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Estetica Magazine UK (3/2022)

Estetica Magazine is the world's leading hairdressing magazine. Founded in Italy in 1946 and published today in over 60 countries around the world, it is a global reference point for professionals working in the hair and beauty industry. Techniques, fashion, education and trends are at the core of every issue of Estetica Magazine. Further information about both the printed and digital versions of the magazine is available at magazines.esteticanetwork.com

Estetica Magazine is the world's leading hairdressing magazine. Founded in Italy in 1946 and published today in over 60 countries around the world, it is a global reference point for professionals working in the hair and beauty industry. Techniques, fashion, education and trends are at the core of every issue of Estetica Magazine. Further information about both the printed and digital versions of the magazine is available at magazines.esteticanetwork.com

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<strong>UK</strong><br />

the Hair<strong>Magazine</strong><br />

COVER LOOK<br />

Creative Expertise<br />

by Rudy Mostarda<br />

WELLBEING<br />

Important Conversations<br />

for Staying Strong<br />

PHOTO FINISH<br />

Stories Behind Creating<br />

a Perfect Hair Image


BEYOND HAIR EXPECTATIONS, BEYOND<br />

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OF HAIR EXTENSIONS FOR 30 YEARS<br />

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editorial<br />

It’s that time of year again! As the Autumn begins there’s always an added feeling of<br />

excitement in <strong>UK</strong> hairdressing. That’s because it’s the time when many of us can meet up<br />

at the many industry events, shows and competitions that take place during the last three<br />

months of the year. Nobody can deny that it’s a very sociable time in hardressing!<br />

Hair: Rudy Mostarda<br />

Products: Alfaparf Milano<br />

Professional<br />

Photo: Stratis Kas<br />

Make-up: Maurizio Calabró<br />

Stylist: Andrea Amara<br />

Backstage Photo: Albi Jakici<br />

For we in the <strong>UK</strong>, the big ones are, of<br />

course, Salon International at ExCel<br />

from 8 - 10 October, in tandem with<br />

the Alternative Hair Show on 9 October.<br />

As always, we look forward to meeting many of our partners and friends over the Salon<br />

International weekend. As an global magazine with editions all over the world, we have<br />

close ties with hair experts in scores of countries outside the <strong>UK</strong>. As well as local editions<br />

of <strong>Estetica</strong>, we also have a business website at www.<strong>Estetica</strong>Export.com which is of huge<br />

interest to anyone looking to expand their business through international distribution<br />

channels. It’s also interesting for anyone who might just be curious to learn more about<br />

what’s going on in the global world of hair and beauty. Please feel free to check it out and<br />

remember to give us your feedback!<br />

Gary Kelly,<br />

Editor-in-Chief, <strong>Estetica</strong> <strong>UK</strong><br />

Discover our latest online news at<br />

www.esteticamagazine.com


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<strong>Estetica</strong> n. 3/<strong>2022</strong><br />

contents<br />

PUBLISHER AND<br />

MANAGING DIRECTOR<br />

Roberto Pissimiglia<br />

EDITOR-IN-CHIEF<br />

Gary Kelly<br />

estetica.uk@lineone.net<br />

INTERNATIONAL<br />

EDITOR-IN-CHIEF<br />

Laura Castelli<br />

l.castelli@estetica.it<br />

INTERNATIONAL ADVERTISING<br />

COORDINATOR<br />

Monica Tessari<br />

m.tessari@estetica.it<br />

LAYOUT<br />

Manuela Artosi<br />

m.artosi@estetica.it<br />

Davide Cardente<br />

d.cardente@estetica.it<br />

<strong>UK</strong> SALES & MARKETING<br />

MANAGER<br />

Luca Pissimiglia<br />

l.pissimiglia@estetica.it<br />

CONTRIBUTORS<br />

FRANCE<br />

Marie Coccoluto<br />

SPAIN<br />

Elisabet Parra,<br />

Cristina Hernández<br />

DEUTSCHE AUSGABE<br />

Michaela Dee<br />

ITALIA<br />

Lucia Preziosi,<br />

Glorianna Vaschetto,<br />

Emanuela Vaser<br />

USA<br />

Marie Scarano<br />

DIGITAL<br />

Erica Balduini,<br />

Erika Marchese,<br />

Stefania Rao,<br />

Alessandro Zanetti<br />

Photoshoot Cover Story 8<br />

Runways Autumn/Winter <strong>2022</strong>-2023 10<br />

Inspiration Photo Finish 16<br />

Trends ’80s Style Retro 24<br />

Innovation Japan Rocks 29<br />

Interview Robert Eaton, President 82<br />

Interview Ask Olaplex 84<br />

Engagement Salon Wellbeing 86<br />

Events 100 Years of Creativity 90<br />

Events Destination: Amsterdam! 92<br />

Awards Meet the GCA <strong>UK</strong> Winners 94<br />

international trends<br />

Autumn Allure 33<br />

New Divas<br />

Hair professionals provide an<br />

essential service, but in a world<br />

of increasing costs, worries and<br />

anxiety, looking after yourself is<br />

an essential part of working life.<br />

In our Photo Shoot<br />

feature, check out<br />

some top hair<br />

artists who<br />

showcase the look<br />

which they feel<br />

would look perfect<br />

on the <strong>Estetica</strong><br />

front cover.


<strong>UK</strong><br />

144<br />

<strong>UK</strong><br />

the Hair<strong>Magazine</strong><br />

Hair: Rudy Mostarda<br />

Products: Alfaparf Milano<br />

Professional<br />

Photo: Stratis Kas<br />

Make-up: Maurizio Calabró<br />

Stylist: Andrea Amara<br />

Backstage Photo: Albi Jakici<br />

WELLBEING<br />

Important Conversations<br />

for Staying Strong<br />

COVER LOOK<br />

Creative Expertise<br />

by Rudy Mostarda<br />

PHOTO FINISH<br />

Stories Behind Creating<br />

a Perfect Hair Image<br />

3/22<br />

Cover Story<br />

The beautiful cover image created for this issue of<br />

<strong>Estetica</strong> <strong>UK</strong> is from the Global Identity Collection by Rudy<br />

Mostarda, Global Creative Director of Alfaparf Milano. Gary Kelly<br />

Rudy Mostarda’s Global Identity Collection conveys a strong, passionate message of empowerment, while embracing<br />

all aspects of diversity and ethnicity. It represents different cultures and the ways in which they’re expressed through<br />

fashion, personal identity and local customs. This stunning collection speaks of open-mindedness and a desire to share,


as well as be inclusive through the medium of true, authentic beauty. The objective is also to create a story to tell, one<br />

through which inspirational hair looks can be reproduced commercially and then enjoyed as an up-to-date, on-trend<br />

style. This satisfies the specific need of helping all women to become the best version of themselves and to celebrate<br />

their true individuality and personality.<br />

Rudy is an internationally renowned hair designer, expert trainer and educational business coach. Since the beginning<br />

of <strong>2022</strong>, he has also been the new Global Creative Director of Alfaparf Milano, where his ongoing mission is to create<br />

a global education programme with a coordinated and recognizable identity. Rudy is also a protagonist at the worldfamous<br />

Alternative Hair Show, considered by many to be one of the most important and inspirational hair events<br />

globally. Rudy is not only a stylist, but also an entrepreneur, having founded the Extrema Hair brand in 1999, which<br />

today boasts more than 90 affiliated salons.<br />

photoshoot<br />

9


Active Mood<br />

The perfect solution for women who put practicality first,<br />

but without compromising on style. They often flirt with<br />

Avant-Garde, but like to add a hint of romance. Laura Castelli<br />

10 catwalks<br />

Off White<br />

Marco Rambaldi<br />

FALL<br />

WINTER<br />

22/23<br />

Palm Angels<br />

Balmain<br />

Diesel<br />

Hermès


Kronthaler Westwood Ferrari Palm Angels Philipp Plein Gucci<br />

Emporio Armani<br />

Palm Angels<br />

Heliot Emil<br />

DSquared2<br />

Diesel<br />

Chanel<br />

DSquared2 Dolce & Gabbana<br />

fashion<br />

125<br />

Catwalks Photos: IMAXtree.com


FALL<br />

WINTER<br />

22/23<br />

The Inner Goth<br />

Magnetic and determined, she’ll delve into punk and is<br />

anti anything conventional. She can surprise you with a<br />

touch of lace or a splash of cyclamen, but don’t be fooled<br />

- her fashion main course consists of acrylic and leather!<br />

Versace<br />

Byblos<br />

Versace<br />

Dolce & Gabbana<br />

Marco Rambaldi<br />

Monot<br />

12 catwalks


Courrèges<br />

Catwalks Photos: IMAXtree.com<br />

MM6<br />

Koché<br />

Weinsanto<br />

Heliot Emil<br />

Alaïa<br />

Vaquera<br />

GCDS<br />

Givenchy<br />

Aniye Records<br />

Alaïa


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Photo Finish<br />

We asked a selection of top international artists from The <strong>UK</strong>,<br />

USA and Asia to showcase their look which they feel would sit<br />

perfectly on a magazine front cover. They definitely delivered!<br />

Gary Kelly & Marie Scarano<br />

MINIMAL, BUT EDGY<br />

This look is part of a Spring Summer collection for Newance by Topchic. For this collection, I wanted to bring coolness into Summer.<br />

Overall, I played with a selection of shades to create a harmony between warm and cool. For the hair colour itself, I made use of matte ash<br />

and cool brown in a block colouring technique to create the smoky effect. The cut is minimal, but edgy, with disconnection through the<br />

fringe to enhance the model’s chin line. To finish off, the hair was styled in a sleek look with high shine to give her a more editorial and<br />

edgy look. Yuujin Ho (Singapore)<br />

Hair: Yuujin Ho, Leading Styling from Evolve Salon and Goldwell National Artist, Singapore<br />

Products: Newance by Topchic<br />

TRENDING MULLET<br />

This is one my favourite images as it won Trend Image of the Year so it's also very special to me. This sexy, soft but seriously edgy<br />

mullet creates sheer presence which is full of texture and movement. The mullet is a beautiful shape and enabled me to showcase all my<br />

favourite cutting techniques to create the look – I used channel cutting, slide cutting and texturising to create a wearable, on-trend style.<br />

Sharon Malcolm (<strong>UK</strong>)<br />

Hair: Sharon Malcolm, Sharon Malcolm Hairdressing, Newtownards, Northern Ireland<br />

Photo: Jack Eames/Make-up: Siobhan Luckie/Styling: Magdalena Jacobs<br />

16 trends


MULTI-DIMENSIONAL BLONDE<br />

This image is simply beautiful. Inspired by salon trends and client requests, we created a sumptuous,<br />

enriched blonde which is bright and has a blended variety of tones throughout; it's perfect for the<br />

autumnal season which lies ahead. Creating this look using three to four different blonde shades<br />

achieves a multi-dimensional feel. It also encompasses texture and volume throughout – both among<br />

the biggest trends requested in salons at present. When creating this look as part of our new<br />

collection from Joico, it was important for us to create looks that showcased current trends, as well as<br />

those being requested in-salon. Bruno Marc (<strong>UK</strong>)<br />

Art Direction: Bruno Marc Giamattei/Hair Colour: Paul Watts/Cut & Styling: Marcus Giamattei<br />

