UMS 2021/22 Annual Report
Learn more about UMS’s many activities during the past year.
Learn more about UMS’s many activities during the past year.
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<strong>2021</strong>/<strong>22</strong> 143rd Season<br />
<strong>Annual</strong><strong>Report</strong>
2 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
LookingForward.<br />
First, we thank everyone for standing<br />
by us this past year, and we extend our<br />
deep gratitude for all of you who made<br />
this past season not simply possible, but<br />
also vibrant and meaningful.<br />
After the 2020/21 season, in which<br />
we presented no live, in-person<br />
performances, <strong>UMS</strong> returned to an<br />
appropriately scaled set of programming<br />
and events in the <strong>2021</strong>/<strong>22</strong> season. Just<br />
as the hybrid model defined workplaces<br />
around the world, our <strong>2021</strong>/<strong>22</strong> season<br />
presented both in-person and digital<br />
events, providing opportunities for<br />
audiences to experience artistry and<br />
connect with us at the level where they<br />
felt most comfortable.<br />
Presenting live events in an ongoing<br />
time of COVID created new operational<br />
challenges and financial pressures:<br />
security teams to assist ushers with<br />
checking vaccine status and ensuring<br />
that audiences wore masks; additional<br />
PPE costs for audiences, artists, and<br />
staff; and sourcing and purchasing many<br />
rapid tests to allow us to test artists<br />
before each performance. Of well over<br />
1,000 tests administered this season,<br />
only one came back positive, and that<br />
artist was able to be replaced with an<br />
understudy who had traveled with the<br />
company — a true success story!<br />
Throughout the season we were<br />
buoyed by the many letters, emails,<br />
and phone calls from audience<br />
members who were thrilled that the<br />
live arts were back. Many continued to<br />
appreciate our digital programs, while<br />
others had a newfound appreciation<br />
for being back together in person with<br />
their fellow audience members.<br />
As an organization, we believed we<br />
should embrace this moment to reflect<br />
and to begin our work imagining the<br />
future of <strong>UMS</strong>: not merely a future<br />
without a global pandemic, but how we<br />
envision our organization — what we<br />
do, why and how we do it, and to what<br />
effect — as we approach 2029, which<br />
will be our 150th season. Throughout<br />
the past year, a group of committed staff<br />
members worked with our full staff and<br />
board to develop a new and compelling<br />
vision for the future, one that will<br />
provide inspiration and guideposts to us<br />
throughout the next few years. More to<br />
come about this work and its implications<br />
for our future!<br />
Here at <strong>UMS</strong>, we all understand just how<br />
fortunate we are to be able to do this<br />
work, and to do it for, and in partnership<br />
with, audiences across our region and<br />
beyond. We hope you find this annual<br />
report helpful in understanding how<br />
we approached this crucial time, how<br />
committed we are to the traditions of<br />
<strong>UMS</strong>, and how we are evolving to meet<br />
the moment.<br />
Sincerely,<br />
Matthew VanBesien<br />
President, <strong>UMS</strong><br />
LookingForward<br />
3
About <strong>UMS</strong><br />
Our Mission<br />
To inspire<br />
individuals and<br />
enrich communities<br />
by connecting<br />
audiences and<br />
artists in uncommon<br />
and engaging<br />
experiences.<br />
4 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Our Values<br />
Inclusiveness and<br />
Accessibility<br />
We seek the broadest possible participation<br />
in accomplishing our mission involving<br />
artists, audiences, and ourselves, celebrating<br />
different cultures, perspectives, and<br />
experiences.<br />
Respect and<br />
Transparency<br />
We treat every individual with courtesy and<br />
genuine concern; we celebrate contributions<br />
from different cultures and seek mutual<br />
understanding; we are straightforward, open,<br />
and honest in all of our professional and<br />
personal interactions with others.<br />
Innovation and<br />
Tradition<br />
We value the importance of nurturing,<br />
investing in and presenting new artistic work<br />
and ideas, understanding that not all attempts<br />
will be successful; at the same time, we<br />
celebrate and present the cultural and artistic<br />
legacy of the best traditional works of art.<br />
Participation and<br />
Collaboration<br />
We seek the active involvement of those<br />
who share our love of the arts, and we<br />
strive to establish partnerships with artists,<br />
individuals, groups, and organizations that<br />
will help us foster our mission.<br />
Leadership and<br />
Stewardship<br />
We expect to achieve sustained excellence<br />
in all aspects of our organization. We are<br />
a model for peers to emulate, and we, in<br />
turn, seek to learn and incorporate the best<br />
practices of each of them. We value those<br />
who contribute their time and resources and<br />
will manage <strong>UMS</strong> to provide a healthy and<br />
robust organization for all who follow.<br />
Commitment to<br />
Being an<br />
Anti-Racist<br />
Organization<br />
We are committed not just to “not being<br />
racist,” but to being actively Anti-Racist. We<br />
recognize our privilege as a respected arts<br />
presenter with a broad platform and will use<br />
our resources to champion the power of art<br />
to tell important stories about the breadth<br />
of the human experience, providing further<br />
opportunities for public discourse around<br />
socially-engaged artistic work. We will<br />
deepen our diversity, equity, and inclusion<br />
work internally and externally, moving beyond<br />
representation into meaningful action and<br />
advocacy.<br />
LookingForward<br />
5
Programming<br />
After a full season with no live<br />
performances, <strong>2021</strong>/<strong>22</strong> returned<br />
with a partial season that opened<br />
with a recital by the extraordinary<br />
tenor Jonas Kaufmann, who made<br />
his <strong>UMS</strong> debut on October 12,<br />
<strong>2021</strong>, in our first live performance<br />
since March 2020. Of particular<br />
note for <strong>UMS</strong> history buffs was<br />
that back in October 1918, <strong>UMS</strong><br />
had gone to extraordinary lengths<br />
to schedule the great tenor<br />
Enrico Caruso for a Hill Auditorium<br />
concert — a performance that was<br />
postponed to March 1919 because<br />
of the Spanish flu epidemic.<br />
Caruso’s rescheduled concert —<br />
much like Kaufmann’s — was an<br />
important cultural event in Ann<br />
Arbor. Kaufmann also enjoyed the<br />
parallel with Caruso a century later.<br />
6 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
With proof of vaccination and<br />
masks required, audiences<br />
were thrilled to be back in Hill<br />
Auditorium:<br />
On the one hand, [it<br />
was] quite normal,<br />
on the other, very<br />
special.”<br />
Being back at a<br />
live concert ranks<br />
as one of the<br />
most important<br />
milestones in our<br />
recovery from<br />
Covid.”<br />
I can’t describe<br />
the joy of it all! My<br />
whole family could<br />
not believe we were<br />
finally coming out of<br />
COVID to hear our<br />
favorite performer,<br />
Jonas Kaufmann.<br />
We can’t imagine<br />
ever having an<br />
experience like this<br />
again — coming<br />
out of a cultural<br />
lockdown into this<br />
spectacular cultural<br />
experience.”<br />
LookingForward<br />
7
Programming<br />
Co-Commissions<br />
The <strong>2021</strong>/<strong>22</strong> season<br />
featured a number of<br />
works that <strong>UMS</strong> had a<br />
hand in creating. Every<br />
year, we work with the<br />
Music Accord consortium<br />
and with other presenters<br />
to provide financial<br />
support to artists who are<br />
developing new works.<br />
November featured a digital concert by the Spektral<br />
Quartet (below), performing Tarek Yamani’s new<br />
composition for string quartet entitled Berytus. The work<br />
was developed through <strong>UMS</strong>’s 2020/21 Digital Artist<br />
Residency program and was the first composition jazz<br />
artist Tarek Yamani had ever composed for string quartet.<br />
This world première event, which was co-commissioned<br />
with the Abu Dhabi Festival <strong>2021</strong>, was filmed in Chicago<br />
and broadcast to over 4,000 viewers around the world.<br />
8 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
January brought a new <strong>UMS</strong> cocommission<br />
by choreographer<br />
Kyle Abraham and EDM artist Jlin, a<br />
production of Requiem: Fire in the Air<br />
of the Earth (left). This reimagining<br />
of Mozart’s Requiem explored one of<br />
the most canonical works of Western<br />
classical music from an explicitly<br />
Black perspective in an electronic<br />
opus that memorialized ritual,<br />
mourning, and rebirth.<br />
Also, in January, the Imani Winds<br />
and Catalyst Quartet joined forces<br />
for a performance of Sergeant<br />
McCauley, co-commissioned by <strong>UMS</strong><br />
from Jessie Montgomery, who now<br />
serves as the Chicago Symphony<br />
Orchestra’s composer-in-residence.<br />
Finally, in April, Joyce DiDonato<br />
presented her new project, EDEN<br />
(below). Developed during the<br />
pandemic with support from <strong>UMS</strong>’s<br />
Digital Artist Residency program,<br />
