Artwork Gallery – Magazine Issue 1. Woman faces
Intro from editor: A year after the beginning of the full-scale invasion of Ukraine, I decided to open an art platform that would unite artists worldwide! The magazine’s first issue topic – is female voice! We decided to gather talented female artists from Ukraine and show how diverse and exciting their art is! This issue contains 4 interviews of extraordinary women. The heroines of our interviews and the stories of their work and development will inspire you too! These are extraordinary women, and you will see them for yourself! We also highly recommend that you familiarize yourself with the works of the 20 selected artists and visit their social media pages. The criteria for selection were the powerful concept of their works, unusual style, and original vision. The issue of “Woman Faces” brought together enough confident artists, as well as young ones, but they have a real spark, and we believe that this is only the beginning, and soon they will be written and talked about all over the world! Interviews: ■ Helen Labartkava-Verdi ■ Jul Lisova ■ Anna Miklashevich ■ Tanbelia Represented artists: Nataliya Bagatskaya, Tanya Bilous, Iryna Bogdanova, Nadezhda Danilova, Myroslava Denysyuk, Mariia Dobrova, Jaz_Pict, Tetiana Kramarenko, Ievgeniia Kupchan, Nataliia Kulikovska, Yevheniia Kurdiukova, Nataliia Shynkarenko, Tania Stupnikova, Olga Synooka, Liliia Topoliuk, Iryna Vlasiuk, Olha Vlasova, Elena Vylusk, Maryna Yandolenko, Zinaida
Intro from editor:
A year after the beginning of the full-scale invasion of Ukraine, I decided to open an art platform that would unite artists worldwide!
The magazine’s first issue topic – is female voice! We decided to gather talented female artists from Ukraine and show how diverse and exciting their art is! This issue contains 4 interviews of extraordinary women.
The heroines of our interviews and the stories of their work and development will inspire you too! These are extraordinary women, and you will see them for yourself! We also highly recommend that you familiarize yourself with the works of the 20 selected artists and visit their social media pages. The criteria for selection were the powerful concept of their works, unusual style, and original vision.
The issue of “Woman Faces” brought together enough confident artists, as well as young ones, but they have a real spark, and we believe that this is only the beginning, and soon they will be written and talked about all over the world!
Interviews:
■ Helen Labartkava-Verdi
■ Jul Lisova
■ Anna Miklashevich
■ Tanbelia
Represented artists:
Nataliya Bagatskaya, Tanya Bilous, Iryna Bogdanova, Nadezhda Danilova, Myroslava Denysyuk, Mariia Dobrova, Jaz_Pict, Tetiana Kramarenko, Ievgeniia Kupchan, Nataliia Kulikovska, Yevheniia Kurdiukova, Nataliia Shynkarenko, Tania Stupnikova, Olga Synooka, Liliia Topoliuk, Iryna Vlasiuk, Olha Vlasova, Elena Vylusk, Maryna Yandolenko, Zinaida
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ISSUE 1. WOMAN FACES
ARTWORK GALLERY
Contemporary Art Magazine
Nataliya Bagatskaya
Tanya Bilous
Iryna Bogdanova
Nadezhda Danilova
Myroslava Denysyuk
Mariia Dobrova
Jaz_Pict
Tetiana Kramarenko
Ievgeniia Kupchan
Nataliia Kulikovska
Yevheniia Kurdiukova
Helen Labartkava-Verdi
Jul Lisova
Anna Miklashevich
Nataliia Shynkarenko
Tania Stupnikova
Olga Synooka
Tanbelia
Liliia Topoliuk
Iryna Vlasiuk
Olha Vlasova
Elena Vylusk
Maryna Yandolenko
Zinaida
“
Art is a universal visual language that
unites, inspires, and fills the world with
its own meanings!
We aim to connect artists from all
over the world and also show talented
Ukrainian artists here.
ANNA PONOMARENKO
Founder & Curator
Intro
A year after the beginning of the full-scale invasion of
Ukraine, I decided to open an art platform that would
unite artists worldwide!
I wanted to make an international gallery with a magazine about contemporary
art. And the first project was the international digital exhibition
“Discourse of War”, where artists from different parts of the world told
about war through art.
The magazine’s first issue was published in March, and its topic simply
had to be the female voice! I decided to gather talented female artists
from Ukraine and show how diverse and exciting their art is! This issue
contains 4 interviews of extraordinary women, and one of them, with
her active position, enormous work, and crazy dedication, inspired me to
create this project. I am talking about Anna Miklashevich - you can read
an interview with her here!
The heroines of our interviews and the stories of their work and development
will inspire you too! These are extraordinary women, and you will
see them for yourself! We also highly recommend that you familiarize
yourself with the works of the 20 selected artists and visit their social
media pages. The criteria for selection were the powerful concept of
their works, unusual style, and original vision.
The issue of “Woman Faces” brought together enough confident artists,
as well as young ones, but they have a real spark, and we believe that this
is only the beginning, and soon they will be written and talked about all
over the world!
P.S. I thank my family for supporting me on my creative path and always
believing in my ambitious plans and ideas!
Content
INTERVIEWS
04
20
36
52
Helen Labartkava-Verdi
Stylе Expert, Image Maker and the founder of the UART.Gallery
Tanbelia
Artist and sculptor, who creates art about nature in a wavy line
Anna Miklashevich
Artist, entrepreneur and the founder of the UARTIST 83 art community
Jul Lisova
Ceramist, who increases the beauty of the world and give it to people
REPRESENTED ARTISTS
10
Iryna Bogdanova
42
Ievgeniia Kupchan
12
Liliia Topoliuk
44
Mariia Dobrova
14
Jaz_Pict
46
Yevheniia Kurdiukova
16
Olga Synooka
48
Nataliia Shynkarenko
18
Nataliya Bagatskaya
50
Zinaida
26
Myroslava Denysyuk
58
Elena Vylusk
28
Maryna Yandolenko
60
Tetiana Kramarenko
30
Nataliia Kulikovska
62
Iryna Vlasiuk
32
Nadezhda Danilova
64
Olha Vlasova
34
Tanya Bilous
66
Tania Stupnikova
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03
Interviews
Helen Labartkava-Verdi
Stylе Expert and Image Maker for the past 12 years “before the war”,
and the founder of the UART.Gallery art project for the past year.
Ukrainian. Man of the world
@helenlabartkava_verdi
@UART.Gallery
uart.gallery
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What inspires you and gives you wings?
