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Style: June 01, 2022

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The south island lifestyle magazine<br />

I’m YOURS | <strong>June</strong> <strong>2022</strong><br />

the People. The PLACES. ThE TRENDS.<br />

ŌTAUTAHI’S COOL NEW HERITAGE HOTEL | TOM SAINSBURY’S SUITABLY AMUSING SOUTH ISLAND TRAVEL GUIDE<br />

PLUM-TASTIC TREATS FROM ANNABEL LANGBEIN’S WĀNAKA GARDEN | THE DUNEDIN mother-daughter DUO WITH A<br />

PASSION FOR FASHION | TWO CHRISTCHURCH DUDES DOING MEN’S SKINCARE DIFFERENTLY | getting wild WITH<br />

SOUTHERN GAME CHEF ANGELO GEORGALLI | ART IN THE CITY: ŌTEPOTI CREATIVE CHANGEMAKER SIMON KAAN


TEST DRIVE NOW AT CHRISTCHURCH BMW.<br />

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Book a test drive today at Christchurch BMW.<br />

104 Moorhouse Avenue, Christchurch. Phone: 03 363 7240. christchurchbmw.co.nz


iX3<br />

THE


Lunch with David Seymour<br />

Thursday 23 <strong>June</strong> <strong>2022</strong><br />

12.30pm for a 1pm start<br />

Addington Raceway<br />

$89 per person incl GST & booking fees<br />

This event sold out last year, book today at<br />

addington.co.nz<br />

Back by popular demand! ACT<br />

Party Leader, David Seymour will<br />

be speaking about ACT’s plan for<br />

the economy, our communities and<br />

the our kiwi identity.<br />

Includes 2 course lunch and drink on arrival.<br />

+64 3 338 9094 info@addington.co.nz addington.co.nz


Join us for a fabulous night of entertainment!<br />

Friday 8 July <strong>2022</strong><br />

5.00pm<br />

Addington Raceway<br />

$89 per person incl GST & booking fees<br />

Tickets available at<br />

addington.co.nz<br />

The night includes bubbles on<br />

arrival, dinner, racing action,<br />

live entertainment and a chance<br />

to be in to win an 18ct White Gold<br />

Amelia Morganite Diamond Ring<br />

valued at $3,900 courtesy of<br />

Silvermoon Jewellers.<br />

+64 3 338 9094 info@addington.co.nz addington.co.nz


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+Investment in the Du Val Mortgage Fund LP is only available to wholesale investors as defined in the<br />

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MORTGAGE FUND<br />

EXAMPLES OF PROJECTS THE FUND HAS LENT TO<br />

SPEAK WITH OUR INVESTOR<br />

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OR TXT INVEST TO 875<br />

Investor Relations Associate<br />

s.harvey@duvalgroup.co.nz<br />

SAM HARVEY<br />

(021 503 846)


PUBLISHER<br />

Charlotte Smith-Smulders<br />

Allied Press Magazines<br />

Level 1, 359 Lincoln Road, Christchurch 8024<br />

03 379 7100<br />

EDITOR<br />

Josie Steenhart<br />

josie@alliedpressmagazines.co.nz<br />

DESIGNER<br />

Emma Rogers<br />

SOCIAL MEDIA & MARKETING MANAGER<br />

Zoe Williams<br />

EDITORIAL ASSISTANT<br />

Hannah Brown<br />

SALES MANAGER<br />

Vivienne Montgomerie<br />

03 364 7494 / 021 914 428<br />

viv@alliedpressmagazines.co.nz<br />

ACCOUNT EXECUTIVES<br />

Janine Oldfield<br />

03 962 0743 / 027 654 5367<br />

janine@alliedpressmagazines.co.nz<br />

Gary Condon<br />

021 902 208<br />

gary@alliedpressmagazines.co.nz<br />

CONTRIBUTORS<br />

Angelo Georgalli, Annabel Langbein, Bryan James, CCC<br />

Newsline, Charlie Rose Jackson, Gregor Richardson, Helen<br />

Templeton, Hilary Macintosh, Jane Ussher, Kate Battersby, Katie<br />

Day, Linda Roberston, Neville Templeton, Rebecca Fox, Richard<br />

Cosgrove, Rose Langbein, Sally Greer, Tom Sainsbury<br />

Every month, <strong>Style</strong> (ISSN 2624-4314) shares the latest in<br />

local and international home, lifestyle and fashion with its discerning readers.<br />

Enjoy <strong>Style</strong> online (ISSN 2624-4918) at stylemagazine.co.nz<br />

Allied Press Magazines, a division of Allied Press Ltd, is not responsible for any actions taken<br />

on the information in these articles. The information and views expressed in this publication<br />

are not necessarily the opinion of Allied Press Ltd or its editorial contributors.<br />

Every effort is made to ensure the accuracy of the information within this magazine, however,<br />

Allied Press Ltd can accept no liability for the accuracy of all the information.<br />

A note to you<br />

As I write this, I’m deep in the process of (attempting to)<br />

purchase my first home, in inner city Ōtautahi, a privilege that<br />

has previously been entirely out of reach having lived in Auckland<br />

for the last decade, and one of the major drawcards that tempted<br />

me south earlier this year.<br />

And while the actual process is proving fairly scary and horrible<br />

(OMG the paperwork!) I’m allowing myself just a little taste of the<br />

fun side of home ownership to (hopefully) come, by poring over<br />

pictures of inspirational interior design and making myself a bit of a<br />

moodboard – with accompanying shopping wishlist, of course.<br />

So it was a double delight to be able to feature Christchurch’s<br />

coolest, most stylish new hotel, The Observatory, on this month’s<br />

cover – undoubtedly the jewel in the crown of The Arts Centre’s<br />

incredible post-earthquake restoration – alongside an interview<br />

(page 22) with the super-talented interior designer Jessica Close,<br />

whose unique aesthetic is one I’ve admired for some time.<br />

I’ve also thrown in a few purchasable pieces that nod to Jessica’s<br />

gorgeous interiors for extra inspo (page 26), all of which you may<br />

well find adorning my own home in the not too distant future.<br />

With the colder days closing in, I hope you find plenty within<br />

these pages to keep you occupied and inspired too, whether it’s<br />

through the recipes from local foodie legend Annabel Langbein<br />

(page 58) or southern wild food chef Angelo Georgalli (page 54),<br />

the stories of the Dunedin mother-daughter duo behind fashion<br />

project Thanks It’s Mum’s (page 28) and the two Canterbury dudes<br />

doing things differently with men’s skincare (page 40) or via the<br />

latest in fashion (page 38) and beauty (page 42).<br />

Josie Steenhart<br />

EDITOR<br />

WANT STYLE DELIVERED STRAIGHT TO YOUR LETTERBOX?<br />

CONTACT: zoe@alliedpressmagazines.co.nz<br />

stylemagazine.co.nz | @<strong>Style</strong>MagazineNZ<br />

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See the full collection at your Resene ColorShop! resene.co.nz/colorshops<br />

Discount off the normal retail price at Resene owned ColorShops and participating resellers until 20 <strong>June</strong> <strong>2022</strong>.<br />

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Wallpapers shown (from left) are: 409345, 409437, 409550, 408355.


CONTENTS<br />

In this issue<br />

Cover Feature<br />

22 IN A CLASS OF ITS OWN<br />

A peek inside the former<br />

university building turned<br />

chic Christchurch hotel<br />

Fashion<br />

28 THANKS IT’S MUM’S<br />

The mother-daugher duo<br />

with a passion for fashion<br />

38 COSY COOL<br />

Warm up with stylish newseason<br />

knitwear<br />

Health & Beauty<br />

40 BOYS IN BEAUTY<br />

The two dudes behind the<br />

men’s skincare revolution<br />

42 ABOUT FACE<br />

The best new beauty<br />

Home & Interiors<br />

26 GET THE LOOK<br />

Tap into The Observatory’s<br />

heritage style at home<br />

44 SAVE OR SPLASH<br />

Beautiful blues for<br />

every budget<br />

44<br />

66<br />

52<br />

RESENE<br />

HALF ESKIMO<br />

COLOURS OF<br />

THE MONTH<br />

THE BEST OF HOME, LIFE & FASHION<br />

<strong>Style</strong> is something unique to each of us. Each month, <strong>Style</strong> encapsulates what’s remarkable, exciting or<br />

emerging across the South Island and beyond. Be assured, the best of lifestyle, home, fashion, food and<br />

culture will always be in <strong>Style</strong>.


Lighting festival celebrating Matariki<br />

24 <strong>June</strong>–3 July Cathedral Square<br />

ccc.govt.nz/tiramamai


38<br />

RESENE<br />

GRASS HOPPER<br />

54<br />

Travel<br />

52 STYLE TRAVEL GUIDE<br />

Funnyman Tom Sainsbury takes<br />

us on his journey south<br />

Food & Drink<br />

52 GO WILD<br />

Game chef Angelo Georgalli<br />

shares his delicious secrets<br />

58 COMING UP PLUMS<br />

Annabel Langbein’s plum-tastic<br />

cakes and cocktails<br />

64 MIX & MINGLE<br />

Delicious beverages tested<br />

by the <strong>Style</strong> team<br />

RESENE<br />

ARROWROOT<br />

Arts & Culture<br />

66 ART IN THE CITY<br />

Dunedin creative changemaker<br />

Simon Kaan<br />

72 THE READING ROOM<br />

Our picks of the new book pack<br />

Regulars<br />

14 NEWSFEED<br />

What’s hot and happening in<br />

your neighbourhood<br />

70 MARKETPLACE<br />

Gorgeous wares from local spots<br />

74 WIN<br />

Luxury hotel stays, immunity fizz<br />

stick kits and live comedy tickets<br />

Our cover<br />

The Observatory Hotel drawing room,<br />

newly opened in Christchurch’s The Arts<br />

Centre heritage complex.<br />

Photo: Jane Ussher<br />

View us online


14 <strong>Style</strong> | Newsfeed<br />

NEWSFEED<br />

Get down<br />

The South Island tuxedo, aka the puffer<br />

jacket, has been given a sustainable<br />

makeover this winter via Kathmandu’s<br />

biodegradable-from-zip-to-tip<br />

NXT-Level BioDown jacket, offering all<br />

the good things about puffers – warmth,<br />

lightweightness, durability and squishy<br />

softness – without the bad bits.<br />

kathmandu.co.nz<br />

Film fest by design<br />

Lovers of design and architecture are in for a treat this month<br />

with the Resene Architecture & Design Film Festival popping up<br />

at locations all across the country, including Nelson (May 26 to<br />

<strong>June</strong> 1), Christchurch (<strong>June</strong> 9-26) and Dunedin (<strong>June</strong> 2-15) in the<br />

south, covering talents such as Mary Quant, Maija Isola, Bruce<br />

Mau, Steve McCurry and Grethe Meyer and notable design/<br />

architecture hotspots from all over the globe.<br />

rialto.co.nz<br />

Queenstown in a candle<br />

To ensure it’s possible to recapture the<br />

magic of Queenstown in your own home,<br />

Glasshouse Fragrances are releasing a brand<br />

new batch of the highly sought-after,<br />

limited-edition Fireside in Queenstown<br />

candle. Notes of cinnamon, clove and<br />

sandalwood and smoky orris and guaiac<br />

wood beautifully conjure crisp air, cosy<br />

winter firesides and spicy mulled wine.<br />

nz.glasshousefragrances.com<br />

Down the rabbit hole<br />

Running until October 16, Dunedin Public Art Gallery’s new exhibition<br />

Beyond the Hedge promises to be “an invitation for your imagination to<br />

take a journey, enriched by knowledge and experience of folk tales, faerie<br />

tales, myths and legends”. Look out for works such as Michael Parekōwhai’s<br />

gigantic inflatable rabbit that lies across the gallery foyer, Oliver Perkins’<br />

monumental painting on the Big Wall (reminiscent of the yellow brick road<br />

travelled by Dorothy and her friends in Oz) and Reuben Paterson’s glittercoated<br />

‘The Golden Bearing’. dunedin.art.museum<br />

Reuben Paterson, ‘The Golden Bearing’ 2<strong>01</strong>4. Mixed media. Courtesy of the<br />

artist. Photo: Bryan James, courtesy of the Govett-Brewster Art Gallery. Courtesy<br />

of the artist and Gow Langsford Gallery


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16 <strong>Style</strong> | Promotion<br />

Let there be music<br />

<strong>2022</strong> is finally making a comeback and for lovers of music, things<br />

are looking (and sounding) especially bright with Chamber Music<br />

NZ’s full calendar of fantastic offerings, from stunning multimedia<br />

performance Bird Like Men (touring until July 23 including Dunedin<br />

and Christchurch) and the Goldner String Quartet’s Mendelssohn &<br />

Dvořák, on in Nelson (<strong>June</strong> 15), Christchurch (<strong>June</strong> 16), Invercargill<br />

(<strong>June</strong> 18) and Dunedin (<strong>June</strong> 20). To support CMNZ all year<br />

round, purchase a 12-month subscription.<br />

chambermusic.co.nz<br />

Boots made for walkin’<br />

Brighten up the rainiest of days with the latest<br />

Karen Walker collaboration, in the form of these<br />

chic limited edition Bobbi gumboots designed with<br />

much-loved Melbourne weatherproof boot makers<br />

Merry People. Made from natural rubber and lined<br />

in neoprene, these cool forest green and sunshine<br />

yellow kicks are 100 per cent waterproof to take<br />

on even the toughest puddles in style.<br />

karenwalker.com<br />

What’s up doc?<br />

Whether you’re up for a cinema screening or<br />

prefer the comfort of your couch, the Oscarqualifying<br />

international documentary festival<br />

Doc Edge is back to celebrate its 17th edition<br />

with an incredible 113 films offered in-theatre in<br />

Christchurch (<strong>June</strong> 15-26) or online from <strong>June</strong><br />

