MONDAY ARTPOST 0711-2022
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<strong>MONDAY</strong><br />
<strong>ARTPOST</strong><br />
<strong>0711</strong>-<strong>2022</strong><br />
ISSN1918-6991<br />
<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />
Columns by Artists and Writers<br />
Cem Turgay / Fiona Smyth / Gary<br />
Michael Dault / Holly Lee / Kai Chan<br />
/ Kamelia Pezeshki / Shelley Savor<br />
/ Tamara Chatterjee / Wilson Tsang<br />
/ Yau Leung / + DOUBLESPREAD (Lee<br />
Ka-sing) / THE NEARBY FARAWAY: Small<br />
Paintings on cardboard (Gary Michael Dault)<br />
<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />
An Ocean and Pounds publication. ISSN 1918-6991. email to: mail@oceanpounds.com
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“The memory has as<br />
many moods as the<br />
temper, and shifts its<br />
scenery like a diorama.”<br />
George Eliot,<br />
Middlemarch
CHEEZ<br />
Fiona Smyth
Caffeine Reveries<br />
Shelley Savor<br />
Earthling
Poem a Week<br />
Gary Michael Dault<br />
Here, below, is one of To Fu’s least offensive poems:<br />
Too Many Moons<br />
Too Many Moons<br />
For some time now, I have been<br />
contributing material to the annals of two entirely<br />
fictional personages: the first, a not very gifted Greek<br />
philosopher named Mediocrates (Theorist of the<br />
Middle Way) and, second, a young Japanese poet of no<br />
great ability named To Fu.<br />
To Fu’s poetry, such as it is, is characterized by a<br />
lax, shredded irony, a too sudden and unconvincingly<br />
urgent use of symbolism, a penchant for selfevident<br />
sermons-in-stone, and a usually irritating<br />
sentimentality.<br />
There were<br />
too many moons<br />
floating through<br />
my poetry<br />
so I took<br />
a flyswatter<br />
and struck<br />
at one of them<br />
only to find<br />
it was immediately<br />
replaced<br />
by another moon<br />
that then<br />
began to laugh at me.<br />
Very annoying!
ART LOGBOOK<br />
Holly Lee<br />
On Kashmir - more than 100 years, the history of Kashmir is preserved in the Mahatta<br />
& Co studio.<br />
1. A bygone Kashmir and its people, as captured through RC Mehta’s lens<br />
https://www.moneycontrol.com/news/trends/travel-trends/mahatta-co-indiaslongest-surviving-photo-studio-has-preserved-107-years-of-kashmirs-history-andculture-8401911.html<br />
2. Kashmir’s iconic Photography, Mahatta & Co studio that has captured over 100<br />
years of history of Valley through its lenses is now mulling to open the first photo<br />
museum in the country.<br />
https://www.risingkashmir.com/Watch--Kashmir-s-iconic-Mahatta-studio-lensescaptured-valley-s-100-year-old-history-101117<br />
tips: For the article, press the button “read more” underneath the picture. Skip the ads.<br />
3. Kashmir’s iconic Mahatta studio lenses captured valley’s 100-year-old history...<br />
https://www.youtube.com/watch?v=71SoPfWjqGY<br />
(video 6:32 minutes)<br />
4. In search of Kashmir’s nomadic delicacies<br />
https://www.aljazeera.com/features/<strong>2022</strong>/6/28/in-search-of-kashmirs-nomadic-delicacies
Yesterday Hong Kong<br />
Yau Leung<br />
Connaught Road Central (1964)<br />
8x10 inch, gelatin siver photograph printed in the nineties<br />
OP Selection, edition 1/100, signed on verso<br />
From the collection of Lee Ka-sing and Holly Lee
ProTesT<br />
Cem Turgay
Travelling Palm<br />
Snapshots<br />
Tamara Chatterjee<br />
India (December, 2016) – From our<br />
elevated viewpoints we watched a small<br />
group of children preparing to cast their<br />
kites into the dusking sky. Amusing to<br />
watch; over the course of twenty minutes<br />
the skies illuminated with colourful kites<br />
fighting for dominance and skillful heights.<br />
We descended from our spiritual perch,<br />
navigating our way back to earth and the<br />
reality of a busy night market.