You know, the search for what people call
“harmony” inspires and gives wings the
most. Every person at different periods of
his life needs something new to realize,
different spheres of life.
And here is this search path - it gives
strength, and when you find what makes
you happy, the wings appear by themselves,
like the support of the universe.
“
This is all art: photography, drawing, and
the man himself - because he is the highest
work of art and the whole world.
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05
You mentioned that you have been nurturing the idea of creating a creative and
cultural platform for more than 4 years. How did thoughts about art on canvases
not only appear among activities in the direction of fashion and style? Were you
a collector, or was it one of your passions?
Yes, the idea for the project was there a long
time ago, but something always got in the
way. What happened next happened. And
when your whole life is reduced from the
open world to the size of a bomb shelter, 17
hours a day, there is no chance to procrastinate.
And I will not say that art is something
new for me. After 8 years of art school, years
of work as a creative director of TV and radio
projects, stylization of fashion campaigns and
shootings for brands, work with private clients
in Ukraine, Italy, and the USA, hundreds of
kilometers covered in museums around the
world.
How did the war give an impetus and make the UART.Gallery project relevant for
the implementation?
As I said before, the war did not leave any
time for reflection. You know, all this horror
that every Ukrainian has experienced, when
your life is destroyed daily, it needs drastic
actions. We sat with my husband in a bomb
shelter in Odessa with all our neighbors,
children, and dogs, and we did not believe
that it really happened. And when “Bucha”
opened a month later... - when hearts froze
from horror and pain, and there were no
more tears because you are the one crying
blood from the photos of the killed civilians, it
became clear that this is the genocide of the
nation, they want to destroy Ukrainians and
everything called Ukrainian. This is how the
UART project was born. I asked my husband:
“Do you think we can? Can we do this project
so that the whole world knows what modern
Ukrainian is and what kind of spirit, strength,
and freedom there is in our artists and their
works?”
He immediately answered - “Yes, let’s do it!”.
And we started to write to artists, communicate,
build relationships, make deals (from
the same bomb shelter), and made the first
joint insert with partners in New York at the
end of March of that year. This is where the
really cool story of our art platform began.
The list of exhibitions and the variety of locations are impressive. What, in your
opinion, was achieved during the year of painstaking work, and what are your
plans for the future? Will the course of action change after victory?
You know, our project comes from all the
stages that our country is going through.
Starting with the fact that most people in the
world had no idea that such a country even
existed... And now, when there is no doubt
that this is a unique country with a strong
spirit, incredible warriors, and together with
very original people, young, modern, active,
and intelligent. It was the same with our
project. When we were first asked: what, are
there Ukrainian artists?
We haven’t heard... it can’t be... is this really
what your young people are doing? We
understand that the general art world has
not delved too deeply into pressing issues
recently. When everything is fine with you,
everything is fixed, then the question of life
and death of other nations does not arise
before you because why not. But Ukrainians
shook this art world with their power
and highlighted these issues very brightly.
Picking up and looking for answers is crucial.
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And as soon as possible, because there is no
time because rockets fly and every day can
be the last. That is why Ukrainian art is now
being talked about more globally, and people
are starting to pay more attention to it. There
is still a long process ahead, which is also clear
to us. Where will it take us, our team, and our
project? We don’t know exactly how it will be.
The war showed us this. But when you believe,
do, and are passionate about your work, you
can move deaf walls and huge mountains.
This is what we do :)
Are you planning collaborations within the framework of your own projects or
as part of something large-scale? Haven’t you thought about starting your own
painting biennial?
We constantly collaborate because we believe
that this is the future. Our DressX alone is
worth what. Virtual state-of-the-art clothing
designed by our Ukrainian artists can be
bought worldwide in one click and put on
your avatar. It is natural how to fly into the
future, which is already here, nearby, and this
is a time when the country is at war, cities are
being destroyed, businesses are closing, and
we are building an art future.
One of the most recent projects is a selection
of works of art for the anniversary of the
tragedy in Bucha and Mariupol. To convey
real emotions from the events in space at
that time through the works of artists. The
project is a selection of artistic creations of
that time, created just before the anniversary
of the tragedies. This is a web page that opens
our “sensitivity content” to the general public
from abroad through art. Unfortunately,
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Unfortunately, this is almost impossible to
do as an offline exhibition. We see from our
own experience direct rejections because the
artistic events of our time take place with a
very, so to speak, “gentle” content, in contrast
to the reflection of those real emotions that
Ukrainians received during the first months
of the war.
In general, our main forces are directed
towards Europe and America, where we
represent and promote our artists and introduce
people to the modern art of Ukraine.
“
May this cursed war end with a speedy
victory! Then it will be possible to do great
things in our country. Because there are
such ideas, don’t doubt it!
What would you advise those who want to launch their project?
Believe, listen only to yourself, and do not lose
yourself from the course with other people’s
advice.
Also, to cooperate with professionals. And
the most important thing is to be human, to
treat people humanely, and to see the good
because then people will respond in kind.
Honesty should be the foundation of any
project. And when there is no such humanity
and honesty... No matter what you build and
how hard you try, it will all fall apart sooner or
later.
Therefore, develop your projects from the
heart. And they will be the most beautiful and
the most beloved.
The artists and the UART team, and I believe
it, and we know it.
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Iryna Bogdanova
The main direction of my work is fabulous and fantastic
stories in a realistic style. I love to invent stories for my
paintings and sometimes it’s hard to figure out what
comes first - the image or the story.
At the same time, all fantastic plots are a reflection of real
life in the seething stream of the river of imagination.
@irina_bogdanova_art
FB irina.bogdanova.9400
www. bogdanovairina.com
Born: Poltava, Ukraine
Brovary, Ukraine
The series I want to talk about is called “Country of Kind Hearts”. I started this fabulous
collection at the beginning of the war - it is dedicated to Ukraine and children. The main
character is a little girl - she is kind, cheerful and brave. The girl has many friends who are
always ready to help her. In turn, the girl also always helps her friends and is ready, if necessary,
to stand up for them.
Almost every picture contains yellow and blue balloons - these are the kind hearts of the
inhabitants of a fairy-tale land, they also help the little girl and accompany her in all her
adventures. I was inspired to create this series by an ardent desire to give myself and the
audience a little happiness and optimism, to inspire faith that everything will be fine, to
heal the wounds of the soul.
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Winged tiger cub
oil on canvas
100x100 cm
Take my heart, oil on canvas 60x80 cm
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Liliia Topoliuk
When I wake up, I often feel I have done something wrong.