1 to July 10 covering an entire world of brilliant,<br />

eye-opening, thought-provoking docs.<br />

docedge.nz<br />

OUR<br />

30<br />

YEARS OF<br />

Combined<br />

Experience<br />

IS YOUR<br />

Peace of Mind<br />

2<strong>01</strong>9 - <strong>2022</strong><br />

2020 - 2021<br />

milena.bartlett@harcourtsgold.co.nz<br />

andrew.swift@harcourtsgold.co.nz


The new Maserati Levante Modena.<br />

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18 <strong>Style</strong> | Promotion<br />

Bright lights<br />

Building on the success of last year’s inaugural event, Tīrama Mai will<br />

brighten up Christchurch this winter with a range of innovative lighting<br />

installations and artworks on display throughout the central city. “This<br />

year we have all new, never-seen-before lighting installations, illuminated<br />

artworks and immersive experiences,” says CCC events and arts manager<br />

Lucy Blackmore. “The country’s best lighting artists and creative minds<br />

have been working hard to create these pieces in partnership with mana<br />

whenua.” Running from <strong>June</strong> 24 to July 3, the opening night coincides<br />

with New Zealand’s first Matariki public holiday. ccc.govt.nz/whatson<br />

Photo: CCC Newsline<br />

All natural<br />

With a mission to value, respect and<br />

delight its customers by providing<br />

high-quality, luxury goods consciously<br />

hand-crafted from natural fibres, The<br />

Fashion Booth is designed by Elaine<br />

Booth, whose family have lived in Ettrick,<br />

Central Otago since 1947. From coats<br />

and capes to wraps and scarves made<br />

from 100 per cent natural fabrics<br />

sourced in New Zealand, each unique,<br />

bespoke piece is hand tailored locally in<br />

Roxburgh. thefashionbooth.co.nz<br />

Big mountain energy<br />

The largest and most prestigious<br />

mountain film festival in the world, this<br />

<strong>June</strong> the Banff Mountain Film Festival<br />

is set to arrive on our shores with 20+<br />

powerful films inspiring Kiwis to dream<br />

big again, and to remind us how diverse<br />

and adventurous the world is – both<br />

“out there” and in our own beautiful<br />

backyard. Dunedin <strong>June</strong> 1, Christchurch<br />

<strong>June</strong> 8-11, Nelson <strong>June</strong> 10-11, Timaru<br />

<strong>June</strong> 11, Invercargill <strong>June</strong> 16. banff.nz<br />

Be inspired by<br />

thousands of ideas<br />

under one roof!<br />

Take a photo<br />

of this page for<br />

free entry!<br />

IN ASSOCIATION WITH<br />

1 - 3 July • 10am - 5pm • Christchurch Arena • www.starhomeshow.kiwi


It won’t<br />

It won’t<br />

be be<br />

long<br />

now now<br />

anticipation<br />

We’ve<br />

We’ve<br />

been<br />

been<br />

waiting<br />

waiting<br />

too.<br />

too.<br />

It’s<br />

It’s<br />

great<br />

great<br />

to have<br />

to have<br />

something<br />

something<br />

beautiful<br />

beautiful<br />

to<br />

to<br />

look<br />

look<br />

forward<br />

forward<br />

to. Re-discover<br />

to. Re-discover<br />

how<br />

how<br />

beautiful<br />

beautiful<br />

Samoa<br />

Samoa<br />

truly<br />

truly<br />

is. Explore<br />

is. Explore<br />

untouched<br />

untouched<br />

landscapes<br />

landscapes<br />

and dive in warm crystal clear waters packed with tropical fish. Self drive, bike<br />

and dive in warm crystal clear waters packed with tropical fish. Self drive, bike<br />

or stroll through the wonders that make this island life one to cherish just like<br />

or stroll through the wonders that make this island life one to cherish just like<br />

the locals do.<br />

the locals do.


20 <strong>Style</strong> | Newsfeed<br />

Botanical beauty<br />

Sourcing wild-harvested rosehip oil<br />

from Otago, kanuka extracts from<br />

the Banks Peninsula, red marine<br />

algae from Marlborough Sounds and<br />

blackcurrant extracts from Blenheim<br />

for its first two releases – Morning<br />

Dew Vitamin C Serum and Yellow<br />

Moonbeam Retinal Elixir – gorgeously<br />

packaged new luxury skincare brand<br />

RAAIE is one to watch.<br />

raaie.co.nz<br />

Artistic expeditions<br />

Deadly Ponies’ final capsule for<br />

the season celebrates historical<br />

photographer, explorer and filmmaker<br />

Frank Hurley’s earliest icy adventures.<br />

Favoured Deadly Ponies shapes have<br />

become canvases for remarkable<br />

images drawn from Frank’s works,<br />

while other pieces celebrate the<br />

beloved Emperor penguin, with 100<br />

per cent of the profits from sales of<br />

handcrafted Mr Emperor bags and<br />

charms to be donated to the Antarctic<br />

Science Foundation’s ‘Penguin Pursuits’<br />

project, which researches and monitors<br />

penguins in the Antarctic.<br />

deadlyponies.com<br />

Heart-felt<br />

Felt – New Zealand’s largest online marketplace for locally made goods and gifts<br />

– celebrates its 15th birthday in <strong>June</strong>. Founded in 2007 by Canterbury local Lucy<br />

Arnold, the website showcases Kiwi talents from thousands of small businesses<br />

and is still New Zealand owned. In Felt’s early days, Lucy personally emailed<br />

individual craftspeople to invite them to join the marketplace. A decade and a<br />

half later, makers on Felt collectively make more than $1 million in sales every<br />

year. felt.co.nz<br />

Get that treat!<br />

Metro bus fares are now 50% off.<br />

Grab a treat (or two) with your travel savings.<br />

Learn more at metro.co.nz/halfprice


MEGA<br />

TRENDS:<br />

Let's Take a<br />

Look Together<br />

The property market would be defined as one of New Zealand’s most<br />

significant economic determinants. It requires constant interpretation<br />

and review, including looking ahead – sometimes well ahead.<br />

Although stepping into the future is<br />

potentially scary, long-term business<br />

sustainability requires just that. Recently<br />

I got an appreciation of what that future<br />

could potentially look like using the<br />

strategic intelligence detailed in a report<br />

by The Real Estate Institute of New<br />

Zealand titled Megatrends: A Report<br />

on New Zealand Property <strong>2022</strong>. It’s a<br />

significant document, of relevance not<br />

just to those in the real estate sector but<br />

anyone with an eye on global and local<br />

property trends.<br />

Remembering that a megatrend is a<br />

major shift in environmental, social<br />

and economic conditions that can<br />

substantially change how we live, these<br />

are some of the ones that stood out to<br />

me:<br />

• The return of the home office – this<br />

came under the megatrend titled ‘Hybrid<br />

Working’.<br />

Due to COVID, home offices have become<br />

a vital consideration when purchasing<br />

and I only wish I’d incorporated one<br />

when we built a new home six years<br />

ago. At the time of building, I thought<br />

an office was outdated and would<br />

never be used, but how wrong I<br />

was and how much easier having one<br />

would have made life during periods of<br />

lockdown and isolation. The reason this<br />

pre-empts a potential megatrend is what<br />

would happen if everyone wanted to<br />

work from home permanently.<br />

• Digitisation – yes, there’s a strong place<br />

for digitised processes with automated<br />

tasks fitting this space. But the report<br />

noted that people remain essential in real<br />

estate areas where human connection<br />

and creativity are required. Phew! I was<br />

pleased to see that, but it’s really about<br />

superb connectivity skills and creativity<br />

aimed at maximizing a client’s returns<br />

whilst maintaining transparency.<br />

• Rental Reality – I think this one will come<br />

as no surprise. Homeownership rates are<br />

falling and there is a greater acceptance<br />

of renting rather than owning.<br />

For the landlord, there’s the benefit of<br />

a return on his/her investment and for<br />

the tenant it can allow them to invest<br />

their resources (given they have them)<br />

in a more diversified number of assets<br />

besides a mortgage.<br />

There’s also the development of<br />

institutional investment. If you want<br />

to know more about this practice, I’d<br />

encourage you to download the whole<br />

report. It details this sector, which in North<br />

America is considered a major investable<br />

asset class while being embryonic in<br />

other parts of the world including NZ.<br />

So why have I told you all of this? It could<br />

be because I wanted to get my word<br />

count up, it could be because it interests<br />

me, which it does, or maybe it’s because<br />

it gives us all tips and insights into where<br />

our future could be heading – and it’s a<br />

great time to start talking about just that.<br />

Lynette McFadden<br />

Harcourts gold Business Owner<br />

027 432 0447<br />

lynette.mcfadden@harcourtsgold.co.nz<br />

home<br />

staging<br />

with a<br />

difference<br />

Tell an emotive and engaging<br />

story when selling your home,<br />

using<br />

bespokehomestaging<br />

au.staging<br />

www.austaging.co.nz<br />

PAPANUI 352 6166 | INTERNATIONAL DIVISION (+64) 3 662 9811 | REDWOOD 352 0352<br />

PARKLANDS 383 0406 | NEW BRIGHTON 382 0043 | GOLD PROPERTY MANAGEMENT 352 6454<br />

GOLD REAL ESTATE GROUP LTD LICENSED AGENT REAA 2008 A MEMBER OF THE HARCOURTS GROUP<br />

www.harcourtsgold.co.nz | Find us on


22 <strong>Style</strong> | Feature<br />

From academia to<br />

accommodation<br />

A stylish new Ōtautahi hotel breathes life into a series of beloved old buildings.<br />

Interviews Josie Steenhart Photos Jane Ussher<br />

More than a decade after Christchurch’s muchloved<br />

The Arts Centre Te Matatiki Toi Ora was<br />

extensively damaged in the earthquakes, the recent<br />

opening of the Observatory Hotel marks a significant<br />

milestone in its $290 million restoration.<br />

Utilising what were originally three stone-clad, late<br />

19th Century to early 20th Century buildings that<br />

once housed the physics, observatory and biology<br />

buildings of the original Canterbury College (later<br />

known as University of Canterbury), the 33-room<br />

hotel offers a truly unique and perfectly balanced mix<br />

of heritage and contemporary.<br />

<strong>Style</strong> spoke exclusively to two central forces<br />

behind bringing the extraordinary project to life,<br />

interior designer Jessica Close and The Arts Centre<br />

director Philip Aldridge.


<strong>Style</strong> | Feature 23<br />

Jessica, tell us a little bit about your interior design<br />

background…<br />

I trained ‘on the job’ working for Gavin Houghton in<br />

London. I had seen Gavin’s work in The World of Interiors<br />

magazine and left for the UK expressly to work for him.<br />

He is an interiors genius and it was the most incredible<br />

experience working for him.<br />

Why did you choose to base yourself in Christchurch?<br />

I honestly adore Christchurch. I love the community, the<br />

people, the architecture, Hagley Park and of course my<br />

wonderful wider family – we all live a few hundred metres<br />

apart. My husband and I have three small children and I can’t<br />

think of a better place for them to grow up than in this city.<br />

As well as some beautiful private residences in Otago and<br />

Canterbury, local readers may recognise your work on<br />

the Christchurch Club, tell us about that….<br />

I was engaged to design the Christchurch Club soon after<br />

returning to Christchurch from London, and I imagine it was<br />

a leap of faith appointing a 25-year-old to the project.<br />

I set about making it feel like a home, ensuring that spaces<br />

felt calm and welcoming.<br />

The Club had a lot of existing furniture, which was a<br />

blessing, but we sourced additional antiques at auction<br />

alongside commissioning custom pieces.<br />

My favourite space is the Rhodes Room, a private dining<br />

room, where I have upholstered the walls and ceiling – it<br />

feels like a cocoon.<br />

What was your brief/concept for the Observatory Hotel<br />

and how did you achieve it?<br />

The brief was simply to design a 33-room boutique arts<br />

hotel. I set out to approach it like I would a large home.<br />

Thankfully this approach spoke to Philip Aldridge, the Arts<br />

Centre CEO.<br />

In my initial pitch I proposed 33 different room schemes,<br />

which was a mammoth task.<br />

I liked the idea of visiting the hotel and being able to<br />

request a particular room that spoke to you. Every room<br />

has a distinct design scheme and personality.<br />

The design is my modern take on the Arts and Crafts<br />

movement. I used William Morris prints throughout – an<br />

historical nod to the movement and the Gothic Revival<br />

buildings the hotel is housed in.<br />

The additional design layers – paint, lighting, furniture<br />

design and contemporary art – pull the entire design into<br />

the 21st century. The more layers there are the calmer a<br />

room becomes.<br />

Did you do a lot of research into the history of the hotel<br />

buildings/Arts Centre?<br />

So much research! All told, I think I would have spent a<br />

month full-time researching The Arts Centre, the buildings<br />

themselves (the old biology and physics buildings and the<br />

observatory), and the Arts and Crafts movement before<br />

beginning design work.<br />

I moved into a little office in the clock tower for a year,<br />

which allowed me to quietly explore and document all the<br />

unusual architectural features around The Arts Centre.<br />

The design went through several iterations before I landed<br />

on the final version. I’ve used paint to highlight the various<br />

unique architectural features of the three buildings – you<br />

can see subtle transitions as you walk through.<br />

Do you have a favourite room/space and why?<br />

My favourite guest room is the second floor suite. I adore<br />

the generous proportions of the space, and always have.<br />

It has windows that look out onto the quad and Hereford<br />

Street. The scheme is calmer than some guest rooms. I’ve<br />

used William Morris Melsetter and Wilhelmina mixed in<br />

with some really luxurious Schumacher velvets.