EDEN explored the majesty,<br />
might, and mystery of nature in a<br />
groundbreaking and theatricalized<br />
recital program that included a<br />
guest appearance by the Ann Arbor<br />
Youth Chorale.<br />
In December, the Takács Quartet<br />
and baneoneón virtuoso Julien<br />
Labro presented three world<br />
premières by Clarice Assad, Bryce<br />
Dessner, and Labro himself. All<br />
three, including two that were<br />
co-commissioned by <strong>UMS</strong>, were<br />
recorded for our <strong>UMS</strong> Live Sessions<br />
series.<br />
LookingForward<br />
9
Programming<br />
Fiddler on the Roof<br />
Perhaps the most ambitious project for the season<br />
was Fiddler on the Roof, featuring students from U-M’s<br />
celebrated musical theater program, professional<br />
Broadway performers, and the Grand Rapids Symphony.<br />
<strong>UMS</strong> brought together a creative team — music<br />
director Andy Einhorn, stage director Sarna Lapine, and<br />
choreographer Alison Solomon — to put together the<br />
semi-staged production, which featured John Williams’s<br />
Academy Award-winning orchestrations performed live for<br />
the first time in a transformed Hill Auditorium.<br />
Presented in partnership with The Philadelphia Orchestra,<br />
which presented the same cast and production on their<br />
subscription series two weeks after its Ann Arbor debut,<br />
the production gave students a unique opportunity to<br />
work with Broadway professionals, as outlined by Ella<br />
Olesen, who performed the role of Tzeitel, in a blog post<br />
relating her experience.<br />
The entire production and its related<br />
programs were made possible by many<br />
program partners who worked with <strong>UMS</strong> to<br />
provide contextual background opportunities,<br />
including virtual discussions about the<br />
historical and geopolitical context of Fiddler<br />
on the Roof, as well as a collection of Polish<br />
poster art spanning four decades. These<br />
activities were developed in partnership with<br />
The Copernicus Center for Polish Studies;<br />
the Center for Russian, East European, and<br />
Eurasian Studies; the Frankel Center for<br />
Judaic Studies; and the U-M Center for<br />
European Studies.<br />
10 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
And the entire production — including<br />
both the Ann Arbor and Philadelphia<br />
performances — simply could not have<br />
happened without the support of so<br />
many wonderful funders and donors:<br />
Lead Presenting Sponsors<br />
Menakka and Essel Bailey<br />
Ken and Noreen Buckfire<br />
Patti Askwith Kenner<br />
The Lester Family<br />
Presenting Sponsors<br />
Elaine and Peter Schweitzer<br />
Don and Judy Rumelhart<br />
Supporting Sponsors<br />
Herbert S. and Carol L. Amster<br />
Endowment Fund<br />
Tim and Sally Petersen<br />
Prudence and Amnon Rosenthal<br />
Endowment Fund<br />
Additional support from<br />
<strong>UMS</strong> Sustaining Directors<br />
Oscar Feldman Endowment<br />
Ilene H. Forsyth Theater Endowment<br />
Fund<br />
Detroit Public Television also previewed the event on its “Detroit<br />
Performs” program.<br />
Testing, Testing…<br />
In addition to audiences, <strong>UMS</strong> artists were<br />
also required to show proof of vaccination<br />
or a negative COVID test and wear masks<br />
except when performing. Over the course<br />
of the 21/<strong>22</strong> season, <strong>UMS</strong> provided<br />
approximately 1,800 rapid tests, of which<br />
only one came back positive.<br />
That included 900 tests for the Fiddler<br />
on the Roof cast, musicians, and crew,<br />
who were all tested three times per<br />
week during the entire rehearsal and<br />
performance period in both Ann Arbor and<br />
Philadelphia.<br />
LookingForward 11
Programming<br />
Focus on Arts from the<br />
Arab World and Its Diaspora<br />
In addition to the digital commission by Tarek<br />
Yamani, the <strong>2021</strong>/<strong>22</strong> season included three<br />
concerts focused on artists from the Arab World and<br />
Its Diaspora.<br />
In February, Lebanese artist Ali Chahrour brought<br />
Layl (Night) to the Power Center for a single<br />
performance. March brought the long-awaited live<br />
debut of the National Arab Orchestra with Abeer<br />
Nehme to Hill Auditorium. In April, <strong>UMS</strong> moved east<br />
to Detroit, at a new performance and gallery space<br />
called Spot Lite. <strong>UMS</strong> worked with its Arab Advisory<br />
Group to plan this unique program, which featured<br />
local artists Tawil and Khoury with their new work<br />
Zombie Frequencies of the Palestinian Diaspora,<br />
followed by a second half with Morocco’s Kabaret<br />
Cheikhats in a tribute to Morocco’s famous female<br />
traditional folk singers.<br />
12 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
In addition to these in-person performances, <strong>UMS</strong><br />
continued its ongoing collaboration with the Arab<br />
American National Museum for a streamed festival JAM3A,<br />
held over four days in September and featuring numerous<br />
Arab artists from around the world.<br />
LookingForward 13
Learning &<br />
Engagement<br />
14 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
The expansion of our popular You Can<br />
Dance–Outside! program to Ypsilanti<br />
marked one of the first events of<br />
the <strong>2021</strong>/<strong>22</strong> season. From August to<br />
October, regional dance artists led free<br />
outdoor workshops in Ypsilanti and<br />
Ann Arbor, ranging from jazz hip-hop<br />
fusion to West African dance.<br />
You Can Dance—Outside! was funded in part by<br />
<strong>UMS</strong> in the<br />
community<br />
We also announced<br />
transdisciplinary, Flint-based<br />
artist Ash Arder as our Flint<br />
Artist-in-Residence. Arder’s<br />
residence on the University of<br />
Michigan Flint campus included<br />
two public events: rock garden,<br />
a work-in-progress that will be<br />
part of their large-scale sculpture<br />
project Whoop House, and Solar<br />
Juke, a Detroit garden party<br />
and collaborative performance<br />
exploring environmental themes<br />
within African diasporan music.<br />
Ash Arder will continue as the<br />
<strong>UMS</strong> Flint Artist-in-Residence in<br />
the 20<strong>22</strong>/23 season.<br />
LookingForward 15
Programs // Learning & Engagement<br />
Parable Path<br />
A2YPSI<br />
In conjunction with <strong>UMS</strong>’s<br />
presentation of Toshi Reagon’s<br />
Parable of the Sower, <strong>UMS</strong> worked<br />
with many local and university<br />
partners to develop Parable Path<br />
A2YPSI, a series of events that<br />
connected community members to<br />
one another by exploring themes<br />
from Octavia Butler’s novel. Parable<br />
Path A2YPSI included:<br />
16 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
“Let’s Talk About Earthseed,” a community read with virtual book discussions facilitated by<br />
Truly Render (Booksweet), Dr. Tony Pressley-Sanon (Eastern Michigan University), and Paula<br />
Drummon (Ypsilanti District Library)<br />
An Art & Afrofuturism Virtual Panel<br />
featuring scholars and authors<br />
Naomi Andre, Tananarive Due, John<br />
Jennings, and Susan Morris, and<br />
moderated by Christopher Audain.<br />
Activities for high school students<br />
included an extended theater<br />
residency with the AP English class<br />
at Detroit School of Arts (DSA) and<br />
a workshop for the Pioneer High<br />
School (Ann Arbor) Book Club.<br />
Students from DSA, Thurston High<br />
School, and Marygrove all attended<br />
the public performances of Parable<br />
of the Sower.<br />
This event was presented in partnership with the<br />
U-M Institute for the Humanities and the U-M Arts<br />
Initiative.<br />
The Infinite Detail of This Place & Time, a unique event at the Ypsi Freighthouse, where audience members<br />
foraged and collected items from the area, which were then turned into assemblages that were projected<br />
as a visual score for the musical group Virago to interpret sonically. This event was presented in partnership<br />
with the A.W.E. (Area Wilds Exploration) Society.<br />
LookingForward 17
Programs // Learning & Engagement<br />
The U-M Institute for the Humanities’ “Octavia Butler Week,”<br />
which included activities for both undergraduates and community<br />
members alike: a scavenger hunt; a panel discussion with U-M<br />
faculty from Afroamerican and African Studies, English, and the<br />
School of Education; and a “Parable Paint Night” where attendees<br />
created art centered around themes of Afrofuturism, climate<br />
activism, and science fiction.<br />
A Michigan Engineering Common Read of Parable of the Sower,<br />
which included a book discussion for Engineering students,<br />
faculty, and staff.<br />
Activities for high school students included an extended theater<br />
residency with the AP English class at Detroit School of Arts (DSA)<br />
and a workshop for the Pioneer High School (Ann Arbor) Book<br />
Club. Students from DSA, Thurston High School, and Marygrove all<br />
attended the public performances of Parable of the Sower.<br />
18 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
By the<br />
Numbers<br />
23<br />
events associated with the production of<br />
Parable of the Sower<br />
A Parable Party and Open Mic at NOW Studios<br />
All of these activities were presented in addition<br />
to the three public performances of Parable<br />
of the Sower in the Power Center. We are<br />
extraordinarily grateful to the following sponsors<br />
who made both the performances and Parable<br />
Path A2YPSI possible:<br />