But why? Trying to become the most successful and high
demands from society does not create joy. So I am interested
in how to find happiness and complete fulfillment.
I choose abstraction, installation, and collage to explore
this question. I use pure and deep colors. It reminds me
that there is a lightness of being and allows enjoying the
harmony of colors and light. In the installations, I use
well-known objects that I modify and combine.
@lilya.topolya
Kyiv, Ukraine
We are surrounded by many voices: voices of illusory social contacts, virtual friends, blogs,
and news. And in this information flow, the boundaries of one’s self become blurred. It’s
getting harder and harder to understand who you are. Is this persona you create on social
media the real you?
Is it possible to find your voice in all this information noise? You need to “hang up”: remove
yourself from unnecessary social networks, eliminate unnecessary social connections, and
spend more time here and now, in reality, and less in virtuality.
But is it possible in the modern world of globalization, where you exist as long as your
“avatar” exists in social media?
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Hang Up, installation
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JAZ_PICT
When the full-scale invasion began, I started to cover the
events taking place in my country with the help of illustrations.
@jaz_pict
Ukraine
At the present time, I want everyone to be aware of and
appreciate our own. So that we study and know the cultural
achievements and history of Ukraine. They demonstrated
a real, deep, not complacent, not sloppy Ukraine through
creativity to the world.
My series aims to show how talented, strong, and free our women are. How much they
brought to art and brought with their creativity. I fantasized about how my chosen artists
could look like living right now, who they would be, what they loved, what messages they
would convey to the public, and how they could look.
The stylization of the image of each individual artist speaks exactly about the artist’s activity
and creativity. It is expressed in forms, specific elements, composition, and color.
The works were created for the Women and War project by Non-Governmental Organization
“Women Association Sphere“
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Oleksandra Ekster, digital painting
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Olga Synooka
War changed my life. Threats to life, missile attacks, bomb
explosions, and power outages for 12 hours are all realities
for Ukrainians.
@olga.synooka
Poltava, Ukraine
Under such conditions, I continue to be creative! I continue
to draw, participate in exhibitions, and organize masterclasses.
In 2020-2022 series of works “My Poltava” depicts the historical buildings of the native city.
They were built a hundred of years ago. More than 12 architectural monuments were investigated
in the project. I compared the state of buildings at the beginning of the 20th century
and their current state. The goal of series was to draw public attention to the preservation
and restoration of buildings.
Bazhan museum. This is the former estate of the State Duma deputy and honorary justice
of the peace Volodymyr Bolyubash, built in 1912 according to the project of the famous
architect Pavel Alyoshin.
Chapel of the Holy Great Martyr Yuri the Victorious. Architectural monument of local importance.
It was built in 1911-1914. Special ceramics and majolica were made for facing the
chapel.
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Chapel of the Holy Great Martyr Yuri the Victorious. Paper, liner’s, ink.
Bazhan Museum, 2020, Cardboard, white, black liner, ink.
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Nataliya Bagatskaya
No matter how realistic my plots may look, they detach
from the real world, and then within the outlined frames,
the viewer creates their own associations with what they
perceive and their own life. Therefore, what is depicted is
perceived sincerely, possibly with a hint of irony, which is
created by a direct correlation of the image with reality.
My works are merely a reflection of my inner world,
from which the viewers receive constructive models for
themselves.
@n.bagatska
Born: Gorodishche,
Ukraine
Kyiv, Ukraine
The series “Life in Avatar” is a series about my life that was, is, or could be.
Each picture from the series is a story, it’s like an episode from a TV series, and it’s like
watching a movie about one person, about his life!
In this series, I use opposites as components of a universal truth.
By arranging disparate elements so, so that they receive an acceptable place where they
originally did not have one, I cause an oscillation between the emotional and aesthetic
qualities of the two eras, and what goes beyond the norm becomes a source of constructive
experience for the general public.
My works are not something dogmatic, but only a reflection of my inner world, from which
everyone can get constructive models for themselves.
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In the Walley, acrylic on canvas 80х60 см
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Interviews
Tanbelia
Artist and sculptor who creates art about nature in a wavy line.
The goal is to encourage people to protect nature.
Ilpin village, Rivne region, Ukraine
@tanbeliaart
tanbeliaart.wixsite.com/tanbelia
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Tanbelia, please, tell where did your creative path begin?
My creative path began when I was a child. All
my life, I was constantly making something,
drawing, sculpting, because I really liked it. I
graduated from an art school where I realized
- I wanted to do art professionally. I participated
in exhibitions and festivals and felt like
a fish in the water, feeling that this was my
field. It is nice to feel tired from artistic work.
Graduated from art college and academy in
Lviv. Then I spent several years looking for
my style, material, and plot, and gradually, a
picture began to emerge of where I should
move next and which path I should take.
“
Of course, you need to constantly work on
yourself and improve.
This issue comes out after a year of full-scale war. Please tell us how the war
affected your creative path? What were your jobs this year?
The war reminded me that this world is
cruel, and you don’t need to be depressed all
the time because, unfortunately, this is this
world’s reality and everyday life. I took myself
and my creativity into my hands, and with a
heavy heart, I continued to work because who
will get better if I cry and get nervous. What
can I say? We all understand how difficult
it is now. There are no words. The war disciplined
me. I try not to put off until tomorrow
what can be done today because you never
know what might happen. This year, I created
several works depicting the consequences of
shelling. This is a complicated topic for me, so
I often do not create works on this topic.
Energy Explosion, 45x40х18 cm, copper, solar battery, light, pvc, 2022 daylight and nightlight
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How have the priorities and directions of your art changed? Do you stay true to
yourself and continue to create art in the chosen way?
The priorities have remained the same but
have been divided into two directions: sculptures
and watercolors. Also, the central theme
in creativity - nature - became more defined.
Volumetric works and paintings are like two
halves of me. Yes, I continue to create art in
the chosen way. I constantly experiment and
do not stand still.
How did metal plates, grinding machines, and various machines appear next to
the fragile girl?
Working tools were always with me because
I live in a village, and there are a lot of different
machines, saws, and household premises,
I got used to it, and it is an everyday thing for
me. These are probably some stereotypes
about fragile girls. Either metal or watercolor
is a material for me to create works of art. In the
last 2 years, I really got attached to the metal.
It became a material I have been looking for
for a long time to reproduce my voluminous
ideas. I bought the material, asked my dad
about the main nuances, and for the work.