24 <strong>Style</strong> | Feature


<strong>Style</strong> | Feature 25<br />

All the furniture and furnishings have been made<br />

by local businesses, tell us about some of them…<br />

I was passionate from the outset about using local<br />

suppliers for the project. It was so important<br />

to me that we reinvest in local business, which<br />

became even more critical during the pandemic. I<br />

worked with my usual roster of incredible makers<br />

– some of whom are one-person-bands who<br />

spent 12 months completing their commissions –<br />

to execute custom designed headboards, furniture,<br />

lamps and carpet.<br />

Their skills are extraordinary and I am so proud of<br />

what we’ve produced together.<br />

Paul Gill, who makes all my headboards, was a<br />

star. He spent the better part of a year templating<br />

my hand-drawn patterns, working through fabric<br />

placement and the various details unique to the 17<br />

different headboard styles.<br />

David Shaw took on a huge amount of the<br />

furniture production, both upholstered and<br />

hardwood. We even made some lacquered turned<br />

lamps together.<br />

My curtain maker Lynette Mackie and her<br />

incredible workshop had a monumental task – no<br />

single window or room was the same size or<br />

location – a lot of measuring!<br />

And there is William Morris in every room,<br />

what is it about his textiles that are so special<br />

do you think?<br />

His prints are iconic and were an important<br />

historical touchpoint for me. William Morris was<br />

prolific during the Arts and Crafts movement (the<br />

historical period in which the neo-gothic hotel<br />

buildings were designed and built). The movement<br />

was a revival of traditional techniques, a celebration<br />

of the handmade and a rejection of industrialisation<br />

of design.<br />

This attitude was central to my own design of<br />

the hotel, a modern take on Arts and Crafts.<br />

More than anything though, the fabrics themselves<br />

are marvellous and I loved pulling out colours<br />

from the patterns and incorporating these in the<br />

overall schemes.<br />

Any advice for readers who would like to try<br />

something similar in their own homes?<br />

Paint! It would be unusual for me not to paint<br />

woodwork (gloss!) and walls (matte) different<br />

colours for a project. It’s a relatively inexpensive<br />

way of changing the feeling of a room. A lot less<br />

painful than reupholstering for a second time.<br />

All the colours for the Observatory Hotel<br />

are Resene paints, some of which I ended up<br />

custom mixing with Resene. They’ve created an<br />

Observatory Hotel colour edit, and some Jessica<br />

Close custom colours that you can find online or in<br />

their ColorShops.<br />

Philip Aldridge,<br />

The Arts Centre Te Matatiki<br />

Toi Ora director<br />

How/when did the idea for the Observatory<br />

Hotel come about?<br />

The idea arose from the strategic planning<br />

undertaken by the Trust Board after the<br />

earthquakes of 2<strong>01</strong>1.<br />

The Arts Centre has always been populated<br />

by a multitude of tenants and visitors, and having<br />

lost all tenancies with the entire campus closed<br />

because of earthquake damage it was possible to<br />

reconsider the constitution of the site.<br />

The provision of accommodation is part of the<br />

Trust’s mission and a hotel, an art hotel, evolved<br />

from those beginnings.<br />

What were some of the biggest challenges<br />

along the way?<br />

Restoring heritage buildings is a long, slow<br />

and painstaking process. It is also expensive.<br />

The biggest challenges were buried in those<br />

descriptors!<br />

Any interesting little stories related to the<br />

renovations?<br />

My favourite is from the day of the catastrophic<br />

earthquake of February 22, 2<strong>01</strong>1. The<br />

observatory tower had been damaged in the<br />

previous earthquake of Sept 2<strong>01</strong>0 and security<br />

camera footage shows two engineers assessing<br />

the tower from the outside. The camera begins<br />

to shake violently and the engineers – counterintuitively<br />

– run into the building, which the<br />

camera then captures collapsing. When the dust<br />

settles, all that’s left of the building is the stone<br />

doorway – and two engineers – who understood<br />

where the strongest part of the building was.<br />

What makes the hotel special/unique?<br />

The setting in the South Quadrangle, surrounded<br />

by cloisters, gothic towers and spires, the<br />

unique collection of concert chambers, galleries,<br />

performances and artists, and the extraordinary,<br />

vivid interior design of the hotel itself.<br />

This hotel is nationally significant. We’re not aware<br />

of any other hotel in New Zealand quite like it.<br />

Anything else people might be surprised to<br />

learn about the hotel?<br />

It is luxuriously affordable.<br />

GIVEAWAY! The Observatory Hotel team have generously offered <strong>Style</strong>’s readers the chance to win a one-night stay<br />

in an Observatory King Room, valued from $269 per night. Turn to page 74 for entry details.


26 <strong>Style</strong> | Feature<br />

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28 <strong>Style</strong> | Feature<br />

When style’s in the genes<br />

And in the jeans, in the case of Dunedin mother-daughter duo Sharon White and<br />

Makenzi Taylor, whose passion for fashion is a family affair.<br />

Words Katie Day


<strong>Style</strong> | Feature 29<br />

“We just hope that someone else might find use for what we’ve looked<br />

after for so long and had a good time wearing.”<br />

Glistening jewellery made from precious metals and<br />

stones hung from a compartmentalised coat hanger in<br />

my mother’s wardrobe, a palpable memory of my youth.<br />

Mesmerised by these treasures, I would then find myself<br />

tangled in the autumnal floral fabrics of the dresses and<br />

jumpers in her wardrobe, pondering the day I could wear<br />

her clothing as my own.<br />

There is little doubt the warm palette and soft woollen<br />

textures of her wardrobe, influenced by her own mother<br />

– my grandmother – guided the formation of my unique<br />

style signature. Perhaps these moments of awe and<br />

wonder with our caregiver’s wardrobes are collective<br />

experiences we all share in different ways.<br />

Mother-daughter duo Sharon White and Makenzi Taylor<br />

have captured the essence of this relationship through<br />

their Instagram project, Thanks it’s Mum’s – where they<br />

share their wardrobe and world of style with the Otago<br />

community and beyond, through selling their pre-loved<br />

clothing, accessories and homeware items.<br />

Thanks it’s Mum’s came to life as the pair were<br />

clearing and curating Sharon’s wardrobe together. They<br />

discovered a multitude of beloved clothing items that could<br />

experience a second or third life, offering others the joy<br />

they found in their clothing experiences together.<br />

The title of the project, Thanks it’s Mum’s, flowed<br />

organically from Makenzi’s everyday conversations,<br />

noticing the praise she would attract when she donned<br />

her mother’s clothing.<br />

“I obviously borrow mum’s clothes a lot and when I<br />

wear her clothes, I tend to get compliments. So that’s<br />

always my response. I just say ‘thanks, it’s mum’s’.”<br />

The duo’s love for fashion was inherited through the<br />

maternal line, initially passed on from Makenzi’s greatgrandmother.<br />

Sharon reminisces on how the skills of resourceful<br />

sewing and values of quality investment and authentic style<br />

were inherited.<br />

“I loved having nice style right from the start, I got that<br />

from my grandma. She was always dressed well, in wee suits.”<br />

Creativity and cleverness were included generously in<br />

her grandmother’s approach to fashion.<br />

“She used to make my mum’s outfits because they<br />

would dance, every Saturday night. Grandma used to<br />

make her a new dress nearly every weekend because she<br />

worked as a seamstress. So she would get a lot of bits<br />

and pieces and everything, as there wasn’t a lot of money<br />

around then. So she would work with the bits and pieces<br />

she had found and put things together and they looked<br />

amazing. Especially when I look back on old photos,”<br />

Sharon says.<br />

Creative capabilities partnered with personality made<br />

Sharon’s grandmother a fashion force, leaving a legacy of<br />

authentic expression.<br />

“She was a bit of a character. She would always match<br />

her hankie with her outfit and oh, she was wonderful.”<br />

The legacy of resourcefulness was carried through the<br />

generations, with Sharon and Makenzi highlighting the<br />

value of pre-loved clothing in their collective wardrobes.<br />

“Makenzi and I have always gone op-shopping as well. You<br />

know, you can get something that maybe costs more than<br />

you want to pay, but then you can put it on with something<br />

that was $10 and the whole thing will look amazing.”<br />

The two also find connection, building meaningful<br />

memories with each other and with their clothes, in the<br />

process of op-shopping together.<br />

Makenzie says: “There’s pieces that I’ve never let go of<br />

and I don’t know why or where they’re going to go but I<br />

just don’t want to let go of them. Like, they’re part of me<br />

in some way, you know? I’ve got a jacket that mum and I<br />

bought when we were op-shopping together. You know, it’s<br />

a shared memory and a piece that reminds me of that time.”<br />

Just as her great-grandmother through to her mother<br />

have crafted fashion foundations for their kin, the<br />

relationships are reciprocal. Sharon reflects on how<br />

Makenzi influences and inspires her sense of style.<br />

“She’s certainly taught me, since she’s been of an age,<br />

she knew how to put other things together as well. You<br />

know, she’s just got this eye. She’s a real style queen,<br />

OPPOSITE: Sharon White and daughter Makenzi Taylor, East Taieri, 1995.


30 <strong>Style</strong> | Feature<br />

basically, because it’s amazing what she can put together.<br />

Whereas I like a whole lot of stuff and sometimes am not<br />

quite sure how to put it together. As she has grown she’s<br />

just helped me out heaps, it’s wonderful.”<br />

As this space of authenticity and connection over<br />

clothing has been nurtured among their family, they have<br />

opened the doors of their wardrobes, to share these<br />

experiences with their community.<br />

The pair share special memories of these communitywardrobe<br />

moments. When accompanying her husband on<br />

a work trip, Sharon had the opportunity to curate a blacktie<br />

wardrobe for the event. She invited her friends to build<br />

the wardrobe with her.<br />

“One time I got all my girlfriends around and asked them<br />

to help me sort out my outfits for the trip.”<br />

For Makenzi’s 22nd birthday party, she hosted a<br />

celebration where she shared occasion outfits her mother<br />

had previously sewn with her guests.<br />

“There were enough outfits from mum’s collection that<br />

she had made, for all of my friends that were coming to my<br />

party. So I assigned an outfit for each of my friends to get<br />

dressed into at the front door!”<br />

“It was the best party ever!” Sharon says.<br />

“It was so cute how every outfit matched each person even<br />

though they had been made 20 years prior,” Makenzi adds.<br />

Family and fun are at the heart of this pair’s style<br />

philosophy, sharing their passion for how creativity and<br />

thoughtfulness, expressed through fashion and lifestyle can<br />

enhance those little everyday moments.<br />

“We just hope that someone else might find use for<br />

what we’ve looked after for so long and had a good time<br />

wearing,” Makenzi says.<br />

ABOVE: The Dunedin mum and daughter duo’s shared love of fashion has led to their social media project Thanks it’s Mum’s. Photo: Linda Robertson


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Embrace<br />

the chill.<br />

ECCO STREET TRAY<br />

#MovesLikeYou<br />

move<br />

you<br />

eccoshoes.co.nz<br />

Get cosy in our Ecopossum knits, made in New Zealand with the planet in mind.<br />

eccoshoesnz<br />

Christchurch | Wanaka | Wellington | untouchedworld.com


38 <strong>Style</strong> | Fashion<br />

Warm up with cool knits<br />

Banish icy breezes without compromising on style in the new season’s temptingly<br />

tactile selection of cosy knits. Jump on jumpers in cable or rib designs and nature-inspired<br />

hues or extend your winter entourage to include dresses, vests and even pants.<br />

4<br />

3<br />

5<br />

1<br />

2<br />

6<br />

7<br />

13<br />

8<br />

9<br />

14<br />

12<br />

10<br />

15<br />

11<br />

1. Marle Curin sweater in Milk, $400, and Willow pants, $400; 2. Caitlin Crisp Rocky sweater, $550; 3. Blak Roar cashmere top in Oatmeal, $265, and Pure pants, $319;<br />

4. Juliette Hogan Bjorn sweater in Milo, $649; 5. Kate Sylvester Cable beanie in Olive, $79; 6. Standard Issue Pavillion dress in Navy, $279;<br />

7. Moochi Tune vest, $300; 8. Karen Walker Cashmere Rib scarf in Beige, $275; 9. Deadly Ponies Flip N Snap Maxi Python clutch in Basil, $299;<br />

10. RUBY Heidi vest in Charcoal, $199; 11. Mi Piaci Freddie boots, $360; 12. Kowtow Cable sweater in Marle, $289;<br />

13. Untouched World Kapua sweater dress in Sage, $749; 14. Meadowlark 3mm Round sterling silver bangle, $379;<br />

15. Holly Howe Pillar & Stone sterling silver hoop earrings, $184


let<br />

nature<br />

move<br />

you<br />

Get cosy in our Ecopossum knits, made in New Zealand with the planet in mind.<br />

