0. Transposed Score

Written for the Eastern Wind Symphony; Todd Nichols, artistic director and conductor
TO PULL OUT
ALL THE STOPS
Franklin D. Hansen
for wind ensemble

INSTRUMENTATION
Transposed Score
—
Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
Bassoon
Contrabassoon
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bb Bass Clarinet
Bb Contrabass Clarinet
Bb Soprano Saxophone
Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
F Horn 1
F Horn 2
F Horn 3
F Horn 4
Trombone 1
Trombone 2
Bass Trombone
Euphonium
Tuba
Timpani
Snare Drum | Ratchet
Tom-Toms
Bass Drum
Triangle | Hi-Hat | Vibraslap 1
Whip | Cowbell | Tambourine
Xylophone | Vibraphone
Splash Cymbal | Vibraslap 2 | Marimba
The purchase of this set of score and parts includes a license to reproduce the parts per your ensemble needs.

PROGRAM NOTE
Lively, mischievous, and with an unmistakable groove, “To Pull Out All the Stops” is the fourth movement of Snapshots; freshly re-orchestrated
from the original saxophone quartet scoring in a roller-coaster of a production. Written to cover the far reaches of the saxophone quartet’s ability
and now “band-ified,” this energetic, high-speed tour de force is packed with solos, extended techniques, meter changes, and so much more. Its
constant drive, jazzy interjections, and sheer volume make it at once gleefully fun, downright dirty, and an all-around showstopper.
To perform this piece, ensembles will truly need to pull out all the stops.
PERFORMANCE NOTES
• There are numerous extremely fast runs scattered throughout the piece. These are intended to essentially be schmears of energetic motion, and
while ideal, technical perfection is not needed for these fragments.
• Anything marked “sfz bring out” (found primarily in auxiliary percussion) needs to cut through the rest of the ensemble.
• Soprano Sax trills in measure 24. This will need to start slow and gradually speed up as it progresses.
• The orchestration is empty for the saxophone feature in measures 81 to 83. This is a reference to the original saxophone quartet version of the
piece, and the quartet is highly encouraged to stand up. This section should be as loud, full, and “honk-y” as the saxophones can manage. The fall
should last until the downbeat of measure 84 and begin on beat 6 of measure 83.
• Bassoon and Euphonium have trills in measure 84. These will need to start slow and gradually speed up as they progress.
• Please make a note of the few spots throughout the piece where accents are unexpectedly shifted over by one beat (i.e., measures 57 and 89).
• F Horn 1 and Soprano Sax have trills in measures 99 to 100. Besides being loud, these will need to start slow and gradually speed up as they
progress.
• On the last note, the saxophones and f horns need to arrive as loud as possible since they provide the harmony.
ABOUT THE COMPOSER
Franklin D. Hansen (b. 2002) is a composer whose work has been described by Eric Ewazen as “beautifully orchestrated” with “lovely, wistful melodies,”
and imbued with “virtuosity and [a] terrific sparkle.” His voice remains distinctive across mediums, often featuring chromatic inflections and
a signature whimsical energy. His music has been performed and/or recorded by groups such as the Eastern Wind Symphony, Momenta Quartet,
University of Kentucky Faculty Brass Quintet, Rutgers Saxophone Quartet, Grand Ledge High School Wind Symphony, and the East Brunswick
High School Wind Ensemble.
Franklin is currently pursuing a dual degree in Music Education and Composition at Rutgers University’s Mason Gross School of the Arts, where he
studies with Dr. Amanda Harberg.
SPECIAL THANKS
to Dr. Todd Nichols; for his incredible support, guidance, and unwavering commitment to programming new music.
to the musicians of the Eastern Wind Symphony; for their fantastic premiere performance and recording of this piece.
to Dr. Amanda Harberg; my wonderful composition professor who encourages my wildest musical ideas.
Program note by Emily Ta. Please credit her when reproducing or excerpting.

Transposed Score
Written for the Eastern Wind Symphony; Todd Nichols, artistic director and conductor
TO PULL OUT ALL THE STOPS
FRANKLIN D. HANSEN
Piccolo
1
Flute
2
1
Oboe
2
Bassoon
Contrabassoon
1
B♭ Clarinet 2
3
B♭ Bass Clarinet
B♭ Contrabass Clarinet
B♭ Soprano Saxophone
E♭ Alto Saxophone
B♭ Tenor Saxophone
E♭ Baritone Saxophone
1
B♭ Trumpet 2
3
1
2
F Horn
3
4
1
Trombone
2
Bass Trombone
Euphonium
Tuba
Timpani
Snare Drum
Tom-Toms
Bass Drum
Triangle
Whip
Xylophone
Splash Cymbal
With a Fire Underneath ( = 176)
solo
tutti
solo
(on rim)
to Cow-B.
to Vib.
tutti
1 2 3 4 5 6 7 8
Copyright © 2022 by Franklin D. Hansen. (v1.4.0)
All Rights Reserved. www.franklindhansen.com

6
Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Cow-B.
Xyl.
Vib. 2
9 Blaringly Car Horn-esque! ( = 176)
punchy
punchy
punchy
punchy
punchy
punchy
(higher notes preferred)
t. t. t.
t.
t.
t.
t. t. t.
t. t. t.
t.
t.
t.
t.
t.
t.
t. t. t. t. t. t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t. t. t.
t.
t.
t.
punchy
punchy
punchy
punchy
punchy
Hi-H.
to Hi-H.
Cow-B.
to Wh.
bring out
to Vib.
Vib.
to Mar.
bring out
9 10 11 12 13 14 15 16

Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Wh.
Vib.
Mar.
17 Slightly Less Hectic ( = 168)
25
solo
solo — sly, mischievous
t.
open
(to straight mute)
straight mute
(to open)
(to straight mute)
straight mute
(to open)
(to straight mute)
straight mute
(to open)
(to stopped)
stopped
(to open)
(to stopped)
stopped
(to open)
to Tri.
Wh.
Tamb.
to Tamb.
Vib.
heavily articulated, no sustain
to Xyl.
Mar.
sub.
7
17 18 19 20 21 22 23 24 25 26

8
Picc.
1
Fl.
2
solo
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
tutti
sub.
sub.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Tri.
Tamb.
to Hi-H.
Tri.
Xyl.
Mar.
Xyl.
27 28 29 30 31 32 33 34 35

Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
41
tutti
bring out
bring out
sub.
sub.
sub.
tutti
bring out
bring out
bring out
sub.
9
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Tamb.
Xyl.
Mar.
open
open
(choke)
Hi-H.
to Cow-B.
bring out
bring out
36 37 38 39 40 41 42 43
open
open

10
Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Cow-B.
Xyl.
Mar.
49 Blaringly Car Horn-esque! ( = 176)
bring out
bring out
bring out
bring out
sub.
punchy
sub.
punchy
bring out
sub.
punchy
sub.
punchy
bring out
punchy
sub.
punchy
half-valve gliss.
t.
t.
t.
half-valve gliss.
t. t. t.
half-valve gliss.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
sub.
punchy
sub.
punchy
sub.
punchy
sub.
punchy
punchy
sub.
sub.
sub.
sub.
sub.
Tri.
to Tri.
to Hi-H.
sub.
Cow-B.
to Wh.
to Cow-B.
white-key gliss.
sub.
white-key gliss.
to Vib.
sub.
44 45 46 47 48
Vib.
Wh.
49 50 51

Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Cow-B.
Xyl.
Vib. 2
57 Slightly Less Hectic ( = 168)
sub.
t. t. t.
t. t. t.
t.
t.
t.
t. t. t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
to Rat.
Hi-H.
sub.
Cow-B.
to Wh.
to Cow-B.
bring out
Mar.
to Mar.
bring out
sub.
Wh.
11
52 53 54 55 56 57 58

12
Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Rat.
Tom-T.
B. Dr.
Hi-H.
Cow-B.
Xyl.
Mar.
65
solo
bring out
bring out
bring out
bring out
t.
t.
bring out
(to stopped)
stopped
(to open)
bring out
t.
bring out
t.
bring out
(to stopped)
stopped
(to open)
bring out
Rat.
to Sn. Dr.
to Tri.
Cow-B.
Tamb.
to Tamb.
bring out
bring out sub.
bring out
59 60 61 62 63 64 65 66 67 68

Picc.
13
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
sub.
sub.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
solo
bring out
bring out
bring out
open
bring out
bring out
tutti
open
Sn. Dr.
Tom-T.
B. Dr.
Tri.
Tamb.
Xyl.
Mar.
to Hi-H.
Tri.
Hi-H.
69 70 71 72 73 74 75 76 77 78

14
Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Tamb.
Xyl.
Mar.
81 85 Blaringly Car Horn-esque! ( = 176)
tutti
punchy
punchy
punchy
stand to play
punchy
bring out
(fall to
downbeat)
stand to play
bring out
(fall to downbeat)
stand
to play
bring out
(fall to downbeat)
punchy
stand to play
(fall to downbeat)
bring out
punchy
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
sub.
t.
t.
sub.
punchy
punchy
punchy
punchy
punchy
Sn. Dr.
Tri.
to Tri.
to Hi-H.
to Cow-B.
to Vib.
79 80 81 82
83 84 85 86

Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Hi-H.
Cow-B.
Xyl.
Vib. 2
93 Floor It!
t.
t.
t.
t.
t.
t. t. t.
t.
t.
t.
t.
t. t. t. t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
t.
(rim shot)
Hi-H.
to Vib.
Cow-B.
to Wh.
to Cow-B.
bring out
Vib.
to Vib.
to Xyl.
Vib. to Mar.
Mar.
bring out
bring out
Wh.
15
87 88 89 90 91 92 93 94

16
Picc.
1
Fl.
2
1
Ob.
2
Bsn.
Cbsn.
1
Cl. 2
3
B. Cl.
Cb. Cl.
S. Sax.
A. Sax.
T. Sax.
Bar. Sax.
1
Tpt. 2
3
1
2
Hn.
3
4
1
Tbn.
2
B. Tbn.
Euph.
Tba.
Timp.
Sn. Dr.
Tom-T.
B. Dr.
Vib. 1
Cow-B.
Xyl.
Mar.
solo
tutti
solo
bring out
Vib.
to Hi-H.
bring out
Cow-B.
to Wh.
bring out
Xyl.
to Sp. Cym.
tutti
95 96 97 98 99 100 101
(let ring until full decay)
(let ring until full decay)
Hi-H.
(let ring until full decay)
Wh.
Sp. Cym.
(let ring until full decay)