Lead Presenting Sponsors<br />
<strong>UMS</strong> Board Co-Chair Lisa D. Cook and <strong>UMS</strong> Board Co-Chair<br />
Rachel Bendit and Mark Bernstein<br />
Presenting Sponsor<br />
Funded in part by<br />
National Endowment for the Arts<br />
976<br />
total attendance for Parable Path A2YPSI<br />
& related event (excluding performances)<br />
336<br />
students registered for Michigan<br />
Engineering’s Black History Month<br />
Community Read of Parable of the Sower<br />
2,961<br />
total performance attendance<br />
19<br />
U-M class groups attending performances<br />
700<br />
students attending through class groups<br />
3high school class groups attending<br />
performances<br />
LookingForward 19
Programs // Learning & Engagement<br />
Partnerships<br />
Every year, <strong>UMS</strong> works with<br />
dozens of partners to extend the<br />
impact of the performing arts,<br />
not all of which are visible to the<br />
public. In addition to the many<br />
partners already cited above,<br />
the <strong>2021</strong>/<strong>22</strong> season featured<br />
numerous other connections<br />
to both arts organizations and<br />
community groups in our region.<br />
20 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Arab American National Museum<br />
<strong>UMS</strong> provided financial and<br />
promotional support for JAM3A,<br />
a free, four-day virtual music and<br />
arts festival celebrating Arab<br />
talent, community, and identity.<br />
Corner Health and the CDC<br />
Foundation<br />
The Corner Health Center in<br />
Ypsilanti and <strong>UMS</strong> received a<br />
grant from the CDC Foundation<br />
to use the arts for a series of<br />
monthly workshops to build<br />
vaccine confidence for youth.<br />
Using improvisational theater,<br />
hip hop, spoken word, and dance<br />
as a means of self-expression,<br />
communication, and self-care,<br />
these activities were designed<br />
to offer different ways for youth<br />
to connect, communicate, and<br />
create.<br />
Michigan Opera Theatre / Detroit<br />
Opera<br />
<strong>UMS</strong> co-presented BLISS, a 12-<br />
hour production that repeated<br />
three sublime minutes of The<br />
Marriage of Figaro with the same<br />
cast and orchestra in a durational<br />
performance at the Historic<br />
Michigan Building Theater in<br />
Detroit.<br />
LookingForward 21
Programs // Learning & Engagement<br />
Ann Arbor Youth Chorale<br />
Members of the Ann Arbor Youth Chorale<br />
joined Joyce DiDonato for the final scene of<br />
EDEN in April, part of DiDonato’s initiative to<br />
build a youth choir in every city where she<br />
toured the project. The AAYC worked with a<br />
teaching artist who helped them use their<br />
voices and creative projects to gain a deeper<br />
understanding of nature and their direct<br />
impact within the world. DiDonato was so<br />
taken with the group’s performance that she<br />
invited them to perform with her in Chicago<br />
as well.<br />
<strong>22</strong> <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Masterclasses & Other Class Visits<br />
Throughout each season, <strong>UMS</strong> partners with many<br />
individuals and units of the University of Michigan. A<br />
prominent partner is the U-M School of Music, Theatre<br />
& Dance, with whom <strong>UMS</strong> collaborated to bring 13<br />
coachings with Philadelphia Orchestra musicians, as well<br />
as masterclasses with the Imani Winds, Ali Chahrour, and<br />
the soloists from Handel’s Messiah; a clowning workshop<br />
with the creator of HOME; and class visits with the<br />
Catalyst Quartet, Caleb Teicher, the Jazz at Lincoln Center<br />
Orchestra, and Wendell Pierce.<br />
LookingForward 23
Programs // Learning & Engagement<br />
K-12 Activities<br />
Although many school districts<br />
would not allow field trips<br />
during the <strong>2021</strong>/<strong>22</strong> season due<br />
to COVID considerations, <strong>UMS</strong><br />
was still able to serve the K-12<br />
community through a variety of<br />
means.<br />
24 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
School Day Performances<br />
In Person & Digital. In addition to<br />
offering digital-only School Day<br />
Performances of Mariachi Vargas<br />
de Tecalitlán and Acrobuffos, <strong>UMS</strong><br />
was able to offer both in-person<br />
and digital performances by the<br />
Imani Winds and Ballet Folklórico<br />
de México, as well as virtual School<br />
Day Performance+ workshops for<br />
Ballet Folklórico de México. The<br />
Jazz at Lincoln Center Orchestra<br />
launched our in-person School Day<br />
Performance series with their “Big<br />
Band Holidays” program.<br />
One teacher from Trenton, MI, who brought her<br />
students to the Jazz at Lincoln Center Orchestra<br />
performance wrote,<br />
“I want to thank [<strong>UMS</strong>] for<br />
scheduling the Jazz at Lincoln<br />
Center Orchestra and putting<br />
together such a delightful<br />
event. This was a life changing<br />
experience for a lot of my students.<br />
Many have not had an opportunity<br />
to see live performers in an<br />
auditorium setting. Thank you for<br />
all that you do.”<br />
LookingForward 25
Programs // Learning & Engagement<br />
Performance Playground<br />
We continued to build out our<br />
digital resources for schools<br />
and families featuring regional<br />
artist facilitators. New videos and<br />
accompanying materials focused<br />
on West African dance, theater,<br />
Stepping, bassoon, and Jingle<br />
Dress dancing.<br />
Caleb Teicher Family<br />
Performance<br />
A swing dance performance<br />
presented for families culminated<br />
in many kids on stage dancing<br />
with family members and the<br />
professional dancers of Teicher’s<br />
company.<br />
26 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
THANKS TO THE MANY<br />
FUNDERS WHO MADE OUR K-12<br />
PROGRAMS POSSIBLE:<br />
DTE Energy Foundation Educator of the Year Award<br />
King Elementary and A2V+ Virtual Academy’s Laura Wayne<br />
was honored with the <strong>2021</strong> DTE Energy Foundation<br />
Educator of the Year Award. The award recognizes and<br />
celebrates educators who value the importance of arts<br />
education and create a culture for the arts to flourish in<br />
their school communities.<br />
Among other inspirational projects, Ms. Wayne<br />
collaborated with the music teacher at STEAM/Northside<br />
to have students create a “Musicscape” in the school<br />
garden. Using clay and a variety of design techniques, Ms.<br />
Wayne helped students create mobiles that were hung in<br />
and around the garden. The beautiful sounds were heard<br />
by everyone in the school and neighborhood and inspired<br />
Carpenter Elementary administrators to replicate the<br />
project at their school.<br />
“I trust what my students can do. There are no mistakes,<br />
only learning,” she said.<br />
This award program is made possible with support from:<br />
David and Kiana Barfield Family<br />
Foundation<br />
Elaine A. Bennett<br />
David and Jo-Anna Featherman<br />
Stephen and Rosamund Forrest<br />
David and Phyllis Herzig Endowment<br />
Fund<br />
Prudence and Amnon Rosenthal K-12<br />
Education Endowment Fund<br />
Richard and Norma Sarns<br />
LookingForward 27
Programs // Digital<br />
28 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
The success of our<br />
all-digital programming<br />
year in the 2020/21<br />
season led us to<br />
continue to develop<br />
new programs in<br />
<strong>2021</strong>/<strong>22</strong> that would<br />
allow us to reach<br />
audiences near and far.<br />
<strong>UMS</strong> Live<br />
Sessions<br />
Our <strong>UMS</strong> Live Session series<br />
featured bespoke, shorter<br />
concerts from artists on our<br />
mainstage series, filmed without<br />
audiences to provide unique<br />
camera angles for an at-home<br />
experience. Live Sessions with<br />
EDM artist Jlin, tenor Nicholas<br />
Phan, the Takács Quartet and<br />
Julien Labro, the Imani Winds<br />
and Catalyst Quartet, local DJ<br />
Tammy Lakkis, and songwriter<br />
Elvis Perkins (who performed<br />
the live music in HOME) reached<br />
over 11,000 viewers across the<br />
country, many of whom first<br />
discovered <strong>UMS</strong> during our digital<br />
pandemic programming. Each<br />
Live Session aired for a month at<br />
no charge to viewers.<br />
11,000<br />
viewers across the country<br />
LookingForward 29
Programs // Digital<br />
<strong>UMS</strong> Connect<br />
With at-home video technology now<br />
ubiquitous, our Learning & Engagement<br />
team developed a new series, <strong>UMS</strong> Connect.<br />
Through these in-depth interviews with<br />
artists on our mainstage series, we were<br />
able to provide deeper insight and context<br />
into performances with the Takács Quartet<br />
and Julien Labro, Kyle Abraham and Jlin,<br />
Ali Chahrour, Joshua Redman (with his<br />
Moodswing Reunion project), and Geoff<br />
Sobelle and the creative team behind HOME.<br />
Over 1,400 people watched these episodes,<br />
which in many cases took the place of preperformance<br />
talks.<br />
30 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Digital (and In-Person!)<br />
School Day<br />
Performances<br />
An estimated 26,000 students across<br />
Michigan experienced our School Day<br />
Performances through in-person or virtual<br />
attendance. Two of three live performances<br />
were streamed and available on demand,<br />
and the series expanded to include two<br />
digital-only performances, which served to<br />
greatly broaden access to our K-12 offerings.<br />
