The Isis Papers: The Keys to the Colors

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The Isis Papers
a "final solution" for the Semites as well as for the gypsy population in
Europe was needed.
It is necessary at this point to reiterate the key issues of The Cress
Theory of Color-Confrontation and Racism (White Supremacy): The
white supremacy (white survival) necessity is to establish, maintain,
expand and refine the power equation white over non-white (W/NW),
white power over all peoples with an ancestral history of substantial
melanin skin pigmentation that can be genetically transmitted. The wtlite
genetic phenotype can be maintained on the planet Earth only through this
means (intensive "genetic-watch").
The implications of the Cress Theory are that all behavioral patterns
in the global white collective! begin and end with the consci~ms and/or
unconscious consideration of white genetic survival and the corollary
consideration of the global threat of white genetic annihilation by the
non-white majority. Were this not the foremost consideration of the
global white collective, a white population would not exist on the planet
Earth; it would have succumbed to white genetic annihilation, and,
therefore, never would have been an organized psychological and military
defense.
So, what does all of this have to do with the mass destruction of
members of the Jewish religion living in Europe and the phenomenon of
anti-Semitism? First, much confusion has arisen because of the conscious.
and/or unconscious insistence of mixing a discussion of religion with a
discussion of race, specifically as it concerns the Semitic population that
practices the Judaic religion. This population migrated from Africa and·
has resided in Europe for the past two thousand years. The "holocaust"· .•
in Europe was the end result of the long-standing dynamic of anti-Semitism.
Semite refers to a racial group. Thus, anti-Semitism was a dynamic ·
directed specifically against a group with a distinct racial (genetic) background,
which incidentally practiced a particular religion.
A Semite is conventionally defined as "a member of any of the
whose language is Semitic, including the Hebrews, Arabs, Assynan~
Phoenicians, Babylonians, etc." (Webster' sNew World Dictionary).
adjective Semitic is defined as "1. of, characteristic of, or like a Semite
The Cress Theory of the Holocaust
the Semites 2. designating or of a major group of languages of southwestern
Asia and northern Africa, related to the Hamitic languages and
divided into East Semitic (Akkadian), North West Semitic (Phoenician,
Punic, Aramaic, Hebrew, Modern Hebrew, etc.) and South West Semitic
(Arabic, Ethiopic, Amheric)." Webster's New World Dictionary also
infonns us that the prefix, "semi - "(L., akin to Gr. hemi-, Sans. sami-, AS.
sam), means half, as in semidiameter.
Thus, both of the words Semite andHamite (the later from the Greek
"Hemite") could refer to peoples who were Black, but a mulatto-type
mixture of Black and white and combinations thereof, hence "semi-" or
"hemi-"- half Black and half white-much like the present mixed Black
or colored population in the U.S., or wherever white males have sexually
aggressed against African (Black) females. A fine example is the Roman
(white) soldiers' sexual aggression against African women. In my decoding,
the word Semite, as from the Latin prefix "semi-," means someone
whose ancestry was a Black and white mixture, therefore Black (since
Black is genetically dominant).
In The Washington Post (May 4, 1979), in an article entitled "Pope to
View Poland's Black Madonna," Sylvana Foa reports:
.... The mysterious Black Madonna of Czestochowa is the most
sacred icon in Poland. It is also one of the most haunting and
beautiful works of religious art in the world. Pope John Paul
II, a strong advocate of devotion to the Virgin Mary will travel
to the hilltop monastery in June to show his special devotion to
the strange painting depicting Christ's mother as a black
woman .... Art experts believe the Madonna was painted
between the 6th and 8th centuries and say the style is
reminiscent of early Egyptian Christians .... many an historians,
believe the Madonna is one of the rare black Madonnas still
extant. Most of the Madonnas painted in the earliest centuries
of Christiandom were black, according to historians and it
wasn't until the Renaissance that it became popular to give the
mother of Christ the features of a Florentine maiden ... "
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