The Solar Eclipse, 46x46х17 cm, copper, solar battery, light, pvc, 2022 daylight
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Why did you decide to create a series with copper? Do you like the material’s
color, or are there any properties that allow you to bring ideas to life?
Yes, in fact, I really like the color of copper.
This material is quite soft and plastic, and it
is pleasant to work with. It is easy for me to
find an approach to it and implement ideas
into life. I associate copper with warmth and
nature.
How do you get your ideas, and where do you get your inspiration now? It happens
that there is an idea, you start implementing it, and it comes out, or is it a transformation
through practice and trials?
Ideas for work appear when, for example, I go
to the store, prepare food, at night when I go
to bed, or after seeing some everyday thing,
associations begin, which I then consider
as pictures in my head. Sometimes I just sit
down and think about the design of sculptures
or themes for paintings and go through
everything that comes to mind and choose
only what I think is good. Inspiration for me is
always nature. Even just walking through the
garden or under the trees already makes me
think about works. Most of my ideas work out
as I want them to, but I think it’s just practice.
I probably threw away and destroyed more
works than I created. Talent is the least important.
The main thing is desire and perseverance.
Sunset over the fence and ipomoea flowers,
47x43х14 cm, copper, solar battery, light, 2022
daylight
“
Be patient, don’t expect everything to come
right away, be hardworking, create for
pleasure, find that niche that brings you a
thrill, lots of practice, and listen to other
people’s opinions but do as you see fit.
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Myroslava Denysyuk
I mastered the craft of shooting references to my works and
oil painting. This is a hobby that has turned into a full-time
job. I successfully combine family and creativity. My works
are in private collections in Ukraine and abroad.
@m.den__gallery
Kyiv, Ukraine
I want to show the world the beauty of faded flowers and
encourage people of all ages and levels of education to be
creative!
This series of paintings is called “Personality Types“, where everyone recognizes themselves
by the description! So meet - Extrovert, Introvert, Ambivert, and Melancholia!
Currently, the central concept of my work is faded flowers on a black background.
Sometimes it shocks. Sometimes, it is not perceived because it breaks out of the conventional
imagination of blooming fields or a fragrant bouquet in a vase.
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Ambivert, oil painting
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Maryna Yandolenko
Do you like summer as much as I do?
I often spend my summers in the mountains, which are
fragrant and full of green herbs, incredible butterflies, and
rich in color flowers. Where there are “Vuzhi”- mountain
snakes, lizards, birds, and animals. My summer is rich
with many incredible encounters, coffee with my painter
friends, books, colors, picturesque landscapes, painting in
nature, and many new pictures. From journey to journey, I
carry the summer home with me.
@yandolenko
Born: Odesa, Ukraine
Cologne, Deutschland
The series “Lancelot of the Lake. Dreams“ was created where Lancelot wandered along the
water and spoke to the guardian of the water...
It is evening. He sees Camelot - The great castle of the king and his friend, Arthur and he ponders
when it is the right time to set out in search of the holy grail. One can hear Avalon’s voice and song
in the mist. And the white island appears when you call its name. And you drive in white boats...
And Morgan le Fay collects apples. Heat. Silence. Ripe yellow apples lie on the ground.
You walk Merlin’s path, along the forest, to collect herbs and grasses. Stonehenge - huge
stones imbued with the magic of Merlin, were brought from Ireland.
Incredible Memories! I paint past summers on linen with lot of colours.
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Dream 8. Stray lights. Oil on canvas 60x80 cm, 2019
Dream 13. Night Camelot. Oil on canvas 60x65 cm, 2019
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Nataliia Kulikovska
In its various manifestations, nature is always the source
of my artistic pursuits. I have been exploring various
styles and techniques for many years, and nature in all
its manifestations is always at the center of my attention.
As I mature and change personally, my artistic perception
of nature and reality also transforms and finds new
manifestations of reflection. My artistic goal is to manifest
this essence through my vision and embodiments of art,
to evoke deep feelings and emotions in the process of
creation and contemplation by the viewer.
@kulikovskanat
Odesa, Ukraine
The series “Odesa shores”. In Ukrainian, the name is “O’береги” which is an interesting play
of words that means both “shores” and “amulets”. I was inspired to create this series by the
bright nature of the Odesa coast. Frequent walks along the slopes by the sea give many
subjects for embodiment in painting.
With the beginning of a full-scale invasion, access to these places became impossible, so my
memories and their transformation took on a special quintessence against the background
of the awareness of the fragility of each day, which could turn out to be the last. There has
been a transformation in my perception of reality and myself in this reality. Each artwork
explores myself in this transformation through a new perception of seemingly familiar
natural landscapes. The acute desire to feel again all the variety of shades smells and sounds
was embodied in each canvas.
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Summer, Acrylic on canvas 80x60 cm
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Nadezhda Danilova
I love flowers. Especially poppies. I devote most of my artistic
life to painting flowers. When drawing a picture, I never
think over the details in advance, only the general concept.
But the detailing and maximum fullness are already in the
process. In the idea of decorative painting of flowers lies
change and repetition as a universal law of nature.
Born: Horlivka, Ukraine
Kharkiv, Ukraine
A series of paintings are united by the common name “Lace of summer”, in which flowers
are the key points. One way or another, they are all part of summer: hot, sultry, colorful, just
like any flower. All components of the paintings are some part of a flower or plant stem, its
leaf. They always display or are part of my national color.
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Summer in the village, acrylic on canvas 25x35 cm
Poppy field
acrylic on canvas
40x40 cm
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Tanya Bilous
Painting is somewhat inner search for answers on a certain
topic. I see art as a tool to elaborate emotions and heal
human matters. My paintings are abstracts, floral and
landscapes depicting my inner flow. My paintings are influenced
by the surroundings, my inner emotions and states
as well as my travels.
@tanya_bilous_gallery
FB tatibiart
Born: Ivano-Frankivsk,
Ukraine
Varnamo, Sweden
I believe that art is an outer expression of artist innermost
experience. My main concept is to transmit my experience
in the most understanding and accepting way.
Everything that we have ever seen, experienced, heard or felt stays with us forever. We
might not remember it, but our subconscious does. Sometimes our memories take us to
beautiful and happy moments, sometimes - to the most painful and horrible ones.
The series paintings “Landscapes?” started in Sweden, during my art residency in Varnamo.