Whether attending in-person or watching on<br />
demand, all classrooms had access to a free<br />
learning guide with even more opportunities<br />
to connect with the genre and the artists.<br />
Digital Artist<br />
Residencies<br />
And as we wrapped up our Digital Artist<br />
Residencies, we aired the video documentary<br />
The Making of “The Four Journeys,” which<br />
traced the development and creation of a<br />
new work for Cleo Parker Robinson Dance,<br />
which was supposed to have been presented<br />
live and in-person during the 2020/21<br />
season. That event, combined with the<br />
Tarek Yamani / Spektral Quartet premiere<br />
and the development of a new website for<br />
performance artist Brian Lobel focused on 24<br />
Italian Songs, reached another 10,000 viewers<br />
during the course of the season.<br />
LookingForward 31
Donor Impact<br />
Donor<br />
Impact<br />
<strong>UMS</strong> Donors at a pre-concert reception before the season opened<br />
32 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Forever Fund<br />
In addition to annual support, many donors<br />
choose to leave a legacy to <strong>UMS</strong> through a<br />
planned gift. Whether large or small, such gifts<br />
allow us to continue to provide programs that<br />
reach deep into our community. Planned gifts can<br />
be used to support ongoing operations or as an<br />
endowment to honor a loved one in perpetuity.<br />
Bob and Darragh<br />
Weisman<br />
Sally Cushing<br />
Bob and Darragh Weisman met at Michigan<br />
in 1957, when he was a junior and she was a<br />
sophomore. When she passed away in <strong>2021</strong>, he<br />
was inspired to establish an endowment to both<br />
honor Darragh and to provide a “forever gift” to an<br />
organization that has meant so much to them.<br />
Longtime <strong>UMS</strong> attendees will certainly remember<br />
Sally Cushing, who worked at <strong>UMS</strong> from 1969-<br />
2010. Before Sally passed away in September<br />
<strong>2021</strong>, she named <strong>UMS</strong> as the beneficiary of her life<br />
insurance policy, further reinforcing her incredible<br />
commitment to the organization full circle.<br />
The stories behind those who leave bequests<br />
or planned gifts to <strong>UMS</strong> are always incredibly<br />
moving, from a choir director who attended for<br />
over 30 years to an automobile repair facility<br />
manager in California who last attended in the<br />
early 1970s. We are grateful to all who have<br />
recognized <strong>UMS</strong>’s impact in their lives by<br />
choosing to leave a planned gift.<br />
For more information on how you can leave<br />
a legacy that supports <strong>UMS</strong> forever, contact<br />
Marnie Reid at 734-647-1178.<br />
LookingForward 33
Donor Impact<br />
Tiffany Ford<br />
The University of Michigan Credit Union and its president Tiffany Ford<br />
were recognized by Americans for the Arts in Fall <strong>2021</strong> with its Arts +<br />
Business Partnership Award. Each year, AFTA recognizes businesses<br />
of all sizes from around the country for exceptional innovative and<br />
sustained collaborations with the arts. In 2016, the U-M Credit Union<br />
created a $1.5 million endowment to create the University of Michigan<br />
Credit Union Arts Adventures Program, which provides support to<br />
both <strong>UMS</strong> and the U-M Museum of Art to create arts experiences and<br />
learning opportunities for students and families.<br />
Matthew VanBesien, sponsor Matt Lester,<br />
sponsor Patti Kenner (who also underwrites<br />
the Bert’s Ticket program), and Philadelphia<br />
Orchestra CEO Matías Tarnopolsky before<br />
the Fiddler on the Roof performances in<br />
Philadelphia<br />
Matthew VanBesien with Peter and Elaine<br />
Schweitzer, who sponsored Fiddler on the<br />
Roof in Concert, A Moodswing Reunion, and<br />
Caleb Teicher SW!NG OUT, sponsored in<br />
memory of Frank Legacki<br />
34 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Abe Jarjoura, Versell Smith, Therese Basha Jarjoura, Manal Saab, and Ghassan Saab at<br />
<strong>UMS</strong>’s season-opening celebration<br />
Elaine A.<br />
Bennett and<br />
Anthony Reffells<br />
with <strong>UMS</strong> staff<br />
members<br />
Ryan Davis and<br />
Will Smith<br />
LookingForward 35
Student Impact<br />
Student<br />
Impact<br />
When many people think of <strong>UMS</strong>’s impact on students,<br />
they often think about performance attendance or masterclasses.<br />
But <strong>UMS</strong>’s impact extends beyond those experiences in numerous other ways.<br />
<strong>UMS</strong> Student Employees<br />
Virtually every <strong>UMS</strong> department, and our Patron Services<br />
Office in particular, employs students to assist with<br />
internal operations, and we typically hire 20-30 students<br />
to work with us each year.<br />
In the <strong>2021</strong>/<strong>22</strong> season, we celebrated one student<br />
employee who graduated after spending all four years<br />
of her undergraduate experience — including a year of<br />
remote work during the pandemic — working with <strong>UMS</strong>.<br />
Kristin Hanson, who grew up in Croswell, MI, graduated<br />
from the U-M School of Music, Theatre & Dance with a<br />
BFA in Dance and minors in History of Art and Performing<br />
Arts Management and Entrepreneurship. For four years,<br />
she worked with our Learning and Engagement (formerly<br />
Education & Community Engagement) team, assisting on<br />
a wide variety of projects. Kristin served as the student<br />
speaker for the SMTD commencement and is now working<br />
in Engagement and Outreach for SMTD as well as with the<br />
University’s Medical Arts initiative.<br />
36 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Athletics and Arts Have a Lot in Common<br />
One highlight of the season was Wynton<br />
Marsalis meeting with a group of student<br />
athletes for a conversation about<br />
commonalities between performing<br />
artists and high-level athletes. Swim<br />
coach Mike Bottom wrote to <strong>UMS</strong> after<br />
the event, saying “In our time with Wynton,<br />
we were able to reaffirm the understanding<br />
the moving in excellence is hard work, and<br />
that there is no substitute for practice. His<br />
deep understanding of life echoed a truth<br />
that there is a melody of goodness that<br />
plays alongside those who aspire and act<br />
to reach their human potential.”<br />
Student Attendance<br />
During the <strong>2021</strong>/<strong>22</strong> season, students<br />
comprised at least 20.3% of our total<br />
audiences at events, saving nearly $250,000<br />
on tickets. Student tickets are only $12 or<br />
$20 depending on seat location, and we’re<br />
grateful to the following sponsors who help<br />
underwrite the cost of student tickets:<br />
Stephen and Rosamund Forrest Student Ticket Endowment Fund<br />
Wallis C. Klein Endowment Fund<br />
In addition, nearly 1,000 undergraduate<br />
students attended a <strong>UMS</strong> event at no cost<br />
through the expansion of the Bert’s Ticket<br />
program. The program was created in the<br />
2013/14 season and named for Bert Askwith<br />
(1911-2015), who graduated from LSA in 1931<br />
and promised every first-year student a free<br />
ticket to a <strong>UMS</strong> performance. During the<br />
<strong>2021</strong>/<strong>22</strong> season, we expanded the program<br />
to include all undergraduate students. We<br />
are grateful to Patti Askwith Kenner for her<br />
support of the Bert’s Ticket program.<br />
LookingForward 37
People<br />
People<br />
New Staff Members at <strong>UMS</strong><br />
We welcomed several new staff members during <strong>2021</strong>/<strong>22</strong>:<br />
Justine Sedky joined as our<br />
Development Administrative<br />
Assistant after spending over three<br />
years in our Patron Services Office<br />
as a ticketing assistant. Justine<br />
received her Master’s degree in<br />
Flute Performance from U-M. She<br />
works with our development team in<br />
many facets, including overseeing<br />
donor events.<br />
Nina Renella started as <strong>UMS</strong>’s<br />
Front of House Assistant Manager,<br />
overseeing our volunteer usher<br />
corps for all performances.<br />
Nina graduated from U-M with<br />
a Bachelor’s degree in Clarinet<br />
Performance and a minor in<br />
Performing Arts Management and<br />
also worked in our Patron Services<br />
Office for several years.<br />
38 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Scott Baker joined <strong>UMS</strong> as our<br />
Business Systems Analyst in<br />
November, supporting the Tessitura<br />
CRM and its many operational<br />
components. He came to <strong>UMS</strong><br />
after positions at the United Way of<br />
Washtenaw County, Michigan Radio,<br />
and the University of Michigan’s<br />
IT department. He received a<br />
Bachelor’s degree in Business<br />
Administration from Eastern<br />
Michigan University.<br />
Salina Naranjo became <strong>UMS</strong>’s<br />
Senior Accountant in Fall <strong>2021</strong><br />
after working in accounting for<br />
various organizations in the New<br />
York area. She grew up in Texas,<br />
where she completed a Bachelor’s<br />
degree in Accounting and Business/<br />
Management at the University of<br />
Texas San Antonio.<br />
Additionally, two staff members —<br />
Alexandria Davis and Anné Renforth — were<br />
elected by their peers to serve on the <strong>UMS</strong><br />
leadership group. This initiative grew out of efforts<br />
to increase transparency about <strong>UMS</strong> operations at<br />
the staff level, an outgrowth of the internal work<br />
