2023 Spring Exhibition Catalogue
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Abbie Severn<br />
Moving to study in Birmingham in 2015 from coastal Wales, Abbie took an interest in the<br />
contrasting post-industrial environment of Digbeth.<br />
The piece exhibited is taken from 3-year documentary project 'The Digbeth Collection’<br />
recording the location rich in underground creative culture, and it's beginning of<br />
gentrification. A body of work created through mark making and on-site drawing,<br />
collecting a sensory record of the space. These then being refined into further detailed<br />
drawings and paintings, such as this one.<br />
Bordesley Street, Digbeth, 2019<br />
Edition of 24<br />
Screen print<br />
Dimensions Unframed: 81cm x 61cm<br />
Dimensions Framed: 87cm x 67cm<br />
£385.00<br />
Positive image created with ink and etching on mark resist, then hand screen printed.<br />
Bordesley St, Digbeth, Birmingham, houses many post-industrial spaces synonymous<br />
for its street art, underground music scene and creatively repurposed warehouses. This<br />
is set for change with the new BBC studio and HS2 developments.<br />
Website: www.abbiesevern.com Instagram: @abbie7illustration<br />
Akinwumi Oluwaseyi<br />
Oluwaseyi Akinwumi was born in Lagos Nigeria. Since her childhood, she found great<br />
fulfilment in her creative passion. In 2012, she graduated from Warwick university,<br />
Coventry, where she studied supply chain and logistics.<br />
On getting back to Nigeria after studies in the UK, she decided to pursue her<br />
considerable talent, amongst the art community in Lagos. which afforded her the<br />
opportunity to rub elbows with artists, sculptures, and cross disciplinary works of art. It<br />
was an environment in which Seyi thrived. She continued to hone her skills, learning via<br />
intuition and experimentation.<br />
In late 2020, she decided to take a chance on herself by transitioning into; full -time<br />
studio art practice.<br />
Oluwaseyi Akinwumi’s work reference is deeply rooted in exploring memories within<br />
herself, immediate environment, and observation from her native Nigeria. She adopts<br />
fluid ink, watercolour, collage texture, vibrant colours of acrylic, charcoal, and crayons;<br />
as well as other environmentally friendly materials; weaving them together to showcase<br />
snippets of her most intimate moments to the audience. Her titles likewise describe the
interactions within the paintings themselves; at the same time alludes to external<br />
associations.<br />
Helm of Affairs, <strong>2023</strong><br />
Mixed medium on cotton<br />
Dimensions Unframed: 31cm x 22cm<br />
Dimensions Framed: 39.5cm x 32cm<br />
£600.00<br />
I captured a moment of anguish and frustration in my home country- Nigeria and its<br />
current state. Despite its vast natural resources and manpower, the country is going<br />
through constant upheavals such as shortage in cash flow, fuel scarcity, violence, and<br />
corruption from its political class. My medium of choice is a mixed medium (acrylic, spray<br />
paint, collage, ink, crayons, and watercolour).<br />
I used familiar or relatable symbols, like cash and fuel can, colours of the national flag,<br />
collage images of political leaders to buttress the idea behind my work, in this context a<br />
failed government, reforms and social power.<br />
Alexandra Ghimishi<br />
Alexandra completed her BA degree at the National University of Arts, Bucharest,<br />
Romania in 2008. Alexandra brings her imagination to life through semi-abstract floral<br />
and landscape paintings in acrylic. Sharing her world, she is evoking emotion in each<br />
stroke. The use of colour often becomes a very emotional response to the subject. She<br />
uses vivid colours to excite the imagination, allowing viewers to explore their own<br />
experiences, shifting from dark to light as a metaphor for optimism and hope.<br />
We Are All Beautiful, 2022<br />
Edition of 1<br />
Acrylic on Canvas<br />
Dimensions Unframed: 60cm x 70cm<br />
£600.00<br />
"We Are All Beautiful" is a celebration of the diversity and vibrancy of life. The painting<br />
metaphorically embodies the beauty found within people and encourages viewers to<br />
embrace their unique qualities with confidence and pride.<br />
Website: alexart.uk Instagram: @alexandra.ghimisi.art
Angela Dierks<br />
Angela is a German artist based in London. Having studied literature first followed by a<br />
degree in psychotherapy she had been exploring different forms of expression - beyond<br />
language - for several years. The world of therapy opened an exploration of the<br />
unconscious processes that painting helped her to access. Her work is process driven<br />
leaving room for chance and error. Rather than specific imagery, the work develops<br />
through movement and gesture on the canvas.<br />
Everything is Possible, <strong>2023</strong><br />
Pigments, acrylic, pencil<br />
Dimensions Unframed: 100cm x 100cm<br />
£1400.00<br />
This vibrant, large abstract painting grew out of a slow process; it was built over many<br />
layers of paint creating a beautiful deep texture. The starting point for this piece has<br />
been the colour scheme of strong reds and subtle blue. Painted at the beginning of the<br />
year the painting attempts to capture a mood of hopefulness and possibilities.<br />
I enjoyed bold brush strokes, palette knife work and more detailed mark making in this<br />
piece. I mixed my own paint with many different hues of whites, red, pink, and blue.<br />
Website: https://angeladierkspaintings.com/ Instagram: @angeladierkspaintings<br />
Annie Trevorah<br />
Annie Trevorah completed her MA (sculpture) at the RCA. Taking a panoptic and<br />
cinematic approach, she uses a wide range of materials and colours. Trevorah's multidisciplinary<br />
practice communicates the socio-dynamic interplay between humans and<br />
nature with an emphasis on connectivity, entanglement, and mutation. This year saw<br />
her first London solo show ('Symbiosis') and she has exhibited internationally winning<br />
the Chianciano Biennale Prize for Photography/Digital Art in 2022. She recently<br />
exhibited at the Chiaya awards and Aesthetica Art Prize shows.<br />
Tomb, 2022<br />
Edition of 10<br />
Photography/Print<br />
Dimensions Unframed: 42cm x 59.4cm x 4cm<br />
£2000.00<br />
Layered photographs of nature, architectural structures, reflections, and bodily elements<br />
printed onto acrylic, UV printed cement blocks (stand)<br />
Website: annietrevorah.com Instagram: @annietrevorahsculptor
Avneet Cheema<br />
Roe Deer Scratching Herself, 2022<br />
Wire, Clay, Pup & Bark<br />
£750.00<br />
Barbara Nati<br />
Born 1980, Barbara is an Italian artist living and working between Britain and Italy. She<br />
attended Parson School of Design in New York. She has since established an<br />
international reputation for her complex compositions-hybrids. She was awarded the<br />
John Hurt Art Prize, she was the runner-up to the Hari Art Prize, she won the Victoria<br />
place art project award, the Ingram collection purchase Prize, the Bridgeman Studio<br />
Award, the Ashurst Art Prize award, the Andrea Mantegna Prize, and the Renaissance<br />
Art Prize.<br />
Briny Chronicles #5, 2022<br />
Edition of 7<br />
Digital Collage<br />
Dimensions Unframed: 100cm x 70cm<br />
Dimensions Framed: 106cm x 76cm<br />
£1800.00<br />
An increase of carbon dioxide in the waters of the oceans has resulted in a decrease of<br />
pH and the subsequent dissolution of calcium carbonate structures such as shells and<br />
molluscs, plankton, and corals. As a result, entire coral reefs have died, and others<br />
have suffered a developmental setback; the variety of shapes and colours of these<br />
natural structures has been replaced by white, translucent, ghostly outlines. The same<br />
outcome seems to have occurred to human structures in Barbara Nati’s digital<br />
elaborations: buildings transmuted into evanescent constructions.<br />
Website: www.barbaranati.com Instagram: @barbaranativisualartist<br />
Cathleen Loh<br />
The artist brings together written and visual art through painting in books. There are<br />
often layers of connections between the reader, the writer, and the storyline, which<br />
Cathleen uncovers. In her artwork ‘I Play Our Conversations in My Mind’, the artist<br />
