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Carolyn_Blake

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CAROLYN BLAKE<br />

6th – 27th August 2022


In the Glasshouse acrylic and graphite on paper 91 x 71cm SOLD


Descending flight mixed media on paper 91 x 71cm SOLD


Pilgrim place I mixed media on canvas 90 x 90cm* £1200


Pilgrim place II mixed media on board 25 x 25cm SOLD


Ancestral find mixed media on board 17 x 16cm* £500


For the path mixed media on board 22 x 22cm £500


Coming down from the tops mixed media on paper 91 x 71cm SOLD


Ambiguous figure mixed media on paper 91 x 71cm £950


Life Study I graphite & chalk on paper 54 x 42cm* £500


Life Study II graphite on paper 50 x 42cm* £500


Dock II mixed media on card 28 x 34cm £500


Dock I mixed media on card 28 x 34cm £500


Drawing I acrylic & graphite on paper 29 x 19cm* £350


Drawing II graphite on paper 50 x 42cm* £350


Drawing III acrylic & graphite on paper 29 x 19cm* £350


Drawing IV acrylic & graphite on paper 29 x 19cm* £350


Valley Series I acrylic & graphite on card 34 x 28cm £500


Valley Series II acrylic & graphite on card 34 x 28cm £500


Life Study III acrylic & graphite on card 32 x 30cm £500


Valley with yellow acrylic on board 62 x 62cm* £850


Dockside acrylic on board 62 x 62cm* £850


Birdman walking with Ancestors acrylic on board 62 x 62cm* £850


Secret Postcard I acrylic & graphite on board 30 x 25cm £400


Secret Postcard II acrylic & graphite on board 30 x 25cm SOLD


Secret Postcard III acrylic & graphite on board 30 x 25cm SOLD


Secret Postcard IV acrylic & graphite on board 30 x 25cm £400


Secret Postcard V acrylic & graphite on board 30 x 25cm SOLD


Secret Postcard VI acrylic & graphite on board 30 x 25cm 400


Secret Postcard VII acrylic & graphite on board 30 x 25cm SOLD


Secret Postcard VIII acrylic & graphite on board 30 x 25cm £400


Secret Postcard IX acrylic & graphite on board 30 x 25cm £400


Secret Postcard X acrylic & graphite on board 30 x 25cm £400


Secret Postcard XI acrylic & graphite on board 30 x 25cm £400


Secret Postcard XII acrylic & graphite on board 30 x 25cm £400


Nude I (front) acrylic & graphite on wood 15 x 10cm* £400


Nude I (back)


Of Boats I acrylic on paper 91 x 71cm £950


Of Boats II acrylic on paper 91 x 71cm £950


Of Boats III oil pastel on card 31 x 26cm £450


Propeller oil pastel on card 30 x 25cm £450


Nude II acrylic & graphite on canvas 10 x 8cm £350


Homage to Mabon acrylic & graphite on board 36 x 31cm* POA


Born in Hereford in 1946, <strong>Carolyn</strong> took up painting at the age of ten at<br />

Saturday classes in the old College of Art in Hereford. She attended full-time<br />

at Hereford College of Art as a mature student and then studied with Welsh<br />

artist Roger Cecil, who remained her mentor until his death in 2015.<br />

My paintings generally begin in an intuitive, almost impulsive way, learning from<br />

alterations, the original starting point somehow gets lost and then re-emerges as<br />

something different. Where to start? The poem by Jean Florence called ‘Carki’s<br />

Workshop’ best sums up my painting practice and also my studio; although the<br />

location has changed the inner essenceis the same. Of the works here in TheTable<br />

gallery there are several series - a run of thought and expression.


Carki’s Workshop<br />

for <strong>Carolyn</strong> <strong>Blake</strong><br />

A blue metal coffee pot sits on a log between the<br />

old black cast iron stove and the log box.<br />

You have lit the stove now and the shed is slowly warming<br />

although my back is still cold. You show me paintings in<br />

process stacked around the walls, blocks<br />

of colour, coloured arabesques, vibrating,<br />

creating tensions and resolving them or<br />

waiting for resolution. High in a corner<br />

Kokopelli, the flute player, hangs turquoise<br />

and angular on the drum you made seven<br />

years ago when you first brought back his familiar<br />

spirit from New Mexico.<br />

Squatting<br />

now on a paint saturated cushion<br />

on the paint spattered bark flecked floor<br />

in your paint streaked jogging bottoms, you scrub<br />

in turquoise, wipe it off with the sleeve of your sweater<br />

immersed and concentrated, the warmth of the stove<br />

soaking your back.<br />

The afternoon is greying.<br />

Beside me a shelf of stones and bones, the things<br />

that artists accumulate, and writers too, come<br />

to that: crab shells, ammonites, stones with holes<br />

two bleached jaw bones of a small animal<br />

a lamb perhaps, with all the teeth intact and<br />

an old worn fluid bone recalling<br />

Georgia O’Keefe whose work you love, and<br />

post cards, pigments, crayons, chalk and pastels<br />

and even a tin of Kiwi shoe polish, ox blood<br />

for finishing, you say when I ask.<br />

Framed<br />

in the window behind the bench dead bamboos like<br />

chinese brush strokes jostle and judder flying their<br />

pennants in the winter wind and through the<br />

window ahead of me Tibetan prayer flags<br />

flap up and down the washing line post beside<br />

the fresh cut stumps of a hazel. Beyond is a plain green<br />

field where dogs parade on leads towards the river<br />

this Saturday afternoon, a mini Crufts<br />

tempting me to waste time in counting breeds.<br />

The sun still touches the flank of the far hill<br />

picking out small trees.<br />

Where do you start?<br />

I ask. How do you know when you have finished?<br />

Start with the coffee pot, you say, producing<br />

it. A deeper blue than its original<br />

against a black flue in a deep red space.<br />

What is that blue? I ask. Lapis lazuli<br />

you say, showing me the pot from Venice.<br />

Blu Oltramare, ultramarine, madonna blue.<br />

The coffee pot, a solid blue triangle in a red<br />

field becomes Bellini’s Madonna of the Meadow<br />

I used to visit in the National on Sundays<br />

when I had the blues.<br />

Start with a blue triangle<br />

a madonna’s robe on a brown field, a Kokopelli.<br />

Start with a black dog on a green field<br />

start with a shell, a stone, a hazel stump<br />

a bamboo cane in the wind. Start<br />

with the coffee pot.<br />

Jean Florence


Green Line acrylic on card 10 x 10cm* £300<br />

To purchase work please contact Val Harris at art@thetablehay.com or 07956 452195<br />

The gallery offers Collectorplan, an initiative administered by the Welsh Assembly,<br />

enabling you to purchase work up to the value of £5,000 with an interest free loan repayable over a year.<br />

All measurements are for framed sizes unless marked * where the paintings are unframed.<br />

The gallery is open Thursday - Saturday 10am - 3pm or by appointment during exhibitions.<br />

All paintings are for sale upon receipt of this catalogue.<br />

43 Lion St Hay on Wye HR3 5AA | 07956 452195<br />

art@thetablehay.com | www.thetablehay.com

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