The Photograph<br />
coordinated by<br />
Kamelia Pezeshki<br />
“Bus Station” by Lori Spring
TANGENTS<br />
Wilson Tsang<br />
Tug of War
From the Notebooks<br />
(2010-<strong>2022</strong>)<br />
Gary Michael Dault<br />
Number 145: Bowl of Fruit (April 30, 2012)
Greenwood<br />
Kai Chan<br />
Drawing, ink, pastel on paper
DOUBLESPREAD from<br />
Double Double studio,<br />
photographs by<br />
Lee Ka-sing<br />
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Gary Michael Dault<br />
THE NEARBY<br />
FARAWAY:<br />
Small Paintings on<br />
cardboard<br />
an online exhibition<br />
In conjunction with the exhibition at<br />
50 Gladstone Avenue Saloon in Toronto
Gary Michael Dault<br />
THE NEARBY FARAWAY:<br />
Small Paintings on cardboard<br />
an online exhibition<br />
https://oceanpounds.com/blogs/exhibition/tnf
In conjunction with the exhibition at<br />
50 Gladstone Avenue Saloon in Toronto
Available at OP online shop<br />
https://oceanpounds.com/products/the-view-from-the-bridge<br />
The View from the Bridge<br />
acrylic on paper<br />
283 x 178 mm<br />
(2008)
Available at OP online shop<br />
https://oceanpounds.com/products/breakers<br />
Breakers (after Gustave Courbet’s Sea with Three Boats, 1869)<br />
acrylic on offset printed card stock<br />
228 x 165 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/iceberg<br />
Iceberg<br />
acrylic on offset printed card stock<br />
225 x 155 mm<br />
(2007)
Private collection<br />
(not-for-sale)<br />
Yacht Club<br />
acrylic on paper<br />
153 x 184 mm<br />
(2008)
Available at OP online shop<br />
https://oceanpounds.com/products/petrified-tree-with-outpost<br />
Petrified Tree with Outpost<br />
acrylic on offset printed card stock<br />
190 x 255 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/stormy-sea<br />
Stormy Sea (The Wave)--to Gustave Courbet<br />
acrylic on paper<br />
267 x 355 mm
Available at OP online shop<br />
https://oceanpounds.com/products/brittle-shoal<br />
Brittle Shoal<br />
acrylic on offset printed card stock<br />
*126 x 128 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/cranberry-cliff<br />
Cranberry Cliff<br />
acrylic on offset printed card stock<br />
*160 x 209 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/little-glacier-on-a-table<br />
Little Glacier on a Table<br />
acrylic on paper and card stock<br />
*138 x 108 mm<br />
(2009)
Available at OP online shop<br />
https://oceanpounds.com/products/creche-with-attendant-hen<br />
Creche (with Attendant Hen)<br />
acrylic on offset printed card stock<br />
234 x 231 mm
Available at OP online shop<br />
https://oceanpounds.com/products/bonaventure-island<br />
Bonaventure Island<br />
acrylic on offset printed card stock<br />
*142 x 181 mm<br />
(2007)
Private collection<br />
(not-for-sale)<br />
A View of the Golden Cave<br />
acrylic on paper<br />
270 x 350 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/mars-the-red-planet<br />
Mars, the Red Planet<br />
acrylic on offset printed card stock<br />
225 x 290 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/passivity-point<br />
Passivity Point (Under Calligraphies of Cloud)<br />
acrylic on offset printed card stock<br />
208 x 265 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/shorescape<br />
Shorescape (to John Marin)<br />
acrylic on paper<br />
355 x 280 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/the-end-of-the-island<br />
The End of the Island (“...when the night has thrown a<br />
pall upon that spot....”--Edgar Allan Poe)<br />
acrylic on offset printed card stock<br />
164 x 248 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/a-nest-of-nuggets<br />
A Nest of Nuggets<br />
acrylic on offset printed card stock<br />