recalls reuniting with a friend at a Parisian bookshop after six years apart. She<br />
reminisces over the last time they saw each other as the protagonist, Harry Morgan,<br />
bids his final farewell to his wife, on the opposite page.<br />
I Play Our Conversations in My Mind (Shakespeare and Company), 2022<br />
Acrylic and ink<br />
Dimensions Unframed: 26cm x 19cm
Dimensions Framed: 37cm x 31cm<br />
£450.00<br />
The artwork depicts the Shakespeare and Company bookshop in Paris painted on<br />
Ernest Hemingway’s book ‘To Have and Have Not’.<br />
Colin Page<br />
I have been interested and practicing photography from the age of<br />
around 15. In another life I spent time as a professional dark room manager. Many<br />
things inspire me to take photos, music, books, dreams. I strive for simple, dynamic,<br />
powerful pictures.<br />
Urban Jungle, <strong>2023</strong><br />
Edition of 20<br />
Digital Photo Print<br />
Dimensions Unframed: 29.7cm x 42cm<br />
Dimensions Framed: 51cm x 40cm<br />
£165.00<br />
Using various techniques in photo editing software to blur the buildings as to show the<br />
speed of which they are being built and the bird being dwarfed by the concrete urban<br />
jungle.<br />
Isle of Dogs, <strong>2023</strong><br />
Edition of 20<br />
Digital Photo Print<br />
Dimensions Unframed: 29.7cm x 42cm<br />
Dimensions Framed: 51cm x 40cm<br />
£165.00<br />
Isle of Dogs was taken using in camera movement technique, moving the camera while<br />
taking the picture.<br />
Ellie Redfern<br />
Based in south-east London, Ellie Redfern designs and hand-crafts ceramics that draw<br />
inspiration from organic forms found in the natural world. From rustic mugs and<br />
dinnerware to abstract décor and vases, her aim is to create objects that bring elements<br />
of nature into the home.<br />
Ionic Vase, <strong>2023</strong><br />
Ceramic<br />
Dimensions: 12cm (Height)<br />
£250.00<br />
Instagram: @ellieredfern
Emily Davidson-Brett<br />
My Fine Art background leans my work towards the philosophy of conceptual craft. My<br />
work is inspired by the elements and nature which are reflected in the shapes and<br />
glazes. I create wheel-thrown vessels that are heavy and bold with colours, creating<br />
bright surfaces with a celebration of the raw clay body and in the deep foot underneath.<br />
The white clay visible on the unglazed pieces represent the purity of our Earth as it is.<br />
The triskele is a Celtic symbol of harmony between earth, air and water and denotes my<br />
Irish heritage. My work is a celebration and representation of the wild and encapsulating<br />
cacophony of color and texture that is Mother Earth.<br />
Chasing the Sun Vase<br />
Ceramic Terracotta,<br />
Multicoloured Glaze<br />
£280.00<br />
Air Vase<br />
Ceramic Stoneware,<br />
Light Blue Glaze<br />
£80.00<br />
Groovy Kind Of Loving<br />
Large bowl<br />
Ceramic Stoneware,<br />
Multicoloured Glaze<br />
£340.00<br />
Water Vase<br />
Ceramic Stoneware,<br />
Blue Cobalt Glaze<br />
£80.00<br />
Little Orb<br />
Ceramic Terracotta,<br />
Green Glaze<br />
£65.00<br />
Raw Earth<br />
Large bowl<br />
Ceramic Stoneware,<br />
Red Iron Glaze<br />
£280.00
Earth Orb<br />
Large Vase<br />
Ceramic Stoneware,<br />
Red Iron Glaze<br />
£300.00<br />
Woodland Vase<br />
Ceramic Stoneware,<br />
Mixed Glaze<br />
£300.00<br />
Orange Bowl #1<br />
Ceramic Terracotta,<br />
Glaze<br />
£75.00<br />
Orange Bowl #2<br />
Ceramic Terracotta,<br />
Glaze<br />
£82.00<br />
Green Bowl #1<br />
Ceramic Terracotta,<br />
Glaze<br />
£75.00<br />
Green Bowl #2<br />
Ceramic Terracotta,<br />
Glaze<br />
£82.00<br />
Instagram: @a.piece.of.our.earth<br />
Eunice Bossman-Okai<br />
Eunice Bossman-Okai’s brand name is Meitam London. Bossman-Okai is an artist who<br />
situates her practice between conceptual and abstract art. The ideology behind her art<br />
practice has a strong contemporary presence due to its dynamic combination of<br />
materials, methods and concepts that challenge her and her audience’s boundaries.<br />
Bossman-Okai’s work brings an awareness to the values and morals rooted in her<br />
spiritual beliefs which are influenced by her culture, nature, and spirituality.<br />
Selfish<br />
Mixed media digital print on canvas<br />
Dimensions Unframed: 100cm x 60cm
£1500.00<br />
Selfish is part of a series called character traits. It is a mixed media digital print on<br />
canvas which is made from Kolanut and African natural sponge, covered in copper,<br />
oxidized, and then digitally manipulated.<br />
Website: www.meitamlondon.com Instagram: @meitam_londonart<br />
Evgeniya Strygina<br />
Evgeniya Strygina is a London-based contemporary artist who specialises in landscape<br />
and architecture photography. She completed two courses at the Fine Art Photography<br />
School and a course on contemporary art theory and practice at the Moscow Museum<br />
of Modern Art. Evgeniya took part in at least a dozen group exhibitions, including two<br />
shows at the MMOMA, art fairs, biennales, and festivals, including the Festival of Visual,<br />
Sound and Performing Arts in Brindisi, Italy. In 2022 she relocated to the UK<br />
Pendulum, 2016<br />
Edition of 10<br />
Photography<br />
Dimensions Unframed: 50cm x 70cm<br />
Dimensions Framed: 52.5cm x 72.5cm<br />
£850.00<br />
Megacities face limits on expansion. Smaller cities have resources to grow<br />
economically, but they turn into bedroom suburbs with little employment. People live as<br />
a pendulum, daily commuting to work from the outskirts. Homes become temporary<br />
shelters with no identity.<br />
Living Nature, 2017<br />
Edition of 10<br />
Photography<br />
Dimensions Unframed: 50cm x 70cm<br />
Dimensions Framed: 52.5cm x 72.5cm<br />
£750.00<br />
Explore spaces beyond possibility, where the world is broken down into its primordial<br />
elements and devoid of any geographical features. Outline a world existing in reality and<br />
imagination, at the confluence of conscious and unconscious, through patterns, lines,<br />
and spots.<br />
Website: https://www.soul-editor.com Instagram: @souleditor<br />
Francesco Conti
I grew up in Rome, Italy, and now live in London. I paint with oil and acrylic. My work<br />
deals with alienation and decay in the urban environment, while also exploring political<br />
and social themes by merging public figures with icons from religious iconography.<br />
I have exhibited in several shows, including the ING Discerning Eye <strong>Exhibition</strong> in<br />
London, the C24 Gallery New York, and the 508 Gallery in Chelsea.<br />
Papillion, 2022<br />
Oil on board<br />
Dimensions Unframed: 40cm x 50cm<br />
Dimensions Framed: 41cm x 51cm<br />
£850.00<br />
I named this piece ‘Papillon’, after a classic movie with Steve McQueen about a prison<br />
escape and freedom, because of the symbolism I perceived in the closed gate, with<br />
barbed wire, making what’s behind it forever out of reach.<br />
Website: www.francjs.com Instagram: @francjs_art<br />
Gracie Hawkins<br />
Gracie Hawkins is an Irish artist and writer who specialises in illustration and visual art.<br />
Her picture book The Midnight Hound Series has been highly commended by<br />
organisations such as The National College of Ireland and As I Am Ireland. When she’s<br />
not illustrating, she’s also working as a visual artist and having her paintings displayed<br />
in galleries around Ireland and the UK.<br />
Her painting work focuses deeply on her unique view of the world, and how she feels it<br />
as someone on the autism spectrum.<br />
A Portrait of Lady Elaine, 2022<br />
Acrylic on frame<br />
Dimensions Unframed: 20cm x 30cm<br />
Dimensions Framed: 20cm x 30cm<br />
£250.00<br />
A portrait of Lady Elaine is a piece that looks into the societal expectations and beauty<br />
standards put on women. The piece is to capture the essence of an old portrait, back in<br />
the day when the lengths women would go to, to be symbols of beauty, seemed so<br />
extreme to us. Nowadays these beauty standards have not changed but evolved into a<br />
different look. The Portrait of Lady Elaine is accompanied by a poem by the artist to give<br />
it a sense of a cautionary tale about a Lady who is obsessed with being an idol of<br />
beauty.<br />
Website: iigracie.com Instagram: @iigracie
Grant Conboy<br />
