Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
v<br />
Help Entertainment Fans<br />
discover LGBTQIA+ stories,<br />
characters and creators!<br />
16 @outfest #outfestla2021
P R E S E N T I N G S P O N S O R S<br />
H O T E HL O ST PE OL N SS POOR NS<br />
S O R S<br />
W I N E W SI PN OE N SS POOR<br />
N S O R<br />
G R A N D S P O N S O R S<br />
A N N UA ANL N UM AU L S I MC<br />
U S I C<br />
S P O N SS POOR<br />
N S O R<br />
F I L M F GI LU M I D GE<br />
U I D E<br />
S P O N SS POOR NS<br />
S O R S<br />
P R E M I E R E S P O N S O R S<br />
G R A N GT RO AR NS<br />
T O R S<br />
D A Y S P O N S O R S<br />
A d d i t i o nAa dl dP i rt oi og nr a ml PSr uo pg pr oa rm t : S uTp ap toi ar t n:<br />
a vT oa nt i aF nu a r svt oe n bFe ur rg<br />
s t e n b e r g<br />
& T h e D i& l l eT rh e - Dv oi lnl eFr u - r svt oe n bFe ur rg s tF ea nm bi el yr g F Fo au mn di lay t iFo on<br />
u n d a t i o n<br />
P R O G R A M S P O N S O R S<br />
FEMME<br />
HOUSE<br />
S U P P O R T I N G S P O N S O R S<br />
M E D I A S P O N S O R S<br />
O U T F OE US T F BE OS T A R BDO AO RF D D OI RF E DC IT RO ER CS<br />
T O R S<br />
V a l e r i e S t a dV lae lr e, r Ci e o -S Pt ar ed sl ei dr e, nC to - P r e s i d e n t<br />
F a r h a a d V i rFa an ri h, aC aod - PV ri er as in di e, nC to - P r e s i d e n t<br />
Z a c k e r y A l eZx az ca kn ed rey r AS lt exp zha en nd s e, r VS i tc epPh re en s i, d Ve ni ct<br />
e P r e s i d e n t<br />
M i k e R o s e , MT ri ke e a sRu or es e r , T r e a s u r e r<br />
D a v i d S i g u rDa na i v, i d S eS ci rg eu tra rny<br />
i , S e c r e t a r y<br />
A l a n K o e n i gA slba en r g K, oMe ne img sb be er r- g a , t -ML ae rm g be<br />
e r - a t - L a r g e<br />
J o r d a n B a r iJl lo ars<br />
d a n B a r i l l a s<br />
B i l B e r t i n i B i l B e r t i n i<br />
R a n a r d C a l dR wa en lal<br />
r d C a l d w e l l<br />
Z a c k a r y DZ ar uc ck ka er y r D r u c k e r<br />
A l e x i s F i As hl e x i s F i s h<br />
T e r r y F r aT ne kr lri y n F r a n k l i n<br />
J o n a t h a nJ Ho no aw t ah ra dn H o w a r d<br />
B r e h o n HB urm e hp oh n r eHy<br />
u m p h r e y<br />
T i m K i t t lTe is m o nK i t t l e s o n<br />
N e i l L a n dN aeu<br />
i l L a n d a u<br />
J o s e M a l Ja og so e n M a l a g o n<br />
A n a M e n dAy<br />
n a M e n d y<br />
M i k e M o s aM l il ka me M o s a l l a m<br />
A l e x B . P eA rle zx B . P e r e z<br />
G i s e l l e P hG eilsp es<br />
l l e P h e l p s<br />
N i i - Q u a r t Ne liai -i Q u ar rt t el ya i Q u a r t e y<br />
K y l e S c h mK i ty zl e S c h m i t z<br />
B r i a n M i c Bh ar ie al n S Mm i tc h<br />
a e l S m i t h<br />
K e i s h a Z oKl lea irs h a Z o l l a r<br />
O U T F OE US T F LE OS T S AL ON S G E AL NE GS E SL TE AS F SF<br />
T A F F<br />
D a m i e n S . ND a vm a ir er o n , S E. xNe ac vu at ir vr eo , DE ixr e c tu ot ri<br />
v e D i r e c t o r<br />
A v a K o r nAb vl ua m K, oPr rn ob gl ur a m, mP ir no g rI an mt em r in<br />
g I n t e r n<br />
W i n n i e L We e i, n An is e s iLs et ae n, tA Bs so ixs tOa nf ft i cB eo x M Oa nf af igc e r M a n a g e r<br />
M e g h a n A d aM me og vh iac n , CA od ra pm oor av ti c e, RC eo l ra pt i or na st e R e l a t i o n s<br />
B r e n d a n BL ur ec na ds , a n L eL gu a cay s , P Lr oe jg ea c t y MP ar no aj eg ce t r M a n a g e r<br />
J o s h u a A f i r Ji yo ise h, uPa r oA gf ir ra imy ime i, nPg r oI ng tr ea rm nm i n g I n t e r n<br />
S h e l l i N i cS oh l el l Mi Nc Ai cd ol o e , Mc aA tde or io a, l s MCa ot eo rida ilns aCt o ro r d i n a t o r<br />
B r a n d o n A nBa ry a n, dP or n o gA rna am yi a n, g PI rn ot ge ran<br />
m i n g I n t e r n<br />
E r i n M c i nE nr i s n , MA cs si ni sn ti as n, t A Bs so ix s tOa nf ft i cB e o x M Oa nf af igc e r M a n a g e r<br />
P a r i s a B a r a Pn i a, r iS sha oBr ta sr aP nr i o, gSr ha om rmt s e rP r o g r a m m e r<br />
K i e r a n MKe id ei rn a n , TM rea dn is n, a N, oT nr ab ni ns a, rNy o& n bI in tae ry s e& x ISn ut me rm s ie tx S u m m i t P r o g r a m m e r<br />
V i o l e t B r y a Vn t i o, lLe At BC ro yu an tt y, AL A r t sC oP ur on gt y r aAm rmt s i nPg r oI ng tr ea rm nm i n g I n t e rPn<br />
r o g r a m mJ oe r g e M o l i n a , I n d u s t r y P r o g r a m m e r<br />
H a n s e n B u rHs iac n, sMe n a rBk eu tr is ni c g, M a nr ak ge et ir<br />
n g M a n a g e r<br />
J o r g e M oTl i nf fa a, nIy n dN ua si tm r ya n P, rPo lga rta i mn um e rP r o g r a m m e r<br />
I v o n n e C o t oI vr ro un en le o , CFo et ao tr ur ur e sl o P, rFo eg ar ta um rme s e rP r o g r a m m e r<br />
T i f f a n y NM a ai mg ga in e , OP l as tz ien wu sm k i P, rPo rgo rga rm a m em ri n g I n t e r n<br />
D a n i e l C r o oD kae n, iPe rl oC g roa om kse , MPa rn oa gre arm s M a n a g e r<br />
M a g g i e OC l hs za es we sP kei , l l Pe tr io eg r r aH me mr ni an ng dIen z t, e Pr nr o g r a m m i n g I n t e r n<br />
R a q u e l D i a z R, aDq eu ve el lDo pi am z e, nD teAv es sl oi sp tma ne tn t A s s i s t a n t<br />
C h a s e P eAl lme tb i e r RH iev re nr a n, dP er z o, g Pr ar mo gm r ia nm g mI i nt ge rI n t e r n<br />
M i k e D o u g hM e ri kt y e , Do i ur eg ch teo rrt y o, f DF ier se tc itv oa r l oP f r oF ge rsa tmi vm a il nPg<br />
r o g r a m m i nA gm b e r R iSv ae v r a R, oP dr go eg rs a, mS mh io nr gt s I nP tr eo rgn<br />
r a m m e r<br />
J e s s e D u b u s J , e sF si e l mD Tu rb au fs f, i cF kiel m r T r a f f i c k e r<br />
S a v R o d gGe r as , c e S hR o rmt se u P, r oP gr ro ag mr am emr<br />
i n g I n t e r n<br />
F a r i d a h G b aF da ar mi doa sh i , GA bra tdi sa tmi co sD i i, rAe cr t io srt i c D i r e c t o r<br />
G r a c e R oPm aet u r i, cPk r Ro gy ra an m, mS ei n gi oIr nDt e rvn<br />
e l o p m e n t C o o r d i n a t o r<br />
R y a n G i f f e n R, yDa in r eG citf of er n o, f DH i ur em cat no r Roe f s oH u rmc ea sn R e s o u r c e s P a t r i c k RSy ha en r, ySl eS na ino tr a Dc re uv z e, l oP pr om ge rna tm Cm oi no g r dMi n ant ao gr<br />
e r<br />
C a r e n G o l d sC tae ri en n , PG loa lt di ns tu em i n G, rP alpa ht i nc uDm e sG i rg an pe hr<br />
i c D e s i g n e r S h e r y l S aJ no tua rcd rau iz n , SP er ao rg lre as m, mF ei na gt uMr ea s n aP gr eo rg r a m m e r<br />
W i l m e r G o nWz ai l em z e, r G r oa pn hz ai cl eDz , e sG i rg an pe hr<br />
i c D e s i g n e r<br />
J o u r d a i n BS oe wa ri e l e Ss , t aF rer a, tCu or em sm Pu rn oi gt y r aOm um t er er<br />
a c h C o o r d i n a t o r<br />
A l e x G o o t t eA r l, eDx eG voe ol ot tp em r e, nD teAv es sl oi sp tma ne tn t A s s i s t a n t<br />
B o w i e S t Ka re r , r i C So tm omu gu hn ti to yn -O J ua ct rk es ao cn h, DC oe op ru dt iy n Da ti or er<br />
c t o r<br />
G a b i G r o s s mG a n b, i PG rro gs rs a ma mn i, nPg r oC go roa rmd mi nian tg o rC o o r d i n a t o r K e r r i S t oWu gi lh l ti ao m n - JT ae cl lk es z o, n B, oD x e pO uf tf yi c De iMr ea cn tao gr<br />
e r<br />
B r e n d a n H aBl er y e, n dG ar n a pHh ai cl eDy , e sG i rg an pe hr<br />
i c D e s i g n e r<br />
W i l l i a m TM eal lge az l, i BV oi rx u Ol a f, f Di cier eM c ta on r a go ef rD i g i t a l M a r k e t i n g<br />
A i s h a J a m i , AW i seh ba DJ ae ms ii g, nW e re b D e s i g n e r<br />
M a g a l i V Ti rau rl ia k , YD ei rt ek ec tn o, rDoi rf eDc ti go ir t ao lf MD ae rv k el to ipn mg<br />
e n t<br />
K a h e a K i w aKh a h, eH a o sK pi wi t ahl ia t , y HM oas np ai tg ae lri t y M a n a g e r<br />
T a r i k Y e tJk ea n , CD ai r el o c tYo ur noe fn DA er vo es lto epg mu i e, nSt<br />
c r e e n w r i t i n g L a b R e a d i n g P r o d u c e r<br />
J e a n C a r lR oy aY n u nZ ey n gA er r o, sEt ev ge un i t , PS rc or de ue nc ew rr i t i n g L a b R e a d i n g<br />
S P E C I A L T HS AP NE KC IS ATL O T:<br />
H A N K S T O :<br />
A m m o C r e a tA i mv e m o & C rJ eJ a- Lt iA v e P r o& d uJ cJ t- iLo A n sP r o d u c t i o n s<br />
P r o d u c e r<br />
R y a n Z y n g e r , E v e n t P r o d u c e r
A LETTER FROM OUR EXECUTIVE DIRECTOR<br />
A LETTER FROM OUR FESTIVAL DIRECTOR<br />
ANNIVERSARIES ARE BEAUTIFUL, exciting, daunting, and even<br />
scary at times.<br />
This summer, it will have been three years since I joined <strong>Outfest</strong>. As a<br />
local Angeleno, most of my memories were attending <strong>Outfest</strong> LA during<br />
the late-nineties, as a fresh-faced film school graduate. In preparation<br />
to celebrate our 40th Anniversary I found myself down the rabbit hole<br />
that encapsulates four decades of anyone’s life. The major headlines<br />
and names that popped up as fast as drag queen’s stubble were names<br />
like Larry Horne, Gus Van Sant, Jamie Babbit, Jim Fall – and films like<br />
Mala Noche, But I’m A Cheerleader, The Celluloid Closet, Trick, and<br />
Party Monster as well as Shari Frilot’s Platinum Oasis early days at the<br />
Coral Sands Motel – a personal favorite.<br />
I kept asking myself though, why <strong>Outfest</strong>? How did the 1982 Gay and<br />
Lesbian Media Coalition of <strong>Los</strong> <strong>Angeles</strong> grow into the internationally<br />
recognized org it has become today? The theme that emerged was like<br />
much of our queer history – it was built on the shoulders of countless<br />
forgotten individuals that we’ve coined as, THE ARCHITECTS of<br />
OUTFEST.<br />
This festival we celebrate the 1st edition of the Architects of <strong>Outfest</strong> –<br />
honoring those who we believe have made significant contributions<br />
to the org over the years. Please join me, the board, our staff, and<br />
volunteers in celebrating those who made our 40th Anniversary<br />
possible. We are also celebrating one of the most inclusive sets of<br />
galas, centerpiece films and overall programs in history – not only<br />
exhibiting a wide-range of genres in cinema but stories, artists and<br />
talent that reflect nearly every side, corner, and voice of the LGBTQIA+<br />
community.<br />
FOR OUR 40TH YEAR, it seemed the task at hand for our<br />
programming team was to craft a lineup that not only spoke to<br />
the many diverse communities that form our LGBTQIA+ family,<br />
but also represented a snapshot of four decades’ worth of queer<br />
cinema history. Easy as pie! Fortunately, the films this year did us<br />
the courtesy of being both a re-examination of how our community<br />
has (or has not) been presented in film history, and a radical reimagining<br />
of the kinds of stories we get to tell. I think of how 20<br />
years ago, our Legacy Centerpiece film Far from Heaven inserted<br />
an overtly queer narrative into a 1950s melodrama, and then smile<br />
at how this year’s Platinum short film, The Actress, finds brilliant<br />
trans artist Isabel Sandoval placing herself within Douglas Sirk’s<br />
All That Heaven Allows. I see the first episode of docuseries Queer<br />
for Fear talk about all the coded and suggested queerness within<br />
a century of the horror genre, and then I marvel at the barrage<br />
of innovative, explicitly queer horror films in our program like<br />
Attachment, Hypochondriac, HeBGB TV, and closing night gala<br />
They/Them. More and more, the films we see cease to present<br />
themselves as only for one specific subset of our community, but<br />
bring us together to share the spotlight. That is cause for celebration<br />
as we look forward to the next 40 years.<br />
MIKE DOUGHERTY<br />
Director of Festival Programming<br />
We hope this sets the bar for like-minded festivals around the world.<br />
Warmest regards Always and Happy Fest Everyone.<br />
FAR FROM HEAVEN<br />
THE ACTRESS<br />
DAMIEN S. NAVARRO<br />
Executive Director<br />
ATTACHMENT<br />
THEY/THEM
Reframing history for a<br />
Queerer future<br />
The first LGBTQ+ arts and media<br />
virtual museum of its kind<br />
Available free to the public<br />
theoutmuseum.org
HOW TO EXPERIENCE A MEMORABLE FESTIVAL<br />
TICKET PRICES<br />
REGULAR IN-PERSON SCREENINGS: $14<br />
VIRTUAL SCREENINGS: $8<br />
CENTERPIECE SCREENINGS: $18<br />
FORD UNDER THE STARS: $20<br />
PLATINUM ALCHEMY PARTY: $25<br />
VIRTUAL PASS: $55<br />
(Get access to all virtual screenings)<br />
OPENING NIGHT GALA<br />
VIP (Orchestra/Loge) $175<br />
Preferred (Front Balcony) $80<br />
General (Rear Balcony) $40<br />
*All Gala tickets include entry to the After Party<br />
CLOSING NIGHT GALA<br />
Preferred (Orchestra) Seating $75<br />
General (Balcony) Seating $55<br />
*All Gala tickets include entry to the After Party<br />
MEMBER TICKET DISCOUNT<br />
<strong>Outfest</strong> members receive the following discounts:<br />
15% OFF ALL TICKETS PRICES<br />
To become an <strong>Outfest</strong> member, please visit<br />
OUTFEST.ORG/MEMBERSHIPS or call 213.480.7088<br />
ACCESSIBILITY<br />
<strong>Outfest</strong> strives to be accessible to all our<br />
patrons and accommodate a variety of<br />
needs. We will continue to expand our<br />
accessibility policies and practices in<br />
effort to provide accommodations for<br />
attendees and guests.<br />
IN PERSON SCREENINGS<br />
• All festival venues are wheelchair<br />
accessible, full details on venue<br />
accessibility are available at<br />
<strong>Outfest</strong>LA.org/venues.<br />
• Early access for patrons with<br />
accessibility or mobility needs is<br />
available – please see a Theater<br />
Manager or venue staff for<br />
accomodation.<br />
• Service animals trained to<br />
STAY UPDATED<br />
Please visit us on social media or at <strong>Outfest</strong>LA.org<br />
to stay updated with the latest information.<br />
specifically assist people with<br />
disabilities are welcome at all<br />
official festival theaters venues.<br />
• American Sign Language<br />
interpretation will be offered at<br />
select events and panels.<br />
VIRTUAL SCREENINGS<br />
• <strong>Outfest</strong> aims to offer as many<br />
films as possible with closedcaptioning,<br />
open captions, or<br />
descriptive sound. Please visit<br />
<strong>Outfest</strong>LA.org/accesibility for a<br />
full list of accessible screenings.<br />
For any additional questions, requests or<br />
suggestions, please contact support@<br />
outfest.org. For more information on<br />
festival accessibility visit <strong>Outfest</strong>LA.<br />
org/accesibility.<br />
@OUTFEST<br />
WHEN DO TICKETS GO ON SALE?<br />
OUTFEST MEMBERS: Wednesday, June 22<br />
GENERAL PUBLIC: Friday, June 24<br />
WHERE CAN I BUY TICKETS?<br />
ONLINE: OUTFESTLA.ORG<br />
Available 24 hours a day, 7 days a week<br />
IN PERSON AT THE OUTFEST BOX OFFICE @ THE DGA<br />
JULY 15-24<br />
Weekdays: 6:00pm - 10:00pm<br />
Weekends: 10:00am - 10:00pm<br />
COVID-19 POLICIES<br />
<strong>Outfest</strong> is following all lawfully required<br />
COVID-19 health and safety protocols<br />
in <strong>Los</strong> <strong>Angeles</strong> Department of Health<br />
guidelines and will continue to update<br />
and revise our protocols to reflect the<br />
most current safety standards.<br />
In accordance with current <strong>Los</strong> <strong>Angeles</strong><br />
Department of Health guidelines, proof<br />
VOLUNTEER<br />
Are you interested in volunteering<br />
with <strong>Outfest</strong>? Our volunteers are vital<br />
to the success of the organization<br />
and create a memorable experience<br />
for all patrons. We have a variety<br />
of roles available across the festival,<br />
including box office, event staff,<br />
CODE OF CONDUCT<br />
<strong>Outfest</strong> is committed to providing<br />
every attendee* - audience,<br />
storyteller, volunteer, and staff<br />
member - with an enjoyable,<br />
engaging, healthy, polite, and<br />
harassment-free experience that<br />
embraces the inclusiveness and<br />
individuality of all. Harmful verbal<br />
or non-verbal language, disruptive<br />
behavior, harassment or disrespect<br />
of personal space, gender identity/<br />
expression, and violation of any<br />
current health or safety protocols are<br />
of vaccine is not required for venue<br />
entry. Masks are strongly encouraged<br />
for all attendees. Exceptions noted<br />
below:<br />
• Plaza de la Raza requires masks<br />
be worn inside the theater<br />
<strong>Outfest</strong> staff will be required to be<br />
vaccinated and tested throughout the<br />
festival<br />
ushers, photographers, videographers<br />
and more. <strong>Outfest</strong> Volunteers also<br />
get a variety of benefits, including<br />
free tickets to festival screenings, an<br />
<strong>Outfest</strong> year-round membership,<br />
volunteer appreciation days and<br />
more. Visit <strong>Outfest</strong>LA.org/<br />
volunteer for more information and<br />
to sign up.<br />
not acceptable and will be dealt with<br />
immediately.<br />
See something, say something - email<br />
safety@outfest.org to notify staff of<br />
any incident.<br />
*<strong>Outfest</strong> reserves the right to remove<br />
an attendee immediately for the<br />
violation of our Code of Conduct<br />
policy. Individuals removed will<br />
not receive reimbursement for any<br />
badge, tix or benefit purchased. They<br />
may also be permanently banned<br />
or lose membership, the ability to<br />
purchase future tickets, passes, and<br />
other related privileges without prior<br />
notification or reimbursement.<br />
The <strong>Outfest</strong> LA LGBTQ+ Film<br />
Festival is an ideal summer<br />
destination for everyone,<br />
whether you’re a cinephile,<br />
social butterfly, traveling from<br />
out of town, or an ally, there’s<br />
something for everyone at<br />
#<strong>Outfest</strong>LA! We’ve partnered<br />
with some amazing hotels<br />
and restaurants in <strong>Los</strong> <strong>Angeles</strong><br />
to make your <strong>Outfest</strong> LA<br />
experience unforgettable!<br />
To stay updated on partner<br />
discounts and information visit<br />
<strong>Outfest</strong>LA.org/attend.<br />
DO YOU LIKE TO ATTEND EVENTS AND PARTIES?<br />
YOU’LL LOVE:<br />
• The <strong>Outfest</strong> Opening and Closing<br />
Night Galas<br />
• The Platinum Alchemy Party Shimmer<br />
and bounce with us all night long in<br />
two rooms of the historical Catch One.<br />
It’s going to be an outrageously sexy<br />
ARE YOU TRAVELING FROM OUT OF TOWN?<br />
YOU’LL LOVE:<br />
• <strong>Outfest</strong> Under the Stars @ The Ford<br />
Sister to the famous Hollywood Bowl and<br />
nestled in the Hollywood Hills – pack<br />
a picnic and bring a friend to <strong>Outfest</strong><br />
Under the Stars, where you will meet<br />
Hollywood icons of past and present,<br />
laugh with hundreds of fellow LGBTQ+<br />
and ally attendees, and be entertained by<br />
unforgettable live performances.<br />
• Noche Icónica @ Plaza de la Raza. A<br />
celebration of Queer Latinx/Afro-Latinx<br />
culture, beats, stories and voices. Both<br />
nights will feature an outdoor mercadito,<br />
ARE YOU A CINEPHILE/ARTSY TYPE?<br />
YOU’LL LOVE:<br />
• The Platinum experimental screenings<br />
at the REDCAT The Platinum section of the<br />
