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Description :
The Roman dramatist Terence (c. 186-159 BC) adapted many
of his comedies from Greek sources, rendering them suitable
for audiences of his own time by introducing subtler
characterization and more complex plots. In his romantic play,
The Girl from Andros, Terence portrays a love affair saved by
a startling discovery. The Self-Tormentor focusses on a man's
remorse after sending his son to war, and The Eunuch depicts
a case of mistaken identity. Phormio is as rich in intrigue as a
French farce, while The Mother-in-Law shows two families
striving to save a marriage and The Brothers contrasts strict
and lenient upbringings. With their tight plots and spare
dialogue, Terence gave his plays a sense of humanity that
became a model in the Renaissance and greatly influenced
Moli&#232reFor more than seventy years, Penguin has been
the leading publisher of classic literature in the Englishspeaking
world. With more than 1,700titles, Penguin Classics
represents a global bookshelf of the best works throughout
history and across genres and disciplines. Readers trust
theeries to provide authoritative texts enhanced by
introductions and notes by distinguished scholars and
contemporary authors, as well as up-to-datetranslations by
award-winning translators.
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