Grant Conboy (b.1987) is an artist hailing from Rochester, New York, and currently<br />
based in Los Angeles. After earning his Bachelor of Fine Arts in Illustration from the<br />
Rhode Island School of Design, he went on to complete his Master of Fine Arts in<br />
Painting at the Academy of Art Architecture and Design in Prague. Though he straddles<br />
two worlds- his native United States and his adopted home of Turkey- he is deeply<br />
connected to the interwoven global cultural narrative that he explores in his work. He is<br />
recognized for his unique perspective and innovative approach, which has been<br />
exhibited internationally.<br />
Paracosmic Divination, 2022<br />
Oil On Canvas<br />
Dimensions Unframed: 244cm x 183cm<br />
£3200.00<br />
Paracosmic Divination, 2022 is the second painting of the series entitled “Paracosm.”<br />
Being the largest of the series, it commands attention, and is meant to draw the viewer<br />
into a trance-like state. The central arch motif can be seen in many of the series and is<br />
meant as an entrance- as well as a reference to one of the artist’s favourite works by<br />
Piero della Francesca - “The Baptism.” The smaller arch to the left is a reference to the<br />
byzantine representation of the tiers of heaven. It is a work, like<br />
the rest of the series, that celebrates layers and a hidden history. Throughout the work,<br />
references to anatolian tribal textile patterns can be found. These symbols carry secret<br />
messages, as well as represent the timeless sacred power of human visual storytelling.<br />
Entrance, 2021<br />
Oil On Canvas<br />
Dimensions Unframed: 122cm x 183cm<br />
£1562.00<br />
The title for this work is a heteronym. Pronounce it in two different ways and you’d be<br />
right both times. The purpose of the painting is to welcome the viewer to a parallel<br />
universe. It is the entrance to the paracosm. The bands that arch across the entirety of<br />
the work are also representing the movement of the sun. Written just underneath the<br />
surface is a message just for the artist’s wife. You can also see lines of perspective<br />
drawn in pastel; these were used in a class taught by the artist to his high school<br />
students. Overall, like many of the series, it is a collage of moments and ideas that live<br />
suspended in oil and canvas.<br />
Dog & Cat, <strong>2023</strong><br />
Oil & Gold Leaf on Canvas<br />
Dimensions Unframed: 122cm x 91cm<br />
£1362.00
Dog & Cat is a painting of just that. The circle to the left, deep ultramarine blue fading<br />
out to light represents the artist’s dog’s eye. To balance out the work, to the right the<br />
golden circle is a representation of the artist’s cat’s eye. It is a play between hot and<br />
cold. The textiles mimic a cosy arrangement of blankets and pillows, overall attempting<br />
to create a calming composition. It is a portrait of home, and the balance and peace that<br />
the artist finds there.<br />
Website: grantconboy.com Instagram: @grantconboy<br />
Ian Felton<br />
Switching from a career in extreme sports, Felton launched his art career in 2004 with<br />
an exhibition in Soho, London. In 2005 he set up an arts collective in Greenwich before<br />
re-locating to his current base in East London. Here he founded ‘Trinity Art Studios’ by<br />
the rivers Lea & Thames at Trinity Buoy Wharf. Running parallel to his practice of<br />
painting & drawing, Felton is an independent art consultant and curator. Other creative<br />
interests include sculpture, literature & musical composition.<br />
Choros, 2018/2021<br />
Oil On Linen<br />
Dimensions Unframed: 120cm x 120cm x 5cm<br />
Dimensions Unframed: 130cm x 130cm x 6cm<br />
£3600.00<br />
‘Chorus’ is a technical study of picture making in oil paint. Geometry, craftsmanship &<br />
colour theory are employed in this is multi-layered piece. Light, shade & reflection are<br />
considered, while the viewer is invited to interpret the painting’s deeper meaning.<br />
Website: http://ianrobertfelton.com/ Instagram: @ianrobertfelton<br />
Jacqui Cooke<br />
Jacqui Cooke is a visual artist born of Jamaican heritage in London. I am a portraiture<br />
and figurative artist, motivated to create bound by my emotive response to both<br />
historical and present experiences of individuals of African descent. I have participated<br />
in several group and individual exhibitions locally and internationally, since 2018.<br />
Let’s go, 2022<br />
Oil on linen canvas<br />
Dimensions Unframed: 60cm x 70cm<br />
£1750.00<br />
Many Caribbeans said “Let’s Go” to the motherland, when the British called. Holding on<br />
to what they felt precious, some inadvertently “Let Go” of precious family left behind.<br />
“Barrel children” left with Grandparents - waited endlessly, to follow their parents.
Website: www.jacookeart.co.uk<br />
Jane Wu<br />
Born in Shanghai (2001) and currently a second-year undergraduate student at the<br />
Slade School of Fine Art, UCL. Having studied in the UK for the past eleven years, I<br />
have developed a hybrid identity that is concerned with the dislocation of the body<br />
through rebuilding and playing with materials. These experiments develop into<br />
ephemeral installations through assemblages that occupy different architectural spaces<br />
which our bodies inhabit.<br />
Halloween 2022, 2022<br />
Oil on canvas<br />
Dimensions Unframed: 119cm x 95cm<br />
£1500.00<br />
A self-portrait from Halloween recreates a ghostly image from the spooky season. There<br />
are multiple eyes referencing fragmentation of oneself, thoughts about possible<br />
discoveries of the third eye, and feelings of needing to bilocate during the process of<br />
looking.<br />
Instagram: @camerawuman<br />
Jo Aidoo<br />
Born in Ghana, living in London, sewing since the age of seven, Jo progressed through<br />
dressmaking to creating patchwork designs until the day seriously ill with Covid, she<br />
looked in a mirror and, in a moment of inspiration, saw her face as a patchwork. A new<br />
creative idea was born. Jo’s Ghanian heritage is the source illustrating the vibrancy of<br />
African textiles and fabrics, juxtaposing colour and materials to create her amazing<br />
portraits and landscapes with an imaginative and African twist.<br />
Rebellion (Self-Portrait), 2022<br />
Textile patchwork<br />
Dimensions Unframed: 41cm x 51cm<br />
Dimensions Framed: 52cm x 62cm<br />
£1510.00<br />
Her second self-portrait, this represents Jo post-covid, rebelling against her dark world<br />
of serious illness and fighting with determination to reach a better place, a place of light<br />
and colour.<br />
Beyonce, 2022<br />
Textile Patchwork<br />
Dimensions Unframed: 51cm x 71cm<br />
Dimensions Framed: 62cm x 82cm<br />
£1820.00
Jo wanted to create a portrait of an icon from the world of entertainment, one which<br />
would appeal to a younger audience and which they could relate to.<br />
African Sunset, <strong>2023</strong><br />
Textile Patchwork<br />
Dimensions Unframed: 50cm x 70cm<br />
Dimensions Framed: 61cm x 81cm<br />
£2590.00<br />
Website: joaidoo.wixsite.com/joaidoo Instagram: @joaidoo<br />
Jo Lovelock<br />
Jo is a mixed media artist. After a ten-year career in graphic design, she studied art<br />
textiles at the University for the Creative Arts earning an MA with distinction in 2016.<br />
Jo has shown work in group exhibitions both nationally and internationally. In 2017 she<br />
had a joint exhibition with the artist Naoya Doi at the prestigious Gallery in Kyoto,<br />
Japan, and in 2022 had pieces selected for the RSA Annual <strong>Exhibition</strong> and the RA<br />
Summer <strong>Exhibition</strong>.<br />
ST16, 2022<br />
Acrylic<br />
Dimensions Unframed: 20cm x 25cm<br />
£300.00<br />
GL50, <strong>2023</strong><br />
Acrylic<br />
Dimensions Unframed: 25cm x 25cm<br />
£325.00<br />
MK40, <strong>2023</strong><br />
Acrylic<br />
Dimensions Unframed: 25cm x 25cm<br />
£325.00<br />
Woven paper map mounted on board.<br />
Website: www.jolovelock.com Instagram: @jolovelockartist<br />
Julia Hardy<br />
Born and raised in Salt Lake City, Utah, USA, Jules the Sculptor's art reflects the<br />
polarity and eccentricity of her experience. Grounded by nature, Jules escapes to the<br />
mountains or desert whenever possible, accompanied by her partner and their two<br />
dogs.