festival showcases the bold innovators and<br />
cutting-edge creators of experimental LGBTQ+<br />
media and performance and celebrates the<br />
adventurous renegades of queer culture.<br />
• Films from Legacy Project: The <strong>Outfest</strong> UCLA<br />
Legacy Project is the only archive in the world<br />
exclusively dedicated to preserving LGBTQ+<br />
moving images, and this year we’re thrilled<br />
to be sharing retrospective gems such as a<br />
rare 35mm print of Patrik-Ian Polk’s Punks<br />
and the most recently restored addition to the<br />
Legacy Project: Greetings from Washington,<br />
D.C. And, of course, you won’t want to miss<br />
Todd Haynes, Julianne Moore, and Christine<br />
Vachon live in person for the 20th Anniversary<br />
screening of the swoon-worthy Far From<br />
Heaven!<br />
evening with Big Freedia, The Queen of<br />
Bounce music, Moor Mother’s 700 Bliss,<br />
and the queer supergroup Commando<br />
plus all the other incredible artists and<br />
DJs contributing to the evening will make<br />
it one of the wildest, weirdest, and most<br />
unforgettable queer events you have ever<br />
gotten down at. It will be golden!<br />
music, hosted bar, and screenings of truly<br />
amazing queer films. This event is free to<br />
the public!<br />
• The Community Clubhouse @ <strong>Outfest</strong><br />
Festival Headquarters. <strong>Outfest</strong> is<br />
putting a spotlight on LGBTQ+ stories<br />
and the community. 5 local organizations<br />
will host an event at the festival in the<br />
“Community Clubhouse” located at the<br />
Festival Headquarters (Directors Guild of<br />
America). More information on events and<br />
schedules will be updated on<br />
<strong>Outfest</strong>LA.org/attend.<br />
STAY AT<br />
citizenM <strong>Los</strong> <strong>Angeles</strong> Downtown hotel<br />
361 S Spring Street, <strong>Los</strong> <strong>Angeles</strong> CA 90013<br />
STAY AT<br />
The <strong>Los</strong> <strong>Angeles</strong> Athletic Club<br />
431 W 7th St, <strong>Los</strong> <strong>Angeles</strong>, CA 90014<br />
STAY AT<br />
JW Marriott <strong>Los</strong> <strong>Angeles</strong> L.A. LIVE<br />
900 W Olympic Blvd, <strong>Los</strong> <strong>Angeles</strong>, CA 90015
OPENING NIGHT GALA<br />
CLOSING NIGHT GALA<br />
ANYTHING’S POSSIBLE<br />
WORLD PREMIERE<br />
DIR. BILLY PORTER | USA | 96 MIN.<br />
THURSDAY | JULY 14 | 7:30PM | ORPHEUM THEATRE<br />
High schooler Kelsa (Eva Reign) glides into<br />
her senior year with a tight-knit group of<br />
besties, a happy home life with her fiercely<br />
supportive mother (Renée Elise Goldsberry),<br />
and future prospects for college looking<br />
exceedingly bright. When romance<br />
blooms between Kelsa and her handsome<br />
classmate Khal (Abubakr Ali), it should be<br />
the cherry on top of a stellar year...if only<br />
Kelsa’s best friend didn’t have her heart set<br />
on Khal too. Soon, teenage jealousy takes<br />
hold, and Kelsa’s trans identity becomes<br />
the subject of gossip and controversy,<br />
THE FUTURE X<br />
OPENING NIGHT GALA PERFORMANCE<br />
The Future X is an explosive new pop group discovered on<br />
TikTok. In an unprecedented celebration of both world class<br />
singing and dancing, the group is made up of three singers<br />
and four dancers - Angie, Luke, Maci, Jayna, Sasha, Tray,<br />
and Drew. Smart lyrics, powerful hooks and a fresh sound for<br />
today. Get ready for a high energy, captivating performance.<br />
while Khal finds his own friendships<br />
suddenly on shaky ground. But high<br />
school drama is no match for the crackling<br />
chemistry between the two sweethearts,<br />
leading to one of the most endearing,<br />
joyous onscreen teen romances in years.<br />
Grammy, Emmy, and Tony Award-winning<br />
multi-hyphenate artist Billy Porter makes<br />
his feature directorial debut with this<br />
exhilarating tale, showcasing a gift for<br />
creating moments of musicality and magic<br />
within a story that’s still grounded in reality.<br />
Guided by a perceptive script written by<br />
Ximena García Lecuona, the kids in this film<br />
approach life with a refreshing honesty,<br />
using language steeped in the younger<br />
generation’s grasp of social media to tackle<br />
their problems with intelligence and flair.<br />
But the greatest gift the film offers is simply<br />
watching two phenomenally charismatic<br />
young lovers radiate old school movie star<br />
charm in a romance that finally breaks new<br />
ground — a long awaited development<br />
for a genre as old as the art form itself!<br />
THEY/THEM<br />
When a busload of queer and trans<br />
teens arrive in the deep woods at<br />
Whistler Camp — a conversion therapy<br />
camp with a mission statement to<br />
restore young people to a “gender<br />
normative lifestyle” — they see right<br />
through the counselors’ ingratiating<br />
attempts to set everyone at ease. Led<br />
by the iron-willed pair of Jordan (Theo<br />
Germaine) and Alexandria (Quei<br />
Tann), the campers band together<br />
to resist the psychological warfare<br />
wrought by short-tempered counselors<br />
and a perma-smiled therapist (Carrie<br />
Preston). But what about the masked,<br />
knife-wielding intruder lurking just<br />
outside their cabins?<br />
DIR. JOHN LOGAN | USA | 90 MIN.<br />
SUNDAY | JULY 24 | 7:00PM | THE ACE<br />
This film from Academy Awardnominated<br />
screenwriter turned firsttime<br />
director John Logan, (Hugo,<br />
The Aviator, Skyfall) and horror<br />
connoisseurs Blumhouse Productions,<br />
They/Them represents a game-changer<br />
for the genre. Where queer characters<br />
and themes were once coded,<br />
assumed, or outright villainized, here<br />
is a story where our community are<br />
the heroes and avengers, combating<br />
both the horrors wrought by so-called<br />
conversion therapy, and the lurking,<br />
creepy dangers that make this genre<br />
such a thrill. There could not be a more<br />
perfectly timed, empowering rebuke to<br />
the idea that we can be wished, willed,<br />
or legislated out of existence.
U.S. CENTERPIECE<br />
MAMA BEARS<br />
DIR. DARESHA KYI | USA | 90 MIN.<br />
FRIDAY | JULY 22 | 7:15PM | DGA 1<br />
In Texas, Kimberly overhears her four-year-old Kai praying for<br />
God to take her home to Jesus rather than having to live as a boy.<br />
In Oklahoma, Sara is bedridden and cries for days after her son<br />
Parker comes out. In California, as her daughter Tammi decides<br />
to allow herself to find love with another woman after wrestling<br />
with 33 years of religious guilt, Tenita is taking the first steps to<br />
understanding. Across the country, there are over 30,000 “Mama<br />
Bears” who work to make the world kinder and safer for LGBTQ<br />
children of all ages. While they may come from strict religious<br />
upbringings and consider themselves devout Christians, the fierce<br />
love they have for their queer and trans children is unwavering,<br />
pushing them to choose not to be hateful reflections of a loving God.<br />
Daresha Kyi is unflinching as she points her lens towards<br />
families whose faith has been challenged, documenting their<br />
journeys with care and empathy. Both intimate and thoughtprovoking,<br />
follow these mamas as they take their own brand<br />
of grassroots advocacy across the country, one hug at a time.<br />
As part of the film’s special centerpiece screening during<br />
<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong>, director Daresha Kyi, the film team, and the<br />
leadership of the Mama Bears organization will be on the red<br />
carpet. They will be joined by special guests who will help them<br />
rally parents of color to protect their LGBTQIA+ children, and<br />
jumpstart vitally important conversations within communities of<br />
color about the importance of love, acceptance, and inclusion.<br />
UNIDENTIFIED OBJECTS<br />
DIR. JUAN FELIPE ZULETA | USA | 100 MIN.<br />
WEDNESDAY | JULY 20 | 7:00PM | DGA 1<br />
Peter, a self-described “college-educated, homosexual<br />
dwarf,” keeps to himself in his apartment as he reels from<br />
the recent loss of his closest friend. His solitary existence<br />
is up-ended when his quirky neighbor Winona shows up<br />
at his door with a favor to ask: she’d like to borrow his<br />
car so she can drive to the remote Canadian field where<br />
aliens are due to beam her aboard their spaceship.<br />
Led by a sensational pair of performances from Matthew<br />
Jeffers (TV’s New Amsterdam) and Sarah Hay, this<br />
disarming and wholly original take on the roadtrip comedy<br />
finds its charm and its power in spotlighting characters<br />
who rarely get the lead roles. Directed with a fabulous<br />
visual flair by first-time feature helmer Juan Felipe Zuleta,<br />
this film demonstrates the thrilling rewards of watching<br />
previously sidelined characters take center stage.<br />
DOCUMENTARY CENTERPIECE<br />
FAR FROM HEAVEN (20TH ANNIVERSARY)<br />
DIR. TODD HAYNES| USA, FRANCE | 107 MIN.<br />
SUNDAY | JULY 17 | 6:30PM | DGA 1<br />
20TH ANNIVERSARY SCREENING IN 35MM<br />
with Todd Haynes, Christine Vachon, and Julianne Moore in person!<br />
In the 1950s, director Douglas Sirk achieved his greatest commercial<br />
and artistic triumphs with a series of brilliant, socially conscious<br />
melodramas. Films like All That Heaven Allows, Written on the Wind,<br />
and Imitation of Life — sumptuously filmed, larger-than-life productions<br />
populated by Hollywood legends. They incisively explored issues of<br />
class, race, and inequality while delivering all the swooning romance<br />
and heightened drama audiences craved. Sirk’s distinct style has been<br />
cited by queer filmmaking legends as an influence, and in 2002, it<br />
provided inspiration for Todd Haynes’ masterpiece, Far From Heaven.<br />
From the first frame, Haynes’ meticulous recreation of a Sirkian world<br />
envelops the senses, but this is not simply an homage to a great filmmaker,<br />
it’s a radical reimagining of what was possible in ‘50s era Hollywood<br />
filmmaking. Through the story of picture perfect housewife Cathy Whitaker<br />
finds herself falling for her handsome Black gardener in the wake of<br />
discovering her husband’s hidden queerness, Haynes frankly addresses<br />
issues that in actual 1950s films remained coded, while nimbly maintaining<br />
the attitudes and language of the era. This stunning film, which earned four<br />
Academy Award nominations, also represents perhaps the finest work in<br />
the ongoing filmmaking trio of Haynes, producer Christine Vachon (who<br />
has worked with Haynes since their breakout 1991 feature Poison), and<br />
star Julianne Moore (who joined the two for 1995’s Safe, and several<br />
more films after). <strong>Outfest</strong> is honored to welcome all three to this special<br />
20th anniversary screening to discuss their undeniably iconic partnership.<br />
PLATINUM CENTERPIECE<br />
HeBGB TV<br />
DIRS. JAKE MCCLELLAN, ERIC GRIFFIN,<br />
ADAM LENHART | USA | 78 MIN.<br />
SATURDAY | JULY 16 | 7:00PM | REDCAT<br />
WORLD PREMIERE<br />
A retro-horror TV cable box infiltrates a neighborhood<br />
when a brother and sister stay up past their bedtime to<br />
sneak in some late-night viewing. Suddenly, Knuckle Head<br />
appears in their living room and begins to curate nostalgic<br />
queer killer content that might just make them never sleep<br />
again! This queer tribute to goofy horror hijinks and cable<br />
access shenanigans is destined to be a cult classic. Jam<br />
packed with strange skits, scary songs, bawdy humor, and<br />
creepy characters all aiming for a cheap laugh. How does<br />
a vampire deal with puberty? Will a loving lesbian movie<br />
night go to hell? Created by a DIY filmmaking trio from<br />
small town Pennsylvania, this year’s platinum centerpiece<br />
will include an opening live action, spooky immersive<br />
experience, to guide viewers into the most ridiculously<br />
terrifying Halloween TV special ever seen on the big screen.<br />
LEGACY CENTERPIECE
TRANS, NON-BINARY & INTERSEX SUMMIT<br />
SATURDAY | JULY 23 | 3:00PM | DGA 1<br />
Now in it’s 6th year, the newly renamed<br />
<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> Trans, Nonbinary &<br />
Intersex Summit will showcase a multitude<br />
of trans, nonbinary & intersex experiences<br />
as a vision for the future of our lives. This<br />
year’s summit is a time-capsule titled<br />
Manifesting Our Future – a call to action<br />
to imagine ourselves 50 to 100 to 1000<br />
years from now. While trans, nonbinary<br />
RAQUEL WILLIS KEYNOTE SPEAKER<br />
Filmmaker Perspectives showcases<br />
short films from emerging trans,<br />
nonbinary & intersex filmmakers, using<br />
film to explore the multitude of trans,<br />
nonbinary and intersex experience.<br />
Each short is followed by a moderated<br />
conversation with the filmmakers or<br />
talent, and offers a glimpse into a<br />
particular theme or issue.<br />
and intersex people have garnered varying<br />
levels of visibility, the goal of this year’s<br />
summit is to unpack how visibility can shape<br />
our collective future. With visibility comes<br />
backlash and greater threats to our safety<br />
and belonging; but visibility also brings the<br />
power to imagine and the responsibility to<br />
uplift each other. To manifest the future, you<br />
envision it. Storytelling is a manifestation of<br />
Raquel Willis is a Black transgender<br />
activist, award-winning writer, and media<br />
strategist dedicated to elevating the dignity<br />
of marginalized people, particularly<br />
Black transgender people. Throughout her<br />
career, Raquel has held impactful positions<br />
like Director of Communications for The<br />
Ms. Foundation, executive editor of Out<br />
magazine, and a national organizer for<br />
Transgender Law Center (TLC).<br />
In 2018, she founded Black Trans Circles,<br />
a project of TLC, focused on developing<br />
the leadership of Black trans women in the<br />
South and Midwest by creating healing<br />
justice spaces to work through oppressionbased<br />
trauma and incubating community<br />
organizing efforts to address anti-trans<br />
murder and violence.<br />
FILMMAKER PERSPECTIVE #1<br />
THE ANTI-HERO<br />
FRAUD<br />
by Zen Pace and Dana Aliya Levinson (14 mins)<br />
A woman getting by with petty credit<br />
card fraud questions who she wants to be<br />
when her latest target surprises her with an<br />
unforeseen proposition.<br />
Q&A with Zen Pace and Dana Aliya Levinson,<br />
moderated by Zackary Drucker<br />
our imagination and the futures we dream<br />
of as trans, nonbinary and intersex people.<br />
The future is ours, the future is here, and right<br />
now more than ever, we have the power to<br />
manifest it.<br />
The 2022 6th Annual <strong>Outfest</strong> Trans,<br />
Nonbinary & Intersex Summit will<br />
feature four back to back programs:<br />
During her time at Out, she published the<br />
Trans Obituaries Project to highlight the<br />
epidemic of violence against trans women<br />
of color and developed a communitysourced<br />
13-point framework to end the<br />
epidemic. This project won a GLAAD<br />
Media Award. Raquel is a thought leader<br />
on gender, race and intersectionality.<br />
She’s experienced in online publications,<br />
organizing marginalized communities for<br />
social change, non-profit media strategy<br />
and public speaking while using digital<br />
activism as a major tool of resistance and<br />
liberation.<br />
She will be releasing her debut memoir<br />
about her coming of identity and activism<br />
with St. Martin’s Press in 2022.<br />
FILMMAKER PERSPECTIVES<br />
FILMMAKER PERSPECTIVE #2<br />
OUR BODIES, OUR CHOICE<br />
MY ABORTION SAVED MY LIFE<br />
by TransLash Media, created by Imara Jones,<br />
directed and produced by Ruby Rose Collins<br />
and Tiler Wilson, featuring Cazembe Murphy<br />
Jackson (9 mins)<br />
Cazembe Murphy Jackson (he/him), a<br />
Black trans activist living in Atlanta, Georgia,<br />
shares why his access to abortion was vital<br />
to his life. [CW/TW: sexual assault, rape,<br />
homophobia and transphobia]<br />
TRANS BODIES, TRANS CHOICES<br />
by TransLash Media, created by Imara Jones,<br />
directed and produced by Ruby Rose Collins and<br />
Tiler Wilson, featuring Jack Qu’emi Gutíerrez (7<br />
mins)<br />
After an unplanned pregnancy and<br />
unsuccessful Plan B contraceptive, Jack<br />
Qu’emi (they/them) sought abortion access<br />
in central Florida.<br />
ARTIST TO ARTIST CONVERSATION | TOWARD VISIBILITY:<br />
WHY INTERSEX REPRESENTATION MATTERS<br />
Featuring a live story performance from “The<br />
Moth” storyteller, actress & intersex activist<br />
Tatenda Ngwaru, and a sneak-peek look at<br />
“A Study of Self Hyponsis,” an upcoming book<br />
of poetry and visual album from Salvadoran-<br />
American filmmaker & intersex advocate<br />
River Gallo – this artist to artist conversation<br />
showcases two brilliant intersex artists and<br />
brings them together in conversation on why<br />
intersex representation matters and what we<br />
can do to move toward greater visibility for<br />
intersex stories.<br />
LIVE STORY PERFORMANCE<br />
by Tatenda Ngwaru (10 mins)<br />
SNEAK PEEK FROM “A STUDY OF SELF HYPNOSIS”<br />
by River Gallo (3 mins)<br />
This multi-media project includes a debut book of poetry and visual<br />
album exploring trans, intersex and non-binary identities as both gender<br />
expressions and philosophies of liminality and transcendence. Through<br />
personal and confessional storytelling, “A Study of Self Hypnosis”<br />
investigates the kaleidoscopic and psychedelic journey of transition,<br />
reckoning with self-induced trances, dictated by personal trauma,<br />
addiction, sexual abuse, romance, and set free by mysticism.<br />
Artist to Artist Conversation between River Gallo and Tatenda Ngwaru<br />
COMEDY SHOWCASE<br />
WE ARE NOT A JOKE… BUT WE ARE FUNNY<br />
Trans, nonbinary and intersex<br />
people are not a joke, but we can<br />
certainly deliver them. There is<br />
humor in our experience. We are<br />
Not A Joke… But We Are Funny is<br />
a comedy showcase featuring some<br />
of the funniest trans, nonbinary and<br />
intersex comedians today - emceed<br />
by D’Lo, featuring Nori Reed, Jes<br />
Tom, 7g, River Butcher, and Kai.<br />
PROGRAMMED BY: Kieran Medina<br />
SPECIAL THANKS: Zackery Alexzander<br />
Stephens, Zackary Drucker, River Gallo,<br />
Brian Michael Smith, Neil Landau, Valerie<br />
Stadler, Farhaad Virani, Keisha Zollar,<br />
Nova Cypress Black, Chris Renfro, Raul<br />
Martin Romero and Good Robot of Bad<br />
Robot Productions<br />
FRAUD<br />
Virtual introduction by Imara Jones. Q&A with<br />
Cazembe Murphy Jackson and Jack Qu’emi<br />
Gutíerrez, moderated by Jaden Fields
NARRATIVE FEATURES<br />
CHRISSY JUDY<br />
DIR. TODD FLAHERTY | USA | 96 MIN.<br />
FRIDAY | JULY 15 | 7:00PM | DGA 1<br />
DOS ESTACIONES<br />
DIR. JUAN PABLO GONZÁLEZ | MEXICO | 99 MIN.<br />
FRIDAY | JULY 15 | 7:15PM | DGA 2<br />
ALL KINDS OF LOVE<br />