Photo: Jamie Blanshard/Make-up: Katie Moore/Styling: Ellen Spiller<br />

MINIMALIST VISION<br />

A solid colour was chosen to mirror what’s happening in the world of modern art, where a minimalist vision<br />

is eclipsing today’s continuing trend towards rainbow hair. Modern painting often uses solid colours<br />

combined with unusual textures in order to differentiate the feel - just like in this look. Solid colours (level<br />

2N - Redken Chromatics) create a solid field, but in contrast, pointing/sliding cutting techniques achieve<br />

separation. A wax gives definition, proving there is order, even in chaos! Allen Furlan (USA)<br />

Hair: Allen Furlan/Make-up: Ashley Zimmel/Photo: John Ng


RETRO SHAPE<br />

My inspiration was the Film Noir Cinema of the 1940s and1950s era. The bottom half or base of the<br />

finish was made with hair nets and extensions, which were roughed up & formed into a flat beret. They<br />

were moulded and placed as the foundation of the design. The top hair barrels were created with hair<br />

moulds which were oblong in shape. Hair wefts were attached and wrapped around the mould and<br />

place on top of the base to create the perfect balance & shape. Nick Pagano (USA)<br />

Hair: @NickPaganoHairDesign, Goldwell National Artist<br />

Photo: Alice Watson/Make-up: @Cherylmakeup/Products: Goldwell Style Sign<br />

RELAXED AURA<br />

I was inspired by the current cool and smoky colour trend for my look in the <strong>2022</strong> Spring Summer<br />

Collection using Newance by Topchic. The creative direction was to create a playful, trendy look.<br />

Therefore, I applied contrasting colours in the form of highlights. With the use of both natural cool shades<br />

and warm undertone colours, I was delighted with the result, which showcased a refreshing and cheerful<br />

feel. Most importantly, this classic hairstyle portrayed a relaxed aura, giving playful and trendy twist to<br />

this classic look. Jophy Tio (Singapore)<br />

Hair: Jophy Tio, Creative Director from Super Blades and Goldwell National Artist, Singapore<br />

Products: Newance by Topchic<br />

124 trends trends 125


MESMERISING FINISH<br />

This is such a captivating image not only due to the colour placement, but also due to the precision cutting and the overall finish of the<br />

hair. The colour takes inspiration from the oil slick hair colour trend - the effect of oil being spilled on water. It sees a dark brunette<br />

or black base paired with the placement of blue, green and purple tones for a truly mesmerising finish. The colours blend together<br />

beautifully and are further enhanced by the blunt bob cut. Sleek styling helps the look to exude health and shine. The movement of the<br />

hair and background add further impact to this cover worthy image. Seung Ki Baek (<strong>UK</strong>)<br />

Hair Cut & Colour: Seung Ki Baek, Expert Colourist at Rush/Make-up: Lan Nguyen-Grealis<br />

Clothes Stylist: Robert Morrison<br />

EXTREME DRAMATICS<br />

Inspired by dramatic irony, this collection is thick with dramatics, as reflected in the colour, lighting, and styling. The irony lies in the<br />

simplicity of the classic precision cut & finish, colour placement, as well as the over-all style. Lisa Vann (USA)<br />

Hair: Lisa Vann, Aspen Day-Flynn, Hatsumi Futamura, Hernandez, Vann Studio Seattle, WA<br />

Make-up: Hannah Vann, Vann Studio Seattle, WA/Photo: David Rossa, Denver, CO<br />

Designer: Lisa Marie Couture, Seattle, WA<br />

trends<br />

19


CLASSIC GEOMETRIC<br />

Precision cutting allows us to cut with purpose and intention. Classic geometric shapes combined with modern layering and<br />

graduation will make any hair texture sing. Simplicity is everything nowadays! Dry cutting allows the natural fall and texture of<br />

hair to be celebrated. Always apply a leave-in conditioner and/or cutting lotion to make hair more pliable, reduce static and ensure<br />

a precision result. Sam Villa (USA)<br />

Hair: Teresa Romero, Sam Villa Art Director/Photo: Nico Norsdström @ Obsidian and Blush<br />

Tools: Sam Villa/Products: Redken/Make-up: Tanya Ortega and Leticia Tapia<br />

Wardrobe: Michi Lafary @ Obsidian and Blush/Model: Christi Ho<br />

To me, this image represents the best of modern hairdressing and is a vision for the bright future of the craft. It will be a world in<br />

which diversity is embraced and fresh concepts of beauty are celebrated. This shot showcases each muse’s individuality through<br />

the cut, colour and styling. The bespoke looks I've chosen bring to life facets of their personality and personal aesthetic, bathed in<br />

prismatic light. Robert Eaton (<strong>UK</strong>)<br />

Hair: Robert Eaton, Creative Director at Russell Eaton Salons and current BHA British Hairdresser of the Year<br />

Photos: Richard Miles/Make up: Lucy Flower/Styling: Clare Frith<br />

20 trends VISIONARY MUSES


SCULPTED TEXTURE<br />

When creating this look my vision was a retro ’80s vibe. A rebellious feel, a sculpted textured look<br />

and versatile hair cut that screams: ‘the rock and roll mullet is back!’ After our emergence from<br />

quarantine, this look is an encouragement to be brave and stray from the crowd. So, let's be bold and<br />

confirm that the mullet is definitely here to stay! Dan Mewies (<strong>UK</strong>)<br />

Hair: Dan Mewies, Mewies & Co/Photo: Chris Bulezuik/Make-up: Karl Dickey/Styling: Lisa Elliott<br />

ULTIMATE CONTRASTS<br />

In this nod to the mullet, everything has been updated. The colour, the strong contrasts in the lengths,<br />

including the shaved sides. Precision is always key: in the proportions of the lengths, the pure and subtle<br />

colour placement, the point cutting of the ends and fringe and micro-layers. Robin LaChance (USA)<br />

Hair: Robin LaChance/Photo: Paula Tizzard/Make-up: Florencia Taylor/Wardrobe: Adrian Arnieri<br />

trends<br />

125


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’80s VIbes on IG<br />

Anyone who have lived through the days of Charlie’s Angels cannot<br />

fail to remember Farrah Fawcett and her dirty blonde medium length<br />

backward flick! It was a lion’s mane that she wore with perfect aplomb<br />

and which defined an era. Well, it’s back again and it’s trending like crazy<br />

on Instagram. Eveolved for a Y2K generation, the waves have a different<br />

dynamic emphasis; in the most daring cases they are also highlighted for<br />

contrasting chromatic effects. Suitable for all ages, when combined with<br />

maxi glasses it's a look which creates an irresistible vintage feel.<br />

’80s<br />

style retro<br />

Behind every new album cover, out of each emerging hair<br />

trend and from the next cinema blockbuster, the 1980s<br />

are back... and they’re pumping up the volume! Daniela Giambrone<br />

Photo: Getty Images<br />

Photo: Getty Images<br />

New Wave: 2000s<br />

The sounds of Joy Division - free from<br />

pathos and enriched by that unmistakable<br />

upmarket female voice. This is the formula<br />

of Dry Cleaning, an English post-punk<br />

band that's been around since 2018.<br />

Their latest and second album, due out<br />

in October, is called Stumpwork and we<br />

can’t wait to hear it because the previous<br />

one is a joy for anyone who loved the dry,<br />

lyrical mood of Eighties New Wave. The<br />

contemporary twist comes from the voice<br />

of lead singer, Florence Shaw, an artist who<br />

has achieved iconic status thanks to her<br />

XXL auburn hair and a sophisticated air of<br />

'queen of understatement'.<br />

24 trends


Rebirth of Shoulder Pads<br />

Over-sized shoulder pads are a fashion fetish inextricably<br />

linked to the Eighties. In a decade where femininity borrowed<br />

much from typically masculine characteristics, broad shoulders<br />

were the right armour for continuing the feminist fight. Today,<br />

they are back on the runways for AW22/23, in haute couture<br />

as well as in prêt-à-porter. They do, however, now have a less<br />

pronounced and more elegant line, so while there is a still a<br />

need to reaffirm female empowerment, the message is that<br />

should come with a more conscious and balanced approach.<br />

Photo: Getty Images<br />

Jean-Paul Gaultier HC<br />

Jean-Paul Gaultier HC<br />

Roberto Diz<br />

Jorge Vazquez<br />

Schiaparelli HC<br />

Schiaparelli HC<br />

Schiaparelli HC<br />

Two Legends in One Fell Swoop<br />

When wore on the Blonde Ambition Tour it was a blast. The corset that JP Gaultier<br />

made for Madonna became iconic on many levels. A trademark for the designer<br />

and an unforgettable look for the singer, it was a style that summed up the bold and<br />

proud feminine spirit of the decade. Now, he’s reintroducing the corset to his haute<br />

couture AW22/23 runway shows, but with an even fuller and more sculptural version.<br />

Meanwhile, out and about, you can spot a tribute look from Chiara Ferragni, who<br />

wore a pointed top by JP Gaultier, combined with jeans and a jacket, for an urban<br />

chic style.


On the Small Screen<br />

If social media is mirroring trends, then certain TV<br />

series are the true trendsetters. The word on the street<br />

is that Eighties music is back in vogue, also thanks to<br />

the Stranger Things phenomenon. A very popular TV<br />

series set in that decade, it offers a soundtrack for true<br />

connoisseurs. The fashion of the Eighties we’re now<br />

seeing on the runways in presented in its most natural<br />

form in these TV series. Think of the character of Aleesha<br />

in Upload: from her big Afro hair to to her fluorescent<br />

outfits with high-cut shorts and wide batwing sweaters,<br />

her looks are an absolute manifestation from the ’80s.<br />

Pump Up the Volume<br />

One thing that was not lacking in the Eighties was the volume in the hair. Backcombing, crimping,<br />

architectural texture and uber-waves. The big hair of the Eighties left a mark on the hair fashion of<br />

the period and today we find that same desire for volume in many collections from top international<br />

hairstylists. Donna Summer, Farrah Fawcett and Kelly LeBrock are among the style references that can<br />

be seen in todays’ looks. Smooth gives way to a super fluffy blur, while natural curls and evenn a touch of<br />

frizz and being embraced. Hair colour is helping to create a more contemporary feel: three-dimensional<br />

blondes, conscious reds and very natural browns.<br />

Colour: Paul Watts<br />

Cut & Styling: Marcus Giamattei for Joico<br />

Hair: CandiceMcKay for Davines<br />

Hair: David Corbett<br />

Hair: O. Tarasova, T. Zmunchile<br />

& Z. Semerzhidi @ Estel<br />

26 trends


Photo: Getty Images<br />

Sequel & Remake<br />

We might be a bit biased, but we can affirm that in<br />

Eighties cinema, Top Gun is representative of the<br />

truly quintessential film. The sequel, Maverick,<br />

which was released in May, unlocks more than<br />

one memory, as well as bringing a hot-as-ever<br />

Tom Cruise back onto the big screen. Equally<br />

powerful was the sophisticated and elegant remake<br />

of Dune by Denis Villeneuve, following the iconic<br />

1984 version by David Lynch. These are two<br />

cinematic legends of the 1980s who were able to<br />

reinvent themselves for a decidedly different 2020s<br />

audience, earning both critical and box office<br />

acclaim.<br />

The 1980s à la France<br />

To testify that the desire for the Eighties is a shared sentiment, here are some<br />

examples from the Années 80: Mode, Design et Graphisme en France exhibition<br />

which takes place from 13 October '22 to 16 April '23 at the Musée des Arts<br />

Décoratifs in Paris. From François Mitterrand’s election in 1981 to the fall of the<br />

Berlin Wall in 1989, it’s a period in which French design, graphics, advertising,<br />

fashion, television and music were consumed by a desire for experimental and<br />

creative inspiration - as was the case over most of Europe. Often accused of being<br />

superficial, the Eighties are destined to be redefined as a decade of bold attitudes<br />

when there was an overwhelming passion for liberty and equality.