I observed the calmness of the lakes here, the eternity of the green forests, long bright
sunsets, the serenity of the river while having my long walks. However, all I could see was
Ukraine. No matter where I went, no matter how long I was walking, everything reminded
me of my home landscapes. Those dear landscapes which became flooded by blood and
tears. Those landscapes which no longer smell of sunflowers and wheat, but gunpowder,
smoke and corps. Those landscapes which are no longer blue and yellow, but turned into
black and red.
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Blast, oil painting
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Interviews
Anna Miklashevich
Ukrainian artist, art entrepreneur,
founder of the UARTIST 83 community, vegan, and marathoner.
Born: Dnipro, Ukraine
Now: Ljubljana, Slovenia
@annamiklashevich
anna.miklashevich.com
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Anna, tell us about your art. What are your works about?
My work as an artist is an adventure in self-discovery.
Painting has become one of the ways
of talking to oneself, studying oneself, and
synchronizing with the world.
In recent years, the key topic I have focused
on in everything I do, including paintings, is
the life and role of women in modern society.
If I do not experience inequality, it does not
mean there is no inequality. But do I really not
feel her? Therefore, the discrimination, stereotypes,
and even self-deprecation of women
themselves fall into my list of reflections and
observations.
Over the past year, migration and adaptation
in a new territory have come into my field of
vision since the beginning of the great war.
What does a person who has been forced or
even voluntarily moved to a country where he
will never be his own feelings? How to remain
your own, at least for yourself? This pile of
questions is still waiting for me next to the
canvas.
“
Be an artist. Despite everything.
Be an artist as steadfastly, like you could
change the world.
At what exact moment did your hobby grow into something more, and you realize
that this art can be a job? When did day X come, and did you feel like an artist?
I have felt like an artist for as long as I can
remember, that is, a person who constantly
creates something, writes, invents, and
draws. I never had a “normal” job. Even when
I worked in companies, my work was about
“inventing and creating” or organizing those
who “invent and create”. My creative career
began 20 years ago. Since then, creativity has
fed me, so I simply do not have the right to
treat it as something not serious and humiliate
it with non-recognition.
Anna, how did you combine the path of an artist, a painting teacher, and, later,
become an art mentor for others?
This is a natural state for me. However,
occasionally I try to observe asceticism and
do only one thing. This way, I check whether
other projects are exciting and necessary.
And every time, I return to my usual style of
work. The only difference is that my team
has grown over time, and I have learned to
delegate certain tasks, but the work is still
quite specific, and I have to delve into the
details occasionally. But I never burn out from
activities, which indicates that I am doing my
own thing. Sometimes I’m in chaos, or I don’t
have time to recover. But I know how to deal
with it. For the first time in years, I burned
out after a year of a great war, but it was from
grief and tears, for which it was impossible to
prepare.
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You are very active, and your activities go beyond the studio. In your life, there are
marathons, gardening... Please tell me what inspires you and restores your inner
strength.
If you compare a person’s energy level with
an electric car, then I have a good understanding
of the characteristics of my battery.
I know its capacity, how to increase its power,
and how to give energy to almost 0 reserves.
I can’t create in economy mode. That’s why I
have very well-developed recovery skills and a
sense of when to recharge. The war affected
this because we had never seen so much grief
and tears, which greatly affected my energy.
In addition, I had tasks that I had yet to invest
so much energy into. Therefore, for 2022, we
had to rethink the recovery methods. Veganism
is the primary energy source, but it’s a
nice bonus from this lifestyle because I didn’t
choose it for myself. Of the constant mandatory
practices: regular physical activity, being
alone with oneself, introspection, and fixing
what supports inner harmony and what
poisons it (and, of course, the use of specific
measures to fix it). From periodic - asceticism
in food (such as, for example, fasting). If
we talk about a hobby, it is city gardening - a
garden in the city that I go to by bicycle.
You are moved to Slovenia, where you live last 7 years... How did this move affect
your art career?
Everything has changed, and in fact, it is
necessary to sit down and remember because
there was so much work on updating the
project and myself that the year passed like
several. It is essential to understand that
another country requires years for adaptation.
It’s like transplanting an adult tree. It is
shocking if you look at the divorce statistics
of people who moved with their families.
Psychologists attribute this to the fact that
not everyone can withstand such stress. In
addition, a person changes by himself because
at least one more language is added, then
the financial burden increases many times.
What can we say about the art project?
“
Someday I will probably write a book
about it, but to answer briefly, the themes
of discrimination, challenges faced by
migrants, and the power of a woman’s
voice as an equal individual have been
added to my art.
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The full-scale war also affected the lives of many Ukrainians living abroad. How
has the full-scale invasion of 2022 affected your work and your activities?
All projects received shocks. And this “earthquake”
continues, so it’s too early to draw
conclusions. The President gave a good
analogy when he said that he is now in the
middle of a fast-moving road, and his task
is to avoid cars - as soon as one passes, the
threat of another arises. All Ukrainians
probably live in this state. But even against the
background of destroyed plans and projects,
from the force of upheavals and experiences,
if superpowers are applied, something really
powerful can be created, such as the UARTIST
83 community.
What is your community about?
I created Uartist 83 as an art community on Telegram in the first weeks of 2022 when the war
began.
Then there was the first international exhibition,
which collected the works of 27 female
artists. The project had several goals, but one
of them was to provide an opportunity for
Ukrainian artists (perhaps for the first time)
to exhibit abroad... Then I created a YouTube
channel and later Instagram.
UARTIST 83 is an art community of artists,
photographers, sculptors, art entrepreneurs,
and everyone interested in creativity, art,
career, business, and social projects in the art
sphere.
The goal of the community is to support and
unite Ukrainian artists at home and abroad.
We defend Ukraine together!
Still in Ukraine?, group exhibition by APIS
Institute with ZRC SAZU (Ljubljana, Slovenia)
“
Look for mentors, learn to be grateful,
and work on thinking so that you first think
about what you can be helpful or interesting,
and only then what a person can give you
because playing one goal never leads to
creating something significant.
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Ievgeniia Kupchan
Conceptual artist.Ievgeniia was born in 1992 in Luhansk,
Ukraine. She has been working in the “literary reportage”
genre since 2021.
@so_kisloten
Born: Luhansk, Ukraine
Kyiv, Ukraine
The artist creates subjective multimedia projects, which
she considers a post-performance of free expression of
personality and physicality. The goal of the project is aimed
at research and formation of body perception culture.
“The way they are now” - these are literary reportages about the relationship
of Ukrainians with their bodies during the full-scale invasion. The materials
consist of digital photos and text interviews. The post-performance is dedicated
to re-awareness of the body value during the constant threat of death threat.