Christchurch | Wanaka | Wellington | untouchedworld.com


40 <strong>Style</strong> | Beauty<br />

On the ball<br />

Mike McRae and Tom Tappen are tackling Kiwi men’s skincare<br />

one cool, clever, covetable product at a time.<br />

Words Hannah Brown Photo Charlie Rose Jackson<br />

From its activated charcoal face cleanser and pōhutukawa<br />

night cream to a kawakawa body wash and the already<br />

legendary sweet almond-oil infused ‘ball butter’ (yep, it is<br />

what it sounds like), Christchurch-based brand Two Dudes is<br />

changing up the skincare game, teaching men not to be afraid<br />

to take care of their skin – or their health.<br />

Two Dudes launched in November 2020, after the dudes<br />

behind the project, Tom Tappen and Mike McRae, discovered<br />

the confidence skincare can give. Mike says the duo, who met<br />

while studying law in Christchurch, were working in Singapore<br />

when Tom introduced him to men’s grooming products.<br />

“As I started to use them, I started to notice that not only<br />

did they work but I started to feel more confident about<br />

myself in general.”<br />

Mike says they started to ask each other, “Why can’t all<br />

guys have this feeling?”<br />

From there, the co-founders began developing the brand.<br />

While formulating their products – they uncovered the<br />

unfortunate statistics around men’s health in New Zealand.<br />

“We knew our brand had to be underpinned by men’s<br />

health, which is where we came up with the idea to give<br />

10 per cent of our profits to men’s health organisations,”<br />

he adds.<br />

Mike and Tom started the business working between<br />

Christchurch and Auckland, selling the products online.<br />

Mike says the beauty of both being from Christchurch<br />

was that their families and networks were there to develop<br />

it with them. Living in Christchurch post-earthquakes gave<br />

them the resilience they needed to quit their day jobs and<br />

“sell moisturisers to men”, with the hopes their message<br />

would resonate.<br />

And it has. Their research found that men often find<br />

skincare confusing because they see it as a feminine category,<br />

they don’t understand why they need it, and they don’t<br />

know what they should be using. Two Dudes addresses these<br />

concerns with their accessible range of products that are easy<br />

to understand and use.<br />

The brand started with a core skincare line, added<br />

shampoo and conditioner, and recently launched a shower<br />

care range. Mike says they knew not all guys used skincare,<br />

but that (“hopefully!”) all guys take showers.<br />

They wanted to start with skincare because it required high<br />

trust, which allowed them to build that same trust into their<br />

message around bettering men’s health.<br />

On top of donating to men’s health organisations,<br />

Two Dudes have run a number of campaigns promoting<br />

conversations around men’s health, including their limited<br />

edition Ball Butter, a “simple, nourishing moisturiser designed<br />

to be applied daily” that Mike says was created to “encourage<br />

dudes everywhere to check their nuts”, and which will<br />

be back again this <strong>June</strong> for Men’s Health Month to raise<br />

awareness around testicular cancer.


42 <strong>Style</strong> | Beauty<br />

About face<br />

Pucker up<br />

Available in eight shades<br />

from neutral beige to<br />

vibrant fuchsia (we’re<br />

partial to luxe pinky mauve<br />

Slip, pictured), Hourglass<br />

Phantom Volumizing<br />

Glossy Balm ($56 at<br />

Mecca) is an innovative<br />

3-in-1 hybrid that hydrates<br />

like a lip balm, plumps<br />

for fuller-looking lips and<br />

delivers the high-shine<br />

finish of a lip gloss without<br />

the stickiness.<br />

It’s a kind of magic<br />

With its lightweight, silky and<br />

comfortable texture that melts<br />

into the skin leaving an even, matte,<br />

moisturised bare-skin finish, just a<br />

few drops of Clarins Skin Illusion<br />

Velvet Foundation ($65) is all you<br />

need to instantly enhance your<br />

complexion, control shine and blur<br />

imperfections. Available in 23 shades.<br />

Crème de la crème<br />

Following two years of research<br />

and development and a growing<br />

(5,000+) global waitlist, Emma<br />

Lewisham’s Skin Reset Eye<br />

Crème ($112) has finally hit the<br />

market. Engineered with 18 of<br />

the most scientifically proven, high<br />

performing active ingredients and<br />

two pioneering liposomal delivery<br />

systems, this (refillable) little purple<br />

pot delivers the eye area a deep<br />

dose of antioxidants and moisture.<br />

Smooth operator<br />

An exciting evolution of<br />

Dermalogica’s iconic exfoliating<br />

powder Daily Microfoliant, new<br />

Daily Milkfoliant ($119, available<br />

from <strong>June</strong> 10) is clinically proven<br />

to smooth skin calmly. The<br />

smoothing vegan polish contains<br />

a soothing, nourishing cocktail<br />

of botanical extracts, essential<br />

minerals, hyaluronic acid, oat<br />

and coconut that activates on<br />

contact with water for a gentle,<br />

replenishing skin experience.<br />

Pro-ageing<br />

Developed to address the most pressing<br />

skin concerns for women aged 50+<br />

discovered through in-depth research,<br />

Kiwi brand Essano has introduced its new<br />

Visible Repair collection, featuring clinically<br />

proven formulas that are naturally and<br />

specifically designed for mature skin. As<br />

well as day, night and eye creams, the star<br />

of the range is the Facial Elixir ($50), a<br />

powerful oil-based formulation loaded up<br />

with goodies to reduce signs of ageing and<br />

empower wearers.<br />

Hair hair!<br />

Dyson always means business when it comes<br />

to technology and innovation, so it’s no surprise<br />

they’ve found a way to improve on the already fairly<br />

amazing Airwrap hair styling tool ($999, available<br />

from <strong>June</strong> 16). The new-gen version has been<br />

given a radical redesign via new and reengineered<br />

attachments, which means enhanced styling options<br />

you can personalise to perfectly suit your hair type<br />

while maintaining its health and shine.


How to ensure you whānau is<br />

protected this winter<br />

With the people of Aotearoa coming out of<br />

their bubbles, and international borders<br />

opening, it brings a greater risk of people<br />

catching infections.<br />

Paula Bruce, Immunisation Coordinator at<br />

Pegasus Health says over the past two years<br />

we have seen a decrease in immunisations<br />

as people isolate at home, general practices<br />

see fewer people face to face and the focus<br />

in healthcare has been on COVID-19.<br />

“We are increasing our focus on Measles,<br />

Mumps and Rubella (MMR) vaccinations<br />

this year along with other vaccines such as<br />

COVID-19 and the flu. However, MMR is one<br />

of the most highly infectious diseases,” says<br />

Paula.<br />

Sherryn Edwardson, Immunisation<br />

Coordinator at Pegasus Health says measles<br />

were considered to have been eliminated in<br />

New Zealand in 2<strong>01</strong>7 but vaccination rates<br />

have steadily declined since COVID-19 hit<br />

Aotearoa.<br />

“When a disease is not seen for a while,<br />

populations feel there is no need for<br />

vaccination,” says Sherryn.<br />

An increase in measles cases in January<br />

and February <strong>2022</strong> is a worrying sign of a<br />

heightened risk for the spread of vaccinepreventable<br />

diseases.<br />

There is a national push to get more people<br />

vaccinated against measles, a disease that<br />

would put additional pressure on a health<br />

system already contending with the effects<br />

of the COVID-19 pandemic.<br />

“A high number of tamariki under five have<br />

either not had their MMR vaccine or have<br />

only had one due to a schedule change in<br />

October 2020 putting them at risk,” says<br />

Sherryn.<br />

Many people aged 17 to 32-years-old were<br />

not fully vaccinated as children, also putting<br />

them at heightened risk.<br />

People can check their Plunket or WellChild<br />

books or ask their doctors to find out<br />

whether they have received the two MMR<br />

doses required to be fully immunised.<br />

Influenza will also be circulating in the<br />

community this winter and with a handful of<br />

new strains already identified at our borders,<br />

preparation is of the utmost priority.<br />

“The risk is that COVID-19 is still prevalent<br />

across our community and the last thing we<br />

want is for people to contract COVID-19 and<br />

influenza at the same time, also known as<br />

‘Flurona’,” says Michael, Nursing Director at<br />

Pegasus Health.<br />

The good news is, if you are worried about<br />

whether you can get the flu or the MMR<br />

vaccine at the same time as your COVID-19<br />

vaccine or booster, the Ministry of Health has<br />

advised that it is safe and there is no need to<br />

leave a gap in between each vaccine.<br />

Flu vaccines are available for free for those<br />

who are over 65, Māori and Pasifika over<br />

55, pregnant women, those with underlying<br />

health and tamariki under four with<br />

respiratory illnesses.<br />

You can ask your GP for a measles<br />

immunisation and/or COVID-19 vaccine,<br />

it is free. You can also get a free MMR<br />

immunisation at some pharmacies if you<br />

are 16 or older.<br />

pegasus.health.nz


44 <strong>Style</strong> | Home<br />

SPLASH<br />

Marlin armchair in Navy,<br />

$1199 at Nood<br />

SPLASH<br />

Shorty locker<br />

in Ocean Blue,<br />

$349 at Shut<br />

The Front<br />

Door<br />

SAVE<br />

Simon Gault Cafe<br />

Series 22cm side<br />

plate, $13 at Briscoes<br />

SPLASH<br />

Magpie Home graphic<br />

inlay tray, $229 at<br />

Magpie <strong>Style</strong><br />

SAVE<br />

Demm mug in<br />

French Navy, $22<br />

at Country Road<br />

SAVE<br />

Living & Co<br />

artificial hydrangea<br />

stem, $4 each at<br />

The Warehouse<br />

SAVE OR SPLASH<br />

Tangled up<br />

in blue<br />

RESENE<br />

BONDI BLUE<br />

SPLASH<br />

Roberts clock,<br />

$149 at<br />

Freedom<br />

Furniture<br />

CURATED BY EMMA ROGERS<br />

SAVE<br />

Celadon Petite Flower<br />

milk jug, $20 at<br />

Early Settler<br />

SPLASH<br />

Cruze corduroy velvet 50cm<br />

cushion in Ocean, $55 at<br />

Bolt of Cloth<br />

SAVE<br />

Reactive glazed vase, $5<br />

at Kmart<br />

SPLASH<br />

Heirloom wool throw,<br />

in French Blue & Mist,<br />

$200 at Redcurrent


We’re passionate about helping you express your uniqueness through<br />

your home. Draw on the expertise of our interior designers and in-house<br />

architectural consultant to realise your vision of bespoke living.<br />

Start by visiting our retail concept showroom and fabric library to spark<br />

inspiration and book in your free consultation.<br />

322 Manchester Street, Christchurch<br />

www.frobisher.co.nz


46 <strong>Style</strong> | Promotion<br />

Getting real (estate)<br />

Tall Poppy’s Dan Gillespie talks the changing face of New Zealand real estate,<br />