that <strong>UMS</strong> started during the 2020/21 season as<br />
part of our focus on becoming a more inclusive,<br />
anti-racist organization.<br />
LookingForward 39
People<br />
Board Updates<br />
Board Co-Chair Lisa Cook resigned her position at the end of the <strong>2021</strong>/<strong>22</strong> season, when she<br />
became a member of the Federal Reserve Board of Governors. Lisa wrote, “It has been an honor<br />
and a pleasure to work with the capable, hardworking, and passionate board members, staff,<br />
and community of the University Musical Society. As a result [of being confirmed as a Governor<br />
on the Federal Reserve Board], I was asked to step down from all boards. As I step down, I wish<br />
you, fellow board members, and the staff all the best in continuing to be good stewards of this<br />
extraordinary organization and to uphold its worthy and evolving mission. I look forward to<br />
observing <strong>UMS</strong>’s progress!”<br />
Lisa joined the <strong>UMS</strong> Board in 2014 and served as chair of the Finance Committee before<br />
becoming co-chair with Rachel Bendit. We are grateful to her for her many years of service and<br />
support of <strong>UMS</strong> and wish her all the best in Washington D.C.<br />
40 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
At its annual meeting in June 20<strong>22</strong>,<br />
the <strong>UMS</strong> Board elected two new<br />
members: Neil C. Hawkins, president<br />
of the Fred A. and Barbara M. Erb<br />
Family Foundation, and Louise Taylor,<br />
now retired after 35 years as a career<br />
diplomat in the U.S. Foreign Service<br />
focused on cultural affairs.<br />
Board Officers were all re-elected<br />
for the 20<strong>22</strong>/23 season: Rachel<br />
Bendit (chair), Brian Willen (vice<br />
chair), Rob VanRenterghem<br />
(treasurer), and Christina Kim<br />
(secretary).<br />
At the same meeting, we bid farewell to Stephen Henderson, Linh Song, and Vic Strecher, who<br />
all completed two terms on the Board, as well as outgoing Ambassadors Chair Michael Lee.<br />
Mary Campbell and Susan Alcock also stepped down from the board, as did ex-officio member<br />
and University of Michigan Provost Susan Collins. We thank them all for their service.<br />
LookingForward 41
Shaping the Future<br />
During the <strong>2021</strong>/<strong>22</strong> season, staff and board at <strong>UMS</strong> worked with ZingTrain in a visioning<br />
process to help us imagine where we would like to be as an organization in 2029, when we<br />
celebrate our 150th season. Throughout the year, a writing team took the big ideas from the<br />
staff and worked with the board in developing a living document that will serve as a guidepost<br />
as we push ourselves to be even more responsive to the issues of our time and the needs of<br />
our audiences. While not a radical departure, we recognize that we must continue to build<br />
and to reach higher, while also acknowledging where we have not realized our potential as a<br />
cultural resource and partner for our entire community.<br />
The guiding principles of this new vision are:<br />
Creativity and Responsiveness<br />
Belonging and Respect<br />
Diversity, Equity, Inclusion, Justice,<br />
and Anti-Racist Work<br />
Our continuing commitment to Diversity, Equity, Inclusion, and Justice is paramount as <strong>UMS</strong><br />
evolves. Through this vision, we continue our focus on programming and audiences served,<br />
while looking to expand and diversify our audiences, deepen our relationship with the<br />
University of Michigan and enrich campus experiences, champion our region and partners, and<br />
continue to tell our story, all while taking care of the needs of our staff, valuing our volunteers,<br />
supporting a financially strong and nimble organization, and committing to continued growth<br />
and evolution.<br />
We are so excited about our future — and we know that you will be too.<br />
42 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
I just wanted to write to say what a wonderful staff you have<br />
manning the phones at the <strong>UMS</strong> box office. Over the course<br />
of the last year, I have had to make numerous changes to my<br />
subscription tickets because of Covid-19 hesitancy or for other<br />
reasons. At all times, the person I have spoken with has been<br />
extremely helpful, and also could not have been nicer. I realize that<br />
my requests could be multiplied by 100s, and this has probably<br />
been a very trying year for all of you, but there has never been a<br />
sense of that in dealing with your staff.”<br />
Email from Jim Keller and Mary Ellen Hoy<br />
Philadelphia Orchestra music<br />
director Yannick Nézet-Séguin<br />
closed his concert with U-M alumna<br />
and principal tuba player Carol<br />
Jantsch performing “The Victors.”<br />
Earlier in the concert, Jantsch<br />
performed Wynton Marsalis’s tuba<br />
concerto, which had its world<br />
premiere just a few months earlier.<br />
Joyce DiDonato at a reception after<br />
EDEN, where she talked about her<br />
goal of creating children’s choirs in<br />
every city where she is performing<br />
the work.<br />
LookingForward 43
<strong>UMS</strong> Supporters<br />
<strong>UMS</strong><br />
Supporters<br />
Thank you to our<br />
community of<br />
donors who made<br />
generous gifts to<br />
<strong>UMS</strong> over the past<br />
year July 1, <strong>2021</strong> –<br />
August 1, 20<strong>22</strong>.<br />
These gifts were given in<br />
support of the <strong>UMS</strong> <strong>Annual</strong> Fund,<br />
<strong>UMS</strong> Forward Fund, <strong>UMS</strong> Student<br />
Experiences, and other special<br />
initiatives.<br />
Every gift is important to <strong>UMS</strong>.<br />
Due to space constraints, we<br />
have recognized supporters of<br />
$250 and above in the following<br />
listing. An entire list of <strong>UMS</strong><br />
supporters can be found at<br />
ums.org/support. We apologize<br />
in advance for any omissions<br />
or errors. Please contact us<br />
at umsgiving@umich.edu or<br />
734.647.1175 with corrections.<br />
44 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Anonymous<br />
Dr. Diane Agresta<br />
Debra Aidun<br />
Roger Albin and Nili Tannenbaum<br />
John Alexander and Carolyn King<br />
All Seasons Senior Living<br />
Michael Allemang and Janis Bobrin<br />
Richard and Mona Alonzo<br />
Christine W. Alvey<br />
Helen and David Aminoff<br />
Carol Amster<br />
Barbara A. Anderson<br />
Neil P. Anderson<br />
Catherine M. Andrea<br />
Dave and Katie Andrea<br />
Carmen and Chris Andrianopoulos<br />
Paul M. Angell Family Foundation<br />
Ann Arbor Area Community Foundation<br />
Elaine and Ralph Anthony<br />
Harlene and Henry Appelman<br />
Gaard and Ellen Arneson<br />
Bob and Martha Ause<br />
John and Lillian Back<br />
Stuart Baggaley and Amy Seetoo<br />
Menakka and Essel Bailey<br />
Laurence R. and Barbara K. Baker<br />
Lisa and Jim Baker<br />
Reg and Pat Baker<br />
Lynn Baldwin and Tim McIntyre<br />
Christopher and Lesli Ballard<br />
Emily W. Bandera, M.D.<br />
Bank of Ann Arbor<br />
Karen Bantel and Steve Geiringer<br />
John and Ginny Bareham<br />
David and Monika Barera<br />
David and Kiana Barfield<br />
Richard M. Barron<br />
Liz Barry and William A. Hathaway<br />
Robert and Wanda Bartlett<br />
Lois and David Baru<br />
Frank and Lindsay Tyas Bateman<br />
Lydia Bates<br />
Rajeev Batra and Priscilla A Spencer<br />
Anne Beaubien<br />
Gorman and Andrea Beauchamp<br />
Astrid B. Beck<br />
Christina Bellows and Joe Alberts<br />
Rachel Bendit and Mark Bernstein<br />
Elaine A. Bennett<br />
Ronald and Linda Benson<br />
Rosemary R. Berardi and Carolyn R. Zaleon<br />
Ramon and Peggy Berguer<br />
Andrew and Lisa Bernstein<br />
Sheldon and Barbara Berry<br />
Suzanne A. and Frederick J. Beutler<br />
John Billi and Sheryl Hirsch<br />
Sara Billmann and Jeffrey Kuras<br />
Joan Binkow<br />
Maurice and Linda Binkow<br />
Dr. Elizabeth S. Bishop<br />
Mary E. Black<br />
John Blankley and Maureen Foley<br />
Bobbie and Don Blitz<br />
Mark and Laura Bomia<br />
Howard and Margaret Bond<br />
The Jonathan and Sara Bonesteel Foundation<br />
Charles and Linda Borgsdorf<br />
Paul Borman<br />
Grace Jordison Boxer<br />
Dr. and Mrs. Ralph R. Bozell<br />
Susan Bozell Craig and Family<br />
R.M. Bradley and C.M. Mistretta<br />
Joel Bregman and Elaine Pomeranz<br />
Charles Bright and Susan Crowell<br />
David and Sharon Brooks<br />
Catherine Brown<br />
Christie Brown and Jerry Davis<br />
Pamela Brown<br />
Stephen and Faith Brown<br />
Marco and Melissa Bruzzano<br />
Robert and Jeannine Buchanan<br />
Ellen and Brian Buggy<br />
Tom and Lori Buiteweg<br />
Lawrence and Valerie Bullen<br />
Alan J. Burg and Kenneth L. Hillenburg D.D.S., M.S.<br />
Charles and Joan Burleigh<br />
Tony and Jane Burton<br />
Sarah Calderini<br />
Lou and Janet Callaway<br />
Sally Camper and Bob Lyons<br />
Valerie and David Canter<br />
Thomas and Colleen Carey<br />
Jack and Susan Carlson<br />
Jenny and Jim Carpenter<br />
Carrilon Fund of the New York Community Trust<br />
Carolyn M. Carty<br />
Angela Cesere and Rob Thomas<br />
Karen and Charlie Chapell<br />
Samuel and Roberta Chappell<br />
Anne Chase<br />
Cynthia Chase<br />
Patricia Chatas<br />
Camilla Chiapuris<br />
Felix and Ann Chow<br />
Mark Clague and Laura Jackson<br />
Cheryl and Brian Clarkson<br />
Carl Cohen<br />
Ellen and Hubert Cohen<br />
Jonathan Cohn and Daniela Wittmann<br />
John Coleman<br />
Mary Sue and Kenneth Coleman<br />
George Collins and Paula Hencken<br />
Commission on Middle Eastern American Affairs<br />
(State of Michigan)<br />