Seaside, 2022<br />
Sculpture<br />
Dimensions Unframed: 48.5cm x 40cm x 10.8cm<br />
£550.00<br />
Love burns in perpetuity, disregarding the passage of time. She’d rather waste away<br />
than admit loss. You’ll find her seaside, waiting. (Sculpture, cast in resin, painted with<br />
acrylics, framed.)<br />
Instagram: @jules_the_sculptor<br />
Katie Clare Evans<br />
Katie Evans is a local abstract artist who likes to create art using acrylics and other<br />
mediums. She is particularly drawn to metallics, which are featured heavily in her work,<br />
often in the form of gold leaf and she enjoys experimenting with different textures. She<br />
is an emerging artist, only taking her passion seriously during the first lockdown;<br />
creating statement pieces for her home to tie into her colour scheme and has now<br />
branched out by selling to the local community.<br />
Himalayan Sunset, <strong>2023</strong><br />
Mixed with gold leaf and acrylic glass beads.<br />
Dimensions Unframed: 100cm x 100cm<br />
Dimensions Framed: 103cm x 103cm.<br />
£595.00<br />
Belt of Venus, <strong>2023</strong><br />
Acrylic<br />
Dimensions Framed: 53cm x 73cm.<br />
£245.00<br />
Instagram: @katieclareevans<br />
Kevin Kane<br />
Kevin Kane is a figurative artist who works using multiple media to create work from the<br />
dual perspectives of both a scientist and an artist. Kane enjoys this juxtaposition<br />
between the traditional and the contemporary, influenced by the art of both Chuck<br />
Close, Lucien Freud, Stanley Spencer and David Hockney. Kane's works traverse the<br />
use of both traditional materials and techniques such as paint and canvas; digital,<br />
working with an iPad with limitless possibilities using his programming background.<br />
Felipe, <strong>2023</strong><br />
Edition of 20<br />
Linocut<br />
Dimensions Framed: 40cm x 49cm<br />
Price Unframed: £450.00
Price Framed: £600.00<br />
Lino print on Japanese Hosho Select 80gsm paper. The print features a portrait of the<br />
talented artist Felipe Chavez, his face and body rendered in bold, sweeping strokes that<br />
convey a sense of raw emotion and vulnerability.<br />
Crystal, 2022<br />
Edition of 10<br />
Giclée print of digital drawing printed on Hahnemühle German Etching paper<br />
Dimensions Unframed: 50.8cm x 71.5cm<br />
Dimensions Framed: 72cm x 87cm (1 x Gilded frame) OR 60 x 80 plain black frame<br />
Price Unframed: £400.00<br />
Price Framed: £600.00<br />
Gilded Frame: £1200.00<br />
This is a digital drawing that features Crystal from Ru Paul Drag Race UK (season 1)<br />
appearing both as masculine and feminine forms, using hand drawn swirling marks that<br />
are inspired by Chuck Close’s pixelated portraits.<br />
Website: www.kevinkaneartist.com Instagram: @kevin.kane.art<br />
KV Duong<br />
KV Duong (b.1980 Ho Chi Minh, Vietnam) is a London-based artist who examines the<br />
complexities of the Vietnamese queer identity through painting, performance, and<br />
installation. Duong grew up in Canada to Chinese Vietnamese parents displaced by the<br />
Vietnam War. He explores themes of migration and cultural assimilation through the<br />
lens of his personal and familial history.<br />
Duong is a self-taught artist with a Master’s in Structural Engineering. He presented his<br />
first institutional solo exhibition at the Migration Museum in 2022.<br />
Searching for Solace 1, 2021<br />
Acrylic on paper<br />
Dimensions Unframed: 42cm x 30cm<br />
Dimensions Framed: 52cm x 42cm<br />
£495.00<br />
Process. Reflection. Solitude. Grateful.<br />
These are the thoughts going through my mind in a post covid society. Whether we’re<br />
living in a densely populated city, or isolated in the countryside, we all yearn for human<br />
connection and community.<br />
Searching for Solace 3, 2021<br />
Acrylic on paper<br />
Dimensions Unframed: 42cm x 30cm
Dimensions Framed: 52cm x 42cm<br />
£495.00<br />
Website: https://www.kvduong.com/ Instagram: @kvduongart<br />
Lilly Hodgkinson<br />
My practice as a textile-based artist involves cutting and resewing fabric to create<br />
layered wall hangings, with details of embroidery and painting. My works evolve<br />
naturally as I use my intuition and do little to no planning before personal pieces, a bit<br />
like a puzzle.<br />
We are always surrounded in fabric as we sleep and as we live. Without realising it,<br />
fabric is one of the main representations of ourselves.<br />
Stained Fabric Window, 2022<br />
Mixed fabric, embroidery, bleach, beads, and machine stitch<br />
Dimensions Unframed: 177cm x 110cm<br />
Dimensions Framed: 177cm x 110cm<br />
£900.00<br />
A figure pressing their hands against a cold window, perhaps a place of worship.<br />
Website: https://lilyghodgkinsonart.myportfolio.com/ Instagram: @lilyhodgkinsonart<br />
Linda Chapman<br />
I am an abstract photographic artist from London. First working as a commercial<br />
photographer until about 5 years ago when I decided to concentrate full time on my art.<br />
Since then, I have been awarded Fujifilm Photo Yearbook 2020, exhibited with ING<br />
Discerning Eye at the Mall galleries, OtherArt Fair and Saatchiart, Roys Art Fair,<br />
Talented Art Fair, Candid Arts, 508 Gallery Chelsea, D Contemporary gallery Mayfair,<br />
Crypt gallery, Flux Greenwich plus exhibitions in New York, Vienna and Paris.<br />
Outside in, 2018<br />
Edition of 5<br />
Photography on aluminium<br />
Dimensions Unframed: 51cm x 76cm<br />
Dimensions Framed: 52cm x 77cm<br />
£995.00<br />
My artworks are a visual representation of how my mind naturally interprets things into<br />
complex colourful stories, with abstract hidden detail. Using only natural light,<br />
reflections, and refraction without manipulation. The results are reflected layers,<br />
abstracted from everyday life.
