Mail Art Periodicals - MoMA

Mail Art Periodicals:
An Annotated Inventory
John Held, Jr. Collection
Modern Realism Archive
San Francisco, California
#@%*&#. Picasso Gaglione, Editor. Stamp Art Gallery, San
Francisco, California. 1997.
Vol. 1, No. 1 (July 1997). Rubber stamps. 6"x4 1/2". (5 cards in folder). Rubber
stamped unlined index cards with handwritten additions. Visual and textual
rubber stamps from the editors' Stamp Art Gallery/Stamp Franicsco rubber
stamp company, including "This is not a Rubber Stamp," "Meeting Picasso
Gaglione was the most beautiful day of my life," and "I am not a Cubist." Each
card signed and editioned. Edition 1/20.
A Margem. Rejane Cardoso, Editor. Inform-Acao Cultural, Natal,
Brazil. 1988.
Vol. 2, No. 14 (June/July 1988). Offset. 12 1/2"x8 1/2". (8 pages). Under the
direction of Franklin Capistrano (Brazil) and Falves Silva (Brazil). Mail Art news
and exhibition opportunities. Contributions by Clemente Padin (Uruguay,
A(velino) de Araujo (Brazil), J. Mederiros (Brazil), et al.
Vol. 2. No. 15 (August/September 1988). Offset. 12 1/2"x8 1/2". (8 pages). Mail
Art news and exhibition opportunities. Texts by J. Medeiros (Brazil), Farias de
Castro (Brazil), et al. Contributions by Avelino de Araujo (Brazil), Johan Van
Geluwe (Belgium), Miroljub Todorovic (Yugoslavia), et al.
Vol. 3, No 17 (December 1988). Offset. 12 1/2"x8 1/2". (8 pages). Texts by F.
Capistrano (Brazil), Socorro Trindad (Brazil). Contributions by Avelino de Araujo
(Brazil), Rolf Staeck (Germany), Clemente Padin (Uruguay), Scott Helmes
(USA), Uncle Don Milliken (USA), et al. Mail Art news and exhibition
opportunities.
Vol. 3, No. 18 (January-February 1989). Offset. 12 1/2"x8 1/2". (8 pages).
Contributions by Nicola Frangione (Italy), Arturo G. Fallico (USA), Ruggero
Maggi (Italy), John Held, Jr. (USA), Avelino de Araujo (Brazil), Fernando Aguiar
(Portugal), et al. Mail Art news and exhibition opportunities.
Vol. 3, No. 19 (March/April 1989). Offset. 12 1/2"x8 1/2". (8 pages).Visual
Poetry by Franklin Capistrano (Brazil). Publication reviews. "Mail Art: Arte em

Sincronia," by Julio Plaza. Contributions by Ryosuke Cohen (Japan), Anna
Banana (Canada), Daniel Daligand (France), Opal and Ellen Nations (USA),
Salvatore de Rosa (Italy), Mauricio Nanucci (Italy), Pat Fish (USA), et al.
Vol. 3, No. 20 (May 1989). Offset. 12 1/2"x8 1/2". (8 pages). Contributions by
Luc Fierens (Belgium), Leonhard Frank Duch (Brazil), Ruth Wolf-Rehfield (East
Germany), Vittore Baroni (Italy), Antonio Gómez (Spain), et al.
Vol. 3, No. 21 (June/July 1989). Offset. 12 1/2"x8 1/2". (8 pages)."Pioneers of
Mail Art in Brazil." by Falves Silva. Contributions by Ray Johnson (USA), John
Held, Jr. (USA), Serge Segay and Ry Nikonova (Russia), Harley Francis (USA),
Ryosuke Cohen (Japan), Michael Bidner (Canada), et al.
Abastor. Casagrande-Napolin Fabio, Editor. Mogliano Veneto
(TV), Italy. 1995.
Vol. 2, No 8 (September 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Editorial.
Texts by the editor, Alberto Rizzi (Italy), Rinaldo Branchesi (Italy). Contributions
by Cristiano Pallara (Italy) and Igor Bärtolech (Yugoslavia). Mail Art news and
graphics.
Vol. 2, No. 9 (October 1995). Photocopy. 11 3/4"x8 1/4". 4 pages. Editorial.
"Scoperta Banda di Falsari della Mail-Art!," by the editor. Additional texts.
Contributions by K. Frank Jensen (Denmark), Baudhuin Simon (Belgium), et al.
About Drawing (O Rysunku). Andrzej Wielgosz, Editor. Gallery
Rysunku, Poznan, Poland. (1977).
No. 8 (1977). Photocopy with rubber stamp. 8"x5 3/4". 10 pages. Visual poetry
by the editor. Handmade paper cover.
No. 12 (n.d.). Photocopy with rubber stamp. (34 pages). "On all the identical
surfaces are drawings constructed from lines of identical number and qualities.
The drawings differ among themselves in organization and their semantic value."
Constructivist cover.
Abraham. Malcolm Reid, Editor. Québec, Canada. 1996.
Special Malfesta Issue (1996). Mixed Medium (Wallpaper, Styrephone Cup,
Drawing, Painting and Collage). 12"x9 1/2". (46 pages). Collaboration with
participants of Mail Art Congress in Quebec, including Giovanni Strada (Italy),
Emilio Morandi (Italy), Anna Banana (Canada), Monty Cantsin (Canada), Marcel
Stüssi (Switzerland) and John Held, Jr. (USA). Issued jointly with Réparation de
Poésie magazine, edited by Jean-Claude Gagnon (Canada). Handwritten text by
Carlo Pittore (USA) runs throughout, declaring on one page, "Mail art networking