191 x 268 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/shell-recto-and-verso<br />
Shell (Recto and Verso)<br />
acrylic on offset printed card stock<br />
230 x 130 mm<br />
(2009)
Available at OP online shop<br />
https://oceanpounds.com/products/sand-beach-with-red-oak<br />
Sand Beach with Red Oak<br />
acrylic on card stock<br />
195 x 196 mm
Available at OP online shop<br />
https://oceanpounds.com/products/winter-by-the-sea<br />
Winter by the Sea<br />
acrylic on paper<br />
253 x 291 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/giant-night-2<br />
Giant Night 2 (to Anne Waldman)<br />
acrylic on offset printed card stock<br />
195 x 268 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/defiant-atoll-onslaught-wind<br />
Defiant Atoll / Onslaught Wind<br />
acrylic on offset printed card stock<br />
199 x 280 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/butterscotch-lookout<br />
Butterscotch Lookout<br />
acrylic on offset printed card stock<br />
193 x 280 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/dark-inlet<br />
Dark Inlet<br />
acrylic on offset printed card stock<br />
*121 x 163 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/moon-rock<br />
Moon / Rock (“...the secondary resemblance to a sort of<br />
distant pipe organ....” Breton, Arcanum 17, p.41)<br />
acrylic on offset printed card stock<br />
230 x 165 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/small-sepulcher-recto-and-verso<br />
Small Sepulcher (Recto and Verso)<br />
acrylic on offset printed card stock<br />
*135 x 78 mm<br />
(2009)
Available at OP online shop<br />
https://oceanpounds.com/products/the-fault<br />
The Fault<br />
acrylic on offset printed card stock<br />
163 x 274 mm<br />
(2006)
Available at OP online shop<br />
https://oceanpounds.com/products/boat-houses<br />
Boat Houses<br />
acrylic on offset printed card stock<br />
222 x 145 mm<br />
(2007)
Available at OP online shop<br />
https://oceanpounds.com/products/an-island-dreaming-of-a-cloud<br />
An Island Dreaming of a Cloud (and Vice-Versa)<br />
acrylic on offset printed card stock<br />
233 x 310 mm<br />
(2007)
Private collection<br />
(not-for-sale)<br />
Portal<br />
acrylic on offset printed card stock<br />
245 x 199 mm
Gary Michael Dault<br />
Having spent most of his professional life in Toronto, as a painter, university teacher and art critic<br />
(his visual arts column, Gallery-Going, ran in The Globe & Mail for fourteen years, a sojourn he now<br />
regards as essentially purgatorial), Gary Michael Dault lives with his wife, artist Malgorzata Wolak<br />
Dault and their seven cats, in a greatly cherished Victorian house (called Swan House because of the<br />
stained-glass swans bedecking it) in the town of Napanee in Eastern Ontario. Dault is the author of<br />
numerous magazine articles and gallery catalogues, as well as a dozen books about the visual arts.<br />
He has published ten volumes of poetry, and has written three television documentaries, all for<br />
the late Sir Peter Ustinov (the most ambitious of which was a 6-hour miniseries titled Peter Ustinov:<br />
Inside the Vatican). Dault has exhibited his own paintings many times, most recently at Verb Gallery<br />
in Kingston, Ontario. He has been contributing regularly to the online Monday <strong>ARTPOST</strong> for over a<br />
decade.
Under the management of Ocean and Pounds<br />
Since 2008, INDEXG B&B have served curators, artists,<br />
art-admirers, collectors and professionals from different<br />
cities visiting and working in Toronto.<br />
INDEXG B&B<br />
48 Gladstone Avenue, Toronto<br />
Booking:<br />
mail@indexgbb.com<br />
416.535.6957
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