Japan rocks!<br />

Contemporary colour in Japan demands<br />

bold shades, so Shigenari Kimura is<br />

breaking totally new ground! Daniela Giambrone<br />

"The Japanese have always been fascinated by translucent shades and<br />

the classic colour lift seen in Western coiffure. However, progress in<br />

technology means bleaching has become increasingly popular too, so<br />

nowadays many prefer to wear saturated colours with design effects." So<br />

says hairstylist Shigenari Kimura, who talks to <strong>Estetica</strong> about the new<br />

colour wave is taking the Land of the Rising Sun by storm. “The trend of<br />

the moment is to use very bright primary colours, just like you might see<br />

in manga comic books." And the results are pure creative inspiration!<br />

Shigenari Kimura is a Japanese hairstylist with passion for<br />

photography. “I started taking pictures of my creations to better<br />

observe the finished result, but then I got carried away and I also<br />

started receiving requests to do photoshoots for others. Today, I<br />

continue with both these passions with a feeling of great pride!"<br />

trends<br />

29


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MODA<br />

INT’L<br />

Hair: O. Tarasova, T. Zmunchile & Z. Semerzhidi @ Estel/<br />

Photo: D. Jaroschuk/Make-up: A. Plastinkina & Daria<br />

NEWDIVAS


NEWDIVAS<br />

From the Golden Age of Hollywood, through Post-War austerity and onwards into the Swinging Sixties and beyond... The true<br />

beauty of today’s hairstyles is both inspired and defined by the creativity of past generations. We have taken great delight in<br />

juxtaposing the trendsetters of earlier decades with the sensational imagery of the present day.<br />

Dall’Età dell’Oro di Hollywood, passando per l’austero Dopoguerra e via fino ai ruggenti Anni ‘60 e oltre... L’autentica bellezza<br />

delle acconciature di oggi è al tempo stesso ispirata e definita dalla creatività delle generazioni passate. Ci siamo divertiti a giocare<br />

contrapponendo le trendsetter dei decenni passati all’immaginario favoloso dei giorni nostri.<br />

Vom Goldenen Zeitalter Hollywoods über die Sparmaßnahmen der Nachkriegszeit bis zu den Swinging Sixties und darüber<br />

hinaus ... Die wahre Schönheit der heutigen Frisuren ist inspiriert von der Kreativität vergangener Generationen. Es hat uns enorm<br />

viel Freude gemacht, die Trendsetter früherer Jahrzehnte den aufsehenerregenden Bildwelten von heute gegenüber zu stellen.<br />

De l’âge d’or d’Hollywood, en passant par la période austère de l’après-guerre, jusqu’aux années 60 et au-delà... La beauté<br />

authentique des coiffures d’aujourd’hui continue de s’inspirer de la créativité des générations passées. Nous nous sommes amusés<br />

à mettre en parallèle les créations des décennies passées et l’extraordinaire imagination des collections d’aujourd’hui.<br />

Desde la Edad de Oro de Hollywood, pasando por el austero período de la posguerra y los rugientes años 60 y más allá... La<br />

auténtica belleza de los peinados de hoy está inspirada y definida por la creatividad de las generaciones pasadas. Disfrutamos<br />

jugando a yuxtaponer las tendencias de las últimas décadas con la extraordinaria imaginación actual.


