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Outfest Los Angeles

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v<br />

Help Entertainment Fans<br />

discover LGBTQIA+ stories,<br />

characters and creators!<br />

16 @outfest #outfestla2021


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S P E C I A L T HS AP NE KC IS ATL O T:<br />

H A N K S T O :<br />

A m m o C r e a tA i mv e m o & C rJ eJ a- Lt iA v e P r o& d uJ cJ t- iLo A n sP r o d u c t i o n s<br />

P r o d u c e r<br />

R y a n Z y n g e r , E v e n t P r o d u c e r


A LETTER FROM OUR EXECUTIVE DIRECTOR<br />

A LETTER FROM OUR FESTIVAL DIRECTOR<br />

ANNIVERSARIES ARE BEAUTIFUL, exciting, daunting, and even<br />

scary at times.<br />

This summer, it will have been three years since I joined <strong>Outfest</strong>. As a<br />

local Angeleno, most of my memories were attending <strong>Outfest</strong> LA during<br />

the late-nineties, as a fresh-faced film school graduate. In preparation<br />

to celebrate our 40th Anniversary I found myself down the rabbit hole<br />

that encapsulates four decades of anyone’s life. The major headlines<br />

and names that popped up as fast as drag queen’s stubble were names<br />

like Larry Horne, Gus Van Sant, Jamie Babbit, Jim Fall – and films like<br />

Mala Noche, But I’m A Cheerleader, The Celluloid Closet, Trick, and<br />

Party Monster as well as Shari Frilot’s Platinum Oasis early days at the<br />

Coral Sands Motel – a personal favorite.<br />

I kept asking myself though, why <strong>Outfest</strong>? How did the 1982 Gay and<br />

Lesbian Media Coalition of <strong>Los</strong> <strong>Angeles</strong> grow into the internationally<br />

recognized org it has become today? The theme that emerged was like<br />

much of our queer history – it was built on the shoulders of countless<br />

forgotten individuals that we’ve coined as, THE ARCHITECTS of<br />

OUTFEST.<br />

This festival we celebrate the 1st edition of the Architects of <strong>Outfest</strong> –<br />

honoring those who we believe have made significant contributions<br />

to the org over the years. Please join me, the board, our staff, and<br />

volunteers in celebrating those who made our 40th Anniversary<br />

possible. We are also celebrating one of the most inclusive sets of<br />

galas, centerpiece films and overall programs in history – not only<br />

exhibiting a wide-range of genres in cinema but stories, artists and<br />

talent that reflect nearly every side, corner, and voice of the LGBTQIA+<br />

community.<br />

FOR OUR 40TH YEAR, it seemed the task at hand for our<br />

programming team was to craft a lineup that not only spoke to<br />

the many diverse communities that form our LGBTQIA+ family,<br />

but also represented a snapshot of four decades’ worth of queer<br />

cinema history. Easy as pie! Fortunately, the films this year did us<br />

the courtesy of being both a re-examination of how our community<br />

has (or has not) been presented in film history, and a radical reimagining<br />

of the kinds of stories we get to tell. I think of how 20<br />

years ago, our Legacy Centerpiece film Far from Heaven inserted<br />

an overtly queer narrative into a 1950s melodrama, and then smile<br />

at how this year’s Platinum short film, The Actress, finds brilliant<br />

trans artist Isabel Sandoval placing herself within Douglas Sirk’s<br />

All That Heaven Allows. I see the first episode of docuseries Queer<br />

for Fear talk about all the coded and suggested queerness within<br />

a century of the horror genre, and then I marvel at the barrage<br />

of innovative, explicitly queer horror films in our program like<br />

Attachment, Hypochondriac, HeBGB TV, and closing night gala<br />

They/Them. More and more, the films we see cease to present<br />

themselves as only for one specific subset of our community, but<br />

bring us together to share the spotlight. That is cause for celebration<br />

as we look forward to the next 40 years.<br />

MIKE DOUGHERTY<br />

Director of Festival Programming<br />

We hope this sets the bar for like-minded festivals around the world.<br />

Warmest regards Always and Happy Fest Everyone.<br />

FAR FROM HEAVEN<br />

THE ACTRESS<br />

DAMIEN S. NAVARRO<br />

Executive Director<br />

ATTACHMENT<br />

THEY/THEM


Reframing history for a<br />

Queerer future<br />

The first LGBTQ+ arts and media<br />

virtual museum of its kind<br />

Available free to the public<br />

theoutmuseum.org


HOW TO EXPERIENCE A MEMORABLE FESTIVAL<br />

TICKET PRICES<br />

REGULAR IN-PERSON SCREENINGS: $14<br />

VIRTUAL SCREENINGS: $8<br />

CENTERPIECE SCREENINGS: $18<br />

FORD UNDER THE STARS: $20<br />

PLATINUM ALCHEMY PARTY: $25<br />

VIRTUAL PASS: $55<br />

(Get access to all virtual screenings)<br />

OPENING NIGHT GALA<br />

VIP (Orchestra/Loge) $175<br />

Preferred (Front Balcony) $80<br />

General (Rear Balcony) $40<br />

*All Gala tickets include entry to the After Party<br />

CLOSING NIGHT GALA<br />

Preferred (Orchestra) Seating $75<br />

General (Balcony) Seating $55<br />

*All Gala tickets include entry to the After Party<br />

MEMBER TICKET DISCOUNT<br />

<strong>Outfest</strong> members receive the following discounts:<br />

15% OFF ALL TICKETS PRICES<br />

To become an <strong>Outfest</strong> member, please visit<br />

OUTFEST.ORG/MEMBERSHIPS or call 213.480.7088<br />

ACCESSIBILITY<br />

<strong>Outfest</strong> strives to be accessible to all our<br />

patrons and accommodate a variety of<br />

needs. We will continue to expand our<br />

accessibility policies and practices in<br />

effort to provide accommodations for<br />

attendees and guests.<br />

IN PERSON SCREENINGS<br />

• All festival venues are wheelchair<br />

accessible, full details on venue<br />

accessibility are available at<br />

<strong>Outfest</strong>LA.org/venues.<br />

• Early access for patrons with<br />

accessibility or mobility needs is<br />

available – please see a Theater<br />

Manager or venue staff for<br />

accomodation.<br />

• Service animals trained to<br />

STAY UPDATED<br />

Please visit us on social media or at <strong>Outfest</strong>LA.org<br />

to stay updated with the latest information.<br />

specifically assist people with<br />

disabilities are welcome at all<br />

official festival theaters venues.<br />

• American Sign Language<br />

interpretation will be offered at<br />

select events and panels.<br />

VIRTUAL SCREENINGS<br />

• <strong>Outfest</strong> aims to offer as many<br />

films as possible with closedcaptioning,<br />

open captions, or<br />

descriptive sound. Please visit<br />

<strong>Outfest</strong>LA.org/accesibility for a<br />

full list of accessible screenings.<br />

For any additional questions, requests or<br />

suggestions, please contact support@<br />

outfest.org. For more information on<br />

festival accessibility visit <strong>Outfest</strong>LA.<br />

org/accesibility.<br />

@OUTFEST<br />

WHEN DO TICKETS GO ON SALE?<br />

OUTFEST MEMBERS: Wednesday, June 22<br />

GENERAL PUBLIC: Friday, June 24<br />

WHERE CAN I BUY TICKETS?<br />

ONLINE: OUTFESTLA.ORG<br />

Available 24 hours a day, 7 days a week<br />

IN PERSON AT THE OUTFEST BOX OFFICE @ THE DGA<br />

JULY 15-24<br />

Weekdays: 6:00pm - 10:00pm<br />

Weekends: 10:00am - 10:00pm<br />

COVID-19 POLICIES<br />

<strong>Outfest</strong> is following all lawfully required<br />

COVID-19 health and safety protocols<br />

in <strong>Los</strong> <strong>Angeles</strong> Department of Health<br />

guidelines and will continue to update<br />

and revise our protocols to reflect the<br />

most current safety standards.<br />

In accordance with current <strong>Los</strong> <strong>Angeles</strong><br />

Department of Health guidelines, proof<br />

VOLUNTEER<br />

Are you interested in volunteering<br />

with <strong>Outfest</strong>? Our volunteers are vital<br />

to the success of the organization<br />

and create a memorable experience<br />

for all patrons. We have a variety<br />

of roles available across the festival,<br />

including box office, event staff,<br />

CODE OF CONDUCT<br />

<strong>Outfest</strong> is committed to providing<br />

every attendee* - audience,<br />

storyteller, volunteer, and staff<br />

member - with an enjoyable,<br />

engaging, healthy, polite, and<br />

harassment-free experience that<br />

embraces the inclusiveness and<br />

individuality of all. Harmful verbal<br />

or non-verbal language, disruptive<br />

behavior, harassment or disrespect<br />

of personal space, gender identity/<br />

expression, and violation of any<br />

current health or safety protocols are<br />

of vaccine is not required for venue<br />

entry. Masks are strongly encouraged<br />

for all attendees. Exceptions noted<br />

below:<br />

• Plaza de la Raza requires masks<br />

be worn inside the theater<br />

<strong>Outfest</strong> staff will be required to be<br />

vaccinated and tested throughout the<br />

festival<br />

ushers, photographers, videographers<br />

and more. <strong>Outfest</strong> Volunteers also<br />

get a variety of benefits, including<br />

free tickets to festival screenings, an<br />

<strong>Outfest</strong> year-round membership,<br />

volunteer appreciation days and<br />

more. Visit <strong>Outfest</strong>LA.org/<br />

volunteer for more information and<br />

to sign up.<br />

not acceptable and will be dealt with<br />

immediately.<br />

See something, say something - email<br />

safety@outfest.org to notify staff of<br />

any incident.<br />

*<strong>Outfest</strong> reserves the right to remove<br />

an attendee immediately for the<br />

violation of our Code of Conduct<br />

policy. Individuals removed will<br />

not receive reimbursement for any<br />

badge, tix or benefit purchased. They<br />

may also be permanently banned<br />

or lose membership, the ability to<br />

purchase future tickets, passes, and<br />

other related privileges without prior<br />

notification or reimbursement.<br />

The <strong>Outfest</strong> LA LGBTQ+ Film<br />

Festival is an ideal summer<br />

destination for everyone,<br />

whether you’re a cinephile,<br />

social butterfly, traveling from<br />

out of town, or an ally, there’s<br />

something for everyone at<br />

#<strong>Outfest</strong>LA! We’ve partnered<br />

with some amazing hotels<br />

and restaurants in <strong>Los</strong> <strong>Angeles</strong><br />

to make your <strong>Outfest</strong> LA<br />

experience unforgettable!<br />

To stay updated on partner<br />

discounts and information visit<br />

<strong>Outfest</strong>LA.org/attend.<br />

DO YOU LIKE TO ATTEND EVENTS AND PARTIES?<br />

YOU’LL LOVE:<br />

• The <strong>Outfest</strong> Opening and Closing<br />

Night Galas<br />

• The Platinum Alchemy Party Shimmer<br />

and bounce with us all night long in<br />

two rooms of the historical Catch One.<br />

It’s going to be an outrageously sexy<br />

ARE YOU TRAVELING FROM OUT OF TOWN?<br />

YOU’LL LOVE:<br />

• <strong>Outfest</strong> Under the Stars @ The Ford<br />

Sister to the famous Hollywood Bowl and<br />

nestled in the Hollywood Hills – pack<br />

a picnic and bring a friend to <strong>Outfest</strong><br />

Under the Stars, where you will meet<br />

Hollywood icons of past and present,<br />

laugh with hundreds of fellow LGBTQ+<br />

and ally attendees, and be entertained by<br />

unforgettable live performances.<br />

• Noche Icónica @ Plaza de la Raza. A<br />

celebration of Queer Latinx/Afro-Latinx<br />

culture, beats, stories and voices. Both<br />

nights will feature an outdoor mercadito,<br />

ARE YOU A CINEPHILE/ARTSY TYPE?<br />

YOU’LL LOVE:<br />

• The Platinum experimental screenings<br />

at the REDCAT The Platinum section of the<br />

festival showcases the bold innovators and<br />

cutting-edge creators of experimental LGBTQ+<br />

media and performance and celebrates the<br />

adventurous renegades of queer culture.<br />

• Films from Legacy Project: The <strong>Outfest</strong> UCLA<br />

Legacy Project is the only archive in the world<br />

exclusively dedicated to preserving LGBTQ+<br />

moving images, and this year we’re thrilled<br />

to be sharing retrospective gems such as a<br />

rare 35mm print of Patrik-Ian Polk’s Punks<br />

and the most recently restored addition to the<br />

Legacy Project: Greetings from Washington,<br />

D.C. And, of course, you won’t want to miss<br />

Todd Haynes, Julianne Moore, and Christine<br />

Vachon live in person for the 20th Anniversary<br />

screening of the swoon-worthy Far From<br />

Heaven!<br />

evening with Big Freedia, The Queen of<br />

Bounce music, Moor Mother’s 700 Bliss,<br />

and the queer supergroup Commando<br />

plus all the other incredible artists and<br />

DJs contributing to the evening will make<br />

it one of the wildest, weirdest, and most<br />

unforgettable queer events you have ever<br />

gotten down at. It will be golden!<br />

music, hosted bar, and screenings of truly<br />

amazing queer films. This event is free to<br />

the public!<br />

• The Community Clubhouse @ <strong>Outfest</strong><br />

Festival Headquarters. <strong>Outfest</strong> is<br />

putting a spotlight on LGBTQ+ stories<br />

and the community. 5 local organizations<br />

will host an event at the festival in the<br />

“Community Clubhouse” located at the<br />

Festival Headquarters (Directors Guild of<br />

America). More information on events and<br />

schedules will be updated on<br />

<strong>Outfest</strong>LA.org/attend.<br />

STAY AT<br />

citizenM <strong>Los</strong> <strong>Angeles</strong> Downtown hotel<br />

361 S Spring Street, <strong>Los</strong> <strong>Angeles</strong> CA 90013<br />

STAY AT<br />

The <strong>Los</strong> <strong>Angeles</strong> Athletic Club<br />

431 W 7th St, <strong>Los</strong> <strong>Angeles</strong>, CA 90014<br />

STAY AT<br />

JW Marriott <strong>Los</strong> <strong>Angeles</strong> L.A. LIVE<br />

900 W Olympic Blvd, <strong>Los</strong> <strong>Angeles</strong>, CA 90015


OPENING NIGHT GALA<br />

CLOSING NIGHT GALA<br />

ANYTHING’S POSSIBLE<br />

WORLD PREMIERE<br />

DIR. BILLY PORTER | USA | 96 MIN.<br />

THURSDAY | JULY 14 | 7:30PM | ORPHEUM THEATRE<br />

High schooler Kelsa (Eva Reign) glides into<br />

her senior year with a tight-knit group of<br />

besties, a happy home life with her fiercely<br />

supportive mother (Renée Elise Goldsberry),<br />

and future prospects for college looking<br />

exceedingly bright. When romance<br />

blooms between Kelsa and her handsome<br />

classmate Khal (Abubakr Ali), it should be<br />

the cherry on top of a stellar year...if only<br />

Kelsa’s best friend didn’t have her heart set<br />

on Khal too. Soon, teenage jealousy takes<br />

hold, and Kelsa’s trans identity becomes<br />

the subject of gossip and controversy,<br />

THE FUTURE X<br />

OPENING NIGHT GALA PERFORMANCE<br />

The Future X is an explosive new pop group discovered on<br />

TikTok. In an unprecedented celebration of both world class<br />

singing and dancing, the group is made up of three singers<br />

and four dancers - Angie, Luke, Maci, Jayna, Sasha, Tray,<br />

and Drew. Smart lyrics, powerful hooks and a fresh sound for<br />

today. Get ready for a high energy, captivating performance.<br />

while Khal finds his own friendships<br />

suddenly on shaky ground. But high<br />

school drama is no match for the crackling<br />

chemistry between the two sweethearts,<br />

leading to one of the most endearing,<br />

joyous onscreen teen romances in years.<br />

Grammy, Emmy, and Tony Award-winning<br />

multi-hyphenate artist Billy Porter makes<br />

his feature directorial debut with this<br />

exhilarating tale, showcasing a gift for<br />

creating moments of musicality and magic<br />

within a story that’s still grounded in reality.<br />

Guided by a perceptive script written by<br />

Ximena García Lecuona, the kids in this film<br />

approach life with a refreshing honesty,<br />

using language steeped in the younger<br />

generation’s grasp of social media to tackle<br />

their problems with intelligence and flair.<br />

But the greatest gift the film offers is simply<br />

watching two phenomenally charismatic<br />

young lovers radiate old school movie star<br />

charm in a romance that finally breaks new<br />

ground — a long awaited development<br />

for a genre as old as the art form itself!<br />

THEY/THEM<br />

When a busload of queer and trans<br />

teens arrive in the deep woods at<br />

Whistler Camp — a conversion therapy<br />

camp with a mission statement to<br />

restore young people to a “gender<br />

normative lifestyle” — they see right<br />

through the counselors’ ingratiating<br />

attempts to set everyone at ease. Led<br />

by the iron-willed pair of Jordan (Theo<br />

Germaine) and Alexandria (Quei<br />

Tann), the campers band together<br />

to resist the psychological warfare<br />

wrought by short-tempered counselors<br />

and a perma-smiled therapist (Carrie<br />

Preston). But what about the masked,<br />

knife-wielding intruder lurking just<br />

outside their cabins?<br />

DIR. JOHN LOGAN | USA | 90 MIN.<br />

SUNDAY | JULY 24 | 7:00PM | THE ACE<br />

This film from Academy Awardnominated<br />

screenwriter turned firsttime<br />

director John Logan, (Hugo,<br />

The Aviator, Skyfall) and horror<br />

connoisseurs Blumhouse Productions,<br />

They/Them represents a game-changer<br />

for the genre. Where queer characters<br />

and themes were once coded,<br />

assumed, or outright villainized, here<br />

is a story where our community are<br />

the heroes and avengers, combating<br />

both the horrors wrought by so-called<br />

conversion therapy, and the lurking,<br />

creepy dangers that make this genre<br />

such a thrill. There could not be a more<br />

perfectly timed, empowering rebuke to<br />

the idea that we can be wished, willed,<br />

or legislated out of existence.