DIR. DAVID LEWIS | USA | 76 MIN.<br />
SATURDAY | JULY 23 | 12:00PM | DGA 1<br />
Max, a stubborn gay man, is reeling from his recent divorce from<br />
his commitment-phobic husband. Starting over would be easier if<br />
Max’s shaky living situation didn’t frequently land him on his ex’s<br />
couch, where he inevitably interrupts whatever sexual escapade<br />
of the moment is playing itself out. Soon, Max becomes accidental<br />
roommates with a younger hip nerd who is as romantically<br />
challenged as he is, and sparks unexpectedly begin to fly. Longtime<br />
<strong>Outfest</strong> alum David Lewis’ feel-good and refreshingly sex-positive<br />
romantic comedy makes the welcome choice to expands its point of<br />
view beyond Max’s own troubles. What results is an open-hearted,<br />
sensitive story about people trying to follow their hearts, be it within<br />
an intergenerational romance, a late-in-life throuple, or through the<br />
eyes of an artistic trans man looking for love in all the wrong places.<br />
ATTACHMENT<br />
DIR. GABRIEL BIER GISLASON | DENMARK | 105 MIN.<br />
SATURDAY | JULY 16 | 6:15PM | HARMONY GOLD<br />
It’s every lesbian’s fear — what if the partner with whom you’re U-Hauling is<br />
possessed by a demon? Maja is a Danish actor unhappy with the direction<br />
of her career after playing a Christmas elf in a beloved jingle. Then she<br />
meets Leah, a young Jewish student visiting Denmark, and falls headover-heels<br />
for her. When Leah suffers a health scare, Maja offers to come<br />
back to London with her so she can care for her and keep their fledgling<br />
relationship going. Their homecoming in Leah’s Hasidic neighborhood<br />
is less than hospitable. Leah’s mother Chana is deeply secretive and<br />
increasingly overbearing. As Maja tries to ingratiate herself into Leah’s<br />
home and community, she starts to fear that the cause of Leah’s sickness —<br />
and Chana’s iciness — are rooted in supernatural terrors of Jewish folklore.<br />
Every gay guy has that one friend who can’t get their act together, but<br />
we can’t help but love them to pieces anyway. For thirty-something<br />
Chrissy, that’s his best judy, Judy, an endearing but perpetually messy<br />
ride-or-die who’s always got more than a few cocktails in the tank.<br />
Together, they’re an inseparable —bordering codependent — twoqueen<br />
drag act scraping by in the bars of New York. When Chrissy<br />
decides to leave town for his successful boyfriend, Judy’s left to pick<br />
up the pieces and forge a solo path in life and love with no one to lean<br />
on but himself. In striking black-and-white, director/writer/actor Todd<br />
Flaherty imbues Judy’s story with brilliant shades of heart and resilience<br />
to transform a misunderstood archetype into a tenacious superstar.<br />
In the highlands of Jalisco, the heiress of a tequila factory is so focused<br />
on fighting to maintain her family legacy in the face of encroaching<br />
American competition, that she risks losing sight of herself along<br />
that way. Juan Pablo González casts his observational eye on<br />
the complex life of Señora Maria, and delivers a layered portrait<br />
of a queer woman and her community that deepens the common<br />
narratives about rural Mexico. By building quiet, hypnotic sequences<br />
that unspool like a kaleidoscope of her daily life — merging Maria’s<br />
professional trials with her personal affection for a new employee<br />
— the film powerfully builds into a stunning examination of power<br />
and its limits, all anchored by a magnetic lead performance by<br />
Teresa Gómez which garnered her an acting prize at Sundance.<br />
BREAKING THE ICE<br />
DIR. CLARA STERN | AUSTRIA | 102 MIN.<br />
FRIDAY | JULY 22 | 9:30PM | DGA 2<br />
When it comes to ice hockey, Mira is no holds barred. As her team’s<br />
captain, she can’t afford to let her guard down and she leads with precision<br />
and determination. If only her personal life were that easy. Between her<br />
grandfather’s dementia getting progressively worse, her brother Paul<br />
disappearing for days on end, the family vineyard barely staying afloat,<br />
and her mother being no help at all — she’s barely keeping them together<br />
as the only responsible one left in the family. It’s a tenuous existence that<br />
gets shaken up when the freewheeling Theresa joins the ice hockey team,<br />
unsettling the usually uptight Mira. It all comes to a head one late night,<br />
lost in Vienna. Can she finally learn to let go and be free to find love?<br />
THE FIRST FALLEN<br />
DIR. RODRIGO DE OLIVEIRA | BRAZIL | 107 MIN.<br />
SUNDAY | JULY 17 | 3:30PM | DGA 2<br />
Suzano, Humberto, and Rose are three friends living in a small<br />
Brazilian town in 1983. Their lives are as fraught with happiness<br />
and heartbreak as any gay men or trans women of the era could<br />
expect. As the first wave of the AIDS epidemic takes hold in their<br />
community, their chosen family’s bond must grow even stronger. With<br />
energy, humor, and righteous anger, director Rodrigo de Oliveira<br />
creates a drama that is full of life. Powerful performances, vibrant<br />
color, and dramatic craft propel The First Fallen into an emotional<br />
journey that’s just as thrilling as any action picture, and that burns<br />
with the fiery passion of art that’s both entertainment and activism.<br />
GIRL PICTURE<br />
DIR. ALLI HAAPASALO | FINLAND | 100 MIN.<br />
FRIDAY | JULY 22 | 7:00PM | DGA 2<br />
Bursting with the incandescent energy and uncontainable wild<br />
emotions that one experiences when on the cusp of their young<br />
adulthood, director Alli Haapasalo’s tremendous Sundance awardwinning<br />
coming of age story cuts through the choppy waters of<br />
late-teenage apprehension, to ride the waves of exhilarating selfdiscovery.<br />
Wild child Mimmi and the more reserved Rönkkö — best<br />
friends for life — spend every Friday working together at a smoothie<br />
stand in the mall. Everything changes when Mimmi meets ice skating<br />
champion Emma, her soon to be first love, and Rönkkö decides to take<br />
her sexual awakening into her own hands. Featuring unforgettable<br />
performances from its central trio and music from the likes of Perfume<br />
Genius, Haapasalo crafts a queer cinema instant classic. By grounding<br />
her characters in authentic feeling, she captures the cathartic<br />
beauty of breaking out of childhood and sprinting into your future.
NARRATIVE FEATURES<br />
MY EMPTINESS AND I (MI VACIO Y YO)<br />
DIR. ADRIÁN SILVESTRE | SPAIN | 98 MIN.<br />
SATURDAY | JULY 16 | 1:00PM | HARMONY GOLD<br />
MONEYBOYS<br />
DIR. C.B. YI| FRANCE | 120 MIN.<br />
WEDNESDAY | JULY 20 | 9:45PM | DGA 1<br />
LONESOME<br />
DIR. CRAIG BOREHAM | AUSTRALIA | 95 MIN.<br />
SATURDAY | JULY 23 | 9:30PM | DGA 1<br />
Down and out and on the run, handsome drifter Casey rolls into big<br />
city Sydney with a longing for connection and an untold past in the<br />
countryside. Adrift within the all-consuming hook-up scene of this<br />
unknown urban labyrinth, he strikes up a friendship with charismatic<br />
fellow hustler Tib after crossing paths in bed. Their connection quickly<br />
settles into a physical and emotional partnership that offers the promise<br />
of a new beginning for them both but only if they can survive the secrets<br />
and sinister forces that surround them. With an eye towards finding the<br />
sublime where others might look away, director Craig Boreham crafts<br />
an erotic, sensitively tuned vision of striking vulnerability that dares<br />
to kindle hope and redemption against the most impossible odds.<br />
MARS ONE ( MARTE UM)<br />
DIR. GABRIEL MARTINS | BRAZIL | 115 MIN.<br />
THURSDAY | JULY 21 | 7:00PM | DGA 2<br />
In this Sundance darling about a young woman discovering her queerness<br />
and taking a brave leap into new love, Brazilian director Gabriel Martins<br />
weaves a tender family drama with a sensual love story. Set in the postelection<br />
tumult of Bolsanaro’s regime, we meet a working class family of<br />
four, each with their own wishes for their future. Eldest sister Eunice has<br />
just met her great love in Joana, but hesitates to reveal her true self to her<br />
family members each dealing with their own challenges. Avoiding the<br />
dramatic trappings of the coming out narrative, Martins instead shows<br />
us a casual, easy love progressing naturally. Bathed in all the colors<br />
and music Brazil has to offer, Mars One is a celebration of life in the<br />
face of tragedy, and the enduring familial love that carries through it all.<br />
<strong>Outfest</strong> alum Adrián Silvestre partners with co-writer and lead<br />
actress Raphaëlle Perez to create a colorful, layered portrait of a<br />
life in flux. Perez plays Raphi, a low-level office worker with dreams<br />
of being an artist. When Raphi is diagnosed with gender dysphoria,<br />
her story becomes a deeply humane exploration of the choices<br />
one trans woman makes as she learns to re-enter the dating world,<br />
demand more from her sex life, and come into her own as a gifted<br />
writer and performer. Bursting with vitality and exuberance, the<br />
community that forms around Raphi is inspirational, led by a support<br />
group of multigenerational trans women played by the subjects of<br />
Silvestre’s <strong>Outfest</strong> Award-winning documentary, Sediments. This is an<br />
invigorating cinematic experience, destined to become a queer classic.<br />
Director C.B. Yi’s gritty and tender debut feature explores the<br />
emotional entanglements and secret world of street hustlers — or<br />
“Moneyboys” — working their clients and making a living in big city<br />
Beijing, where gay life is taboo but a surplus of demand survives in<br />
the shadows. Far from his home in rural China, twenty-something Fei<br />
rises in their ranks as a wet-behind-the-ears newcomer while sending<br />
along his earnings to the conservative family he left behind in the<br />
countryside. But when their disapproval irrevocably complicates his<br />
position, his life in the profession shifts as he seeks a new chapter in<br />
love without price tags attached. Yi’s tactile sensitivity and assured<br />
sense of direction with actors and their environment evokes a longing<br />
to belong against the shimmering mystery of starting your life anew.<br />
Content advisory: Depictions of violence<br />
Content advisory: This film contains intense scenes of a graphic sexual nature.<br />
MAYBE SOMEDAY<br />
DIR. MICHELLE EHLEN | USA | 91 MIN.<br />
SATURDAY | JULY 23 | 7:00PM | DGA 1<br />
When her wife devastatingly asks for a separation in order to explore other<br />
options, Jay decides to pick up her life and move across the country to<br />
start anew. Halfway through the trip, she makes a pit stop to visit her high<br />
school best friend, a single mother raising a young daughter. Haunted by<br />
the memories of her crumbling marriage and holding out for a second<br />
chance, Jay postpones the rest of her trip. She’s paralyzed in her grief<br />
until she befriends a charismatic gay man whose outlook on love forces<br />
her to come to terms with her new reality. Michelle Ehlen (Heterosexual<br />
Jill, S&M Sally) returns to <strong>Outfest</strong> LA with an honest and heartfelt journey:<br />
a love letter to the people who help pick us up when our hearts are<br />
broken, and the beauty of discovering the strength to create a fresh start.<br />
PETER VON KANT<br />
DIR. FRANÇOIS OZON | FRANCE | 85 MIN.<br />
SUNDAY | JULY 17 | 9:30PM | DGA 1<br />
One of contemporary cinema’s most prolific and stylish artists, François<br />
Ozon’s (8 Women, Summer of ‘85) latest breathes dazzling new life into<br />
a landmark of the queer canon. This tale of romantic obsession uses the<br />
framework of Rainer Werner Fassbinder’s 1972 masterpiece The Bitter<br />
Tears of Petra von Kant, and remolds it to focus on prickly film director<br />
Peter (Denis Ménochet), whose friend and frequent star Sidonie (a superb<br />
Isabelle Adjani) introduces him to young aspiring actor Amir. Peter is<br />
instantly infatuated, but with the beautiful Amir’s star rising and attention<br />
wandering, the potential rejection sends Peter’s temper into overload.<br />
No one is safe, including Peter’s long-suffering, silent assistant and his<br />
understanding mother (Fassbinder regular Hanna Schygulla), and the<br />
result is an explosive actors’ showcase that needs to be seen to be believed.<br />
PHEA<br />
DIR. ROCKY PALLADINO | UNITED KINGDOM | 93 MIN.<br />
SATURDAY | JULY 16 | 1:15PM | DGA 2<br />
Phea is an aspiring singer/songwriter who feels stuck. Her music<br />
career has stalled, and her relationship to her girlfriend Justine is on<br />
the precipice. So when Justine stops answering her calls, Phea tries to<br />
find her to get some explanation — but she is soon drawn into the orbit<br />
of a dangerous human trafficker that puts her own life, and Justine’s,<br />
on the line. She swiftly discovers that she would do whatever it takes<br />
to save her lover. Come for the emotionally and politically resonant<br />
lesbian spin on the myth of Orpheus, and stay for the extraordinary<br />
debut and music of Sherika Sherard — the singer/songwriter cast<br />
as Phea after the director saw her busking in a London tube station.<br />
Preceded by EDIBLE Dir. Kandis Golden, 2021, 18 min.
NARRATIVE FEATURES<br />
PLEASE BABY PLEASE<br />
DIR. AMANDA KRAMER | USA | 95 MIN.<br />
FRIDAY | JULY 15 | 9:30PM | DGA 1<br />
In director Amanda Kramer’s neon-drenched, highly stylized 1950s<br />
Manhattan, greaser gang The Young Gents stalk the streets. When they<br />
stage an attack at the doorstep of newlyweds Suse and Arthur (Andrea<br />
Riseborough and Henry Melling), witnessing the violence awakens the<br />
couple’s dormant fantasies of smashing through their expected gender<br />
roles. Suse, spurred on further by a conversation with her rebellious upstairs<br />
neighbor (a sublime Demi Moore), imagines herself as the femme dom star<br />
of elaborate S&M daydreams. While Arthur finds a welcome home for his<br />
softness and sensitivity in the gangs’ sexy leader (Karl Glusman). Fantasy<br />
bleeds into reality, and both squares and criminals alike give into temptation.<br />
Kramer’s deliciously entertaining, star-studded tour-de-force becomes<br />
a sensual exploration of how acting wrong can sometimes feel so right.<br />
Preceded by FOU DE BASSAN Dir. Yann Gonzalez, 2021, 4 min.<br />
THREE HEADED BEAST<br />
During a hot Texas summer, bisexual couple Peter and Nina begin to<br />
explore the boundaries of their open relationship. Everything seems<br />
good; sometimes they’ll even spend the afternoon in the beds of<br />
their lovers before returning home. But as the couple rejoices in the<br />
simple pleasures of being free to explore their desires, their foundation<br />
DIRS. FERNANDO ANDRÉS, TYLER RUGH | USA | 83 MIN.<br />
TUESDAY | JULY 19 | 9:45PM | DGA 1<br />
begins to crack as Peter’s new boyfriend Alex asserts his feelings<br />
and unique place within this delicate arrangement. This microbudget<br />
gem from directors Tyler Rugh and Fernando Andres stands out with<br />
a rare and exquisite narrative alchemy, crafted through emotionally<br />
attuned scenes built from the messy beauty of human passion.<br />
SHALL I COMPARE YOU TO A SUMMER’S DAY?<br />
DIR. MOHAMMAD SHAWKY HASSAN<br />
EGYPT, LEBANON, GERMANY | 66 MIN.<br />
THURSDAY | JULY 21 | 9:45PM | DGA 2<br />
SUBLIME<br />
DIR. MARIANO BIASIN | ARGENTINA | 100 MIN.<br />
MONDAY | JULY 18 | 7:00PM | PLAZA DE LA RAZA<br />
THREE TIDY TIGERS TIED A TIE TIGHTER<br />
DIR. GUSTAVO VINAGRE | BRAZIL | 86 MIN.<br />
SATURDAY | JULY 16 | 3:45PM | HARMONY GOLD<br />
YOU CAN LIVE FOREVER<br />
DIR. SARAH WATTS, MARK SLUTSKY | CANADA | 96 MIN.<br />
SATURDAY | JULY 23 | 3:45PM | DGA 2<br />
In this queer contemporary musical from Egyptian director Mohammad<br />
Shawky Hassan, soft speaking voices, and a dreamlike soundscape<br />
of Egyptian pop music pull you in. Based on a diary of the filmmaker’s<br />
personal love stories, and told in the form of a tale from One Thousand<br />
and One Nights, Hassan’s film gives us a glimpse into the sensual<br />
experiences of gay Egyptian men. Telling their stories with humor,<br />
tenderness, and wit, the power of prose commands attention and<br />
allows viewers to be completely swept up in Hassan’s unique vision.<br />
With gorgeous colors, handsome actors, and imaginative editing,<br />
Shall I Compare You To a Summer’s Day? is a cinematic delight.<br />
Preceded by EXALTED MARS Dir. Jean-Sébastien Chauvin, 2021, 18 min.<br />
Somewhere along the Atlantic coast in Argentina, teenage Manu spends<br />
his days hanging out and playing bass guitar in a band alongside his best<br />
friend Felipe — with whom his passionate chemistry may be developing<br />
into something more than friendship. As Manu wrestles with the unexpected<br />
emotional turmoil of falling in love for the first time, let alone with his male<br />
best friend, vibrant scene-building thrusts the film into an unsteady realm of<br />
complicated feelings and breathtaking intimacy. Tension builds as jealousy<br />
and nerves creep forward into the fray, threatening to break the bond<br />
between these two boys. Filled with stolen glances and rushes of discovery,<br />
director Mariano Biasin vividly conveys the mercurial complexities of<br />
coming of age alongside an intimate tale about the value of friendship.<br />
Brazilian director Gustavo Vinagre scored the Teddy Award for Best<br />
Feature Film at this year’s Berlinale for this dazzling journey through a<br />
not-too-distant future. Jonata, Pedro and Isabella — three friends in the<br />
working-class suburbs of São Paulo — each attempt to make their way in a<br />
world that’s been harshly affected by rampant capitalism, and a pandemic<br />
whose disease threatens to claim cherished memories. New friendships<br />
and first loves are prey to forgetfulness, but this trio of young queer stalwarts<br />
fight the plague via their shared experiences and collective memories.<br />
Outrageous and thought-provoking, this film brims over with humor,<br />
absurdism, and witty narrative devices that build to an unforgettable climax.<br />
This debut feature from directing team Mark Slutsky and Sarah Watts<br />
tells a tender story within a Jehovah’s Witness community about a teen<br />
girl falling in love for the first time in the wake of her father’s death.<br />
Jaime is secure in her queerness, but her crush Marike is too devout<br />
to fully live in her truth. Their relatives and neighbors are portrayed<br />
as loving, but unmoving in their adherence to traditional gender<br />
roles. Marike adheres to them, and tries to get Jaime to do the same,<br />
causing conflict between the young lovers. But the two can’t stay away<br />
from each other, stealing glances at dinner and having flirtatious<br />
sleepovers. And when the community catches on to their secret love,<br />
Jaime must choose between being with Marike or being true to herself.