is a harbinger of the future tendencies of global cultural interaction. Networking is
not about art, but about the structure and aesthetics of communication."
Absurdistiche Liga. Rainer Golchert, Editor. Darmstadt,
Germany. (1992).
(1992). Photocopy. 4 1/4"x3". (8 pages). Visual poetry by the editor,
incorporating notice of the "Decentralized Worldwide Networker Congress 1992."
Ack's Wacks. Al Ackerman, Editor. Feh! Press, New York, New
York. (1991-1994).
(October 1991). Photocopy. 8 1/2"x 5 1/2". (4 pages). "A Column of Intellectual
Hari-Kari!"
(1994). Photocopy. 8 1/2"x5 1/2". (4 pages). Promotes the forthcoming, The
Blaster Al Ackerman Omnibus. Promises a chapter regarding, "the history of the
strange little publications known as 'tacky little pamphlets'," of which this is one.
Acts of the Shelflife. Miekal And and Liz Was, Editors. Xexoxial
Editions, Madison, Wisconsin. 1986.
Number 1 (1986). Photocopy and collage. 8 1/2"x7". (60 pages). "Visual/Verbal
Networking" assembling. "After 8 years in the incubator this magazine has finally
appeared as an assembling." Contributions by Miekal And (USA), Jonathan
Brannen (USA) (USA), David Cole (USA), Crag Hill (USA), Jürgen O. Olbrich
(West Germany, Warren Ong (USA), Harry Polkinhorn (USA), Bern Porter
(USA), Chuck Stake (Canada), Carol Stetser (USA), Elizabeth Was (USA), et
al.." Includes postcard announcement.
Ad Astral! (Stewart Home, Editor). Raido AAA, London, England.
1996.
Issue 2 (March 23, 1996). Photocopy. 11 3/4" x 8 1/4". (4 pages). "It is part of
our plan that our enemies fail to grasp the seriousness of our programme for
community based space travel until it is too late." One of a series of periodicals
by Home based on conspiracy theory. Short text by William S. Burroughs (USA).
Add and Pass. (Various editors and locations). 1982-2001.
23 examples. "Add and Pass Booklets" are a unique mail art tradition in the
spirit of the Surrealist's "Exquisite Corpse" and Ray Johnson's instruction to
correspondents to add to the work and pass on to either a known or unknown
third party. Typically, the booklet is issued by a mail artist, who instructs the
receiver to add to the work and pass on to yet another correspondent. Included