U.S. CENTERPIECE<br />

MAMA BEARS<br />

DIR. DARESHA KYI | USA | 90 MIN.<br />

FRIDAY | JULY 22 | 7:15PM | DGA 1<br />

In Texas, Kimberly overhears her four-year-old Kai praying for<br />

God to take her home to Jesus rather than having to live as a boy.<br />

In Oklahoma, Sara is bedridden and cries for days after her son<br />

Parker comes out. In California, as her daughter Tammi decides<br />

to allow herself to find love with another woman after wrestling<br />

with 33 years of religious guilt, Tenita is taking the first steps to<br />

understanding. Across the country, there are over 30,000 “Mama<br />

Bears” who work to make the world kinder and safer for LGBTQ<br />

children of all ages. While they may come from strict religious<br />

upbringings and consider themselves devout Christians, the fierce<br />

love they have for their queer and trans children is unwavering,<br />

pushing them to choose not to be hateful reflections of a loving God.<br />

Daresha Kyi is unflinching as she points her lens towards<br />

families whose faith has been challenged, documenting their<br />

journeys with care and empathy. Both intimate and thoughtprovoking,<br />

follow these mamas as they take their own brand<br />

of grassroots advocacy across the country, one hug at a time.<br />

As part of the film’s special centerpiece screening during<br />

<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong>, director Daresha Kyi, the film team, and the<br />

leadership of the Mama Bears organization will be on the red<br />

carpet. They will be joined by special guests who will help them<br />

rally parents of color to protect their LGBTQIA+ children, and<br />

jumpstart vitally important conversations within communities of<br />

color about the importance of love, acceptance, and inclusion.<br />

UNIDENTIFIED OBJECTS<br />

DIR. JUAN FELIPE ZULETA | USA | 100 MIN.<br />

WEDNESDAY | JULY 20 | 7:00PM | DGA 1<br />

Peter, a self-described “college-educated, homosexual<br />

dwarf,” keeps to himself in his apartment as he reels from<br />

the recent loss of his closest friend. His solitary existence<br />

is up-ended when his quirky neighbor Winona shows up<br />

at his door with a favor to ask: she’d like to borrow his<br />

car so she can drive to the remote Canadian field where<br />

aliens are due to beam her aboard their spaceship.<br />

Led by a sensational pair of performances from Matthew<br />

Jeffers (TV’s New Amsterdam) and Sarah Hay, this<br />

disarming and wholly original take on the roadtrip comedy<br />

finds its charm and its power in spotlighting characters<br />

who rarely get the lead roles. Directed with a fabulous<br />

visual flair by first-time feature helmer Juan Felipe Zuleta,<br />

this film demonstrates the thrilling rewards of watching<br />

previously sidelined characters take center stage.<br />

DOCUMENTARY CENTERPIECE<br />

FAR FROM HEAVEN (20TH ANNIVERSARY)<br />

DIR. TODD HAYNES| USA, FRANCE | 107 MIN.<br />

SUNDAY | JULY 17 | 6:30PM | DGA 1<br />

20TH ANNIVERSARY SCREENING IN 35MM<br />

with Todd Haynes, Christine Vachon, and Julianne Moore in person!<br />

In the 1950s, director Douglas Sirk achieved his greatest commercial<br />

and artistic triumphs with a series of brilliant, socially conscious<br />

melodramas. Films like All That Heaven Allows, Written on the Wind,<br />

and Imitation of Life — sumptuously filmed, larger-than-life productions<br />

populated by Hollywood legends. They incisively explored issues of<br />

class, race, and inequality while delivering all the swooning romance<br />

and heightened drama audiences craved. Sirk’s distinct style has been<br />

cited by queer filmmaking legends as an influence, and in 2002, it<br />

provided inspiration for Todd Haynes’ masterpiece, Far From Heaven.<br />

From the first frame, Haynes’ meticulous recreation of a Sirkian world<br />

envelops the senses, but this is not simply an homage to a great filmmaker,<br />

it’s a radical reimagining of what was possible in ‘50s era Hollywood<br />

filmmaking. Through the story of picture perfect housewife Cathy Whitaker<br />

finds herself falling for her handsome Black gardener in the wake of<br />

discovering her husband’s hidden queerness, Haynes frankly addresses<br />

issues that in actual 1950s films remained coded, while nimbly maintaining<br />

the attitudes and language of the era. This stunning film, which earned four<br />

Academy Award nominations, also represents perhaps the finest work in<br />

the ongoing filmmaking trio of Haynes, producer Christine Vachon (who<br />

has worked with Haynes since their breakout 1991 feature Poison), and<br />

star Julianne Moore (who joined the two for 1995’s Safe, and several<br />

more films after). <strong>Outfest</strong> is honored to welcome all three to this special<br />

20th anniversary screening to discuss their undeniably iconic partnership.<br />

PLATINUM CENTERPIECE<br />

HeBGB TV<br />

DIRS. JAKE MCCLELLAN, ERIC GRIFFIN,<br />

ADAM LENHART | USA | 78 MIN.<br />

SATURDAY | JULY 16 | 7:00PM | REDCAT<br />

WORLD PREMIERE<br />

A retro-horror TV cable box infiltrates a neighborhood<br />

when a brother and sister stay up past their bedtime to<br />

sneak in some late-night viewing. Suddenly, Knuckle Head<br />

appears in their living room and begins to curate nostalgic<br />

queer killer content that might just make them never sleep<br />

again! This queer tribute to goofy horror hijinks and cable<br />

access shenanigans is destined to be a cult classic. Jam<br />

packed with strange skits, scary songs, bawdy humor, and<br />

creepy characters all aiming for a cheap laugh. How does<br />

a vampire deal with puberty? Will a loving lesbian movie<br />

night go to hell? Created by a DIY filmmaking trio from<br />

small town Pennsylvania, this year’s platinum centerpiece<br />

will include an opening live action, spooky immersive<br />

experience, to guide viewers into the most ridiculously<br />

terrifying Halloween TV special ever seen on the big screen.<br />

LEGACY CENTERPIECE


TRANS, NON-BINARY & INTERSEX SUMMIT<br />

SATURDAY | JULY 23 | 3:00PM | DGA 1<br />

Now in it’s 6th year, the newly renamed<br />

<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> Trans, Nonbinary &<br />

Intersex Summit will showcase a multitude<br />

of trans, nonbinary & intersex experiences<br />

as a vision for the future of our lives. This<br />

year’s summit is a time-capsule titled<br />

Manifesting Our Future – a call to action<br />

to imagine ourselves 50 to 100 to 1000<br />

years from now. While trans, nonbinary<br />

RAQUEL WILLIS KEYNOTE SPEAKER<br />

Filmmaker Perspectives showcases<br />

short films from emerging trans,<br />

nonbinary & intersex filmmakers, using<br />

film to explore the multitude of trans,<br />

nonbinary and intersex experience.<br />

Each short is followed by a moderated<br />

conversation with the filmmakers or<br />

talent, and offers a glimpse into a<br />

particular theme or issue.<br />

and intersex people have garnered varying<br />

levels of visibility, the goal of this year’s<br />

summit is to unpack how visibility can shape<br />

our collective future. With visibility comes<br />

backlash and greater threats to our safety<br />

and belonging; but visibility also brings the<br />

power to imagine and the responsibility to<br />

uplift each other. To manifest the future, you<br />

envision it. Storytelling is a manifestation of<br />

Raquel Willis is a Black transgender<br />

activist, award-winning writer, and media<br />

strategist dedicated to elevating the dignity<br />

of marginalized people, particularly<br />

Black transgender people. Throughout her<br />

career, Raquel has held impactful positions<br />

like Director of Communications for The<br />

Ms. Foundation, executive editor of Out<br />

magazine, and a national organizer for<br />

Transgender Law Center (TLC).<br />

In 2018, she founded Black Trans Circles,<br />

a project of TLC, focused on developing<br />

the leadership of Black trans women in the<br />

South and Midwest by creating healing<br />

justice spaces to work through oppressionbased<br />

trauma and incubating community<br />

organizing efforts to address anti-trans<br />

murder and violence.<br />

FILMMAKER PERSPECTIVE #1<br />

THE ANTI-HERO<br />

FRAUD<br />

by Zen Pace and Dana Aliya Levinson (14 mins)<br />

A woman getting by with petty credit<br />

card fraud questions who she wants to be<br />

when her latest target surprises her with an<br />

unforeseen proposition.<br />

Q&A with Zen Pace and Dana Aliya Levinson,<br />

moderated by Zackary Drucker<br />

our imagination and the futures we dream<br />

of as trans, nonbinary and intersex people.<br />

The future is ours, the future is here, and right<br />

now more than ever, we have the power to<br />

manifest it.<br />

The 2022 6th Annual <strong>Outfest</strong> Trans,<br />

Nonbinary & Intersex Summit will<br />

feature four back to back programs:<br />

During her time at Out, she published the<br />

Trans Obituaries Project to highlight the<br />

epidemic of violence against trans women<br />

of color and developed a communitysourced<br />

13-point framework to end the<br />

epidemic. This project won a GLAAD<br />

Media Award. Raquel is a thought leader<br />

on gender, race and intersectionality.<br />

She’s experienced in online publications,<br />

organizing marginalized communities for<br />

social change, non-profit media strategy<br />

and public speaking while using digital<br />

activism as a major tool of resistance and<br />

liberation.<br />

She will be releasing her debut memoir<br />

about her coming of identity and activism<br />

with St. Martin’s Press in 2022.<br />

FILMMAKER PERSPECTIVES<br />

FILMMAKER PERSPECTIVE #2<br />

OUR BODIES, OUR CHOICE<br />

MY ABORTION SAVED MY LIFE<br />

by TransLash Media, created by Imara Jones,<br />

directed and produced by Ruby Rose Collins<br />

and Tiler Wilson, featuring Cazembe Murphy<br />

Jackson (9 mins)<br />

Cazembe Murphy Jackson (he/him), a<br />

Black trans activist living in Atlanta, Georgia,<br />

shares why his access to abortion was vital<br />

to his life. [CW/TW: sexual assault, rape,<br />

homophobia and transphobia]<br />

TRANS BODIES, TRANS CHOICES<br />

by TransLash Media, created by Imara Jones,<br />

directed and produced by Ruby Rose Collins and<br />

Tiler Wilson, featuring Jack Qu’emi Gutíerrez (7<br />

mins)<br />

After an unplanned pregnancy and<br />

unsuccessful Plan B contraceptive, Jack<br />

Qu’emi (they/them) sought abortion access<br />

in central Florida.<br />

ARTIST TO ARTIST CONVERSATION | TOWARD VISIBILITY:<br />

WHY INTERSEX REPRESENTATION MATTERS<br />

Featuring a live story performance from “The<br />

Moth” storyteller, actress & intersex activist<br />

Tatenda Ngwaru, and a sneak-peek look at<br />

“A Study of Self Hyponsis,” an upcoming book<br />

of poetry and visual album from Salvadoran-<br />

American filmmaker & intersex advocate<br />

River Gallo – this artist to artist conversation<br />

showcases two brilliant intersex artists and<br />

brings them together in conversation on why<br />

intersex representation matters and what we<br />

can do to move toward greater visibility for<br />

intersex stories.<br />

LIVE STORY PERFORMANCE<br />

by Tatenda Ngwaru (10 mins)<br />

SNEAK PEEK FROM “A STUDY OF SELF HYPNOSIS”<br />

by River Gallo (3 mins)<br />

This multi-media project includes a debut book of poetry and visual<br />

album exploring trans, intersex and non-binary identities as both gender<br />

expressions and philosophies of liminality and transcendence. Through<br />

personal and confessional storytelling, “A Study of Self Hypnosis”<br />

investigates the kaleidoscopic and psychedelic journey of transition,<br />

reckoning with self-induced trances, dictated by personal trauma,<br />

addiction, sexual abuse, romance, and set free by mysticism.<br />

Artist to Artist Conversation between River Gallo and Tatenda Ngwaru<br />

COMEDY SHOWCASE<br />

WE ARE NOT A JOKE… BUT WE ARE FUNNY<br />

Trans, nonbinary and intersex<br />

people are not a joke, but we can<br />

certainly deliver them. There is<br />

humor in our experience. We are<br />

Not A Joke… But We Are Funny is<br />

a comedy showcase featuring some<br />

of the funniest trans, nonbinary and<br />

intersex comedians today - emceed<br />

by D’Lo, featuring Nori Reed, Jes<br />

Tom, 7g, River Butcher, and Kai.<br />

PROGRAMMED BY: Kieran Medina<br />

SPECIAL THANKS: Zackery Alexzander<br />

Stephens, Zackary Drucker, River Gallo,<br />

Brian Michael Smith, Neil Landau, Valerie<br />

Stadler, Farhaad Virani, Keisha Zollar,<br />

Nova Cypress Black, Chris Renfro, Raul<br />

Martin Romero and Good Robot of Bad<br />

Robot Productions<br />

FRAUD<br />

Virtual introduction by Imara Jones. Q&A with<br />

Cazembe Murphy Jackson and Jack Qu’emi<br />

Gutíerrez, moderated by Jaden Fields


NARRATIVE FEATURES<br />

CHRISSY JUDY<br />

DIR. TODD FLAHERTY | USA | 96 MIN.<br />

FRIDAY | JULY 15 | 7:00PM | DGA 1<br />

DOS ESTACIONES<br />

DIR. JUAN PABLO GONZÁLEZ | MEXICO | 99 MIN.<br />

FRIDAY | JULY 15 | 7:15PM | DGA 2<br />

ALL KINDS OF LOVE<br />

DIR. DAVID LEWIS | USA | 76 MIN.<br />

SATURDAY | JULY 23 | 12:00PM | DGA 1<br />

Max, a stubborn gay man, is reeling from his recent divorce from<br />

his commitment-phobic husband. Starting over would be easier if<br />

Max’s shaky living situation didn’t frequently land him on his ex’s<br />

couch, where he inevitably interrupts whatever sexual escapade<br />

of the moment is playing itself out. Soon, Max becomes accidental<br />

roommates with a younger hip nerd who is as romantically<br />

challenged as he is, and sparks unexpectedly begin to fly. Longtime<br />

<strong>Outfest</strong> alum David Lewis’ feel-good and refreshingly sex-positive<br />

romantic comedy makes the welcome choice to expands its point of<br />

view beyond Max’s own troubles. What results is an open-hearted,<br />

sensitive story about people trying to follow their hearts, be it within<br />

an intergenerational romance, a late-in-life throuple, or through the<br />

eyes of an artistic trans man looking for love in all the wrong places.<br />

ATTACHMENT<br />

DIR. GABRIEL BIER GISLASON | DENMARK | 105 MIN.<br />

SATURDAY | JULY 16 | 6:15PM | HARMONY GOLD<br />

It’s every lesbian’s fear — what if the partner with whom you’re U-Hauling is<br />

possessed by a demon? Maja is a Danish actor unhappy with the direction<br />

of her career after playing a Christmas elf in a beloved jingle. Then she<br />

meets Leah, a young Jewish student visiting Denmark, and falls headover-heels<br />

for her. When Leah suffers a health scare, Maja offers to come<br />

back to London with her so she can care for her and keep their fledgling<br />

relationship going. Their homecoming in Leah’s Hasidic neighborhood<br />

is less than hospitable. Leah’s mother Chana is deeply secretive and<br />

increasingly overbearing. As Maja tries to ingratiate herself into Leah’s<br />

home and community, she starts to fear that the cause of Leah’s sickness —<br />

and Chana’s iciness — are rooted in supernatural terrors of Jewish folklore.<br />

Every gay guy has that one friend who can’t get their act together, but<br />

we can’t help but love them to pieces anyway. For thirty-something<br />

Chrissy, that’s his best judy, Judy, an endearing but perpetually messy<br />

ride-or-die who’s always got more than a few cocktails in the tank.<br />

Together, they’re an inseparable —bordering codependent — twoqueen<br />

drag act scraping by in the bars of New York. When Chrissy<br />

decides to leave town for his successful boyfriend, Judy’s left to pick<br />

up the pieces and forge a solo path in life and love with no one to lean<br />

on but himself. In striking black-and-white, director/writer/actor Todd<br />

Flaherty imbues Judy’s story with brilliant shades of heart and resilience<br />

to transform a misunderstood archetype into a tenacious superstar.<br />

In the highlands of Jalisco, the heiress of a tequila factory is so focused<br />

on fighting to maintain her family legacy in the face of encroaching<br />

American competition, that she risks losing sight of herself along<br />

that way. Juan Pablo González casts his observational eye on<br />

the complex life of Señora Maria, ​and delivers a layered portrait<br />

of a queer woman and her community that deepens the common<br />

narratives about rural Mexico. By building quiet, hypnotic sequences<br />

that unspool like a kaleidoscope of her daily life — merging Maria’s<br />

professional trials with her personal affection for a new employee<br />

— the film powerfully builds into a stunning examination of power<br />

and its limits, all anchored by a magnetic lead performance by<br />

Teresa Gómez which garnered her an acting prize at Sundance.<br />

BREAKING THE ICE<br />

DIR. CLARA STERN | AUSTRIA | 102 MIN.<br />

FRIDAY | JULY 22 | 9:30PM | DGA 2<br />

When it comes to ice hockey, Mira is no holds barred. As her team’s<br />

captain, she can’t afford to let her guard down and she leads with precision<br />

and determination. If only her personal life were that easy. Between her<br />

grandfather’s dementia getting progressively worse, her brother Paul<br />

disappearing for days on end, the family vineyard barely staying afloat,<br />

and her mother being no help at all — she’s barely keeping them together<br />

as the only responsible one left in the family. It’s a tenuous existence that<br />

gets shaken up when the freewheeling Theresa joins the ice hockey team,<br />

unsettling the usually uptight Mira. It all comes to a head one late night,<br />

lost in Vienna. Can she finally learn to let go and be free to find love?<br />

THE FIRST FALLEN<br />

DIR. RODRIGO DE OLIVEIRA | BRAZIL | 107 MIN.<br />

SUNDAY | JULY 17 | 3:30PM | DGA 2<br />

Suzano, Humberto, and Rose are three friends living in a small<br />

Brazilian town in 1983. Their lives are as fraught with happiness<br />

and heartbreak as any gay men or trans women of the era could<br />

expect. As the first wave of the AIDS epidemic takes hold in their<br />

community, their chosen family’s bond must grow even stronger. With<br />

energy, humor, and righteous anger, director Rodrigo de Oliveira<br />

creates a drama that is full of life. Powerful performances, vibrant<br />

color, and dramatic craft propel The First Fallen into an emotional<br />

journey that’s just as thrilling as any action picture, and that burns<br />

with the fiery passion of art that’s both entertainment and activism.<br />

GIRL PICTURE<br />

DIR. ALLI HAAPASALO | FINLAND | 100 MIN.<br />

FRIDAY | JULY 22 | 7:00PM | DGA 2<br />

Bursting with the incandescent energy and uncontainable wild<br />

emotions that one experiences when on the cusp of their young<br />

adulthood, director Alli Haapasalo’s tremendous Sundance awardwinning<br />

coming of age story cuts through the choppy waters of<br />

late-teenage apprehension, to ride the waves of exhilarating selfdiscovery.<br />

Wild child Mimmi and the more reserved Rönkkö — best<br />

friends for life — spend every Friday working together at a smoothie<br />

stand in the mall. Everything changes when Mimmi meets ice skating<br />

champion Emma, her soon to be first love, and Rönkkö decides to take<br />

her sexual awakening into her own hands. Featuring unforgettable<br />

performances from its central trio and music from the likes of Perfume<br />

Genius, Haapasalo crafts a queer cinema instant classic. By grounding<br />

her characters in authentic feeling, she captures the cathartic<br />

beauty of breaking out of childhood and sprinting into your future.