Hair: Darren Ambrose<br />

Colour: D&J Artistic Team<br />

Photo: Chris Bulezuik<br />

Make-up: John Christopher<br />

Styling: Jackie Ambrose


Hair: Diego Comandulli @ Kemon<br />

Photo: Rosdiana Ciaravolo


Hair: Joseph Ferraro Hair Team<br />

Photo: Jamie Blanshard<br />

Make-up: Grace Hayward<br />

Styling: Rubina Marchiori


Hair: Viktoriia Vradii<br />

Photo: Pascal Latil<br />

Make-up: F. Ibarra & F. Díaz<br />

Styling: Gumidafe Gutiér<br />

Back to the future. After a century of creativity &<br />

technical innovation, hair fashion has gone full-circle!<br />

Anita Garvin-1920<br />

Photo Getty Images<br />

Paquìn Fashion-1924<br />

Ethel Ritchie-1920


Hair: Darren Ambrose<br />

Colour: D&J Artistic Team<br />

Photo: Chris Bulezuik<br />

Make-up: John Christopher<br />

Styling: Jackie Ambrose


Greta Garbo-1931<br />

Photo Getty Images


Art direction & hair: Carmen Bolaños<br />

Photo: Broder studio<br />

Make-up: Nuria Bolaños<br />

Styling: Lorenzo Jiménez


A must-have hair accessory<br />

for any fashion conscious<br />

1930s female, contemporary<br />

derivatives of the kiss curl<br />

have now made a comeback.<br />

Indispensabili dettagli<br />

dell’acconciatura per ogni<br />

donna degli Anni ’30 attenta<br />

alla moda, i discendenti<br />

contemporanei del tirabaci<br />

sono tornati alla ribalta.<br />

Ein unverzichtbares<br />

Haaraccessoire für jede<br />

modebewusste Frau der<br />

1930er Jahre; moderne<br />

Varianten der Kiss Curl<br />

erleben jetzt ein Comeback.<br />

Le détail indispensable<br />

de toutes les femmes<br />

soucieuses de la mode dans<br />

les années 30. Voici sa<br />

version contemporaine<br />

qui resurgit sur le devant<br />

de la scène.<br />

Un accesorio del peinado<br />

imprescindible para cualquier<br />

mujer, consciente de la moda<br />

de la década de 1930. Los<br />

derivados contemporáneos de<br />

los caracolillos han regresado.<br />

NEWDIVAS<br />

Photo Getty Images<br />

The kiss curl<br />

Ida Lupino-1935<br />

Creative direction:<br />

Oway Creative Team<br />

Hair: Blue Tit Team<br />

Photo: Victoria Huisman<br />

Make-up: Tarita Castellari<br />

Styling: Rubina Marchiori<br />

Photo Getty Images<br />

Photo Getty Images<br />

Claudette Colbert-1934<br />

Myrna Loy-1931


Hair: Elise Antoine<br />

Photo: Weronika Kosinska<br />

Make-up: Katarzyna Wrona<br />

Styling: Patryk Gajewski<br />

Products: MKproduction &<br />

Christophe Gaillet


Hair: Ann Marie Young @ Jingles<br />

Photo: Fiona Quinn<br />

Make-up: Ask.abbie.beauty<br />

Styling: Kiri-D-Styles


Joan Crawford-1930<br />

Photo Getty Images<br />

Art direction & hair: Carmen Bolaños<br />

Photo: Broder studio<br />

Make-up: Nuria Bolaños<br />

Styling: Lorenzo Jiménez


Photo Getty Images<br />

Diana Ross-1968<br />

Diana Ross-1968<br />

Hair: Schwarzkopf Professional @<br />

Essential Looks 2:<strong>2022</strong><br />

Are they in or are they out? CURLS DIVIDE OPINION.<br />

They may slip out of vogue, but they ALWAYS come back!<br />

Ginger Rogers-1935<br />

Photo Getty Images<br />

Mia Farrow-1978


Hair: Sascha Hirtsgaard<br />

Photo: Rasmus Luckmann<br />

Make-up: Freya Jerris<br />

Styling: Jonas Worup


Hair & make-up: Beata Bourillon<br />

Photo: Nicco Marchetti


Photo Getty Images<br />

Ursula Andress-1965<br />

Art direction: Francesca Passaro<br />

Hair: K-time Edukation Team<br />

Photo: Narciso Miatto<br />

Make-up: M. Costantino & D. Palmieri<br />

Styling: Alessia Acampa


Photo Getty Images<br />

Kirsten Stewart-<strong>2022</strong>


Art direction & hair: Claude Tarantino<br />

Photo: Jules Egger<br />

Products: L’Oréal Professionnel


NEWDIVAS<br />

Betty George-1956<br />

Zsa Zsa Gabor-1950<br />

Defined<br />

femininity<br />

Dubbed the ‘Victory Roll’ in<br />

the early 1940s, voluminous<br />

roller-set curls came into their<br />

own as glamorous femininity<br />

helped define the '50s girl.<br />

Soprannominati “Victory Roll”<br />

all’inizio degli Anni ’40, i<br />

boccoli voluminosi si sono<br />

affermati quando la<br />

femminilità glamour ha<br />

disegnato il fascino delle<br />

donne Anni ’50.<br />

In den frühen 1940er-Jahren<br />

als „Victory Roll“ bezeichnet,<br />

halfen voluminöse<br />

Lockenwickler in den 50er<br />

Jahren, glamouröse<br />

Weiblichkeit zu definieren.<br />

Ingrid Bergman-1946<br />

Surnommées les “Victory<br />

Roll” aux débuts des années<br />

40, les boucles volumineuses<br />

se sont imposées lorsque la<br />

féminité était synonyme de<br />

glamour dans les années 50.<br />

Apodado el ‘Victory Roll’ a<br />

principios de la década de<br />

1940, los rizos voluminosos<br />

con rulos se hicieron realidad<br />

cuando la feminidad<br />

glamurosa ayudó a definir<br />

a la chica de los años 50.<br />

Photo Getty Images


Hair: Ann Marie Young @ Jingles<br />

Photo: Fiona Quinn<br />

Make-up: Ask.abbie.beauty<br />

Styling: Kiri-D-Styles


Hair: Andis Fluid V3


Hair: Olga Tarasova, Taisia Zmunchile &<br />

Zhanna Semerzhidi<br />

Photo: Daniil Jaroschuk<br />

Make-up: Alesia Plastinkina & Daria


Hair: Darren Ambrose<br />

Colour: D&J Artistic Team<br />

Photo: Chris Bulezuik<br />

Make-up: John Christopher<br />

Styling: Jackie Ambrose


Gina Lollobrigida-1967<br />

1960s: what else<br />

but the Beehive?<br />

THE HIGHER,<br />

THE BETTER!<br />

And the product<br />

that made it all<br />

possible was,<br />

of course, that<br />

super efficient<br />

hair lacquer.<br />

Photo Getty Images<br />

Photo Getty Images<br />

Photo Getty Images<br />

Audrey Hepburn-1961<br />

Elsa Martinelli-1965<br />

Art direction: François Mazeau<br />

Hair: Team Intercoiffure France<br />

Photo: Yves Kortum<br />

Make-up: Natalia Goff<br />

Styling: Etienne Jeanson<br />

Products: Wella Professional


Hair: Team Eric Zemmour<br />

Photo: Stéphane Gagnard<br />

Make-up: Laurie Feligioni<br />

Styling: Katie Jacobson<br />

Products: L’Oréal Professionnel<br />

& Babyliss Pro


Photo Getty Images<br />

Sophia Loren-1960<br />

Hair: Robert Kirby<br />

Photo: Andrew Kimber<br />

Make-up: Maddie Austin Kelly<br />

Styling: Elisa Heinesen


Photo Getty Images<br />

NEWDIVAS<br />

Hair: Idlewild Art Team<br />

Photo: Chris Bulezuik<br />

Make-up: Grace Hayward<br />

Products: L’Oréal Professionnel<br />

Liza Minnelli -1974<br />

All about<br />

that fringe<br />

Photo Getty Images<br />

Hair & colour: Alima Bax/Photo: Jules Egger<br />

Jane Fonda-1970<br />

Photo Getty Images<br />

The perennial ‘histoire<br />

d’amour’ in hair. The fringe<br />

never goes completely out of<br />

favour, but just evolves to<br />

become even more adorable.<br />

Eterna “histoire d’amour” per<br />

l’acconciatura. La frangia non<br />

passa mai completamente di<br />

moda, ma si evolve per<br />

diventare sempre più<br />

adorabile.<br />

Die ewige 'histoire d'amour'<br />

der Haare. Der Pony gerät<br />

nie völlig in Ungnade, sondern<br />

entwickelt sich weiter, um<br />

noch bezaubernder zu<br />

werden.<br />

L'éternelle histoire de la<br />

coiffure. La frange ne se<br />

démode jamais totalement,<br />

mais évolue pour devenir de<br />

plus en plus charmante.<br />

Eterna historia de amor en el<br />

peinado. El flequillo nunca<br />

pasa de moda por completo,<br />

sino que simplemente<br />

evoluciona para volverse aún<br />

más adorable.<br />

Exotic Fashion-1920


Hair: Helen Seward Creative Team<br />

Photo: Kapsel production<br />

Make-up: Marina Magoni<br />

Styling: Vania & Andrea Speretta


Photo Getty Images<br />

Hair: Joseph Ferraro Art Team<br />

Photo: Jamie Blanshard<br />

Make-up: Grace Hayward<br />

Styling: Rubina Marchiori<br />

Anna Wintour-<strong>2022</strong>


Art direction: Robert Eaton<br />

Hair: Fellowship Project<br />

Photo: Richard Miles<br />

Make-up: Lucy Flowers


Hair & make-up: Salons 1609 Pau et Lons<br />

Photo: Morgan Selles<br />

Styling: Lucile Maurice & Love In Ibiza


Katherine Langford-<strong>2022</strong><br />

Isabeli Fontana-<strong>2022</strong><br />

Rossy De Palma-<strong>2022</strong><br />

We’re bang up-to-date and ANDROYGNY IS BACK...<br />

from the mullet to the quiff and everything in-between.<br />

Photo Getty Images<br />

Photo Getty Images<br />

Rebecca Hall-<strong>2022</strong><br />

Hair: Schwarzkopf Professional @<br />

Essential Looks 2:<strong>2022</strong>


Photo Getty Images<br />

Billie Eilish-<strong>2022</strong>


Hair: Elle Broadhurst<br />

Colour: Kristie Kesic<br />

Photo: Georgia Wallace<br />

Make-up: Gemma Elaine<br />

Styling: Tamzen Holland


Art direction: Suzie McGill<br />

Hair: Lorems F.A.M.E. Ipsums Team <strong>2022</strong><br />

Photo: Aleglie Michael Brazzoff Young<br />

Make-up: Pico MV Brown Pallo e sister<br />

Styling: Alpibel Detroit Dladoirasuta Law<br />

Products: Sumaimei Schwarzkopf Prof Professional<br />

Hair: Lorems Ipsums<br />

Photo: Aleglie Brazzoff<br />

Make-up: Pico Pallo e sister<br />

Styling: Alpibel Dladoirasuta<br />

Products: Sumaimei Prof


Photo Getty Images<br />

Tilda Swinton-<strong>2022</strong>


NEWDIVAS<br />

Photo Getty Images<br />

Brigitte Bardot-1962<br />

Smoky<br />

and softly<br />

Hair: Angelo Seminara<br />

Colour: A. Westerman & W. Wilson<br />

Photo: Ralph Mecke<br />

Make-up: Jochen Pahs<br />

Styling: Ingo Nahrwold<br />

Products: Goldwell<br />

Grace Kelly-1956<br />

Photo Getty Images<br />

From cascading curls to just a<br />

mere hint of a kink, a nod to<br />

texture is a recipe for pure<br />

allure. Hair straighteners don't<br />

even get a look in here.<br />

Dalle ciocche a cascata al<br />

semplice accenno a un<br />

capriccio, è la texture la<br />

ricetta di puro fascino. Le<br />

piastre di qui non passano…<br />

Von kaskadierenden Locken<br />

bis hin zu einem Hauch einer<br />

Welle: Textur ist das Rezept<br />

für pure Anziehungskraft.<br />

Glätteisen adieu.<br />

Des boucles en cascade à la<br />

simple mise en avant d'un<br />

caprice de texture. Exit les<br />

fers à lisser et autres outils...<br />

Desde rizos en cascada hasta<br />

un simple toque caprichoso.<br />

Un guiño a la textura es una<br />

receta para el encanto puro.<br />

Las planchas para el cabello<br />

ni siquiera se ven aquí.


Art direction: Tom Connell<br />

Colour: Ashleigh Hodges<br />

Photo: Jon Gorrigan<br />

Styling: Rubina Marchiori<br />

Products: Davines


Photo Getty Images<br />

Gisele Bundchen-2019


Hair: Rush Artistic Team<br />

Photo: Jack Eames<br />

Make-up: Lan Nguyen-Grealis<br />

Styling: Robert Morrison


Art direction: Barry Maddocks @<br />

Haringtons<br />

Photo: Philip Veitch<br />

Make-up: Vanessa Elles<br />

Styling: Lewis Robert Cameron


Pola Petrenko-<strong>2022</strong><br />

Art direction:<br />

Francesca Passaro<br />

Hair: K-time Edukation Team<br />

Photo: Narciso Miatto<br />

Make-up: M. Costantino<br />

& D. Palmieri<br />

Styling: Alessia Acampa<br />

Photo Getty Images<br />

Kate Middleton-<strong>2022</strong><br />

Long hair the epitomy of TOTALLY FEMININE. Have<br />

you ever seen a fairytale princess looking any different!?<br />

Photo Getty Images<br />

Photo Getty Images<br />

Sadie Sink-<strong>2022</strong><br />

Eva Riccobono-2019


Art direction, hair & colour:<br />

X-presion @ Aveda<br />

Photo: Javier Marquez<br />

Make-up: David Lopez<br />

Styling: Andrea Sanchez


Hair: Alexander Dinter & Steffen Zoll @<br />

La Biosthétique


Art direction: Nicolas JurnJack<br />

@ Kydra le Salon<br />

Colour: Fabrice Parra<br />

Photo: Nick Norman


Photo Getty Images<br />

Jessica Chastain-<strong>2022</strong><br />

Hair: Schwarzkopf Professional @<br />

Essential Looks 2:<strong>2022</strong>


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Robert Eaton,<br />

President<br />

<strong>2022</strong> HAS BEEN AN INCREDIBLE YEAR SO FAR<br />

FOR ROBERT EATON – HE IS BRITISH<br />

HAIRDRESSER OF THE YEAR, AS WELL AS NEW<br />

PRESIDENT OF THE FELLOWSHIP<br />

“<br />

”<br />

Robert’s primary objective at The Fellowship for British Hairdressing is to continue driving it forward<br />

while overseeing a multitude of changes and challenges for the next generation. <strong>Estetica</strong>’s Editor-in-Chief,<br />

Gary Kelly, sat down with Robert to find out more about the plans for his premiership.<br />

Congratulations on becoming the new President! What made you decide to take on the role?<br />

The Fellowship has always been a huge part of my career and has helped shape and influence many of the<br />

choices I’ve made. I love everything it stands for and it’s important for me, as a Northern based hairdresser,<br />

that everything they do can be seen across the country, it’s not just Southern centric. But most importantly, I<br />

wanted to give something back to the industry that has been there for me. After winning British Hairdresser<br />

of the Year for the second time, I felt the time was right. I had worked as Vice President alongside Ken Picton<br />

for the past three years and I wanted to future proof the Fellowship for the next generations.<br />

The Fellowship has gone through many changes, what can we expect?<br />

The Fellowship needed to evolve to become something that respects its heritage and the 75 years of<br />

incredible hair history, something that not just shaped British hairdressing but was admired globally. It’s<br />

about respecting what has gone before, but be ready and relevant for the next generation. Now, we have an<br />

Executive Board with mixed and varied people from across the industry who are salon owners, freelancers,<br />

specialise in business and education and creativity, a group of passionate people who will make decisions to<br />

help shape the future of the Fellowship. As an organisation, the Fellowship has often been seen as elitist, only<br />

for the top tier of hairdressers, but we are open to everyone; we welcome everyone who is passionate about<br />

hairdressing, who want to support and encourage one another to ensure the industry stays strong and be the<br />

Robert Eaton<br />

best in the world.<br />

The Fellowship has recently celebrated its 75th anniversary, how are you staying relevant to<br />

hairdressers today and for the future?<br />

Quite simply we are respecting the past and looking at what we’ve learnt, but most of all we’re listening to<br />

what young people want from their careers today. The industry has changed quite dramatically over the<br />

years, and we need to recognise how people want to work, how they educate themselves. We’ve had to look<br />

at what we offer and how we can help young and old stay inspired; we have a brand-new website and an<br />

app, more video content and digital learning and ways to communicate with hairdressers. But most<br />

importantly we are offering excellent education and events around the country, it’s important to connect<br />

with hairdressers everywhere.<br />

You took on the Presidency in April, what are you enjoying about the role so far?<br />

Nothing prepares you for this role, it’s quite a commitment! There is an amazing head office team to work<br />

with but for me, it’s about the diversity and talking to different people about what they want from the<br />

industry. I’m their President and I want to hear what they have to say.<br />

82 interview


You were in the F.A.M.E. Team in 2003, how important was taking part in industry teams and<br />

events to your career?<br />

This seems like such a long time ago! The F.A.M.E. Team was a big part of my career and helped shape<br />

my confidence and gave me inspirations and aspirations to do more with my business and made me<br />

realise how far you can go in this industry. If you want to push yourself and carve your own path, all<br />

our projects give you an opportunity to do this – but it isn’t going to happen overnight, you need to<br />

consistently work hard. Social media might be great for building a profile, but nothing beats<br />

connecting with people in different environments and the F.A.M.E. Team is great for this.<br />