finding the right agent – and agency – and the big appeal of tiny homes.<br />

What made you decide to go into<br />

real estate?<br />

Because I have come from a background<br />

in construction, small business ownership<br />

and retail sales, I’ve developed a passion<br />

for three things which naturally drew me<br />

to real estate: homes and property, the<br />

art of helping people solve things in their<br />

life, and running my own business and<br />

choosing to spend my time and energy on<br />

the things I really value. A career in real<br />

estate affords me the ability to enjoy a<br />

combination of these.<br />

How did you plan for the transition<br />

into commission selling?<br />

For some people, the thought of<br />

surviving and thriving on commission<br />

only is extremely daunting. For me,<br />

it’s exciting! I’m very self motivated<br />

and working on commission is a huge<br />

stimulus for me to go out and do the<br />

best job I can for my clients.<br />

Why did you choose Tall Poppy?<br />

It was a natural choice because it was the<br />

only real estate agency I could find that<br />

aligned with my values. When I started<br />

looking into Tall Poppy I realised there was<br />

a company actually trying to change the<br />

way real estate is done in New Zealand<br />

and I wanted to be a part of it. Tall Poppy’s<br />

whole business model is based on values<br />

instead of profit and they are attracting<br />

agents and clients who want a change in<br />

the way things are done in real estate.<br />

What made you decide to join<br />

Debi Pratt’s team?<br />

Interestingly enough, Debi’s ‘Join Tall<br />

Poppy Christchurch North’ page popped<br />

up on my Facebook feed while I was<br />

enquiring into different companies. Once<br />

I looked more into what Debi might have<br />

to offer as a mentor and leader, I soon<br />

realised that her wealth of experience and<br />

reputation in the industry made her an<br />

obvious choice.<br />

The difference I saw in Debi was her<br />

dedication to the growth and nurture of<br />

her team. This shows in the culture of<br />

her team who genuinely work together<br />

as a team – helping one another out,<br />

not competing with one another, all<br />

dedicated to ensuring every client<br />

receives the best service.<br />

How did you end up building your<br />

own tiny home?<br />

Over the past five years we’ve built a few<br />

tiny homes – a couple as a small business<br />

where we designed and built for clients,<br />

a couple that we lived in and a couple<br />

that were put on Airbnb as a bit of a side<br />

hustle. Downsizing and minimising for a<br />

couple of years while living in a tiny home<br />

afforded us the ability to purchase our<br />

own home, which was worth the sacrifice<br />

in space at the time!<br />

Fast forward a couple of years, now<br />

with a 2-year-old in tow, I have just<br />

finished building our own family home and<br />

prior to joining Debi’s team, completed<br />

our sixth tiny home out the back that we<br />

have on Airbnb.<br />

What are the main reasons you think<br />

your clients should use Tall Poppy to<br />

sell their homes?<br />

Firstly, fairer fees – Tall Poppy doesn’t<br />

operate out of offices, therefore our<br />

overheads are much lower, so we’re<br />

able to keep our service fee down<br />

while retaining the same level of<br />

performance and service as any other<br />

agency. We aren’t the lowest fee, we<br />

have fair fixed fees. Often low fee<br />

means you compromise on the quality<br />

of service. Our fair fixed fees are still<br />

lower than most but you get the very<br />

best service<br />

Secondly, offering New Zealand’s<br />

number one free marketing package – it<br />

really speaks for itself. Our in-house<br />

photo video team are the best there<br />

is and our relationship with suppliers<br />

allows us to get your house listing out<br />

to more people than almost anyone. We<br />

even offer additional drone footage, 3D<br />

plans and videography with no upfront<br />

cost.<br />

With our free marketing package, we<br />

don’t need buyers’ agents. At Tall Poppy,<br />

we do ‘one agent listings’. If you sell your<br />

house with me, I’m responsible for listing<br />

it, care for it and ensuring you get the very<br />

best buyer.<br />

dan.gillespie@tallpoppy.co.nz


EXTERNAL AFFAIRS<br />

with Tim Goom<br />

Creating a<br />

sense of arrival<br />

Your entranceway is the first thing visitors notice about your<br />

property, so ensuring it serves your purpose, both in terms of<br />

aesthetics and function is vital.<br />

Fencing<br />

Your fence is important for keeping your family and pets safely within<br />

and conversely keeping any unwanted intruders out. This can be<br />

achieved without creating an imposing fortress-like wall that dominates<br />

your property and street frontage. At Goom Landscapes the ethos<br />

which generally informs our entrance design is to ensure security but<br />

in a way, that enhances street appeal. Including a partial setback is a<br />

wonderful way of giving a little back to the street and creating the space<br />

to soften fencing with lush planting. This can make a dramatic difference<br />

to the initial visual impact of your property but also the street.<br />

There is a wonderful opportunity to add interest by changing materials<br />

and potentially heights with your fence. Mixing up materials will create<br />

more visual impact than a plain row of palings or a sea of solid plastered<br />

block wall. Tying in fencing materials with those used in the exterior of your<br />

home will also connect your landscape to your house to create cohesion.<br />

by Goom<br />

Gates<br />

In considering your entrance, the age-old challenge is what type of<br />

gate, if any, will work for your property. Often the back of the property<br />

may be internally fenced off, potentially minimising the need for a front<br />

gate at all. If a gate is preferred, then consideration should be given<br />

to whether a vehicle gate is sufficient, or whether both a vehicle and<br />

pedestrian gate are required. Having both enhances safety as it creates a<br />

clear delineation between where vehicles will drive in and where visitors<br />

will enter on foot. It may be that your frontage does not have the width<br />

required to accommodate both, and a gate must be fit for its purpose.<br />

Ensuring vehicle access is sufficient to not clip wing mirrors is necessary!<br />

From a design perspective, I think any gate should replicate elements of<br />

the front door to welcome and help guide visitors to your home. Gates<br />

can be manual or fully automated, as suits your purpose and budget.<br />

Lighting<br />

Visitors arriving after dark will be pleased to have your path and stairs to<br />

your front door well-lit to avoid any unfortunate mishaps and ending up in<br />

the garden. Having your street number clearly illuminated will also be much<br />

appreciated by Uber drivers searching for their pickup. Destination lighting<br />

to differentiate vehicle access from pedestrian access will also enhance<br />

safety for those on foot. Apart from safety, lighting at your entranceway<br />

is a fantastic way to completely transform your street frontage after dark<br />

by focussing on distinctive features, such as up-lighting specific plants or<br />

trees or an illuminating garden sculpture or water feature.<br />

Letterbox<br />

Although the amount of mail received has significantly reduced as online<br />

transactions have exponentially increased, a mailbox is still a necessity. An<br />

array of options are available, from the classic separate mailbox to a modern<br />

letterbox which is incorporated into your wall design to become part of<br />

the structure. Making a feature of your street number on either your wall,<br />

fence, or letterbox, (aside from being functional if visible) gives you the<br />

chance to firmly give the outside world a sense of your style from the street.<br />

Enhancing the street appeal of your property is an investment in the aesthetic and value of your home. To book a consult to discuss<br />

improving your entranceway, call Goom Landscapes today on 0800 466 657.<br />

The champions of<br />

landscape design & build.<br />

10 AWARDS - 2021<br />

DESIGN | MANAGE | CONSTRUCT<br />

Create a Lifespace with us. | goom.nz<br />

IDEATION-GOM<strong>01</strong>53


48 <strong>Style</strong> | Promotion<br />

Black is the new black<br />

Fashionistas will be big fans of this sleek, chic, luxuriously innovative ride<br />

Words Josie Steenhart Photos Hilary Macintosh<br />

It’s quite a contrast to get behind the wheel of a <strong>2022</strong><br />

Maserati Levante Gransport Black Edition after hopping in<br />

straight from my tiny (bright green) city work car (and the<br />

transition back even harder).<br />

But despite its glossy newness, high specs and ultra-luxurious<br />

everything and my nervousness due to the aforementioned, it’s<br />

a welcoming ride that quickly makes me feel comfortable (due<br />

in part to features like its active cruise mode, lane departure<br />

warning and assist, forward collision warning and autonomous<br />

emergency braking, not that I needed any of them of course,<br />

it’s just nice to know they’re there) and, within minutes, has me<br />

thoroughly enjoying the experience.<br />

Appropriately named for the Mediterranean wind that can<br />

change from calm to gale force in an instant, the Levante is<br />

powered by a Ferrari-developed 3.0L Bi-Turbo V6 motor and is<br />

rich in both style and innovation.<br />

It’s a dream to drive, responsive, powerful but as smooth<br />

as silk and effortless to handle, whether you’re cruising in<br />

cloudlike “standard” drive (what I’m calling purr mode) or in<br />

the mood to switch things up to Sport (which I’ve renamed<br />

roar mode), turning the deliciously throaty V6 engine up<br />

a few notches to ensure no one inside or out misses the<br />

signature Maserati engine note, while also subtly lowering the<br />

body of the car.<br />

In all-black-everything (including 21 inch Anteo alloys,<br />

exterior badges and trims finished in gloss black, an exhaust<br />

finished in heat-treated matte black and rear privacy glass)<br />

the exterior is the ultimate fashionista colourway, and of<br />

course goes perfectly with whatever you’re wearing (though I<br />

recommend something glamorous and Italian).<br />

It’s one of those crisp, bright (read: freezing) Christchurch<br />

mornings, but inside I’m perfectly cosy, literally right down to<br />

my fingertips, thanks to adjustable heated seating and – get this<br />

– a gentle heated steering wheel.<br />

Having already sorted the beats via the Harmon Kardon<br />

Premium Audio, and connected navigation with real-time traffic<br />

info and up-to-date maps through Maserati Connect, which<br />

seamlessly links up to my smartphone (and smartwatch and<br />

virtual assistant if you wish) via a built-in wifi hotspot, I’m free<br />

to relax into the super-cushy, perfectly toasty sports seat and<br />

sip my caffè – black, of course – for extra sophistication while<br />

waiting at inner city Ōtautahi’s many, many traffic lights.


<strong>Style</strong> | Promotion 49<br />

<strong>2022</strong> Maserati Levante<br />

Gransport Black Edition<br />

VEHICLE SIZE<br />

Length 5005mm, width 1981mm,<br />

height 1693mm<br />

ENGINE<br />

3.0L V6 Twin Turbo<br />

TRANSMISSION<br />

8 Speed ZF Automatic<br />

PERFORMANCE<br />

0–100km/h 6.0 sec<br />

Max speed 251km/h<br />

PRICE<br />

Test vehicle $179,990 including orc,<br />

From $155,000 + options + orc<br />

WHERE TO PURCHASE<br />

Euromarque Maserati,<br />

120 Saint Asaph Street,<br />

Christchurch Central City


50 <strong>Style</strong> | Promotion<br />

Go north!<br />

A quick 90-minute direct flight from Christchurch will lead you to New Plymouth<br />