Website: lindachapmanart.co.uk Instagram: @lindachapman_art<br />
Louis Szabo<br />
Louis is predominately a landscape oil painter currently living in the UK and hasbeen<br />
painting realistic landscapes since the age of 16. In my work I try to express my love<br />
and fascination with nature by romanticising the natural world, portraying all that it has<br />
to offer.<br />
This addiction originated after I learned to appreciate the beauty and uniqueness of the<br />
Earth, starting with my dad’s home country, Slovakia, a source of my inspiration due to<br />
its magnificent biodiversity.<br />
Rieka, 2022<br />
Oil Paint<br />
Dimensions Unframed: 30cm x 40cm<br />
£500.00<br />
This painting is of the national park “Tatry” which sits on the border of North Slovakia<br />
and South Poland. The calming yet mysterious atmosphere this painting radiates makes<br />
it one of my proudest and most popular pieces.<br />
Website: www.lrspaintings.com Instagram: @lrs.paintings<br />
Maduka Emmanuel Onyebuchi<br />
Maduka is a hyper realism ballpoint pen artist based in Nigeria. He started his journey<br />
as an artist when he was 9 years old. He chose ballpoint pen as a medium because he<br />
feels that pen is a medium of writing stories. He has a passion in illustrating stories in<br />
relation to human portraiture and figures, blending stories and unspeakable feelings in<br />
pictures.<br />
In Her Watch, <strong>2023</strong><br />
Ball pen on paper<br />
Dimensions Unframed: 76.2cm x 101.6cm<br />
£4031.00<br />
“In Her Watch” is a piece talking about women in power.<br />
Inside Out, <strong>2023</strong><br />
Ball pen on paper<br />
Dimensions Unframed: 50.8cm x 60.9cm<br />
£2418.00
This piece talks about things happening inside the human body and its effect on the<br />
outer body or our character. Having the red coloured body as the bad or hurt side of our<br />
being and the blue coloured as the positive side of ourselves.<br />
Wear Yourself, <strong>2023</strong><br />
Ball pen on paper<br />
Dimensions Unframed: 76.2 cm x 88.9cm<br />
£3225.00<br />
“Wear yourself” is an idiomatic expression that shows self-respect and selfidentification,<br />
exhibiting the originality in oneself, no matter the location or the version of<br />
yourself.<br />
Martin Derek White<br />
Every piece I create is filled with dozens of my complicated emotions and 99% of my pieces<br />
are influenced by my mood at the time, whether I’m missing a girlfriend, had a hard day, or<br />
just simply want to express my appreciation for the fact that I’ve been given the ability to<br />
create. This piece comes from a place of love and loss and I am grateful to be sharing it with<br />
people who will appreciate my work.<br />
With All My Heart & All My Love, <strong>2023</strong><br />
Ink and Watercolour<br />
Dimensions Framed: 45cm x 33.5cm<br />
£300.00<br />
Maryam Sandjari Hashemi<br />
Maryam Sandjari Hashemi is a multidisciplinary artist and a Spiritual coach.<br />
Her art practice includes Visual Art, Performance and Textile. She has been a painter<br />
for over two decades and her work is rooted in her upbringing in Iran and her colourful<br />
life. She believes her works are like psychedelic journeys and can act as mirrors<br />
reflecting deep parts of the viewer back at them. She often uses her paintings as a tool<br />
for self-development in her spiritual practice.<br />
The Bridge Over the River of Time, <strong>2023</strong><br />
Acrylic on Canvas<br />
Dimensions Unframed: 101 x 81cm<br />
Dimensions Unframed: 103 x 83cm<br />
£2500.00
The river of time passes through, like the sharpest blade splicing through dimensions,<br />
weaving the droplets of blood and tears. Under the bridge she is scrying silently, deep in<br />
the ripples, counting the rhythms, the sparkling new dawn rising,<br />
Website: www.maryamhashemi.com Instagram: @marhashem<br />
Matthew Richard Cooke<br />
Matricco (Matthew Richard Cook) was born and grew up in east London and now lives<br />
in Ely near Cambridge. He worked for many years as a nurse in the NHS, then in health<br />
promotion and in the charity sector. Having gained a crafts/art degree in Brighton when<br />
younger, the need to create remained throughout, and in 2022 he changed his life<br />
completely and relocated in order to dedicate himself to painting.<br />
214 Configuration Street, 2022<br />
Eco-friendly paint on board<br />
Dimensions Unframed: 80cm x 112cm x 2cm<br />
£950.00<br />
15c Interaction Place, 2022<br />
Eco-friendly paint on board<br />
Dimensions Unframed: 94cm x 85cm x 2cm<br />
£900.00<br />
Matricco plays with geometric elements from contemporary architecture to create bold<br />
and dynamic abstract images, which become material objects in their own right by<br />
breaking free from the traditional frame. He works in eco-friendly paint on cut and<br />
shaped board.<br />
Instagram: @matricco.art<br />
Maya Land<br />
Maya Land is a London-based surreal collage artist whose stunning and thoughtprovoking<br />
works explore contemporary society's social and political issues. Her<br />
artworks, made by hand using vintage imagery, have been sold all over the world and<br />
exhibited in some of the most prestigious galleries in Europe, including the Saatchi<br />
Gallery in London. Maya's recent works include larger pieces that combine painting and<br />
collaging on canvas, and she has been shortlisted four times for the Royal Academy's<br />
Summer <strong>Exhibition</strong>.<br />
Red Room, 2018<br />
Original Collage - Handmade<br />
Dimensions Unframed: 16cm x 21.5cm<br />
Dimensions Framed: 22 x 5cm x 28cm<br />
£800.00
The Red Room of Love collage is a romantic piece that features a couple walking<br />
through a room filled with red and pink flowers. In the background, two doves can be<br />
seen flying, adding to the romantic atmosphere of the artwork.<br />
The use of vintage imagery and collage techniques creates a dream-like quality,<br />
drawing the viewer into a world of love and passion. The rich red tones of the room and<br />
flowers evoke feelings of warmth and intensity, while the doves symbolise peace and<br />
unity.<br />
Women and Sheep, 2018<br />
Original Collage - Handmade<br />
Dimensions Unframed: 24cm x 18cm<br />
Dimensions Framed: 31cm x 25 x 5cm<br />
£1000.00<br />
The Women and Sheep collage artwork by Maya Land is a stunning and thoughtprovoking<br />
piece that explores complex social and political themes.<br />
The artwork challenges the idea of class division by highlighting the stark differences<br />
between the well-dressed, upper-class women and the humble, grazing sheep. It also<br />
challenges the traditional gender roles by placing women in a position of power and<br />
authority, which is not typically seen in contemporary society.<br />
Art Is Nature & Nature Is Art, 2018<br />
Original Collage - Handmade<br />
Dimensions Unframed: 16.5cm x 19.5cm<br />
Dimensions Framed: 24cm x 2cm x 27 x 5cm<br />
£1000.00<br />
This artwork is part of Inside Outside series and explores the concept of searching for<br />
balance between the need to spend time inside but also to go outside. The red room<br />
represents the interior, a private and protected space, while the beach scene<br />
symbolises the outside world, open and free. This artwork has been shortlisted this year<br />
for Summer <strong>Exhibition</strong> at Royal Academy.<br />
The Swimming Pool Room, 2018<br />
Original Collage - Handmade<br />
Dimensions Unframed: 18.5cm x 15.7cm<br />
Dimensions Framed: 26.5cm x 23 x 4cm<br />
£1000.00<br />
The room filled with books represents the interior, a private and intellectual space, while<br />
the swimming pool and people symbolise the exterior, a social and physical space.
The contrast between the two spaces creates a tension that challenges the traditional<br />
notion of space and invites the viewer to reflect on the interplay between these two<br />
worlds.<br />
Website: www.artisticsideoflife.com Instagram: @artisticsideoflife<br />
Megan Daly<br />
Whilst studying a Fine Art degree, I homed in on printmaking. Following this I completed<br />
a Masters in ‘Multi-Disciplinary Printmaking’ at the University of the West of England.<br />
My practice combines microbiology and printmaking. I experiment with the aesthetics of<br />
microbiology; playing with pattern, scale and texture; looking beyond the surface.<br />
Whilst Completing My masters I took part in various residencies, in the biology labs, as<br />
well as teaching bacteria cultivation workshops. This allowed me to gather first hand<br />
imagery.<br />
Exemption, <strong>2023</strong><br />
Edition of 15<br />
Screen Print<br />
Dimensions Unframed: 42cm x 59.4cm<br />
Dimensions Framed: 42cm x 59.4cm<br />
£450.00<br />
‘Exemption’ is imagined- created using collage, found imagery and hand drawn<br />
elements. “Exemption’ was created before Covid spread throughout the world, this<br />
reflects what I thought it could look like on a microbiological level and how it could<br />