NARRATIVE FEATURES<br />

MY EMPTINESS AND I (MI VACIO Y YO)<br />

DIR. ADRIÁN SILVESTRE | SPAIN | 98 MIN.<br />

SATURDAY | JULY 16 | 1:00PM | HARMONY GOLD<br />

MONEYBOYS<br />

DIR. C.B. YI| FRANCE | 120 MIN.<br />

WEDNESDAY | JULY 20 | 9:45PM | DGA 1<br />

LONESOME<br />

DIR. CRAIG BOREHAM | AUSTRALIA | 95 MIN.<br />

SATURDAY | JULY 23 | 9:30PM | DGA 1<br />

Down and out and on the run, handsome drifter Casey rolls into big<br />

city Sydney with a longing for connection and an untold past in the<br />

countryside. Adrift within the all-consuming hook-up scene of this<br />

unknown urban labyrinth, he strikes up a friendship with charismatic<br />

fellow hustler Tib after crossing paths in bed. Their connection quickly<br />

settles into a physical and emotional partnership that offers the promise<br />

of a new beginning for them both but only if they can survive the secrets<br />

and sinister forces that surround them. With an eye towards finding the<br />

sublime where others might look away, director Craig Boreham crafts<br />

an erotic, sensitively tuned vision of striking vulnerability that dares<br />

to kindle hope and redemption against the most impossible odds.<br />

MARS ONE ( MARTE UM)<br />

DIR. GABRIEL MARTINS | BRAZIL | 115 MIN.<br />

THURSDAY | JULY 21 | 7:00PM | DGA 2<br />

In this Sundance darling about a young woman discovering her queerness<br />

and taking a brave leap into new love, Brazilian director Gabriel Martins<br />

weaves a tender family drama with a sensual love story. Set in the postelection<br />

tumult of Bolsanaro’s regime, we meet a working class family of<br />

four, each with their own wishes for their future. Eldest sister Eunice has<br />

just met her great love in Joana, but hesitates to reveal her true self to her<br />

family members each dealing with their own challenges. Avoiding the<br />

dramatic trappings of the coming out narrative, Martins instead shows<br />

us a casual, easy love progressing naturally. Bathed in all the colors<br />

and music Brazil has to offer, Mars One is a celebration of life in the<br />

face of tragedy, and the enduring familial love that carries through it all.<br />

<strong>Outfest</strong> alum Adrián Silvestre partners with co-writer and lead<br />

actress Raphaëlle Perez to create a colorful, layered portrait of a<br />

life in flux. Perez plays Raphi, a low-level office worker with dreams<br />

of being an artist. When Raphi is diagnosed with gender dysphoria,<br />

her story becomes a deeply humane exploration of the choices<br />

one trans woman makes as she learns to re-enter the dating world,<br />

demand more from her sex life, and come into her own as a gifted<br />

writer and performer. Bursting with vitality and exuberance, the<br />

community that forms around Raphi is inspirational, led by a support<br />

group of multigenerational trans women played by the subjects of<br />

Silvestre’s <strong>Outfest</strong> Award-winning documentary, Sediments. This is an<br />

invigorating cinematic experience, destined to become a queer classic.<br />

Director C.B. Yi’s gritty and tender debut feature explores the<br />

emotional entanglements and secret world of street hustlers — or<br />

“Moneyboys” — working their clients and making a living in big city<br />

Beijing, where gay life is taboo but a surplus of demand survives in<br />

the shadows. Far from his home in rural China, twenty-something Fei<br />

rises in their ranks as a wet-behind-the-ears newcomer while sending<br />

along his earnings to the conservative family he left behind in the<br />

countryside. But when their disapproval irrevocably complicates his<br />

position, his life in the profession shifts as he seeks a new chapter in<br />

love without price tags attached. Yi’s tactile sensitivity and assured<br />

sense of direction with actors and their environment evokes a longing<br />

to belong against the shimmering mystery of starting your life anew.<br />

Content advisory: Depictions of violence<br />

Content advisory: This film contains intense scenes of a graphic sexual nature.<br />

MAYBE SOMEDAY<br />

DIR. MICHELLE EHLEN | USA | 91 MIN.<br />

SATURDAY | JULY 23 | 7:00PM | DGA 1<br />

When her wife devastatingly asks for a separation in order to explore other<br />

options, Jay decides to pick up her life and move across the country to<br />

start anew. Halfway through the trip, she makes a pit stop to visit her high<br />

school best friend, a single mother raising a young daughter. Haunted by<br />

the memories of her crumbling marriage and holding out for a second<br />

chance, Jay postpones the rest of her trip. She’s paralyzed in her grief<br />

until she befriends a charismatic gay man whose outlook on love forces<br />

her to come to terms with her new reality. Michelle Ehlen (Heterosexual<br />

Jill, S&M Sally) returns to <strong>Outfest</strong> LA with an honest and heartfelt journey:<br />

a love letter to the people who help pick us up when our hearts are<br />

broken, and the beauty of discovering the strength to create a fresh start.<br />

PETER VON KANT<br />

DIR. FRANÇOIS OZON | FRANCE | 85 MIN.<br />

SUNDAY | JULY 17 | 9:30PM | DGA 1<br />

One of contemporary cinema’s most prolific and stylish artists, François<br />

Ozon’s (8 Women, Summer of ‘85) latest breathes dazzling new life into<br />

a landmark of the queer canon. This tale of romantic obsession uses the<br />

framework of Rainer Werner Fassbinder’s 1972 masterpiece The Bitter<br />

Tears of Petra von Kant, and remolds it to focus on prickly film director<br />

Peter (Denis Ménochet), whose friend and frequent star Sidonie (a superb<br />

Isabelle Adjani) introduces him to young aspiring actor Amir. Peter is<br />

instantly infatuated, but with the beautiful Amir’s star rising and attention<br />

wandering, the potential rejection sends Peter’s temper into overload.<br />

No one is safe, including Peter’s long-suffering, silent assistant and his<br />

understanding mother (Fassbinder regular Hanna Schygulla), and the<br />

result is an explosive actors’ showcase that needs to be seen to be believed.<br />

PHEA<br />

DIR. ROCKY PALLADINO | UNITED KINGDOM | 93 MIN.<br />

SATURDAY | JULY 16 | 1:15PM | DGA 2<br />

Phea is an aspiring singer/songwriter who feels stuck. Her music<br />

career has stalled, and her relationship to her girlfriend Justine is on<br />

the precipice. So when Justine stops answering her calls, Phea tries to<br />

find her to get some explanation — but she is soon drawn into the orbit<br />

of a dangerous human trafficker that puts her own life, and Justine’s,<br />

on the line. She swiftly discovers that she would do whatever it takes<br />

to save her lover. Come for the emotionally and politically resonant<br />

lesbian spin on the myth of Orpheus, and stay for the extraordinary<br />

debut and music of Sherika Sherard — the singer/songwriter cast<br />

as Phea after the director saw her busking in a London tube station.<br />

Preceded by EDIBLE Dir. Kandis Golden, 2021, 18 min.


NARRATIVE FEATURES<br />

PLEASE BABY PLEASE<br />

DIR. AMANDA KRAMER | USA | 95 MIN.<br />

FRIDAY | JULY 15 | 9:30PM | DGA 1<br />

In director Amanda Kramer’s neon-drenched, highly stylized 1950s<br />

Manhattan, greaser gang The Young Gents stalk the streets. When they<br />

stage an attack at the doorstep of newlyweds Suse and Arthur (Andrea<br />

Riseborough and Henry Melling), witnessing the violence awakens the<br />

couple’s dormant fantasies of smashing through their expected gender<br />

roles. Suse, spurred on further by a conversation with her rebellious upstairs<br />

neighbor (a sublime Demi Moore), imagines herself as the femme dom star<br />

of elaborate S&M daydreams. While Arthur finds a welcome home for his<br />

softness and sensitivity in the gangs’ sexy leader (Karl Glusman). Fantasy<br />

bleeds into reality, and both squares and criminals alike give into temptation.<br />

Kramer’s deliciously entertaining, star-studded tour-de-force becomes<br />

a sensual exploration of how acting wrong can sometimes feel so right.<br />

Preceded by FOU DE BASSAN Dir. Yann Gonzalez, 2021, 4 min.<br />

THREE HEADED BEAST<br />

During a hot Texas summer, bisexual couple Peter and Nina begin to<br />

explore the boundaries of their open relationship. Everything seems<br />

good; sometimes they’ll even spend the afternoon in the beds of<br />

their lovers before returning home. But as the couple rejoices in the<br />

simple pleasures of being free to explore their desires, their foundation<br />

DIRS. FERNANDO ANDRÉS, TYLER RUGH | USA | 83 MIN.<br />

TUESDAY | JULY 19 | 9:45PM | DGA 1<br />

begins to crack as Peter’s new boyfriend Alex asserts his feelings<br />

and unique place within this delicate arrangement. This microbudget<br />

gem from directors Tyler Rugh and Fernando Andres stands out with<br />

a rare and exquisite narrative alchemy, crafted through emotionally<br />

attuned scenes built from the messy beauty of human passion.<br />

SHALL I COMPARE YOU TO A SUMMER’S DAY?<br />

DIR. MOHAMMAD SHAWKY HASSAN<br />

EGYPT, LEBANON, GERMANY | 66 MIN.<br />

THURSDAY | JULY 21 | 9:45PM | DGA 2<br />

SUBLIME<br />

DIR. MARIANO BIASIN | ARGENTINA | 100 MIN.<br />

MONDAY | JULY 18 | 7:00PM | PLAZA DE LA RAZA<br />

THREE TIDY TIGERS TIED A TIE TIGHTER<br />

DIR. GUSTAVO VINAGRE | BRAZIL | 86 MIN.<br />

SATURDAY | JULY 16 | 3:45PM | HARMONY GOLD<br />

YOU CAN LIVE FOREVER<br />

DIR. SARAH WATTS, MARK SLUTSKY | CANADA | 96 MIN.<br />

SATURDAY | JULY 23 | 3:45PM | DGA 2<br />

In this queer contemporary musical from Egyptian director Mohammad<br />

Shawky Hassan, soft speaking voices, and a dreamlike soundscape<br />

of Egyptian pop music pull you in. Based on a diary of the filmmaker’s<br />

personal love stories, and told in the form of a tale from One Thousand<br />

and One Nights, Hassan’s film gives us a glimpse into the sensual<br />

experiences of gay Egyptian men. Telling their stories with humor,<br />

tenderness, and wit, the power of prose commands attention and<br />

allows viewers to be completely swept up in Hassan’s unique vision.<br />

With gorgeous colors, handsome actors, and imaginative editing,<br />

Shall I Compare You To a Summer’s Day? is a cinematic delight.<br />

Preceded by EXALTED MARS Dir. Jean-Sébastien Chauvin, 2021, 18 min.<br />

Somewhere along the Atlantic coast in Argentina, teenage Manu spends<br />

his days hanging out and playing bass guitar in a band alongside his best<br />

friend Felipe — with whom his passionate chemistry may be developing<br />

into something more than friendship. As Manu wrestles with the unexpected<br />

emotional turmoil of falling in love for the first time, let alone with his male<br />

best friend, vibrant scene-building thrusts the film into an unsteady realm of<br />

complicated feelings and breathtaking intimacy. Tension builds as jealousy<br />

and nerves creep forward into the fray, threatening to break the bond<br />

between these two boys. Filled with stolen glances and rushes of discovery,<br />

director Mariano Biasin vividly conveys the mercurial complexities of<br />

coming of age alongside an intimate tale about the value of friendship.<br />

Brazilian director Gustavo Vinagre scored the Teddy Award for Best<br />

Feature Film at this year’s Berlinale for this dazzling journey through a<br />

not-too-distant future. Jonata, Pedro and Isabella — three friends in the<br />

working-class suburbs of São Paulo — each attempt to make their way in a<br />

world that’s been harshly affected by rampant capitalism, and a pandemic<br />

whose disease threatens to claim cherished memories. New friendships<br />

and first loves are prey to forgetfulness, but this trio of young queer stalwarts<br />

fight the plague via their shared experiences and collective memories.<br />

Outrageous and thought-provoking, this film brims over with humor,<br />

absurdism, and witty narrative devices that build to an unforgettable climax.<br />

This debut feature from directing team Mark Slutsky and Sarah Watts<br />

tells a tender story within a Jehovah’s Witness community about a teen<br />

girl falling in love for the first time in the wake of her father’s death.<br />

Jaime is secure in her queerness, but her crush Marike is too devout<br />

to fully live in her truth. Their relatives and neighbors are portrayed<br />

as loving, but unmoving in their adherence to traditional gender<br />

roles. Marike adheres to them, and tries to get Jaime to do the same,<br />

causing conflict between the young lovers. But the two can’t stay away<br />

from each other, stealing glances at dinner and having flirtatious<br />

sleepovers. And when the community catches on to their secret love,<br />

Jaime must choose between being with Marike or being true to herself.


ALUMNI SPOTLIGHT<br />

OUTSET ALUMNI<br />

SAV RODGERS he/him<br />

In October 2018, <strong>Outfest</strong> organized a screening of the budding cult classic<br />

Jennifer’s Body. Sav Rodgers may have only been visiting <strong>Los</strong> <strong>Angeles</strong>, but the<br />

event called out to him. The raucous night was his first taste not only of the city’s<br />

festival scene but also of the careful curation that guides <strong>Outfest</strong> yearound. The<br />

experience is what pushed him to apply to the <strong>Outfest</strong> Outset Young Filmmakers<br />

Project.<br />

The following year proved to be transformative for Rodgers. Outset gave him the<br />

push he needed: “It was an opportunity for me to move to <strong>Los</strong> <strong>Angeles</strong> and find<br />

queer community for the first time in my life. I made countless friends and found<br />

new mentors.” Moreover, it was in his Outset class where he met his writing<br />

partner, Taylor Gates. “I’ll always be grateful for the experience.”<br />

Since that fateful evening watching Megan Fox tear through the screen spouting<br />

Diablo Cody’s endlessly quotable campy dialogue, Rodgers—who’s currently<br />

in post-production on his debut feature documentary, Chasing Chasing Amy—<br />

has come to further appreciate the space <strong>Outfest</strong> carves out for filmmakers<br />

like himself. “Community and queer spaces are incredibly important to me.<br />

<strong>Outfest</strong> provides both. I’ve met some of the most incredible people all through<br />

a shared passion for independent queer cinema. The value of that bond can’t<br />

be overstated.”<br />

OUTFEST ANTHONY MEINDL<br />

ACTING FELLOWSHIP ALUMNI<br />

D’LO he/they<br />

The title of D’Lo’s various shows over the years—which include Ramble-Ations,<br />

D’FunQT, D’FaQTo Life and To T, or not To T, which just finished a run at the<br />

Kirk Douglas Theater here in <strong>Los</strong> <strong>Angeles</strong>—capture the voice of this queer/<br />

transgender Tamil-Sri Lankan-American actor/writer/comic. There’s an<br />

ebullience to their work that shines through even on the page. A longtime<br />

friend of the festival (D’Lo estimates they first got involved with it back in<br />

2009 through his work with Adelina Anthony as director for her solo show<br />

at the Redcat), the multihyphenate performer was part of the <strong>Outfest</strong> Anthony<br />

Meindl Acting Fellowship in 2019. It’s an experience they remember fondly<br />

because not only did it help them hone their skills (they still recall how helpful<br />

and sensitive teachers like Barbara Howlin and Nina Rausch were then) but<br />

because they got to meet a number of actors they remain in contact with.<br />

“<strong>Outfest</strong> is another family for me. I love how something so huge can feel<br />

so intimate. It is not just a place to gather, but it’s a place to be in further<br />

amazement of the magic that queer creators have. Everytime I go to an <strong>Outfest</strong><br />

event, I remember how much community I have even if I don’t get to see<br />

everyone as often. GODS BLESS THE QUEERS!”


SHORTS PROGRAM<br />

FOR LOVE<br />

ALL THE LOVERS SATURDAY | JULY 16 | 9:00PM | DGA 2<br />

It’s about all of us! Each film demonstrates the true beauty of authentic<br />

LGBTQIA+ relationship experiences and the united themes of loss,<br />

dedication, isolation, love, sorrow, spirituality, and family. In these films<br />

you’ll see a celebration of queerness, the struggle to come out to your family,<br />

the heartbreak of letting loved ones go, and more moments of genuine<br />

connection and intimacy. Tonight — we celebrate intimacy and relationships.<br />

HIGH JUMP (Dir. Lennert Madou) 12 Mins. I WISH I NEVER<br />

FUCKING MET YOU (Dir. Jacob Charton) 10 Mins. FOSTER (Dir.<br />

Jordi Wijnalda) 12 Mins. THE SPIRIT GOD GAVE US (Dir. Michael<br />

Donte) 20 Mins. FOR LOVE (Dir. Joy Gharoro-Akpojotor) 12 Mins.<br />

FIRECRACKER (Dir. Caroline Guo) 14 Mins. THE BOWER (Dir. Marco<br />

Alessi) 18 Mins. TOP BOTTOM TOP (Dir. Graham Kolbeins) 3 Mins.<br />

NORTH STAR<br />

COME TO MY WINDOW<br />

SATURDAY | JULY 16 | 4:00PM | DGA 2<br />

A quiet look at one’s life as we age. Time and connection are<br />

altered in these memorable shorts. How do our former and current<br />

lovers imprint on our lives? Whether it’s a Taiwanese lesbian<br />

rock singer reconnecting with her first love after 30 years, or two<br />

strangers meeting on a train in Spain — how do we measure the<br />

truth and vulnerability of life? Through the legacy of a pioneering<br />

lesbian-lover-filmmaker, or is it perhaps through a rancher and<br />

his ailing husband. These queer elders’ shorts display pride and<br />

power of love no matter how far away in time you get from them.<br />

LOVE, BARBARA (Dir. Brydie O’Connor) 15 Mins. THE<br />

EPHEMERAL (Dir. Jorge Muriel) 20 Mins. NORTH STAR (Dir. P.J.<br />

Palmer) 30 Mins. ENCORE MARTHA (Dir. Natasha K. Sung) 24 Min.<br />

BEAUTIFUL STRANGER<br />

FELLAS THAT WERE IN THE MOOD<br />

MONDAY | JULY 18 | 9:30PM | DGA 1<br />

Hot-blooded passion mingles with down-and-dirty desire in these<br />

sensual short films that explore the erotic possibilities of gay male<br />

experience. Across an international spread of sumptuous visions from<br />

talented filmmakers stretching the limits of their medium, this host of<br />

eclectic characters navigate the politics of throupledom, dating app<br />

dilemmas, and how to choose the perfect bedroom partner for the first<br />

time. Not to mention, through immersive first person cinematography,<br />

the chance to invite the viewer (you!) in as a third. Join us for this<br />

voyeuristic voyage into only the most pleasurable of realms.<br />

BEAUTIFUL STRANGER (Dir. Benjamin Belloir) 26 Min. FIRSTS<br />

(Dir. Jesse Ung) 17 Min. OPEN TO IT (Dir. Greg Wolf) 22 Min.<br />

SORRY, I CAN’T TALK RIGHT NOW (Dir. Bia Jurema) 9<br />

Min. THREE’S COMPANY (Dir. Steve Balderson) 30 Min.<br />

UP CLOSE<br />

BLEND INTO MY FAVORITE COLOR<br />

SATURDAY | JULY 16 | 6:30PM | DGA 2<br />

These aren’t your average Saturday morning cartoons, and they are<br />

certainly not for kids. A medium that inherently lends itself to the surreal —<br />