What do you think are the most important issues facing the industry today?<br />

As an industry we need to work together, it’s got a little bit fractured over the last few years, with<br />

tensions about how people work. Whether you’re a salon-based stylist or freelancer, we have to respect<br />

each other. There’s no right or wrong way, it’s an amazing career whatever way you want to work. But<br />

it’s about having respect and integrity for what we all do and think about what is coming next.<br />

However you work, we all need to support the next generation coming from schools; if we don’t that<br />

will be a major problem for the industry.<br />

British Hairdresser of the Year is the latest accolade to add to your huge collection of awards -<br />

what do you hope your legacy for this year will be?<br />

I’m still young and have lots ahead of me, but I want to help and inspire the next generation, as I was<br />

inspired all those years ago. I want them to see the opportunities and excitement the hair world can<br />

create. That would be my main focus.<br />

Where do you get your ideas from and how do you keep fresh and inspirational?<br />

Hair for me is about beautiful, commercial hairstyling. It’s about creating hair to inspire our team as well<br />

as our clients. When we have images in the window I look at how the hair will catch someone’s eye,<br />

what they would focus on and be excited about. It’s about being relevant for the time we live in and for<br />

the future.<br />

You’ve achieved a huge amount in your career, what’s next for Robert Eaton?<br />

We have a lot of work to do but I hope the industry will support me. It’s challenging for everyone at<br />

the moment, but we need to keep planning ahead. Creatively, I will keep doing this as long as people<br />

enjoy what I do, but I always want to shine the light on new names coming through.<br />

Tell us something not many people now about Robert Eaton<br />

I’ve been around for so long I think people know everything about me! Outside work I am totally<br />

focused on my family and with two young daughters, life can be pretty noisy and chaotic. Oh, and we<br />

have a pet tortoise which keeps me calm!<br />

For more information about The Fellowship visit www.fellowshiphair.com Instagram: @fellowshiphair


Ask<br />

OLAPLEX!<br />

“<br />

ESTETICA INTERVIEWS MARK COATES<br />

OLAPLEX INTERNATIONAL HEAD OF<br />

EDUCATION TO DISCOVER MORE ABOUT<br />

THE BRAND WHOSE BENEFITS GO<br />

BEYOND BEAUTIFUL, HEALTHY HAIR.<br />

”<br />

Now one of the largest independent hair care brands in the world and with over 100<br />

worldwide patents, OLAPLEX is the brand that singlehandedly created the bond<br />

building hair category. In an exclusive interview, we asked Mark Coates, brand expert<br />

and OLAPLEX International Head of Education for answers to some of the most-asked<br />

question about this unique brand.<br />

What is the story behind OLAPLEX, when was it founded and on what guiding principles?<br />

Our humble beginnings started in a California garage in July 2014 and has grown<br />

exponentially to include millions of professionals and consumers worldwide.<br />

At OLAPLEX we are all about improving the quality of the hair. OLAPLEX paved<br />

the way for “bond-building” - a completely new category of haircare.<br />

Tell us more about that.<br />

Our patented technology - one single ingredient - is continuously changing what is<br />

possible for hair! Bis-Aminopropyl Diglycol Dimaleate (Bis-Amino for short) is a single<br />

molecule, free of silicones and oils, that permanently relinks broken disulfide bonds<br />

Hair expert, Mark Coates, is OLAPLEX found deep within the hair structure to dramatically improve hair health, strength &<br />

International Head of Education. He answers<br />

our questions, giving us an in-depth insight integrity. We have over 100 patents in our technology.<br />

into the OLAPLEX brand.<br />

So, who should be using OLAPLEX and for what reasons?<br />

Everyone can use OLAPLEX. We target the 5 types of damage: chemical, mechanical,<br />

pollution, environmental and heat.<br />

Tell us about the difference between the in-salon products and the retail range.<br />

We started as a pro brand with our 1 and 2 bond multiplier and perfector, these are the<br />

products that the professional can use in chemical services, they can also use these in<br />

a stand alone treatment. They have the highest concentration of our Bis-Amino, which<br />

is why they are not available to the consumer. We created our retail products to support<br />

the line so the consumer can carry on looking after their hair at home.<br />

Does OLAPLEX have to be used in services, or can it be used on its own?<br />

We recommend that you use OLAPLEX in all chemical services. It has strict directions<br />

on the usage. These are found in the box when you buy the kit. You can use it on its own<br />

for our backwash treatments.<br />

84 interview


How much OLAPLEX should be used and can it be overused?<br />

When recommending the treatments for at home use we recommend 1-2 times a week<br />

but you can’t overuse OLAPLEX, it’s not a protein treatment so wont build up in the hair.<br />

Tell us more about OLAPLEX’s environmental and green credentials.<br />

We believe OLAPLEX benefits go beyond healthy hair. We understand that we are<br />

responsible for creating as little harm as possible to the environment and one way we do<br />

this is by limiting our secondary packaging. Our efforts to reduce our carbon footprint are<br />

ones we are incredibly proud to share. Together with our updated carbon negative footprint<br />

from 2015 to 2021 we saved 44K gallons of water from being wasted, eliminated 35MM<br />

pounds of Greenhouse Gases from being emitted into the environment, and we protected<br />

57MM trees from being deforested.<br />

This Summer, OLAPLEX launched its No.4C Bond Maintenance Clarifying Shampoo.<br />

Why is this such an important progression in the evolution of the brand?<br />

We launched a clarifying shampoo because we knew that the stylist and the client needed<br />

one that wouldn’t strip the hair. We know that clients are going longer between washes and<br />

that they need something to remove the build-up, but they want it to be kind on their hair.<br />

No.4C has a unique synergy of biodegradable surfactants and clarifiers designed to remove<br />

a broad range of damaging impurities from the surface of the hair, without stripping or drying it.<br />

With over 100<br />

patents in its<br />

technology,<br />

OLAPLEX targets<br />

the 5 types of<br />

damage most<br />

associated with<br />

hair: chemical,<br />

mechanical,<br />

pollution,<br />

environmental<br />

and heat.


Salon<br />

Wellbeing<br />

Mental health, self-care and self-awareness have<br />

never been so important, in a world of increasing costs,<br />

worries and anxiety, putting yourself first is an essential<br />

part of our working life.<br />

There’s no doubt that mental health awareness has become one of the most important conversations of<br />

our generation; we’ve all been stressed out and had days when we can’t get out of bed, but now it’s not<br />

good enough to just battle on. We all recognise the importance of taking time out and recognising the<br />

signs of burn out not just in ourselves but the people around us. From feeling appreciated, to taking time<br />

out for self development, the new way of working means recognising when we need a break. But it isn’t<br />

just ourselves we need to think about, it’s also the people around us – our team, our clients, our boss and<br />

our general work family. Looking out for each other is now part of our working life and recognising when<br />

someone needs time out, or the signs of burn out within the team, are an important part of running a<br />

successful business. We caught up with four hairdressers who put self care and team awareness at the top<br />

of their daily lists.<br />

124 Treatments


Educational Support<br />

Georgina Williams, Talent & Development Manager,<br />

Kao Salon Division <strong>UK</strong>:<br />

Hairdressers are always learning and looking for ways to refresh<br />

their skills and develop their expertise. Whether that’s a two-minute<br />

tutorial online or following their favourite celebrity hairdresser or<br />

influencer on social media. When running a salon and managing a<br />

team, it’s important to have a program that is embedded into your<br />

salon ethos to help keep your team fresh, inspired, and motivated.<br />

The best way to build a staff training programme is to set up an<br />

authentic and meaningful salon philosophy. What do you want the<br />

salon to say about you as the employer? What do you believe in? How<br />

do you want your team to behave? How will you support your salon<br />

team’s personal and professional growth and development? Once this<br />

is complete and you are comfortable with who you are as a business<br />

and what you stand for, work on what a team member can expect of<br />

you as their employer. Plan an annual budget for education and how<br />

that budget will be used. But the most important thing is to have a<br />

plan for all team members and be consistent to ensure good mental<br />

health and positivity within the team. A happy, motivated team is a<br />

happy, motivated workplace and clients will pick up on that too.<br />

Stylists want to please people and love growing<br />

relationships. They want to feel appreciation<br />

too, this is part of a creative’s nature. It really<br />

hurts if someone doesn’t like what you have<br />

done for them, and it will play on the stylist’s<br />

mind for a while. Therefore, it’s important as<br />

an employer to recognise the stylist’s work,<br />

their contribution to the business and the<br />

efforts they are putting in for their personal<br />

development as well as the salon’s overall<br />

success. It helps keep your team focused and<br />

motivated, and in turn, the atmosphere in<br />

the salon benefits when there is a happy<br />

team.<br />

Customer Care<br />

Marcello Moccia, Room 97 Creative, Leeds and Wakefield<br />

Hairdressers are in a very privileged position in that we are often the first to spot unusual<br />

signs in our clients. Often they will tell us how they are feeling, but we can also see the<br />

signs of anxiety, or depression and are on hand to create an environment where they can be<br />

heard, tell someone how they feel without being judged and be a haven from the stresses<br />

of the outside world. From the consultation to the service to the aftercare advice, every<br />

client should feel like a million dollars, we want them to leave the salon looking and feeling<br />

amazing and there’s not many jobs that can say they do that! Our team never talk about<br />

politics, or what has happened on the news; we talk about what our clients are<br />

doing in their lives, how to get the style they want when they<br />

are at home and how a little self-care and time out to pamper<br />

themselves and spoil their hair and skin can have a huge effect<br />

on mental health. The nation realised the importance of hair<br />

on their personal wellbeing during lockdown and the service<br />

we offer is more than just a haircut; a good hair day can lift the<br />

spirits and knowing we are there for them with product advice<br />

and style guidance is an essential community service.<br />

Engagement<br />

87


Staff Engagement<br />

Anil Salhan, Blacc + Blond, Birmingham<br />

It’s incredibly important for team members to feel appreciated in the workplace to ensure they are<br />

happy and motivated and have a high morale. When your team members feel valued and appreciated,<br />

they will be more productive and will deliver your clients a better experience.<br />

There are many ways you can show your team that they are appreciated - incentives, bonuses and by<br />

simply listening to their feedback and taking it on board. Small acts, such as providing your team with<br />

complimentary refreshments or sweet or healthy treats throughout the working day are appreciated, as<br />

well as inviting them along to any salon events or awards you are attending.<br />

Communication is key for an inclusive and motivating atmosphere. At BLACC + BLOND I have an<br />

open-door policy, whereby my team know they can come to me to communicate anything, no matter<br />

how big or small. The team know that our space is an inclusive workspace, where they can feel safe,<br />

respected, heard and accepted.<br />

Ensuring your salon space is a nice place to work for your team is important. Is it bright, clean<br />

and inviting? Will it inspire your team members? These were just a couple of questions I took into<br />

consideration when designing the salon. I also incorporated small touches such as an oil diffuser and<br />

a fantastic sound system with feel good playlists to further motivate and promote a good sense of<br />

wellbeing whilst at work.<br />

Our space is all about inclusivity and this is something we promote on social media – we use a diverse<br />

range of representative images, we have specialists in both men and women’s hair and all hair types,<br />

and our space doesn’t reflect that of the standard hair salon or barbershop. We spread awareness on<br />

inclusivity and we have a zero tolerance policy towards discrimination. Everyone's safety and comfort is<br />

our highest priority.


