-to .................................. 166<br />

Comprehension ............................... 166<br />

Planning and writing ......................... 169<br />

Structures and features ...................... 176<br />

Vocabulary ..................................... 183<br />

Syntax ........................................... 185<br />

Punctuation .................................... 190<br />

Spelling ......................................... 193<br />

Speaking and listening ....................... 202<br />

Introduction to literacy<br />

iii


Introduction to literacy<br />

<strong>Literacy</strong> is a complex amalgamation of skills that interweave and are applied when<br />

reading, writing, speaking, and listening. The goal of systematically and explicitly<br />

teaching individual literacy skills is to increase the effectiveness and efficiency of<br />

students’ communication. Mastering literacy skills requires a person to understand,<br />

consolidate, and build automaticity in individual skills and then combine these skills<br />

to develop as a critical reader, coherent writer, and confident speaker.<br />

The literacy skills and strategies presented in this book are designed to be individually<br />

taught, explored, consolidated, and built upon. This learning is then explicitly transferred<br />

beyond the classroom to help students in every part of their school and everyday<br />

lives. Teaching is supported by an instructional model that consists of prior knowledge<br />

activation, explicit teaching, collaboration, independent practise, and reflection. There<br />

are layers of teaching and learning support, including links to comprehension strategies,<br />

writing organisers, and formative assessment opportunities at a lesson and unit level.<br />

How to use <strong>Connecting</strong> <strong>Literacy</strong>: Model, practise, apply<br />

This book is divided into seven units – which are based on the different text types that students<br />

will encounter during school and beyond – and one <strong>Literacy</strong> How-to section, which is a complete<br />

reference guide that can be referred to throughout the book:<br />

• Unit 1: Persuasive literacy<br />

• Unit 2: Procedural literacy<br />

• Unit 3: Imaginative literacy<br />

• Unit 4: Informative literacy<br />

• Unit 5: Analytical literacy<br />

• Unit 6: Reflective literacy<br />

• Unit 7: Comparative literacy<br />

• <strong>Literacy</strong> How-to section.<br />

In each unit, the students model, practise, and apply specific literacy skills to a different text type.<br />

Model<br />

Each of the seven units begins with an anchor text. Each anchor text is a model that is<br />

designed to ‘anchor’ the students’ learning as they complete the activities in the unit.<br />

The anchor texts in this series were all written by students in years 7–10, from schools<br />

across Australia.<br />

Practise<br />

Each unit has eight lessons that focus on core literacy skills and strategies:<br />

1 comprehension<br />

5 syntax<br />

2 planning and writing<br />

6 punctuation<br />

3 structures and features<br />

7 spelling<br />

4 vocabulary<br />

8 speaking and listening.<br />

At the end of the book, there is a <strong>Literacy</strong> How-to section. This is a comprehensive<br />

literacy reference guide that is designed to support teachers and students by providing<br />

content, skills, and strategies that can be applied across the units. This section is<br />

designed to connect with prior knowledge activation, and to provide opportunities<br />

for clarification and extension of understanding and skill development.<br />

iv <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Apply<br />

In each lesson, comprehension strategies are suggested to help the students to complete the<br />

activities successfully. Each unit includes writing pages for students to use to draft and edit their<br />

own original texts. By containing their learning and application in the same book, students can<br />

build a comprehensive learning folio.<br />

STRATEGY<br />

Pause to<br />

wonder and<br />

connect.<br />

<strong>Connecting</strong> <strong>Literacy</strong><br />

Model, practise, apply<br />

Comparative texts<br />

SPEAKING &<br />

LISTENING<br />

3 Apply<br />

MY WRITING PAGES<br />

2 Practise<br />

COMPREHENSION<br />

Persuasive texts<br />

Refllective texts<br />

SPELLING<br />

PUNCTUATION<br />

1 Model<br />

ANCHOR TEXT<br />

A model text written<br />

by a student,<br />

just like you<br />

PLANNING &<br />

WRITING<br />

STRUCTURES &<br />

FEATURES<br />

Procedural texts<br />

Analytical texts<br />

SYNTAX<br />

VOCABULARY<br />

Imaginative texts<br />

Informative texts<br />

LITERACY HOW-TO<br />

Your go-to literacy reference guide, to support your every step<br />

Reflect<br />

Unit confidence scores: At the start of each unit, students are invited to rate their confidence about<br />

reading, writing, speaking, and listening to the particular text type. The intention is that students will<br />

return at the end of the unit to score their learning confidence again and to celebrate their success.<br />

Lesson confidence scores: Every lesson in the <strong>Connecting</strong> <strong>Literacy</strong> series culminates in students<br />

giving themselves a score out of five: this self-assessment promotes students’ awareness of their<br />

learning and understanding. This self-assessment also provides an opportunity for teachers to note<br />

any areas that require further class time or clarification.<br />

The students’ learning in each unit is brought together with a learning ladder. Using this chart,<br />

the students can self-assess their final writing and speaking and listening task (these tasks have<br />

a speaking and listening icon in the margin) and reflect on their learning throughout the unit.<br />

Introduction to literacy<br />

v


Persuasive literacy<br />

Developing your literacy skills involves practising your ability to read, write, speak, or listen<br />

to non-fiction texts that express a strong opinion. Persuasive texts try to convince a reader<br />

or listener to adopt the writer’s or speaker’s point of view about a topic. These texts<br />

use different persuasive techniques to achieve this purpose. Many different texts can be<br />

persuasive, including speeches, advertisements, debates, essays, letters, reviews, and articles.<br />

http://mea.<br />

digital/CL2_1_0<br />

Why do we create persuasive texts?<br />

The most important thing to know about a persuasive text is that it is created to convince someone<br />

to take up, or accept, the author’s opinion. A persuasive text shows how the author thinks and feels<br />

about a topic. Often a person chooses to create a persuasive text because they feel passionate<br />

about something. This is why persuasive texts are often highly emotional.<br />

Understanding for whom a persuasive text is written is important because authors change the type<br />

of language and devices they use to persuade, depending on the target audience. A persuasive<br />

text designed to sway a friend will sound very different to a persuasive text created for your<br />

school principal.<br />

1 Explain in your own words why persuasive texts are created.<br />

Persuasive texts are created so people can express their opinion on a topic. They are used to try to<br />

convince a specific audience to agree with the author and hopefully take action after engaging with<br />

the persuasive text.<br />

2 Give an example of a persuasive text you have read or written yourself. What made it persuasive?<br />

I wrote a persuasive speech in Year 7 to convince my class that soccer should be offered as a lunchtime<br />

sport at school. It was persuasive because I had to include different examples and reasons why the<br />

school should include soccer. I used lots of persuasive language to make the class agree to sign the<br />

petition I had written for the principal.<br />

Page 3<br />

3 Read the anchor text. This text is a model that will help you to ‘anchor’ your learning as you<br />

complete the activities in this unit. It will also assist you to draft your own persuasive speech.<br />