potentially spread.<br />
Website: https://thatartistmegan.square.site/ Instagram: @ hat.artist.megan<br />
Melissa Hartley<br />
Melissa Hartley (1996) London-based British abstract painter and muralist, graduated from<br />
Central Saint Martins with BA Fine Art in 2019. She paints to portray emotions through a visual<br />
sense, typically using colour to control the energy and direct the eye. Her work is based on<br />
geometric abstraction that explores the relationships between space, shape, colour and light,<br />
while blurring the boundaries between painting and sculpture.<br />
Irradiate No.2, 2022<br />
Acrylic paint on birch ply<br />
Dimensions Unframed: 122cm x 57cm<br />
£1800.00
Irradiate No.2 embodies a geometric style that explores the relationship between colour<br />
and reflection. It highlights how different hues of blue can be layered and flow together<br />
while having a contrasting pink glow to add another dimension to the work.<br />
Layered, 2022<br />
Acrylic paint on canvas<br />
Dimensions Unframed: 60cm x 50cm<br />
£650.00<br />
Layered is a hardedge painting exploring geometric abstraction, showing how colours<br />
can be layered and blended using gradients and iridescent paint to allow the painting to<br />
change depending on where the viewer is standing.<br />
Website: www.melissahartleyart.com Instagram: @melissahartleyart<br />
Michael Echekoba<br />
Michael Echekoba was born in East Dulwich, London and raised in Nigeria where he<br />
had most of his education.<br />
His style is mostly based on the subject, concept, and message he wishes to convey. In<br />
recent times has evolved in style and content and seem to explore narratives that touch<br />
on social-political events of present times all over the world. Michael also enjoys<br />
experimenting with unconventional techniques to create stylised suggestive imagery.<br />
African Queen No.2, 2016<br />
Acrylic on canvas<br />
Dimensions Framed: 89cm x 63.5cm<br />
Dimensions Unframed: 79cm x 53.5cm<br />
£3500.00<br />
Artist attempt to depict the beauty and elegance of African Woman.<br />
The piece is a metaphor for amplifier beauty from African perspective and the role<br />
Women play in our community. Historical impact made by female Warriors and<br />
Motherhood. The slightly elongated neck is intentionally to show poise and<br />
sophistication and sensuality without provocation.<br />
Beckoning of the “god”, 2004<br />
Acrylic on canvas<br />
Dimensions Framed: 55cm x 75cm.<br />
Dimensions Unframed: 50cm x 70cm<br />
£1500.00
“Beckoning of the gods” is a depiction of African relationship with the gods through<br />
instrumentality and cultural and love of dancing and communal living.<br />
Music and dancing are an integral part of who we are and brings comfort through good<br />
and bad times. The Artist has used stylisation of the figures to suggest Mystical<br />
affiliation with gods, while deploying bright colours to suggest Happy spirit associated<br />
with Africa.<br />
Celebration, 2004<br />
Acrylic on canvas paper<br />
Dimensions Framed: 55cm x 75cm.<br />
Dimensions Unframed: 50cm x 70cm<br />
£1500.00<br />
Celebration is Artist attempt to capture his cultural heritage through dancing and<br />
communal living. Music and dancing are an integral part of who we are and brings<br />
comfort through good and bad times. Already the content is African, but the cubism and<br />
colours give a Contemporary feel.<br />
Mingzhang Sun<br />
Mingzhang Sun is a Chinese-born artist based in London. He graduated from the<br />
Central Academy of Fine Arts in Beijing and the University of the Arts in London. Driven<br />
and inspired by his surroundings, Mingzhang explores and translates his experiences<br />
into visual art through paintings, drawings, sculpture, clothes, performance, and videos.<br />
As an artist Ming’s central concerns are time, space, and being, which he explores<br />
using inspiration from his memories and the experiences of his surroundings.<br />
Three Lotus leaves, 2019<br />
Oil on canvas<br />
Dimensions Unframed: 120cm x 76cm<br />
Dimensions Framed: 126cm x 82cm.<br />
£4500.00<br />
Where I grow up, lotuses are part of agriculture instead of being appreciated, they are growing<br />
on the lotus farm for the future market, from the flowers to leaves, to roots, and the seeds. This<br />
always makes me curious, besides the commercial uses, what else remains for us as a people?<br />
It says that after three generations you won't know who they are anymore, even though their<br />
blood is similar. Lotus have its own time of blossoming and fading, not something we can<br />
define.
Puberty, 2019<br />
Oil on canvas<br />
Dimensions Unframed: 120 x 90cm<br />
Dimensions Framed: 126 x 96cm.<br />
£5200.00<br />
How does it feel to go through your puberty? I do feel it was a bit salty, and there were a<br />
few unhappy things that happened. I am sure it still affects some of my thinking. When I<br />
slow down my steps and start to call back all of the memories and try to find the hint of<br />
me as I became me, I do notice there is always a bit of filthy taste from the years I spent<br />
discovering the world with a new sense of desire through my veins. It was the time of<br />
shame and excitement, hate and joy all mixed into the drops of “that” explosion.<br />
I got driven by my body and mood quite often after I discovered the change in my<br />
chemistry. It is still happening, this sense of longing and desire. And I am glad that at<br />
least something has not changed since the breakdown. At least something continues to<br />
defy oblivion.<br />
Ladder Night, 2019<br />
Oil on canvas<br />
Dimensions Unframed: 60cm x 76cm<br />
Dimensions Framed: 66cm x 82cm.<br />
£2500.00<br />
One hot summer night, when I was a little boy, my family climbed a ladder in our home<br />
in order to reach an outdoor area to escape the oppressive heat. All of us had made it<br />
up except my mother and baby sister. For some reason, as they were climbing the<br />
ladder fell and the baby suffered head injuries. That night forever changed our family.<br />
For the rest of my childhood, all the focus of the money and attention had to go towards<br />
helping my sister recover.<br />
I recently saw a picture of a child playing in the entryway at the Tate Museum. The light<br />
from the windows above fell onto the concrete floor in stripes, like a fallen ladder. Or<br />
prison bars.<br />
I thought of my own childhood, playing in the prison of that fallen ladder. Never able to<br />
get free.<br />
Which made me think of other fallen ladders. My daily pillbox. Not a ladder that ever<br />
leads up to a higher place. Only an endless horizontal climb from Sunday to Saturday<br />
and then repeat.<br />
But it is not all sadness. In the painting, my own children are playing in the Tate. Not the<br />
children of my flesh, but the children of my soul, my paintings. Someday I hope they will<br />
get the chance to play there.
My present self is also there, carrying half of a dragonfish. Dragonfish are con- sidered<br />
lucky. They will give their life to save the life of their master. And, like the pills that keep<br />
me alive, I do feel that some lucky charm, has kept me from death. But only halfway. I<br />
still lack the other half of the fish, the part it uses to move forward.<br />
My parents are also in the picture in the back corner slinking around in the back of my<br />
mind offering judgment but never love.<br />
This painting was just my reaction to a picture of a child playing. There are many other<br />
things going on, possibly things I don’t even see yet. Someday, when I do reach the<br />
next stage, I will look back and maybe be able to fully see that it was all just a little bad<br />
luck, no one was fully to blame and then we can put the ladder back up again, and this<br />
time, climb all the way to safety.<br />
Those that seem connected still have a gap in between, those that seem to match still<br />
have opposing gears. After all we are here, after all we were here.<br />
Website: www.mingzhangsun.com Instagram: @themingzhangsun<br />
Myke Vainauskas<br />
I create bold and expressive paintings on canvas, exploring the complexities of the<br />
human mind, perception, memory, and dreams. I experiment with different materials<br />
such as acrylic paint, oil sticks and spray paint, layering them to create rich textures and<br />
depth. By incorporating data visualisations and scientific elements, I explore the<br />
contrast between the natural world and anthropogenic processes; using data and<br />
geometric shapes to create a sense of order and balance within the chaotic<br />
compositions.<br />
The Great Smog of London, <strong>2023</strong><br />
Acrylic, oil stick, spray paint, and collage on canvas<br />
Dimensions Unframed: 100cm x 100cm<br />
£1500.00<br />
This painting explores the events and consequences of the Great Smog of London, a<br />