Salon Owner Care<br />

Colin McAndrew, Director, Medusa<br />

It’s a balancing act when it comes to showing<br />

emotions in the workplace. Just because we<br />

are owners or managers, it doesn’t mean we’re<br />

superhuman or robots. We still have emotions,<br />

and it’s important that we are comfortable to show<br />

vulnerability to our team. How can we create a<br />

culture of openness and empowerment if we don’t?<br />

However, we’ve all experienced stressful managers<br />

and bosses to know that that is an ineffective way<br />

to work and is detrimental to the business and the<br />

team’s mental health. Times are changing, showing emotion in the workplace<br />

shouldn’t be taboo and we work hard at Medusa to create a safe space for all<br />

our team to express themselves. As a leader of a team, it is crucial that my own<br />

mental health is in a positive place. For me, this is achieved by creating clear<br />

boundaries and rituals. I wake up early and silently drink my coffee in the<br />

still of the garden before the day begins. I cycle every day and that helps me<br />

prepare my mind for either the day ahead, or to process the events of the day<br />

before getting home. As much as possible, I keep work out of the house. This is<br />

my space to recharge. I also go to hot yoga which has the most positive impact<br />

on my mental health.<br />

Engagement<br />

89


100 years<br />

of creativity<br />

On Sunday 19 June, Keune Haircosmetics celebrated<br />

its 100th anniversary with a spectacular show of<br />

international importance at the RAI in Amsterdam.<br />

With around 3,000 guests arriving from all over the world, the celebrations for Keune Haircosmetics’ centenary truly<br />

reflected the international character of the Dutch company, which is active in at least 85 countries. The celebration<br />

included a sensational show, as well as the launch of some limited edition hair products by Keune Haircosmetics.<br />

The internationally acclaimed Dutch hair product brand, really brought to big guns in celebrating its centenary,<br />

crowning its 100 years of entrepreneurial spirit with the presentation of a royal title from King Willem-Alexander.<br />

From now on, the family business will be called Royal Keune Haircosmetics. The royal title is a recognition bestowed<br />

upon companies that play a key role in their field, have national relevance and have existed for at least 100 years.<br />

It symbolises the respect, gratitude and trust that the sovereign of the Netherlands has for the company concerned.<br />

The internationally<br />

recognised singer,<br />

Duncan Laurence,<br />

winner of the 2019<br />

Eurovision Song<br />

Contest, welcomed<br />

visitors from home<br />

and abroad with an<br />

outstanding stage<br />

performance.<br />

90 events


The theme for the 100th anniversary show was ‘Reflections’, evoking Keune Haircosmetics’ journey to<br />

becoming a globally recognised hair brand. International artists Ilham Mestour and Daniel Yap presented<br />

their interpretations of the most innovative hair looks during the show. It was also an opportunity to<br />

preview a number of limited edition of products, which have been created as works of art and conceived<br />

specifically for Keune. Keune X Joseph Klibansky hair products will be available in limited quantities in<br />

Keune salons around the world starting from September. These include the Royal Tribute Hair Serum,<br />

which takes its name from the prestigious title conferred on the company.


Destination:<br />

At an exclusive event in London, Kao Salon Division <strong>UK</strong><br />

combined its announcements of the <strong>2022</strong> Global<br />

Creative Awards <strong>UK</strong> & Ireland winners with a sensational<br />

runway show and celebration. Gary Kelly<br />

92 events<br />

Amsterdam!<br />

The beautiful 14th century, Grade 1 listed Merchant Taylor’s Hall in the City of London created the<br />

spectacular backdrop for the announcements of the prestigious Global Creative Awards <strong>2022</strong> for the<br />

<strong>UK</strong> & Ireland. The names of the Gold, Silver, and Bronze winners were unveiled to an audience of over<br />

300 salon and VIP guests from all over the <strong>UK</strong> and Ireland. Guests were welcomed with canapes,<br />

Champagne and a string trio before experiencing a stunning runway show by renowned sustainability<br />

visionaries, fashion designers and KMS collaborators, VIN + OMI, with hair styles by Simon Webster,<br />

Sophie Webster and Chloe Kung. Then followed a stunning runway show which featured inspirational<br />

looks created by Goldwell Guest Artists including Jamie Benny of HARE & BONE; Nicola Smyth;<br />

Shane Bennett, Dorothy Sturgeon & Julie Cherry; and Jack Mead, Lydia Wolfe of Jack & The Wolfe.<br />

Then the Global Creative Awards finalists paraded their amazing hair creations on-stage. Reaching the<br />

finals of the Global Creative Awards is a prestigious accolade, with stylists first challenged to create<br />

their vision through a stunning photograph, then recreating it at the international live competition.


Hosts of the evening were Kao Salon Division <strong>UK</strong> & Ireland General Manager, Julie Winchester and<br />

Key Account Educator, Toni Perryman. “The Global Creative Awards are the highlight of the<br />

hairdressing calendar,” commented Julie. “After a tough couple of years, we’re delighted to welcome our<br />

customers, all who are part of the Kao Salon Division family, back together to celebrate such incredible<br />

talent and passion. The atmosphere has been incredible. Each of our finalists should be so proud of their<br />

achievements. We congratulate and thank each of them for continuing to inspire us as a business and<br />

brand, as well as our industry as a whole. It was a truly incredible night and our congratulations go to all<br />

our finalists and winners. We can’t wait to support you as you head to the Global Experience to<br />

represent the <strong>UK</strong> & Ireland in a few weeks’ time.”<br />

(below): Kao Salon<br />

Division <strong>UK</strong> & Ireland<br />

General Manager, Julie<br />

Winchester. (below left):<br />

one of the many<br />

amazing protagonists of<br />

the VIN + OMI show.<br />

All three GOLD WINNERS will now go on to represent the <strong>UK</strong> & Ireland at the<br />

Kao Salon Global Experience taking place in Amsterdam at the beginning of October.<br />

GLOBAL CREATIVE AWARDS <strong>2022</strong> <strong>UK</strong> & IRELAND<br />

NEW TALENT COLORIST<br />

OF THE YEAR<br />

GOLD<br />

Lucia McEvoy, Tony Wood Hairdressing<br />

SILVER<br />

Georgina Read, Jack & the Wolfe<br />

BRONZE<br />

Megan Finney, Stephanie Jones Hair<br />

CREATIVE COLORIST<br />

OF THE YEAR<br />

GOLD<br />

Stevan Dulay, Pomo Hairdressing<br />

SILVER<br />

Chantelle Scott, Star Salon<br />

BRONZE<br />

Brian Leo McCallum, ROAR Hair & Beauty<br />

CREATIVE HAIRCUTTER<br />

OF THE YEAR<br />

WINNER<br />

Jacob Scully, ScullyScully


Meet Our<br />

Winners!<br />

After the Global Creative Awards <strong>UK</strong> & Ireland finals<br />

in London, our 3 talented winners talked about their<br />

achievement and, of course, their onward journey<br />

to the international finals in Amsterdam!<br />

For 3 talented hair artists it was like a dream come true - the moment when their names were announced as<br />

category winners and they came to terms with the prospect of representing their country at the international<br />

finals of the Global Creative Awards in Amsterdam. Jacob Scully, Lucia McEvoy and Stevan Dulay could all have<br />

been excused for being a little 'lost for words' at that moment, but as soon as the intensity of the occasion<br />

subsided, all three were delighted to talk to us about how they felt and to share their hopes and aspirations as<br />

they embarked on the international stage of this highly prestigious competition.<br />