The anchor text was written by a student, just like you.<br />

Rate my<br />

confidence<br />

At the end of each lesson, you will rate how confident you are about your<br />

progress throughout the unit. Be as honest as you can; it’s your learning!<br />

4 How confident do you currently feel about reading, writing, speaking, and listening to persuasive<br />

texts? Give yourself a confidence score out of five. Come back at the end of the unit and score your<br />

confidence again.<br />

Start of the unit: DD \ MM \ YYYY<br />

End of the unit: DD \ MM \ YYYY<br />

1 2 3 4 5<br />

1 2 3 4 5<br />

Not very<br />

confident<br />

Somewhat<br />

confident<br />

Confident<br />

Highly<br />

confident<br />

Super<br />

confident<br />

Not very<br />

confident<br />

Somewhat<br />

confident<br />

Confident<br />

Highly<br />

confident<br />

Super<br />

confident<br />

2 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Anchor text<br />

Persuasive speech<br />

Paragraph one<br />

Paragraph two<br />

Paragraph three<br />

Paragraph four<br />

Superman: The ultimate hero<br />

Our teacher encouraged us to present our point of view on something that we are<br />

passionate about. Something that is important. Something life-changing. And what<br />

could be more important than Superman vs Batman? The ultimate ongoing rivalry<br />

between two superheroes within the super universe, dating all the way back<br />

to 1964! Despite all the controversy among film fanatics, however, the title of<br />

best superhero can only be bestowed to one, and that is … Superman. Now, Batman<br />

supporters, don’t be disheartened and don’t set your torches and pitchforks at me yet.<br />

From having extraordinary powers and unimaginable strength to being essentially<br />

invincible, I, Thanh Do, wholeheartedly believe that, Superman outshines the dark<br />

and gloomy Batman, and can assure you that, by the end of this speech, you too will<br />

reconsider your love for the man of bat and realise that Superman conquers all!<br />

To begin, Superman can fly! Need I say anything more? C’mon, let’s be real. No-one<br />

would rather be saved in a boring ‘invisible’ Batmobile, when they can instead get<br />

swooped into the sky as they’re falling off a building. Unlike Batman, Superman has<br />

powers that are literally in his DNA, and don’t rely on any external gadgets to save<br />

lives. Being a superhero is in his blood! Not only does he have the power of flight,<br />

but also remarkable speed, incredible hearing, ridiculous strength, and, coolest of all,<br />

solar‐hot lasers that come straight out of his eyeballs! And yes, I know, Batman<br />

is strong too, but we don’t call him the Man of Steel for nothing.<br />

Still not convinced? The man was born on another planet and as a human-looking<br />

alien, the dude’s basically invincible! The only substance that is Superman’s weakness<br />

is radioactive kryptonite and we can’t really get that from your local supermarket.<br />

This means, against the average bank-robbing villain, Superman is guaranteed to win<br />

and protect us all. Batman, on the other hand, not so much. Because … he is human,<br />

and, like us, he is vulnerable to all the dangers that being a human brings. So are you<br />

really willing to risk your life on some leather-clad human?<br />

Now, exposing the fact that Superman has superpowers and is invincible barely<br />

scratches the surface of Superman’s supreme awesomeness. It’s completely<br />

illogical and possibly illegal if you have any remaining thoughts that Batman even<br />

comes remotely close to the legend that is Superman. So quick quiz: who do YOU<br />

prefer more?<br />

Student author: Thanh Do<br />

Audience: Thanh’s class<br />

A final,<br />

memorable<br />

statement<br />

Introduction<br />

of the topic<br />

Repetition<br />

An engaging hook<br />

Emotive words<br />

Introduction of<br />

the contention<br />

Introduction<br />

of the speaker<br />

Exclusive language<br />

Rhetorical question<br />

A key argument<br />

Evidence to support<br />

the arguments<br />

Argument one:<br />

Superpowers<br />

versus gadgets<br />

An explanation of how<br />

the arguments prove<br />

the contention<br />

A key argument<br />

Argument two:<br />

Invincible<br />

versus human<br />

Evidence to support<br />

the arguments<br />

Inclusive language<br />

An explanation of<br />

how the arguments<br />

prove the contention<br />

Synthesis of the<br />

arguments in the<br />

contention<br />

Emotive language<br />

Emphasis<br />

The intention<br />

is made clear<br />

http://mea.digital/<br />

CL2_1_A<br />

Persuasive literacy ~ Unit  1<br />

3


1.1<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

Persuasive comprehension<br />

To understand the overall<br />

purpose of a persuasive text<br />

Part A: Question the text<br />

http://mea.digital/<br />

CL2_1_1<br />

We often don’t have time to complete a close analysis of every text we encounter, but spending<br />

time exploring key parts of a text can help us understand the text at a deeper level. One way to<br />

do this is to question the text. Asking questions can help us uncover parts of the text that may<br />

not have made sense, or that we missed, in our first reading.<br />

Page 3<br />

1 What is the author of the anchor text passionate about?<br />

That Superman is better than Batman<br />

2 What dates ‘all the way back to 1964’?<br />

The rivalry between Superman and Batman<br />

3 How are Superman’s powers ‘literally in his DNA’?<br />

They are a part of who he is; nothing has happened to him; he was born this way.<br />

STRATEGY<br />

Skim and<br />

scan the text<br />

for specific<br />

information.<br />

4 Why is Superman ‘basically’ invincible?<br />

Because he can be defeated by kryptonite, but this is not found on Earth, so he’s unlikely to die.<br />

5 Why is Superman ‘guaranteed to win’ while Batman is ‘vulnerable’?<br />

Nothing on Earth can kill Superman, because he is not human, but Batman is human so needs<br />

technology to help him.<br />

6 The author refers to Batman as ‘some leather-clad human’. How does this make the reader feel<br />

about Batman?<br />

Like he is trying too hard, pretending to be stronger than he really is.<br />

7 What questions could you ask to understand other parts of the anchor text? Think of six questions<br />

that start with ‘Who’, ‘What’, ‘When’, ‘Where’, Why’ and ‘How’.<br />

1 Who encouraged the students to present their points of view?<br />

2 What is Superman’s only weakness?<br />

3 When should supporters of Batman set their torches and pitchforks at Thanh?<br />

4 Where was Superman born?<br />

5 Why doesn’t Superman rely on external gadgets?<br />

6 How does Thanh finish her speech?<br />

4 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: Contention and intention<br />

To comprehend a persuasive text, we must understand the text’s contention (its main idea) and<br />

the text’s intention (its call to action). The contention is what we are being asked to think, while<br />

the intention is what we are being asked to do after reading or listening to a text. One way to<br />

find the contention of a text is to list the text’s main arguments and underline the keywords in<br />

those arguments. Next, draw together the keywords into a statement. This statement is the<br />

text’s contention.<br />

For example, imagine a persuasive speech titled ‘Cats: The ultimate pet’, which explores the<br />

topic of cats being superior to dogs.<br />

Page 166<br />

Comprehension<br />

strategies<br />

The text’s main arguments with<br />

keywords underlined<br />

Evidence<br />

1 Cats are self-sufficient. Listing all the tasks a dog owner needs<br />

to complete in a day to entertain their pet<br />

2 Cats are more affordable. Noting the price of expensive dog grooming<br />

appointments and dog toys and treats<br />

Contention (the main idea): Cats are better than dogs because they are more self-sufficient and<br />

affordable pets than dogs.<br />

Intention (the call to action): Persuading the audience to adopt a cat as a pet rather than a dog.<br />