severe air pollution event that happened in 1952.<br />
Untitled, 2021<br />
Acrylic and spray paint on canvas<br />
Dimensions Unframed: 81cm x 102cm<br />
£1400.00<br />
This painting deconstructs the space and objects in my bedroom; objects are<br />
rearranged and juxtaposed against free-flowing, abstract spaces of paint.<br />
Instagram: @mykevainauskas
Patrick Bremer<br />
Brighton-born collage artist Patrick Bremer received his BFA from Wimbledon School of<br />
Art. Cut from old magazines and books, his work is focused on creating intimate and<br />
multi-layered representations of his subjects, pushing the portrait into abstraction.<br />
Patrick has exhibited throughout Europe, USA, and South Korea, and worked with<br />
clients such as Cadillac, Google, and Andy Murray Tennis. Previously a school teacher,<br />
he has led collage workshops at the Victoria & Albert Museum and from his studio in<br />
rural Somerset.<br />
Through the Canopy, 2020<br />
Cut paper on canvas<br />
Dimensions Unframed: 70cm x 100cm<br />
Dimensions Framed: 77cm x 107cm<br />
£3250.00<br />
As humans we observe and are part of nature. I wanted the piece to be a portrait and a<br />
still life, with natural elements and foliage intertwining through the piece. The shapes<br />
are stolen with enthusiasm from Matisse’s cut outs.<br />
Halo, 2021<br />
Cut paper on canvas<br />
Dimensions Unframed: 40cm x 50cm<br />
Dimensions Framed: 47cm x 57cm<br />
£2250.00<br />
One eye peeks though the foliage, the rest of the portrait is fragmented and lost in the<br />
wilderness. It’s not immediately clear at first, and hints at the hidden connections and<br />
tensions that exist within each individual.<br />
Moonrise, 2021<br />
Cut paper on canvas<br />
Dimensions Unframed: 40cm x 50cm<br />
Dimensions Framed: 47cm x 57cm<br />
£2250.00<br />
Collage is a way to explore the relationship between the individual and collective. Hints<br />
of words, shapes and patterns are layered on top of each other, leaves spiral behind<br />
and through the portrait; and colour is celebrated.<br />
Website: www.patrickbremer.co.uk Instagram: @patbremer<br />
Paul Elmes
Paul’s practice consists of using collages of found elements, usually paper. This<br />
developed as the re-working of sections of lino cut and screen prints that he had made,<br />
which were used as a ground for painting on. Having previously used found material<br />
from magazines, Paul now also uses found material from advertising hoardings, hence<br />
the series ‘Outdoor’. Paul exhibited work in a group show at the London Lighthouse<br />
Gallery in 2021.<br />
Outdoor 2, 2022<br />
Paper Collage on Paper<br />
Dimensions Unframed: 40cm x 40cm<br />
Dimensions Framed: 53.5cm x 53.5cm<br />
£475.00<br />
Part of a series of collage works using found material from outdoor advertising<br />
hoardings.<br />
Outdoor 3, 2022<br />
Paper Collage on Board<br />
Dimensions Unframed: 50cm x 50cm<br />
Dimensions Framed: 53.5cm x 53.5cm<br />
£575.00<br />
Instagram: @paul.elmes<br />
Paul Flanders<br />
Paul Flanders was born in 1970 in Greenwich, London and studied graphic design and<br />
sculpture in his 20’s. Currently he paints plein air in oils and his subjects are mainly<br />
urban scenes of South London at night. He is influenced by artists such as Edward<br />
Hopper, photographers such as Ernst Haas and Saul Leiter, and neo-noir films. His<br />
work has been exhibited at numerous venues including the Mall Galleries, D-<br />
Contemporary Gallery and the Shard.<br />
Stand out Barbers, New Cross 8.30pm, 2022<br />
Oil On Gesso Board<br />
Dimensions Unframed: 30.5cm x 61cm<br />
Dimensions Framed: 31cm x 61.5cm<br />
£1050.00<br />
This artwork portrays a common scene in New Cross during the evenings. Painted for<br />
the most part en plein-air, it represents how barber shops and hairdressers are part of<br />
the commercial and social life of the area.<br />
Bus Stop, New Cross 8.30pm, 2021
Oil On Gesso Board<br />
Dimensions Unframed: 61cm x 91.4cm<br />
Dimensions Framed: 63cm x 93.4cm<br />
£1750.00<br />
This painting of the evening commute in New Cross Road was inspired by neo noir films<br />
and theatre stage lighting. The bus shelter light highlights a central figure, their solitary<br />
aspect emphasized by rendering the surrounding figures as silhouettes.<br />
Website: www.paulflandersartist.com Instagram: @paulflandersartist<br />
Pauline Maddocks<br />
Hertfordshire based artist Pauline Maddocks gained a BA Hons from St Martin’s<br />
London. Upon moving to the Chilterns, she has rekindled her love of painting and now<br />
paints the natural world in an abstract manner. She has exhibited and sold at several<br />
contemporary art fairs as well as galleries in London and the Home Counties. Clients<br />
who collect her work have commented “Pauline’s work is wonderfully abstracted,<br />
colourful and totally free”.<br />
Beauty and the Beast, <strong>2023</strong><br />
Acrylic and inks on canvas<br />
Dimensions Unframed: 100cm x 100cm<br />
Dimensions Framed: 104cm x 104cm<br />
£1400.00<br />
The peony and hydrangea are endeavouring to reach out to save themselves from<br />
being destroyed. Particles from each are joining the universe, what will happen … who<br />
knows?<br />
Show Me, 2022<br />
Acrylic and alcohol ink on canvas<br />
Dimensions Unframed: 60cm x 60cm<br />
Dimensions Framed: 64cm x 64cm<br />
£695.00<br />
The leaves are breaking free from the comfort of the earth to find solace in the sun. The<br />
plant’s ecosystem has been damaged by pollution.<br />
Phil Höhn<br />
Phil Höhn is a German artist based in Frankfurt and Berlin. Having obtained an MSc in<br />
Psychology from LSE, he sought a way to merge psychology and creativity, and autodidactically<br />
obtained the skills of artistic practice. He gained experience as a designer in furniture and art
efore joining Studio Olafur Eliasson in Berlin as developer and project leader of artworks. He<br />
then set up his own art practice, of which he is now showing his initial body of work.<br />
Golden Youth, 2021<br />
Mixed media<br />
Dimensions Unframed: 70cm x 100cm<br />
£4000.00<br />
The work explores themes inherent to life cycles: origins, growth, competition, and glorification.<br />
The materials of withered palm tree bark and soil suggest opposite ends of life, where new life is<br />
glorified by turning golden.<br />
Instagram: @phlhhn<br />
Philip Verhoeven<br />
Philip specialises mainly in painting “Still Life.” His paintings are characterised by the<br />
use of bright colours and the combination of different styles. He gets his inspiration from<br />
various art movements such as pop art, figurative art, graffiti, and graphic design. In<br />
addition to his passion for art, he also has a great love for history, literature, and music.<br />
The Pioneers, <strong>2023</strong><br />
Acrylic and inks on canvas<br />
Dimensions Unframed: 100cm x 100cm<br />
Dimensions Framed: 104cm x 104cm<br />
£3250.00<br />
20000 Leagues Under The Sea, <strong>2023</strong><br />
Acrylic and inks on canvas<br />
Dimensions Unframed: 100cm x 100cm<br />
Dimensions Framed: 104cm x 104cm<br />
£3250.00<br />
Instagram: @philipv13<br />
Ruby Khan<br />
Ruby Khan is a London-based contemporary artist who envisions celebrating; the<br />
physical and emotional journey she has undertaken throughout her life. Born, raised,<br />
and working in London, Ruby studied Art and Design at Uxbridge College; graduated<br />
with a degree in Fine Arts BA from the University of East London. Ruby is intrigued by<br />
German expressionism to evoke power through abstraction using intuitive for bright,<br />
optimistic colours and shapes, her diverse art practices in printmaking, painting,<br />
photography, sculpture and installation.<br />
Melancholic Journey, 2019<br />
Screenprint on fabriano
Dimensions Unframed: 63cm x 85cm<br />
Dimensions Framed: 60cm x 80cm<br />
£850.00<br />
Ruby uses deconstruction line art that reforms the city's architectural landscape to reflect its<br />
mental atmosphere surrounded by tall buildings of London. Her artwork triggers an expression<br />
encompassing language recovery, childhood sensation memories, diversity, and the history of<br />
London.<br />
Website: https://rubykhanart.wixsite.com/rubykhan Instagram: @rubykhansartlife<br />
Sara Rawlinson<br />
Sara Rawlinson is an award-winning photographer specialising in both abstract fine art<br />
and heritage architecture. She has had a camera in her hands most days since she was<br />
six years old.<br />
A decade in geoscience preceded her return to photography in 2013, so those years still<br />
heavily influence her photography. Recent work showcases textures, landscapes,<br />
geological features, and geological current events e.g. sea level rise and volcanic<br />
eruptions.<br />
Her works are held in private and public collections around the world.<br />
The Deceit of Water 0, <strong>2023</strong><br />
Edition of 5<br />