JACOB SCULLY LUCIA MCEVOY STEVAN DULAY


CREATIVE HAIRCUTTER<br />

OF THE YEAR<br />

› WINNER<br />

Jacob Scully, ScullyScully<br />

Congratulations, Jacob, on<br />

winning <strong>UK</strong> & Ireland<br />

Creative Haircutter of the Year<br />

<strong>2022</strong>. How did you feel when<br />

you found out you’d won?<br />

It was an amazing feeling and<br />

I am so excited about going<br />

to Amsterdam and competing<br />

against the rest of the world.<br />

What does being a Gold<br />

winner mean to you?<br />

I can’t wait to get the<br />

opportunity to represent the <strong>UK</strong><br />

& Ireland in Amsterdam. I hope<br />

I’ve got what it takes! I’m really<br />

looking forward to seeing what<br />

the competition is like, too.<br />

How did you find the whole<br />

experience leading up to the<br />

<strong>UK</strong> & Ireland finals in London?<br />

Goldwell gave us all an amazing<br />

experience and everyone was<br />

so supportive in every way<br />

possible. The actual day itself<br />

was slightly stressful as you can<br />

imagine. There’s so much<br />

attention to detail in a competition<br />

like this and I wanted to make<br />

sure everything was perfect.<br />

Nevertheless, I can’t wait for<br />

Amsterdam and to have the<br />

opportunity to do it all again!<br />

What advice would you give<br />

to anyone thinking of entering<br />

the Global Creative Awards<br />

next year and in the future?<br />

My advice would be to be<br />

yourself and be completely<br />

open-minded when it comes to<br />

designing your hair look, in<br />

terms of cut, colour and finished<br />

look. Just go wherever to talent<br />

and inspiration leads you.<br />

What is the most exciting<br />

thing you’re looking forward<br />

to about the International<br />

Global Creative Awards finals<br />

in Amsterdam?<br />

For me, it’s the opportunity of<br />

competing internationally at<br />

such an important event as this.<br />

As I mentioned before, I’m<br />

also intrigued at the prospect<br />

of exploring the talent and<br />

creativity of the competitors<br />

from all the other countries.<br />

As well as that, I’m looking<br />

forward to having fun and<br />

enjoying myself and whatever<br />

the outcome, I intend to have<br />

a great time at the after-party!<br />

And finally, what advice would<br />

you give to anyone thinking<br />

about a career in hairdressing?<br />

It’s important that you already<br />

feel inspired by our industry, so<br />

before you make the first move,<br />

check out hairdressing on<br />

Instagram and also going into<br />

some salons and feel the buzz!<br />

“There’s so much attention to<br />

detail in a competition like this,<br />

so everything must be perfect.”<br />

awards<br />

95


“All the team from Goldwell<br />

were incredible; they have been<br />

so supportive from the start. We<br />

couldn’t have asked for more.”<br />

NEW TALENT COLORIST<br />

OF THE YEAR<br />

› GOLD WINNER<br />

Lucia McEvoy, Tony Wood<br />

Hairdressing<br />

Hi Lucia. A fantastic<br />

achievement! How did you<br />

feel when you found out you’d<br />

won Gold in the <strong>UK</strong> & Ireland<br />

New Talent Colorist of the<br />

Year <strong>2022</strong>?<br />

So happy! It was actually a<br />

combination of nervous and<br />

happy, as all my emotions<br />

were mixed up into one.<br />

Then I started thinking about<br />

moving onto the next step<br />

and the excitement of going<br />

to Amsterdam for the<br />

international finals.<br />

Can you remember how you<br />

felt in the days leading up to<br />

the <strong>UK</strong> & Ireland finals?<br />

I thought about how proud of<br />

myself I’d be if I were to win!<br />

I haven’t had a great deal of<br />

salon experience as I’d only<br />

been qualified for about a year.<br />

So I was already really proud<br />

just to have reached the <strong>UK</strong> &<br />

Ireland finals. Now having<br />

actually won is a brilliant feeling.<br />

How did the finals day in<br />

London go for you?<br />

I was quite nervous to start<br />

with, as the challenge was still<br />

all in front of me. However, as<br />

the day wore on I focused on<br />

what we required of me and I<br />

became a lot calmer. Everyone<br />

was so nice and we all got on so<br />

well together, which was really<br />

lovely. All the team from<br />

Goldwell were incredible. They<br />

have been so supportive from<br />

the very beginning and we<br />

couldn’t have asked for more.<br />

What actually happened when<br />

your name was announced as<br />

<strong>UK</strong> & Ireland New Talent<br />

Colorist of the Year <strong>2022</strong>?<br />

Everything around went a bit<br />

mad! I felt so happy. I was<br />

already so proud of myself for<br />

having got this far and to win<br />

felt even better!<br />

Are you looking forward to<br />

Amsterdam?<br />

I’m still at the nervous stage<br />

over Amsterdam. It’s a little bit<br />

scary, but I’ll rise to the occasion<br />

and give it everything I’ve got in<br />

representing the <strong>UK</strong> & Ireland.


CREATIVE COLORIST<br />

OF THE YEAR<br />

› GOLD WINNER<br />

Stevan Dulay, Pomo<br />

Hairdressing<br />

Congratulations on winning<br />

<strong>UK</strong> & Ireland Creative Colorist<br />

of the Year <strong>2022</strong>, Stevan!<br />

Thanks. It’s a fantastic feeling.<br />

I was definitely in shock for a<br />

few moments after my name<br />

was announced. The talent from<br />

the other finalists in creating<br />

such colours was amazing. Just<br />

being nominated as a finalist<br />

was a honour, but to win when<br />

you consider the standard<br />

of work I was up against is<br />

incredible. I feel so proud. I’m<br />

also in awe of the team from<br />

Goldwell and everything they<br />

have done to help and support<br />

us all on this fantastic journey<br />

we’re all on. Nothing was too<br />

much trouble for them and they<br />

were always on hand to assist us<br />

in any way possible.<br />

Before finding out you’d won<br />

the <strong>UK</strong> & Ireland Creative<br />

Colorist category, how important<br />

was the prospect of winning<br />

this award for you?<br />

I remember you interviewing<br />

me before the finals. I said it<br />

would be really significant<br />

winning an award like this<br />

because it stays with you forever<br />

– it’s something that can never<br />

be taken away from you.<br />

I thought winning would be<br />

“Being a finalist was a honour,<br />

but to win when you consider<br />

the standard of work I was up<br />

against is incredible.”<br />

such a great achievement. At<br />

the same time I could barely<br />

describe how great it felt to be<br />

in the <strong>UK</strong> finals, not to mention<br />

the prospect of going to<br />

Amsterdam to represent the<br />

<strong>UK</strong> internationally!<br />

So what are you looking<br />

forward to most about going<br />

to Amsterdam?<br />

I’m really looking forward to<br />

recreating the colour once<br />

again, but getting it that bit<br />

sharper and even closer to<br />

perfection. I’m also excited<br />

about the whole experience of<br />

going there and representing<br />

the <strong>UK</strong> & Ireland for <strong>2022</strong>.<br />

What does this win mean<br />

for you?<br />

It’s without doubt the greatest<br />

achievement in my career so far.<br />

It will inspire me to do more<br />

and to step up to the next level.<br />

There’s always another level to<br />

aspire to and this win will help<br />

me to get there.<br />

awards<br />

97


HAIR IS AN ART<br />

START WITH TOTAL CLARITY<br />

The NEW OLAPLEX Broad Spectrum Chelating Treatment deeply cleanses hair<br />

to the cortex, creating a clean slate for optimal in-salon service results.<br />

As professionals, we want our results in salon to be the best they possible can,<br />

whether that’s doing colour, perms, keratin or any other treatments. As with most<br />

things, so much of the success is in the preparation, so ensuring our clients’ hair is<br />

in the best possible condition to take these treatments is essential.<br />

The OLAPLEX Broad Spectrum Chelating Treatment is a powerful, high-potency<br />

professional product to remove cortex-level deposits of product buildup, oil, hard<br />

water minerals, chlorine, heavy metals, pollutants, medications, and discoloring<br />

iron and copper to create a clean slate for better results from any chemical service.<br />

The non-stripping formula is boosted with Kakadu Plum Extract, which is rich in Vitamin C to help preserve essential proteins<br />

and moisture within the hair, so you can confidently remove the bad stuff from the hair you don’t want and retain the good stuff<br />

you do.<br />

AVAILABLE AT WWW.<strong>UK</strong>.OLAPLEX.COM AND YOUR LOCAL PROFESSIONAL DISTRIBUTOR:<br />

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Discover how OLAPLEX can help<br />

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sustainability. I feel we’ve got to look<br />

after the future, so we can’t<br />

compromise.”<br />

MEETING<br />

PATTERN+MATTER’S<br />

ECO-ASPIRATIONS<br />

Using sustainable organic hair care<br />

products in what Anthony describes<br />

as “an intimate setting with a<br />

personalised one-on-one hair care<br />

approach”, Pattern+Matter’s<br />

sustainability values sync perfectly<br />

with Fresha’s software offering. As<br />

the world’s #1 booking software,<br />

Fresha delivers an environmentally<br />

friendly solution that allows salons to<br />

go paperless and manage their entire<br />

business on the cloud. “I use Fresha<br />

because it’s a 24/7 platform. When<br />

I’m asleep, Fresha is awake. Fresha is<br />

my reception and stock manager. If<br />

somebody wants to book an<br />

appointment at 2:30am, they can. It’s<br />

very easy for clients to use. I look at<br />

my calendar to see what my week is<br />

looking like, and check stock levels<br />

to make sure we have what we need.”<br />

GROWING THEIR<br />

BUSINESS WITH FRESHA<br />

Fresha gives Anthony the freedom<br />

to focus on delivering great service<br />

by taking care of appointment<br />

Take care of your salon business<br />

by joining Fresha free at:<br />

www.fresha.com/for-business<br />

reminders and marketing messages.<br />

Anthony and the team have had<br />

zero no-shows since starting to use<br />

Fresha’s notification feature, which<br />

helps ensure clients are notified and<br />

never forget their appointments.<br />

Fresha’s blast marketing tool fills<br />

unexpected appointment gaps, and<br />

promotes offers: “If I’m free or get a<br />

cancellation, I send out a blast<br />

message and that gap is filled,” says<br />

Anthony. “When clients leave, they<br />

receive an email or text asking them<br />

to leave a review. Everybody sees<br />

these on Fresha’s website and app, on<br />

my profile on the Fresha<br />

marketplace and on Google.<br />

Reviews are great for bringing in<br />

new clients.”<br />

UNDERSTANDING<br />

BUSINESS WITH FRESHA<br />

REPORTS<br />

Anthony keeps track of business<br />

performance by turning to Fresha<br />

reports: “I look at our incomes<br />

weekly and monthly, and crossreference<br />

them from the previous<br />

month to see where my business is<br />

going.” After opening immediately<br />

after the pandemic, Anthony is<br />

delighted with his success and the<br />

role Fresha is playing. “I<br />

recommend Fresha to other salons.<br />

It’s very easy for me and my clients<br />

to use. Everything you need is just a<br />

click away!”<br />

business<br />

101


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We look forward to seeing you on our Stand: U130 at Salon International, ExCeL 8 - 10 October


Advertorial<br />

Building<br />

for Success<br />

Takara Belmont introduces the industry’s<br />

first 0%, zero deposit Finance lease scheme.<br />

s we recover from what has been<br />

a difficult two-years, rising costs,<br />

inflationary pressures and the<br />

cost-of-living crisis have<br />

all combined to create a<br />

perfect storm that imposes<br />

fresh challenges to the running<br />

of a profitable hair salon or<br />

barbershop. However, there are<br />

many positives too, as demand for<br />

hair, beauty and men’s grooming<br />

services is growing exponentially<br />

and clients are investing more in<br />

than ever their image and<br />

well-being. Therefore, the<br />

potential outlook is one of hope<br />

for businesses that have decided<br />

to invest and create new and<br />

more luxurious service<br />

experiences for their clients.<br />

In response to all these issues and<br />

opportunities, Takara Belmont has<br />

taken the lead with the launch of<br />

the industry’s first manufacturer<br />

backed 0%, zero deposit Finance<br />

Lease scheme. This means there’s<br />

never been a better time to invest<br />

in new equipment. Available now,<br />

the company has backed the<br />

scheme with its leasing partner<br />

to support the industry, as it<br />

continues to recover and invest<br />

for the future. Now, businesses<br />

can invest with complete peace<br />

of mind and build success into<br />

the future with renewed optimism<br />

and confidence.<br />

“This scheme gives salons and<br />

barbershops access to 0% Finance<br />

with zero deposit over 2 years,”<br />

says Katie Wrighton, Takara<br />

Belmont’s National Sales Manager.<br />

“It’s so exciting, as it means they<br />

can invest to build their business<br />

for the future without large capital<br />

outlay. As the number one<br />

equipment brand, it makes our<br />

world-leading products even more<br />

accessible and affordable, plus it’s<br />

tax efficient and will help salons<br />

and barbershops manage their<br />

cashflow too. Many products cost<br />

as little as the price of a haircut per<br />

week, so why wait?”<br />

Delivered through a quick and<br />

easy application process, hair and<br />

beauty businesses can now<br />

fast-track an equipment upgrade<br />

to improve their client experience,<br />

introduce new service<br />

opportunities. Katie Wrighton:<br />

“Recently we’ve reduced delivery<br />

times on some of our most iconic<br />

equipment to just a few weeks.<br />

The combination of this with 0%<br />

finance makes now the perfect<br />

time to invest and grow.”<br />

Enquire and apply now at<br />

https://www.takarahairdressing.<br />

co.uk/finance<br />

To apply, contact Takara Belmont<br />

on 0207 515 0333 or email<br />

applications@takara.co.uk<br />

Key benefits<br />

• OPPORTUNITY • Your business gets the scope to maximise your business<br />

potential, enhance the service experience for clients, and transform the working<br />

environment for your team.<br />

• BETTER CASHFLOW MANAGEMENT • Salons and barbershops to purchase<br />

equipment in a way that improves cash flow by retaining cash in the business for<br />

other important investments such as training, staff recruitment and marketing.<br />