ALUMNI SPOTLIGHT<br />
OUTSET ALUMNI<br />
SAV RODGERS he/him<br />
In October 2018, <strong>Outfest</strong> organized a screening of the budding cult classic<br />
Jennifer’s Body. Sav Rodgers may have only been visiting <strong>Los</strong> <strong>Angeles</strong>, but the<br />
event called out to him. The raucous night was his first taste not only of the city’s<br />
festival scene but also of the careful curation that guides <strong>Outfest</strong> yearound. The<br />
experience is what pushed him to apply to the <strong>Outfest</strong> Outset Young Filmmakers<br />
Project.<br />
The following year proved to be transformative for Rodgers. Outset gave him the<br />
push he needed: “It was an opportunity for me to move to <strong>Los</strong> <strong>Angeles</strong> and find<br />
queer community for the first time in my life. I made countless friends and found<br />
new mentors.” Moreover, it was in his Outset class where he met his writing<br />
partner, Taylor Gates. “I’ll always be grateful for the experience.”<br />
Since that fateful evening watching Megan Fox tear through the screen spouting<br />
Diablo Cody’s endlessly quotable campy dialogue, Rodgers—who’s currently<br />
in post-production on his debut feature documentary, Chasing Chasing Amy—<br />
has come to further appreciate the space <strong>Outfest</strong> carves out for filmmakers<br />
like himself. “Community and queer spaces are incredibly important to me.<br />
<strong>Outfest</strong> provides both. I’ve met some of the most incredible people all through<br />
a shared passion for independent queer cinema. The value of that bond can’t<br />
be overstated.”<br />
OUTFEST ANTHONY MEINDL<br />
ACTING FELLOWSHIP ALUMNI<br />
D’LO he/they<br />
The title of D’Lo’s various shows over the years—which include Ramble-Ations,<br />
D’FunQT, D’FaQTo Life and To T, or not To T, which just finished a run at the<br />
Kirk Douglas Theater here in <strong>Los</strong> <strong>Angeles</strong>—capture the voice of this queer/<br />
transgender Tamil-Sri Lankan-American actor/writer/comic. There’s an<br />
ebullience to their work that shines through even on the page. A longtime<br />
friend of the festival (D’Lo estimates they first got involved with it back in<br />
2009 through his work with Adelina Anthony as director for her solo show<br />
at the Redcat), the multihyphenate performer was part of the <strong>Outfest</strong> Anthony<br />
Meindl Acting Fellowship in 2019. It’s an experience they remember fondly<br />
because not only did it help them hone their skills (they still recall how helpful<br />
and sensitive teachers like Barbara Howlin and Nina Rausch were then) but<br />
because they got to meet a number of actors they remain in contact with.<br />
“<strong>Outfest</strong> is another family for me. I love how something so huge can feel<br />
so intimate. It is not just a place to gather, but it’s a place to be in further<br />
amazement of the magic that queer creators have. Everytime I go to an <strong>Outfest</strong><br />
event, I remember how much community I have even if I don’t get to see<br />
everyone as often. GODS BLESS THE QUEERS!”
SHORTS PROGRAM<br />
FOR LOVE<br />
ALL THE LOVERS SATURDAY | JULY 16 | 9:00PM | DGA 2<br />
It’s about all of us! Each film demonstrates the true beauty of authentic<br />
LGBTQIA+ relationship experiences and the united themes of loss,<br />
dedication, isolation, love, sorrow, spirituality, and family. In these films<br />
you’ll see a celebration of queerness, the struggle to come out to your family,<br />
the heartbreak of letting loved ones go, and more moments of genuine<br />
connection and intimacy. Tonight — we celebrate intimacy and relationships.<br />
HIGH JUMP (Dir. Lennert Madou) 12 Mins. I WISH I NEVER<br />
FUCKING MET YOU (Dir. Jacob Charton) 10 Mins. FOSTER (Dir.<br />
Jordi Wijnalda) 12 Mins. THE SPIRIT GOD GAVE US (Dir. Michael<br />
Donte) 20 Mins. FOR LOVE (Dir. Joy Gharoro-Akpojotor) 12 Mins.<br />
FIRECRACKER (Dir. Caroline Guo) 14 Mins. THE BOWER (Dir. Marco<br />
Alessi) 18 Mins. TOP BOTTOM TOP (Dir. Graham Kolbeins) 3 Mins.<br />
NORTH STAR<br />
COME TO MY WINDOW<br />
SATURDAY | JULY 16 | 4:00PM | DGA 2<br />
A quiet look at one’s life as we age. Time and connection are<br />
altered in these memorable shorts. How do our former and current<br />
lovers imprint on our lives? Whether it’s a Taiwanese lesbian<br />
rock singer reconnecting with her first love after 30 years, or two<br />
strangers meeting on a train in Spain — how do we measure the<br />
truth and vulnerability of life? Through the legacy of a pioneering<br />
lesbian-lover-filmmaker, or is it perhaps through a rancher and<br />
his ailing husband. These queer elders’ shorts display pride and<br />
power of love no matter how far away in time you get from them.<br />
LOVE, BARBARA (Dir. Brydie O’Connor) 15 Mins. THE<br />
EPHEMERAL (Dir. Jorge Muriel) 20 Mins. NORTH STAR (Dir. P.J.<br />
Palmer) 30 Mins. ENCORE MARTHA (Dir. Natasha K. Sung) 24 Min.<br />
BEAUTIFUL STRANGER<br />
FELLAS THAT WERE IN THE MOOD<br />
MONDAY | JULY 18 | 9:30PM | DGA 1<br />
Hot-blooded passion mingles with down-and-dirty desire in these<br />
sensual short films that explore the erotic possibilities of gay male<br />
experience. Across an international spread of sumptuous visions from<br />
talented filmmakers stretching the limits of their medium, this host of<br />
eclectic characters navigate the politics of throupledom, dating app<br />
dilemmas, and how to choose the perfect bedroom partner for the first<br />
time. Not to mention, through immersive first person cinematography,<br />
the chance to invite the viewer (you!) in as a third. Join us for this<br />
voyeuristic voyage into only the most pleasurable of realms.<br />
BEAUTIFUL STRANGER (Dir. Benjamin Belloir) 26 Min. FIRSTS<br />
(Dir. Jesse Ung) 17 Min. OPEN TO IT (Dir. Greg Wolf) 22 Min.<br />
SORRY, I CAN’T TALK RIGHT NOW (Dir. Bia Jurema) 9<br />
Min. THREE’S COMPANY (Dir. Steve Balderson) 30 Min.<br />
UP CLOSE<br />
BLEND INTO MY FAVORITE COLOR<br />
SATURDAY | JULY 16 | 6:30PM | DGA 2<br />
These aren’t your average Saturday morning cartoons, and they are<br />
certainly not for kids. A medium that inherently lends itself to the surreal —<br />
with boundaries and constraints only limited to that of the imagination —<br />
animation is seemingly the perfect vessel for LGBTQIA+ stories. Whether<br />
illustrating spoken word poetry or diving into a childhood memory,<br />
documenting bi visibility, dismantling personal trauma or flooding the<br />
rainbow floor your first day in the dorms — these films encompass a<br />
full array of animation styles, techniques, and perspectives. Gorgeous<br />
imagery and bursts of color punctuate this program that is sure to open<br />
your mind, touch your heart, and keep you marveling at the wonder.<br />
BI THE WAY (Dir. Amir Ovadia Steklov) 16 Mins. flooded daisies<br />
(Dir. PoeticMoment) 2 Mins. HOT TODDY (Dir. Mary Sette) 17 Mins.<br />
LIPSTICK OF THE BRAVE (Dir. Bill Plympton) 6 Mins. MEN IN<br />
BLUE: 12 STORIES (Dir. Francisco Bianchi) 3 Mins. NEW MOON<br />
(Dirs. Jeremie Balais, Jeffig LeBars, Raul Domingo, Colman Domingo)<br />
11 Mins. RAINBOW FLOOR (Dirs. DeLeon Warren, Barry Strum) 14<br />
Mins. SINGLE (Dirs.Tilly Robba, Steph Jowett) 12 Mins. TOGETHER/<br />
APART (Dir. David Amberg) 7 Mins. UP CLOSE (Dir. Sam Gurry) 4 Mins.<br />
FOREIGN UNCLE<br />
BOY SHORTS<br />
SATURDAY | JULY 16 | 11:00AM | DGA 1<br />
Affirming, seductive, and hysterical stories come together in fabulous<br />
fashion to comprise this year’s dazzling collection of marquee<br />
gay male shorts. Whether it’s a camping trip on Catalina Island,<br />
a construction crane overlooking the buildings of Beirut, a trip to<br />
visit your boyfriend’s parents in Beijing or a chance encounter on<br />
a London balcony, the men in these evocative and deeply felt films<br />
from around the world search for a stage to plant their feet and<br />
live their truths out loud. Unique dilemmas arise — an accidentally<br />
ingested edible here, a lurid sex tape from a US Senator there — but<br />
by trusting their instincts or leaning on their community for support,<br />
they each demonstrate the true beauty of authentic gay experience.<br />
BRUTAL (Dir. Sam McConnell) 13 Min. CATALINA (Dir. Tyler<br />
Rabinowitz) 16 Min. F^¢K ‘€M R!GHT B@¢K (Dir. Harris Doran) 12<br />
Min. FOREIGN UNCLE (Dir. Sining Xiang) 20 Min. A FOX IN THE<br />
NIGHT (Dir. Keeran Anwar Blessie) 11 Min. WARSHA (Dir. Dania<br />
Bdeir) 15 Min.<br />
QUEER PARIVAAR LESBIAN MISERABLES<br />
GET HAPPY<br />
FRIDAY | JULY 15 | 9:45PM | DGA 2<br />
The world’s on fire! Forget your troubles by watching a delightful<br />
collection of shorts centered on coming-of-age, quiet joyful<br />
moments, and experiencing the wild rollercoaster of falling<br />
in love for the first time. These feel-good flicks will certainly<br />
make you forget all about getting ready for the judgment day.<br />
SEQUIN (Dir. Averi Israel) 4 Mins. TANK FAIRY (Dir. Erich<br />
Rettstadt) 10 Mins. IS THIS THE ONE? (Dir. Stephanie Mata)<br />
8 Mins. WUSS (Dir. Rubing Zhang) 12 Mins. THE LAST<br />
HUMAN PERSON ON EARTH (Dir. Ryan Michael Hoskins)<br />
14 Mins. QUEER PARIVAAR (Dir. Shiva Raichandani) 27 Mins.<br />
ALL THE CROWS IN THE WORLD (Dir. Tang Yi) 14 Mins.<br />
GIRL SHORTS<br />
FRIDAY | JULY 22 | 9:45PM | DGA 1<br />
Don’t be shy! A treasure trove of shorts all about women, their desires and<br />
gender presentation. From a queer femme’s kink party to solitary<br />
birthday celebration. This year we celebrate self-acceptance,<br />
aspiration, lesbianism, rebirth for all generations, all those who<br />
came before and all those who shall come after us. Stories in search<br />
of healing in Nigeria, a taxi ride in <strong>Los</strong> <strong>Angeles</strong>, a heartfelt sex talk<br />
in a hospital hallway in Spain, to a dyke on a motorcycle in Brazil.<br />
THE BIRTH OF A BEAUTIFUL BUTCH (Dir. Gia-Rayne Harris)<br />
3 Min. BLOOD HANA (Dir. M.G. Evangelista) 15 Min. A WILD<br />
PATIENCE HAS TAKEN ME HERE (Dir. Érica Sarmet) 26<br />
Min. LESBIAN MISERABLES (Dir. Tess Paras) 3 Min. HAPPY<br />
BIRTHDAY, YOU MADE IT (Dir. Yuelei Song) 6 Min. CAR<br />
THERAPY: UNCOUPLING (Dir. Jennelle Williams) 7 Min.<br />
NENENA (Dir. Johaira Michelle Dilauro) 1 Min. MASQUERADE<br />
(EGÚNGÚN) (Dir. Olive Nwosu) 15 Min. YES, GODDESS (Dir.<br />
Randa Jarrar) 12 Min. MY FIRST CHOICE (Dir. Carlota Callén) 6 Min.
SHORTS PROGRAM<br />
ADAM, EVE AND THE<br />
FORBIDDEN FRUIT EL MARIJUANO SPACESHIP<br />
LATINXCELLENCE TUESDAY | JULY 19 | 9:30PM | PLAZA DE LA RAZA<br />
Excellence doesn’t even begin to describe the storytelling on display in<br />
this year’s collection of Latinx shorts. Full of heartache, longing, dancing,<br />
manicures, and a little weed, these stories celebrate the importance of our<br />
sacred connections — not just to the people in our lives but to our culture.<br />
Whether honoring a grandparent, stressing over a quinceañera, saying an<br />
emotional goodbye, or finding your way back to someone, we know one<br />
thing is true, our strength comes from the love we give to the ones we hold<br />
dear — and our excellence comes from the bonds we have to each other.<br />
¡NAILS! (Dir. Eliana Pipes) 5 Mins. ADAM, EVE AND THE FORBIDDEN<br />
FRUIT (Dir. R.B. Lima) 20 Mins. BLESSED AND HIGHLY FAVORED<br />
(Dirs. Marianna Amelinckx, Julieta Messmer) 8 Mins. EL MARIJUANO<br />
(Dir. Andre Lara Cervantes) 18 Mins. I SHOULD FEED MY CAT (Dir.<br />
Abram Cerda) 17 Mins. LAS PLANTAS DE MIS ABUELOS (Dirs. Nicolas<br />
Jara, Lilith King-Smithson) 1 Min. MERCURY RETROGRADE (Dir. Gustavo<br />
Gamero) 6 Mins. RECUERDO DE UNA TARDE EN LA AZOTEA<br />
(Dir. Tavo Ruiz) 9 Mins. SPACESHIP (Dir. Jorge G. Camarena) 19 Mins.<br />
LUV, ME<br />
THE NEWER QUEER CINEMA<br />
WEDNESDAY | JULY 20 | 9:30PM | DGA 2<br />
Operating across diverse filmmaking styles, from narrative comedy,<br />
to bracing documentary, to enthralling avant garde techniques, the<br />
directors in this program (all of them age 25 or younger) possess<br />
the electrifying energy of a younger generation honing their craft<br />
and blossoming into their authorial voices. With only a few years of<br />
experience under their belts, these artists demonstrate a seasoned<br />
professional’s control of the medium, and provide a blueprint to the<br />
inspiring new possibilities for the queer storytelling of the future.<br />
BLOOMING (Dirs. Sitong Cao, Yuanxin Qiu) 1 Min. the beginning<br />
& the middle (Dir. Alexis G. Zall) 10 Mins. CANS CAN’T STAND<br />
(Dirs. Matt Nadel, Megan Plotka) 19 Mins. ELE OF THE DARK (Dir.<br />
Yace Sula) 13 Mins. HALF (Dir. Jacob Roberts) 11 Mins. CARTAS<br />
PARA AXÉL (Letters to Axél) (Dir. Miles Adonay Lopez) 23 Mins.<br />
LUV, ME (Dirs. Nicolas Jara, Yen Dinh) 10 Mins. ONE LIFT AT A<br />
TIME (Dirs. Flo Singer, Ben Dame) 9 Mins.<br />
KEEP/DELETE<br />
TURN AND FACE THE STRANGE<br />
SATURDAY | JULY 23 | 6:15PM | DGA 2<br />
This collection of bizarre shorts is bound to leave you puzzled,<br />
horrified, or downright thrilled. Watching voyeuristic neighbors,<br />
murderous perfume salesmen, college catfishers, sapphic<br />
classically-trained musicians, and spurned sci-fi lovers struggling<br />
to deal with their relationship hangups. It’s time to embrace the<br />
surreal and the fantastical with these out-there fever dreams.<br />
LOLLYGAG (Dir. Tij D’oyen) 10 Mins. ANACONDA (Dir. Joshua Amar)<br />
12 Mins. DOOLEY DOES MURDER! (Dir. Donta ‘Dawn’ Storey) 11<br />
Mins. DON’T GO WHERE I CAN’T FIND YOU (Dir. Rioghnach ni<br />
Ghrioghair) 20 Mins. SUCCESSFUL THAWING OF MR. MORO (Dir.<br />
Jerry Carlsson) 15 Mins. KEEP/DELETE (Dir. Kryzz Gautier) 19 Mins.<br />
Content advisory: Some films contain depictions of violence.<br />
FIRST DOWN<br />
VALENTINE<br />
OUR TRUTH, OUR HISTORY<br />
TUESDAY | JULY 19 | 7:00PM | DGA 2<br />
Whether they’re intimate short documentaries or narrative<br />
reenactments of key queer moments throughout history, the shorts in<br />
this collection introduce us to previously unknown but nevertheless vital<br />
tales of LGBTQIA+ communities past and present. Gifted non-fiction<br />
filmmakers allow us to spend a few moments with inspirational queer<br />
athletes, and trailblazing Muslim leaders. Members of the legendary<br />
House of LaBeija write letters ruminating on their personal stories,<br />
and actors boldly take on the persona of towering figures like James<br />
Baldwin. Altogether, these films weave a tapestry of queer life from all<br />
corners of the world that finally tell their small but significant stories.<br />
THE BALDWIN ARCHIVES (Dir. Laura Seay) 8 Mins. FIRST<br />
DOWN (Dir. Carrie Stett) 12 Mins. HOLDING MOSES (Dir.<br />
Rivkah Beth Medow) 17 Mins. THE HOUSE OF LABEIJA (Dir.<br />
Fredgy Noël) 10 Mins. LEGACY (Dir. Giovannie Espiritu) 1 Min.<br />
THE LETTER MEN (Dir. Andy Vallentine) 9 Mins. PORTAL (Dir.<br />
Rodney Evans) 12 Mins. TWO-SPIRIT (Dir. Mónica Taboada-<br />
Tapia) 15 Mins. UNITY MOSQUE (Dir. Nicole Teeny) 7 Mins.<br />
OUTSIDE THESE WALLS<br />
SUNDAY | JULY 17 | 1:30PM | DGA 1<br />
Lovebirds in flux, frenemies, and rocker con artists are just some<br />
of the offerings of this truly transformative block. These filmmakers<br />
are challenging what audiences know as “trans stories” by daring<br />
to dream bigger than the usual fanfare. This collection of luminary<br />
narratives reflects the possibilities of storytelling for trans and nonbinary<br />
communities onscreen.<br />
FRAUD (Dir. Zen Pace) 13 Mins. PRITTYBOI (Dir. Nicolas<br />
Collins) 4 Mins. MONSIEUR LE BUTCH (Dir. Jude Dry) 12 Mins.<br />
CODE SWITCH (Dirs. Davis Alexander James, Mx. Roti) 5 Mins.<br />
PIERCING (Dir. Nate Gualtieri) 7 Mins. PERENNIAL (Dir. Griffin<br />
Cubero) 15 mins. VALENTINE (Dirs. Beck Kitsis, Chris McNabb)<br />
10 Mins. MY TRIP TO SPAIN (Dir. Theda Hammel) 28 Mins.<br />
BLACK BEAUTY<br />
WE GO OUR OWN WAY<br />
MONDAY | JULY 18 | 9:45PM | DGA 2<br />
The relentless pursuit of finding your voice and yourself is on<br />
full display in this collection of trans, nonbinary, and gendernonconforming<br />
stories. Changemakers, precocious teenagers,<br />
small-town aficionados, and the bold, creative expressions of trans<br />
femmes showcase the beauty within the breadth of trans experiences.<br />
WEST BY GOD (Dir. Scott Lazer) 13 Mins. BUILD OR DESTROY<br />
(Dir. Rashaad Newsome) 6 Mins. cosboi (Dir. Gosha Shapiro)<br />
15 Mins. PUT THE BRIGHTS ON (Dir. Raymond Rea) 17 Mins.<br />
PUNCH LINE (Dir. Becky Cheatle) 10 Mins. GOOD PRESSURE<br />
(Dirs. Caesar Osiris, Shea Diamond) 4 Mins. BLACK BEAUTY (Dir.<br />
Elle Moxley) 26 Mins.<br />
FIVE SONG TOUR<br />
WHEN WE TOUCH<br />
SUNDAY | JULY 17 | 8:30PM | DGA 2<br />
Love, longing, heartbreak, and impulse are in this set of girls’ shorts.<br />
Through an intimate, distinctly queer lens as they seek emotional<br />
freedom, love and self-discovery in a place that embraces their<br />
queerness. Whether it’s the first date, finding identity, or past<br />
relationships, all those seemingly innocuous moments that become<br />
part of us and shape who we choose to connect and be intimate with.<br />
Past loves reignite, new one’s blossom, and legacies come to life when<br />
these shorts resolve to write exciting new chapters in their own stories.<br />
MINUTES (Dirs. Alix Eve, Olivia Dowd) 14 Min. LUCKY FISH (Dir.<br />
Emily May Jampel) 8 Min. FIRST DATE (Dir. Carly Usdin) 11 Min.<br />
PAUSE (Dir. Jacquelynn Auger) 15 Min. KING MAX (Dir. Adèle<br />
Vincenti-Crasson) 21 Min. YOU (Dir. Nicole Eckenroad) 4 Min.<br />
WORK (Dir. April Maxey) 13 Min. FIVE SONG TOUR (Dir. Chloe<br />
Jury-Fogel) 13 Min.