8 Annotate the anchor text by numbering the paragraphs and labelling the two main arguments.<br />

9 Using the example above as a model, complete the table below for the anchor text. Hint: Underline<br />

the keywords in the arguments to help you write the contention.<br />

1<br />

The text’s arguments with keywords underlined<br />

Superman has inherent superpowers,<br />

while Batman relies on gadgets.<br />

Evidence<br />

List the superpowers that are a part<br />

of Superman’s DNA<br />

Page 3<br />

STRATEGY<br />

Identify and<br />

understand<br />

the pieces<br />

of the text.<br />

2<br />

Superman is invincible, while Batman<br />

is human.<br />

Kryptonite is the only substance that<br />

can kill Superman.<br />

Contention (the main idea):<br />

Superman is better than Batman because he has superpowers and is invincible, while Batman<br />

only has gadgets and is human.<br />

Intention (the call to action):<br />

The speech should make me think that Superman is way better than Batman.<br />

I understand the overall purpose of a persuasive text: ______ / 5<br />

Next time you are working with a challenging text in another subject, try numbering<br />

and labelling the paragraphs. This may help you to ‘see’ the overall purpose of the text.<br />

TAKE IT<br />

WITH YOU<br />

1.1 Persuasive comprehension 5


1.2<br />

Persuasive planning and writing<br />

Part A: Develop your arguments<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand how<br />

to plan and develop<br />

my persuasive speech<br />

http://mea.digital/<br />

CL2_1_2<br />

Page 20<br />

Whenever you are asked to construct a persuasive text, you need to spend time understanding the<br />

topic, considering alternative perspectives, and developing clear and strong arguments. How you<br />

develop those arguments will determine how strong your persuasive text will end up being.<br />

Your writing task for this unit is to write a short speech, which will be similar to the<br />

anchor text in purpose, audience, and length. In this speech, you will present your point<br />

of view on something you are passionate about.<br />

1 Select a topic that you are passionate about. Select a topic that has different perspectives. What is it?<br />

Pineapple is perfect on pizza.<br />

2 To help you brainstorm ideas that can be used as arguments in your speech, ask ‘why’ questions.<br />

For example: Why do you think Superman is better than Batman? Why is he stronger? Why is<br />

he invincible? Write answers to your why questions. These can help form the arguments in<br />

your persuasive text.<br />

Why is pineapple so perfect on pizza<br />

?<br />

Pineapple adds a touch of sweetness to a savoury dish. This makes the overall dish more delicious.<br />

Why do some people disagree<br />

?<br />

Some people don’t like sweet and savoury flavours together.<br />

Why should people eat pineapple on pizza<br />

?<br />

Pineapple has vitamin C and minerals that help with digestion; this makes pizza healthier.<br />

3 Using the answers to the why questions you developed in Question 2, select two main arguments<br />

to use in your speech to convince your audience.<br />

Topic:<br />

Argument one<br />

Pineapple adds sweetness to this savoury dish, which makes the whole dish<br />

more delicious.<br />

Argument two<br />

Having pineapple on pizza makes this dish healthier.<br />

4 Using your topic and the key words from your arguments, write the contention of your speech.<br />

Pineapple should always go on pizza because it makes it healthier and more delicious.<br />

6 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: Revise your text for your audience and purpose<br />

Your speech will be delivered to your peers. Knowing your audience is important because you<br />

need to decide what language and evidence is appropriate for your audience and purpose.<br />

5 What do you want the audience to do after listening to your speech? What is your call to action –<br />

your intention? (Remember, you might want to change how they think about the topic, or you<br />

might want them to do something after listening to your speech.)<br />

After listening to my speech, I want the members of my audience to try pineapple on pizza.<br />

6 How might your classmates feel about your topic?<br />

My classmates are likely to already strongly agree or disagree with my topic.<br />

7 Use your findings from Questions 5 and 6 to rewrite your arguments in the following table and then<br />

choose evidence that will connect to your audience while supporting your arguments.<br />

Arguments<br />

Argument one:<br />

Pineapple adds sweetness<br />

to this savoury dish, which<br />

makes it more delicious.<br />

Evidence<br />

• Many savoury foods have been made more delicious by adding<br />

sweetness (and vice versa). For example, peanut butter and<br />

jelly, salted caramel, and chilli and chocolate.<br />

STRATEGY<br />

Understand<br />

the purpose<br />

of the text<br />

or feature.<br />

Page 174<br />

Finding<br />

appropriate<br />

evidence<br />

Argument two:<br />

Having pineapple on pizza<br />

makes this dish healthier.<br />

There is vitamin C in pineapple; this vitamin:<br />

• improves immunity<br />

• helps digestion<br />

• strengthens bones<br />

• improves eye health.<br />

Page 174<br />

Turning a plan<br />

into a draft<br />

8 Using the anchor text as a model and the arguments and evidence you identified in Question 7,<br />

write a draft of your speech. You can write your draft in the writing pages at the end of this unit.<br />

We will continue to revise your speech throughout the unit, so for now, write the first draft,<br />

knowing it doesn’t have to be perfect, but it is enough to start experimenting with.<br />

Page 20<br />

I understand how to plan and develop my persuasive speech: ______ / 5<br />

We only asked ‘why’ three times during this lesson, but you can keep asking ‘why’<br />

until you run out of answers. Try asking ‘why?’ next time you are brainstorming<br />

ideas in another class.<br />

TAKE IT<br />

WITH YOU<br />

1.2 Persuasive planning and writing 7


1.3<br />

Persuasive structures<br />

and features<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand the key structural<br />

elements and language features<br />

of persuasive speeches<br />

Part A: Persuasive speeches<br />

http://mea.digital/<br />

CL2_1_3<br />

There are a lot of similarities between persuasive speeches and essays because we tend to plan<br />

both texts in a similar way. However, writing a speech is different to writing an essay because<br />

the structures and features of a speech are different to those of an essay.<br />

1 On the anchor text, identify and label the following structural elements of a speech.<br />

Page 3<br />

Opening Body Closing<br />

• An engaging hook<br />

• Introduction of the topic<br />

• Introduction of<br />

the speaker<br />

• Introduction of<br />

the contention<br />

• Introduction of the key<br />

arguments<br />

• Evidence to support the<br />

arguments<br />

• Explanation of how the<br />

arguments prove the contention<br />

• Synthesis of the arguments<br />

in the contention<br />

• The intention is made clear<br />

• A final, memorable<br />

statement<br />

STRATEGY<br />

Re-read the<br />

text at a slower<br />

pace to search<br />

for specific<br />

information.<br />

2 What are some of the language features you can identify in the anchor text speech? (For example,<br />

perspective, tense, tone, emphasis, word choice, etc.)<br />

Language features:<br />

• First-person perspective<br />

• Present tense<br />

• Signposts/transitions<br />

• Persuasive devices<br />

• Pause for effect<br />

• Speaking directly to the audience<br />

• Shifts in tone<br />

Page 176<br />

Text forms<br />

3 What are the similarities and differences between the structural elements and language features<br />

of a persuasive speech and a persuasive essay? (For example, consider what it looks like, what<br />

language is used, what techniques are used, its audience and purpose, etc.)<br />

Similarities<br />

• Answer a question<br />

• Have a contention<br />

• Use evidence to support ideas<br />

• Have introduction, body, and<br />

conclusion paragraphs<br />

Differences<br />

Persuasive speeches<br />

• Introduce yourself<br />

in the introduction<br />

• Have very different<br />

features in writing<br />

Persuasive essays<br />

• Don’t use first-person<br />

persepctive or speak<br />

to the audience or<br />

use many of the<br />

persuasive devices<br />

Part B: Persuasive devices<br />

One of the most common features of persuasive writing is the use of persuasive devices. These<br />

devices are language choices that make a text more persuasive. For example, repeating important<br />

words or phrases makes it more likely that the audience will remember the key persuasive points.<br />