and Taranaki, New Zealand’s sunniest region, and a stacked events line-up.<br />

With glorious gardens and rich arts<br />

and culture, there really is an event<br />

for everyone in Taranaki. From family<br />

trips to couple’s getaways, take advantage<br />

of the many must-see experiences and<br />

events upcoming in Taranaki. Come for<br />

the gigs and stay for the picture-perfect<br />

scenery, decadent dining and fascinating<br />

local history.<br />

TEMPT YOUR TASTEBUDS<br />

You’ll be spoiled for choice when it<br />

comes to filling your puku, with an<br />

abundance of cafés, restaurants, bars<br />

and eateries right around the maunga.<br />

Taranaki is a foodie’s haven, with paddockto-plate<br />

style menus, hearty gastronomic<br />

dishes, and locally-made produce regularly<br />

featured. Rookie Sister Kitchen in Hāwera<br />

will satisfy even the fussiest of palates,<br />

or take in the beachfront views at Black<br />

Sands Pizzeria in Ōakura. Shining Peak<br />

Brewery in New Plymouth has both craft<br />

beer and a decadent high-end menu.<br />

IMMACULATE LANDSCAPES<br />

With bountiful native bush tracks, and<br />

spectacular coastal scenery, your camera<br />

will be full of stunning holiday snaps. Take<br />

on the one-day Pouākai Crossing walk<br />

for glorious reflective scenes of Taranaki<br />

Maunga in the Pouākai Tarn, explore the<br />

Whitecliffs Walkway and find yourself in<br />

awe of the Three Sisters rock formations,<br />

or meander the Ōpunakē Loop Trail<br />

and discover the secret garden and artsy<br />

mosaic couches.<br />

HISTORY BUFF<br />

Everywhere you turn in Taranaki, you’re<br />

immersed in local history. Discover<br />

more at Puke Ariki or Aotea Utanganui<br />

museums, or pair the experience of<br />

Tawhiti Museum and Traders & Whalers<br />

with a boat tour from Chaddy’s Charters.<br />

The tour heads out of the New Plymouth<br />

port, into the Tasman Sea and around<br />

the Sugar Loaf Islands, with the captain<br />

offering commentary of the local history.<br />

Then drive an hour south to Tawhiti<br />

Museum to see the stories you’ve just<br />

heard about brought to life with life-size<br />

and scale-model displays.<br />

WHĀNAU FUN<br />

Grab a ticket to one of the many great<br />

events coming up, and bring the kids<br />

along too. There’s plenty to do to keep<br />

the kids happy, with indoor and outdoor<br />

options suitable to all ages. Challenge the<br />

family to a downhill race at The Hideaway<br />

luge, or get close to the animals at<br />

Brooklands Zoo. Challenge the family in<br />

the laser tag arena at Bowlarama or burn<br />

off some energy at the epic playground at<br />

Hollard Garden.<br />

WHAT’S ON<br />

SPEAKEASY Literary Festival<br />

9-10 July<br />

Taranaki Arts Trail<br />

28 October - 6 November<br />

Ōakura Arts Trail<br />

28 October - 6 November<br />

Taranaki Garden Festival<br />

28 October - 6 November<br />

Taranaki Fringe Garden Festival<br />

28 October - 6 November<br />

Sustainable Backyards Trail<br />

28 October - 6 November<br />

Spiegel Fest<br />

10 - 20 November<br />

NZ Tattoo & Art Festival<br />

26 - 27 November<br />

UB40 at the Bowl of Brooklands<br />

30 December<br />

Find out all there is to see, do, eat and experience at taranaki.co.nz/visit


Retail therapy, Bianca Lorenne<br />

Three Sisters, Tongapōrutu<br />

ITS TIME<br />

TO DISCOVER<br />

TARANAKI<br />

Just a short direct flight away, you’ll find Taranaki, a region known<br />

for its world-class events. With a stacked winter and spring events<br />

line-up, now is the time to plan your ultimate escape to Taranaki.<br />

Come for the arts, culture or gardens, and stay for the pictureperfect<br />

scenery, decadent dining, and fascinating local history.<br />

AN INITIATIVE OF VENTURE TARANAKI<br />

Make a weekend of it!<br />

taranaki.co.nz


52 <strong>Style</strong> | Travel<br />

STYLE TRAVEL GUIDE<br />

Tom Sainsbury’s South Island<br />

Interview Josie Steenhart<br />

Comedian, Snapchat satirist, dancing<br />

alien, game show champ and now<br />

TV foodie Tom Sainsbury is on the road<br />

with his brand new show Snapchat Dude<br />

Live! and no stone will be unturned in his<br />

quest to poke fun at New Zillunders<br />

With gigs in Ashburton, Christchurch,<br />

Dunedin, Invercargill, Oamaru, Nelson<br />

and Blenheim, we caught up with Tom<br />

to find out some of his favourite South<br />

Island spots, and what to expect when<br />

he visits a town near us…<br />

How/why did you choose which South<br />

Island spots to take the tour to?<br />

Christchurch was always a given. I’ve<br />

performed there half a dozen times<br />

now and every time I have the best<br />

time. And then I’m really curious about<br />

all the other towns we’re visiting. I’ve<br />

never performed in Ashburton or<br />

Invercargill. Or Nelson nor Blenheim for<br />

that matter. I know I’ve got a few fans/<br />

followers in those towns so I’m hoping<br />

they come out for the night.<br />

Tell us a little bit about what we can<br />

expect at a gig…<br />

A lot of laughs and a warm fuzzy feeling.<br />

It’s like The Avengers movies where all<br />

the superheroes come together in an<br />

action-packed, multiverse explosion. But<br />

in this case it’s all my characters that I’ve<br />

created over the years and shared with<br />

the world on social media. It’s a fun ride<br />

through Kiwiana with romance, hilarity<br />

and a ginger cat with a bad attitude.<br />

Which of the South Island gigs are you<br />

most nervous and most excited about?<br />

I’m nervous about them all, really. It’s just<br />

the natural nerves of how they will take<br />

it. It’s also my experience that the smaller<br />

towns are more reserved with their<br />

laughter. So I’m gonna have to work<br />

extra hard to make them have a great<br />

time. In saying that, I’m really looking<br />

forward to performing in Invercargill.<br />

The venue is just gorgeous and my<br />

cousin is bringing a big posse of her<br />

girlfriends to kick off the laughter.<br />

Any jokes that South Islanders might<br />

find particularly funny you can share<br />

with us?<br />

I do a Simon Bridges impression at the<br />

start of every show. As Simon I share an<br />

acrostic poem with the town I’m visiting<br />

as the central word. So, Christchurch, for<br />

example will begin: C – Canterbury – is<br />

where Christchurch is. H – Hagley Park is<br />

a park in the city, etc. The droll inanity of<br />

it usually warrants a laugh or two.<br />

What are some of your favourite spots<br />

in the south?<br />

Central city Christchurch. It’s stunning,<br />

has a great vibe, and has good coffee<br />

(which I’ll be surviving on). Oamaru<br />

– love the old town and am a closet<br />

steampunk fan. And The Remarkables by<br />

Queenstown. I’ve just spent a week there<br />

and never got over their spectacle.<br />

Favourite spots to eat/drink?<br />

Okay, Giovi Fine Food in Frankton,<br />

Queenstown – divine. And Portershed in<br />

Christchurch. I’m a veggo and I felt like a<br />

pig in muck there. So much good food.<br />

And Fleur’s Place in Moeraki. What a<br />

venue! What a hostess!<br />

Favourite places to stay?<br />

The Hermitage Hotel in Aoraki. I felt I<br />

was living out my Swiss Alps/James Bond<br />

fantasy swanning around in there. And<br />

the Grand Arden Monaco in Nelson.<br />

I felt like I was in some very highbrow<br />

European village.<br />

Favourite activities/experiences?<br />

Driving across from Christchurch to<br />

Wānaka going through Twizel, Lake<br />

Tekapo etc was phenomenal. Every<br />

landscape was worthy of a painting.<br />

And then the Catlins as well. Just<br />

constantly in awe of the scenery.<br />

Funniest time? Hanging out with other<br />

comedians at Good Times comedy club<br />

in Christchurch. You got some pretty<br />

funny people down there. Oh, also, going<br />

to some random all night rave close<br />

to Good Times. I can’t remember the<br />

name of the venue but they were playing<br />

German trance and it was a time!<br />

Any other “secret” South Island spots/<br />

intel you’re prepared to share?<br />

The abandoned wharf in Oamaru<br />

where all the seabirds hang out. It’s<br />

a spectacle. And Pigeon Bay near<br />

Christchurch. But there are hundreds<br />

of spots. I can’t believe what a beautiful<br />

country we live in.<br />

ABOVE: Left and right: Instagram images from Tom’s recent trip to Queenstown. @thomassainsbury


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54 <strong>Style</strong> | Food<br />

Game on<br />

South Island-based game chef Angelo Georgalli on the challenges of<br />

Covid, collating a cookbook around hunting seasons and cooking the perfect bird.<br />

Words Rebecca Fox<br />

ABOVE: Angelo and partner Sky Horton hunting game birds for his latest cookbook.<br />

Photo: Richard Cosgrove


<strong>Style</strong> | Food 55<br />

Angelo Georgalli loves birds, so hunting them doesn’t<br />

come easily. So when it came to writing the recipes for<br />

his latest cookbook The Fish & Game Cookbook, there was a<br />

lot of experimentation needed.<br />

It is just one of the challenges Angelo has faced since<br />

his last cookbook and television show Wild Kitchen were<br />

released in 2<strong>01</strong>7.<br />

“I can’t lie, it has been a real struggle.”<br />

The biggest difficulty was having to sell the hunting and<br />

fishing lodge he had built up at Cardrona after Covid-19<br />

and its associated restrictions decimated tourism.<br />

“It was very much tourism-focused and based and it was<br />

hit quite badly.”<br />

He then decided to open a food truck in Wānaka<br />

offering charcoaled meats, souvlaki, in a specially designed<br />

charcoal grill.<br />

“But Covid kept knocking on the door. I thought it would<br />

go away, little did I know it would be here this long. It<br />

affected that business too, so I moved the trailer off-site<br />

and decided to wait until it settled down.”<br />

It was during this down-time that Angelo, driving up the<br />

South Island one day, diverted to a Fish & Game office and<br />

suggested writing a cookbook for them. The organisation<br />

loved the concept as it was something they had always<br />

thought would be good to do and the timing was right.<br />

Angelo had also worked with them as a volunteer ranger in<br />

the past so knew the organisation and its work.<br />

“I met a lot of interesting people on riverbanks and lake<br />

sides. It’s been nice to get involved with them again.”<br />

It was during this time the idea of a fish and game<br />

cookbook started to germinate. He often cooked for Fish<br />

& Game training courses, surprising fellow rangers with<br />

his skills.<br />

It took a year to pull together the book as he had to<br />

work around the hunting and fishing seasons and then<br />

experiment with different species.<br />

“Cooking a pūkeko or a black swan, shoveler or mallard<br />

can sometimes be quite challenging.”<br />

He said the birds were quite diverse and their<br />

conditions depended on where they had been feeding, the<br />

environment and their health.<br />

“I discovered the easiest way to cook a bird is to put it<br />

in an oven bag with the other ingredients and put it in the<br />

oven for two to three hours. That kept the moisture in. As<br />

we all know with wild meat, there is not much fat involved,<br />

so they tend to be quite dry. I think with these recipes I<br />

achieved some great results.”<br />

He pulled together ingredients from his Greek and<br />

Italian heritage as well as Middle Eastern flavours to give<br />

recipes interest.<br />

“We mixed it up and made some interesting dishes.”<br />

His interest in his heritage – his father is from Cyprus –<br />

led his partner Sky Horton to buy him a DNA test for his<br />

birthday, which he took about nine months ago. He was<br />

“blown away” by the results which showed there was also<br />

DNA from Iran, North Africa and even Nigeria.<br />

“Looking back in my cooking, I have adopted a lot of<br />

styles and flavours unknowingly from those countries,<br />

which is quite amazing. Goes to show it is in the blood.”<br />

In the end, his recipe for a black swan meat loaf and the<br />

quail recipes are his favourites, but he admits he feels guilty<br />

shooting quail.<br />

“They’re adorable.”<br />

As an early teen in the United Kingdom, he used to study<br />

birds and went on to keep finches and canaries and breed<br />

them.<br />

“So killing birds isn’t the easiest, but I do like eating them<br />

as well.”<br />

Alongside the recipes, tips and tricks for cooking, Fish &<br />

Game have provided information on the species themselves<br />

and the work the organisation does.<br />

“It’s not all about hunting and fishing, it’s about<br />

protecting the environment, so the next generation and<br />

following generations can carry on harvesting and foraging<br />

from the wild.”<br />

The book gave Angelo something to focus on as he<br />

struggled with his mental health.<br />

“A lot of men tend to hide it. They say she’ll be right,<br />

have a glass of wine and a roast, but that is not the case<br />

you have to research and talk to the right people.<br />

“I’ve struggled with mental health in the past. I had a<br />

divorce, I have three children, it’s difficult. But I’ve definitely<br />

come out the other side.”<br />

He is aware there are a lot of people in worse situations<br />

than him, so he seeks to find the opportunities ahead.<br />

“I’m a great believer in moving on. There is no point in<br />

holding on to the past as it’s gone.”<br />

So he moved from Wānaka to Kingston where Sky,<br />

whom he met on a trip to Kaikōura, has joined him. But<br />

the pair are about to move to Dunedin so Sky can return<br />

to study geography and ecology at the University of Otago.<br />

“I’ve moved houses probably 12 times in 10 years, it’s<br />

unsettling. But I have no regrets.”<br />

Angelo will be bringing his food truck with him in the<br />

hope of finding a permanent space for the 7.6m-long truck.<br />

Once he finds a place to set up, he will decide what he’ll<br />

produce in the truck as it can be set up for a variety of<br />

cuisines to meet the needs of his site.<br />

He is also about to start filming a series of short TikTok<br />

videos showing how to cook “outdoorsy, wild food” and<br />

is looking at doing another television show, so he has no<br />

shortage of things to keep him busy in the coming months.


56 <strong>Style</strong> | Food<br />

Angelo’s tips for cooking with game birds<br />

• For cooking outdoors, make yourself a chef’s pouch.<br />

Much like a builder’s apron, it holds the tools of your<br />

trade, such as herbs, spices, oils, knives and cutlery.<br />

Make sure you are prepared with plenty of water and<br />

make use of tinned ingredients and pre-packaged products<br />

to save valuable time.<br />

• Keep your meat “safe”. If you have a mai mai or space<br />

at home, use a meat safe if possible to hang your catch/<br />

birds. They are great at allowing air to circulate and prevent<br />

flies or predators from contaminating your meat.<br />

• If you want to keep them a bit longer, or if it is warmer<br />

than usual, hang your birds in a chilled environment<br />

below 4°C for a maximum of 10 days. This will help<br />

age the bird and tenderise the meat. Anything above<br />

this temperature can spoil your meat and promote<br />

the growth of bacteria.<br />

• Give it a pat. Once plucked and cleaned, always pat<br />

your bird dry with a paper towel. You’ll get a better<br />

result from your cooking.<br />

• Because of the lack of fat in waterfowl, very slow or<br />

very fast cooking is the way to ensure a tender dish.<br />

For melt-in-your-mouth goodness make sure you follow<br />

the recipe guide for heat and cooking times, otherwise<br />

you could end up with a tough or chewy bird.<br />

• To check if your roasting bird is done, use a thin sharp<br />

knife or a skewer and pierce the breast all the way to<br />

the breastplate. If it bleeds red, give it a bit longer. If it is<br />

clear, it is done. Light pink juices are fine, but if there is<br />

no juice, whip it out of the oven quick or you will end<br />

up with a dry bird!<br />

• With game birds, to get the most out of the flavour<br />

and to add a bit of fat to them for cooking, make a<br />

herb butter of your favourite herbs and spices, and rub<br />

into or under the skin before cooking.<br />

ABOVE: Angelo’s honey soy roast shoveler with blackberry and plum sauce and pan-seared pears. Photo: Sally Greer


<strong>Style</strong> | Food 57<br />

Honey soy roast shoveler<br />

with blackberry & plum sauce<br />

and pan-seared pears<br />

Healthy, light, delicious and easy, this is a no-fuss meal that everyone will enjoy!<br />

The sweet flavours will make it a family fave.<br />

INGREDIENTS<br />

• 1 whole shoveler<br />

• 25g butter<br />

• 2 cloves garlic, crushed<br />

• 1 tablespoon sweet soy sauce<br />

• 1 tablespoon runny honey<br />

• 1 red pear, halved<br />

• 1 teaspoon butter<br />

TO SERVE<br />

• 2 handfuls of mesclun salad<br />

• ½ handful of mint leaves, sliced<br />

• ½ tablespoon avocado oil<br />

• 1 tablespoon balsamic vinegar<br />

• salt and pepper<br />

METHOD<br />

1. Preheat oven to 160ºC.<br />

2. In a large oven bag, add the shoveler, butter, crushed garlic, sweet<br />

soy sauce and runny honey. Pierce and tie the bag and carefully<br />

shake to coat the bird. Place in the oven for 2 hours 30 minutes.<br />

3. In a hot frying pan, add the butter and place the pear flesh-side<br />

down and fry for 1-2 minutes or until golden brown. Set aside.<br />

4. Warm up your blackberry and plum sauce using a hot pan or<br />

microwave.<br />

5. Serve with tossed mesclun salad and mint leaves. Drizzle avocado<br />

oil and balsamic vinegar over the salad with added salt and pepper<br />

to taste.<br />

BLACKBERRY &<br />

PLUM SAUCE<br />

Sweeter than raspberries<br />

but with its own heady<br />

tang, the humble blackberry<br />

adds a richness to these<br />

delectable autumn flavours.<br />

INGREDIENTS<br />

• 1 cup blackberries<br />

• 10 plums, halved<br />

• 3 tablespoons caster sugar<br />

• 1 tablespoon fig balsamic vinegar<br />

• 3 teaspoon port<br />

• 2 teaspoon Cointreau<br />

• ¼ teaspoon vanilla paste<br />

METHOD<br />

1. Place all the ingredients into a<br />

saucepan on a medium/high heat for<br />

about 1-2 minutes and ensure all<br />

ingredients are mixed in.<br />

2. Lower the heat and simmer for 15<br />

minutes, stirring regularly.<br />

3. Take off the heat and let it cool.<br />

4. Put the mixture in a blender and blitz<br />

until smooth.<br />

5. Enjoy heated through as a nice<br />

addition to any waterfowl dish.<br />

Extract and photo from The Fish & Game Cookbook by Angelo Georgalli, Beatnik Publishing, $60