SUBSCRIBE<br />
SUBSCRIBE<br />
SUBSCRIBE<br />
HOW TO FEST | FILM THEMES<br />
Are you new to the world of film festivals and wondering “How to navigate over<br />
200 films?!” or “Which films are for me?!” We at <strong>Outfest</strong> don’t want to leave<br />
you hanging — WE GOT YOU!!<br />
Along with a pull out grid to plan out your fest, we want this guide to help find<br />
your vibe! You’ll see these icons throughout the guide to help you navigate and<br />
find the flicks and events that are right for you — Happy Fest and welcome!<br />
HORROR<br />
Do you love a jump<br />
scare? A fan of all things<br />
paranormal? Maybe<br />
spooky season is where<br />
you come to life. Check<br />
out films like HeBGB TV<br />
and Attachment to get<br />
your horror fill.<br />
SPANISH LANGUAGE<br />
One of the world’s most<br />
widely spoken languages,<br />
Spanish languages films<br />
like Dos Estaciones and<br />
Mi Vacio y Yo are not to<br />
be missed at this years<br />
festival.<br />
TEEN-FRIENDLY<br />
Gen-Z is one of the most<br />
out and proud queer<br />
generations of our time,<br />
so bring them along and<br />
watch films like You Can<br />
Live Forever and Girl<br />
Picture to celebrate their<br />
ferocity.<br />
GET 6<br />
ISSUES<br />
FOR<br />
$19.95<br />
.COM/SUBSCRIBE<br />
Now Available in both<br />
Print or Digital Editions<br />
One Year (6 Issues of Out)<br />
For Just $19.95<br />
That’s 52% off the annual<br />
newstand price!<br />
When ordering add<br />
The Advocate to the Out<br />
one yearprint subscription<br />
$29.95 - THE BEST DEAL!<br />
COMEDY<br />
Who says being queer<br />
can’t be funny?! Get your<br />
laugh on with All Kinds of<br />
Love, our Comedy Night<br />
at The Ford with a block of<br />
funny shorts and stand-up,<br />
and a screening of God<br />
Save the Queens complete<br />
with live performances!<br />
BIPOC<br />
People of color have been<br />
in the world of film forever,<br />
and with films like Mama<br />
Bears and Moneyboys<br />
showing at this years<br />
festival, our talent,<br />
creativity and beauty<br />
thrives on the silver screen.<br />
ROMANCE<br />
Romance is all about<br />
all things love — and<br />
sometimes lust — check<br />
out films like Breaking the<br />
Ice and Nelly & Nadine if<br />
you’re into films that give<br />
you that fluttery feeling<br />
WOMEN’S INTEREST<br />
Girls on film is the vibe<br />
with these picks! Please<br />
Baby Please and a<br />
screening of the new series<br />
A League of Their Own<br />
puts ladies to the front on<br />
the big screen<br />
TGI (TRANS, GENDER<br />
DIVERSE, INTERSEX)<br />
The factual and fictional<br />
stories of Trans, Gender<br />
Diverse and Intersex folks<br />
are prominetly featured at<br />
this years festival. check<br />
out Anything’s Possible for<br />
teen crushes and besties<br />
and Passion for a kiss of<br />
extra romance<br />
LA LOCAL<br />
It’s in our name! <strong>Outfest</strong><br />
LA pays homage to our<br />
lovely locals with films<br />
like Manscaping and<br />
Hypochondriac, check ‘em<br />
out and catch these Cali<br />
vibes.<br />
SUPPORT QUEER MEDIA<br />
@outmagazine
THURSDAY, JULY 14TH<br />
ORPHEUM<br />
SATURDAY, JULY 16TH<br />
DGA 1<br />
DGA 2<br />
HARMONY<br />
GOLD<br />
REDCAT<br />
SUNDAY, JULY 17TH<br />
DGA 1<br />
DGA 2<br />
HARMONY<br />
GOLD<br />
REDCAT<br />
MONDAY, JULY 18TH<br />
DGA 1<br />
DGA 2<br />
PLAZA<br />
DE LA RAZA<br />
5:30<br />
PM<br />
10:30<br />
AM<br />
10:30<br />
AM<br />
7:00<br />
PM<br />
11:00<br />
AM<br />
11:00<br />
AM<br />
6:00<br />
PM<br />
7:30<br />
PM<br />
11:30<br />
AM<br />
8:00<br />
PM<br />
7:15 PM<br />
MANSCAPING<br />
6:30<br />
PM<br />
8:30<br />
PM<br />
7:00 PM PREJUDICE & PRIDE<br />
7:00 PM SUBLIME<br />
12:00<br />
PM<br />
7:00<br />
PM<br />
11:00 AM BOY SHORTS<br />
12:30<br />
PM<br />
11:15 AM SCREENWRITING LAB<br />
LIVE READING<br />
11:30<br />
AM<br />
11:00 AM ART<br />
AND PEP<br />
12:00<br />
PM<br />
12:30<br />
PM<br />
11:15 AM SCREENWRITING LAB<br />
LIVE READING<br />
9:00<br />
PM<br />
7:30<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
8:00<br />
PM<br />
10:30<br />
PM<br />
9:30 PM SHORTS: FELLAS THAT<br />
WERE IN THE MOOD<br />
9:45 PM SHORTS: WE GO<br />
OUR OWN WAY<br />
9:30 PM IT RUNS IN<br />
THE FAMILY<br />
8:30<br />
PM<br />
7:30 PM OPENING NIGHT GALA:<br />
ANYTHING’S POSSIBLE<br />
1:00<br />
PM<br />
1:30<br />
PM<br />
2:00<br />
PM<br />
2:30<br />
PM<br />
11:00<br />
PM<br />
9:00<br />
PM<br />
3:00<br />
PM<br />
DGA 1<br />
DGA 2<br />
9:30<br />
PM<br />
3:30<br />
PM<br />
1:45 PM EPISODIC SHOWCASE:<br />
LOS ANGELS IN FOCUS<br />
1:15 PM PHEA<br />
1:00 PM MY EMPTINESS AND I<br />
12:30 PM THE COCKETTES +<br />
TRICIA’S WEDDING<br />
1:00<br />
PM<br />
1:30<br />
PM<br />
2:00<br />
PM<br />
2:30<br />
PM<br />
1:30 PM SHORTS: OUTSIDE<br />
THESE WALLS<br />
3:00<br />
PM<br />
3:30<br />
PM<br />
PLAZA<br />
DE LA RAZA<br />
4:00<br />
PM<br />
7:00<br />
PM<br />
4:30<br />
PM<br />
7:30<br />
PM<br />
4:30 PM PUNKS<br />
4:00 PM SHORTS: COME TO<br />
MY WINDOW<br />
3:45 PM THREE TIDY TIGERS<br />
TIED A TIE TIGHTER<br />
4:00<br />
PM<br />
4:00 PM END OF<br />
WONDERLAND<br />
4:30<br />
PM<br />
8:00<br />
PM<br />
7:15 PM A LEAGUE OF<br />
THEIR OWN<br />
7:00 PM SHORTS: OUR<br />
TRUTH, OUR HISTORY<br />
8:30<br />
PM<br />
5:00<br />
PM<br />
5:00<br />
PM<br />
9:00<br />
PM<br />
5:30<br />
PM<br />
5:30<br />
PM<br />
9:30<br />
PM<br />
6:00<br />
PM<br />
10:00<br />
PM<br />
6:30<br />
PM<br />
6:00<br />
PM<br />
10:30<br />
PM<br />
6:30<br />
PM<br />
7:00<br />
PM<br />
7:30<br />
PM<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
DGA 1 7:00 PM CHRISSY JUDY 9:30 PM PLEASE BABY PLEASE<br />
DGA 2 7:15 PM DOS ESTACIONES 9:45 PM SHORTS: GET HAPPY<br />
REDCAT 7:00 PM YOUTOPIA 9:45 PM PASSION<br />
7:00<br />
PM<br />
11:00<br />
PM<br />
7:30<br />
PM<br />
9:45 PM THREE HEADED BEAST<br />
9:30 PM CRAZY + SLEEP WITH ME<br />
7:00 PM LOVE & GRAVITY 9:30 PM SHORTS: LATINXCELLENCE<br />
8:00<br />
PM<br />
DGA 1<br />
DGA 2<br />
8:30<br />
PM<br />
7:15 PM ALL MAN: THE INTERNATIONAL MALE<br />
STORY<br />
6:30 PM SHORTS: BLEND INTO MY<br />
FAVORITE COLOR<br />
7:00<br />
PM<br />
9:00<br />
PM<br />
7:30<br />
PM<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
7:00 PM UNIDENTIFIED<br />
OBJECTS<br />
7:15 PM<br />
JEANNETTE<br />
9:30<br />
PM<br />
9:00<br />
PM<br />
10:00<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
9:45 PM PAT ROCCO DARED<br />
9:00 PM SHORTS: ALL THE LOVERS<br />
6:15 PM ATTACHMENT 9:00 PM QUEER FOR FEAR<br />
6:30<br />
PM<br />
7:00 PM HEBGB TV 9:30 PM HYPOCHONDRIAC<br />
7:00<br />
PM<br />
4:00 PM FRAMING AGNES 6:30 PM FAR FROM HEAVEN 9:30 PM PETER VON KANT<br />
1:15 PM CONCORD PITCH EVENT 3:30 PM THE FIRST FALLEN 6:15 PM QUEER RIOT<br />
11:00 AM A RUN FOR MORE 2:00 PM MAKE ME FAMOUS<br />
12:30 PM ESTUARIES<br />
4:30 PM LOVING<br />
HIGHSMITH<br />
3:15 PM A CONVERSATION WITH<br />
CLIVE BARKER +<br />
NIGHTBREED (THE DIRECTOR’S CUT)<br />
TUESDAY, JULY 19TH<br />
FILM GUIDE SCHEDULE<br />
FRIDAY, JULY 15TH<br />
7:30<br />
PM<br />
6:30 PM PLATINUM SHORTS<br />
SHOWCASE<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
8:30 PM SHORTS:<br />
WHEN WE TOUCH<br />
10:00<br />
PM<br />
7:00 PM SIRENS 9:15 PM LE BEAU MEC<br />
WEDNESDAY, JULY 20TH<br />
10:30<br />
PM<br />
10:30<br />
PM<br />
11:00<br />
PM<br />
11:00<br />
PM<br />
9:45 PM MONEYBOYS<br />
9:30 PM SHORTS: THE<br />
NEWER QUEER CINEMA<br />
11:00<br />
PM<br />
11:00<br />
PM<br />
11:30<br />
PM<br />
11:30<br />
PM<br />
11:30<br />
PM<br />
11:30<br />
PM<br />
THURSDAY, JULY 21ST<br />
DGA 1<br />
DGA 2<br />
THE FORD<br />
5:30<br />
PM<br />
6:00<br />
PM<br />
6:30<br />
PM<br />
7:00<br />
PM<br />
7:30<br />
PM<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
7:15 PM NELLY & NADINE<br />
7:00 PM MARS ONE<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
8:00 PM UNCONVENTIONAL<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
9:30 PM STAY ON BOARD:<br />
THE LEO BAKER STORY<br />
11:00<br />
PM<br />
9:45 PM SHALL I COMPARE YOU<br />
TO A SUMMER’S DAY<br />
11:30<br />
PM<br />
FRIDAY, JULY 22ND<br />
5:30<br />
PM<br />
6:00<br />
PM<br />
6:30<br />
PM<br />
7:00<br />
PM<br />
7:30<br />
PM<br />
DGA 1 7:15 PM MAMA BEARS 9:45 PM GIRL SHORTS<br />
DGA 2 7:00 PM GIRL PICTURE 9:30 PM BREAKING THE ICE<br />
THE FORD<br />
8:00 PM GOD SAVE THE QUEENS<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
11:00<br />
PM<br />
11:30<br />
PM<br />
SATURDAY, JULY 23RD<br />
DGA 1<br />
10:30<br />
AM<br />
11:00<br />
AM<br />
11:30<br />
AM<br />
12:00<br />
PM<br />
12:30<br />
PM<br />
1:00<br />
PM<br />
12:00 PM ALL KINDS<br />
OF LOVE<br />
1:30<br />
PM<br />
2:00<br />
PM<br />
2:30<br />
PM<br />
3:00<br />
PM<br />
3:30<br />
PM<br />
4:00<br />
PM<br />
4:30<br />
PM<br />
3:00 PM TRANS, NONBINARY,<br />
AND INTERSEX SUMMIT<br />
5:00<br />
PM<br />
5:30<br />
PM<br />
6:00<br />
PM<br />
6:30<br />
PM<br />
7:00<br />
PM<br />
7:30<br />
PM<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
7:00 PM MAYBE SOMEDAY 9:30 PM LONESOME<br />
11:00<br />
PM<br />
11:30<br />
PM<br />
DGA 2<br />
THE FORD<br />
SUNDAY, JULY 24TH<br />
THE ACE<br />
10:30<br />
AM<br />
11:00<br />
AM<br />
11:15 AM SCREENWRITING LAB LIVE<br />
READING<br />
11:30<br />
AM<br />
12:00<br />
PM<br />
12:30<br />
PM<br />
1:00<br />
PM<br />
1:30<br />
PM<br />
1:15 PM UYRA - THE RISING<br />
FOREST + CHAAC AND YUM<br />
2:00<br />
PM<br />
2:30<br />
PM<br />
3:00<br />
PM<br />
3:30<br />
PM<br />
4:00<br />
PM<br />
3:45 PM YOU<br />
CAN LIVE<br />
FOREVER<br />
4:30<br />
PM<br />
5:00<br />
PM<br />
5:30<br />
PM<br />
6:00<br />
PM<br />
6:30<br />
PM<br />
6:15 PM TURN AND FACE THE<br />
STRANGE<br />
7:00<br />
PM<br />
7:30<br />
PM<br />
8:00<br />
PM<br />
8:30<br />
PM<br />
7:00 PM CLOSING NGHT<br />
THEY/THEM<br />
8:45 PM BY HOOK OR<br />
BY CROOK<br />
8:00 PM I HAVE TO LAUGH:<br />
COMEDY NIGHT AT THE FORD<br />
9:00<br />
PM<br />
9:30<br />
PM<br />
10:00<br />
PM<br />
10:30<br />
PM<br />
11:00<br />
PM<br />
11:30<br />
PM<br />
DGA 2<br />
11:15 AM SCREENWRITING<br />
LAB LIVE READING<br />
1:15 PM GREETINGS FROM<br />
WASHINGTON<br />
3:30 PM CELEBRATION LAUGHTER, THE<br />
LIFE AND FILMS OF COLIN HIGGINS<br />
PROGRAM<br />
KEY<br />
GALAS/<br />
CENTERPIECES<br />
NARRATIVE<br />
FEATURES<br />
DOCUMENTARY<br />
FEATURES<br />
SHORT<br />
PROGRAMS<br />
EPISODICS LEGACY PLATINUM<br />
SPECIAL<br />
EVENT<br />
FORWARD
As this year’s <strong>Outfest</strong> gets underway, we<br />
are proud to be part of celebrating the<br />
next generation of LGBTQIA+ storytellers.<br />
We’d like to once again voice our support<br />
for this amazing community of<br />
artists—those who are creating change,<br />
one story at a time. Congratulations on<br />
all your accomplishments!
ADVERTISEMENT<br />
ADVERTISEMENT<br />
ALUMNI SPOTLIGHT<br />
LEGACY PROJECT ALUMNI<br />
MAY HONG HADUONG she/her<br />
The year was 1998. May Hong HaDuong was twenty years old. She was at home<br />
from college for the summer and she needed an outlet. Anything to get her out<br />
of the house. That’s how she first decided to volunteer for <strong>Outfest</strong>—even when it<br />
meant making the trek from Orange County to <strong>Los</strong> <strong>Angeles</strong> to do so.<br />
That volunteer opportunity led, in turn, to an internship more than seven years<br />
later and later still, as an <strong>Outfest</strong> Legacy UCLA Project Manager. <strong>Outfest</strong> was<br />
where HaDuong discovered her life’s purpose; she still recalls the way the 1999<br />
film guide beckoned all who attended the festival to feel like they’d found where<br />
they belonged: “Welcome Home,” read its tagline. “For a place that fosters queer<br />
community through the life cycle of moving images, there is no place like <strong>Outfest</strong>.”<br />
Now, as the director of the UCLA Film & Television Archive, which includes the<br />
<strong>Outfest</strong> UCLA Legacy Project Collection (the most extensive queer moving image<br />
archive on the planet) HaDuong continues to champion the desire to excavate<br />
queer history and keep it alive for generations to come.<br />
“Preservation,” as she puts it, “particularly for communities bound together by<br />
erasure, is a genealogical act. I wish to leave a mark in the world by preserving<br />
the voices, art, and stories that have kept me alive.”<br />
SCREENWRITING LAB ALUMNI<br />
NOVA CYPRESS BLACK they/them/theirs<br />
“AFFIRMING AF.”<br />
That’s how NOVA CYPRESS BLACK describes their experience at <strong>Outfest</strong>’s<br />
Screenwriting Lab. It’s a sentiment that cannot be overstated: “5 stars. 10s across<br />
the board. I genuinely clicked with every mentor I was matched with.”<br />
This wasn’t just a case of having found a space where their talents were to be<br />
nurtured. But it was a networking nexus where every and all aspects of the process<br />
of filmmaking was explored with attention and care. “Carlton Daniel, Jr. gassed<br />
me up to write a feature. With Keisha Zollar I was able to vent about my economic<br />
anxieties & she graciously demystified the financial components of the TV industry.<br />
juliany f. taveras & I kiki’d about coming from theater & teaching artist work in<br />
NYC & staying true to our politics while navigating this Hollywood shit.”<br />
In the kind of <strong>Outfest</strong> connection we love to boast about, mentor Marja Lewis-<br />
Ryan went even further, hiring BLACK as a staff writer for season 3 of The L Word:<br />
Generation Q. Here was a tangible example of the promise and premise of the<br />
community-building <strong>Outfest</strong> prides itself on. It’s also why the 2022 GLAAD List<br />
finalist (for their one-hour sci-fi pilot BLACKSEED) will always go to bat for the fest.<br />
“I am always singing <strong>Outfest</strong>’s praises. I’m always encouraging folks to submit to<br />
their programs, attend their events, etc. It means staying connected, giving back,<br />
and remembering that we are never, ever alone.”<br />
<strong>Outfest</strong>LA2021.com 37
EPISODICS<br />
A LEAGUE OF THEIR OWN<br />
TUESDAY | JULY 19 | 7:15PM | DGA 1<br />
QUEER FOR FEAR<br />
SATURDAY | JULY 16 | 9:00PM | HARMONY GOLD<br />
CRAZY/SLEEP WITH ME<br />
TUESDAY | JULY 19 | 9:30PM | DGA 2<br />
Free advanced screening of the series’ first two episodes with talent in attendance!<br />
Upon receiving a letter from her husband that he’s returning home from<br />
the war, Carson Shaw (Abbi Jacobson) does the only sensible thing<br />
a woman can do — she immediately runs off to Chicago to try out for<br />
the All-American Girls Baseball League. In this thoroughly charming<br />
and blessedly queer ensemble comedy, inspired by Penny Marshall’s<br />
iconic 1992 film, Carson’s journey introduces us to dozens of women<br />
primed to be the next big thing in baseball — never mind the waning<br />
crowds and sexist owners with zero confidence in their talent. Along<br />
the way, potential romance brews among the players (with The Good<br />
Place’s D’Arcy Carden more than obliging as several girls’ object of<br />
affection!), and gifted athlete Max Chapman (Chanté Adams) vows<br />
to break through barriers and become the league’s first Black player.<br />
From the Bride of Frankenstein to Norman Bates and most every ghoul,<br />
goblin, and being from another world in between, horror films have been<br />
soaked in queerness since the genre’s inception. Queer filmmakers like<br />
James Whale layered the characters from their enduring classics with the<br />
outsider energy of the LGBTQIA+ community; other directors like Alfred<br />
Hitchcock channeled the works of queer authors Daphne du Maurier<br />
and Patricia Highsmith into sometimes troubling tales of gay villainy. In<br />
the first episode of this thrilling new docuseries, presented by Shudder<br />
and produced by Bryan Fuller (Hannibal) and Steak House, queer<br />
horror experts like Lea DeLaria, Marcus Hu, Kimberly Pierce, and Oz<br />
“son of Anthony” Perkins guide us through a century of our community’s<br />
contributions to the canon. Revealing delectable details about old horror<br />
classics and shining new light on undiscovered treasures. They also debate<br />
the age-old question — Rebecca’s Mrs. Danvers…was she a service top?<br />
WORLD PREMIERES<br />
It’s hard to be a hopeless romantic when you’re living with a<br />
disability or disorder, but the protagonists in this duo of episodics<br />
are figuring out how to live their best lives with the support of the<br />
family they surround themselves with, whether chosen or biological.<br />
CRAZY, created by Rachel Leyco and Sheena Midori Brevig, follows<br />
Jaz and Leyna, two friends now at odds as their love lives begin<br />
to overlap. Jaz is busy figuring out the messy aftermath when her<br />
overbearing Filipino mother flushes her bipolar medication down the<br />
toilet. Meanwhile, Leyna’s anxiety ramps up after her girlfriend breaks<br />
up with her, causing angry retorts in Japanese and some unpleasant<br />
physical symptoms. Their journeys converge as they begin to take<br />
those first steps to being OK, in this honest and empowering story.<br />
Samantha Lee’s Sleep With Me is a tender romance for insomniacs.<br />
Harry DJs the overnight shift at the local radio station, doling out<br />
relationship advice “because every broken heart deserves to be<br />
heard.” Living as a person with a disability in an ableist society, she’s<br />
learned to let the microaggressions wash over her, and uses her<br />
positivity to help others find love. Until her eyes meet with Luna, who<br />
has a sleep disorder that only allows her to sleep during the day.<br />
Luna isn’t always the most pleasant person to be around, having<br />
learned not to let people get too close. Their connection is immediate,<br />
but can their love overcome the obstacles they both have to face?<br />
Content advisory: CRAZY contains depictions of mental illness and substance abuse<br />
EPISODIC SHOWCASE: LOS ANGELES IN FOCUS<br />
SATURDAY | JULY 16 | 1:45PM | DGA 1<br />
QUEER RIOT<br />
SUNDAY | JULY 17 | 6:15PM | DGA 2<br />
<strong>Los</strong> <strong>Angeles</strong> has long been the epicenter of the television industry, so it’s only<br />
fitting that this year’s episodic showcase highlights five bold and original<br />
works from homegrown L.A. talent! Biting comedy and emotional drama to<br />
sexy romance and relationship fails. This collection of brand new episodics<br />
runs the gamut of genre, perspective, and plotlines, and combines to form<br />
an exciting portrait of new queer storytelling. From established television<br />
pros to newcomers with fresh takes on the form, each of these new hopeful<br />
series represents the possibilities available to the TV landscape when<br />
LGBTQIA+ storytellers are given the tools and access to tell their own stories.<br />
GAY, ASIAN, IMMIGRANT (Dir. Ushmey Chakraborty) 10 min.<br />
halfsies (Created by Des Moran, Dir. Brad Klipfel) 23 min. HOW NOT<br />
TO BE A JUNKIE (Dir. Michelle Peerali) 20 min (UN)CLAIMED (Dir.<br />
Carolyn Ratteray) 24 min. WISHY WASHY (Dir. Sam Rosenberg) 7 min.<br />
The Hoot, an underground theater located in the basement of a former<br />
nun’s residence, is the locale for this brand new one-hour comedy special<br />
created by Page Hurwitz and Tatiana von Fürstenberg. In a highly<br />
emotional moment, a close-knit group of eight LGBTQIA+ comedians<br />
take to the stage for the very first time after lock down. Led by headliner<br />
Margaret Cho, we see each of these gifted performers expertly work the<br />
crowd and get huge laughs with distinctly queer material, while behindthe-scenes<br />
they have open-hearted conversations with each other about<br />
the unique space they’ve created in an industry that can be inhospitable<br />
to queerness. It’s a tender portrait of community that strikes a balance<br />
between lifting one another up, while gently competing for the light.
