Volume 27 Issue 8 | July 1 - September 20, 2022
Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.
Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.
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CLASSICAL AND BEYOND<br />
Canadian Brass<br />
A PIANO-LOVER’S<br />
FEAST AT<br />
PARRY SOUND<br />
AND LANAUDIÈRE<br />
PAUL ENNIS<br />
NINAYOSHIDA NELSEN<br />
As live music venues open up, summer music festivals<br />
get ready to party like it was <strong>20</strong>19. Here, I am going<br />
to focus on just two of them, in no small part based<br />
on my own lifelong predilection for the piano.<br />
Festival of the Sound<br />
The roots of this venerable attraction extend back to the summer<br />
of 1979 when renowned pianist Anton Kuerti purchased a summer<br />
home near Parry Sound and organized three concerts by outstanding<br />
Canadian musicians. The enthusiastic response to these programs<br />
inspired him to propose an annual concert series, and the 1980<br />
Festival of the Sound became Ontario’s first annual international<br />
summer classical music festival. In 1985, James Campbell began his<br />
tenure as the Festival’s second artistic director, a position he still<br />
holds today.<br />
This year’s festival is not all about the piano, though. It opens<br />
Sunday night, <strong>July</strong> 17, with a joyous celebration of choral music by<br />
the Elmer Iseler Singers; <strong>July</strong> 18’s sold-out evening concert marks<br />
the 50th anniversary of the Canadian Brass. Then, after clarinetist<br />
Campbell and the Rolston String Quartet perform Brahms’ Clarinet<br />
Quintet, among other works on the afternoon of <strong>July</strong> 19, the festival<br />
takes an unusual pianistic turn, hanging its musical summer hat on<br />
a piano festival featuring some of<br />
Canada’s finest keyboard artists,<br />
with <strong>20</strong> concerts underpinning<br />
a cleverly designed series of<br />
connected recitals. Jazz, personified<br />
by Dave Young, Heather Bambrick,<br />
Campbell himself, and others, then<br />
takes over the last weekend of <strong>July</strong>.<br />
Pianofest Week 1<br />
The feast of piano music that<br />
caught my attention begins on<br />
the evening of <strong>July</strong> 19 with the<br />
doyenne of her generation, Janina<br />
Fialkowska, famous as Arthur<br />
Rubinstein’s last pupil (1974-<br />
1982) and a Chopin expert in her<br />
Janina Fialkowska<br />
own right, with a representative<br />
Chopin program: a nocturne, a scherzo, a polonaise, waltzes, a<br />
ballade, preludes and berceuse. With masterclasses almost as much of<br />
a passion for me as the piano, the next morning is proof that one can<br />
have one’s cake and eat it too: Fialkowska participates in a masterclass<br />
as mentor to 25-year-old Xiaoyu Bruce Liu, the <strong>20</strong>21 Chopin<br />
JULIEN FAUGERE<br />
18 | <strong>July</strong> 1 - <strong>September</strong> <strong>20</strong>, <strong>20</strong>22 thewholenote.com