with boundaries and constraints only limited to that of the imagination —<br />

animation is seemingly the perfect vessel for LGBTQIA+ stories. Whether<br />

illustrating spoken word poetry or diving into a childhood memory,<br />

documenting bi visibility, dismantling personal trauma or flooding the<br />

rainbow floor your first day in the dorms — these films encompass a<br />

full array of animation styles, techniques, and perspectives. Gorgeous<br />

imagery and bursts of color punctuate this program that is sure to open<br />

your mind, touch your heart, and keep you marveling at the wonder.<br />

BI THE WAY (Dir. Amir Ovadia Steklov) 16 Mins. flooded daisies<br />

(Dir. PoeticMoment) 2 Mins. HOT TODDY (Dir. Mary Sette) 17 Mins.<br />

LIPSTICK OF THE BRAVE (Dir. Bill Plympton) 6 Mins. MEN IN<br />

BLUE: 12 STORIES (Dir. Francisco Bianchi) 3 Mins. NEW MOON<br />

(Dirs. Jeremie Balais, Jeffig LeBars, Raul Domingo, Colman Domingo)<br />

11 Mins. RAINBOW FLOOR (Dirs. DeLeon Warren, Barry Strum) 14<br />

Mins. SINGLE (Dirs.Tilly Robba, Steph Jowett) 12 Mins. TOGETHER/<br />

APART (Dir. David Amberg) 7 Mins. UP CLOSE (Dir. Sam Gurry) 4 Mins.<br />

FOREIGN UNCLE<br />

BOY SHORTS<br />

SATURDAY | JULY 16 | 11:00AM | DGA 1<br />

Affirming, seductive, and hysterical stories come together in fabulous<br />

fashion to comprise this year’s dazzling collection of marquee<br />

gay male shorts. Whether it’s a camping trip on Catalina Island,<br />

a construction crane overlooking the buildings of Beirut, a trip to<br />

visit your boyfriend’s parents in Beijing or a chance encounter on<br />

a London balcony, the men in these evocative and deeply felt films<br />

from around the world search for a stage to plant their feet and<br />

live their truths out loud. Unique dilemmas arise — an accidentally<br />

ingested edible here, a lurid sex tape from a US Senator there — but<br />

by trusting their instincts or leaning on their community for support,<br />

they each demonstrate the true beauty of authentic gay experience.<br />

BRUTAL (Dir. Sam McConnell) 13 Min. CATALINA (Dir. Tyler<br />

Rabinowitz) 16 Min. F^¢K ‘€M R!GHT B@¢K (Dir. Harris Doran) 12<br />

Min. FOREIGN UNCLE (Dir. Sining Xiang) 20 Min. A FOX IN THE<br />

NIGHT (Dir. Keeran Anwar Blessie) 11 Min. WARSHA (Dir. Dania<br />

Bdeir) 15 Min.<br />

QUEER PARIVAAR LESBIAN MISERABLES<br />

GET HAPPY<br />

FRIDAY | JULY 15 | 9:45PM | DGA 2<br />

The world’s on fire! Forget your troubles by watching a delightful<br />

collection of shorts centered on coming-of-age, quiet joyful<br />

moments, and experiencing the wild rollercoaster of falling<br />

in love for the first time. These feel-good flicks will certainly<br />

make you forget all about getting ready for the judgment day.<br />

SEQUIN (Dir. Averi Israel) 4 Mins. TANK FAIRY (Dir. Erich<br />

Rettstadt) 10 Mins. IS THIS THE ONE? (Dir. Stephanie Mata)<br />

8 Mins. WUSS (Dir. Rubing Zhang) 12 Mins. THE LAST<br />

HUMAN PERSON ON EARTH (Dir. Ryan Michael Hoskins)<br />

14 Mins. QUEER PARIVAAR (Dir. Shiva Raichandani) 27 Mins.<br />

ALL THE CROWS IN THE WORLD (Dir. Tang Yi) 14 Mins.<br />

GIRL SHORTS<br />

FRIDAY | JULY 22 | 9:45PM | DGA 1<br />

Don’t be shy! A treasure trove of shorts all about women, their desires and<br />

gender presentation. From a queer femme’s kink party to solitary<br />

birthday celebration. This year we celebrate self-acceptance,<br />

aspiration, lesbianism, rebirth for all generations, all those who<br />

came before and all those who shall come after us. Stories in search<br />

of healing in Nigeria, a taxi ride in <strong>Los</strong> <strong>Angeles</strong>, a heartfelt sex talk<br />

in a hospital hallway in Spain, to a dyke on a motorcycle in Brazil.<br />

THE BIRTH OF A BEAUTIFUL BUTCH (Dir. Gia-Rayne Harris)<br />

3 Min. BLOOD HANA (Dir. M.G. Evangelista) 15 Min. A WILD<br />

PATIENCE HAS TAKEN ME HERE (Dir. Érica Sarmet) 26<br />

Min. LESBIAN MISERABLES (Dir. Tess Paras) 3 Min. HAPPY<br />

BIRTHDAY, YOU MADE IT (Dir. Yuelei Song) 6 Min. CAR<br />

THERAPY: UNCOUPLING (Dir. Jennelle Williams) 7 Min.<br />

NENENA (Dir. Johaira Michelle Dilauro) 1 Min. MASQUERADE<br />

(EGÚNGÚN) (Dir. Olive Nwosu) 15 Min. YES, GODDESS (Dir.<br />

Randa Jarrar) 12 Min. MY FIRST CHOICE (Dir. Carlota Callén) 6 Min.


SHORTS PROGRAM<br />

ADAM, EVE AND THE<br />

FORBIDDEN FRUIT EL MARIJUANO SPACESHIP<br />

LATINXCELLENCE TUESDAY | JULY 19 | 9:30PM | PLAZA DE LA RAZA<br />

Excellence doesn’t even begin to describe the storytelling on display in<br />

this year’s collection of Latinx shorts. Full of heartache, longing, dancing,<br />

manicures, and a little weed, these stories celebrate the importance of our<br />

sacred connections — not just to the people in our lives but to our culture.<br />

Whether honoring a grandparent, stressing over a quinceañera, saying an<br />

emotional goodbye, or finding your way back to someone, we know one<br />

thing is true, our strength comes from the love we give to the ones we hold<br />

dear — and our excellence comes from the bonds we have to each other.<br />

¡NAILS! (Dir. Eliana Pipes) 5 Mins. ADAM, EVE AND THE FORBIDDEN<br />

FRUIT (Dir. R.B. Lima) 20 Mins. BLESSED AND HIGHLY FAVORED<br />

(Dirs. Marianna Amelinckx, Julieta Messmer) 8 Mins. EL MARIJUANO<br />

(Dir. Andre Lara Cervantes) 18 Mins. I SHOULD FEED MY CAT (Dir.<br />

Abram Cerda) 17 Mins. LAS PLANTAS DE MIS ABUELOS (Dirs. Nicolas<br />

Jara, Lilith King-Smithson) 1 Min. MERCURY RETROGRADE (Dir. Gustavo<br />

Gamero) 6 Mins. RECUERDO DE UNA TARDE EN LA AZOTEA<br />

(Dir. Tavo Ruiz) 9 Mins. SPACESHIP (Dir. Jorge G. Camarena) 19 Mins.<br />

LUV, ME<br />

THE NEWER QUEER CINEMA<br />

WEDNESDAY | JULY 20 | 9:30PM | DGA 2<br />

Operating across diverse filmmaking styles, from narrative comedy,<br />

to bracing documentary, to enthralling avant garde techniques, the<br />

directors in this program (all of them age 25 or younger) possess<br />

the electrifying energy of a younger generation honing their craft<br />

and blossoming into their authorial voices. With only a few years of<br />

experience under their belts, these artists demonstrate a seasoned<br />

professional’s control of the medium, and provide a blueprint to the<br />

inspiring new possibilities for the queer storytelling of the future.<br />

BLOOMING (Dirs. Sitong Cao, Yuanxin Qiu) 1 Min. the beginning<br />

& the middle (Dir. Alexis G. Zall) 10 Mins. CANS CAN’T STAND<br />

(Dirs. Matt Nadel, Megan Plotka) 19 Mins. ELE OF THE DARK (Dir.<br />

Yace Sula) 13 Mins. HALF (Dir. Jacob Roberts) 11 Mins. CARTAS<br />

PARA AXÉL (Letters to Axél) (Dir. Miles Adonay Lopez) 23 Mins.<br />

LUV, ME (Dirs. Nicolas Jara, Yen Dinh) 10 Mins. ONE LIFT AT A<br />

TIME (Dirs. Flo Singer, Ben Dame) 9 Mins.<br />

KEEP/DELETE<br />

TURN AND FACE THE STRANGE<br />

SATURDAY | JULY 23 | 6:15PM | DGA 2<br />

This collection of bizarre shorts is bound to leave you puzzled,<br />

horrified, or downright thrilled. Watching voyeuristic neighbors,<br />

murderous perfume salesmen, college catfishers, sapphic<br />

classically-trained musicians, and spurned sci-fi lovers struggling<br />

to deal with their relationship hangups. It’s time to embrace the<br />

surreal and the fantastical with these out-there fever dreams.<br />

LOLLYGAG (Dir. Tij D’oyen) 10 Mins. ANACONDA (Dir. Joshua Amar)<br />

12 Mins. DOOLEY DOES MURDER! (Dir. Donta ‘Dawn’ Storey) 11<br />

Mins. DON’T GO WHERE I CAN’T FIND YOU (Dir. Rioghnach ni<br />

Ghrioghair) 20 Mins. SUCCESSFUL THAWING OF MR. MORO (Dir.<br />

Jerry Carlsson) 15 Mins. KEEP/DELETE (Dir. Kryzz Gautier) 19 Mins.<br />

Content advisory: Some films contain depictions of violence.<br />

FIRST DOWN<br />

VALENTINE<br />

OUR TRUTH, OUR HISTORY<br />

TUESDAY | JULY 19 | 7:00PM | DGA 2<br />

Whether they’re intimate short documentaries or narrative<br />

reenactments of key queer moments throughout history, the shorts in<br />

this collection introduce us to previously unknown but nevertheless vital<br />

tales of LGBTQIA+ communities past and present. Gifted non-fiction<br />

filmmakers allow us to spend a few moments with inspirational queer<br />

athletes, and trailblazing Muslim leaders. Members of the legendary<br />

House of LaBeija write letters ruminating on their personal stories,<br />

and actors boldly take on the persona of towering figures like James<br />

Baldwin. Altogether, these films weave a tapestry of queer life from all<br />

corners of the world that finally tell their small but significant stories.<br />

THE BALDWIN ARCHIVES (Dir. Laura Seay) 8 Mins. FIRST<br />

DOWN (Dir. Carrie Stett) 12 Mins. HOLDING MOSES (Dir.<br />

Rivkah Beth Medow) 17 Mins. THE HOUSE OF LABEIJA (Dir.<br />

Fredgy Noël) 10 Mins. LEGACY (Dir. Giovannie Espiritu) 1 Min.<br />

THE LETTER MEN (Dir. Andy Vallentine) 9 Mins. PORTAL (Dir.<br />

Rodney Evans) 12 Mins. TWO-SPIRIT (Dir. Mónica Taboada-<br />

Tapia) 15 Mins. UNITY MOSQUE (Dir. Nicole Teeny) 7 Mins.<br />

OUTSIDE THESE WALLS<br />

SUNDAY | JULY 17 | 1:30PM | DGA 1<br />

Lovebirds in flux, frenemies, and rocker con artists are just some<br />

of the offerings of this truly transformative block. These filmmakers<br />

are challenging what audiences know as “trans stories” by daring<br />

to dream bigger than the usual fanfare. This collection of luminary<br />

narratives reflects the possibilities of storytelling for trans and nonbinary<br />

communities onscreen.<br />

FRAUD (Dir. Zen Pace) 13 Mins. PRITTYBOI (Dir. Nicolas<br />

Collins) 4 Mins. MONSIEUR LE BUTCH (Dir. Jude Dry) 12 Mins.<br />

CODE SWITCH (Dirs. Davis Alexander James, Mx. Roti) 5 Mins.<br />

PIERCING (Dir. Nate Gualtieri) 7 Mins. PERENNIAL (Dir. Griffin<br />

Cubero) 15 mins. VALENTINE (Dirs. Beck Kitsis, Chris McNabb)<br />

10 Mins. MY TRIP TO SPAIN (Dir. Theda Hammel) 28 Mins.<br />

BLACK BEAUTY<br />

WE GO OUR OWN WAY<br />

MONDAY | JULY 18 | 9:45PM | DGA 2<br />

The relentless pursuit of finding your voice and yourself is on<br />

full display in this collection of trans, nonbinary, and gendernonconforming<br />

stories. Changemakers, precocious teenagers,<br />

small-town aficionados, and the bold, creative expressions of trans<br />

femmes showcase the beauty within the breadth of trans experiences.<br />

WEST BY GOD (Dir. Scott Lazer) 13 Mins. BUILD OR DESTROY<br />

(Dir. Rashaad Newsome) 6 Mins. cosboi (Dir. Gosha Shapiro)<br />

15 Mins. PUT THE BRIGHTS ON (Dir. Raymond Rea) 17 Mins.<br />

PUNCH LINE (Dir. Becky Cheatle) 10 Mins. GOOD PRESSURE<br />

(Dirs. Caesar Osiris, Shea Diamond) 4 Mins. BLACK BEAUTY (Dir.<br />

Elle Moxley) 26 Mins.<br />

FIVE SONG TOUR<br />

WHEN WE TOUCH<br />

SUNDAY | JULY 17 | 8:30PM | DGA 2<br />

Love, longing, heartbreak, and impulse are in this set of girls’ shorts.<br />

Through an intimate, distinctly queer lens as they seek emotional<br />

freedom, love and self-discovery in a place that embraces their<br />

queerness. Whether it’s the first date, finding identity, or past<br />

relationships, all those seemingly innocuous moments that become<br />

part of us and shape who we choose to connect and be intimate with.<br />

Past loves reignite, new one’s blossom, and legacies come to life when<br />

these shorts resolve to write exciting new chapters in their own stories.<br />

MINUTES (Dirs. Alix Eve, Olivia Dowd) 14 Min. LUCKY FISH (Dir.<br />

Emily May Jampel) 8 Min. FIRST DATE (Dir. Carly Usdin) 11 Min.<br />

PAUSE (Dir. Jacquelynn Auger) 15 Min. KING MAX (Dir. Adèle<br />

Vincenti-Crasson) 21 Min. YOU (Dir. Nicole Eckenroad) 4 Min.<br />

WORK (Dir. April Maxey) 13 Min. FIVE SONG TOUR (Dir. Chloe<br />

Jury-Fogel) 13 Min.


SUBSCRIBE<br />

SUBSCRIBE<br />

SUBSCRIBE<br />

HOW TO FEST | FILM THEMES<br />

Are you new to the world of film festivals and wondering “How to navigate over<br />

200 films?!” or “Which films are for me?!” We at <strong>Outfest</strong> don’t want to leave<br />

you hanging — WE GOT YOU!!<br />

Along with a pull out grid to plan out your fest, we want this guide to help find<br />

your vibe! You’ll see these icons throughout the guide to help you navigate and<br />

find the flicks and events that are right for you — Happy Fest and welcome!<br />