8 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


4 In the anchor text, highlight a sentence that uses inclusive language and a sentence that uses<br />

exclusive language. Explain how inclusive and exclusive language are different, but can both<br />

be persuasive.<br />

Inclusive language: ‘but we don’t call him the Man of Steel for nothing’<br />

Page 3<br />

Exclusive language:<br />

‘are you really willing to risk your life on some leather-clad human?’<br />

How they are different and persuasive:<br />

Inclusive language uses words such as ‘us’ or ‘we’ so it makes the audience feel like they are<br />

a part of the speech. Exclusive language uses words such as ‘I’ or ‘you’ to separate what the<br />

author thinks from the audience and makes the audience question what they are doing differently.<br />

5 Highlight examples of the following persuasive devices in the anchor text. Explain what effect each<br />

device has on the speech.<br />

Persuasive<br />

device<br />

Repetition<br />

Rhetorical<br />

question<br />

Emotive<br />

language<br />

Emphasis<br />

How to find it in a text<br />

Look for the same word<br />

or phrase repeated in a<br />

paragraph, or throughout<br />

the whole text.<br />

Look for a question mark.<br />

Look for descriptive<br />

words.<br />

Look for italics, words<br />

written in CAPITAL<br />

letters, words in bold<br />

or colour.<br />

Example from the<br />

anchor text<br />

‘something that …’<br />

‘something that …’<br />

‘something<br />

life-changing’<br />

‘Need I say anything<br />

more?’<br />

‘remarkable speed,<br />

incredible hearing,<br />

ridiculous strength’<br />

‘Man of Steel’ (italics)<br />

‘who do YOU prefer’<br />

(capitalisation)<br />

What effect does the<br />

device have?<br />

Repeating ‘something’ made<br />

the last ‘life-changing’ word<br />

stand out as important.<br />

By asking questions and<br />

not giving time to answer,<br />

it seems the answer is what<br />

the speaker wants.<br />

Using words that make the<br />

audience feel the way the<br />

speaker wants them to feel.<br />

By emphasising words, they<br />

stand out as important and<br />

show the tone of voice a<br />

speaker might use.<br />

STRATEGY<br />

Pause<br />

to wonder<br />

and connect.<br />

6 What other persuasive devices can you find in the anchor text?<br />

alliteration, hyperbole, connotation, appeals, facts, reason and logic, variety of sentence lengths,<br />

modality, tonal shifts<br />

7 a Identify the structural elements and language features in your speech.<br />

b What devices have you used in your speech?<br />

c How could you make your speech more persuasive?<br />

d Revise your draft by focusing on the structural elements and language features used throughout.<br />

Page 20<br />

I understand the key structural elements and language features of persuasive speeches: ______ / 5<br />

Try noticing the similarities and differences in both the structural elements and the language<br />

features of different writing types outside of this class. Can you identify any texts where you<br />

find (or can use) persuasive devices even though the text isn’t persuasive?<br />

TAKE IT<br />

WITH YOU<br />

1.3 Persuasive structures and features 9


1.4<br />

L E A R N I N G<br />

Persuasive vocabulary<br />

I N T E N T I O N :<br />

To understand emotive language,<br />

denotation, and connotation<br />

in persuasive writing<br />

Part A: Emotive language<br />

http://mea.digital/<br />

CL2_1_4<br />

Writers use emotive language to express their feelings. We can also use emotive language to appeal<br />

to certain feelings in our audience.<br />

1 How do the following emotive words make you feel about ‘the student’?<br />

STRATEGY<br />

Connect to<br />

the feeling<br />

of a word.<br />

a The innocent student:<br />

b The lethal student:<br />

c The excessive student:<br />

d The underestimated student:<br />

e The humiliated student:<br />

f The outstanding student:<br />

they are a victim, they are little, vulnerable<br />

they are brutal, they are dangerous, harsh<br />

they are extravagant, they are too much, over the top<br />

they are undervalued, they aren’t believed in<br />

they are embarrassed, they feel shame<br />

they are valued, they have achieved<br />

2 Highlight the emotive words in paragraph one of the anchor text.<br />

Page 3<br />

3 How is the author making you feel about Superman? Quote words from the anchor text in<br />

your answer.<br />

That Superman is ‘incredible’, ‘remarkable’, and ‘awesome’<br />

4 How is the writer making you feel about Batman? Quote words from the anchor text in<br />

your answer.<br />

That he is ‘dark and gloomy’ and ‘vulnerable to all the dangers’<br />

5 The following excerpt makes the reader feel sorry for left-handed people and angry towards<br />

right‐handed people. Change the bolded emotive words so the reader feels frustrated towards<br />

left‐handed people and supportive of right-handed people.<br />

For years, many cultures have labelled innocent trouble-making left-handed people<br />

as disadvantaged and have aggressively meaningfully tried to convert them.<br />

Cruel Kind<br />

right-handers forced supported left-handers to use their right<br />

hands and any resistance was punished re-educated . But left-handed people are said to use<br />

the right side of their brain more, making them more creative, emotional and better at sports.<br />

Such positive fictional facts highlight that this ruthless necessary vilification<br />

actually comes from jealousy acceptance more than anything else.<br />

10 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: Denotation and connotation<br />

Denotation is the standard definition of a word – what a word literally means – whereas connotation<br />

is the feeling evoked by a word.<br />

Denotation: To pour, to make liquid flow. For example: Please pour me a glass of water.<br />

Connotation: To pour, the feeling of juggling too many things. For example: The work continued<br />

to pour in.<br />

We can classify connotations into either negative or positive. The power of understanding a word’s<br />

connotation is that you can control how your reader feels about a topic, object or person. This is<br />

where you can be powerfully persuasive!<br />

6 Complete the following table by identifying how these words from the anchor text are used.<br />

Word<br />

Positive or<br />

negative<br />

connotation<br />

Denotation (the word’s<br />

definition or literal meaning)<br />

Connotation (the word’s<br />

implied meaning)<br />

Page 3<br />

Unimaginable Positive Impossible to imagine A hugely impressive amount<br />

Swooped<br />

Positive<br />

Move quickly downward<br />

in the air<br />

Safely caught and fly happily<br />

through the air<br />

Average<br />

Negative<br />

The typical version of<br />

a group<br />

Mediocre, not very good<br />

Risk<br />

Negative<br />

Be exposed to danger<br />

Choosing to put yourself<br />

in danger<br />

7 What is a synonym with an alternate connotation for each of for the following words?<br />

Positive connotation<br />

Unique<br />

Steadfast/determined<br />

Curious<br />

Challenging/complex<br />

Vintage<br />

Meticulous/selective<br />

Relaxed<br />

Negative connotation<br />

Weird<br />

Stubborn<br />

Nosy/busybody<br />

Difficult<br />

Decrepit/old/outdated<br />

Picky<br />

Lackadaisical/lazy<br />

Page 183<br />

Word meanings<br />

8 a How do you want your audience to feel during your speech?<br />

b Revise your speech to appeal to your audience’s feelings. Experiment with your language choices<br />

to make them more emotive. Include more descriptive words so your audience knows how to<br />

feel about what you are talking about.<br />

Page 20<br />

I understand emotive language, denotation, and connotation in persuasive writing: ______ / 5<br />

Notice how different texts use positive and negative language regardless of the subject.<br />

