Volume 27 Issue 8 | July 1 - September 20, 2022
Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.
Final print issue of Volume 27 (259th, count 'em!). You'll see us in print again mid-September. Inside: A seat at one table at April's "Mayors Lunch" TAF Awards; RCM's 6th edition "Celebration Series" of piano music -- more than ODWGs; Classical and beyond at two festivals; two lakeshore venues reborn; our summer "Green Pages" festival directory; record reviews, listening room and more. On stands Tuesday July 5 2022.
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<strong>27</strong>08_<strong>July</strong>_cover.indd 1<br />
<strong>20</strong>22-06-24 10:44 AM<br />
The WholeNote<br />
VOLUME <strong>27</strong> NO 8<br />
JULY 1 - SEPTEMBER <strong>20</strong>, <strong>20</strong>22<br />
EDITORIAL<br />
Publisher/Editor in Chief | David Perlman<br />
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ON OUR COVER<br />
VOLUME <strong>27</strong> NO 8<br />
SUMMER <strong>20</strong>22<br />
Cameron Crozman<br />
PHOTO: MARK S. RASH<br />
6<br />
FOR OPENERS | The air in the<br />
balloon | DAVID PERLMAN<br />
STORIES & INTERVIEWS<br />
8 FEATURE | “A SEAT AT THE<br />
TABLE” Reflections on April’s<br />
TAF Awards | GLORIA BLIZZARD<br />
12 FEATURE | Music lights the way<br />
at the RCM’s Celebration Series<br />
launch | KAREN-ANNE KASTNER<br />
18<br />
MUSIC!<br />
LISTINGS<br />
live and livestreamed<br />
FESTIVALS<br />
partying like it's <strong>20</strong>19!<br />
CONCERTS, CLUBS<br />
workshops, conferences & more<br />
STORIES<br />
profiles, previews and interviews<br />
RECORD REVIEWS<br />
and Listening Room<br />
<strong>Volume</strong> <strong>27</strong> No 8 | <strong>July</strong> 1 - Sept <strong>20</strong>, <strong>20</strong>22<br />
From behind the lens.<br />
It has been my distinct privilege to have been allowed access<br />
to photograph the superb musical talent featured at Parry<br />
Sound’s annual Festival of the Sound. At times the performances<br />
are so overpowering that I find myself setting down the<br />
camera and surrendering to the magic of the musical moment.<br />
That was my experience as I listened to Cameron Crozman<br />
play the Bach Cello Suite No. 2 to Ontario’s great outdoors.<br />
I was wholly taken by his interpretive responses to the lush<br />
new sounds that projected over the water and echoed from<br />
the trees.<br />
Then I had to remind myself why I was there, and again<br />
reached for the camera. — Mark S. Rash<br />
See Parry Sound, pg 18<br />
14 MUSIC THEATRE | Stellar<br />
spring, musical Shakespeare<br />
& a summer of substance |<br />
JENNIFER PARR<br />
18 CLASSICAL & BEYOND |<br />
Parry Sound and Lanaudière:<br />
a piano-lover’s feast |<br />
PAUL ENNIS<br />
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