in the booklet is the admonishment to return the completed booklet to the
originator. They may be issued periodically or uniquely. Examples in the
collection include works received from Guy Bleus (Belgium), Gerardo Yepiz
(Mexico), buZ blurr (USA), Lother Trott (Switzerland), and Dan Landrum (USA).
The collective originality of the work resembles an assembling magazine.
Aerosol. Metallic Avau, Editor. Bruxelles, Belgium. 1981-1982.
No. 16 (August 1981). Offset. 11 3/4"x8 1/4". (4 pages). Catalog/poster for the
editor's, "Metallic A.: International Graffiti Mail Art," exhibition at the Salon D'Art,
Bruxelles, Belgium, August-September 1981.
No. 18 (January 1982). Offset. 11 3/4"x8 1/4" ((8 pages). Foldout poster of the
editor's, "Metallic A.: International Graffiti Mail Art 2," exhibition at Cirque Divers,
Bruxelles, Belgium, January 9-29, 1982. Newspaper reviews on verso.
No. 20 (September 1982). Offset. 11 3/4"x8 1/4". 12 pages. Essay by the editor,
"Pro-Graffiti." Includes lexicon and bibliography of graffiti, as well as newspaper
articles concerning the editor's work.
Afzet. Margot van Oosten and Sonia van der Burg, Editors. East
Design, Delft, Holland. 1985.
No. 5-D (August 8, 1985). Mixed media. 8 1/2"x6 1/4". (36 pages). Assembling
magazine with contributions by Andrej Tisma (Yugoslavia), Anna Boschi (Italy),
Ruggero Maggi (Italy), Luc Fierens (Belgium), Mike Dyer (USA), et al.
Ah! L'Arte Postale: Foglio di Comunicazione & Arte Postale.
Rino De Michele, Editor. Italian Consulate of Occussi-Ambeno,
Padova, Italy. 1989.
No. 75363 (February 1989). Photocopy. 16 1/2"x11 3/4". (2 pages). Info-zine
with images from international Mail Artists in the manner of Ryosuke Cohen's
(Japan) "Brain Cell' project.
No. 75365 (February 1989). Photocopy. 16 1/2"x11 3/4". (2 pages). Mail Art
graphics, focusing on erotic imagery.
No. 75367 (March 1989). Photocopy. 16 1/2"x11 3/4". (2 pages). Mail Art infozine
with exhibition invitations reproduced.
No. 75368 (April, 1989). Photocopy. 16 1/2"x11 3/4". (2 pages). Mail Art infozine
with exhibition invitations reproduced.

Alice's Zine of Dreams. Alice Borealis, Editor. Baltimore,
Maryland. n.d.
No. 2 (n.d.). Photocopy. 8 1/2"x5 1/2". (12 pages). "There are a lot of dreams in
this book, some spiffy collages & the text is all in a vignette style that is dreamlike
& a good read." Contributions by Michael Lumb (England), M. B. Corbett
(USA), John Upton (England), et al.
No. 5 (n.d.). Photocopy. 8 1/2"x5 1/2". (24 pages). Contributions by Crackerjack
Kid (USA), Ashley Parker Owens (USA), Ben Tripe (Belgium), Friedrich Winnes
(Germany), et al. Includes zine reviews.
AMAE (Asociacion Mail-Artistas Españoles). Ibirico, Editor.
Madrid, Spain. 1995-1998.
No. 1 (October 1995). Photocopy. 8 1/4"x6". (28 pages). List of AMAE
membership. Editorial by Ibirico. Mail Art info-zine with reproduced texts and
visuals, including exhibition invitations. "Origenes del Correa y Mail-Art," by
Ibirico. "Statements," by Ruud Janssen. Biography of Ruggero Maggi (Italy).
No. 2 (November 1995). Photocopy. 8 1/4"x6". (20 pages). Mail Art info-zine
with reproduced texts, graphics, and exhibition invitations. "Origenes del Correo
y Mail Art," by Ibirico (Spain).
No. 3 (December 1995). Photocopy. 8 1/4"x6". 21 pages. Editorial on the deaths
of Ray Johnson (USA) and Guillermo Deisler (Germany). Mail Art info-zine with
reproduced texts and graphics. "Origenes del Correo y Mail-Art," by Ibirico
(Spain).
No. 4 (January 1996). Photocopy. 8 1/4"x6". 13 pages. Editorial. Mail Art infozine
with reproduced texts and graphics. Biographies of Bartolome Ferrando
(Spain) and Antonio Gómez (Spain).
No. 5 (February 1996). Photocopy. 8 1/4"x6". 20 pages. Mail Art info-zine with
reproduced texts and graphics. Special section on mail art exhibition invitations.
Biography of Antonio Orihuela (Spain).
No. 6 (March 1996). Photocopy. 8 1/4"x6". 16 pages. Mail Art info-zine with
reproduced texts and graphics. Editorial. Reproduction of newspaper article with
overview of Spanish Mail Art. Biographies of Diego Segura (Spain) and J.
Seafree (Spain).
No. 7 (April 1996). Photocopy. 8 1/4"x6". 24 pages. Mail Art info-zine with
reproduced texts and graphics. Editorial. "Words-list," by Ruud Janssen, a Mail
Art lexicon. Biographies of Spanish Mail Artists M. I. F. Anino, Carlos Daniel
Rubio Cruz, Juan Orozco Ocana and Juan Liorens.