Next time you are writing, experiment with emotive language and see how it changes<br />

what you are trying to express.<br />

TAKE IT<br />

WITH YOU<br />

1.4 Persuasive vocabulary 11


1.5<br />

Persuasive syntax<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand the differences between<br />

spoken and written language, including<br />

maintaining the subject–verb agreement<br />

Part A: Spoken versus written language<br />

http://mea.digital/<br />

CL2_1_5<br />

It is not just language choices that change depending on audience and purpose. Syntax (sentence<br />

structure) changes too. This is even more evident between spoken and written texts. We know<br />

spoken and written language sounds different syntactically but we have to write the way we want<br />

to speak when writing a speech.<br />

1 What are the key similarities and differences between spoken language and written language?<br />

Page 204<br />

Spoken versus<br />

written language<br />

STRATEGY<br />

Connect with<br />

the language<br />

choices.<br />

Similarities<br />

• Both use the same<br />

language (i.e. English)<br />

• Both are used to<br />

communicate ideas and<br />

feelings to other people<br />

Differences<br />

Spoken language<br />

• Speaking and listening skills<br />

• Less formal: lots of<br />

repetition, incomplete<br />

sentences, etc.<br />

• May be less grammatically<br />

correct<br />

• Used between people in<br />

the same place<br />

• Uses tone, pitch, volume,<br />

pace<br />

• Is temporary, in<br />

the moment<br />

Written language<br />

• Reading and writing skills<br />

• Often more formal<br />

• More grammatically<br />

correct<br />

• Often used to<br />

communicate in different<br />

time and place<br />

• Uses punctuation,<br />

formatting<br />

• Is permanent and can<br />

be kept<br />

• An explicitly learned skill<br />

Page 3<br />

2 How have the following sentences in the anchor text been written to make them sound more like<br />

the way a person speaks?<br />

a ‘Now, Batman supporters, don’t be disheartened and don’t set your torches and pitchforks at<br />

me yet.’<br />

Talking directly to the supporters<br />

b ‘C’mon, let’s be real.’<br />

Using colloquial language<br />

c ‘And yes, I know, Batman is strong too …’<br />

Pretending to answer a question from the audience<br />

3 Change the following spoken sentences into formal written sentences.<br />

a Awwww man, like everyone thinks soccer is totes better than football!<br />

Most people believe soccer is significantly better than football.<br />

b I’d be shook if you peeps didn’t get what I’m putting down.<br />

I would be surprised if anyone here didn’t understand my point of view.<br />

4 Record yourself talking about dinosaurs for 10 seconds. Transcribe what you said exactly, then<br />

rewrite your words to make them sound more formal.<br />

12 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: Subject–verb agreement<br />

Every sentence needs a subject (someone or something doing something) and a predicate<br />

(which includes a main verb to show what the subject is doing).<br />

In English sentences, the subject and the predicate (or verb) must ‘agree’ with each other.<br />

Page 188<br />

Subject and<br />

predicate<br />

What this means is:<br />

• if a subject is singular (one), the verb must also be singular<br />

• if a subject is plural (more than one), the verb must also be plural.<br />

For example: The research suggests that the benefits of treatments depend on their purpose.<br />

5 Determine whether the following words are singular or plural, and subjects or verbs.<br />

Word Singular or plural? Subject or verb?<br />

author<br />

presents<br />

she<br />

have<br />

those<br />

are<br />

singular<br />

singular<br />

singular<br />

plural<br />

plural<br />

plural<br />

subject<br />

verb<br />

subject<br />

verb<br />

subject<br />

verb<br />

6 Rewrite the following sentences so that all the subjects and verbs agree.<br />

a The graph show that 15 per cent of 13–18-year-olds has their phobia for life; however, only<br />

one per cent of those with a severe phobia has it for life.<br />

The graph shows that 15 per cent of 13–18-year-olds have their phobia for life; however, only<br />

one per cent of those with a severe phobia have it for life.<br />

b Females is three per cent more likely to have a phobia for life than males and a 10–14-year-old<br />

are two per cent more likely to have a lifetime phobia than a 15–18-year-old.<br />

Females are three per cent more likely to have a phobia for life than males and a 10–14-year-old<br />

is two per cent more likely to have a lifetime phobia than a 15–18-year-old.<br />

7 a Does your speech read like a text that is intended to be spoken?<br />

b How can you find the balance between writing formally and writing a text that is intended<br />

to be spoken to your class?<br />

Page 20<br />

c Make sure your subjects and verbs all agree!<br />

I understand the differences between spoken and written language,<br />

including maintaining the subject–verb agreement: ______ / 5<br />

If you struggle to put your words into writing in any subject, try speaking the words<br />

first and then play around with making them sound more formal depending on the text<br />

type. Although spoken and written language are different, there are many similarities,<br />

including the fact that the subject and the verb always agree.<br />

TAKE IT<br />

WITH YOU<br />

1.5 Persuasive syntax 13


1.6<br />

L E A R N I N G<br />

Persuasive punctuation<br />

I N T E N T I O N :<br />

To understand the impact<br />

exclamation and question marks<br />

have on a written text<br />

Part A: Exclamation marks!<br />

http://mea.digital/<br />

CL2_1_6<br />

Page 190<br />

Types of<br />

punctuation<br />

Page 3<br />

Exclamation marks allow us to show emphasis and emotion in a sentence. They can be powerful<br />

in a written text in many ways but need to be controlled. Using too many is not more persuasive,<br />

and often less formal.<br />

1 In the following sentences from the anchor text, the author has emphasised particular emotions<br />

and feelings by using exclamation marks. Identify these emotions and feelings.<br />

a ‘… dating all the way back to 1964!’<br />

emphasis, shock, amazement<br />

b ‘Superman can fly!’<br />

emphasis, amazement, excitement<br />

c ‘… the dude’s basically invincible!’<br />

emphasis, exaggeration, incredulity<br />

2 Write a sentence, using an exclamation mark, to show the following emotions.<br />

a Fear His knees trembled as he crept around the corner into darkness!<br />

b Joy My heart sang!<br />

c Urgency We need to do something about the state of our world, TODAY!<br />

STRATEGY<br />

Connect the<br />

punctuation<br />

to what is<br />

being said.<br />

Part B: Question marks?<br />

Questions in a speech are called rhetorical questions. This is because the answer is assumed;<br />

no response is expected or required by the audience. Rhetorical questions can be compelling in<br />

persuasive texts (both written and spoken) because the writer or speaker controls how the audience<br />

answers the question. However, like anything effective, rhetorical questions have to be controlled.<br />

A few can be persuasive, too many can be overwhelming and you can end up not saying anything.<br />

If your sentence includes a question mark and quotation marks, remember:<br />

• if the question relates to the words in the quote, then the question mark stays in the<br />

quotation marks<br />

For example: She asked him, ‘If you really want to change the world, how are you going to do it?’<br />

• if the question is part of the sentence rather than the quote, then it goes outside the<br />

quotation marks<br />

For example: What did you mean when you said, ‘Little changes make the greatest impact’?<br />

• if it applies to both the words and the sentence, use it just once, inside the quotation marks.<br />

For example: Did anyone ever ask you, ‘Do you like the world the way it is?’<br />

14 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


3 Identify an example of a rhetorical question in the anchor text.<br />

Still not convinced?<br />

4 Why are rhetorical questions so persuasive?<br />

Page 3<br />

They force the audience to answer the question the way the speaker wants them to answer it,<br />

making it feel like they are agreeing in their mind.<br />

5 For each of the following sentences, decide whether the question mark should be placed inside or<br />

outside the quotation marks.<br />

a She raised her hand and asked, ‘If the tongue is so important, why don’t we learn more about it’<br />