In this project, the artist shifts the focus of reflection from the fact that LIFE IS ART, to THE
WAY IT IS ART during the war. How Ukrainians overcome all obstacles for which no one has
ever prepared them. What are they like at the time of war. Work on the project will continue
until victory.
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The way they are now project
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Mariia Dobrova
Before the war, she worked in the style of abstract expressionism,
the impasto technique. The canvases were radiant,
inspired, deep, voluminous “alive”.
@art_dobrova
Dnipro, Ukraine
Now I want to talk about life, strength, the thirst for fulfillment
and freedom, about the woman of our time. A woman
is unpredictable, a free element, strong, and at the same
time, gentle. She is water, a boundless, deep ocean...
The “Unbreakable. Free. Ocean” project is dedicated to a woman who chooses
to be herself, not afraid to reveal her talents and feelings. She is a CREATOR.
A woman is the embodiment of love, strength, and freedom.
She chooses how to shine, how her energy will show love or protect her borders. To be
realized in children or society, so that she does not do everything from love, not sacrificial,
but active, transforming love that comes from the very depths and boundless soul.
The courage to be yourself is her privilege, her gift, given to her from birth. She
knows no bounds, like the paint that spills from the canvas onto the body or clothes.
To touch her depths.. maybe ... by looking into her monkey eyes.
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Unbreakable. Free. Ocean project
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Yevheniia Kurdiukova
As an artist, I research the relationship between the
body and emotions, physicality, and self-acceptance.
@yevheniia.kurdiukova
Kyiv, Ukraine
Women are a key element of my creativity. In my works,
they appear as representatives of all genders, as my work
is aimed at revealing the topic of the representation of
women in art, as well as drawing attention to the issue of
the connotation of art made by women.
The “Invisible” series (2022) is an appeal to one’s inner self. This is what we
have and what will remain with us forever. This is also about the real us.
In everyday life, we rarely think about what we have lost or could get back during our
lifetime. Lost opportunities, lost feelings, lost things, lost people, homes, goals, and plans.
This issue is felt very acutely right now after the start of a full-scale war in Ukraine. When
I was in forced emigration, I felt what it was like to not have relatives near me, not to have
important things, wear someone else’s clothes, sleep in someone else’s bed, and not have
a plan for tomorrow. It changed the awareness of the importance of many things. After all,
the most important things in life are not things. Wherever we are, the main thing we have
is ourselves. It’s us!
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Whether the outer is a reflection of
the inner - is a question that will be
answered by anything but straightforwardness.
Hidden
oil painting
50x60 cm
Invisible connections, oil painting 120х90 cm
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Nataliia Shynkarenko
Chessboards provide an opportunity to explore the coexistence
of squares and other forms, the contrasts of black
and white in life. And also, this is an incredible texture of
wood on which oil paint is applied. In addition, each old
chessboard is a unique “canvas”, with its own history and
energy, to which I give a second life; it is a three-dimensional
structure with a ready-made design because such
wooden chessboards always have a frame around the
perimeter. They are easy to fold and transport.
@shinkarenkoshablii
Lviv, Ukraine
The image of a Ukrainian woman in the world is often associated with a bright outfit and a
wreath of colored flowers with bright ribbons. This image was deliberately created by Russian
propaganda for years. In fact, Ukrainian women’s headdresses are very diverse and stylish!
Each of them was a kind of business card not only of the woman’s status but also of the region
where she lived. That is why I wanted to depict Ukrainian women - married and unmarried, in
a turban, a headscarf, a ceremonial wreath… I could list the names for a long time, since each
region of Ukraine had some peculiarity regarding women’s jewelry. And since I work with
wooden chessboards, the stylization of these hats is geometric, like cells on a chessboard.
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Kapeliushynnia, oil on wooden chessboard 58x29 cm
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ZINAIDA
The artist is well known for her multifaceted philosophical
works - videos, installations, performances, picturesque
paintings, and ornaments, in which she thoroughly
explores the topic of true folk life and creativity in the
realities of the 21st century.
@art_zinaida
FB zinaida.art
www. zinaida.art
Kyiv, Ukraine
Her work is focused on the peculiarities of femininity and
traditional culture, the diversity of authenticity and modernity,
the transformation of the ancient into the modern,
and the integration of sacred and mystical themes.
Without Women a work by ZINAIDA on purity in the nature of energy transformation.
Everywhere one looks, you can see practical traditions in action with sheep-breeding
mentality among the masses coming through the depth of the modern world attributes.
They are almost unaffected by time – they sustained the waves of scientific and technological
achievements and exist going their own way and invisible to most of us for many
centuries.
Somewhere in the mountain meadow, for almost five months — from early May to late
September — men are left alone in the nature. Together with their cattle they live in the
mountains. Much like monks, the men live in the bosom of nature alone without women.
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According to the overall artistic theme, the work named Without Women consists of two
exhibition sections: a space with a video and an installation The Milk of Life.
Invisible threads connect everything, connect the production of cheese with the
episode of the world creation. There is no differentiation between high and low planes
of existence, ordinary and metaphysical — a matrix of dramatic world formation is visible
through each routine household activity.
Without Women project, photo
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Interviews
Jul Lisova
Taming the clay. By increasing the beauty of the world, I give it to people.
I stylize the surrounding reality and bring my personal meanings
and feelings of individual nuances into it.
Born: Kyiv, Ukraine
Now: Devon, UK
@lisovaceramica
Etsy: Lisovaceramics
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Julia, what exactly led you to a creative career? Have you had a passion for
something creative since childhood?
I am still determining where it came from,
but I always knew I would do something
creative, come up with something, and create
something. This is probably the only thing
I have never had a doubt about in my life).
Dad always supported and took an interest
in my creative activities, encouraged my new
hobbies and initiatives. And my mother was
also never against my choice of university or
future profession.
My first interaction with clay was when I
studied at the university, in the faculty of
environmental design. We had a subject called
“plastic anatomy” - this is a science about the
forms and structure of the human body, the
sculpture of its plasticity. I remember doing
very well and regretted that we only had this
discipline for a year. But I never even thought
about pottery/sculpture/ceramics.
When did ceramics appear in your life and did you realize it was Destiny?
In 2010 I visited the museum of Trypil culture
in the Kyiv region. When I went to the 3rd
hall... something clicked in me. That was
the first time I saw the ancient ceramics of
the Tryplian culture from the excavations...