HORROR<br />

Do you love a jump<br />

scare? A fan of all things<br />

paranormal? Maybe<br />

spooky season is where<br />

you come to life. Check<br />

out films like HeBGB TV<br />

and Attachment to get<br />

your horror fill.<br />

SPANISH LANGUAGE<br />

One of the world’s most<br />

widely spoken languages,<br />

Spanish languages films<br />

like Dos Estaciones and<br />

Mi Vacio y Yo are not to<br />

be missed at this years<br />

festival.<br />

TEEN-FRIENDLY<br />

Gen-Z is one of the most<br />

out and proud queer<br />

generations of our time,<br />

so bring them along and<br />

watch films like You Can<br />

Live Forever and Girl<br />

Picture to celebrate their<br />

ferocity.<br />

GET 6<br />

ISSUES<br />

FOR<br />

$19.95<br />

.COM/SUBSCRIBE<br />

Now Available in both<br />

Print or Digital Editions<br />

One Year (6 Issues of Out)<br />

For Just $19.95<br />

That’s 52% off the annual<br />

newstand price!<br />

When ordering add<br />

The Advocate to the Out<br />

one yearprint subscription<br />

$29.95 - THE BEST DEAL!<br />

COMEDY<br />

Who says being queer<br />

can’t be funny?! Get your<br />

laugh on with All Kinds of<br />

Love, our Comedy Night<br />

at The Ford with a block of<br />

funny shorts and stand-up,<br />

and a screening of God<br />

Save the Queens complete<br />

with live performances!<br />

BIPOC<br />

People of color have been<br />

in the world of film forever,<br />

and with films like Mama<br />

Bears and Moneyboys<br />

showing at this years<br />

festival, our talent,<br />

creativity and beauty<br />

thrives on the silver screen.<br />

ROMANCE<br />

Romance is all about<br />

all things love — and<br />

sometimes lust — check<br />

out films like Breaking the<br />

Ice and Nelly & Nadine if<br />

you’re into films that give<br />

you that fluttery feeling<br />

WOMEN’S INTEREST<br />

Girls on film is the vibe<br />

with these picks! Please<br />

Baby Please and a<br />

screening of the new series<br />

A League of Their Own<br />

puts ladies to the front on<br />

the big screen<br />

TGI (TRANS, GENDER<br />

DIVERSE, INTERSEX)<br />

The factual and fictional<br />

stories of Trans, Gender<br />

Diverse and Intersex folks<br />

are prominetly featured at<br />

this years festival. check<br />

out Anything’s Possible for<br />

teen crushes and besties<br />

and Passion for a kiss of<br />

extra romance<br />

LA LOCAL<br />

It’s in our name! <strong>Outfest</strong><br />

LA pays homage to our<br />

lovely locals with films<br />

like Manscaping and<br />

Hypochondriac, check ‘em<br />

out and catch these Cali<br />

vibes.<br />

SUPPORT QUEER MEDIA<br />

@outmagazine


THURSDAY, JULY 14TH<br />

ORPHEUM<br />

SATURDAY, JULY 16TH<br />

DGA 1<br />

DGA 2<br />

HARMONY<br />

GOLD<br />

REDCAT<br />

SUNDAY, JULY 17TH<br />

DGA 1<br />

DGA 2<br />

HARMONY<br />

GOLD<br />

REDCAT<br />

MONDAY, JULY 18TH<br />

DGA 1<br />

DGA 2<br />

PLAZA<br />

DE LA RAZA<br />

5:30<br />

PM<br />

10:30<br />

AM<br />

10:30<br />

AM<br />

7:00<br />

PM<br />

11:00<br />

AM<br />

11:00<br />

AM<br />

6:00<br />

PM<br />

7:30<br />

PM<br />

11:30<br />

AM<br />

8:00<br />

PM<br />

7:15 PM<br />

MANSCAPING<br />

6:30<br />

PM<br />

8:30<br />

PM<br />

7:00 PM PREJUDICE & PRIDE<br />

7:00 PM SUBLIME<br />

12:00<br />

PM<br />

7:00<br />

PM<br />

11:00 AM BOY SHORTS<br />

12:30<br />

PM<br />

11:15 AM SCREENWRITING LAB<br />

LIVE READING<br />

11:30<br />

AM<br />

11:00 AM ART<br />

AND PEP<br />

12:00<br />

PM<br />

12:30<br />

PM<br />

11:15 AM SCREENWRITING LAB<br />

LIVE READING<br />

9:00<br />

PM<br />

7:30<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

8:00<br />

PM<br />

10:30<br />

PM<br />

9:30 PM SHORTS: FELLAS THAT<br />

WERE IN THE MOOD<br />

9:45 PM SHORTS: WE GO<br />

OUR OWN WAY<br />

9:30 PM IT RUNS IN<br />

THE FAMILY<br />

8:30<br />

PM<br />

7:30 PM OPENING NIGHT GALA:<br />

ANYTHING’S POSSIBLE<br />

1:00<br />

PM<br />

1:30<br />

PM<br />

2:00<br />

PM<br />

2:30<br />

PM<br />

11:00<br />

PM<br />

9:00<br />

PM<br />

3:00<br />

PM<br />

DGA 1<br />

DGA 2<br />

9:30<br />

PM<br />

3:30<br />

PM<br />

1:45 PM EPISODIC SHOWCASE:<br />

LOS ANGELS IN FOCUS<br />

1:15 PM PHEA<br />

1:00 PM MY EMPTINESS AND I<br />

12:30 PM THE COCKETTES +<br />

TRICIA’S WEDDING<br />

1:00<br />

PM<br />

1:30<br />

PM<br />

2:00<br />

PM<br />

2:30<br />

PM<br />

1:30 PM SHORTS: OUTSIDE<br />

THESE WALLS<br />

3:00<br />

PM<br />

3:30<br />

PM<br />

PLAZA<br />

DE LA RAZA<br />

4:00<br />

PM<br />

7:00<br />

PM<br />

4:30<br />

PM<br />

7:30<br />

PM<br />

4:30 PM PUNKS<br />

4:00 PM SHORTS: COME TO<br />

MY WINDOW<br />

3:45 PM THREE TIDY TIGERS<br />

TIED A TIE TIGHTER<br />

4:00<br />

PM<br />

4:00 PM END OF<br />

WONDERLAND<br />

4:30<br />

PM<br />

8:00<br />

PM<br />

7:15 PM A LEAGUE OF<br />

THEIR OWN<br />

7:00 PM SHORTS: OUR<br />

TRUTH, OUR HISTORY<br />

8:30<br />

PM<br />

5:00<br />

PM<br />

5:00<br />

PM<br />

9:00<br />

PM<br />

5:30<br />

PM<br />

5:30<br />

PM<br />

9:30<br />

PM<br />

6:00<br />

PM<br />

10:00<br />

PM<br />

6:30<br />

PM<br />

6:00<br />

PM<br />

10:30<br />

PM<br />

6:30<br />

PM<br />

7:00<br />

PM<br />

7:30<br />

PM<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

DGA 1 7:00 PM CHRISSY JUDY 9:30 PM PLEASE BABY PLEASE<br />

DGA 2 7:15 PM DOS ESTACIONES 9:45 PM SHORTS: GET HAPPY<br />

REDCAT 7:00 PM YOUTOPIA 9:45 PM PASSION<br />

7:00<br />

PM<br />

11:00<br />

PM<br />

7:30<br />

PM<br />

9:45 PM THREE HEADED BEAST<br />

9:30 PM CRAZY + SLEEP WITH ME<br />

7:00 PM LOVE & GRAVITY 9:30 PM SHORTS: LATINXCELLENCE<br />

8:00<br />

PM<br />

DGA 1<br />

DGA 2<br />

8:30<br />

PM<br />

7:15 PM ALL MAN: THE INTERNATIONAL MALE<br />

STORY<br />

6:30 PM SHORTS: BLEND INTO MY<br />

FAVORITE COLOR<br />

7:00<br />

PM<br />

9:00<br />

PM<br />

7:30<br />

PM<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

7:00 PM UNIDENTIFIED<br />

OBJECTS<br />

7:15 PM<br />

JEANNETTE<br />

9:30<br />

PM<br />

9:00<br />

PM<br />

10:00<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

9:45 PM PAT ROCCO DARED<br />

9:00 PM SHORTS: ALL THE LOVERS<br />

6:15 PM ATTACHMENT 9:00 PM QUEER FOR FEAR<br />

6:30<br />

PM<br />

7:00 PM HEBGB TV 9:30 PM HYPOCHONDRIAC<br />

7:00<br />

PM<br />

4:00 PM FRAMING AGNES 6:30 PM FAR FROM HEAVEN 9:30 PM PETER VON KANT<br />

1:15 PM CONCORD PITCH EVENT 3:30 PM THE FIRST FALLEN 6:15 PM QUEER RIOT<br />

11:00 AM A RUN FOR MORE 2:00 PM MAKE ME FAMOUS<br />

12:30 PM ESTUARIES<br />

4:30 PM LOVING<br />

HIGHSMITH<br />

3:15 PM A CONVERSATION WITH<br />

CLIVE BARKER +<br />

NIGHTBREED (THE DIRECTOR’S CUT)<br />

TUESDAY, JULY 19TH<br />

FILM GUIDE SCHEDULE<br />

FRIDAY, JULY 15TH<br />

7:30<br />

PM<br />

6:30 PM PLATINUM SHORTS<br />

SHOWCASE<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

8:30 PM SHORTS:<br />

WHEN WE TOUCH<br />

10:00<br />

PM<br />

7:00 PM SIRENS 9:15 PM LE BEAU MEC<br />

WEDNESDAY, JULY 20TH<br />

10:30<br />

PM<br />

10:30<br />

PM<br />

11:00<br />

PM<br />

11:00<br />

PM<br />

9:45 PM MONEYBOYS<br />

9:30 PM SHORTS: THE<br />

NEWER QUEER CINEMA<br />

11:00<br />

PM<br />

11:00<br />

PM<br />

11:30<br />

PM<br />

11:30<br />

PM<br />

11:30<br />

PM<br />

11:30<br />

PM<br />

THURSDAY, JULY 21ST<br />

DGA 1<br />

DGA 2<br />

THE FORD<br />

5:30<br />

PM<br />

6:00<br />

PM<br />

6:30<br />

PM<br />

7:00<br />

PM<br />

7:30<br />

PM<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

7:15 PM NELLY & NADINE<br />

7:00 PM MARS ONE<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

8:00 PM UNCONVENTIONAL<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

9:30 PM STAY ON BOARD:<br />

THE LEO BAKER STORY<br />

11:00<br />

PM<br />

9:45 PM SHALL I COMPARE YOU<br />

TO A SUMMER’S DAY<br />

11:30<br />

PM<br />

FRIDAY, JULY 22ND<br />

5:30<br />

PM<br />

6:00<br />

PM<br />

6:30<br />

PM<br />

7:00<br />

PM<br />

7:30<br />

PM<br />

DGA 1 7:15 PM MAMA BEARS 9:45 PM GIRL SHORTS<br />

DGA 2 7:00 PM GIRL PICTURE 9:30 PM BREAKING THE ICE<br />

THE FORD<br />

8:00 PM GOD SAVE THE QUEENS<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

11:00<br />

PM<br />

11:30<br />

PM<br />

SATURDAY, JULY 23RD<br />

DGA 1<br />

10:30<br />

AM<br />

11:00<br />

AM<br />

11:30<br />

AM<br />

12:00<br />

PM<br />

12:30<br />

PM<br />

1:00<br />

PM<br />

12:00 PM ALL KINDS<br />

OF LOVE<br />

1:30<br />

PM<br />

2:00<br />

PM<br />

2:30<br />

PM<br />

3:00<br />

PM<br />

3:30<br />

PM<br />

4:00<br />

PM<br />

4:30<br />

PM<br />

3:00 PM TRANS, NONBINARY,<br />

AND INTERSEX SUMMIT<br />

5:00<br />

PM<br />

5:30<br />

PM<br />

6:00<br />

PM<br />

6:30<br />

PM<br />

7:00<br />

PM<br />

7:30<br />

PM<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

7:00 PM MAYBE SOMEDAY 9:30 PM LONESOME<br />

11:00<br />

PM<br />

11:30<br />

PM<br />

DGA 2<br />

THE FORD<br />

SUNDAY, JULY 24TH<br />

THE ACE<br />

10:30<br />

AM<br />

11:00<br />

AM<br />

11:15 AM SCREENWRITING LAB LIVE<br />

READING<br />

11:30<br />

AM<br />

12:00<br />

PM<br />

12:30<br />

PM<br />

1:00<br />

PM<br />

1:30<br />

PM<br />

1:15 PM UYRA - THE RISING<br />

FOREST + CHAAC AND YUM<br />

2:00<br />

PM<br />

2:30<br />

PM<br />

3:00<br />

PM<br />

3:30<br />

PM<br />

4:00<br />

PM<br />

3:45 PM YOU<br />

CAN LIVE<br />

FOREVER<br />

4:30<br />

PM<br />

5:00<br />

PM<br />

5:30<br />

PM<br />

6:00<br />

PM<br />

6:30<br />

PM<br />

6:15 PM TURN AND FACE THE<br />

STRANGE<br />

7:00<br />

PM<br />

7:30<br />

PM<br />

8:00<br />

PM<br />

8:30<br />

PM<br />

7:00 PM CLOSING NGHT<br />

THEY/THEM<br />

8:45 PM BY HOOK OR<br />

BY CROOK<br />

8:00 PM I HAVE TO LAUGH:<br />

COMEDY NIGHT AT THE FORD<br />

9:00<br />

PM<br />

9:30<br />

PM<br />

10:00<br />

PM<br />

10:30<br />

PM<br />

11:00<br />

PM<br />

11:30<br />

PM<br />

DGA 2<br />

11:15 AM SCREENWRITING<br />

LAB LIVE READING<br />

1:15 PM GREETINGS FROM<br />

WASHINGTON<br />

3:30 PM CELEBRATION LAUGHTER, THE<br />

LIFE AND FILMS OF COLIN HIGGINS<br />

PROGRAM<br />

KEY<br />

GALAS/<br />

CENTERPIECES<br />

NARRATIVE<br />

FEATURES<br />

DOCUMENTARY<br />

FEATURES<br />

SHORT<br />

PROGRAMS<br />

EPISODICS LEGACY PLATINUM<br />

SPECIAL<br />

EVENT<br />

FORWARD


As this year’s <strong>Outfest</strong> gets underway, we<br />

are proud to be part of celebrating the<br />

next generation of LGBTQIA+ storytellers.<br />

We’d like to once again voice our support<br />

for this amazing community of<br />

artists—those who are creating change,<br />

one story at a time. Congratulations on<br />

all your accomplishments!


ADVERTISEMENT<br />

ADVERTISEMENT<br />

ALUMNI SPOTLIGHT<br />

LEGACY PROJECT ALUMNI<br />

MAY HONG HADUONG she/her<br />

The year was 1998. May Hong HaDuong was twenty years old. She was at home<br />

from college for the summer and she needed an outlet. Anything to get her out<br />

of the house. That’s how she first decided to volunteer for <strong>Outfest</strong>—even when it<br />

meant making the trek from Orange County to <strong>Los</strong> <strong>Angeles</strong> to do so.<br />

That volunteer opportunity led, in turn, to an internship more than seven years<br />

later and later still, as an <strong>Outfest</strong> Legacy UCLA Project Manager. <strong>Outfest</strong> was<br />

where HaDuong discovered her life’s purpose; she still recalls the way the 1999<br />

film guide beckoned all who attended the festival to feel like they’d found where<br />

they belonged: “Welcome Home,” read its tagline. “For a place that fosters queer<br />

community through the life cycle of moving images, there is no place like <strong>Outfest</strong>.”<br />

Now, as the director of the UCLA Film & Television Archive, which includes the<br />

<strong>Outfest</strong> UCLA Legacy Project Collection (the most extensive queer moving image<br />

archive on the planet) HaDuong continues to champion the desire to excavate<br />

queer history and keep it alive for generations to come.<br />

“Preservation,” as she puts it, “particularly for communities bound together by<br />

erasure, is a genealogical act. I wish to leave a mark in the world by preserving<br />

the voices, art, and stories that have kept me alive.”<br />

SCREENWRITING LAB ALUMNI<br />

NOVA CYPRESS BLACK they/them/theirs<br />

“AFFIRMING AF.”<br />

That’s how NOVA CYPRESS BLACK describes their experience at <strong>Outfest</strong>’s<br />

Screenwriting Lab. It’s a sentiment that cannot be overstated: “5 stars. 10s across<br />

the board. I genuinely clicked with every mentor I was matched with.”<br />

This wasn’t just a case of having found a space where their talents were to be<br />

nurtured. But it was a networking nexus where every and all aspects of the process<br />

of filmmaking was explored with attention and care. “Carlton Daniel, Jr. gassed<br />

me up to write a feature. With Keisha Zollar I was able to vent about my economic<br />

anxieties & she graciously demystified the financial components of the TV industry.<br />

juliany f. taveras & I kiki’d about coming from theater & teaching artist work in<br />

NYC & staying true to our politics while navigating this Hollywood shit.”<br />

In the kind of <strong>Outfest</strong> connection we love to boast about, mentor Marja Lewis-<br />

Ryan went even further, hiring BLACK as a staff writer for season 3 of The L Word:<br />

Generation Q. Here was a tangible example of the promise and premise of the<br />

community-building <strong>Outfest</strong> prides itself on. It’s also why the 2022 GLAAD List<br />

finalist (for their one-hour sci-fi pilot BLACKSEED) will always go to bat for the fest.<br />

“I am always singing <strong>Outfest</strong>’s praises. I’m always encouraging folks to submit to<br />

their programs, attend their events, etc. It means staying connected, giving back,<br />

and remembering that we are never, ever alone.”<br />

<strong>Outfest</strong>LA2021.com 37


EPISODICS<br />

A LEAGUE OF THEIR OWN<br />

TUESDAY | JULY 19 | 7:15PM | DGA 1<br />

QUEER FOR FEAR<br />

SATURDAY | JULY 16 | 9:00PM | HARMONY GOLD<br />

CRAZY/SLEEP WITH ME<br />

TUESDAY | JULY 19 | 9:30PM | DGA 2<br />

Free advanced screening of the series’ first two episodes with talent in attendance!<br />

Upon receiving a letter from her husband that he’s returning home from<br />

the war, Carson Shaw (Abbi Jacobson) does the only sensible thing<br />

a woman can do — she immediately runs off to Chicago to try out for<br />

the All-American Girls Baseball League. In this thoroughly charming<br />

and blessedly queer ensemble comedy, inspired by Penny Marshall’s<br />

iconic 1992 film, Carson’s journey introduces us to dozens of women<br />

primed to be the next big thing in baseball — never mind the waning<br />

crowds and sexist owners with zero confidence in their talent. Along<br />

the way, potential romance brews among the players (with The Good<br />

Place’s D’Arcy Carden more than obliging as several girls’ object of<br />

affection!), and gifted athlete Max Chapman (Chanté Adams) vows<br />

to break through barriers and become the league’s first Black player.<br />

From the Bride of Frankenstein to Norman Bates and most every ghoul,<br />

goblin, and being from another world in between, horror films have been<br />

soaked in queerness since the genre’s inception. Queer filmmakers like<br />

James Whale layered the characters from their enduring classics with the<br />

outsider energy of the LGBTQIA+ community; other directors like Alfred<br />

Hitchcock channeled the works of queer authors Daphne du Maurier<br />

and Patricia Highsmith into sometimes troubling tales of gay villainy. In<br />

the first episode of this thrilling new docuseries, presented by Shudder<br />

and produced by Bryan Fuller (Hannibal) and Steak House, queer<br />

horror experts like Lea DeLaria, Marcus Hu, Kimberly Pierce, and Oz<br />

“son of Anthony” Perkins guide us through a century of our community’s<br />

contributions to the canon. Revealing delectable details about old horror<br />

classics and shining new light on undiscovered treasures. They also debate<br />

the age-old question — Rebecca’s Mrs. Danvers…was she a service top?<br />

WORLD PREMIERES<br />

It’s hard to be a hopeless romantic when you’re living with a<br />

disability or disorder, but the protagonists in this duo of episodics<br />

are figuring out how to live their best lives with the support of the<br />

family they surround themselves with, whether chosen or biological.<br />

CRAZY, created by Rachel Leyco and Sheena Midori Brevig, follows<br />

Jaz and Leyna, two friends now at odds as their love lives begin<br />

to overlap. Jaz is busy figuring out the messy aftermath when her<br />

overbearing Filipino mother flushes her bipolar medication down the<br />

toilet. Meanwhile, Leyna’s anxiety ramps up after her girlfriend breaks<br />

up with her, causing angry retorts in Japanese and some unpleasant<br />

physical symptoms. Their journeys converge as they begin to take<br />

those first steps to being OK, in this honest and empowering story.<br />

Samantha Lee’s Sleep With Me is a tender romance for insomniacs.<br />

Harry DJs the overnight shift at the local radio station, doling out<br />

relationship advice “because every broken heart deserves to be<br />

heard.” Living as a person with a disability in an ableist society, she’s<br />

learned to let the microaggressions wash over her, and uses her<br />

positivity to help others find love. Until her eyes meet with Luna, who<br />

has a sleep disorder that only allows her to sleep during the day.<br />

Luna isn’t always the most pleasant person to be around, having<br />

learned not to let people get too close. Their connection is immediate,<br />

but can their love overcome the obstacles they both have to face?<br />

Content advisory: CRAZY contains depictions of mental illness and substance abuse<br />

EPISODIC SHOWCASE: LOS ANGELES IN FOCUS<br />

SATURDAY | JULY 16 | 1:45PM | DGA 1<br />

QUEER RIOT<br />

SUNDAY | JULY 17 | 6:15PM | DGA 2<br />

<strong>Los</strong> <strong>Angeles</strong> has long been the epicenter of the television industry, so it’s only<br />

fitting that this year’s episodic showcase highlights five bold and original<br />

works from homegrown L.A. talent! Biting comedy and emotional drama to<br />

sexy romance and relationship fails. This collection of brand new episodics<br />

runs the gamut of genre, perspective, and plotlines, and combines to form<br />

an exciting portrait of new queer storytelling. From established television<br />

pros to newcomers with fresh takes on the form, each of these new hopeful<br />

series represents the possibilities available to the TV landscape when<br />

LGBTQIA+ storytellers are given the tools and access to tell their own stories.<br />

GAY, ASIAN, IMMIGRANT (Dir. Ushmey Chakraborty) 10 min.<br />

halfsies (Created by Des Moran, Dir. Brad Klipfel) 23 min. HOW NOT<br />

TO BE A JUNKIE (Dir. Michelle Peerali) 20 min (UN)CLAIMED (Dir.<br />

Carolyn Ratteray) 24 min. WISHY WASHY (Dir. Sam Rosenberg) 7 min.<br />

The Hoot, an underground theater located in the basement of a former<br />

nun’s residence, is the locale for this brand new one-hour comedy special<br />

created by Page Hurwitz and Tatiana von Fürstenberg. In a highly<br />

emotional moment, a close-knit group of eight LGBTQIA+ comedians<br />

take to the stage for the very first time after lock down. Led by headliner<br />

Margaret Cho, we see each of these gifted performers expertly work the<br />

crowd and get huge laughs with distinctly queer material, while behindthe-scenes<br />

they have open-hearted conversations with each other about<br />

the unique space they’ve created in an industry that can be inhospitable<br />

to queerness. It’s a tender portrait of community that strikes a balance<br />

between lifting one another up, while gently competing for the light.