Inside<br />

b When can we use a fact, such as ‘the tongue print is unique, just like fingerprints’<br />

Outside<br />

c What if I ask you, ‘What do you need to learn to make better life choices’<br />

Inside<br />

Part C: The interrobang?!<br />

The interrobang is the combination of a question mark with an exclamation mark (?!) or the<br />

combination of multiple question marks and exclamation marks (!?!). While the interrobang is<br />

certainly not a formal technique, it is becoming more acceptable in informal written language. It is<br />

still a non‐standard form of punctuation but it is used to show an exclamation that takes the form<br />

of a question.<br />

6 In which of the following texts is it appropriate to use an interrobang for emphasis?<br />

An email or text message to a friend<br />

An email or letter to the principal<br />

An advertisement or marketing material<br />

An information or research report<br />

A speech to show emphasis<br />

An analytical essay<br />

7 Can you think of any other written texts where it is appropriate to use an interrobang?<br />

Any creative writing task (poetry, short stories, scripts, etc.), any informal writing (social media,<br />

gaming chats, etc.), any sales material (some brochures, billboards, etc.)<br />

8 a Revise your speech to use exclamation marks to evoke different emotions. Although the<br />

audience won’t see them, they will help you use the right tone.<br />

b Rhetorical questions are compelling in persuasive writing. Have you used any rhetorical questions<br />

in your speech? Revise your speech to include at least one.<br />

Page 20<br />

I understand the impact exclamation and question marks have on a written text: ______ / 5<br />

Notice the types of texts in other subjects that use exclamation and/or question marks,<br />

particularly in quotes. Be inquisitive about how and why these marks are used.<br />

TAKE IT<br />

WITH YOU<br />

1.6 Persuasive punctuation 15


1.7<br />

Persuasive spelling<br />

Part A: Prefixes<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand how<br />

prefixes and suffixes<br />

impact words<br />

http://mea.digital/<br />

CL2_1_7<br />

A prefix is a group of letters added to the beginning of a word to make a new word with a different<br />

meaning. Each prefix has its own meaning. Adding a prefix to a word can make the word opposite<br />

(nonsense), negative (unlikely), or show time (preschool), manner (overgrow), or an amount (monorail).<br />

Even the word ‘prefix’ helps you know what it means:<br />

pre = before fix = to join prefix = to join before a word<br />

Understanding prefixes helps our spelling because we can see patterns in the way words work.<br />

Page 197<br />

Bases and affixes<br />

Prefixes placed before freebase words (words that can stand on their own) generally make a lot<br />

of sense. However, prefixes are often placed before bound bases (these cannot stand on their own).<br />

These are more complex because we see the whole word and can miss the prefix.<br />

For example:<br />

Free base<br />

dis = reverse/negative; respect = to admire<br />

disrespect = to not admire someone/something<br />

Bound base<br />

de = reverse or change; struct = to build<br />

destruct = to destroy something built<br />

STRATEGY<br />

Consider the<br />

meaning and<br />

pronunciation<br />

of familiar<br />

parts of<br />

the word.<br />

1 Complete the following table and note the impact of adding prefixes to different words.<br />

Prefix<br />

in<br />

il<br />

im<br />

ir<br />

(These are all<br />

assimilated prefixes.)<br />

dis<br />

Prefix<br />

meaning<br />

not,<br />

opposite<br />

or without<br />

reverse or<br />

negative of<br />

the word<br />

Base word<br />

possible<br />

valuable<br />

responsible<br />

legal<br />

credit<br />

agree<br />

cover<br />

New word<br />

created<br />

Other words that use<br />

the prefix<br />

impossible impressive impassable<br />

invaluable<br />

irresponsible<br />

illuminate illegible<br />

inconvenient indecisive<br />

irreplaceable irregular<br />

illegal<br />

discredit dissimilar discontent<br />

disordered discolour<br />

disagree<br />

dismay disarm<br />

discover<br />

2 For each of the following bound bases, select which prefix is correct: in, il, im, or ir. As a rule,<br />

il before l, im before p, m, or b, ir before r, and for all other letters use in.<br />

a im proper<br />

d in adequate<br />

g in grown<br />

b im balance<br />

e il logical<br />

h in sight<br />

c ir rational<br />

f il legitimate<br />

i in edible<br />

Page 3<br />

3 Explore the words in the table below from the anchor text. Work out the overall meaning of each<br />

word, using your knowledge of the prefix.<br />

Word Prefix meaning Base word meaning Overall meaning<br />

disheartened<br />

illogical<br />

incredible<br />

dis = reverse or<br />

negative<br />

il = not or<br />

opposite<br />

in = not or<br />

opposite<br />

heartened = to put<br />

heart into<br />

logic = based<br />

on reason<br />

credible = to believe<br />

Not having heart in something<br />

Not having reason<br />

Unable to believe<br />

16 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: Suffixes<br />

A suffix is a group of letters added to the end of a word to make a new word with a different<br />

meaning. Unlike a prefix, which changes the meaning of a word, a suffix changes the grammatical<br />

function of a word.<br />

Suffixes can create a plural, or change the tense:<br />

For example: declare + s = declares; declare + ed = declared; declare + ing = declaring<br />

Suffixes can also completely change how a word can grammatically be used.<br />

For example: ‘Declare’ is a verb, but add a suffix and suddenly it can be:<br />

declare + er = declarer (changes to a noun = a person)<br />

declare + ation = declaration (changes to a noun = a process)<br />

declare + ative = declarative (changes to an adjective = describing a noun)<br />

4 Change the verb ‘contend’ by adding appropriate suffixes.<br />

Original word Change to … New word<br />

contend past tense They … contended<br />

contend adjective (describing a noun) They are … contentious<br />

contend noun (person) The … contender<br />

STRATEGY<br />

Connect the<br />

word to its<br />

function.<br />

5 Using the spelling guide in the <strong>Literacy</strong> How-to section (page 193), work out the correct spelling<br />

for the following words and their suffixes. Then, identify which spelling generalisation is used for<br />

each word.<br />

a begin + ing<br />

b encourage + ment<br />

c defy + es<br />

d bore + ing<br />

e cool + est<br />

f awesome + ness<br />

g bare + ly<br />

beginning<br />

encouragement<br />

defies<br />

boring<br />

coolest<br />

awesomeness<br />

barely<br />

The doubling generalisation<br />

The e generalisation<br />

The y to i generalisation<br />

The e generalisation<br />

The doubling generalisation<br />

The e generalisation<br />

The e generalisation<br />

Page 199<br />

Spelling<br />

generalisations<br />

6 a Have you accurately used prefixes and suffixes and in your persuasive speech? How many have<br />

you used?<br />

b Edit your speech, focusing on your spelling throughout.<br />

Page 20<br />

7 Suffixes change the grammatical functions of words. Find an example in the anchor text of a word<br />

that uses a suffix to function in the follow ways:<br />

a Past tense bestowed<br />

c Adverb barely<br />

Page 3<br />

b Adjective remarkable<br />

d Noun<br />

awesomeness<br />

I understand how prefixes and suffixes impact words: ______ / 5<br />

Observe how many prefixes and suffixes are used in all your subjects. Their meaning does<br />

not change, so you can feel confident to experiment with changing the affix of different<br />

words to see how many new words you suddenly have to choose from in your own writing.<br />