Archival pigment print on 100% cotton paper<br />
Dimensions Unframed: 55cm x 35cm<br />
Dimensions Framed: 55cm x 77cm<br />
£650.00<br />
Number 3/20 in ‘The Deceit of Water’ series which presents the concept of sea level<br />
rise along the Amalfi coast, Italy. Single exposure photograph made with intentional<br />
camera movement.<br />
Hope, <strong>2023</strong><br />
Edition of 5<br />
Archival pigment print on 100% cotton paper<br />
Dimensions Unframed: 55cm x 28cm<br />
Dimensions Framed: 76cm x 49cm<br />
£650.00<br />
The setting sun and pastel sea showcase beauty and clarity amidst the destructive<br />
potential of sea level rise. Single exposure photograph made with intentional camera<br />
movement in Amalfi, Italy. Part of a new series about sea level rise.<br />
Resilience, <strong>2023</strong>
Edition of 5<br />
Archival pigment print on 100% cotton paper<br />
Dimensions Unframed: 55cm x 28cm<br />
Dimensions Framed: 76cm x 49cm<br />
£650.00<br />
The sun perseveres atop the cliffs of Amalfi Italy, punctuating the water’s calm. Single<br />
exposure photograph made with intentional camera movement. Part of a new series<br />
related to the concept of sea level rise.<br />
Website: sararawlinson.com Instagram: @rawlinsonphoto<br />
Sarah James<br />
Brighton-based contemporary painter, Sarah James is best known for her unique<br />
portraits and subversive themes, using a surreal and neo-expressionist style. Inspired<br />
by horror and colour (two of her favourite things) she creates work that is both playful<br />
and curious, using mainly acrylic on canvas, wood, and clay.<br />
She has exhibited in several galleries and open exhibitions including most recently<br />
‘Oxmarket Open 2022’, and ‘Glitter in my Wounds’, a group exhibition inspired by a<br />
CAConrad poem about stereotypes and homosexuality.<br />
Leaving, <strong>2023</strong><br />
Acrylic on linen canvas<br />
Dimensions Unframed: 40cm x 40cm<br />
£400.00<br />
A woman decides to leave and puts on her coat. Energy is conveyed in the ripples of<br />
fabric and layers of cool greens painted with bold strokes. The square form shows a<br />
snapshot in time, much like a Polaroid picture.<br />
Website: https://www.sarahjamesartist.com Instagram: @sarahjamesart<br />
Sophie Lewis
Sophy Lewis, a London-based portrait artist, works primarily with acrylics. Although she<br />
didn't study fine art, her history degree sparked a fascination with how art shapes<br />
societies and can be a powerful political tool. Her self-portraits explore themes of<br />
stability and inner strength, using vulnerability to evoke solidarity. Her work invites<br />
viewers to form their own personal responses and ask their own questions. Rather than<br />
curating their feelings, Sophy purposefully leaves room for interpretation, resulting in<br />
powerful and thought-provoking pieces.<br />
Insomnia, 2020<br />
Acrylic on canvas<br />
Dimensions Unframed: 60cm x 90cm<br />
£350.00<br />
Insomnia, a self-portrait painted during lockdown, captures the anxiety-ridden<br />
atmosphere of uncertainty and instability. Through a penetrating gaze and intense<br />
colours, the painting asks viewers to ponder the cause of the subjects sleeplessness,<br />
evoking discomfort and introspection.<br />
Website: sophylewis.com<br />
Stella Jane Yarrow<br />
I am a fine art printmaker. My prints reflect my passion for the natural environment. I<br />
specialise in lino cut and etched lino. I also combine lino print with other techniques<br />
such as monoprint. I make my prints by hand, using a traditional etching press, at the<br />
Art Academy in London, where I am a Print Associate and a part-time print tutor. I<br />
exhibit regularly in London and elsewhere in the UK.<br />
You See The Foam, Not The Ocean, 2022<br />
Edition of 20<br />
Etched lino and lino cut print<br />
Dimensions Unframed: 39.7cm x 27cm<br />
Dimensions Framed: 54cm x 42.2cm<br />
£315.00 (Framed)<br />
£225.00 (Unframed)<br />
This print was inspired by the windy sky and sea of North Wales. It combines the<br />
techniques of lino etching and lino cut and was printed by hand on a traditional etching<br />
press. One of a series of three seascapes.<br />
Then to the Elements be Free, 2022<br />
Edition of 20<br />
Etched lino print<br />
Dimensions Unframed: 40.2cm x 29.6cm
Dimensions Framed: 54cm x 45cm<br />
£315.00 (Framed)<br />
£225.00 (Unframed)<br />
This print was inspired by the windy sky and sea of North Wales. It was made with the<br />
technique of lino etching and was printed by hand on a traditional etching press. One of<br />
a series of three seascapes.<br />
The Sea Turns Itself and Foams, 2022<br />
Edition of 20<br />
Etched lino, lino cut and monoprint<br />
Dimensions Unframed: 40.3cm x 25.7cm<br />
Dimensions Framed: 54cm x 40cm<br />
£315.00 (Framed)<br />
£225.00 (Unframed)<br />
This print was inspired by the windy sky and sea of North Wales. It combines the<br />
techniques of lino etching, lino cut and monoprint and was printed by hand on a<br />
traditional etching press. One of a series of three seascapes.<br />
Website: https://www.stellayarrowprints.com/ Instagram: @stellayarrow2018<br />
Valya Korabelnikova<br />
Valya concentrates on seeing the spiritual in the ordinary in her works. She explores<br />
how our daily life is connected with our subconscious and dreams, how reality and<br />
fiction are inseparable from each other.<br />
In the persistent uniformity and indifference of the modern world, Valya values reflecting<br />
what is personal and sincere in every project. Each is a result of a careful choice from a<br />
variety of different photographic techniques, rare lenses, and hand-printing techniques,<br />
that are selected to reflect the projects' unique nature and atmosphere.<br />
City Spririt, 2022<br />
Edition of 7<br />
Photography<br />
Dimensions Unframed: 29.9cm x 44.8cm<br />
Dimensions Framed: 43cm x 53cm<br />
£250.00<br />
London has an underlining dark spirit, which I strive to palpate in these series. I wanted<br />
not to picture the reality, but to use my camera in the way that an expressionistic painter<br />
uses his brush, distorting the reality to make it expressive of the artist's inner feelings in<br />
the moment of interaction with it.
Conversation With Spirit, 2021<br />
Edition of 7<br />
Photography, C-type print, Fujy Pearl<br />
Dimensions Unframed: 60.9cm x 40.6cm<br />
£450.00<br />
When I was developing this series of photographs with a mask, I thought about Indian<br />
and Japanese beliefs, where spirits from the afterlife, creepy and scary at first glance,<br />
end up as friends, simply speaking their own, very specific language.<br />
Website: https://www.valya.photography/ Instagram: @valya_korabelnikova<br />
Wowser Ng<br />
Wowser Ng (b.1998), is a China-born, London-based visual artist. Wowser is known for<br />
his digital paintings, in which bright colors, and fashionable products, Asian queers have<br />
developed a unique painting language. Wowser opens a new perspective on the<br />
possibilities of contemporary painting through a digital painting that combines abstract<br />
and figurative. Defining his practice as a challenge to pop culture, he appropriates<br />
fashion products to form unique visual narratives and uses stylized abstract images in<br />
his research.<br />
The Great Escape, 2022<br />
Edition of 15<br />
Digital Painting<br />
Dimensions Unframed: 37.4cm x 50cm<br />
Dimensions Framed: 50cm x 63cm<br />
£500.00<br />
Inspired by marketing theories, this painting is based on the understanding of the<br />
relationship between fashion, art, and the market. This painting explores issues of<br />
Generation Z by appropriating commodities to form context from the perspective of<br />
Asian queers.<br />
Blessing, 2022<br />
Edition of 15<br />
Digital Painting<br />
Dimensions Unframed: 37.4cm x 50cm<br />
Dimensions Framed: 50cm x 63cm<br />
£500.00<br />
Website: https://www.wowserng.com/ Instagram: @wowser_ng<br />
Yuen Ying Chan<br />
I am a Hong Kongese painter currently living and working in London. My practice<br />
primarily consists of abstract-surrealistic drawings and paintings. The themes of my
work revolve around the visualisation of complex emotions, exploration of the mindbody<br />
connection and representation of my cultural heritage. They all reflect a<br />
sophisticated analysis of my mixed identity through a distinctive visual language.<br />
Mother, 2022<br />
Oil on canvas<br />
Dimensions Unframed: 150cm x 200cm<br />
£2250.00<br />
Father, 2022<br />
Oil on canvas<br />
Dimensions Unframed: 150cm x 200cm<br />
£2250.00<br />
“Mother” and “Father” is a diptych representing the bittersweet feeling of the transition<br />
from childhood to adulthood. They portray particular psychological states one goes<br />
through when beginning to recognise our parents as individuals outside their roles as<br />
mother and father.<br />
Website: https://junechan.cargo.site/ Instagram: @junes_arty