Community Foundation for Southeast Michigan<br />
Roger and Midge Cone<br />
Conlin Travel/Chris and Dana Conlin<br />
Angelos and Kathy Constantinides<br />
Dr. Lisa D. Cook<br />
Anne Cooper<br />
Jeff Cooper and Peggy Daub<br />
Arnie and Susi Coran<br />
Paul Courant and Marta Manildi<br />
Richard D. and Nancy M. Cowan<br />
Katherine and Clifford Cox<br />
Mac and Nita Cox<br />
The Cozad Family<br />
George and Ann Crane<br />
Peter and Julie Cummings<br />
Christopher Dahl and Ruth Rowse<br />
Dennis Dahlmann and Patricia Garcia<br />
Amal and Gregory Dalack<br />
Marylee Dalton and Lynn Drickamer<br />
Timothy and Robin Damschroder<br />
Susan T. Darrow<br />
Ellie and Ed Davidson<br />
Ryan Davis<br />
David L. DeBruyn<br />
David Deromedi<br />
Monique and Dennis Deschaine<br />
Macdonald and Carolin Dick<br />
Alison and Keith Dickey<br />
Andrzej and Cynthia Dlugosz<br />
Jim and Patsy Donahey<br />
Sharon and Dallas Dort<br />
John Dryden and Diana Raimi<br />
DTE Energy<br />
Don and Kathy Duquette<br />
Grace Duren<br />
Ed and Mary Durfee<br />
Swati Dutta<br />
Gavin Eadie and Barbara Murphy<br />
James Eder and Kim Redic<br />
Barbara and Edward Lynn<br />
Rosalie Edwards/Vibrant Ann Arbor Fund<br />
Charles and Julia Eisendrath<br />
LookingForward 45
<strong>UMS</strong> Supporters<br />
Paula and Tony Elliott<br />
Joan H. Engel<br />
Thomas and Alice Fabiszewski<br />
Harvey and Elly Falit<br />
Bonnie Fauman and the estate of<br />
Michael Fauman<br />
David and Jo-Anna Featherman<br />
Michael and Ann Feeney<br />
Steve Feenstra and<br />
Pamela Ruiter-Feenstra<br />
Fei Fei and John Metzler<br />
Penny and Ken Fischer<br />
Susan R. Fisher<br />
Arnold Fleischmann<br />
Kathleen Fleming<br />
Esther Floyd<br />
Larry and Dorothy Fobes<br />
Jessica Fogel and Lawrence Weiner<br />
Ford Motor Company Fund<br />
George W. Ford<br />
Ruth C. Forrest<br />
Stephen and Rosamund Forrest<br />
Paul and Jennifer Fossum<br />
David Fox and Paula Bockenstedt<br />
Betsy Foxman and Michael Boehnke<br />
Dan and Jill Francis<br />
Randall and Ellen Frank<br />
Sara and Michael Frank<br />
Charles and Julie Frayer<br />
Judy and Paul Freedman<br />
Bernard Friedman and Sarah Mack<br />
Leon and Marcia Friedman<br />
Susan L. Froelich and Richard E. Ingram<br />
Philip and Renée Woodten Frost<br />
Carol Gagliardi and David Flesher<br />
Drs. Alec Gallimore and Reates Curry<br />
Barbara Garavaglia<br />
Chris Gardiner and Cynthia Koch<br />
Gwyn and Jay Gardner<br />
Mr. and Mrs. Martin J. Gargaro<br />
Sandra Gast and Greg Kolecki<br />
Thomas and Barbara Gelehrter<br />
Beverley and Gerson Geltner<br />
Chris Genteel and Dara Moses<br />
Ronald Gibala and Janice Grichor<br />
Zita and Wayne Gillis<br />
Sid Gilman and Carol Barbour<br />
David and Maureen Ginsburg<br />
Heather and Seth Gladstein<br />
Steve Glauberman and<br />
Margaret Schankler<br />
Anne and Paul Glendon<br />
Thea Glicksman<br />
Patricia and John Glidewell<br />
Drs. Vijay and Sara Goburdhun<br />
Tom and Kathy Briggs Goldberg<br />
Martha and Larry Gray<br />
John and Renee Greden<br />
Dr. Leslie M. Green<br />
Richard and Linda Greene<br />
Linda Gregerson and Steven Mullaney<br />
John R. Griffith and Sharon R. Quiroz<br />
Nicki Griffith<br />
Arthur W. Gulick<br />
Hanley M. Gurwin<br />
Stephen and Jessica Gushee<br />
Catherine Gust Estate<br />
Susan Guszynski and Gregory Mazure<br />
Susan and Richard Gutow<br />
Robert and Karen Hahn<br />
Randall and Nancy Caine Harbour<br />
Alan Harnik and<br />
Professor Gillian Feeley-Harnik<br />
Cayenne Harris<br />
David N. Harris<br />
Clifford and Alice Hart<br />
Larry Hastie<br />
D Craig Hausman and<br />
Holly Heaviland, PhD<br />
Neil and Annmarie Hawkins<br />
Dan and Jane Hayes<br />
Anne Heacock and Stephen Fisher<br />
Joel and Jacqui Heidelbaugh<br />
Stephen Henderson<br />
Norman and Debbie Herbert<br />
Alfred and Therese Hero<br />
David and Phyllis Herzig<br />
Margaret Higley<br />
Paul and Nancy Hillegonds<br />
Anne Hiller<br />
Timothy Hofer and Valerie Kivelson<br />
Dr. Jeffrey and Maxine Hoffman<br />
Carol and Dieter Hohnke<br />
Maurita Holland and Roger Chard<br />
Fulter and Rebecca Hong<br />
Honigman LLP<br />
Robert and Barbara Hooberman<br />
Victor J. Horbaniuk Estate<br />
Paul Hossler and Charlene Bignall<br />
James S. House and<br />
Wendy Fisher House<br />
Joel Howell and Linda Samuelson<br />
Che Huang<br />
Linda S. Hubbard<br />
William and Sarah Hufford<br />
Jane H. Hughes<br />
Greg and Carol Hulbert<br />
Jim and Colleen Hume<br />
Richard and Lesley Hume<br />
Ann D. Hungerman<br />
Eileen and Saul Hymans<br />
Anthony and Marilyn Iesulauro<br />
Mr. Stuart A. Isaac<br />
Richard and Suzette Isackson<br />
Dr. Joachim Janecke<br />
Ibrahim and Therese Jarjoura<br />
Wallie and Janet Jeffries<br />
Steven Jensen and Mark R. Grace<br />
Feng Jiang and Lydia Qiu<br />
Henry and Billie Johnson<br />
Mary and Kent Johnson<br />
Sue and Kevin Johnson<br />
Timothy and Jo Wiese Johnson<br />
Mattias Jonsson and Johanna Eriksson<br />
Jim Joyce and Emily Santer<br />
Mark and Madolyn Kaminski<br />
Elizabeth Kassab<br />
Barbara Kay<br />
Fred and Susan Kellam<br />
Anna-Maria and<br />
Stephen Kellan Foundation<br />
Jim Keller and Mary Ellen Hoy<br />
Deborah Keller-Cohen and Evan Cohen<br />
Charles Kelly and Allison Sugiyama<br />
James A. Kelly and Miriam C. Noland<br />
Sally Kennedy<br />
Patti Askwith Kenner/ Indian Trail<br />
Charitable Foundation<br />
Bonnie and Robert Kidd<br />
Paul and Leah Kileny<br />
Charles and Christina Kim<br />
Edward Kimball<br />
Catherine and William King<br />
Tom and Connie Kinnear<br />
Rich and Myra Klarman<br />
Shira and Steve Klein<br />
Wally and Robert Klein<br />
Phil Klintworth<br />
Carolyn and Jim Knake<br />
Michael Koen<br />
Rosalie and Ron Koenig<br />
Joseph and Marilynn Kokoszka<br />
Dr. and Mrs. Jerry Kolins<br />
Linda Korobkin<br />
Barbara and Michael Kratchman<br />
Samuel and Marilyn Krimm<br />
Marvin Krislov<br />
Donald and Jeanne Kunz<br />
Tim and Kathy Laing<br />
Jane Fryman Laird<br />
Stephen and Pamela Landau<br />
Lucy and Ken Langa<br />
Anne T. Larin<br />
John K. Lawrence and Jeanine A. DeLay<br />
Ted and Wendy Lawrence<br />
John and Theresa Lee<br />
Kathy Legatski<br />
David Leichtman and Laura A. McGinn<br />
Richard LeSueur<br />
Dr. Earl Lewis and Susan Whitlock<br />
James and Melissa Lewis<br />
Marie Lewis<br />
Carolyn and Paul Lichter<br />
Richard and Carolyn Lineback<br />
Daniel Little and Bernadette Lintz<br />
Kay and E. Daniel Long<br />
William and Lois Lovejoy<br />
Fran Lyman<br />
Tim and Lisa Lynch<br />
Marjorie Lynn<br />
Marilyn and Frode Maaseidvaag<br />
Louis and Carol MacCini<br />
John MacKrell<br />
Dr. Donald and Mrs. Jane MacQueen<br />
Jayne Maerker<br />
Preeti Malani and Mark Zacharek<br />
Joseph Malcoun and Caitlin Klein<br />
Prof. William Malm and<br />
Jutta Gerber-Malm<br />
Warde and Chrislan Manuel<br />
The Mardi Gras Fund<br />
Betsy Yvonne Mark<br />
Deborah and David Marmor<br />
W. Harry Marsden<br />
Ann W. Martin and Russ Larson<br />
J. Martin and Tara Gillespie<br />
Martin Family Foundation<br />
Michael and Kristie Martin<br />
Sandra Lau Martins<br />
Masco Corporation<br />
James E. Maslanka and<br />
Catherine E. Giebel<br />
Mary M. Matthews<br />
Jerry A. and Deborah Orr May<br />
Regent Emerita Olivia P. Maynard<br />
Martha Mayo<br />
Laurie McCauley and Jessy Grizzle<br />
Margaret and Harris McClamroch<br />
Doug and Cate McClure<br />
W Joseph McCune and<br />
Georgiana M Sanders<br />
Griff and Pat McDonald<br />
Theresa and Tony McDonnell<br />
Erin McKean and Steve Sullivan<br />
Carole and Dennis McNamara<br />
Marilyn Meeker<br />
Dr. Gerlinda S. Melchiori<br />
Mellon Foundation<br />
Mrs. Robert E. Meredith<br />
Lynne Metty<br />
Mike and Rachelle Michelon<br />
Michigan Engineering<br />
Michigan Medicine<br />
Michigan Arts and Cultural Council<br />
John and Sally Mitani<br />
Candice and Andrew Mitchell<br />
Bert and Kathy Moberg<br />
Dagmar Moore<br />
Emily Moore-Marshall and Tim Marshall<br />
Paul Morel and Linda Woodworth<br />
Mr. and Mrs. Donald L. Morelock<br />
Melinda Morris<br />
Genevieve and James Morrissey<br />
The Mosaic Foundation<br />
(of R. & P. Heydon)<br />
Cyril Moscow<br />
Agnes Moy-Sarns and<br />
David Sarns/SI Company<br />
Mullick Foundation<br />
Lisa Murray and Michael Gatti<br />
Hillary Murt and Bruce Friedman<br />
Drs. Louis Nagel and Julie Jaffee Nagel<br />
National Endowment for the Arts<br />
Thomas and Barbara Nelson<br />
New England Foundation for the Arts<br />
Jan Barney Newman<br />
Dan Nicoli<br />
John and Martha Nitz<br />
William Nolting and Donna Parmelee<br />
Christer and Outi Nordman<br />
Outi and Christer Nordman<br />
Rob and Quincy Northrup<br />
Arthur S. Nusbaum<br />
Caroline and Mitchell Nussbaum<br />
Fola Odetola<br />
Old National Bank<br />
Old National Bank Foundation<br />
Beverly Olson<br />
Constance K. Olson<br />
Gil Omenn and Martha Darling<br />
Elizabeth Ong<br />
Susan and Mark Orringer<br />
Elisa Ostafin and Hossein Keshtkar<br />
Marysia Ostafin and George Smillie<br />
Liz and Mohammad Othman<br />
Carlos Palomares and Julia Owens<br />
Karen Pancost<br />
William and Hedda Panzer<br />
Karen Park and John Beranek<br />
Michael and Leslee Perlstein<br />
Stephen R. Perrin<br />
Tim and Sally Petersen<br />
Emily Peterson and Anish Wadhwa<br />
Wesen and William Peterson<br />
Mark and Margaret Pieroni<br />
Elaine and Bertram Pitt<br />
Donald and Evonne Plantinga<br />
PNC Foundation<br />
Susan Pollans and Alan Levy<br />
Stephen and Bettina Pollock<br />
Tom Porter<br />
Rachel Portnoy and Adam Eichner<br />
Mary Post<br />