The thought crossed my mind that all these
dates back more than 5 thousand years ago
- someone created this giant jug from clay
and painted it with sacred signs. Someone
invested energy and symbolism to these, and
after so many thousands of years, I stand and
look at it already in the 21st century, feeling
the same energy, and despite the fragility
of the clay jar - it continues its life here and
now. It’s incredible. All this impressed me so
much!Then there was something magical, it
was a private museum, and the man who gave
us a tour took out from under the glass with
whole jars 3 pieces-fragments of the same
jars, on which even the drawing was visible. I
don’t remember what he said, but it was like
a prophecy or a sign, something like “take it
for inspiration.” When I remember this story,
I feel ants and something so warm inside. I
keep those pieces in the workshop. They are
there as amulets of ancestors.
How long did you “sculpt on the table” and give your work to friends before you
started doing business and opening your own store? At first, were there local sales
or did you immediately decide to go international and open a store on Etsy?
In 2013, the understanding came to try to
sculpt something. But it was difficult because
my daughter was only 1 year old, and there
was zero information about the creation of
ceramics on the Internet then. My acquaintance
suggested a small workshop and got
basic skills. In the first year, all skills were
developed through experience - most of
what I created ended up in the trash. I started
posting my first successful works on the
social network. People then caught on very
quickly and constantly asked if I could repeat
or create something for them as well? I was
embarrassed, and for a long time, I did not
stand how to correctly estimate the value of
products, so it was easier to give gifts. I still do
it all the time)) In 2014 opened an Instagram
page and got the first large order for a private
clinic. Then there were local sales without any
ads, “word of mouth” worked best. Etsy start
selling something in 2016 and orders began
to be sent further than to countries near the
borders.
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You are a very bright, pleasant person with incredible energy!
What was the way to accept yourself and confidently follow your own course?
Thank you very much!
It was different, especially in adolescence -
comparing oneself with others, and dissatisfaction
and, on the contrary, a feeling of
superpower in oneself and some peculiarity.
Around 20, I started reading Castaneda, Osho,
and Zelanda. In particular, Osho’s philosophy
and teachings changed me from the inside,
and my attitude toward myself, my body, and
life changed. Suddenly everything became
easier than it seemed to me before.
A few years later, I got into a motorcycle
accident. It was my personal war, the struggle
for life, the loss of a dear person, the loss of that
life, and all the skills, habits, actions, and interests
I used to have in my life before that. Losing
a large part of my body and many physical
injuries that I will live with for the rest of my life...
Then, at 23, my life was divided into Before
and After. Everything has changed; My body,
environment, preferences, interests, and life
have become more conscious. It was easy to
go cuckoo and fall into depression, apathy,
and destructive states. But I had the opposite
- a great renewal, as if I had just been born,
filled with energy, strength, unshakable faith,
and positive thinking. It was as if I discovered
an inner source of support in myself and
simply rejoiced in life NOW without looking
back. But most importantly, I experienced
many emotional and spiritual changes then.
It was a personal quantum leap of my soul.
The invaluable experience of transformation.
I am infinitely grateful for it!
“
This experience brought me to where I
am NOW, to the perception of myself and
my unique experience, exclusively with a
feeling of gratitude in my heart, as a part of
life in this incarnation.
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As a mother I am very inspired by women who pursue creative careers and do
not look for reasons why it does not work out. How do you manage to maintain a
balance between motherhood and work?
I didn’t find the same balance between
motherhood and work. Because when I’m in
my workshop, it’s as if time doesn’t exist, I can
forget everything in the world. But I remember
waiting 2.5 years for my daughter to go
to kindergarten to start working full-time. So
the kindergarten + my husband’s support
and help in raising our child allowed me to
start the business that inspires me the most.
When parents are always freelance, like us, for
example, working at home, the child grows
up happier because he is with his parents
24/7 with sufficient attention and without
total control. I feel joy and happiness when I
think about how good it is that my daughter
has a happy childhood.
Where did you meet at the beginning of the war? And at what point did you
decide to settle abroad?
We were at home, in our house in the forest
near Kyiv. I had no idea at all what politicians
and American intelligence were saying. What
is the real threat? I hardly ever read the news.
Then in February, I was waiting for spring. For
me, it is always a symbol of the new. I started
a big, exciting cooperation project with a
well-known Ukrainian brand. I bought 120 kg
of clay (probably a treasure now), new glazes,
and other materials just for this project.
In March 2022, there were enemy tanks in our
forest, there were fierce battles, some neighbors
had a hospital for the wounded at home,
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others had a temporary base of the armed
forces at home through the fence... Our home
is located 10 km from Irpen, a town near the
same bridge that was blown up to prevent
the Rashists from entering Kyiv. We left the
house with all the things after 4 days when
the windows were already shaking from the
explosions, and you didn’t understand what
was happening and what to expect.
For me, it was the most significant stress in
my life. I really didn’t want to die a second
time. Between the explosions, we left for
western Ukraine with our parents, 2 cats, and
a dog. We spent about 2 weeks there. Reflecting
and looking at the situation, we decided
to go further. Britain became the 10th country
on our not-easy, but at the same time, as if
perfectly prepared space path.
You are in the UK now. Was it difficult to get together and start building a business
from “scratch”? It’s not easy for ceramists... How did you cope with it?
When I realized we would leave, I went
into the workspace and began to tape the
windows, then put the finished products
from the shelves into boxes. I looked around
and did not understand what to take? There
was only one question in my head - is there
anything more important than life itself in this
world? They all seemed unimportant... That’s
why I took almost nothing with me. When
we ended up in the UK, after a few weeks, I
started to get interested in local shops with
materials for ceramicists. There was an exciting
story: my new friend Alice came across a
site while looking for shops for ceramicists,
it turned out that they also have a physical
store with a vast selection of everything, and
it is the closest to us. She opened the site and
on the main page, the first thing she saw...
my photo at work! Imagine her surprise, but I
was even more surprised. Then I remembered
this photo is from the stocks... But what is the
probability of choosing exactly my photo for
site + coming to live in the UK, in the county
where they are located))) After I bought all the
basic materials, I returned to my work for the
first time. And agreed on several firings with
two craftsmen. This is how the first products
made in the UK appeared. To continue making
ceramics, we moved to another region. There
we met a girl we knew, a ceramicist from
Ukraine, and one family shared their hangar
space with a stove with us. So it made it possible
to become a “star seller” on Etsy again and
not stop doing what you love)
“
Then, the cashier manager recognized me
and said: “you must be HERE”
What advice would you give to young artists?