58 <strong>Style</strong> | Drink<br />

Plum together<br />

Things are coming up plums for Annabel Langbein, who shares her latest<br />

creation and two plum-based recipes with <strong>Style</strong>.<br />

Interview Josie Steenhart Recipes Annabel Langbein<br />

ABOVE: Annabel creating her Italian plum and almond cake. Photo Rose Langbein<br />

OPPOSITE: The Langbeins enjoying the fruits of their labour. Photo Kate Battersby


<strong>Style</strong> | Drink 59<br />

Using handpicked wild plums from her property in Dublin Bay,<br />

Wānaka, New Zealand’s favourite foodie Annabel Langbein recently<br />

launched gin elixir Bella in collaboration with Queenstown distillery<br />

Broken Heart Spirits.<br />

How did your (delicious) Bella gin elixir come to fruition (from idea<br />

to actual process)?<br />

I’ve always entertained the idea of our little cabin here in Dublin Bay<br />

being a distillery, but actually we live there so that’s a no-go. But this<br />

idea of making really high-quality unique beverages has always been in<br />

my mind…<br />

I think being in Sicily about 20 years ago and tasting some of the<br />

amazing digestif spirits and aperitifs they make there at home that were<br />

so delicious and so unique, made me think, yes, I can do this.<br />

And then a few years later I was invited to the<br />

Slanted Door restaurant in San Francisco, and<br />

after dinner the owners invited me to their bar<br />

across the road. It was a bourbon bar and they<br />

went all around America buying these craft<br />

bourbons often from moonshiners. I thought,<br />

wow, this is so much fun.<br />

Back home in Dublin Bay we started picking wild<br />

plums from the reserve and from old deserted<br />

orchards and making this infused gin. We made the<br />

first batch back in 2<strong>01</strong>5, maybe 2<strong>01</strong>4 even.<br />

Then we got to know Joerg from Broken Heart<br />

and he was making some delicious fruit liqueurs and<br />

he said, “Why don’t we do this together?” It’s such<br />

a brilliant collaboration. Joerg is a master distiller,<br />

he’s like a poet in the way he puts spirits together<br />

with these complex, rich flavour profiles.<br />

Sometimes I will go around there and he will<br />

have been up all night experimenting with some<br />

new brew – I think it was absinthe last time. Bags<br />

of herbs and spices and this incredible chartreuse<br />

green booze. He’s so curious and so committed to<br />

everything being 100 per cent plus. We could not<br />

have a better partner.<br />

It’s taken us more than three years to get to the<br />

point of having a bottle ready for sale. There’s just<br />

so much work, not just in refining the recipe but<br />

working through the brand and the packaging – as<br />

is the case with lots of new projects there were<br />

glitches all along the way. But now Bella is finally<br />

here and I feel so proud.<br />

What makes Bella so special?<br />

We decided to call it Bella as that’s the name my<br />

friends call me. It’s something very personal and hand<br />

crafted. It’s something we love having in our cellar to<br />

bring out for friends, or to give as a special gift.<br />

We are hoping to eventually have three flavours<br />

of Bella made with different fruits, each with their<br />

own unique taste and story.<br />

The alcohol content is 25% so it’s much lighter<br />

than traditional spirits. This was a conscious<br />

decision, we wanted to make something that<br />

wouldn’t get you plastered drinking, and it seems<br />

very popular with the millennials.<br />

In fact I’ve been a bit taken aback by how much<br />

everyone loves it… I mean you love it because<br />

you’ve made it and put your heart and soul into<br />

it, but Bella seems to hit the spot with men and<br />

women, across every generation. It gives me so<br />

much pleasure to know how much it is being<br />

enjoyed – and going forward, hopefully all over<br />

the globe.


<strong>Style</strong> | Food 61<br />

Italian plum & almond cake<br />

A wonderfully tender cake that is perfect for a summer picnic or celebration. The<br />

tartness from the plums balances out the sweetness from the cake perfectly.<br />

SERVES<br />

10 –12<br />

READY IN 1 HOUR<br />

40 MINUTES<br />

VEGAN<br />

INGREDIENTS<br />

• 180g/6oz butter, at room temperature, plus extra<br />

for greasing<br />

• 1 cup sugar<br />

• 1 teaspoon vanilla extract<br />

• finely grated zest of 2 lemons<br />

• 3 large eggs, at room temperature<br />

• 1½ cups ground almonds<br />

• 1 cup self-raising flour<br />

• 2 tablespoons plain yoghurt or buttermilk<br />

• 8 large semi-firm plums, halved, stones removed<br />

• 1 tablespoon amaretto liqueur (optional)<br />

• 2 teaspoons icing sugar, to garnish<br />

METHOD<br />

1. Preheat your oven to 160ºC/320ºF fanbake. Line the<br />

base of a 24cm/9in springform cake tin with baking<br />

paper and grease the sides with butter.<br />

2. Beat together the butter, sugar, vanilla extract, and<br />

lemon zest until pale and creamy. Next, beat in<br />

the eggs one at a time. Add the ground almonds,<br />

flour, and yoghurt, using a spatula to mix until<br />

evenly combined.<br />

3. Pour the mixture into your prepared tin, smooth<br />

the top with the spatula, and arrange the plums<br />

halves on top, cut-side up (if you press them in, they<br />

will sink).<br />

4. Bake in the preheated oven until the cake is risen<br />

and golden and a skewer inserted into the centre<br />

comes out clean (about 1 hour 15 minutes).<br />

Remove from the oven and, if using, brush the<br />

amaretto liqueur over the hot cake. Allow to cool<br />

completely in the tin before removing and dusting<br />

with icing sugar to serve.<br />

5. If you’re not serving this the same day it is made,<br />

cake will keep in the fridge for up to two days.<br />

Simply bring back to room temperature before<br />

serving with the dusting of icing sugar.<br />

NOTE If you want to take this to the next level, grind<br />

your own almonds to a fine crumb in a food processor.<br />

ABOVE: Wild plums from Annabel’s property in Dublin Bay. OPPOSITE: Annabel’s Italian plum and almond cake. Photo Rose Langbein


62 <strong>Style</strong> | Recipe<br />

Bella sour<br />

For when you want to take Bella up a notch,<br />

this is our take on an amaretto sour.<br />

SERVES<br />

2<br />

READY IN<br />

5 MINUTES<br />

INGREDIENTS<br />

• 60ml Bella gin elixir<br />

• 2 tablespoons amaretto<br />

• 2 tablespoons freshly squeezed<br />

lemon juice, strained<br />

• 1 egg white<br />

• ice cubes<br />

• dried rose petals, to garnish<br />

(optional)<br />

METHOD<br />

1. Place your glasses in the freezer to chill for 30 minutes. If you’re<br />

tight for time, we like to quickly rinse the glasses with water, then<br />

place them, wet, in the freezer for 5 minutes. Don’t do this with<br />

super-fine crystal or it will break.<br />

2. Place Bella, amaretto, lemon juice, and egg white in a cocktail<br />

shaker. Add ice cubes and shake vigorously until the mixture is<br />

completely chilled and foamy.<br />

3. Use a cocktail strainer to strain into your chilled glasses and<br />

garnish with rose petals, if using.<br />

4. Sip the night away.<br />

Photo Kate Battersby


THE BRAIN DRINK<br />

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64 <strong>Style</strong> | Drink<br />

Mix & mingle<br />

<strong>Style</strong>’s merry band of beverage reviewers sips some great new/celebrated drops.<br />

Mid-winter<br />

must-try<br />

For those who are fans of<br />

ex-sherry cask matured<br />

whisky, the Tamdhu<br />

12-year-old is hard to<br />

beat. It’s a complex and<br />

rich single malt. The nose<br />

is full of tempting aromas<br />

of iced cinnamon rolls,<br />

dried fruit and old school<br />

boiled sweeties. The palate<br />

has a silky texture and<br />

full flavours of fruit and<br />

spice. You can’t go too far<br />

wrong with ex-sherry cask<br />

matured Speyside whisky,<br />

and this is certainly one to<br />

be shared and savoured,<br />

perfect mid-winter to<br />

accompany those citrusy<br />

mulled wines by the fire.<br />

Beautifully<br />

botanical<br />

Strikingly clad in black<br />

and metallic bottles and<br />

with no added sugar or<br />

any flavourings added<br />

post distillation, Lunatic &<br />

Lover’s Botanical Rum is<br />

a far cry from your dad’s<br />

spiced rum. The Kiwi<br />

company start by making<br />

a rich, pure single rum at<br />

their Auckland distillery<br />

and then re-distill this base<br />

spirit for a third time with<br />

a carefully curated mix of<br />

12 botanicals. Using both<br />

native and exotic botanicals<br />

such as horopito, dandelion<br />

and burdock root along<br />

with Solomon Island cacao<br />

nibs, the resulting drop is<br />

sophisticated, intriguing and<br />

perfectly balanced, equally<br />

enjoyable sipped neat or<br />

as an extra dimension in a<br />

cocktail. Available in Unaged<br />

Silver or Barrel Rested.<br />

Sweet treat<br />

Perched on the border that<br />

separates the Lowlands<br />

and Highlands of Scotland,<br />

Glengoyne distillery is<br />

famous for producing a soft<br />

and complex whisky with<br />

not a trace of peat smoke.<br />

The 12-year-old boasts<br />

lemon zest, coconut oil and<br />

runny honey on the nose.<br />

The palate brings to life<br />

nana’s buttery shortbread,<br />

toffee apples, hints of<br />

ginger and vanilla, finally<br />

finishing on a hint of sherry<br />

and soft oak. Brilliant for<br />

sharing and a perfect dram<br />

for introducing curious<br />

whisky drinkers to the<br />

world of Scotch.<br />

A little tart<br />

Straight out of its Canterbury<br />

still comes the latest RTD<br />

from Scapegrace, this time<br />

featuring delicious gin.<br />

Scapegrace is New Zealand’s<br />

largest gin distillery so they<br />

know their stuff, and here<br />

have mixed the beloved<br />

spirit with refreshing soda<br />

and hints of grapefruit and<br />

hibiscus for a balanced,<br />

sweet and tangy profile<br />

with a slightly tart finish.<br />

Light, bright, fresh and clean,<br />

it also has an ABV on the<br />

lower side at 5%.


NEW ZEALAND'S<br />

WHISKY SPECIALISTS<br />

E: info@whiskygalore.co.nz | P: 0800 WHISKY (944 759)<br />

834 Colombo Street, Christchurch


66 <strong>Style</strong> | Art<br />

The art of the city<br />

Dunedin artist Simon Kaan on how his heritage has informed<br />

his work and the city’s urban landscape.<br />

Words Rebecca Fox Photo Gregor Richardson<br />

ABOVE: Dunedin artist Simon Kaan in his Fryatt Street studio.


<strong>Style</strong> | Art 67<br />

Dunedin’s new built landscape is starting to feature<br />

touches of Otago’s diverse cultural history, much of it<br />

influenced by artist Simon Kaan.<br />

The artist, known for his paintings using a “soft focus,<br />

tranquil palette and finely stacked horizons, peppered with<br />

delicately rendered symbols and icons”, is the design lead for<br />

Aukaha, an Otago runaka-based consultancy service.<br />

“I work with the architects to ensure mana whenua<br />

aspirations and values are embedded within the project and<br />

can inform cultural change within organisations.”<br />

It is a role that fits perfectly with his artistic practice,<br />

which has always been about identity and place and<br />

influenced by his Chinese, Ngāi Tahu and Pakeha heritage.<br />

“It’s been a natural process for me over the years. Ideas<br />

about identity and my own place in the world [are] something<br />

that [have] dictated my art practice for a long time.”<br />

His Chinese grandfather came to New Zealand in the<br />

1890s. His grandmother came out from China in the 1930s,<br />

and they went on to settle in Sawyers Bay and have eight<br />

children. They set up and ran a fruit shop at Port Chalmers.<br />

“They were an integral part of the community.”<br />

Simon can remember working with his dad, aunts and<br />

uncles in the shop, and meeting many of the community’s<br />

characters.<br />

While he left the city for a while, he returned when his<br />

father died 25 years ago to be closer to his mother, who he<br />

gets his Ngāi Tahu whakapapa from, and has stayed, as he<br />

found the city to be a creative hub – and with cheap rents, a<br />

financially viable place to be as an artist.<br />

“There’s enough artists here to not feel isolated and it’s<br />

also a beautiful place to be. I get a lot of inspiration from the<br />

ocean and landscapes here. It’s very much part of my being.”<br />

Simon is proud to be involved in the urban development<br />

of the city he grew up in and the wider region.<br />

“There is a cultural change and shift of mana whenua<br />

being seen within the environment, which has been<br />

lacking in the past 100 years or so as far as urban<br />

development goes.<br />

“It’s really enriching work but it’s taken me out of my<br />

studio a lot in the past few years. But they feed into each<br />

other, there is a lot of great research that happens. I end up<br />

doing a lot of learning and have a deeper understanding of<br />

Ngāi Tahu values and how they translate into projects.”<br />

His work can already be seen on the frontage of Ebb<br />

hotel, along the side of Kaan Catering Supplies’ new<br />

warehouse and on the new roadside panels at Port<br />

Chalmers.<br />

He has also been part of engaging other Ngāi Tahu<br />

artists to influence new projects such as the George St<br />

redevelopment, new Dunedin Hospital and the soon-to-beconstructed<br />

ACC building in Dowling St.<br />

“It’s going to make a really interesting visual cultural<br />

presence with the city.”<br />

Most important, he says, is the development of healthy<br />

relationships with treaty partners such as the Dunedin City<br />

Council and Otago University.<br />

“It’s great to be part of the conversations with those<br />

design projects and them seeing the value in it. It’s not<br />

just token anymore. We are having some really robust<br />

conversations.”<br />

It’s not only Dunedin that benefits from his work. For<br />

the past four to five years he has also been working on the<br />

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68 <strong>Style</strong> | Art<br />