OUTSET: THE YOUNG FILMMAKERS PROJECT<br />

COLIN HIGGINS<br />

This year <strong>Outfest</strong> has partnered with the Colin Higgins Foundation<br />

to launch the Colin Higgins Youth Filmmaker Grant, a new initiative<br />

centered on providing LGBTQIA+ youth filmmakers with financial<br />

support to continue their work.<br />

Three filmmakers have been selected as recipients and will<br />

each receive a $15,000 grant to support their professional<br />

development in the film industry. Join us for the award ceremony<br />

and a special presentation of the awardees’ films. The ceremony<br />

will be followed shortly by a sneak preview of the documentary<br />

Celebrating Laughter, The Life and Films of Colin Higgins directed<br />

by Nicholas Eliopoulos.<br />

OUTFEST IS THRILLED to present the 2020<br />

OutSet Shorts at the Festival and the talented<br />

group that participated in the program during its<br />

pivot due to the pandemic. OutSet: The Young<br />

Filmmakers Program was created to empower and<br />

educate LGBTQ young people to tell their stories<br />

through film. A new crop of fellows between the<br />

ages of 16 and 24 participated in OutSet, a sixmonth<br />

filmmaking lab led by industry professionals<br />

and mentored by <strong>Outfest</strong> alumni filmmakers.<br />

EMORY CHAO JOHNSON<br />

FERNANDO LOPEZ<br />

FARRAH SU<br />

GABE MILLER<br />

JACOB CHARTON<br />

JAE LOONEY<br />

JESS DOSS<br />

NICOLAS JARA<br />

NOAH CAUSEY<br />

RAQUEL DIAZ<br />

RIVER VARGASON<br />

STEPHANIE MATA<br />

YEN DINH<br />

YUELEI SONG<br />

HAPPY BIRTHDAY, YOU MADE IT<br />

is playing in Girl Shorts<br />

I WISH I NEVER FUCKING MET YOU<br />

is playing in All the Lovers<br />

IS THIS THE ONE?<br />

is playing in Get Happy<br />

LUV, ME<br />

is playing in The Newer Queer Cinema<br />

REVELATIONS.<br />

is playing in the the Platinum Showcase


DOCUMENTARY FEATURES<br />

ALL MAN: THE INTERNATIONAL MALE STORY<br />

DIRS. BRYAN DARLING, JESSE FINLAY REED | USA | 83 MIN.<br />

SATURDAY | JULY 16 | 7:15PM | DGA 1<br />

Who could have guessed that an American revolution of fabulously redefined<br />

masculinity would begin with the jock sock? None other than International<br />

Male magazine founder Gene Burkard, whose groundbreaking mail-order<br />

catalog — filled with flashy pages of gorgeous models in chic menswear<br />

— became a shared language and aspirational sanctuary between gay<br />

men in and out of the closet since 1979. Narrated by Matt Bomer and<br />

featuring interviews with Burkard himself, Carson Kressley, Drew Droege,<br />

and former International Male staffers, this intoxicating and eye-catching<br />

doc charts the rise and dominance of the magazine alongside the<br />

cultural shifts and health crises that forged the modern gay movement.<br />

FRAMING AGNES<br />

DIR. CHASE JOYNT | USA | 75 MIN.<br />

SUNDAY | JULY 17 | 4:00PM | DGA 1<br />

In 1958, a young trans woman named Agnes entered a study<br />

about sex disorders at UCLA to get the gender-affirming care she<br />

needed, by any means necessary. Her story was long considered<br />

to be exceptional until never-before-seen case files of other patients<br />

were found in 2017. Directed by Chase Joynt (No Ordinary Man)<br />

and featuring an all-star cast of transgender artists and performers,<br />

Framing Agnes uses re-enactment and genre-blurring storytelling<br />

techniques to breathe new life into previously unknown people who<br />

redefined gender in the midcentury. Featuring Angelica Ross, Jen<br />

Richards, Zackary Drucker, Silas Howard, Max Wolf Valerio, and<br />

Stephen Ira.<br />

IT RUNS IN THE FAMILY<br />

DIR. VICTORIA LINARES VILLEGAS<br />

DOMINICAN REPUBLIC, USA | 84 MIN.<br />

MONDAY | JULY 18 | 9:30PM | PLAZA DE LA RAZA<br />

In this documentary, filmmaker Victoria Linares traces the life of her<br />

cousin Oscar Torres — a pioneer of Caribbean cinema, participant<br />

in leftist movements during the 1940s, and most crucially a fellow<br />

queer person in the family. Torres’ story was largely erased and lost to<br />

time, which sets Victoria on a journey of self-discovery and historical<br />

excavation by unearthing memories and staging re-enactments of her<br />

cousin’s unproduced screenplays. Linares weaves together expressive<br />

sequences with immense skill, piecing together a powerful portrait of<br />

Torres’ creative and political legacy through the power of cinema.<br />

Preceded by ASÍ EN LA TIERRA COMO EN EL CIELO Dir. Mireya Martinez, 2022, 11 min.<br />

A RUN FOR MORE<br />

DIR. RAY WHITEHOUSE | USA | 82 MIN.<br />

SUNDAY | JULY 17 | 11:00AM | HARMONY GOLD<br />

Frankie Gonzales-Wolfe is running for City Council in San Antonio. With<br />

23 years of political activism under her belt, a husband who served in<br />

Afghanistan, and a successful corporate track record, it’s hard to see<br />

why she might not be a popular choice. But Frankie is a proud, Latinx,<br />

trans woman, and in Texas, it makes an uphill political battle something<br />

vastly more personal. Shot over the course of four years, director<br />

Ray Whitehouse immerses us into the joyous triumphs and intimate<br />

struggles of her unique campaign, and its impact on the city, the LGBTQ<br />

community, and on Frankie herself. At a time where legislatures across<br />

the country are passing bills that attack the lives of trans people, Frankie’s<br />

journey and tenacious spirit are an inspiration as she attempts to make<br />

history as the first elected openly transgender official in her state.<br />

Content advisory: contains descriptions of anti-LGBTQIA+ violence<br />

Preceded by UNIDAD: GAY & LESBIAN LATINOS UNIDOS Dir. Gregorio Davila, 2022, 40 min.<br />

ART AND PEP<br />

DIR. MERCEDES KANE | USA | 88 MIN.<br />

SUNDAY | JULY 17 | 11:00AM | DGA 1<br />

WORLD PREMIERE<br />

On Halsted Street in Chicago sits Sidetrack, a behemoth gay club that<br />

draws a large crowd, serving up slushy drinks and showtime singalongs<br />

on Sundays. Art Johnstone and Pepe Peña, partners in life and in love,<br />

opened it as a single storefront with no sign and beer cases as seating in<br />

1982, projecting music videos on a screen. The story of Sidetrack is not just<br />

the history of one of the city’s most important cultural landmarks (now 1500<br />

square feet after seven expansions), but also a look at the long struggle<br />

for equality and the right to love freely. From being on the frontlines of the<br />

AIDS crisis to co-founding Equality Illinois, Art and Pep have been leading<br />

the fight to make Illinois one of the most progressive protectors of LGBTQ+<br />

rights in the country.<br />

JEANNETTE<br />

DIR. MARIS CURRAN | USA | 78 MIN.<br />

WEDNESDAY | JULY 20 | 7:15PM | DGA 2<br />

Queer single mother and bodybuilder Jeannette Feliciano believes<br />

that strength is to show love. Director Maris Curran (Five Nights<br />

in Maine, 2015) opens a door into a woman’s life after she was<br />

dramatically affected by the Orlando Massacre at Pulse. This<br />

exacting, candid yet penetrating documentary offers a unique<br />

perspective about a woman’s resilience. The film is an eyeopening<br />

look at what it means to survive and overcome trauma<br />

with pain and beauty. Jeannette is a moving documentary<br />

that goes from trauma toward healing, finds support through<br />

community, and still reminds us about the crisis era we are living in.<br />

LOVING HIGHSMITH<br />

DIR. EVA VITIJA | SWITZERLAND, GERMANY | 83 MIN.<br />

SUNDAY | JULY 17 | 4:30PM | HARMONY GOLD<br />

With her second feature documentary, director Eva Vitija weaves an<br />

intimate portrait of enigmatic novelist Patricia Highsmith. Exploring her<br />

upbringing in Texas and her tumultuous life with her emotionally distant<br />

mother, and the many lesbian relationships that personified Highsmith’s<br />

private life. A troubled alcoholic, Highsmith lived life boldly, traveling<br />

often and engaging in many short-lived love affairs. Most notably,<br />

the film gives us insight into the writing and reception to Highsmith’s<br />

landmark lesbian novel The Price of Salt – famously adapted to film as<br />

Carol – while also alluding to the queer themes in her more popular<br />

Ripley novels. Using her diary entries with commentary from her family<br />

and former lovers, Highsmith and her writing comes into sharper focus,<br />

giving us an honest look into the mind of a troubled, brilliant artist.


DOCUMENTARY FEATURES<br />

MAKE ME FAMOUS<br />

DIR. BRIAN VINCENT | USA | 93 MIN.<br />

SUNDAY | JULY 17 | 2:00PM | HARMONY GOLD<br />

A madcap romp through the 1980’s NYC downtown art scene through<br />

the lens of the colorful career of ambitious painter, Edward Brezinski,<br />

who is hell-bent on making it. Brezinski’s quest for fame provides an<br />

intimate portrait of the art world’s attitude towards success, failure,<br />

fame and fortune, notoriety, and erasure. Viewers are introduced<br />

to a series of eccentric characters who reveal the unsung painter<br />

through their memories of both Edward’s antics and his extreme<br />

artistic drive. Their tales also unveil the queerly rollicking history of<br />

the Lower East Side art movement from an insider’s point of view.<br />

MANSCAPING<br />

DIR. BRODERICK FOX | USA | 62 MIN.<br />

MONDAY | JULY 18 | 7:15PM | DGA 1<br />

Director Broderick Fox crafts an intimate portrait of three queer men who<br />

are reimagining the traditional barbershop: Richard Savvy, Australia’s<br />

“naked barber,” is a former Sydney Mr. Leather who invites you to<br />

leave your shame and clothes at the door, and to add the transformative<br />

power of kink to your cut. Devan Shimoyama is a visual artist whose<br />

barbershop painting series draws upon Afrofuturism and drag to envision<br />

the Black barbershop as a more inclusive space. Jessie Anderson is the<br />

proprietor of Big Bro’s Barbershop, where trans, gender non-conforming,<br />

and queer customers don’t have to hide their true selves to get a haircut.<br />

Together, their inspirational stories envision a path that cuts through the<br />

toxicity of male fragility in favor of social inclusion and personal freedom.<br />

Preceded by REGRET TO INFORM YOU Dir. Yusuf Shadeed Nasir, Benji Schwimmer<br />

(Contributing Director), 2022, 13 min.<br />

PREJUDICE AND PRIDE<br />

DIR. EVA BELING | SWEDEN, FINLAND, ICELAND |<br />

100 MIN.<br />

MONDAY | JULY 18 | 7:00PM | DGA 2<br />

Sweden: it’s brought us tinned herring, the Volvo station wagon,<br />

and more queer movies and movie stars than you could possibly<br />

imagine. At once riveting and illuminating, filmmaker Eva Beling<br />

takes viewers on a breathlessly entertaining ride through the history<br />

of LGBTQ+ cinema in her home country, and reveals its surprisingly<br />

seismic social impact on culture in Sweden and abroad in the<br />

western world. Whether it’s Greta Garbo producing gender-bending<br />

passion projects in pre-code Hollywood, digging deeper into the<br />

psychosexual dimensions of Ingmar Bergman’s Persona, a softcore<br />

exploitation boom, or landmark arthouse classics like Fucking Åmål,<br />

there’s no shortage of fascinating chapters in this largely untold story<br />

to American audiences. If you thought The Celluloid Closet and<br />

Disclosure taught you everything you needed to know, it’s time to<br />

bust out the ABBA Gold and take notes on your new favorite queer<br />

movies you never knew existed.<br />

SIRENS<br />

DIR. RITA BAGHDADI | USA, LEBANON | 78 MIN.<br />

SUNDAY | JULY 17 | 7:00PM | HARMONY GOLD<br />

Pink hair glowing under stage lights, war paint applied, clad in all black,<br />

and lips snarled, Lebanon’s Slave to Sirens is ready to shred. Maya’s<br />

guttural vocals pierce your soul as the pulsating rhythm created from<br />

Alma’s bass and Tatyana’s drums replaces your heartbeat. Anchoring<br />

it all are Lilas and Shery, the guitarists whose intricate melodies, riffs,<br />

and licks rival the complexities of life they must navigate as founding<br />

members of the first (and only) Middle Eastern all-female thrash metal<br />

band. Documentarian Rita Baghdadi artfully captures their friendship,<br />

queer identities, and the myriad of challenges they face while raging<br />

against the machine. Headbanging required.<br />

UÝRA - THE RISING FOREST<br />

DIR. JULIANA CURI | BRAZIL, USA | 72 MIN.<br />

SATURDAY| JULY 23 | 1:15PM | DGA 2<br />

NELLY & NADINE<br />

DIR. MAGNUS GERTTEN | SWEDEN, BELGIUM, NORWAY<br />

92 MIN.<br />

THURSDAY | JULY 21 | 7:15PM | DGA 1<br />

Starting from a photo and a box in an attic, Director Magnus<br />

Gertten’s film tells the unlikely love story of two women who meet<br />

on Christmas Eve, 1944, in the Ravensbrück concentration camp.<br />

When Nelly’s granddaughter decides to go through some of her<br />

later grandmother’s things, the epic tale unfolds of Nelly and<br />

Nadine. The film charts both the life they lived before they met<br />

and their incredible journey after. This documentary takes you on<br />

a journey of survival, espionage, tragedy and most of all, love.<br />

PAT ROCCO DARED<br />

DIRS. BOB CHRISTIE, MORRIS CHAPDELAINE | CANADA<br />

90 MIN.<br />

SATURDAY | JULY 16 | 9:45PM | DGA 1<br />

Activist, artist, filmmaker, and entertainer Pat Rocco’s legendary career<br />

spanned decades. Encompassing nude male erotic films, documentaries<br />

that bore witness to crucial moments in queer history including speeches by<br />

Harvey Milk. In this exploration of Rocco’s work and life — which features<br />

lovingly restored versions of some of Rocco’s rarest films — filmmaker Charlie<br />

David sits down with Rocco for exclusive interviews prior to his death in 2018.<br />

Ever the good-natured showman, Rocco’s candid talks reveal the daring<br />

personality required to create work that valued, desired, and celebrated<br />

queer bodies when popular culture labeled them as shameful — revealing<br />

this to be a vital record of an unforgettable trailblazer.<br />

STAY ON BOARD: THE LEO BAKER STORY<br />

DIR. NICOLA MARSH, GIOVANNI REDA | USA | 72 MIN.<br />

THURSDAY | JULY 21 | 9:30PM | DGA 1<br />

WORLD PREMIERE<br />

From Flower Films and Pulse Films comes this raw and immersive<br />

feature following competitive skating icon Leo Baker, who in the lead<br />

up to the 2020 Olympics, is faced with the decision to transition to<br />

become his truest self or not while competing on the international<br />

stage at the highest level of the sport he loves. Stay on Board is<br />

Leo’s journey balancing the gendered world of sports, society, and<br />

skate culture, which ultimately leads him to doing the punkest thing<br />

imaginable...<br />

In this poetic and visually hypnotic odyssey through the Amazon<br />

rainforest, Indigenous artist Uýra harnesses the interconnecting<br />

power of their native, queer, and trans identities to blaze a trail of<br />

ecological activism and LGBTQ+ pride across big cities and small<br />

villages alike. Crafting garments of eye-popping color and objects<br />

found along the way into stunning transformational performances,<br />

their reveries dazzle against the decay of environmental racism and<br />

transphobia to educate local audiences and remind them of the<br />

transformative powers of art and advocacy. Uýra reclaims the natural<br />

splendor and ancestral spirit of the land by brilliantly connecting<br />

themselves and their work as a prayer to the earth, proving that<br />

creative expression and collective action can renew the ground on<br />

which they walk. A piece of bold and expressive cinema that seems<br />

to hold the future in its hand, this journey is nothing short of a miracle.<br />

Preceded by CHAAC + YUM Dir. Roberto Fatal, Xav SF, 2022, 12 min.


SCREENWRITING LAB 2020<br />

SCREENWRITING LAB 2021<br />

SATURDAY & SUNDAY | JULY 16 & 17 | 11:15 | DGA 2<br />

SATURDAY & SUNDAY | JULY 23 & 24 | 11:15 | DGA 2<br />

CARLTON DANIEL JR. HE/HIM<br />

HOMEGOING (Feature)<br />

Haunted by nightmares, musical prodigy, Junior<br />

Carmichael, returns home to his family’s funeral<br />

parlor in Cleveland, Ohio in order to salvage<br />

his grip on reality. While finding his place in the<br />

world, he must come to terms with his family,<br />

community, and the man he loves.<br />

Join us for an exclusive opportunity to see the 2020 and 2021 <strong>Outfest</strong><br />

Screenwriting Lab projects come to life before your eyes. Scenes<br />

have been selected from each of the nineteen scripts to be directed<br />

by <strong>Outfest</strong> alumni, and performed by an allstar cast. The <strong>Outfest</strong><br />