TAKE IT<br />

WITH YOU<br />

1.7 Persuasive spelling 17


1.8<br />

Persuasive speaking and listening<br />

Part A: Voice and body language<br />

L E A R N I N G<br />

I N T E N T I O N :<br />

To understand<br />

how people speak<br />

persuasively for<br />

different audiences<br />

and purposes<br />

http://mea.digital/<br />

CL2_1_8<br />

Page 202<br />

Voice and body<br />

language<br />

STRATEGY<br />

Identify and<br />

understand<br />

the pieces of<br />

the text.<br />

You might have the most amazingly written speech ever created, but if it is not presented<br />

convincingly, it will not persuade anyone of anything!<br />

How a spoken text is presented has a lot to do with how persuasive it is. This comes down to<br />

two things:<br />

• our voice (tone, pitch, volume, pause, pace, emphasis, and expression<br />

• our body language (eye contact, facial expressions, gestures, and posture).<br />

A speaker can use punctuation and formatting (italics, bold, CAPITAL LETTERS) in their writing<br />

to help them deliver a speech the way it was intended.<br />

1 Read the third paragraph of the anchor text aloud to a classmate as follows (have fun with it!):<br />

a Read it with no expression, don’t present it.<br />

b Pretend your friend is on the other side of the oval and you don’t have a microphone.<br />

c Read it as quickly as possible.<br />

Page 3<br />

d Choose six random words to emphasise while reading the paragraph.<br />

e Film yourself presenting the paragraph using your best voice and body language.<br />

2 What was the most surprising discovery you made while completing this experiment?<br />

Student answers will vary, but they should notice that by taking things to the extreme, they could<br />

see how a good speech can lose all impact if not presented properly.<br />

3 Which focus was the most effective, persuasive and engaging? Why?<br />

Student answers will vary, but hopefully it will be the final focus because they had rehearsed it<br />

and thought about an effective way to present it. Of course some may say the others because<br />

they were entertaining and more enjoyable to complete …<br />

4 Watch the video of the anchor text by scanning the QR code on page 3.<br />

Page 3<br />

5 List the different ways the speaker used their voice and body to be persuasive.<br />

Voice<br />

Good pace<br />

Speaks clearly<br />

Uses tone and expression<br />

Good volume<br />

Uses pauses<br />

Body language<br />

Makes eye contact<br />

Uses facial expressions<br />

Makes gestures with her hands<br />

Stands up straight<br />

Faces the audience<br />

18 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Part B: The active audience<br />

We are surrounded by persuasive texts. People and companies are constantly trying to convince<br />

us to buy something, do something, think something, or feel a certain way about something.<br />

While some spoken and audio-visual persuasive texts are obvious in their intention (for example,<br />

commercials are trying to sell us something), there are plenty of other situations where someone<br />

is speaking persuasively.<br />

An active listener is someone who gives their full attention to the speaker. They are polite, make eye<br />

contact, and ask clarifying questions if appropriate. However, being an active listener is also about<br />

understanding what the speaker is trying to say and knowing how to respond appropriately.<br />

STRATEGY<br />

Pause to<br />

wonder and<br />

connect.<br />

6 Draw an arrow from each of the following situations to the appropriate audience response.<br />

Situation<br />

At a loud music concert<br />

Someone presenting at an assembly<br />

At a tennis match<br />

At a political rally<br />

Someone giving a wedding speech<br />

Appropriate audience response<br />

Being quiet during play and then clapping<br />

and yelling at the winning point<br />

Yelling, singing, talking, and dancing;<br />

clapping at the end of songs<br />

Laughing at appropriate sections, cheering<br />

at the end<br />

Listening quietly, eyes focused on the<br />

speaker, clapping at the end<br />

Talking, chanting, and clapping<br />

7 What are the appropriate ways to be an active audience member when listening to a classmate’s speech?<br />

I can be a good audience member by not distracting the person who is presenting. I can laugh<br />

or clap at the appropriate times and I can try my best not to look bored as they are speaking.<br />

8 You have spent this unit revising your speech into a quality piece of writing. Now you need to<br />

rehearse your speech so it is ready to be presented to your class. You should rehearse or practise<br />

your speech until you know it well enough so you don’t have to read every word and you can<br />

make eye contact with members of your audience. Rehearsing your speech will also help you to<br />

find a good pace, know where the pauses are, what words need emphasis, and what tone of voice<br />

works best in which parts.<br />

9 Think about presenting your speech. What are you feeling most confident about?<br />

I’m confident about getting up in front of my class and presenting. I like drama, so I can treat this<br />

like putting on a performance.<br />

10 Think about presenting your speech. What are you feeling most nervous about? How might you<br />

overcome these nerves?<br />

I’m most nervous about my classmates distracting me or putting me off, or that I might get lost<br />

in the speech and forget what comes next.<br />

I understand how people speak persuasively for different audiences and purposes: ______ / 5<br />

How can you use your understanding of voice and body language to improve your speaking<br />

skills in other subjects? How can you use your understanding of being an active listener to<br />

improve your listening skills?<br />

TAKE IT<br />

WITH YOU<br />

1.8 Persuasive speaking and listening 19


1.9<br />

<strong>Teacher</strong> connections: Persuasive literacy<br />

A sample lesson sequence for a 50-minute class<br />

Timing Focus Actions Implementation guide<br />

5 minutes Establish<br />

the learning<br />

intention and<br />

connect to the<br />

students’ prior<br />

knowledge<br />

5 minutes Explicit<br />

teaching<br />

5 minutes Collaborative<br />

learning<br />

10 minutes Independent<br />

learning<br />

• Read the learning<br />

intention and<br />

clarify the key<br />

terms.<br />

• Draw connections<br />

to prior units,<br />

lessons, class<br />

learning, and life.<br />

• Students<br />

document current<br />

and future<br />

learning.<br />

• Watch the video.<br />

• Read the<br />

workbook notes<br />

and clarify terms<br />

for Part A.<br />

• Connect to the<br />

students’ prior<br />

learning.<br />

• Students ask<br />

any questions<br />

they have.<br />

• Complete the<br />

first part of each<br />

activity as a class.<br />

• Students to<br />

complete the rest<br />

of each activity<br />

in pairs.<br />

• Students<br />

complete the<br />

activities in Part A.<br />

• Check their<br />

answers.<br />

Before you teach<br />

• Denotation, connotation, prefixes, and suffixes are<br />

likely to be the main words that will need deeper<br />

clarification; check the students’ prior knowledge of,<br />

and experience using, these terms.<br />

• Check the <strong>Literacy</strong> How-to links prior to teaching to<br />

familiarise yourself with the supporting information.<br />

Prior knowledge activation<br />

• Use the ‘30-second hot-spot’ strategy on three<br />

different students to get a quick assessment of the<br />

class members’ understandings of vocabulary and<br />

content.<br />

• 1.0 Introduction:<br />

– Brainstorm the different persuasive texts the<br />

students are likely to have personally experienced.<br />

– Get the students to share their answers to Q1<br />

and Q2.<br />

• 1.1 Comprehension:<br />

– Extend the students to consider what type of<br />

questions are eliciting different answers from<br />

the comprehension questions and which questions<br />

they find the most useful.<br />

– Ask the students to share their answers to Q7.<br />

• 1.2 Planning and writing:<br />

– Give the class time to share their topic ideas for<br />

the writing task.<br />

– Make sure each student has a clear topic statement<br />

before moving forward.<br />

• 1.3 Structures and features:<br />

– Ask the students to share their answers to Q1<br />

to ensure there isn’t any confusion.<br />

– Q2 can be completed as a class or in small groups<br />

to ensure that the students use technical and<br />

accurate language.<br />

– For Q3, connect to the students’ prior knowledge to<br />

ensure the similarities and differences are accurate.<br />

• 1.4 Vocabulary:<br />

– Be prepared to complete at least Q1a as a worked<br />

example. Clarify vocabulary for the students before<br />

they complete Q1.<br />

– For Q5, have fun and push extension students<br />

to come up with a variety of options.<br />

• 1.5 Syntax:<br />

– Q1 can be completed as a class or in small groups,<br />

or the students’ responses can be shared with<br />

the class after an individual brainstorm.<br />

– Allow time for the class to discuss the students’<br />

answers to Q2 and Q3.<br />

– For Q4, if recording options are unavailable,<br />

students can be divided into pairs, with one student<br />

transcribing their partner’s words as accurately<br />

as possible.<br />

20 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Timing Focus Actions Implementation guide<br />