large-scale Te Aika 2021 with fellow artist Rachel Rakena. It<br />

stands outside Christchurch’s new convention centre,<br />

Te Pae.<br />

Simon has also been working to build up capacity<br />

in the organisation, bringing on board young artists,<br />

designers and architects to take part in these projects.<br />

Ultimately he hopes this will enable him to spend more<br />

time on his own art practice.<br />

“That is where my heart really lies. It is really important<br />

to me spiritually, I really need it in my life.”<br />

But most important to him is his partner and three<br />

boys.<br />

“They’re my most important job, growing together with<br />

them, that’s what we all do it for really.”<br />

He is only able to fit in one solo show a year and has<br />

one coming up in Auckland, but also co-curated the<br />

Paemanu group exhibition of contemporary Ngāi Tahu<br />

artists’ work at Dunedin Public Art Gallery this year.<br />

“We’ve had a great response. Bringing young artists in<br />

with us has been important. Working in a community<br />

as an artist is important rather than just as an individual.<br />

Having people working on a similar kaupapa to you, you<br />

are not so isolated and have that support around you.”<br />

He also, together with Otago Polytechnic lecturer and<br />

ex-restaurateur Ron Bull, formed the Kaihaukai Collective<br />

about 10 years ago. It develops indigenous food and<br />

identity projects, educating not only New Zealanders but<br />

those overseas about mahinga kai.<br />

“Consciously or subconsciously food helps make up who<br />

we are. It is something that brings communities together.<br />

The food projects have been really enriching.”<br />

Whether his interest developed from his childhood<br />

years in the fruit shop, he does not know.<br />

“That gathering and talking around food then was<br />

probably quite formative.”<br />

Simon’s wide-ranging interests are showcased in the<br />

documentary ASIA: Art Stories in Aotearoa – Episode One,<br />

Fine Art, which he features in alongside this year’s Venice<br />

Biennale representative Yuki Kihara and artist Yona Lee.<br />

“It’s a great honour as there are a lot of great artists and<br />

other creatives featured, so it’s nice to be included in that.”<br />

He supported the documentary’s aim to showcase how<br />

New Zealand’s cultural landscape is shifting and how the<br />

arts can help the country have broader, more inclusive<br />

conversations that build better understanding.<br />

“It’s important for everyone to have a better<br />

understanding of each other. I like to think a lot of these<br />

conversations help to bridge those stories that haven’t<br />

been told before.”<br />

Producer Arani Cuthbert says Aotearoa’s creative sector<br />

is so much more diverse than people realise.<br />

“It is a privilege to help share the stories of these brilliant<br />

artists and spotlight their achievements. In these challenging<br />

times the arts are more important than ever and as New<br />

Zealand opens up to the world again, let’s celebrate our<br />

evolving cultural identity.”<br />

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70 <strong>Style</strong> | Promotion<br />

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72 <strong>Style</strong> | Read<br />

The reading room<br />

A place to discover what deserves a spot in your TBR pile.<br />

NEW RELEASES<br />

How to be a Bad Muslim and Other Essays<br />

Mohamed Hassan<br />

(Penguin, $35)<br />

An essential read for <strong>2022</strong>, this collection of essays from awardwinning<br />

New Zealand poet, journalist, podcaster and producer<br />

Mohamed Hassan brilliantly combines memoir, humour, storytelling<br />

and non-fiction to map the experience of being Muslim in<br />

the 21st century. Mohamed takes the reader on a raw, real journey<br />

from Cairo and Takapuna to Athens and Istanbul, all the while<br />

tapping with rare talent into both the personal and political.<br />

YOU’VE BEEN<br />

READING<br />

Winter Time<br />

Laurence Fearnley<br />

(Penguin, $36)<br />

Multiple award-winner and Dunedin-based writer Laurence<br />

Fearnley sets her latest novel in the South Island’s Mackenzie Basin,<br />

tracking lead character Roland’s return to the region to deal with<br />

the unexpected death of his brother, not to mention cantankerous<br />

neighbours, unwelcoming weather, unintentionally upset locals and<br />

the complaints of his partner back in Australia.<br />

WINNING<br />

REVIEW<br />

Good Pop, Bad Pop<br />

Jarvis Cocker<br />

(Penguin, $48)<br />

Whether you’re a Britpop fan from way back or are entirely new<br />

to the legendary musician and character that is Jarvis Cocker, this<br />

suitably quirky memoir from Pulp’s famous frontman will reward<br />

any reader. Touted as “funny, revealing, surprising and highly<br />

original”, it tells tales and nods to musings from Jarvis’ Sheffield<br />

upbringing and early musical influences/activities, all connected by<br />

objects he comes across when clearing out his loft.<br />

Tumble<br />

Joanna Preston<br />

(Otago University Press, $28)<br />

Not brand new but deserving of a notable mention here having<br />

just taken out Mary and Peter Biggs Award for Poetry at the<br />

NZ Book Awards <strong>2022</strong>, if you hadn’t already picked a copy<br />

up on its release in November last year, this beautifully crafted<br />

collection of poems by the Canterbury-based poet and editor<br />

has now cemented its place among the country’s best books of<br />

contemporary creative writing.<br />

The Mother<br />

Jane Caro<br />

(Allen & Unwin, $37)<br />

The book I’m<br />

recommending was<br />

written by Jane Caro and<br />

called The Mother. I found<br />

myself picking this book<br />

up regularly during the<br />

day, with lots of cups of<br />

tea. I don’t usually do this,<br />

I usually only read at night<br />

when I go to bed. It would<br />

spoil it to tell you more so<br />

I will leave it at that.<br />

- Suzanne Roberts


<strong>Style</strong> | Read 73<br />

PICCADILLY PICKS<br />

The Registrar<br />

Neela Janakiramanan<br />

(Allen & Unwin, $37)<br />

Emma and Andy Swann are<br />

following in their father’s<br />

footsteps. Before his retirement,<br />

he was a distinguished surgeon<br />

at the esteemed Mount Hospital.<br />

Their chosen ambitious careers<br />

are made all the more difficult by<br />

the pressure of living up to their<br />

father’s expectations. Gruelling schedules, long hours, life and<br />

death decisions all escalate the stress both siblings experience.<br />

Emma contends with misogyny, humiliation and bullying, while<br />

attempting to maintain her idealistic vision as an orthopaedic<br />

registrar. Home life is fraught.<br />

Andy needs his father’s encouragement and support as he<br />

studies for ‘The Exam’. His wife Laura and their twin daughters<br />

take second place as he strives to achieve his qualification.<br />

Set in the reputable Mount Teaching Hospital, the story<br />

of these dedicated, ambitious siblings gives an insight into the<br />

lives of would-be surgeons, and is written authentically by the<br />

author who herself is a reconstructive plastic surgeon.<br />

Readers with background hospital and medical experience<br />

will especially enjoy this book. Some will have experienced<br />

similar incidents in their own chosen professions.<br />

- Helen Templeton<br />

The Axeman’s Jazz<br />

Ray Celestin<br />

(Pan Macmillan, $20)<br />

The first of four novels in Ray<br />

Celestin’s City Blues quartet. This<br />

novel is set in 1919 New Orleans<br />

and based on actual events at<br />

the time. The Axeman’s Jazz has<br />

won best crime novel of the year<br />

awards in both the USA and UK.<br />

The atmosphere of New<br />

Orleans, the racial tensions of the time, the mobsters and<br />

the musicians of the period are central to the plot. With the<br />

police unable to discover the serial killer or killers known<br />

as The Axeman, detective lieutenant Michael Talbot has to<br />

renew his department’s efforts. His former superior and<br />

friend Luca D’Andrea is released from prison to be reenlisted<br />

by the Mafia (The Black Hand). Ida, an employee of<br />

the Pinkerton Detective Agency and her close friend Lewis<br />

become involved in the hunt. Lewis is actually the young<br />

Louis Armstrong, taking his first steps into the professional<br />

music world.<br />

The Axeman has been impervious to discovery so far but<br />

the independent efforts being made by the four may lead to<br />

the noose being tightened.<br />

Regarded as being historically accurate, the four novels in the<br />

City Blues quartet are described by one critic as being “smart,<br />

thrilling and dripping with class” – and spots of blood, may I<br />

add. A fascinating picture of the place and people involved.<br />

- Neville Templeton<br />

WIN<br />

READ A GOOD BOOK LATELY?<br />

Send us 50-75 words on why you recommend it, with the title and your first and last name for publication,<br />

to josie@alliedpressmagazines.co.nz and you could win a $25 voucher to spend at Piccadilly Bookshop.<br />

we love books<br />

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74 <strong>Style</strong> | Win<br />

GIVEAWAYS<br />

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adults and Strawberry for kids 4+, we have a kit containing<br />

all three, worth $149, up for grabs. mymorningmantra.co.nz<br />

SMART SLEEP<br />

Set in what was formerly part of the old University of<br />

Canterbury (see our cover story on page 20), the gorgeously<br />

designed new Observatory Hotel in Christchurch’s Arts<br />

Centre offers an utterly unique, extremely chic spot to<br />

spend the night. To celebrate, we have a voucher for one<br />

night’s stay in an Observatory King Room, valued at $269+<br />

per night, to give away. observatoryhotel.co.nz<br />

DREAM GETAWAY<br />

Set on 26 acres near Hanmer Springs Village, Amuri Estate<br />

offers just three well-appointed rooms and a self-contained<br />

one-bedroom cottage, all with panoramic views of majestic<br />

mountains, the braided Waiau River and surrounding high<br />

country stations. Enter to win a night’s accommodation in<br />

the Molesworth room valued at $250, with a cheese board<br />

and bottle of wine on arrival. amuriestate.co.nz<br />

LAUGH IT UP<br />

Comedian Tom Sainsbury is on his way south with brand<br />

new live show SNAPCHAT DUDE LIVE! and no stone will<br />

be unturned in his quest to poke fun at New Zillunders.<br />

Stopping in Ashburton, Christchurch, Dunedin, Invercargill,<br />

Oamaru, Nelson and Blenheim through <strong>June</strong>, we have a<br />

double pass to your choice of venue up for grabs. skip.co.nz<br />

Previous<br />

competition<br />

winners<br />

DARK HAMPTON SCARF: Elizaveta Terenteva<br />

COOK SHOP VOUCHER: Helen Petrie<br />

NADA CLEANING KIT: Jarran Osborne<br />

ETHIQUE LIPSTICKS: Gabrielle Skjellerup<br />

*Conditions: Each entry is limited to one per<br />

person. You may enter all giveaways. If you<br />

are selected as a winner, your name will be<br />

published in the following month’s edition. By<br />

registering your details, entrants give permission<br />

for Star Media to send further correspondence,<br />

which you can opt out of at any stage.


Face Value is a doctor-led cosmetic medical clinic that prides<br />

itself on effective treatments that enhance your natural beauty<br />

In a relaxing and professional environment, experience cosmetic injectable<br />

procedures, non-surgical medical treatments and clinical dermal therapies conducted with<br />

the utmost care and precision by a qualified team.<br />

Make sure you are in the safest, most experienced hands. An extensive<br />

knowledge of facial anatomy is absolutely essential to deliver a natural,<br />

balanced aesthetic and minimise the chances of a complication or<br />

unwanted treatment result. If possible, choose a Doctor who is an accredited<br />

member of the NZ Society of Cosmetic Medicine.<br />

Choose facilities which have been audited and accredited by the NZ<br />

Society of Cosmetic Medicine. This is the gold standard to ensure a safe and<br />

professional practice environment.<br />

Meet our Doctors<br />

Dr Philip Frost<br />

The founder of Face Value with<br />

over 25 years’ experience, Phil is a<br />

senior member of the NZ Society<br />

of Cosmetic Medicine.<br />

Dr David Bruce<br />

A graduate of the University of<br />

Warwick Medical School in the<br />

UK, David currently enjoys a<br />

combination of General Practice<br />

and Cosmetic Medicine.<br />

For a personal consultation at no charge<br />

please call 03 363 8810<br />

145 Innes Road (corner of Rutland St and Innes Rd),<br />

Merivale, Christchurch<br />

www.facevalue.co.nz


BURLINGTON<br />

A PREMIUM RETIREMENT VILLAGE<br />

A subsidiary of Qestral Corporation<br />

BURLINGTONVILLAGE.CO.NZ | 171 PRESTONS RD, REDWOOD | 03 383 0333

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