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Ferne Jacobs Catalog

The Craft in America Center is pleased to present the first ever retrospective of Los Angeles artist Ferne Jacobs. Since the 1960s, Ferne Jacobs has been at the forefront of the revolution in fiber art. She has pioneered ways to create a new category of sculpture. Transforming materials and pushing boundaries, she builds solid structures with coiled, twined, and knotted thread. This exhibition is the first to survey more than fifty years of Jacobs’ pivotal and timeless work through the present. Jacobs’ intimate drawings and collage diaries, which have never been publicly displayed before now, provide an additional lens into her vision, inspiration, and philosophical perspective.

The Craft in America Center is pleased to present the first ever retrospective of Los Angeles artist Ferne Jacobs. Since the 1960s, Ferne Jacobs has been at the forefront of the revolution in fiber art. She has pioneered ways to create a new category of sculpture. Transforming materials and pushing boundaries, she builds solid structures with coiled, twined, and knotted thread. This exhibition is the first to survey more than fifty years of Jacobs’ pivotal and timeless work through the present. Jacobs’ intimate drawings and collage diaries, which have never been publicly displayed before now, provide an additional lens into her vision, inspiration, and philosophical perspective.

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“When I start it’s a color, a size, and I see a shape… I just start

playing with the line and then I make a connection…and then

suddenly I am in that piece. And we are having a relationship.

I never know what it’s going to look like until it gets done.”

Ferne Jacobs has been at the forefront of the revolution in

fiber art since the 1960s. She has pioneered the formation

of a new category of sculpture. Transforming materials and

pushing boundaries, she builds solid structures with coiled,

twined, and knotted thread. This exhibition is the first to

survey more than fifty years of Jacobs’ pivotal and timeless

artwork from 1966 through the present.

Jacobs has lived and practiced in Echo Park for most of

her life, yet she has rarely exhibited in Los Angeles. As

such, this exhibition is a homecoming. Like countless other

artists working in Southern California during this era and

prior to recent shifts in the art world, most of her work

migrated to galleries, collections, and museums in New

York, the East Coast, and other parts of the country. She is

among the leading artists who have shaped the national

fiber movement that has flourished in California over many

decades, having national and international influence. This

gathering of work reflects Jacobs’ overall artistic evolution

and highlights her unrelenting search for meaning in form,

color, and process.

Early on in her career, Jacobs studied at Art Center College

of Design and she took painting at Pratt Institute, but the

sensory aspects of fiber, including smell and touch, were

what really stoked her interest. After a first weaving class

at Barnsdall Art Park in the early 1960s, she built a selfmade

fiber education by seeking out classes and personally

connecting with leading artists and teachers. In 1965, she

took a workshop in San Diego with Arline Fisch, whom she

credits with truly teaching her to weave expressively.

CONNECTED CELLS, BREATHING FORMS 9

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