Linda Powell and James Taylor<br />
Prof. Sara A. Pozzi<br />
Diana Pratt<br />
Rick and Mary Price<br />
John and Nancy Prince<br />
James Read<br />
Bonnie Reece<br />
Jeff and Katie Reece<br />
Anthony L. Reffells<br />
Donald Regan and Elizabeth Axelson<br />
Ray and Ginny Reilly<br />
Malverne Reinhart<br />
Retirement Income Solutions<br />
Floretta Reynolds<br />
Lou and Sheila Rice<br />
Douglas and Robin Richstone<br />
Larry and Sally Robson<br />
Vivian D. Roeder<br />
Felix and Caroline Rogers<br />
John Roos<br />
Doug and Nancy Roosa<br />
Huda Karaman Rosen<br />
Jeri Rosenberg and Vic Strecher<br />
Stephen Rosenblum and Rosalyn Sarver<br />
Prue Rosenthal<br />
Diana and Aaron Rosenzweig<br />
Daria and Erhard Rothe<br />
Rosemarie Haag Rowney<br />
46 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
Carol D. Rugg and<br />
Richard K. Montmorency<br />
Don and Judy Rumelhart<br />
Ghassan and Manal Saab<br />
Linda and Leonard Sahn<br />
Amy Saldinger and Robert Axelrod<br />
Dick and Norma Sarns<br />
Michael and Kimm Sarosi<br />
Maya Savarino<br />
Mike and Annmarie Savitski<br />
Albert J. and Jane L. Sayed<br />
Bonnie R. Schafer<br />
Mary A. Schieve<br />
David Schmidt and Jane Myers<br />
Ann and Tom Schriber<br />
Jane and Edward Schulak<br />
Richard Schultz<br />
Elaine and Peter Schweitzer<br />
Ruth Scodel<br />
John Scudder and Regan Knapp<br />
Larry and Bev Seiford<br />
Suzanne Selig<br />
Harriet Selin<br />
Erik Serr<br />
Ellie Serras<br />
Joe and Yvonne Sesi/Sesi Lincoln<br />
Matthew Shapiro and Susan Garetz<br />
Elvera Shappirio<br />
Janet Shatusky<br />
Patrick and Carol Sherry<br />
Nina Silbergleit<br />
Edward and Kathy Silver<br />
Carl Simon and Bobbi Low<br />
Frankie and Scott Simonds<br />
Anne and Knut Simonsen<br />
Sue and Don Sinta<br />
Brooks Sitterley<br />
Jurgen Skoppek<br />
Barbara Furin Sloat<br />
Carl and Jari Smith<br />
Rodney Smith and Janet Kemink<br />
Sidonie Smith and Greg Grieco<br />
Susan M. Smith and Robert H. Gray<br />
Will and Megann Smith<br />
Richard Soble and Barbara Kessler<br />
Cheryl Soper<br />
Cynthia Sorensen and Henry Rueter<br />
Juanita and Joseph Spallina<br />
Becki Spangler and Peyton Bland<br />
Gretta Spier and Jonathan Rubin<br />
Jeff Spindler<br />
Katherine R. Spindler<br />
Mary C Spires<br />
Michael B. Staebler and Jennifer R. Poteat<br />
Andrea and Gus Stager<br />
Gary and Diane Stahle<br />
Steve Stancroff and Tamar Springer<br />
Daniel Stankey<br />
Nancy and James Stanley<br />
Daniel and Susan Stepek<br />
Rick and Lia Stevens<br />
Cynthia J. Stewart<br />
Mary Stockwell<br />
Eric and Ines Storhok<br />
Gail Ferguson Stout<br />
Karen and David Stutz<br />
Edward and Natalie Surovell<br />
Cordelia B. Sweetland<br />
Suzanne Tainter and Kenneth Boyer<br />
Louise Taylor<br />
Stephan Taylor and Elizabeth Stumbo<br />
William Tennant<br />
Denise Thal and David Scobey<br />
David and Margaret Thompson<br />
Nancy Thompson<br />
Sarah Thompson<br />
Carrie and Peter Throm<br />
Keturah Thunder-Haab<br />
Mary Tift<br />
Peter Toogood and Hanna Song<br />
Michael and Marcia Torrey<br />
Louise Townley<br />
Harry A. & Margaret D. Towsley Foundation<br />
Jeffrey and Lisa Tulin-Silver<br />
Claire Turcotte<br />
Ilene and Norman Tyler<br />
Alvan Uhle<br />
Fawwaz Ulaby and Jean Cunningham<br />
Susan B. Ullrich<br />
University of Michigan<br />
University of Michigan Arts Initiative<br />
University of Michigan School of Music,<br />
Theatre & Dance<br />
University of Michigan Credit Union<br />
Joyce A. Urba and David J. Kinsella<br />
Alison and Matthew Uzieblo<br />
Paul and Marcia Valenstein<br />
Bram van Leer<br />
Jack and Marilyn van der Velde<br />
Carol VanBesien<br />
Matthew VanBesien and Rosie Jowitt<br />
Sara E. Vander Voort<br />
Karla and Hugo Vandersypen<br />
Rob and Cynthia VanRenterghem<br />
Richard and Shelley Walinski<br />
Elizabeth A. and David C. Walker<br />
H. Carl Walker and Abigail E. Rogers<br />
Bob and Liina Wallin<br />
C. Glen Walter and Edite B. Walter, MD<br />
Margaret Walter<br />
Grace Wang<br />
Shaomeng Wang and Ju-Yun Li<br />
Jo Ann Ward<br />
Paul Ward and Laura Lamps<br />
Arthur and Renata Wasserman<br />
Harvey and Robin Wax<br />
WDF Director Discretionary Philanthropic<br />
Fund of the United Jewish Foundation<br />
Richard and Madelon Weber<br />
MaryLinda and Larry Webster<br />
Mr. and Mrs. Richard C. Weiermiller<br />
Richard and Gretchen Weir<br />
Eileen Lappin Weiser<br />
Robert O. Weisman<br />
Edward and Colleen Weiss<br />
James and Karen Westphal<br />
Robert Westveer<br />
Julie Wheaton<br />
Mary Ann Whipple<br />
Amy White<br />
James B. White and Mary F. White<br />
Kathy White<br />
Mac and Rosanne Whitehouse<br />
Max Wicha and Sheila Crowley<br />
Dianne Widzinski<br />
Peter and Karen Wildman<br />
David and Anne Wilhoit<br />
Brian Willen and Monica Hakimi<br />
Sandy and Jon Willen<br />
Robin Wilson<br />
I. W. Winsten<br />
Lawrence and Mary Wise<br />
Max and Mary Wisgerhof<br />
Charles Witke and Aileen Gatten<br />
Steven and Helen Woghin<br />
Charlotte A. Wolfe<br />
Dr. and Mrs. Peter WK Woo<br />
Douglas Wood and Kay Holsinger<br />
Eric Woodhams<br />
Richard Woodhams<br />
The Worsham Family Foundation<br />
Frances A. Wright<br />
Mary Jean and John Yablonky<br />
Joel Young<br />
The Zelenock Family<br />
Tribute<br />
Gifts<br />
From July 1, <strong>2021</strong> – August 1, 20<strong>22</strong>,<br />
various gift to <strong>UMS</strong> were made in<br />
honor or in memory of the following<br />
individuals.<br />
Raymond and Janet Bernreuter<br />
Margaret Bond<br />
Laurence A. Boxer<br />
H.R. Crane<br />
Sally Cushing<br />
Fr. Timothy Dombrowski<br />
Ken Fischer<br />
Susan R. Harris<br />
David Herzig<br />
Christa Janecke<br />
David Kennedy<br />
Frank Legacki<br />
Paul and Ruth McCracken<br />
Louis Michelon<br />
Anne Parsons<br />
Elva Rosenzweig<br />
Janet R. Shaprio and Irving Shaprio<br />
Alyce Sigler<br />
David and Karen Stutz<br />
James W. Toy<br />
Matthew VanBesien<br />
Darragh H. Weisman<br />
Robert O. Weisman<br />
Lynn B. Welchli<br />
Clayton Wilhite<br />
LookingForward 47
FY<strong>22</strong> Financials<br />
FY<strong>22</strong><br />
Financials<br />
During our 143rd season, we returned to a smaller season of in-person performances and<br />
programming while continuing to present <strong>UMS</strong> offerings in the digital space. We’re grateful to<br />
the committed staff, dedicated board and volunteers, and generous donors and investors who<br />
helped to make this season possible.<br />
Our complete audited financial statements are available on our website at ums.org/about/<br />
financial-statements, with a top-line summary on the next page. For comparison purposes,<br />
we have included both FY20 (with the final two months of performances canceled due to the<br />
pandemic) and FY21 (a season that included no in-person performances), in addition to the<br />
most recent statements reflecting FY<strong>22</strong>.<br />
Our positive bottom line from operations during FY21 and FY<strong>22</strong> was due to the incredible<br />
loyalty of our donors and supporters, strong financial stewardship of our staff and board,<br />
and support from federal relief programs, specifically the Paycheck Protection Program and<br />
Shuttered Venues Operating Grant program. Our overall change in net assets showed a gain of<br />
$4,065,113, largely due to unrealized gains on our board-designated endowment and donorrestricted<br />
endowment funds.<br />
The FY<strong>22</strong> statements are representative of <strong>UMS</strong>’s overall position of financial strength due<br />
to the deep commitment of our audiences and donors. Nevertheless, as we look ahead, we<br />
anticipate that the coming years will be challenging for the organization, with continued<br />
uncertainty due to the ongoing pandemic and its impact on both artist tours and attendance at<br />
live performances.<br />
We are extraordinarily grateful to all who continue to support <strong>UMS</strong> during these uncertain times.<br />
Sincerely,<br />
Matthew VanBesien<br />
President, <strong>UMS</strong><br />
Rachel Bendit<br />
Chair, <strong>UMS</strong> Board of Directors<br />
48 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
OPERATING RESULTS FY<strong>22</strong> FY21 FY20<br />
Ticket Revenue (1) $1,252,681 $-0- $2,449,250<br />
Other Earned Revenues $455,943 $146,495 $480,896<br />
Net Investment Income $1,185,385 $1,095,257 $1,083,035<br />
Gifts and Grants (2) $4,242,080 $3,107,899 $3,734,791<br />
Gifts and Grants Released from Restrictions (3) $209,954 $601,740 $100,085<br />
University of Michigan (4) $1,685,000 $1,526,000 $1,070,000<br />
Operating Revenue $9,031,043 $6,477,391 $8,918,057<br />
Concert Expenses & Related Programs (5) $5,408,917 $2,807,801 $5,684,862<br />
Administrative Expenses (6) $2,069,183 $1,843,990 $1,677,273<br />
Development Expenses $1,277,161 $1,183,987 $1,262,940<br />
Operating Expenses $8,755,261 $5,835,778 $8,625,075<br />
Net Surplus/(Deficit) from Operations $275,782 $641,613 $292,982<br />
NET ASSETS (including Endowment Funds) FY<strong>22</strong> FY21 FY20<br />
Beginning Balance - Net Assets $36,244,606 $27,130,411 $27,250,950<br />
Changes in Net Assets:<br />
Gifts and Grants $1,026,491 $494,082 $1,106,872<br />
Gifts and Grants Released from Restrictions (3) ($209,954) ($601,740) ($100,085)<br />
Net Investment Income $48,059 $60,014 $50,240<br />
Net Unrealized Gain/(Loss) on Investments Without Donor Restrictions $839,017 $2,445,489 ($444,613)<br />
Net Unrealized Gain/(Loss) on Investments With Donor Restrictions $2,085,718 $6,074,737 ($1,025,935)<br />
Net Surplus/(Deficit) from Operations $275,782 $641,613 $292,982<br />