Screenwriting Lab has shepherded over 100 scripts, a dozen of<br />

which have gone on to be produced feature films. There will be light<br />

breakfast before each of the readings, so join us for these readings!<br />

CODY STICKLES HE/THEY<br />

KEA TREVETT SHE/HER<br />

THE WEDDING DATE (Feature)<br />

In this family-driven film, trans guy Caleb drags his<br />

BFF Roxy as his fake date to his sister’s Southern<br />

wedding, where they struggle to keep the lie<br />

under wraps amidst surprising new feelings for<br />

each other.<br />

AMANDA MOHR SHE/HER<br />

TEXTS FROM YOUR EX (Episodic)<br />

Maeve, a self-sabotaging alcoholic with<br />

dangerous coping mechanisms, is desperate<br />

to move past a bad breakup—but her plans of<br />

recovery are ruined when she learns that her<br />

ex-girlfriend has mysteriously gone missing, and<br />

she’s forced to risk everything to figure out what<br />

happened. (Dead to Me meets Search Party.)<br />

EMMA MCIVOR THEY/THEM<br />

I LOVE YOU LIKE A BROTHER (Episodic)<br />

In a working-class Catholic neighborhood where<br />

it’s a mortal sin for men to talk about their feelings,<br />

16-year-old closeted trans woman Kassandra<br />

and her pretentious bipolar brother Jack must<br />

learn to open up to each other if they’re going to<br />

escape Northeast Philadelphia…<br />

CHRIS RENFRO THEY/THEM<br />

ONE BIG HAPA FAMILY (Animated Episodic)<br />

When a gay, biracial high school band geek<br />

decides to make the most popular boy in school<br />

fall in love with him, he lets his witch-in-training<br />

younger sister perform a love spell. When her<br />

magic accidentally enchants his gym sock, he has<br />

to do what he can to cover the damage and still<br />

maybe get the boy of his dreams<br />

JABARI MCDONALD HE/HIM<br />

BLACK MUD (Episodic)<br />

In the wake of his grandfather’s death, history<br />

Ph.D. student KHALIL goes down south to search<br />

for a legendary Confederate treasure buried<br />

on the land where his enslaved ancestors once<br />

worked. Little does he know that the slave master’s<br />

descendants are also looking for it and it’s a race<br />

to see who can find it first.<br />

COURTNEY ANDUJAR SHE/HER<br />

HILLARY ANDUJAR SHE/HER<br />

DAMON ROYSTER HE/HIM<br />

KRISTIN SLANEY SHE/HER<br />

LINDSAY CALLERAN SHE/THEY<br />

CAITY (Feature)<br />

LOVESPELL (Feature)<br />

A teenager casts a spell to bring her fantasy<br />

crush to life and inadvertently awakens an evil<br />

entity that begins feeding on the girls at her<br />

reform school.<br />

GARY JAFFE HE/HIM<br />

OUR LAST SUMMER (Feature)<br />

In summer 1991, a closeted teenager travels<br />

the bumpy road to self-acceptance when his<br />

estranged gay uncle returns home, dying of<br />

complications from HIV/AIDS.<br />

LEANDRO TADASHI HE/HIM<br />

BEFORE THE NIGHT ENDS (Feature)<br />

BEFORE THE NIGHT ENDS is a gay teen road<br />

movie that unfolds on a single Saturday night<br />

when two boys from the low-income outskirts of<br />

São Paulo, Brazil, go on a journey to try to get into<br />

an expensive gay club downtown.<br />

APPQUEEN (Episodic)<br />

Damon, a pompous, pretentious, and newly out<br />

gay man attempts to make himself romantically<br />

ready for Mr. Right by using his Grindr app and<br />

meeting up with Mr. Right-Now.<br />

JOHNNY ALVAREZ HE/HIM<br />

SOMEWHERE ELSE (Episodic)<br />

A group of senior citizens stuck in a suburban<br />

desert purgatory finds their bizarre, banal lifestyle<br />

upended by the arrival of a newcomer hellbent on<br />

getting into heaven.<br />

RAUL MARTIN ROMERO HE/HIM<br />

BEARS (Episodic)<br />

BEARS is a half-hour dramedy that follows a queer,<br />

multicultural couple in search of their own definition<br />

of marriage and the in and outs of gay Bear culture<br />

in the South.<br />

AGORA BOREALIS (Feature)<br />

After a 13-year-old who finds a suicide note<br />

discovers the person who wrote the note is still<br />

very much alive, she embarks on a mission to<br />

convince him that life is worth living (without<br />

letting him know she’s found his note).<br />

NATALIE JASMINE HARRIS<br />

SHE/THEY<br />

PURE (Feature)<br />

For 17-year-old Celeste, senior year in her affluent<br />

Black community means following family tradition<br />

and becoming a debutante… but she longs for a<br />

different kind of coming out.<br />

OATES WU HE/HIM<br />

WATER HAS ANOTHER DREAM (Feature)<br />

After suffering an injury, Liuming, a young Chinese<br />

competitive diver, sees his dream of being a<br />

world-class athlete shattered. As an escape,<br />

he takes part in a training program in America,<br />

unlocking a world of sex, kink, love. He matures<br />

rapidly with unavoidable growing pains.<br />

While managing her family’s local haunted<br />

house with her alcoholic father, Paul, 16-year-old<br />

Caity navigates the evaporating space between<br />

childhood and adulthood.<br />

NOVA CYPRESS BLACK<br />

THEY/THEM<br />

THE OTHER SIDE (Episodic)<br />

When death separates a queer couple, they both<br />

indulge in addictive magic to find their way back<br />

to each other.<br />

SAV RODGERS HE/HIM<br />

TAYLOR GATES SHE/HER<br />

I LOVE YOU, MARGOT ROBBIE (Feature)<br />

Transgender teenage boy Felix McNeil’s high<br />

school start was nearly ordinary — breaking an<br />

arm, crushing hard on a girl, and juggling the<br />

inevitable woes of adolescence — but when a<br />

larger-than-life, boundlessly supportive imaginary<br />

friend in the form of Margot Robbie falls into his<br />

world from a billboard, things take a turn for the<br />

extraordinary.


ALUMNI SPOTLIGHT<br />

OUTFEST FUSION ALUMNI<br />

ANDREW AHN he/him<br />

Andrew Ahn’s latest film, Fire Island, may celebrate the joys of a beachside queer<br />

enclave out on the east coast, but his heart has always been out west. A native<br />

Angeleno, the Korean-American filmmaker has made a career out of uplifting<br />

characters and communities that are seldom front and center in contemporary<br />

American fare.<br />

It’s no surprise to find that his first brush with <strong>Outfest</strong> was a screening of Lee-Song<br />

Hee-Il’s film No Regret in 2007. Attending the event by himself (as a closeted<br />

college student, no less) was an eye-opening experience for Ahn: “I remember<br />

how special it was for me to see a queer Korean story on the big screen.”<br />

That feeling of being seen and to help others see themselves, in turn, is how he<br />

understands the mission of <strong>Outfest</strong> altogether. “<strong>Outfest</strong> is a community that values<br />

expression — we tell stories, we show our love and support for each other. As<br />

queer people, we are so often silenced or ignored in greater society. Within<br />

<strong>Outfest</strong>, we get to celebrate each other.”<br />

That’s precisely what he felt when he first screened his films Andy and Dol (First<br />

Birthday) at <strong>Outfest</strong> Fusion back in 2011 and 2012 respectively. Being part of<br />

<strong>Outfest</strong> Fusion helped the budding filmmaker witness not only the kind of audience<br />

he could imagine but the kind of stories he felt emboldened to make. “It was so<br />

special to meet a community of filmmakers, programmers, and audiences who<br />

were queer people of color. I felt inspired and motivated to continue telling queer<br />

Korean American stories.”<br />

OUTFEST LOS ANGELES ALUMNI<br />

SYDNEY FREELAND she/her<br />

Sydney Freeland’s very first <strong>Outfest</strong> outing took place in 2014. That was the year<br />

her feature film debut, Drunktown’s Finest played the festival—and announced her<br />

as a talent to watch. Not only did the film walk away with a Grand Jury Award<br />

(Outstanding American Narrative Feature) but also with the Audience Award<br />

(HBO Outstanding First Narrative Feature).<br />

Recalling that experience, Freeland most focuses on the connection she was able<br />

to see forged between her project and the filmgoers who came out in support of it.<br />

“It was an amazing experience getting to show the film to such a diverse audience.<br />

The film resonated with people in the way I had intended, and as an artist that is<br />

a very fulfilling feeling.”<br />

But over the years, what she’s come to most appreciate about the festival is the<br />

connections it’s helped her nurture with fellow queer creatives. “I’d say that the<br />

network of fellow directors, writers and actors that I’ve met through <strong>Outfest</strong> has<br />

been amazing. So many of us keep in touch, and I’ve even gone to work with<br />

several other peers from the festival circuit.” And, like many other <strong>Outfest</strong> alumni,<br />

Freeland has seen her profile rise and rise since she first visited the festival all those<br />

years ago—including most recently directing episodes of shows like Rutherford<br />

Falls, Reservation Dogs, The Wilds, and even Marvel’s upcoming Echo, which is<br />

slated to come out in 2023.


OUTFEST UNDER THE STARS @ THE FORD<br />

UNCONVENTIONAL<br />

WORLD PREMIERE: WORK IN PROGRESS SCREENING<br />

DIR. KIT WILLIAMSON | USA | 90 MIN<br />

THURSDAY | JULY 21 | 8:00PM | THE FORD<br />

From Kit Williamson, the creator of the Emmy-winning dark comedy series<br />

EastSiders on Netflix, this bold new work follows eccentric, queer siblings<br />

Noah and Margot Guillory and their significant others Daniel Charles and<br />

Eliza Slate, as they try to start an unconventional family while navigating<br />

their thirties. Noah and Daniel are slated to be the donor dads to Margot<br />

and Eliza’s pregnancy, but each couples’ private complications — adding<br />

a third to the relationship, a never-ending graduate school existence, an<br />

on-again/off-again connection to necessary meds — threaten to throw<br />

the arrangement into chaos. At its heart, Unconventional maps the rocky<br />

terrain of trying to stay sane in an unstable world and, most importantly,<br />

trying to hold onto the bonds we share. Featuring Kit Williamson, Aubrey<br />

Peeples, James Bland, Briana Venskus, Dana Wheeler-Nicholson,<br />

Constantine Rousouli, Willam Belli, Jenna Ushkowitz, and Kathy Griffin.<br />

credit: SERGIO GARCIA<br />

I HAVE TO LAUGH: COMEDY NIGHT AT THE FORD<br />

Because unbridled queer joy is a top priority for <strong>Outfest</strong>, we’ve cooked up<br />

this special comedy event dedicated to keeping the belly laughs coming<br />

all night long. Bring your picnic dinner and your beverage of choice, and<br />

get ready for a good time. The night begins with a lineup of live standup<br />

comedy featuring Margaret Cho and the rest of the cast of <strong>Outfest</strong><br />

2022 selection Queer Riot. That’s followed by a collection of some of<br />

the most gut-busting short films we could find. From moody gay ghosts,<br />

to a neighbor’s extremely loud coital activity, to a bisexual meetup that<br />

somehow turns Satanic. The stories our filmmakers have concocted bring<br />

the funny in a big way...and what better way to experience it than under<br />

the stars with hundreds of your closest queer friends?<br />

SATURDAY | JULY 23 | 8:00PM | THE FORD<br />

Live stand-up showcase featuring the cast of Queer Riot — Margaret Cho, River Butcher, Brad Loekle,<br />

Akeem Woods, and Daniel Webb followed by comedy shorts!<br />

DILDO (Dir. Jake Muñoz Consing) 1 Min. FERNANDA (Dir. Mary<br />

Angélica Molina) 13 Mins. THE LADIES (Dir. Jill Gutowitz) 9 Mins. THE<br />

PARANORMAL COMMUNICATOR (Dir. Tyler Miguel Mercer) 5<br />

Mins. THE SYED FAMILY XMAS EVE GAME NIGHT (Dir. Fawzia<br />

Mirza) 11 Mins. TELL ME SOMETHING I DON’T KNOW (Dir.<br />

Neal Suresh Mulani) 15 Mins. TROY (Dir. Mike Donahue) 16 Mins.<br />

UNICORN (Dir. Matt Porter) 14 Min.<br />

GOD SAVE THE QUEENS<br />

DIR. JORDAN DANGER | USA | 87 MIN.<br />

FRIDAY | JULY 22 | 8:00PM | THE FORD<br />

Drag heavyweights Alaska Thunderfuck, Laganja Estranja, Kelly Mantle,<br />

and Jordan M Green star in this hilarious, raw, and surprisingly emotional<br />

dramedy about the lives of four struggling <strong>Los</strong> <strong>Angeles</strong> drag queens.<br />

Whether coming to blows over a shared lover, waiting indefinitely for<br />

a big break, or finding themselves aging out of headliner status, each<br />

queen’s got a major crisis that lands them directly into a group therapy<br />

retreat — where they learn it may be more than chance that brought them<br />

together. Featuring appearances from Drag Race stars Manila Luzon,<br />

Honey Davenport, and Michelle Visage, God Save the Queens follows<br />

in the Priscilla tradition of queens who are both fabulously entertaining<br />

onstage, and true-to-life backstage when the wigs and makeup come off.<br />

Screening preceded by live performances from Alaska, Laganja Estranja,<br />

Kelly Mantle and Jordan M Green!<br />

Screening with COCK N’ BULL 3 Dir. Nathan Adloff, 2021, 24 mins<br />

TELL ME SOMETHING I DON’T KNOW<br />

THE SYED FAMILY XMAS EVE GAME NIGHT<br />

UNICORN<br />

THE LADIES


SPECIAL EVENTS<br />

LIVE READ: OUR LADY OF THE SIX TRAIN<br />

FROM LOVE IN GRAVITY<br />

TUESDAY | JULY 19 | 7:00PM | PLAZA DE LA RAZA<br />

In this special live read event, Robin de Jesus, Jessica Marie Garcia, Alycia<br />

Pascuale-Peña and more voice a script by Dominic Colón about young Bronx kid<br />

Lil Ito and his first Pride in 2003. Though Ito’s first encounters with romance and<br />

sex get complicated, he’s aided by visions of an iconic Latina pop artist.<br />

Love in Gravity, a new scripted podcast series presented by ViiV Healthcare and<br />

dedicated to stories by and for the queer Latinx community, premieres this summer<br />

with weekly episodes written and performed by some of today’s hottest Latinx<br />

talent. In advance of its episode release, join us for a live read of Our Lady of the<br />

Six Train, a funny and tenderhearted script written by multi-talented artist Dominic<br />

Colón. It’s 2003 in the Bronx, and Lil Ito is about to attend his first Pride. When his<br />

first complicated encounters with sex and romance get to be too much, Ito is guided<br />

by mystical visions of his favorite pop star Jessie Kah, a timeless Latina artist.<br />

Live, in-person performance of this episode includes actors Robin de Jesus<br />

(tick, tick… BOOM!), Jessica Marie Garcia (On My Block), Alexia Garcia<br />

(Pose), Jason Genao (On My Block), Alycia Pascuale-Peña (Saved by the<br />

Bell), Edison Ventura Mata Diaz, Manny Ureña, and more! (Actors appear<br />

schedule permitting)<br />

In this compelling feature from the<br />

golden age of French Gay adult<br />

cinema, American director Wallace<br />

Potts entreats us to enter the world of<br />

athlete, hustler, stripper, and it-boy Karl<br />

Forest. Filmed on location in parks, bars,<br />

and the streets of Paris, the brutishly<br />

narcissistic Forest narrates his early<br />

life, predilections, and philosophy of<br />

male beauty (including his own), while<br />

enacting fantasies of encounters with<br />

working men, soldiers, and his adoring<br />

public. Hailed internationally in the<br />

gay press for its narrative and erotic<br />

intensity, the film was long considered<br />

CONCORD PITCH EVENT<br />

SUNDAY | JULY 17 | 1:15PM | DGA 2<br />

Whether you’re a film professional or not, the Concord<br />

Pitch Event will be a great opportunity to learn about the<br />

process of developing a film and watch filmmakers pitch<br />

their stories to an audience. 15 Projects will be presented<br />

to our esteemed jury including a surprise judge. The<br />

chosen pitches will be developed with up to $25,000 in<br />

financing. Each pitch lasts no more than 5 minutes. Join<br />

us in person to see the pitches!<br />

LE BEAU MEC<br />

SUNDAY | JULY 17 | 9:15PM | HARMONY GOLD<br />

lost until the negatives were located in a<br />

garage in Montgomery, Alabama. Potts’<br />

lover, famed dancer Rudolf Nureyev,<br />

choreographed the scintillating<br />

cabaret striptease, and legendary<br />

cinematographer Nestor Almendros<br />

captured the sculpted, elusive Forest<br />

at his physical peak — granting a<br />

fascinating and revelatory glimpse into<br />

the inner world of the man everyone is<br />

after.<br />

DCP. New 4K restoration by IndieCollect<br />

in collaboration with Gerald Herman<br />

and the Estate of Wallace Potts.<br />

MESSY MOVEMENT FOR FILM, TV, AND STAGE<br />

PRESENTED BY RASHIDA KHANBEY MILLER<br />

WEDNESDAY | JULY 20 | 7:00PM<br />

The Messy Movement Practice somatic dance experience is designed to help<br />

people feel stronger in the body, decrease stress, and increase confidenceembodying<br />

their sensual self through movement. Messy Movement Lab builds<br />

upon this foundational practice to support entertainers in building self-awareness<br />

and voice around their psychological safety needs while engaging the body<br />

as a vehicle for communicating moments of passion, eroticsim and longing in<br />

any script. Through our signature sensual movement sequence for storytelling<br />

actors can learn safer ways to express their erotic self beyond explicit sex<br />

simulation. Through movement we create new worlds where intimacy can be<br />

communicated in a multitude of ways on camera and stage. We invite attendees<br />

of all experience levels to begin the conversation with their body.<br />

WHO IS THE EXPERIENCE FOR?<br />

This experience is for feminine spectrum actors, directors, writers and producers<br />

who are curious about creating new pathways for intimacy on screen through<br />

movement.<br />

A star-studded evening of dynamic, vivacious, and captivating<br />

performances, located in the heart of West Hollywood, at Heart<br />

WeHo. On the 20th of July, 2022, <strong>Outfest</strong> will be joining forces<br />

with Jeté’s Creator, Producer, & Director, Tiffany Billings, to present<br />

a special edition of her monthly, live dance experience featuring<br />

performances by some of the industry’s top choreographers,<br />

performers, and dancers. The mission of Jeté is to provide a platform<br />

for artists to share their talents and originality with the audience in an<br />

ANCIENT FUTURES: ART INSTALLATION<br />

DGA LOBBY<br />

Ancient Futures is a three part installation celebrating transgender life, beauty<br />

and resilience. The piece consists of video, photo and sculpture created by a<br />

collective of queer and trans artists and their allies. Creative Director Lio Mehiel<br />

conceives of the project as a poetic imagining of trans people as angels here on<br />

earth — “perhaps we are here visiting from an ancient future. Trans-angels offer<br />

a path to a utopia where everyone can access their own embodied creativity,<br />

collective care is possible, and beauty grows in the most unlikely places.”<br />

Set in an abandoned desert ghost town along route 66, the three works imagine<br />

trans-angels thriving amidst the dilapidated architecture. They emerge from the<br />

rubble of yesterday’s “America” and wear the debris like couture.<br />

The video piece, Purgatory, reimagines the Bible’s creation myth with Adam and<br />

Eve recast as trans by filmmaker Dulcinee DeGuere. The photo series, Reborn,<br />

is by photographer A. Klass in collaboration with artist Lio Mehiel. The sculpture<br />

series, Angels, is crafted by sculptor Holly Silius.<br />

OUTFEST PRESENTS TIFFANY BILLINGS’ JETÉ<br />

LA’S PREMIER DANCE EXPERIENCE!<br />

intimate setting, while also educating and redirecting where we are<br />

going as an artistic community. The event has proven to be highly<br />

sought after by both entertainers and the general public alike, and<br />

has been billed as “The Dance Industry’s Leading Choreography<br />

Showcase.” Tickets can be purchased at HeartWeHo.club prior to<br />

the event. Follow @clubjete on Instagram for updates and info!<br />

It’s sure to be a night to remember.<br />

By KOBE WAGSTAFF


PLATINUM<br />

Platinum showcases the bold innovators and cutting edge creators of experimental LGBTQ<br />

media and performance. Notoriously provocative, perversely confrontational, and wickedly<br />

weird Platinum celebrates the adventurous renegades of queer culture.<br />

MAVERICK<br />

ALCHEMY<br />

Awards<br />

PLATINUM<br />

SUNDAY | July 17 | 3:15pm| REDCAT<br />

A Conversation with Clive Barker followed by NIGHTBREED – Director’s Cut<br />

The 2022 inaugural Maverick Award is being presented to the<br />

groundbreaking horror icon, Clive Barker. Barker isn’t just a filmmaker<br />

but an avant-garde playwright, an impressionist painter, and a literary<br />

juggernaut. The macabre, experimental, and thought-provoking<br />

characters he has brought to life on the big screen are nuanced,<br />

complicated, and subversively queer. Barker’s tales are filled with<br />

examinations of bodies, desire, and the sensation of going beyond<br />

prescriptive sexuality. His films shine a light on the oppressive nature<br />

of heteronormative power structures while providing glimpses of<br />

queer liberation by showing monsters as the good guys. Join us for a<br />

conversation and Q&A, the presentation of the award, and one of the<br />

few theatrical screenings ever of Nightbreed - The Director’s Cut.<br />

SUNDAY | July 17 | 9pm | CATCH ONE<br />

A live performance by Big Freedia<br />

The 2022 inaugural Alchemy Award is being presented to New Orleans<br />

hero, international hip hop legend, and the undisputed Queen of Bounce,<br />

Big Freedia. Freedia has been breaking barriers and inspiring others to live<br />

their dreams from the stage since 1999. A champion of independent music<br />

venues and a righteous voice in the fight against gun violence, Freedia<br />

has used their talent and fame to combat oppression and lift up the voices<br />

of others. He is one of the hardest working artists, always delivering an<br />

unapologetic message of pride, self-love, and hope. His distinct voice has<br />

appeared with artists such as Drake, RuPaul, Kesha, Lizzo, and Beyoncé.<br />

Freedia’s inspiring story of transformation and creation exemplifies<br />

Alchemy-- magical, spiritual, symbolic, iconic. Shimmer and bounce with<br />

us all night long during the outrageously sexy Alchemy Party where we<br />

will honor Freedia and celebrate the Platinum series. It will be golden!<br />

PLATINUM FEATURES<br />

SATURDAY | July 16 | 4:00pm | REDCAT<br />

END OF WONDERLAND<br />

Dir: Laurence Turcotte-Fraser, 2021, Canada, 86 min.<br />

Weaving images from both the personal and the professional, The End of Wonderland takes viewers on a<br />

fantastical journey through the life and mind of Tara Emory, a trans artist working on her passion project:<br />

a trans sci-fi porn epic called Up Uranus. With sets and characters influenced by 1950s low-budget sci-fi,<br />