OUTSET: THE YOUNG FILMMAKERS PROJECT<br />
COLIN HIGGINS<br />
This year <strong>Outfest</strong> has partnered with the Colin Higgins Foundation<br />
to launch the Colin Higgins Youth Filmmaker Grant, a new initiative<br />
centered on providing LGBTQIA+ youth filmmakers with financial<br />
support to continue their work.<br />
Three filmmakers have been selected as recipients and will<br />
each receive a $15,000 grant to support their professional<br />
development in the film industry. Join us for the award ceremony<br />
and a special presentation of the awardees’ films. The ceremony<br />
will be followed shortly by a sneak preview of the documentary<br />
Celebrating Laughter, The Life and Films of Colin Higgins directed<br />
by Nicholas Eliopoulos.<br />
OUTFEST IS THRILLED to present the 2020<br />
OutSet Shorts at the Festival and the talented<br />
group that participated in the program during its<br />
pivot due to the pandemic. OutSet: The Young<br />
Filmmakers Program was created to empower and<br />
educate LGBTQ young people to tell their stories<br />
through film. A new crop of fellows between the<br />
ages of 16 and 24 participated in OutSet, a sixmonth<br />
filmmaking lab led by industry professionals<br />
and mentored by <strong>Outfest</strong> alumni filmmakers.<br />
EMORY CHAO JOHNSON<br />
FERNANDO LOPEZ<br />
FARRAH SU<br />
GABE MILLER<br />
JACOB CHARTON<br />
JAE LOONEY<br />
JESS DOSS<br />
NICOLAS JARA<br />
NOAH CAUSEY<br />
RAQUEL DIAZ<br />
RIVER VARGASON<br />
STEPHANIE MATA<br />
YEN DINH<br />
YUELEI SONG<br />
HAPPY BIRTHDAY, YOU MADE IT<br />
is playing in Girl Shorts<br />
I WISH I NEVER FUCKING MET YOU<br />
is playing in All the Lovers<br />
IS THIS THE ONE?<br />
is playing in Get Happy<br />
LUV, ME<br />
is playing in The Newer Queer Cinema<br />
REVELATIONS.<br />
is playing in the the Platinum Showcase
DOCUMENTARY FEATURES<br />
ALL MAN: THE INTERNATIONAL MALE STORY<br />
DIRS. BRYAN DARLING, JESSE FINLAY REED | USA | 83 MIN.<br />
SATURDAY | JULY 16 | 7:15PM | DGA 1<br />
Who could have guessed that an American revolution of fabulously redefined<br />
masculinity would begin with the jock sock? None other than International<br />
Male magazine founder Gene Burkard, whose groundbreaking mail-order<br />
catalog — filled with flashy pages of gorgeous models in chic menswear<br />
— became a shared language and aspirational sanctuary between gay<br />
men in and out of the closet since 1979. Narrated by Matt Bomer and<br />
featuring interviews with Burkard himself, Carson Kressley, Drew Droege,<br />
and former International Male staffers, this intoxicating and eye-catching<br />
doc charts the rise and dominance of the magazine alongside the<br />
cultural shifts and health crises that forged the modern gay movement.<br />
FRAMING AGNES<br />
DIR. CHASE JOYNT | USA | 75 MIN.<br />
SUNDAY | JULY 17 | 4:00PM | DGA 1<br />
In 1958, a young trans woman named Agnes entered a study<br />
about sex disorders at UCLA to get the gender-affirming care she<br />
needed, by any means necessary. Her story was long considered<br />
to be exceptional until never-before-seen case files of other patients<br />
were found in 2017. Directed by Chase Joynt (No Ordinary Man)<br />
and featuring an all-star cast of transgender artists and performers,<br />
Framing Agnes uses re-enactment and genre-blurring storytelling<br />
techniques to breathe new life into previously unknown people who<br />
redefined gender in the midcentury. Featuring Angelica Ross, Jen<br />
Richards, Zackary Drucker, Silas Howard, Max Wolf Valerio, and<br />
Stephen Ira.<br />
IT RUNS IN THE FAMILY<br />
DIR. VICTORIA LINARES VILLEGAS<br />
DOMINICAN REPUBLIC, USA | 84 MIN.<br />
MONDAY | JULY 18 | 9:30PM | PLAZA DE LA RAZA<br />
In this documentary, filmmaker Victoria Linares traces the life of her<br />
cousin Oscar Torres — a pioneer of Caribbean cinema, participant<br />
in leftist movements during the 1940s, and most crucially a fellow<br />
queer person in the family. Torres’ story was largely erased and lost to<br />
time, which sets Victoria on a journey of self-discovery and historical<br />
excavation by unearthing memories and staging re-enactments of her<br />
cousin’s unproduced screenplays. Linares weaves together expressive<br />
sequences with immense skill, piecing together a powerful portrait of<br />
Torres’ creative and political legacy through the power of cinema.<br />
Preceded by ASÍ EN LA TIERRA COMO EN EL CIELO Dir. Mireya Martinez, 2022, 11 min.<br />
A RUN FOR MORE<br />
DIR. RAY WHITEHOUSE | USA | 82 MIN.<br />
SUNDAY | JULY 17 | 11:00AM | HARMONY GOLD<br />
Frankie Gonzales-Wolfe is running for City Council in San Antonio. With<br />
23 years of political activism under her belt, a husband who served in<br />
Afghanistan, and a successful corporate track record, it’s hard to see<br />
why she might not be a popular choice. But Frankie is a proud, Latinx,<br />
trans woman, and in Texas, it makes an uphill political battle something<br />
vastly more personal. Shot over the course of four years, director<br />
Ray Whitehouse immerses us into the joyous triumphs and intimate<br />
struggles of her unique campaign, and its impact on the city, the LGBTQ<br />
community, and on Frankie herself. At a time where legislatures across<br />
the country are passing bills that attack the lives of trans people, Frankie’s<br />
journey and tenacious spirit are an inspiration as she attempts to make<br />
history as the first elected openly transgender official in her state.<br />
Content advisory: contains descriptions of anti-LGBTQIA+ violence<br />
Preceded by UNIDAD: GAY & LESBIAN LATINOS UNIDOS Dir. Gregorio Davila, 2022, 40 min.<br />
ART AND PEP<br />
DIR. MERCEDES KANE | USA | 88 MIN.<br />
SUNDAY | JULY 17 | 11:00AM | DGA 1<br />
WORLD PREMIERE<br />
On Halsted Street in Chicago sits Sidetrack, a behemoth gay club that<br />
draws a large crowd, serving up slushy drinks and showtime singalongs<br />
on Sundays. Art Johnstone and Pepe Peña, partners in life and in love,<br />
opened it as a single storefront with no sign and beer cases as seating in<br />
1982, projecting music videos on a screen. The story of Sidetrack is not just<br />
the history of one of the city’s most important cultural landmarks (now 1500<br />
square feet after seven expansions), but also a look at the long struggle<br />
for equality and the right to love freely. From being on the frontlines of the<br />
AIDS crisis to co-founding Equality Illinois, Art and Pep have been leading<br />
the fight to make Illinois one of the most progressive protectors of LGBTQ+<br />
rights in the country.<br />
JEANNETTE<br />
DIR. MARIS CURRAN | USA | 78 MIN.<br />
WEDNESDAY | JULY 20 | 7:15PM | DGA 2<br />
Queer single mother and bodybuilder Jeannette Feliciano believes<br />
that strength is to show love. Director Maris Curran (Five Nights<br />
in Maine, 2015) opens a door into a woman’s life after she was<br />
dramatically affected by the Orlando Massacre at Pulse. This<br />
exacting, candid yet penetrating documentary offers a unique<br />
perspective about a woman’s resilience. The film is an eyeopening<br />
look at what it means to survive and overcome trauma<br />
with pain and beauty. Jeannette is a moving documentary<br />
that goes from trauma toward healing, finds support through<br />
community, and still reminds us about the crisis era we are living in.<br />
LOVING HIGHSMITH<br />
DIR. EVA VITIJA | SWITZERLAND, GERMANY | 83 MIN.<br />
SUNDAY | JULY 17 | 4:30PM | HARMONY GOLD<br />
With her second feature documentary, director Eva Vitija weaves an<br />
intimate portrait of enigmatic novelist Patricia Highsmith. Exploring her<br />
upbringing in Texas and her tumultuous life with her emotionally distant<br />
mother, and the many lesbian relationships that personified Highsmith’s<br />
private life. A troubled alcoholic, Highsmith lived life boldly, traveling<br />
often and engaging in many short-lived love affairs. Most notably,<br />
the film gives us insight into the writing and reception to Highsmith’s<br />
landmark lesbian novel The Price of Salt – famously adapted to film as<br />
Carol – while also alluding to the queer themes in her more popular<br />
Ripley novels. Using her diary entries with commentary from her family<br />
and former lovers, Highsmith and her writing comes into sharper focus,<br />
giving us an honest look into the mind of a troubled, brilliant artist.
DOCUMENTARY FEATURES<br />
MAKE ME FAMOUS<br />
DIR. BRIAN VINCENT | USA | 93 MIN.<br />
SUNDAY | JULY 17 | 2:00PM | HARMONY GOLD<br />
A madcap romp through the 1980’s NYC downtown art scene through<br />
the lens of the colorful career of ambitious painter, Edward Brezinski,<br />
who is hell-bent on making it. Brezinski’s quest for fame provides an<br />
intimate portrait of the art world’s attitude towards success, failure,<br />
fame and fortune, notoriety, and erasure. Viewers are introduced<br />
to a series of eccentric characters who reveal the unsung painter<br />
through their memories of both Edward’s antics and his extreme<br />
artistic drive. Their tales also unveil the queerly rollicking history of<br />
the Lower East Side art movement from an insider’s point of view.<br />
MANSCAPING<br />
DIR. BRODERICK FOX | USA | 62 MIN.<br />
MONDAY | JULY 18 | 7:15PM | DGA 1<br />
Director Broderick Fox crafts an intimate portrait of three queer men who<br />
are reimagining the traditional barbershop: Richard Savvy, Australia’s<br />
“naked barber,” is a former Sydney Mr. Leather who invites you to<br />
leave your shame and clothes at the door, and to add the transformative<br />
power of kink to your cut. Devan Shimoyama is a visual artist whose<br />
barbershop painting series draws upon Afrofuturism and drag to envision<br />
the Black barbershop as a more inclusive space. Jessie Anderson is the<br />
proprietor of Big Bro’s Barbershop, where trans, gender non-conforming,<br />
and queer customers don’t have to hide their true selves to get a haircut.<br />
Together, their inspirational stories envision a path that cuts through the<br />
toxicity of male fragility in favor of social inclusion and personal freedom.<br />
Preceded by REGRET TO INFORM YOU Dir. Yusuf Shadeed Nasir, Benji Schwimmer<br />
(Contributing Director), 2022, 13 min.<br />
PREJUDICE AND PRIDE<br />
DIR. EVA BELING | SWEDEN, FINLAND, ICELAND |<br />
100 MIN.<br />
MONDAY | JULY 18 | 7:00PM | DGA 2<br />
Sweden: it’s brought us tinned herring, the Volvo station wagon,<br />
and more queer movies and movie stars than you could possibly<br />
imagine. At once riveting and illuminating, filmmaker Eva Beling<br />
takes viewers on a breathlessly entertaining ride through the history<br />
of LGBTQ+ cinema in her home country, and reveals its surprisingly<br />
seismic social impact on culture in Sweden and abroad in the<br />
western world. Whether it’s Greta Garbo producing gender-bending<br />
passion projects in pre-code Hollywood, digging deeper into the<br />
psychosexual dimensions of Ingmar Bergman’s Persona, a softcore<br />
exploitation boom, or landmark arthouse classics like Fucking Åmål,<br />
there’s no shortage of fascinating chapters in this largely untold story<br />
to American audiences. If you thought The Celluloid Closet and<br />
Disclosure taught you everything you needed to know, it’s time to<br />
bust out the ABBA Gold and take notes on your new favorite queer<br />
movies you never knew existed.<br />
SIRENS<br />
DIR. RITA BAGHDADI | USA, LEBANON | 78 MIN.<br />
SUNDAY | JULY 17 | 7:00PM | HARMONY GOLD<br />
Pink hair glowing under stage lights, war paint applied, clad in all black,<br />
and lips snarled, Lebanon’s Slave to Sirens is ready to shred. Maya’s<br />
guttural vocals pierce your soul as the pulsating rhythm created from<br />
Alma’s bass and Tatyana’s drums replaces your heartbeat. Anchoring<br />
it all are Lilas and Shery, the guitarists whose intricate melodies, riffs,<br />
and licks rival the complexities of life they must navigate as founding<br />
members of the first (and only) Middle Eastern all-female thrash metal<br />
band. Documentarian Rita Baghdadi artfully captures their friendship,<br />
queer identities, and the myriad of challenges they face while raging<br />
against the machine. Headbanging required.<br />
UÝRA - THE RISING FOREST<br />
DIR. JULIANA CURI | BRAZIL, USA | 72 MIN.<br />
SATURDAY| JULY 23 | 1:15PM | DGA 2<br />
NELLY & NADINE<br />
DIR. MAGNUS GERTTEN | SWEDEN, BELGIUM, NORWAY<br />
92 MIN.<br />
THURSDAY | JULY 21 | 7:15PM | DGA 1<br />
Starting from a photo and a box in an attic, Director Magnus<br />
Gertten’s film tells the unlikely love story of two women who meet<br />
on Christmas Eve, 1944, in the Ravensbrück concentration camp.<br />
When Nelly’s granddaughter decides to go through some of her<br />
later grandmother’s things, the epic tale unfolds of Nelly and<br />
Nadine. The film charts both the life they lived before they met<br />
and their incredible journey after. This documentary takes you on<br />
a journey of survival, espionage, tragedy and most of all, love.<br />
PAT ROCCO DARED<br />
DIRS. BOB CHRISTIE, MORRIS CHAPDELAINE | CANADA<br />
90 MIN.<br />
SATURDAY | JULY 16 | 9:45PM | DGA 1<br />
Activist, artist, filmmaker, and entertainer Pat Rocco’s legendary career<br />
spanned decades. Encompassing nude male erotic films, documentaries<br />
that bore witness to crucial moments in queer history including speeches by<br />
Harvey Milk. In this exploration of Rocco’s work and life — which features<br />
lovingly restored versions of some of Rocco’s rarest films — filmmaker Charlie<br />
David sits down with Rocco for exclusive interviews prior to his death in 2018.<br />
Ever the good-natured showman, Rocco’s candid talks reveal the daring<br />
personality required to create work that valued, desired, and celebrated<br />
queer bodies when popular culture labeled them as shameful — revealing<br />
this to be a vital record of an unforgettable trailblazer.<br />
STAY ON BOARD: THE LEO BAKER STORY<br />
DIR. NICOLA MARSH, GIOVANNI REDA | USA | 72 MIN.<br />
THURSDAY | JULY 21 | 9:30PM | DGA 1<br />
WORLD PREMIERE<br />
From Flower Films and Pulse Films comes this raw and immersive<br />
feature following competitive skating icon Leo Baker, who in the lead<br />
up to the 2020 Olympics, is faced with the decision to transition to<br />
become his truest self or not while competing on the international<br />
stage at the highest level of the sport he loves. Stay on Board is<br />
Leo’s journey balancing the gendered world of sports, society, and<br />
skate culture, which ultimately leads him to doing the punkest thing<br />
imaginable...<br />
In this poetic and visually hypnotic odyssey through the Amazon<br />
rainforest, Indigenous artist Uýra harnesses the interconnecting<br />
power of their native, queer, and trans identities to blaze a trail of<br />
ecological activism and LGBTQ+ pride across big cities and small<br />
villages alike. Crafting garments of eye-popping color and objects<br />
found along the way into stunning transformational performances,<br />
their reveries dazzle against the decay of environmental racism and<br />
transphobia to educate local audiences and remind them of the<br />
transformative powers of art and advocacy. Uýra reclaims the natural<br />
splendor and ancestral spirit of the land by brilliantly connecting<br />
themselves and their work as a prayer to the earth, proving that<br />
creative expression and collective action can renew the ground on<br />
which they walk. A piece of bold and expressive cinema that seems<br />
to hold the future in its hand, this journey is nothing short of a miracle.<br />
Preceded by CHAAC + YUM Dir. Roberto Fatal, Xav SF, 2022, 12 min.
