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NME ELVIS SPECIAL EDITION US VERSION

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Baz Luhrmann<br />

Elvis director,<br />

maker of epic films<br />

THE SONG<br />

THAT CHANGED<br />

MY LIFE<br />

DAVID BOWIE<br />

‘Changes’<br />

“From the moment I first<br />

heard this song, I was a<br />

huge Bowie fan. I<br />

eventually worked with<br />

him [on the Moulin<br />

Rouge! soundtrack] and<br />

then towards the end of<br />

his life, he became a very<br />

good friend. He used to<br />

come round and we’d<br />

walk the dogs. We were<br />

talking about going to<br />

Berlin at one point to do<br />

something together. I<br />

must have been so<br />

stupid, why didn’t I just<br />

say yes?”<br />

THE SONG I<br />

CAN NO LONGER<br />

LISTEN TO<br />

PRINCE<br />

‘Sign O’ The Times’<br />

“It’s a great song, but<br />

when I was younger I<br />

used it in a show that was<br />

an absolute catastrophe.<br />

Every time I hear it now, it<br />

takes me back to that.”<br />

THE SONG I WISH<br />

I’D WRITTEN<br />

HARRY STYLES<br />

‘Watermelon Sugar’<br />

“I remember saying to<br />

him: ‘“Watermelon Sugar”<br />

is a classic. People are<br />

going to be playing it<br />

every summer.’ I don’t<br />

know if Harry saw the<br />

song like that, but it’s<br />

hard to be objective when<br />

it’s your own song.”<br />

THE SONG<br />

THAT REMINDS<br />

ME OF HOME<br />

JOHN FARNHAM<br />

‘You’re the Voice’<br />

“I still go clubbing<br />

because I intend to grow<br />

old disgracefully: it’s kind<br />

of my motto. I was in a<br />

nightclub recently and all<br />

the kids were singing<br />

along to this.”<br />

THE FIRST GIG<br />

I WENT TO<br />

THE POLICE<br />

Sydney, 1980<br />

“I thought: ‘Wow, this is<br />

what it means to see a<br />

live show!’ It was just<br />

fantastic. Some years<br />

later I saw Sting at his<br />

birthday party and I told<br />

him it was the first show<br />

I’d ever been to.”<br />

THE SONG I<br />

CAN’T GET OUT<br />

OF MY HEAD<br />

DOJA CAT<br />

‘Vegas’<br />

“She made this song for<br />

the Elvis soundtrack and<br />

it’s already blowing up.<br />

I’ve worked with<br />

Madonna and Beyoncé<br />

and I see something<br />

similar in Doja Cat: she’s<br />

just a really, really hard<br />

worker. And when you<br />

see her on stage, my god<br />

she’s a good dancer.”<br />

THE SONG THAT<br />

MAKES ME WANT<br />

TO DANCE<br />

MADONNA<br />

‘Like A Virgin’<br />

“I think of Madonna like<br />

Marlene Dietrich: like<br />

Marlene, nothing will stop<br />

her from being a<br />

provocative artist. I think<br />

the younger generation is<br />

rediscovering her.”<br />

The wisdom of<br />

the <strong>NME</strong> archives<br />

THIS WEEK<br />

<strong>ELVIS</strong> PRESLEY<br />

March 4, 1960<br />

“I’ve always believed<br />

that there’s room for<br />

everyone in show<br />

business – and if<br />

other people can<br />

make it, then good<br />

luck to them”<br />

PHOTOS: GETTY, TRENT MITCHELL<br />

<strong>NME</strong>.COM

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