• 1.6 Punctuation:<br />

– Emphasise synonyms and subtleties of language<br />

for Q1.<br />

– Get the students to share their answers to Q1<br />

and Q2.<br />

– Part A should not take long, so you have more<br />

time for Part B and Part C.<br />

• 1.7 Spelling:<br />

– For Q1, complete the first row of the table as a class.<br />

– For Q1, ask the students to share their answers for<br />

‘other words that use the prefix’.<br />

– Q2 can be extended to consider other words that<br />

use these prefixes.<br />

• 1.8 Speaking and listening:<br />

– For Q1, divide the students into pairs, with each<br />

pair tackling one part of Q1, and then presenting<br />

their responses to the class. This will allow the<br />

students to respond to Q2 and Q3 more effectively.<br />

– Ask the students to share their answers to Q5 with<br />

the class.<br />

5 minutes Explicit<br />

teaching<br />

5 minutes Collaborative<br />

learning<br />

10 minutes Independent<br />

learning<br />

• Read the<br />

workbook notes<br />

and clarify terms<br />

for Part B.<br />

• Connect to the<br />

students’ prior<br />

learning.<br />

• Students ask any<br />

questions they<br />

have.<br />

• Complete the<br />

first part of each<br />

activity as a class.<br />

• Students to<br />

complete the rest<br />

of each activity<br />

in pairs.<br />

• Students<br />

complete the<br />

activities in Part B.<br />

• Check their<br />

answers.<br />

• 1.0 Introduction:<br />

– Q3 of the first lesson involves reading and engaging<br />

with the anchor text. This can be read aloud, or the<br />

class can listen to the audio version.<br />

– Save the video of the anchor text for the speaking<br />

and listening lesson.<br />

• 1.1 Comprehension:<br />

– Before the students attempt Q8, spend time<br />

working through and analysing the worked example<br />

as a class.<br />

– Ensure the students label the arguments effectively<br />

(Q8) before they move on to Q9.<br />

– Ask the students to share the contentions and<br />

intentions they wrote for Q9, and discuss the<br />

variations.<br />

• 1.2 Planning and writing:<br />

– As they are planning, extend the students to think<br />

about what evidence will best connect with their<br />

audience (Q7).<br />

– Allow as much class time as possible for the students<br />

to work on the draft of their speech. Realistically,<br />

you might need to allocate a separate period for<br />

the students to complete their draft speech before<br />

moving on to the next lesson.<br />

• 1.3 Structures and features:<br />

– For Q5, ask the students to share the examples they<br />

found in the anchor text.<br />

– Ask the students to share the persuasive devices<br />

they found for Q6; allow time to discuss the effects<br />

of persuasive devices in different contexts.<br />

– Q7a and Q7b can be a competition or treasure hunt<br />

to see how many of each can be uncovered.<br />

• 1.4 Vocabulary:<br />

– Students may need help to deeply understand<br />

connotation.<br />

– To clarify Q6, provide example sentences that show<br />

how the words can be used in different ways.<br />

– Ask the students to share their answers to Q7;<br />

there should be a variety of responses.<br />

1.9 <strong>Teacher</strong> connections: Persuasive literacy 21


Timing Focus Actions Implementation guide<br />

• 1.5 Syntax:<br />

– Ask the students to share their answers to Q5, to<br />

ensure their responses are accurate, before moving<br />

forward.<br />

– You can discuss the difference between single and<br />

plural verbs as a class.<br />

• 1.6 Punctuation:<br />

– As a class, discuss punctuation of dialogue and<br />

quotes before the students attempt Q5.<br />

– Extend the students to look at punctuation more<br />

holistically when revising their drafts.<br />

• 1.7 Spelling:<br />

– For Q4, refer the students to the spelling<br />

generalisations in the <strong>Literacy</strong> How-to section.<br />

– The spelling generalisations will be more explicitly<br />

taught in other units; for now, see if the students<br />

can apply the generalisations.<br />

• 1.8 Speaking and listening:<br />

– As a class, discuss the students’ answers to Q6.<br />

– Set up expectations for the class presentations<br />

through Q7.<br />

– At least one other lesson will need to be allocated<br />

for the students to practise and present their<br />

speeches to the class.<br />

5 minutes Reflection • Connect the<br />

learning back<br />

to the learning<br />

intention.<br />

• Were the<br />

students’ initial<br />

questions<br />

answered?<br />

• What scores do<br />

the students give<br />

for their success<br />

and confidence<br />

in the lesson?<br />

• Read ‘Take it with<br />

you’; can the<br />

students add any<br />

other situations to<br />

which they might<br />

be able to apply<br />

their learning and<br />

understanding?<br />

• Don’t sacrifice the reflection time to enable the<br />

students to complete the activities. Instead, prioritise<br />

the reflection as it can help the students to connect<br />

and transfer the skills covered to other areas.<br />

• Establish and support the routine of students scoring<br />

their learning confidence at the end of each lesson.<br />

• Allow the students to see and speak about the<br />

connections to other classes and situations; this will<br />

allow you to discover their interests and make future<br />

connections to other learning.<br />

22 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2


Variation A: Two 20-minute sessions to teach one lesson<br />

Teach only Part A or Part B in one class and follow the sequence below. You will need to allow writing<br />

time between each lesson, so allocate an extra 20-minute block to complete each individual lesson.<br />

Variation B: One 20-minute session to teach one lesson<br />

The students could be asked to complete the writing revisions as homework or at another time.<br />

Explicit teaching would cover the entire lesson (Part A and Part B) before independent work.<br />

There would be little time for collaboration and sharing of results, but learning could be connected<br />

to mainstream teaching and learning to consolidate and extend.<br />

A sample lesson sequence for a 20-minute class<br />

Timing Focus Implementation guide<br />

2 minutes Establish the learning<br />

intention and connect<br />

to the students’ prior<br />

knowledge<br />

• Read the learning intention and clarify the key terms.<br />

• Draw connections to class learning and life.<br />

5 minutes Explicit teaching • Watch the video.<br />

• Read the workbook notes and clarify the key terms.<br />

• Connect the students’ prior learning to the<br />

expectations of the current activity.<br />

10 minutes Independent learning • Students complete the activities.<br />

• Check their answers.<br />

3 minutes Reflection • Connect the learning back to the learning intention.<br />

• What scores do the students give for their success<br />

and confidence in the lesson?<br />

• Read ‘Take it with you’.<br />

1.9 <strong>Teacher</strong> connections: Persuasive literacy 23

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