SCREENWRITING LAB 2020<br />
SCREENWRITING LAB 2021<br />
SATURDAY & SUNDAY | JULY 16 & 17 | 11:15 | DGA 2<br />
SATURDAY & SUNDAY | JULY 23 & 24 | 11:15 | DGA 2<br />
CARLTON DANIEL JR. HE/HIM<br />
HOMEGOING (Feature)<br />
Haunted by nightmares, musical prodigy, Junior<br />
Carmichael, returns home to his family’s funeral<br />
parlor in Cleveland, Ohio in order to salvage<br />
his grip on reality. While finding his place in the<br />
world, he must come to terms with his family,<br />
community, and the man he loves.<br />
Join us for an exclusive opportunity to see the 2020 and 2021 <strong>Outfest</strong><br />
Screenwriting Lab projects come to life before your eyes. Scenes<br />
have been selected from each of the nineteen scripts to be directed<br />
by <strong>Outfest</strong> alumni, and performed by an allstar cast. The <strong>Outfest</strong><br />
Screenwriting Lab has shepherded over 100 scripts, a dozen of<br />
which have gone on to be produced feature films. There will be light<br />
breakfast before each of the readings, so join us for these readings!<br />
CODY STICKLES HE/THEY<br />
KEA TREVETT SHE/HER<br />
THE WEDDING DATE (Feature)<br />
In this family-driven film, trans guy Caleb drags his<br />
BFF Roxy as his fake date to his sister’s Southern<br />
wedding, where they struggle to keep the lie<br />
under wraps amidst surprising new feelings for<br />
each other.<br />
AMANDA MOHR SHE/HER<br />
TEXTS FROM YOUR EX (Episodic)<br />
Maeve, a self-sabotaging alcoholic with<br />
dangerous coping mechanisms, is desperate<br />
to move past a bad breakup—but her plans of<br />
recovery are ruined when she learns that her<br />
ex-girlfriend has mysteriously gone missing, and<br />
she’s forced to risk everything to figure out what<br />
happened. (Dead to Me meets Search Party.)<br />
EMMA MCIVOR THEY/THEM<br />
I LOVE YOU LIKE A BROTHER (Episodic)<br />
In a working-class Catholic neighborhood where<br />
it’s a mortal sin for men to talk about their feelings,<br />
16-year-old closeted trans woman Kassandra<br />
and her pretentious bipolar brother Jack must<br />
learn to open up to each other if they’re going to<br />
escape Northeast Philadelphia…<br />
CHRIS RENFRO THEY/THEM<br />
ONE BIG HAPA FAMILY (Animated Episodic)<br />
When a gay, biracial high school band geek<br />
decides to make the most popular boy in school<br />
fall in love with him, he lets his witch-in-training<br />
younger sister perform a love spell. When her<br />
magic accidentally enchants his gym sock, he has<br />
to do what he can to cover the damage and still<br />
maybe get the boy of his dreams<br />
JABARI MCDONALD HE/HIM<br />
BLACK MUD (Episodic)<br />
In the wake of his grandfather’s death, history<br />
Ph.D. student KHALIL goes down south to search<br />
for a legendary Confederate treasure buried<br />
on the land where his enslaved ancestors once<br />
worked. Little does he know that the slave master’s<br />
descendants are also looking for it and it’s a race<br />
to see who can find it first.<br />
COURTNEY ANDUJAR SHE/HER<br />
HILLARY ANDUJAR SHE/HER<br />
DAMON ROYSTER HE/HIM<br />
KRISTIN SLANEY SHE/HER<br />
LINDSAY CALLERAN SHE/THEY<br />
CAITY (Feature)<br />
LOVESPELL (Feature)<br />
A teenager casts a spell to bring her fantasy<br />
crush to life and inadvertently awakens an evil<br />
entity that begins feeding on the girls at her<br />
reform school.<br />
GARY JAFFE HE/HIM<br />
OUR LAST SUMMER (Feature)<br />
In summer 1991, a closeted teenager travels<br />
the bumpy road to self-acceptance when his<br />
estranged gay uncle returns home, dying of<br />
complications from HIV/AIDS.<br />
LEANDRO TADASHI HE/HIM<br />
BEFORE THE NIGHT ENDS (Feature)<br />
BEFORE THE NIGHT ENDS is a gay teen road<br />
movie that unfolds on a single Saturday night<br />
when two boys from the low-income outskirts of<br />
São Paulo, Brazil, go on a journey to try to get into<br />
an expensive gay club downtown.<br />
APPQUEEN (Episodic)<br />
Damon, a pompous, pretentious, and newly out<br />
gay man attempts to make himself romantically<br />
ready for Mr. Right by using his Grindr app and<br />
meeting up with Mr. Right-Now.<br />
JOHNNY ALVAREZ HE/HIM<br />
SOMEWHERE ELSE (Episodic)<br />
A group of senior citizens stuck in a suburban<br />
desert purgatory finds their bizarre, banal lifestyle<br />
upended by the arrival of a newcomer hellbent on<br />
getting into heaven.<br />
RAUL MARTIN ROMERO HE/HIM<br />
BEARS (Episodic)<br />
BEARS is a half-hour dramedy that follows a queer,<br />
multicultural couple in search of their own definition<br />
of marriage and the in and outs of gay Bear culture<br />
in the South.<br />
AGORA BOREALIS (Feature)<br />
After a 13-year-old who finds a suicide note<br />
discovers the person who wrote the note is still<br />
very much alive, she embarks on a mission to<br />
convince him that life is worth living (without<br />
letting him know she’s found his note).<br />
NATALIE JASMINE HARRIS<br />
SHE/THEY<br />
PURE (Feature)<br />
For 17-year-old Celeste, senior year in her affluent<br />
Black community means following family tradition<br />
and becoming a debutante… but she longs for a<br />
different kind of coming out.<br />
OATES WU HE/HIM<br />
WATER HAS ANOTHER DREAM (Feature)<br />
After suffering an injury, Liuming, a young Chinese<br />
competitive diver, sees his dream of being a<br />
world-class athlete shattered. As an escape,<br />
he takes part in a training program in America,<br />
unlocking a world of sex, kink, love. He matures<br />
rapidly with unavoidable growing pains.<br />
While managing her family’s local haunted<br />
house with her alcoholic father, Paul, 16-year-old<br />
Caity navigates the evaporating space between<br />
childhood and adulthood.<br />
NOVA CYPRESS BLACK<br />
THEY/THEM<br />
THE OTHER SIDE (Episodic)<br />
When death separates a queer couple, they both<br />
indulge in addictive magic to find their way back<br />
to each other.<br />
SAV RODGERS HE/HIM<br />
TAYLOR GATES SHE/HER<br />
I LOVE YOU, MARGOT ROBBIE (Feature)<br />
Transgender teenage boy Felix McNeil’s high<br />
school start was nearly ordinary — breaking an<br />
arm, crushing hard on a girl, and juggling the<br />
inevitable woes of adolescence — but when a<br />
larger-than-life, boundlessly supportive imaginary<br />
friend in the form of Margot Robbie falls into his<br />
world from a billboard, things take a turn for the<br />
extraordinary.
ALUMNI SPOTLIGHT<br />
OUTFEST FUSION ALUMNI<br />
ANDREW AHN he/him<br />
Andrew Ahn’s latest film, Fire Island, may celebrate the joys of a beachside queer<br />
enclave out on the east coast, but his heart has always been out west. A native<br />
Angeleno, the Korean-American filmmaker has made a career out of uplifting<br />
characters and communities that are seldom front and center in contemporary<br />
American fare.<br />
It’s no surprise to find that his first brush with <strong>Outfest</strong> was a screening of Lee-Song<br />
Hee-Il’s film No Regret in 2007. Attending the event by himself (as a closeted<br />
college student, no less) was an eye-opening experience for Ahn: “I remember<br />
how special it was for me to see a queer Korean story on the big screen.”<br />
That feeling of being seen and to help others see themselves, in turn, is how he<br />
understands the mission of <strong>Outfest</strong> altogether. “<strong>Outfest</strong> is a community that values<br />
expression — we tell stories, we show our love and support for each other. As<br />
queer people, we are so often silenced or ignored in greater society. Within<br />
<strong>Outfest</strong>, we get to celebrate each other.”<br />
That’s precisely what he felt when he first screened his films Andy and Dol (First<br />
Birthday) at <strong>Outfest</strong> Fusion back in 2011 and 2012 respectively. Being part of<br />
<strong>Outfest</strong> Fusion helped the budding filmmaker witness not only the kind of audience<br />
he could imagine but the kind of stories he felt emboldened to make. “It was so<br />
special to meet a community of filmmakers, programmers, and audiences who<br />
were queer people of color. I felt inspired and motivated to continue telling queer<br />
Korean American stories.”<br />
OUTFEST LOS ANGELES ALUMNI<br />
SYDNEY FREELAND she/her<br />
Sydney Freeland’s very first <strong>Outfest</strong> outing took place in 2014. That was the year<br />
her feature film debut, Drunktown’s Finest played the festival—and announced her<br />
as a talent to watch. Not only did the film walk away with a Grand Jury Award<br />
(Outstanding American Narrative Feature) but also with the Audience Award<br />
(HBO Outstanding First Narrative Feature).<br />
Recalling that experience, Freeland most focuses on the connection she was able<br />
to see forged between her project and the filmgoers who came out in support of it.<br />
“It was an amazing experience getting to show the film to such a diverse audience.<br />
The film resonated with people in the way I had intended, and as an artist that is<br />
a very fulfilling feeling.”<br />
But over the years, what she’s come to most appreciate about the festival is the<br />
connections it’s helped her nurture with fellow queer creatives. “I’d say that the<br />
network of fellow directors, writers and actors that I’ve met through <strong>Outfest</strong> has<br />
been amazing. So many of us keep in touch, and I’ve even gone to work with<br />
several other peers from the festival circuit.” And, like many other <strong>Outfest</strong> alumni,<br />
Freeland has seen her profile rise and rise since she first visited the festival all those<br />
years ago—including most recently directing episodes of shows like Rutherford<br />
Falls, Reservation Dogs, The Wilds, and even Marvel’s upcoming Echo, which is<br />
slated to come out in 2023.
OUTFEST UNDER THE STARS @ THE FORD<br />
UNCONVENTIONAL<br />
WORLD PREMIERE: WORK IN PROGRESS SCREENING<br />
DIR. KIT WILLIAMSON | USA | 90 MIN<br />
THURSDAY | JULY 21 | 8:00PM | THE FORD<br />
From Kit Williamson, the creator of the Emmy-winning dark comedy series<br />
EastSiders on Netflix, this bold new work follows eccentric, queer siblings<br />
Noah and Margot Guillory and their significant others Daniel Charles and<br />
Eliza Slate, as they try to start an unconventional family while navigating<br />
their thirties. Noah and Daniel are slated to be the donor dads to Margot<br />
and Eliza’s pregnancy, but each couples’ private complications — adding<br />
a third to the relationship, a never-ending graduate school existence, an<br />
on-again/off-again connection to necessary meds — threaten to throw<br />
the arrangement into chaos. At its heart, Unconventional maps the rocky<br />
terrain of trying to stay sane in an unstable world and, most importantly,<br />
trying to hold onto the bonds we share. Featuring Kit Williamson, Aubrey<br />
Peeples, James Bland, Briana Venskus, Dana Wheeler-Nicholson,<br />
Constantine Rousouli, Willam Belli, Jenna Ushkowitz, and Kathy Griffin.<br />
credit: SERGIO GARCIA<br />
I HAVE TO LAUGH: COMEDY NIGHT AT THE FORD<br />
Because unbridled queer joy is a top priority for <strong>Outfest</strong>, we’ve cooked up<br />
this special comedy event dedicated to keeping the belly laughs coming<br />
all night long. Bring your picnic dinner and your beverage of choice, and<br />
get ready for a good time. The night begins with a lineup of live standup<br />
comedy featuring Margaret Cho and the rest of the cast of <strong>Outfest</strong><br />
2022 selection Queer Riot. That’s followed by a collection of some of<br />
the most gut-busting short films we could find. From moody gay ghosts,<br />
to a neighbor’s extremely loud coital activity, to a bisexual meetup that<br />
somehow turns Satanic. The stories our filmmakers have concocted bring<br />
the funny in a big way...and what better way to experience it than under<br />
the stars with hundreds of your closest queer friends?<br />
SATURDAY | JULY 23 | 8:00PM | THE FORD<br />
Live stand-up showcase featuring the cast of Queer Riot — Margaret Cho, River Butcher, Brad Loekle,<br />
Akeem Woods, and Daniel Webb followed by comedy shorts!<br />
DILDO (Dir. Jake Muñoz Consing) 1 Min. FERNANDA (Dir. Mary<br />
Angélica Molina) 13 Mins. THE LADIES (Dir. Jill Gutowitz) 9 Mins. THE<br />
PARANORMAL COMMUNICATOR (Dir. Tyler Miguel Mercer) 5<br />
Mins. THE SYED FAMILY XMAS EVE GAME NIGHT (Dir. Fawzia<br />
Mirza) 11 Mins. TELL ME SOMETHING I DON’T KNOW (Dir.<br />
Neal Suresh Mulani) 15 Mins. TROY (Dir. Mike Donahue) 16 Mins.<br />
UNICORN (Dir. Matt Porter) 14 Min.<br />
GOD SAVE THE QUEENS<br />
DIR. JORDAN DANGER | USA | 87 MIN.<br />
FRIDAY | JULY 22 | 8:00PM | THE FORD<br />
Drag heavyweights Alaska Thunderfuck, Laganja Estranja, Kelly Mantle,<br />
and Jordan M Green star in this hilarious, raw, and surprisingly emotional<br />
dramedy about the lives of four struggling <strong>Los</strong> <strong>Angeles</strong> drag queens.<br />
Whether coming to blows over a shared lover, waiting indefinitely for<br />
a big break, or finding themselves aging out of headliner status, each<br />
queen’s got a major crisis that lands them directly into a group therapy<br />
retreat — where they learn it may be more than chance that brought them<br />
together. Featuring appearances from Drag Race stars Manila Luzon,<br />
Honey Davenport, and Michelle Visage, God Save the Queens follows<br />
in the Priscilla tradition of queens who are both fabulously entertaining<br />
onstage, and true-to-life backstage when the wigs and makeup come off.<br />
Screening preceded by live performances from Alaska, Laganja Estranja,<br />
Kelly Mantle and Jordan M Green!<br />
Screening with COCK N’ BULL 3 Dir. Nathan Adloff, 2021, 24 mins<br />
TELL ME SOMETHING I DON’T KNOW<br />
THE SYED FAMILY XMAS EVE GAME NIGHT<br />
UNICORN<br />
THE LADIES
SPECIAL EVENTS<br />
LIVE READ: OUR LADY OF THE SIX TRAIN<br />
FROM LOVE IN GRAVITY<br />
TUESDAY | JULY 19 | 7:00PM | PLAZA DE LA RAZA<br />
In this special live read event, Robin de Jesus, Jessica Marie Garcia, Alycia<br />
Pascuale-Peña and more voice a script by Dominic Colón about young Bronx kid<br />
Lil Ito and his first Pride in 2003. Though Ito’s first encounters with romance and<br />
sex get complicated, he’s aided by visions of an iconic Latina pop artist.<br />
Love in Gravity, a new scripted podcast series presented by ViiV Healthcare and<br />
dedicated to stories by and for the queer Latinx community, premieres this summer<br />
with weekly episodes written and performed by some of today’s hottest Latinx<br />
talent. In advance of its episode release, join us for a live read of Our Lady of the<br />
Six Train, a funny and tenderhearted script written by multi-talented artist Dominic<br />
Colón. It’s 2003 in the Bronx, and Lil Ito is about to attend his first Pride. When his<br />
first complicated encounters with sex and romance get to be too much, Ito is guided<br />
by mystical visions of his favorite pop star Jessie Kah, a timeless Latina artist.<br />
Live, in-person performance of this episode includes actors Robin de Jesus<br />
(tick, tick… BOOM!), Jessica Marie Garcia (On My Block), Alexia Garcia<br />
(Pose), Jason Genao (On My Block), Alycia Pascuale-Peña (Saved by the<br />
Bell), Edison Ventura Mata Diaz, Manny Ureña, and more! (Actors appear<br />
schedule permitting)<br />
In this compelling feature from the<br />
golden age of French Gay adult<br />
cinema, American director Wallace<br />
Potts entreats us to enter the world of<br />
athlete, hustler, stripper, and it-boy Karl<br />
Forest. Filmed on location in parks, bars,<br />
and the streets of Paris, the brutishly<br />
narcissistic Forest narrates his early<br />
life, predilections, and philosophy of<br />
male beauty (including his own), while<br />
enacting fantasies of encounters with<br />
working men, soldiers, and his adoring<br />
public. Hailed internationally in the<br />
gay press for its narrative and erotic<br />
intensity, the film was long considered<br />
CONCORD PITCH EVENT<br />
SUNDAY | JULY 17 | 1:15PM | DGA 2<br />
Whether you’re a film professional or not, the Concord<br />
Pitch Event will be a great opportunity to learn about the<br />
process of developing a film and watch filmmakers pitch<br />
their stories to an audience. 15 Projects will be presented<br />
to our esteemed jury including a surprise judge. The<br />
chosen pitches will be developed with up to $25,000 in<br />
financing. Each pitch lasts no more than 5 minutes. Join<br />
us in person to see the pitches!<br />
LE BEAU MEC<br />
SUNDAY | JULY 17 | 9:15PM | HARMONY GOLD<br />
lost until the negatives were located in a<br />
garage in Montgomery, Alabama. Potts’<br />
lover, famed dancer Rudolf Nureyev,<br />
choreographed the scintillating<br />
cabaret striptease, and legendary<br />
cinematographer Nestor Almendros<br />
captured the sculpted, elusive Forest<br />
at his physical peak — granting a<br />
fascinating and revelatory glimpse into<br />
the inner world of the man everyone is<br />
after.<br />
DCP. New 4K restoration by IndieCollect<br />
in collaboration with Gerald Herman<br />
and the Estate of Wallace Potts.<br />
MESSY MOVEMENT FOR FILM, TV, AND STAGE<br />
PRESENTED BY RASHIDA KHANBEY MILLER<br />
WEDNESDAY | JULY 20 | 7:00PM<br />
The Messy Movement Practice somatic dance experience is designed to help<br />
people feel stronger in the body, decrease stress, and increase confidenceembodying<br />
their sensual self through movement. Messy Movement Lab builds<br />
upon this foundational practice to support entertainers in building self-awareness<br />
and voice around their psychological safety needs while engaging the body<br />
as a vehicle for communicating moments of passion, eroticsim and longing in<br />
any script. Through our signature sensual movement sequence for storytelling<br />
actors can learn safer ways to express their erotic self beyond explicit sex<br />
simulation. Through movement we create new worlds where intimacy can be<br />
communicated in a multitude of ways on camera and stage. We invite attendees<br />
of all experience levels to begin the conversation with their body.<br />
WHO IS THE EXPERIENCE FOR?<br />
This experience is for feminine spectrum actors, directors, writers and producers<br />
who are curious about creating new pathways for intimacy on screen through<br />
movement.<br />
A star-studded evening of dynamic, vivacious, and captivating<br />
performances, located in the heart of West Hollywood, at Heart<br />
WeHo. On the 20th of July, 2022, <strong>Outfest</strong> will be joining forces<br />
with Jeté’s Creator, Producer, & Director, Tiffany Billings, to present<br />
a special edition of her monthly, live dance experience featuring<br />
performances by some of the industry’s top choreographers,<br />
performers, and dancers. The mission of Jeté is to provide a platform<br />
for artists to share their talents and originality with the audience in an<br />
ANCIENT FUTURES: ART INSTALLATION<br />
DGA LOBBY<br />
Ancient Futures is a three part installation celebrating transgender life, beauty<br />
and resilience. The piece consists of video, photo and sculpture created by a<br />
collective of queer and trans artists and their allies. Creative Director Lio Mehiel<br />
conceives of the project as a poetic imagining of trans people as angels here on<br />
earth — “perhaps we are here visiting from an ancient future. Trans-angels offer<br />
a path to a utopia where everyone can access their own embodied creativity,<br />
collective care is possible, and beauty grows in the most unlikely places.”<br />
Set in an abandoned desert ghost town along route 66, the three works imagine<br />
trans-angels thriving amidst the dilapidated architecture. They emerge from the<br />
rubble of yesterday’s “America” and wear the debris like couture.<br />
The video piece, Purgatory, reimagines the Bible’s creation myth with Adam and<br />
Eve recast as trans by filmmaker Dulcinee DeGuere. The photo series, Reborn,<br />
is by photographer A. Klass in collaboration with artist Lio Mehiel. The sculpture<br />
series, Angels, is crafted by sculptor Holly Silius.<br />
OUTFEST PRESENTS TIFFANY BILLINGS’ JETÉ<br />
LA’S PREMIER DANCE EXPERIENCE!<br />
intimate setting, while also educating and redirecting where we are<br />
going as an artistic community. The event has proven to be highly<br />
sought after by both entertainers and the general public alike, and<br />
has been billed as “The Dance Industry’s Leading Choreography<br />
Showcase.” Tickets can be purchased at HeartWeHo.club prior to<br />
the event. Follow @clubjete on Instagram for updates and info!<br />
It’s sure to be a night to remember.<br />
By KOBE WAGSTAFF
PLATINUM<br />
Platinum showcases the bold innovators and cutting edge creators of experimental LGBTQ<br />
media and performance. Notoriously provocative, perversely confrontational, and wickedly<br />
weird Platinum celebrates the adventurous renegades of queer culture.<br />
MAVERICK<br />
ALCHEMY<br />
Awards<br />
PLATINUM<br />
SUNDAY | July 17 | 3:15pm| REDCAT<br />
A Conversation with Clive Barker followed by NIGHTBREED – Director’s Cut<br />
The 2022 inaugural Maverick Award is being presented to the<br />
groundbreaking horror icon, Clive Barker. Barker isn’t just a filmmaker<br />
but an avant-garde playwright, an impressionist painter, and a literary<br />
juggernaut. The macabre, experimental, and thought-provoking<br />
characters he has brought to life on the big screen are nuanced,<br />
complicated, and subversively queer. Barker’s tales are filled with<br />
examinations of bodies, desire, and the sensation of going beyond<br />
prescriptive sexuality. His films shine a light on the oppressive nature<br />
of heteronormative power structures while providing glimpses of<br />
queer liberation by showing monsters as the good guys. Join us for a<br />
conversation and Q&A, the presentation of the award, and one of the<br />
few theatrical screenings ever of Nightbreed - The Director’s Cut.<br />
SUNDAY | July 17 | 9pm | CATCH ONE<br />
A live performance by Big Freedia<br />
The 2022 inaugural Alchemy Award is being presented to New Orleans<br />
hero, international hip hop legend, and the undisputed Queen of Bounce,<br />
Big Freedia. Freedia has been breaking barriers and inspiring others to live<br />
their dreams from the stage since 1999. A champion of independent music<br />
venues and a righteous voice in the fight against gun violence, Freedia<br />
has used their talent and fame to combat oppression and lift up the voices<br />
of others. He is one of the hardest working artists, always delivering an<br />
unapologetic message of pride, self-love, and hope. His distinct voice has<br />
appeared with artists such as Drake, RuPaul, Kesha, Lizzo, and Beyoncé.<br />
Freedia’s inspiring story of transformation and creation exemplifies<br />
Alchemy-- magical, spiritual, symbolic, iconic. Shimmer and bounce with<br />
us all night long during the outrageously sexy Alchemy Party where we<br />
will honor Freedia and celebrate the Platinum series. It will be golden!<br />
PLATINUM FEATURES<br />
SATURDAY | July 16 | 4:00pm | REDCAT<br />
END OF WONDERLAND<br />
Dir: Laurence Turcotte-Fraser, 2021, Canada, 86 min.<br />
Weaving images from both the personal and the professional, The End of Wonderland takes viewers on a<br />
fantastical journey through the life and mind of Tara Emory, a trans artist working on her passion project:<br />
a trans sci-fi porn epic called Up Uranus. With sets and characters influenced by 1950s low-budget sci-fi,<br />
Emory’s vision is realized with tongue firmly in cheek, unafraid to be earnest and playful. The film follows<br />
Emory for several years, showcasing her talents as a sex worker, comic strip artist, costume designer, set<br />
designer, automechanic and more. Most notably, the film confronts Emory’s problems with hoarding that she<br />
inherited from her father, using her pending eviction as an opportunity for self-reflection and artistic evolution.<br />
Preceded by: WINTER INSECT, SUMMER FLOWER: Dir: Tee Jaehyung Park, Gbenga Komolafe, 2021, USA, 11 min.<br />
SUNDAY | July 17 | 12:30pm | REDCAT<br />
ESTUARIES<br />
Dir: Lior Shamriz, 2022, USA, 110 min.<br />
It is 2017, just months after a car crashes through the front window of a <strong>Los</strong> <strong>Angeles</strong> art space, tragically killing<br />
Bdalak, a nonbinary, rising star in the world of performance art. Bdalak’s partner Eli (Lior Shamriz), a queer<br />
Mizrahi musician with a past as an activist in Palestine/Israel, had planned on marrying them for a green-card.<br />
Now Eli spends his time adrift and lost, communing with others over his grief and struggling with the everlooming<br />
threat of being deported. He soon meets Myrna, an artist making work about immigration, who Eli feels<br />
must certainly be able to solve his immigration situation. Dramatic and full of cynicism, the film is inspired by<br />
director Lior Shamriz’s own experiences immigrating to the U.S during the Trump administration.<br />
Preceded by: REMNANTS: Dir: Priomo Justice Schiappa, 2021, USA, 7 min.<br />
SATURDAY | July 16 | 9:30pm | REDCAT<br />
HYPOCHONDRIAC<br />
Dir: Addison Heimann, 2021, USA, 96 min.<br />
Will, a young, Latino, gay potter, is sexy and sociable. His boss is terrible, but he has a great boyfriend and<br />
a fantastic job. Unfortunately, behind his cool veneer is a dark past of violence and mental illness that he<br />
is desperate to keep hidden. When Will’s bipolar mother comes out of the woodwork after ten years of<br />
silence, he begins exhibiting unexplainable symptoms. After an injury at work, he starts losing functioning<br />
of his arms, and something sinister lurks in the corner of his vision: a silent and ominous man in a wolf suit.<br />
Will spirals into an obsession, determined to solve this mystery of his own. What is going on with his arms?<br />
Can he trust his boyfriend? Is he becoming his mother?<br />
Content Advisory: contains depictions of violence and self harm<br />
Preceded by: DIVINE LUST: Dir: Anthony De Bono, 2022, Germany, 9 min.<br />
FRIDAY | July 15 | 9:45pm | REDCAT<br />
PASSION<br />
Dir: Maja Borg, 2017, Sweden, 92 min.<br />
A powerful, and intensely personal film about longing, healing, and belonging where filmmaker Maja Borg<br />
illustrates their unique process of dealing with trauma in the wake of a destructive relationship. In seeking<br />
to reclaim intimacy and re-establish boundaries Borg is drawn to queer BDSM practice, through which<br />
they’re able to explore their long-forgotten Christian heritage. Adopting rituals and play from both queer<br />
BDSM and Christian communities, Borg finds themselves able to acknowledge and accept their own<br />
longings, confronting their darkest parts in order to move forwards. The film tells the stories of queer BDSM<br />
practitioners in Berlin, Stockholm and Barcelona and portrays the humanity at the heart of the practice<br />
while illuminating its similarities with Christianity on an emotional and perhaps even spiritual level.<br />
Preceded by: OBSOLESCENCE: Dir: Caviar to the General, 2021, UK, 12 min.<br />
FRIDAY | July 15 | 7:00pm | REDCAT<br />
YOUTOPIA<br />
Dir: Scout Durwood, 2022, New USA, 91 min.<br />
From director Scout Durwood comes her debut feature length comedy music visual album: YOUTOPIA.<br />
<strong>Los</strong> <strong>Angeles</strong>, 2019. Times are shitty, and they’re about to get worse. When Scout Durwood’s girlfriend<br />
dumps her unexpectedly, Scout takes stock in her life and determines that from now on, if something<br />
doesn’t feel one hundred percent authentic to her, she’s not doing it! Following the devastating break up,<br />
Scout inadvertently becomes the leader of a hipster millennial cult that engages with the multiverse and<br />
of course, aliens. But when members of the cult start to disappear, she soon discovers that her journey<br />
of self-discovery could trigger the end of civilization as we know it and is forced to take on her biggest<br />
opponent yet: herself.<br />
Preceded by: POPPETS: Dir: Maz Murray, 2021, UK, 16 min.