Believe in yourself and your natural creativity,
and trust the space. The most effective support
is always within you, so don’t give up when it’s
hard. And if comparisons arise in your head,
compare yourself only with yourself yesterday.
No matter how unusual the path you choose
- the main thing is that it is sewn from the
heart, then space will help you on this path.
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Elena Vylusk
Still life is an unusual image of ordinary objects in a different
environment, an image of one’s vision of ordinary life.
Animals are insecurity and, at the same time, their a prominent
role in our life.
@lenavylusk
Born: Donetsk, Ukraine
Kharkiv, Ukraine
My painting is more of an illustration, my vision of the
situation, and my fantasy.
Most of all I am attracted by the objects that surround us in everyday life, I did not ignore
my attention and animals, without which our life wouldn’t be so exciting, I like to put my
characters in an unusual environment for them so that the viewer can see their story in my
work.
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Play for me, oil canvas 40x60 cm, 2022
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Tetiana Kramarenko
All my art is born from lines of random scrawl. Doodles are
a symbol of everyday chaos. And everyone in this chaos
(as well as in the scrawl) sees his own. Someone sees only
chaos in chaos, someone sees problems, and someone
finds solutions.
@born.of.scrawl
kramarenko.kiev.ua
Born: Kryvyi Rih, Ukraine
Kolonshchyna, Ukraine
Everything depends not on chaos, but on us. From what
we are looking for and what we are ready to find. After all,
there are always many opportunities hidden in the chaos.
And our task is to use them.
My art project is about how to find possibilities in chaos in any condition. The war in Ukraine
brought a lot of chaos into the lives of Ukrainians. Every second the situation around us
changes. Therefore, Ukrainians should act faster and faster. They must find an opportunity
to continue to live, to continue to work, to continue to raise and teach children, and to
continue to bring victory closer in difficult and unpredictable conditions. And at the same
time, it is important not to lose yourself.
Scrawlgraphy is a great brain exerciser. And while conducting workshops during the war, I
noticed that scrawlgraphy works not only as art therapy but also helps to quickly and easily
find the best solutions in the most difficult conditions.
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Born of scrawl, scrawlgrapher
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Iryna Vlasiuk
I am interested in issues of aesthetics and perception in
the frame.
@vls_aesthetics
Kyiv, Ukraine
My work focus is the interaction between a person and the
external environment, contact between people, feeling
oneself in space, and the connection between the spiritual
and the physical.
DIVING, 2022-2023
The horrors of the war taking place in Ukraine, loss of stability, sense of security,
and uncertain prospects for the future. Sometimes it remains only to delve
deep into one’s subconscious to find inner support despite external uncertainty.
Feel the bottom to push off, rise to the top and swim further.
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Diving, digital photo
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Olha Vlasova
Acrylic and watercolor painter based in Ukraine. My works
are about love, passion, inner feelings, and nostalgia. Studying
at the Academy of Decorative Applied Arts influenced
my vision of beauty.
@vlasova_olha_artist
Lviv, Ukraine
I try to make paintings look textile, woven, and a little bit
tangled. I’m keen on ornaments, making them alive and
pulsating. Bright saturated shades took me prisoner, and
I’m really happy every moment when I see this unbelievable
glow of pure color.
The series “Past in nowadays” paintings were painted after the war started. I reconsidered
my entire previous life and felt nostalgic for my childhood in the village. It has been under
occupation since 2014, and the grandparents died long ago. With great warmth, I remember
how I looked at the strange ornaments on the carpet on the wall before I went to sleep
and imagined amazing stories from those spots. A grandmother wore a bright kerchief
only when she went to the fair once a week. And a scary fable that in a poppy field, you can
fall asleep for ages. I’m already an adult, but these memories are with me forever. They are
also woven into paintings about present experiences. The flowers of the Ukrainian garden,
strange ornaments, and colorful shades are now part of my self-identification and boundless
love for everything native.
64 | Artwork Magazine | www.artworkgallery.net
Poppy field, acrilic on board 40x50 cm
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65
Tania Stupnikova
One world has never been enough for me.
As a child, I looked for another reality in books. I loved
traveling to other planets and meeting different creatures.
I loved imagining that it is quite possible to get into
some other one from our ordinary world. And I looked
for hints in the surrounding reality that here they are
– these beautiful creatures, and here they are – wonderful
opportunities to get to another place. I saw these
doors, sometimes just like pockets in the folds of reality.
So my creative task is to show other people my worlds, at
least through the windows created by my paintings.
@stupnikova.art
FB Stupnikova.art
www. stupnikova.art
Born: Kyiv, Ukraine
Košice, Slovakia
“Through the Looking Glass: Exploring Other Worlds with Fantastic Realism”
In this series of works, I invite the viewer to see the fantastic in the everyday, using the
technique of fantastic realism to transport the audience to other worlds. I draw inspiration
from classic works of science fiction and fantasy and seek to create a sense of wonder and
possibility through my art.
In each piece, I present a window to another world, glimpsed through the lens of the
mundane. A city street becomes a portal to an alien metropolis, a forest clearing reveals
a hidden fairy kingdom, and a humble office transforms into a realm of extraterrestrial
intrigue. By blending the familiar with the fantastical, I seek to create works inviting viewers
to question what they know about reality and explore new possibilities.
66 | Artwork Magazine | www.artworkgallery.net
Impersonator
Acrylic on canvas
55x55 cm
Waystation, acrylic on canvas 70x100 cm
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ARTWORK GALLERY
Contemporary Art Magazine
artworkgallery.net | @artworkgallery_net | FB artworkgallery.net
All right reserved | Copyright 2023 | Front cover artist Olha Vlasova
ISSUE 1. WOMAN FACES
ARTWORK GALLERY
Contemporary Art Magazine
REPRESENTED ARTISTS
Nataliya Bagatskaya
Tanya Bilous
Iryna Bogdanova
Nadezhda Danilova
Myroslava Denysyuk
Mariia Dobrova
Jaz_Pict
Tetiana Kramarenko
Ievgeniia Kupchan
Nataliia Kulikovska
Yevheniia Kurdiukova
Helen Labartkava-Verdi
Jul Lisova
Anna Miklashevich
Nataliia Shynkarenko
Tania Stupnikova
Olga Synooka
Tanbelia
Liliia Topoliuk
Iryna Vlasiuk
Olha Vlasova
Elena Vylusk
Maryna Yandolenko
Zinaida
All right reserved | Copyright 2023 | Front cover artist Olha Vlasova