Total Change in Net Assets $4,065,113 $9,114,195 ($120,539)<br />
Ending Balance - Net Assets $40,309,719 $36,244,606 $27,130,411<br />
(1) FY20 Includes ticket donations from events canceled due to the coronavirus pandemic. (2) This line also includes $458,432 from the Paycheck Protection Program<br />
in FY20 and $362,800 in FY21. Both FY20 and FY21 amounts were forgiven. FY<strong>22</strong> reflects $1,628,106 from the Shuttered Venues Operating Grant program. (3)<br />
Represents gifts and grants received in prior years whose purpose or timing conditions were met. (4) Represents discretionary support provided by the U-M Offices<br />
of the President and Provost, as well as other University units. (5) Includes digital artist residencies and digital programming expense for FY21 when there were no inperson<br />
performances. (6) Includes estimated market value of in-kind subsidized lease costs for office space. This amount totals approximately $143,000 in FY20 and<br />
FY21, and $137,548 in FY<strong>22</strong>.<br />
LookingForward 49
21/<strong>22</strong> Calendar<br />
21/<strong>22</strong><br />
Calendar.<br />
September <strong>2021</strong><br />
BLISS (in association with Michigan<br />
Opera Theatre)<br />
October <strong>2021</strong><br />
Jonas Kaufmann<br />
November <strong>2021</strong><br />
Jazz at Lincoln Center Orchestra with<br />
Wynton Marsalis: Big Band Holidays<br />
December <strong>2021</strong><br />
Takács Quartet with Julien Labro<br />
Handel’s Messiah<br />
January 20<strong>22</strong><br />
A.I.M: Requiem: Fire in the Air of the<br />
Earth with Kyle Abraham and Jlin<br />
Imani Winds with Catalyst Quartet<br />
February 20<strong>22</strong><br />
Ballet Folklórico de México de Amalia<br />
Hernández<br />
Ali Chahrour: Layl (Night)<br />
Fiddler on the Roof in Concert<br />
March 20<strong>22</strong><br />
The Philadelphia Orchestra (two<br />
performances)<br />
National Arab Orchestra<br />
Octavia E. Butler’s Parable of the<br />
Sower with Toshi Reagon<br />
Benjamin Grosvenor, piano<br />
Caleb Teicher: SW!NG OUT<br />
Sahra: An Evening of Performance<br />
with Tawil & Khoury and Kabaret<br />
Cheikhats<br />
EDEN with Joyce DiDonato and Il<br />
pomo d’oro<br />
A Moodswing Reunion with Joshua<br />
Redman, Sullivan Fortner, Christian<br />
McBride, and Brian Blade<br />
HOME<br />
Sheku Kanneh-Mason and Isata<br />
Kanneh-Mason<br />
Digital Offerings<br />
A Travel Guide for Talking Hearts with<br />
Yo-Yo Ma, Michigan artists, and U-M<br />
students<br />
JAM3A – A Virtual Music Festival<br />
Cleo Parker Robinson Dance<br />
Ensemble: The Making of “The Four<br />
Journeys”<br />
Acrobuffos: Air Play<br />
Tarek Yamani and Spektral Quartet<br />
Mariachi Vargas de Tecalitlán<br />
Sermon: Davóne Tines and the<br />
Philadelphia Orchestra<br />
Imani Winds with Catalyst Quartet<br />
School Day Performance<br />
Ballet Folklórico de México de Amalia<br />
Hernández School Day Performance<br />
Live Session: Nicholas Phan, tenor<br />
Live Session: Takács Quartet with<br />
Julien Labro<br />
Live Session: Imani Winds with<br />
Catalyst Quartet<br />
Live Session: Jlin<br />
Live Session: Tammy Lakkis<br />
Live Session: Elvis Perkins<br />
50 <strong>2021</strong>/<strong>22</strong> <strong>Annual</strong> <strong>Report</strong>
<strong>UMS</strong> Staff<br />
Matthew VanBesien,<br />
President<br />
Administration & Finance<br />
Carmen Rodriguez,<br />
Vice President, Finance<br />
and Administration<br />
Jessica Adamczyk,<br />
Executive Assistant to<br />
the President<br />
Salina Naranjo,<br />
Senior Accountant<br />
John Peckham,<br />
Information Systems<br />
Manager<br />
Scott Baker,<br />
Business Systems<br />
Analyst<br />
Development<br />
Ryan Davis,<br />
Vice President and Chief<br />
Development Officer<br />
Susan Bozell Craig,<br />
Director of Development<br />
Rachelle Michelon,<br />
<strong>Annual</strong> Giving Manager<br />
Lisa Michiko Murray,<br />
Associate Director<br />
of Development,<br />
Foundation &<br />
Government Relations<br />
Margaret Reid,<br />
Associate Director of<br />
Development, Major Gifts<br />
and Planned Giving<br />
Justine Sedky,<br />
Development<br />
Administrative Assistant<br />
Will Smith,<br />
Assistant Manager, Major<br />
Gifts<br />
Education & Community<br />
Engagement<br />
Cayenne Harris,<br />
Vice President,<br />
Education & Community<br />
Engagement<br />
Alexandria Davis,<br />
Community & Audience<br />
Programs Manager<br />
Terri Park,<br />
Associate Director of<br />
Education & Community<br />
Engagement, K-12<br />
Programs<br />
Maddy Wildman,<br />
University Programs<br />
Manager<br />
Marketing &<br />
Communications<br />
Sara Billmann,<br />
Vice President,<br />
Marketing &<br />
Communications<br />
Jacob Gibson,<br />
Marketing &<br />
Communications<br />
Associate<br />
Samantha Williams,<br />
Marketing & Media<br />
Relations Manager<br />
Eric Woodhams,<br />
Director of Digital Media<br />
Patron Services<br />
Christina Bellows,<br />
Director of Patron<br />
Services (through April<br />
20<strong>22</strong>)<br />
Rochelle Clark,<br />
Ticket Services<br />
Associate<br />
Bridget Kojima,<br />
Group Sales and<br />
Promotions Associate<br />
Nina Renella,<br />
Front of House Assistant<br />
Manager<br />
Anné Renforth,<br />
Ticket Services Assistant<br />
Manager<br />
Production/Programming<br />
Michael Kondziolka,<br />
Vice President,<br />
Programming &<br />
Production<br />
Jeffrey Beyersdorf,<br />
Production Director<br />
(through April 20<strong>22</strong>)<br />
Alex Gay,<br />
Assistant Production<br />
Manager (through July<br />
20<strong>22</strong>)<br />
Anne Grove,<br />
Artist Services Manager<br />
Mark Jacobson,<br />
Senior Programming<br />
Manager<br />
Mary Roeder,<br />
Programming Manager<br />
<strong>UMS</strong> Choral Union<br />
Scott Hanoian,<br />
Music Director and<br />
Conductor<br />
Kathleen Operhall,<br />
Chorus Manager<br />
Student Employees &<br />
Part-Time Assistants<br />
Naeema Ali,<br />
Patron Services Student<br />
Assistant<br />
Bryan Allen,<br />
Patron Services<br />
Assistant<br />
Anya Baldus,<br />
Patron Services Student<br />
Assistant<br />
Jesse Bruer,<br />
Patron Services Student<br />
Assistant<br />
Ashton Gibson,<br />
Patron Services Student<br />
Assistant<br />
Kristin Hanson,<br />
Education & Community<br />
Engagement Student<br />
Assistant<br />
Marisa Honig,<br />
Education & Community<br />
Engagement Student<br />
Assistant<br />
Olivia Johnson,<br />
Patron Services<br />
Assistant<br />
Evan Kiel,<br />
Patron Services Student<br />
Assistant<br />
Cecilia Morales-Barraza,<br />
Patron Services Student<br />
Assistant<br />
Bella Olson,<br />
Patron Services Student<br />
Assistant<br />
Nathan Rodriguez,<br />
Patron Services Student<br />
Assistant<br />
Jacob Rogers,<br />
Patron Services<br />
Assistant<br />
Justine Sedky, Patron<br />
Services Assistant<br />
(through December<br />
<strong>2021</strong>)<br />
Monique Wheeler,<br />
Patron Services Student<br />
Assistant<br />
Keri Zhang,<br />
Patron Services Student<br />
Assistant<br />
<strong>UMS</strong> <strong>2021</strong>/<strong>22</strong><br />
Board of<br />
Directors<br />
Rachel Bendit,<br />
Co-Chair<br />
Lisa D. Cook,<br />
Co-Chair<br />
Brian Willen,<br />
Vice Chair<br />
Rob VanRenterghem,<br />
Treasurer<br />
Christina Kim,<br />
Secretary<br />
Susan E. Alcock<br />
Karen Bantel<br />
Kiana Barfield<br />
Marco Bruzzano<br />
Mary Lincoln Campbell<br />
Karen Chapell<br />
Christopher Conlin<br />
Timothy R. Damschroder<br />
Alec Gallimore<br />
Linda Gregerson<br />
Stephen Henderson<br />
Ibrahim Jarjoura<br />
Barbara Kaye<br />
Timothy G. Lynch<br />
Preeti N. Malani<br />
Chrislan Fuller Manuel<br />
Timothy G. Marshall<br />
Michael C. Martin<br />
Peter Schweitzer<br />
Versell Smith, Jr.<br />
Linh Song<br />
Gail Ferguson Stout<br />
Victor J. Strecher<br />
Alicia Torres<br />
Ex-officio Members:<br />
Geoffrey Chatas,<br />
Executive Vice President<br />
Mary Sue Coleman,<br />
President, U-M<br />
Susan M. Collins,<br />
Provost, U-M<br />
David Gier, Dean,<br />
School of Music, Theatre<br />
& Dance, U-M<br />
and Chief Financial<br />
Officer, U-M<br />
Tim Petersen, past chair<br />
Jeanice Kerr Swift,<br />
Superintendent of Ann<br />
Arbor Public Schools<br />
Representatives to the<br />
Board:<br />
Norman Herbert,<br />
<strong>UMS</strong> Sustaining<br />
Directors<br />
Prudence Rosenthal,<br />
<strong>UMS</strong> Sustaining<br />
Directors<br />
Michael Lee,<br />
<strong>UMS</strong> Ambassadors<br />
<strong>UMS</strong><br />
Ambassadors<br />
Ambassador Executive<br />
Committee<br />
Michael Lee,<br />
Chair<br />
Cathy King,<br />
Vice Chair and<br />
Membership Committee<br />
Co-Chair<br />
Lisa Armstrong,<br />
Treasurer<br />
Beth McNally,<br />
Secretary<br />
Jay Kain,<br />
Membership Committee<br />
Co-Chair<br />
Kirsten Williams,<br />
School Day Performance<br />
Volunteer Chair<br />
Athena Papageorgiou,<br />
Member-At-Large<br />
Elena Snyder,<br />
Immediate Past Chair<br />
Ambassador General<br />
Membership<br />
Arlene Barnes<br />
Astrid Beck<br />
Sue Beel<br />
Todd Beel<br />
Elaine Bennett<br />
Mike Dergis<br />
Janet Galardi Popper<br />
Joan Kadis<br />
Nancy Karp<br />
Kathy Kiehl<br />
Leah Korth<br />
Garrett Lefkowitz<br />
Rita Malone<br />
Daria Massimilla<br />
Sharon Peterson Dort<br />
Pat Rideout<br />
Jill Ross<br />
Ellen Sapper<br />
Andrew Schneider<br />
Pam Tabbaa<br />
Sarajane Winkelman<br />
LookingForward 51
2014 National Medal of Arts Recipient<br />
@<strong>UMS</strong>PRESENTS<br />
<strong>UMS</strong>.ORG——734.764.2538