Emory’s vision is realized with tongue firmly in cheek, unafraid to be earnest and playful. The film follows<br />

Emory for several years, showcasing her talents as a sex worker, comic strip artist, costume designer, set<br />

designer, automechanic and more. Most notably, the film confronts Emory’s problems with hoarding that she<br />

inherited from her father, using her pending eviction as an opportunity for self-reflection and artistic evolution.<br />

Preceded by: WINTER INSECT, SUMMER FLOWER: Dir: Tee Jaehyung Park, Gbenga Komolafe, 2021, USA, 11 min.<br />

SUNDAY | July 17 | 12:30pm | REDCAT<br />

ESTUARIES<br />

Dir: Lior Shamriz, 2022, USA, 110 min.<br />

It is 2017, just months after a car crashes through the front window of a <strong>Los</strong> <strong>Angeles</strong> art space, tragically killing<br />

Bdalak, a nonbinary, rising star in the world of performance art. Bdalak’s partner Eli (Lior Shamriz), a queer<br />

Mizrahi musician with a past as an activist in Palestine/Israel, had planned on marrying them for a green-card.<br />

Now Eli spends his time adrift and lost, communing with others over his grief and struggling with the everlooming<br />

threat of being deported. He soon meets Myrna, an artist making work about immigration, who Eli feels<br />

must certainly be able to solve his immigration situation. Dramatic and full of cynicism, the film is inspired by<br />

director Lior Shamriz’s own experiences immigrating to the U.S during the Trump administration.<br />

Preceded by: REMNANTS: Dir: Priomo Justice Schiappa, 2021, USA, 7 min.<br />

SATURDAY | July 16 | 9:30pm | REDCAT<br />

HYPOCHONDRIAC<br />

Dir: Addison Heimann, 2021, USA, 96 min.<br />

Will, a young, Latino, gay potter, is sexy and sociable. His boss is terrible, but he has a great boyfriend and<br />

a fantastic job. Unfortunately, behind his cool veneer is a dark past of violence and mental illness that he<br />

is desperate to keep hidden. When Will’s bipolar mother comes out of the woodwork after ten years of<br />

silence, he begins exhibiting unexplainable symptoms. After an injury at work, he starts losing functioning<br />

of his arms, and something sinister lurks in the corner of his vision: a silent and ominous man in a wolf suit.<br />

Will spirals into an obsession, determined to solve this mystery of his own. What is going on with his arms?<br />

Can he trust his boyfriend? Is he becoming his mother?<br />

Content Advisory: contains depictions of violence and self harm<br />

Preceded by: DIVINE LUST: Dir: Anthony De Bono, 2022, Germany, 9 min.<br />

FRIDAY | July 15 | 9:45pm | REDCAT<br />

PASSION<br />

Dir: Maja Borg, 2017, Sweden, 92 min.<br />

A powerful, and intensely personal film about longing, healing, and belonging where filmmaker Maja Borg<br />

illustrates their unique process of dealing with trauma in the wake of a destructive relationship. In seeking<br />

to reclaim intimacy and re-establish boundaries Borg is drawn to queer BDSM practice, through which<br />

they’re able to explore their long-forgotten Christian heritage. Adopting rituals and play from both queer<br />

BDSM and Christian communities, Borg finds themselves able to acknowledge and accept their own<br />

longings, confronting their darkest parts in order to move forwards. The film tells the stories of queer BDSM<br />

practitioners in Berlin, Stockholm and Barcelona and portrays the humanity at the heart of the practice<br />

while illuminating its similarities with Christianity on an emotional and perhaps even spiritual level.<br />

Preceded by: OBSOLESCENCE: Dir: Caviar to the General, 2021, UK, 12 min.<br />

FRIDAY | July 15 | 7:00pm | REDCAT<br />

YOUTOPIA<br />

Dir: Scout Durwood, 2022, New USA, 91 min.<br />

From director Scout Durwood comes her debut feature length comedy music visual album: YOUTOPIA.<br />

<strong>Los</strong> <strong>Angeles</strong>, 2019. Times are shitty, and they’re about to get worse. When Scout Durwood’s girlfriend<br />

dumps her unexpectedly, Scout takes stock in her life and determines that from now on, if something<br />

doesn’t feel one hundred percent authentic to her, she’s not doing it! Following the devastating break up,<br />

Scout inadvertently becomes the leader of a hipster millennial cult that engages with the multiverse and<br />

of course, aliens. But when members of the cult start to disappear, she soon discovers that her journey<br />

of self-discovery could trigger the end of civilization as we know it and is forced to take on her biggest<br />

opponent yet: herself.<br />

Preceded by: POPPETS: Dir: Maz Murray, 2021, UK, 16 min.


Platinum SHORTS showcase<br />

SUNDAY| July 17 | 6:30pm | REDCAT<br />

STARFUCKERS Dir: Antonio Marziale, 2022, USA, 14 min. | TWO HEADS,TWO WAYS Dir: Trulee Hall, 2022, USA, 5 min.<br />

| ISN’T IT A BEAUTIFUL WORLD Dir: Joseph Wilson, 2021, UK, 13 min. | CRUSH Dir: Gillian Barnes, 2022, USA, 2 min. |<br />

HIDEOUS Dir: Yann Gonzalez, 2021, France, 22 min. | S1NGULAR Dir: Ramon J. Goni, 2022, USA, 7 min. | BEAU Dir: Constance<br />

Tsang, 2021, USA, 16 min. | REVELATIONS Dir: Noah Causey, 2022, USA, 10 min.THE ACTRESS Dir: Andrew Ondrejack, 2021,<br />

Canada, 8 min.<br />

Obsession, anxiety, addiction, love, and sci-fi desire fill this stellar lineup of experimental films. A film director and an escort’s evening<br />

gets interrupted; Trulee Hall’s sex doll and self-love fantasy is visualized as an out-of-body-experience; Delia Derbyshire’s “Falling” is<br />

lip-synced while journey thorugh trans dreams; Apocalyptic revelations ensue in Noah Causey’s new film, and Gillian Barnes’ grade<br />

school girl crushes hard; Popstar Oliver Sim slides into a surreal journey of love, shame and blood in a three-part musical short;<br />

Constance Tsang’s lesbians are twistedly devoted to each other as life imitates art; an aspiring trans actress infiltrates cinema history<br />

as she shapeshifts through Hollywood’s most iconic roles.<br />

ALCHEMY PARTY<br />

BIG FREEDIA<br />

700 BLISS (MOOR MOTHER AND DJ HARAM)<br />

SETH BOGART (DJ SET)<br />

MOONILY<br />

COMMANDO<br />

TALLY T<br />

SEVYN (DJ SET)<br />

SUNKEE ANGEL<br />

P_A_G_O_T_O<br />

JULY 17TH, 8PM - 2AM<br />

JULY 17TH, 8PM - 2AM<br />

CATCH ONE 4067 W PICO BLVD, LOS ANGELES, CA, 90019<br />

$20 ADVANCE $25 AT THE DOOR<br />

sponsored by:<br />

FEMMEHOUSE


LEGACY<br />

GREETINGS FROM WASHINGTON, D.C.<br />

In 1979, tens of thousands of gay, lesbian, bisexual and transgender<br />

activists converged on the National Mall to participate in the National<br />

March on Washington for Lesbian and Gay Rights. Featuring collaborative<br />

assists from Jan Oxenberg and Barbara Hammer, this exuberant document<br />

of activism and community filmmaking is a lasting testament to the struggle<br />

for queer visibility and legal recognition, as well as the political potentials<br />

of broad-based political movements against racism, gender inequality,<br />

and militarism.<br />

DIR. LUCY WINER | 1981 | USA | 28 MIN.<br />

SUNDAY | JULY 24 | 1:15PM | DGA 2<br />

Digitally restored by the UCLA Film & Television Archive in conjunction<br />

with the <strong>Outfest</strong> UCLA Legacy Project, with generous support from Victoria<br />

Alonso and Imelda Corcoran, and Glamazon.<br />

Followed by DAVID ROCHE TALKS TO YOU ABOUT LOVE Dir. Jeremy<br />

Podeswa, 1983, 22 min. and DOUBLE THE TROUBLE, TWICE THE FUN<br />

Dir. Pratibha Parmar, 1992, 25 min.<br />

PUNKS<br />

DIR. PATRIK-IAN POLK | 2000 | USA | 100 MIN.<br />

SATURDAY | JULY 16 | 4:30PM | DGA 1<br />

IN 35MM<br />

DIRECTOR PATRIK-IAN POLK AND CAST MEMBERS IN PERSON! Q/A MODERATED BY<br />

DEAR WHITE PEOPLE CREATOR JUSTIN SIMEON.<br />

Patrik-Ian Polk’s groundbreaking debut romantic comedy invites us into<br />

the professional, social, and intimate lives of 4 queer friends in West<br />

Hollywood on their neverending search for Mr. Right. When a hunky<br />

new neighbor moves to the neighborhood, underlying tensions threaten<br />

to throw their tight-knit friendship into disarray. With its refreshingly<br />

real takes on sex, dating, friendship, breaking up, and making up–and<br />

show-stopping drag numbers to the immortal music of Sister Sledge–<br />

this funny, flirtatious, and heartfelt rom-com continues to surprise, while<br />

remaining far ahead of its time. Considered the first US feature film by<br />

a gay Black director to center the lives and loves of Black gay men, this<br />

long-unavailable charmer returns to <strong>Outfest</strong> after nearly two decades.<br />

BY HOOK OR BY CROOK<br />

DIRS. HARRY DODGE, SILAS HOWARD | 2001<br />

USA | 99 MIN.<br />

SATURDAY | JULY 23 | 8:45PM | DGA 2<br />

Groundbreaking when it was made and still fiercely innovative today, By<br />

Hook or By Crook is a butch and trans buddy film that chronicles three<br />

weeks in the life of a handsome, gender-bending, small-town trans man<br />

with a nagging messiah-complex. Emotionally defeated after the death of<br />

his father, Shy heads to the big city to sink himself into a “life of crime.” He is<br />

quickly distracted by Valentine, a deliriously expressive, wise-acre adoptee<br />

on a misguided search for his birth mother. The two freaky grifters join<br />

forces and learn the true meaning of “poise under pressure” in this visually<br />

stunning and wonderfully acted, anti-authoritarian tale of friendship, trust<br />

and redemption.<br />

Preceded by MADELYNN VON RITZ IS ALMOST FAMOUS Dir. Naz Riahi, Silas Howard<br />

2022 18 min.<br />

THE COCKETTES<br />

THE COCKETTES<br />

20TH ANNIVERSARY SCREENING<br />

“Will success spoil mediocrity?” asked The Cockettes, the uproarious,<br />

gender-subversive Hippy drag troupe that became one of the ultimate<br />

countercultural happenings of the San Francisco and a nearly-forgotten<br />

chapter in LGBTQ+ history. Borrowing from Tin Pan Alley, classic Hollywood<br />

and the Sexual Revolution, this ever-shifting ensemble embraced communal<br />

living, free loving, and heroic helpings of psychedelic inspiration,<br />

propelling them from oddball local celebrity to the pages of Rolling<br />

Stone. Through rare footage and interviews, Weissman and Weber trace<br />

TRICIA’S WEDDING<br />

DIRS. BILL WEBER, DAVID WEISSMAN | 2002 | USA | 102 MIN.<br />

SATURDAY | JULY 16 | 12:30PM | REDCAT<br />

how shifting cultural tides, political reaction and the HIV/AIDS epidemic<br />

radically altered queer life—and how the irreverent, idealistic, creative<br />

spark lit by The Cockettes in the 1960s and 70s continues to burn today.<br />

Preceded by TRICIA’S WEDDING Dir. Milton Miron (credited as Sebastian), 1971, 33 min.<br />

*Restored by the UCLA Film & Television Archive with funding provided by<br />

Frameline and <strong>Outfest</strong>.


MEMBERS AND ANNUAL FUND DONORS<br />

LEGEND<br />

Mike & John August<br />

Gary Carnow<br />

MOGUL<br />

Anonymous<br />

Moses Freyre & Robert Murphy<br />

Alan Koenigsberg & John Dotto<br />

Charles Krozek<br />

Valerie Milano & Andrea Meyerson<br />

Doe Racklin<br />

Kyle Wade<br />

THE STUDIO EXECUTIVE<br />

Robert Blake<br />

Joseph Chianese<br />

Shedrick Davis & Barry Ward<br />

Terrence Franklin & Jeffrey Moline<br />

Ronald Haft<br />

Brett Hofer<br />

Jonathan Howard<br />

Dr. Adam Kawalek & Damien S. Navarro<br />

Matthew Kearns<br />

Tim Kittleson & Michael C.<br />

Donaldson<br />

Katie Krentz<br />

Paul D. Lerner & Stephen Reis<br />

Steven Llanusa & Glenn Miya, M.D.<br />

Scotch Loring & Todd Holland<br />

James McGruder<br />

Jayzen Patria & Joe Keenan<br />

Alex B. Perez<br />

Alan Poul & Ari Karpel<br />

Dominic Sabella<br />

Brian Michael Smith<br />

The Stadler Family<br />

Eric Whitney & Richard Bae<br />

LEGACY CIRCLE<br />

<strong>Outfest</strong> would like to thank our generous members who support<br />

our year-round efforts to spotlight, discover, educate, mentor, and<br />

preserve the work of LGBTQIA+ storytellers.<br />

THE EXECUTIVE PRODUCER<br />

Stamos Akrivos<br />

Jessica Bair & Brianna Oppenheimer<br />

Jordan Barillas<br />

Michael Barrett<br />

Leslie Belzberg<br />

Marc Better<br />

Eric Braverman & Jonathan Cottrell<br />

Steven Bryan & Josh Schiowitz<br />

Courtney Burr<br />

Robert Colegrove<br />

Brian & Kevin Cordova-Brookey<br />

Nicholas A. Crincoli & Michael J.<br />

Widman<br />

Zackary Drucker<br />

Miguel Duque & Bryant Cameron<br />

Jeffrey Epstein<br />

James Fino<br />

Robert C. Fish & Anthony Logan<br />

Chad Franks<br />

Dr. Donald Freeman & Patrick<br />

Shandrick<br />

Alan I. Gelman & Ashul Agrasyn<br />

Beau Genot<br />

Kevin Goetz<br />

Steven Green & David Cruz<br />

Kip Hargrove<br />

Jackson Hendrick<br />

Gerald Herman<br />

Brehon Humphrey<br />

Rick Hutcheson & Rob Kincaid<br />

Douglas Hutchinson<br />

Bill Ihrke & Dan Do<br />

Mark Allen Itkin & Bradley Bayou<br />

Dr. Patricia Jimenez<br />

Mark Wilson Jordan<br />

Jonathan King<br />

Richard Kleinberger & Mills Chang<br />

Dani Knight<br />

Mark Kruger & Mel Lewis<br />

Jay Lane<br />

Stephen Macias<br />

Jose Malagon & David Gajda<br />

John McCrite<br />

John McHugh-Dennis<br />

Ana Mendy<br />

Weston Miliken<br />

Thomas Mitchell<br />

Eric Morris<br />

Mike Mosallam<br />

Robert Nunez<br />

Jason Orion & Larry Baird<br />

Nicholas Pardon<br />

Jim Petrone & Keith Kauhanen<br />

Giselle Phelps<br />

Mark Pogachefsky<br />

Kristi Reed<br />

Michael Reese<br />

Eddie Robinson<br />

Stephen Sass & Steven Hochstadt<br />

Kyle Schmitz<br />

David Sigurani<br />

David Steinberg<br />

Zackery Alexzander Stephens<br />

Evan Strano & Jeremy Frank<br />

Sklar Toy<br />

Anthony Vayos & Bil Bertini<br />

Farhaad Virani<br />

Mike Werb & Brian Roskam<br />

Tarik Yetken & Florian Gador<br />

D. Zeke Zeidler & Jay Kohorn<br />

BENEFACTOR<br />

Paul D. Lerner & Stephen Reis<br />

INNOVATOR<br />

Cindy Capobianco & Rob<br />

Rosenheck<br />

Gary Carnow<br />

Imelda Corcoran & Victoria Alonso<br />

John Di Minico<br />

Alan Koenigsberg & John Dotto<br />

Mike Rose & Ruben R. Rodriguez<br />

ACTIVIST<br />

Anonymous<br />

David Bohnett Foundation<br />

Chris Ranta<br />

EMPATHY FUND<br />

The <strong>Outfest</strong> Empathy Fund is an annual funding campaign to support the<br />

continued expansion of our nearly 40 years of programs, through the<br />

generosity of the entertainment community, our alumni, and the individual<br />

you see below. Together we join forces to reach out nationally and<br />

globally to help nurture connection within our community.<br />

TRAILBLAZER<br />

Jessica Bair & Brianna<br />

Oppenheimer<br />

Joseph Chianese<br />

Jeff Collins<br />

Brian & Kevin Cordova-Brookey<br />

Lee Doud<br />

Zackary Drucker<br />

James Hayman<br />

Gerald Herman<br />

Jonathan Howard<br />

Brehon Humphrey<br />

Tim Kittleson & Michael C.<br />

Donaldson<br />

David Koepp<br />

Neil Landau & Trent Farr<br />

Weston Milliken<br />

Annick Muller<br />

Charlie Mustachia & David Courier<br />

Aaron Parry<br />

Alex B. Perez<br />

Christopher Racster<br />

Vanessa Roman<br />

Ronen Rubinstein<br />

H Schuster<br />

Paul Smith<br />

Lev Spiro<br />

The Stadler Family<br />

Zackery Alexzander Stephens<br />

Farhaad Virani<br />

Camille Weisenbach<br />

Philip Winik<br />

Tamara Woolfork & Michele Murray<br />

We greatly appreciate each gift to <strong>Outfest</strong> and we make every effort to ensure this listing’s<br />

accuracy. For any changes or updates please contact memebrship@outfest.org.<br />

Donors as of June 1, 2022.<br />

“The <strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> summer festival<br />

is our favorite time of the year. It’s great<br />

to be part of a community of people<br />

supporting films and filmmakers who are<br />

bringing LGBTQ+ stories to the world.”<br />

- PAUL D. LERNER AND STEPHEN REIS<br />

<strong>Outfest</strong> thanks Paul and Stephen for their generous multi-year<br />

commitment to create the “Paul D. Lerner & Stephen Reis Grand<br />

Jury Award for Outstanding Documentary Feature” at the<br />

<strong>Outfest</strong> <strong>Los</strong> <strong>Angeles</strong> LGBTQ+ Film Festivals through 2031.<br />

Want to find out more about the<br />

benefits of <strong>Outfest</strong> Legacy Circle?<br />

Find out more about<br />

the Empathy Fund?


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Aug 24, 2021 3:00pm PT<br />

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2022 Lineup<br />

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