Platinum SHORTS showcase<br />
SUNDAY| July 17 | 6:30pm | REDCAT<br />
STARFUCKERS Dir: Antonio Marziale, 2022, USA, 14 min. | TWO HEADS,TWO WAYS Dir: Trulee Hall, 2022, USA, 5 min.<br />
| ISN’T IT A BEAUTIFUL WORLD Dir: Joseph Wilson, 2021, UK, 13 min. | CRUSH Dir: Gillian Barnes, 2022, USA, 2 min. |<br />
HIDEOUS Dir: Yann Gonzalez, 2021, France, 22 min. | S1NGULAR Dir: Ramon J. Goni, 2022, USA, 7 min. | BEAU Dir: Constance<br />
Tsang, 2021, USA, 16 min. | REVELATIONS Dir: Noah Causey, 2022, USA, 10 min.THE ACTRESS Dir: Andrew Ondrejack, 2021,<br />
Canada, 8 min.<br />
Obsession, anxiety, addiction, love, and sci-fi desire fill this stellar lineup of experimental films. A film director and an escort’s evening<br />
gets interrupted; Trulee Hall’s sex doll and self-love fantasy is visualized as an out-of-body-experience; Delia Derbyshire’s “Falling” is<br />
lip-synced while journey thorugh trans dreams; Apocalyptic revelations ensue in Noah Causey’s new film, and Gillian Barnes’ grade<br />
school girl crushes hard; Popstar Oliver Sim slides into a surreal journey of love, shame and blood in a three-part musical short;<br />
Constance Tsang’s lesbians are twistedly devoted to each other as life imitates art; an aspiring trans actress infiltrates cinema history<br />
as she shapeshifts through Hollywood’s most iconic roles.<br />
ALCHEMY PARTY<br />
BIG FREEDIA<br />
700 BLISS (MOOR MOTHER AND DJ HARAM)<br />
SETH BOGART (DJ SET)<br />
MOONILY<br />
COMMANDO<br />
TALLY T<br />
SEVYN (DJ SET)<br />
SUNKEE ANGEL<br />
P_A_G_O_T_O<br />
JULY 17TH, 8PM - 2AM<br />
JULY 17TH, 8PM - 2AM<br />
CATCH ONE 4067 W PICO BLVD, LOS ANGELES, CA, 90019<br />
$20 ADVANCE $25 AT THE DOOR<br />
sponsored by:<br />
FEMMEHOUSE
LEGACY<br />
GREETINGS FROM WASHINGTON, D.C.<br />
In 1979, tens of thousands of gay, lesbian, bisexual and transgender<br />
activists converged on the National Mall to participate in the National<br />
March on Washington for Lesbian and Gay Rights. Featuring collaborative<br />
assists from Jan Oxenberg and Barbara Hammer, this exuberant document<br />
of activism and community filmmaking is a lasting testament to the struggle<br />
for queer visibility and legal recognition, as well as the political potentials<br />
of broad-based political movements against racism, gender inequality,<br />
and militarism.<br />
DIR. LUCY WINER | 1981 | USA | 28 MIN.<br />
SUNDAY | JULY 24 | 1:15PM | DGA 2<br />
Digitally restored by the UCLA Film & Television Archive in conjunction<br />
with the <strong>Outfest</strong> UCLA Legacy Project, with generous support from Victoria<br />
Alonso and Imelda Corcoran, and Glamazon.<br />
Followed by DAVID ROCHE TALKS TO YOU ABOUT LOVE Dir. Jeremy<br />
Podeswa, 1983, 22 min. and DOUBLE THE TROUBLE, TWICE THE FUN<br />
Dir. Pratibha Parmar, 1992, 25 min.<br />
PUNKS<br />
DIR. PATRIK-IAN POLK | 2000 | USA | 100 MIN.<br />
SATURDAY | JULY 16 | 4:30PM | DGA 1<br />
IN 35MM<br />
DIRECTOR PATRIK-IAN POLK AND CAST MEMBERS IN PERSON! Q/A MODERATED BY<br />
DEAR WHITE PEOPLE CREATOR JUSTIN SIMEON.<br />
Patrik-Ian Polk’s groundbreaking debut romantic comedy invites us into<br />
the professional, social, and intimate lives of 4 queer friends in West<br />
Hollywood on their neverending search for Mr. Right. When a hunky<br />
new neighbor moves to the neighborhood, underlying tensions threaten<br />
to throw their tight-knit friendship into disarray. With its refreshingly<br />
real takes on sex, dating, friendship, breaking up, and making up–and<br />
show-stopping drag numbers to the immortal music of Sister Sledge–<br />
this funny, flirtatious, and heartfelt rom-com continues to surprise, while<br />
remaining far ahead of its time. Considered the first US feature film by<br />
a gay Black director to center the lives and loves of Black gay men, this<br />
long-unavailable charmer returns to <strong>Outfest</strong> after nearly two decades.<br />
BY HOOK OR BY CROOK<br />
DIRS. HARRY DODGE, SILAS HOWARD | 2001<br />
USA | 99 MIN.<br />
SATURDAY | JULY 23 | 8:45PM | DGA 2<br />
Groundbreaking when it was made and still fiercely innovative today, By<br />
Hook or By Crook is a butch and trans buddy film that chronicles three<br />
weeks in the life of a handsome, gender-bending, small-town trans man<br />
with a nagging messiah-complex. Emotionally defeated after the death of<br />
his father, Shy heads to the big city to sink himself into a “life of crime.” He is<br />
quickly distracted by Valentine, a deliriously expressive, wise-acre adoptee<br />
on a misguided search for his birth mother. The two freaky grifters join<br />
forces and learn the true meaning of “poise under pressure” in this visually<br />
stunning and wonderfully acted, anti-authoritarian tale of friendship, trust<br />
and redemption.<br />
Preceded by MADELYNN VON RITZ IS ALMOST FAMOUS Dir. Naz Riahi, Silas Howard<br />
2022 18 min.<br />
THE COCKETTES<br />
THE COCKETTES<br />
20TH ANNIVERSARY SCREENING<br />
“Will success spoil mediocrity?” asked The Cockettes, the uproarious,<br />
gender-subversive Hippy drag troupe that became one of the ultimate<br />
countercultural happenings of the San Francisco and a nearly-forgotten<br />
chapter in LGBTQ+ history. Borrowing from Tin Pan Alley, classic Hollywood<br />
and the Sexual Revolution, this ever-shifting ensemble embraced communal<br />
living, free loving, and heroic helpings of psychedelic inspiration,<br />
propelling them from oddball local celebrity to the pages of Rolling<br />
Stone. Through rare footage and interviews, Weissman and Weber trace<br />
TRICIA’S WEDDING<br />
DIRS. BILL WEBER, DAVID WEISSMAN | 2002 | USA | 102 MIN.<br />
SATURDAY | JULY 16 | 12:30PM | REDCAT<br />
how shifting cultural tides, political reaction and the HIV/AIDS epidemic<br />
radically altered queer life—and how the irreverent, idealistic, creative<br />
spark lit by The Cockettes in the 1960s and 70s continues to burn today.<br />
Preceded by TRICIA’S WEDDING Dir. Milton Miron (credited as Sebastian), 1971, 33 min.<br />
*Restored by the UCLA Film & Television Archive with funding provided by<br />
Frameline and <strong>Outfest</strong>.
MEMBERS AND ANNUAL FUND DONORS<br />
LEGEND<br />
Mike & John August<br />
Gary Carnow<br />
MOGUL<br />
Anonymous<br />
Moses Freyre & Robert Murphy<br />
Alan Koenigsberg & John Dotto<br />
Charles Krozek<br />
Valerie Milano & Andrea Meyerson<br />
Doe Racklin<br />
Kyle Wade<br />
THE STUDIO EXECUTIVE<br />
Robert Blake<br />
Joseph Chianese<br />
Shedrick Davis & Barry Ward<br />
Terrence Franklin & Jeffrey Moline<br />
Ronald Haft<br />
Brett Hofer<br />
Jonathan Howard<br />
Dr. Adam Kawalek & Damien S. Navarro<br />
Matthew Kearns<br />
Tim Kittleson & Michael C.<br />
Donaldson<br />
Katie Krentz<br />
Paul D. Lerner & Stephen Reis<br />
Steven Llanusa & Glenn Miya, M.D.<br />
Scotch Loring & Todd Holland<br />
James McGruder<br />
Jayzen Patria & Joe Keenan<br />
Alex B. Perez<br />
Alan Poul & Ari Karpel<br />
Dominic Sabella<br />
Brian Michael Smith<br />
The Stadler Family<br />
Eric Whitney & Richard Bae<br />
LEGACY CIRCLE<br />
<strong>Outfest</strong> would like to thank our generous members who support<br />
our year-round efforts to spotlight, discover, educate, mentor, and<br />
preserve the work of LGBTQIA+ storytellers.<br />
THE EXECUTIVE PRODUCER<br />
Stamos Akrivos<br />
Jessica Bair & Brianna Oppenheimer<br />
Jordan Barillas<br />
Michael Barrett<br />
Leslie Belzberg<br />
Marc Better<br />
Eric Braverman & Jonathan Cottrell<br />
Steven Bryan & Josh Schiowitz<br />
Courtney Burr<br />
Robert Colegrove<br />
Brian & Kevin Cordova-Brookey<br />
Nicholas A. Crincoli & Michael J.<br />
Widman<br />
Zackary Drucker<br />
Miguel Duque & Bryant Cameron<br />
Jeffrey Epstein<br />
James Fino<br />
Robert C. Fish & Anthony Logan<br />
Chad Franks<br />
Dr. Donald Freeman & Patrick<br />
Shandrick<br />
Alan I. Gelman & Ashul Agrasyn<br />
Beau Genot<br />
Kevin Goetz<br />
Steven Green & David Cruz<br />
Kip Hargrove<br />
Jackson Hendrick<br />
Gerald Herman<br />
Brehon Humphrey<br />
Rick Hutcheson & Rob Kincaid<br />
Douglas Hutchinson<br />
Bill Ihrke & Dan Do<br />
Mark Allen Itkin & Bradley Bayou<br />
Dr. Patricia Jimenez<br />
Mark Wilson Jordan<br />
Jonathan King<br />
Richard Kleinberger & Mills Chang<br />
Dani Knight<br />
Mark Kruger & Mel Lewis<br />
Jay Lane<br />
Stephen Macias<br />
Jose Malagon & David Gajda<br />
John McCrite<br />
John McHugh-Dennis<br />
Ana Mendy<br />
Weston Miliken<br />
Thomas Mitchell<br />
Eric Morris<br />
Mike Mosallam<br />
Robert Nunez<br />
Jason Orion & Larry Baird<br />
Nicholas Pardon<br />
Jim Petrone & Keith Kauhanen<br />
Giselle Phelps<br />
Mark Pogachefsky<br />
Kristi Reed<br />
Michael Reese<br />
Eddie Robinson<br />
Stephen Sass & Steven Hochstadt<br />
Kyle Schmitz<br />
David Sigurani<br />
David Steinberg<br />
Zackery Alexzander Stephens<br />
Evan Strano & Jeremy Frank<br />
Sklar Toy<br />
Anthony Vayos & Bil Bertini<br />
Farhaad Virani<br />
Mike Werb & Brian Roskam<br />
Tarik Yetken & Florian Gador<br />
D. Zeke Zeidler & Jay Kohorn<br />
BENEFACTOR<br />
Paul D. Lerner & Stephen Reis<br />
INNOVATOR<br />
Cindy Capobianco & Rob<br />
Rosenheck<br />
Gary Carnow<br />
Imelda Corcoran & Victoria Alonso<br />
John Di Minico<br />
Alan Koenigsberg & John Dotto<br />
Mike Rose & Ruben R. Rodriguez<br />
ACTIVIST<br />
Anonymous<br />
David Bohnett Foundation<br />
Chris Ranta<br />
EMPATHY FUND<br />
The <strong>Outfest</strong> Empathy Fund is an annual funding campaign to support the<br />
continued expansion of our nearly 40 years of programs, through the<br />
generosity of the entertainment community, our alumni, and the individual<br />
you see below. Together we join forces to reach out nationally and<br />
globally to help nurture connection within our community.<br />
TRAILBLAZER<br />
Jessica Bair & Brianna<br />
Oppenheimer<br />
Joseph Chianese<br />
Jeff Collins<br />
Brian & Kevin Cordova-Brookey<br />
Lee Doud<br />
Zackary Drucker<br />
James Hayman<br />
Gerald Herman<br />
Jonathan Howard<br />
Brehon Humphrey<br />
Tim Kittleson & Michael C.<br />
Donaldson<br />
David Koepp<br />
Neil Landau & Trent Farr<br />
Weston Milliken<br />
Annick Muller<br />
Charlie Mustachia & David Courier<br />
Aaron Parry<br />
Alex B. Perez<br />
Christopher Racster<br />
Vanessa Roman<br />
Ronen Rubinstein<br />
H Schuster<br />
Paul Smith<br />
Lev Spiro<br />
The Stadler Family<br />
Zackery Alexzander Stephens<br />
Farhaad Virani<br />
Camille Weisenbach<br />
Philip Winik<br />
Tamara Woolfork & Michele Murray<br />
We greatly appreciate each gift to <strong>Outfest</strong> and we make every effort to ensure this listing’s<br />
accuracy. For any changes or updates please contact memebrship@outfest.org.<br />
Donors as of June 1, 2022.<br />
“The <strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> summer festival<br />
is our favorite time of the year. It’s great<br />
to be part of a community of people<br />
supporting films and filmmakers who are<br />
bringing LGBTQ+ stories to the world.”<br />
- PAUL D. LERNER AND STEPHEN REIS<br />
<strong>Outfest</strong> thanks Paul and Stephen for their generous multi-year<br />
commitment to create the “Paul D. Lerner & Stephen Reis Grand<br />
Jury Award for Outstanding Documentary Feature” at the<br />
<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> LGBTQ+ Film Festivals through 2031.<br />
Want to find out more about the<br />
benefits of <strong>Outfest</strong> Legacy Circle?<br />
Find out more about<br />
the Empathy Fund?
WE’VE GOT<br />
ENTERTAINMENT COVERED.<br />
POWER OF YOUNG<br />
HOLLYWOOD<br />
HOME > FILM > NEWS<br />
Aug 24, 2021 3:00pm PT<br />
<strong>Outfest</strong> Fusion Film<br />
Festival Announces<br />
2022 Lineup<br />
PLUS OLIVIA<br />
RODRIGO<br />
AND THOMAS<br />
DOHERTY<br />
PRESENTED BY<br />
INCISIVE ANALYSIS.<br />
VARIETY INTELLIGENCE PLATFORM<br />
A subscription service for the business of media<br />
Special<br />
Reports<br />
Data &<br />
Surveys<br />
Video &<br />
Articles<br />
Competitive<br />
Intelligence<br />
Timely<br />
Commentary<br />
The Best<br />
Minds in<br />
Media<br />
SUBSCRIBE TODAY<br />
variety.com/introducingVIP<br />
Read. Watch. Listen. Share.<br />
FOLLOW US<br />
/ VARIETY
Celebrating<br />
All Stories.<br />
Empowering<br />
All Storytellers.<br />
We are proud to support <strong>Outfest</strong><br />
and its mission to give the<br />
LGBTQIA+ creative community<br />
a platform for social change<br />
through storytelling.<br />
© 2022 Warner Bros. Discovery, Inc. or its subsidiaries and affiliates.<br />
All trademarks are the property of their respective owners. All rights reserved.