• FLEXIBILITY • At the end of the agreement, your salon or barbershop can own<br />

the goods outright for one extra monthly payment, or upgrade again and start a new<br />

agreement.<br />

• QUALITY AND VALUE • As the number one salon furniture and equipment<br />

brand, this scheme means you can benefit from the world's best equipment at a price<br />

you can afford.<br />

• TAX RELIEF • Lease Purchase is the sensible way to invest as you receive tax relief<br />

for the full duration of the lease agreement.<br />

• MAKE YOUR LIFE EASY • A single fixed monthly payment means you can<br />

budget and enjoy complete peace of mind. Then, you can focus on providing great<br />

service without worrying about your equipment.<br />

business<br />

103


Global Creative Awards <strong>2022</strong><br />

Returning LIVE in <strong>2022</strong> with all categories<br />

The Global Creative Awards are the chance to fully showcase their unique creativity without limitation across 7 unique<br />

categories. Stylists can compete in two different ways - the Technical Awards, which include a live competition, in<br />

three different categories: New Talent Colorist of the Year, Creative Colorist of the Year and Creative Haircutter of<br />

the Year. Alternatively, they can enter the Editorial Awards, a photo only competition, with four categories: Men‘s<br />

Hairstylist of the Year, Salon Team of the Year, Avant Garde Stylist of the Year and Editorial Colorist of the Year.<br />

The Global Creative Awards are open to all stylists worldwide that use Goldwell, KMS and Oribe.<br />

“We are excited to be able to return to a live event format for the Global Creative Awards in <strong>2022</strong>. As we continue<br />

to recover from the global pandemic, it is wonderful to be able to stage a creative event that recognizes the<br />

incredible talent of the Kao Salon Family.”, says John Moroney, VP Creative & Communication.<br />

The winners of the Global Creative Awards will be announced during the Kao Salon Gobal Experience on October<br />

2nd <strong>2022</strong> LIVE in Amsterdam.<br />

Join us LIVE in Amsterdam for the Kao Salon Global Experience and follow us on social media<br />

to get every news first!<br />

You can also join digitally. Register now and tune in:<br />

www.kaosalondivision.com/globalexperience<br />

#creativityneverstops


New Talent Colorist of the year<br />

Epic Hair Designs<br />

Kirra Beckton<br />

Salon Cyan<br />

Emily Kooistra<br />

Salon Witová s.r.o<br />

Kristýna Dudková<br />

Helen Heinroos Hair<br />

Ellu Arula<br />

Haircut Aschenbrenner<br />

Lea Aschenbrenner<br />

Red Hill Hair Salon<br />

QichaoLiu<br />

Il Parrucchiere by Antonio<br />

Elisa Lanaro<br />

elina_sams<br />

Elīna Samsonova<br />

The Editor Salon<br />

Tiew Pei Yu<br />

Mariël Hairstyling<br />

Naomi Tielbeke<br />

Vivo<br />

Sam Stachurski<br />

A.k.a Luova<br />

Inka-Maria Sane<br />

Em Studio Ewelina S‘widerska<br />

Paweł Owerczuk<br />

Academia Topline Romania<br />

Cristian Sandor<br />

Pause<br />

Yvette De Beer<br />

D'Autor by Rafa Monzó<br />

Caroll Katerine Santos Moreno<br />

Zobrist Intercoiffure<br />

Fiona Machaz<br />

Chic Shock<br />

Jin-Qi (Eric) Hu<br />

Tony Wood Hairdressing<br />

Lucia McEvoy<br />

SLaM Salon<br />

Sviatlana Kananenka<br />

<strong>UK</strong>RAINE<br />

USA<br />

VIETNAM<br />

SWITZERLAND<br />

TAIWAN<br />

<strong>UK</strong><br />

POLAND<br />

ROMANIA<br />

SOUTH AFRICA<br />

MALAYSIA<br />

NETHERLANDS<br />

NEW ZEALAND<br />

GERMANY<br />

HONG KONG<br />

ITALY<br />

AUSTRALIA<br />

CANADA<br />

CZECH REPUBLIC<br />

ESTONIA<br />

technical<br />

categories<br />

UAE<br />

SPAIN<br />

NORDIC<br />

LATVIA<br />

Slava_trend<br />

Viacheslav Skrypnichenko<br />

The Upper Hand<br />

Lorian Landrum<br />

Nam Hair Salon<br />

Anh Tuan Cao


Creative Colorist of the year<br />

Mazí Hair<br />

Rachael Parsons<br />

Klipp Frisör GmbH<br />

Pamela Mayr<br />

Salon Cyan<br />

Jagoda Hall<br />

Salon Witová s.r.o<br />

Natálie Witová<br />

Helen Heinroos Hair Salon<br />

Natallia Luchakova<br />

Salon Pees<br />

Sabine Pees<br />

Red Hill Hair Salon<br />

Tasha Yip<br />

Hair Style Andrea<br />

Andreina Gambero<br />

DM Hairstudio<br />

Dina Meikšāne<br />

The Editor Salon<br />

Ian Lee Jia Pei<br />

Global<br />

Creative<br />

Awards<br />

<strong>2022</strong><br />

Returning<br />

LIVE<br />

with all<br />

categories<br />

MEXICO<br />

POLAND<br />

Mullet<br />

Juan Antonio Piñon de León<br />

NETHERLANDS<br />

ROMANIA<br />

Twins Hair & Beauty Rolde<br />

Danielle Meijering<br />

Vivo Hair<br />

Lauren Gunn<br />

Studio S Style<br />

Svetlana Jouini<br />

Klimczak Hair Designers<br />

Paulina Kamin‘ska<br />

Beauty Palace by Floarea de Colt<br />

Nicoleta Sendrea<br />

Evolve<br />

Junz Loke<br />

Beauty on first<br />

Bernadine Bennie<br />

Ile Gallery<br />

Anabel Sevilla Arnaiz<br />

mad LUX<br />

Sara Taiana<br />

OHHO<br />

Bi-Hui (Una) Lin<br />

y12 salon<br />

Giampiero Renzetti<br />

<strong>UK</strong><br />

<strong>UK</strong>RAINE<br />

USA<br />

VIETNAM<br />

SPAIN<br />

SWITZERLAND<br />

TAIWAN<br />

UAE<br />

GERMANY<br />

HONG KONG<br />

ITALY<br />

LATVIA<br />

MALAYSIA<br />

AUSTRALIA<br />

AUSTRIA<br />

NEW ZEALAND<br />

CANADA<br />

CZECH REPUBLIC<br />

ESTONIA<br />

SINGAPORE<br />

NORDIC<br />

SOUTH AFRICA<br />

POMO Hairdressing<br />

Stevan Dulay<br />

HDRM<br />

Renat Murzahaleiev<br />

Tangles Salon<br />

Jaidon Laferney<br />

Kim Loan Hairsalon<br />

Xuan Trang Nguyen


Creative Haircutter of the year<br />

Salon Origins<br />

Denise Meikle<br />

Daniela Hair Group<br />

Daniela Farzetti<br />

Soho<br />

Margita Jēkabsone<br />

NETHERLANDS<br />

Hairstudio Infinity<br />

Jessica Price<br />

Vivo Bethlehem<br />

Nicky Crombie<br />

www.kaosalondivision.com/globalexperience<br />

#creativityneverstops<br />

Next<br />

Anders Møller<br />

Salon Fryzur "Włosów Kępa"<br />

Paweł Jas‘niewski<br />

Pasquale Hairstylists<br />

Yvonne Bryson<br />

D'Autor by Rafa Monzó<br />

Rafael Monzó López<br />

Haaratelier Aqualis<br />

Jérémie Locher<br />

Slam<br />

Emy Rose Traynor<br />

<strong>UK</strong><br />

USA<br />

SWITZERLAND<br />

UAE<br />

SOUTH AFRICA<br />

SPAIN<br />

NORDIC<br />

POLAND<br />

CANADA<br />

NEW ZEALAND<br />

ITALY<br />

LATVIA<br />

technical<br />

categories<br />

ScullyScully<br />

Jacob Scully<br />

The Upper Hand - River Oaks<br />

Alex Tant


Men’s Hairstylist of the year<br />

Kapsalon Jos Verzijlberg<br />

Jos Verzijlberg<br />

Hare & Bone<br />

Andrew Plester<br />

HDRM<br />

Renat Murzahaleiev<br />

Hier en Dhaar<br />

Bikkel Jacobs<br />

NETHERLANDS<br />

NETHERLANDS<br />

<strong>UK</strong>RAINE<br />

UNITED KINGDOM<br />

NETHERLANDS<br />

Hier en Dhaar<br />

Jeffrey Den Dikkenboer<br />

MALAYSIA<br />

a+b Hair Studio<br />

Daniel Mhbh<br />

www.kaosalondivision.com/globalexperience<br />

#creativityneverstops


Salon Team of the year<br />

D'Autor By Rafa Monzó<br />

Artist Hairdressing<br />

editorial<br />

categories<br />

The Upper Hand<br />

UNITED KINGDOM<br />

UNITED STATES<br />

MALAYSIA<br />

SPAIN<br />

Salon Prisma<br />

HONG KONG<br />

UNITED KINGDOM<br />

Hair Theorem<br />

The Birdcage Hair Salon<br />

“We are excited<br />

to be able<br />

to return to a live<br />

event format for<br />

the Global Creative<br />

Awards in <strong>2022</strong>”<br />

John Moroney


Avant Garde of the year<br />

Decrypt Hairdressing<br />

Tom Yek Teng Siong<br />

Twins Hair & Beauty Dalen<br />

Manou Grijsen<br />

Temple<br />

Abbie Jackson<br />

Taz Hair Company<br />

Michael Shire<br />

HONG KONG<br />

CANADA<br />

AUSTRALIA<br />

NETHERLANDS<br />

MALAYSIA<br />

Ri Salon<br />

Lei Ronald<br />

UNITED STATES<br />

Trademark Salon<br />

Carlos Alvarez<br />

www.kaosalondivision.com/globalexperience<br />

#creativityneverstops


Editorial Colorist of the year<br />

UNITED KINGDOM<br />

UNITED KINGDOM<br />

Price & Driscoll<br />

Ben Driscoll-Price<br />

John Oliver’s<br />

Amy Wardley<br />

The winners<br />

of the Global<br />

Creative Awards<br />

will be announced<br />

during the<br />

Kao Salon Gobal<br />

Experience<br />

on October 2 nd<br />

<strong>2022</strong> LIVE<br />

in Amsterdam<br />

editorial<br />

categories<br />

The Upper Hand<br />

Adrine Petrosyan<br />

Jack & the Wolfe<br />

Jack Mead & Lydia Wolfe<br />

Gemini Salon and Garden<br />

Johnny Kelly<br />

SPAIN<br />

UNITED STATES<br />

UNITED KINGDOM<br />

UNITED STATES<br />

D'Autor By Rafa Monzó<br />

Rafa Monzó López


<strong>Estetica</strong> n. 3/<strong>2022</strong><br />

ad index<br />

EDIZIONI ESAV<br />

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