No. 8. (May 1996). Photocopy. 8 1/4"x6". 28 pages. Mail Art info-zine with
reproduced texts and graphics. Editorial. Reproduction of "Bibliozine #45," edited
by John Held, Jr. (USA). Biographies of Carlos Mamano (Spain) and Juan López
de Ael (Spain).
No. 9 (June 1996). Photocopy. 8 1/4"x6". (24 pages). Mail Art info-zine with
reproduced texts and graphics. "Are Mail Artists Stupid and Reactionaries," by
Laura Aga-Rossi (Italy). "The Internet and Mailart," by Mark Bakula. "Word-list,"
by Ruud Janssen. Special section on mail art exhibition invitations. Biographies
of Antonio Perez-Cares F. (Spain) and Corpá (Spain).
No. 10 (July 1996). Photocopy. 8 1/4"x6". (32 pages). Mail Art info-zine with
reproduced texts and graphics. Editorial by Ibirico. Biographies of Hilda Fuchs
(Argentina) and Ruud Janssen (Belgium). Special section reproducing Mail Art
exhibition invitations.
No. 11 (September 1996). Photocopy. 8 1/4"x6". (24 pages). Mail Art info-zine
with reproduced texts and graphics. Editorial. Biography of Dorian Ribas Marinho
(Brazil).
No. 12 (October 1996). Photocopy. 8 1/4"x6". (26 pages). Mail Art info-zine with
reproduced texts and images. Editorial. Reproduction of "Bibliozine #51 (Spanish
Mail Art Zines)," edited by John Held, Jr. (USA). Special section on Mail Art
exhibition invitations. Biographies of Alberto Rizzi (Italy) and Colectivo Stidna
(Spain).
(No. 13) (November/December 1996). Photocopy. 8 1/4"x6". (24 pages). Mail
Art info-zine with reproduced texts and images. Editorial. Biographies of Paulo
Bruscky (Brazil), Luce Fierens and Annina Van Sebroeck (Belgium).
No. 14 (January 1997). Photocopy. 8 1/4"x6". (20 pages). Mail Art info-zine with
reproduced texts and graphics. Editorial. Biographies of José Manuel Candeias
de Almeida e Sousa (Spain) and Fernando Millan (Spain).
No. 15 (February 1997). Photocopy. 8 1/4"x6". (16 pages). Mail Art info-zine
with reproduced texts and graphics. "The Early Adopters," by John Held, Jr., a
history of the early days of rubber stamp art, reproduced from "The Rubber
Stamper," magazine. Biographies of Giovanni Strada (Italy) and Emilio Morandi
(Italy).
No. 16 (March 1997). Photocopy. 8 1/4"x6". (16 pages). Mail Art info-zine with
reproduced texts and graphics. Special section on Mail Art exhibition invitations.
Biographies of Diana Bertrand (Canada) and Luis Navarro (Spain).

No. 17 (March 1998). Photocopy. 8 1/4"x6". 12 pages. Mail Art info-zine with
reproduced texts and graphics. Biographies of John Held, Jr. (USA) and
Fernando Aguiar (Portugal).
Amano: Revista de Accion Estetica. Industrias Mikuerpo, Editor.
Industrias Mikuerpo, Madrid, Spain. 1997.
No. 5 (February 1997). Photocopy. 8 1/4"x6". (52 pages). Mail Art/Neoist
publication with essays by "Luther Blissett," "Notas Sobre la Naturalize de la
Conspiracies;" Stewart Home (England), "La Palingenesis de la Vanguardia;"
"Karen Eliot," "Base de Datos," which surveys the Spanish zine scene; and
visual poetry by Vittore Baroni (Italy).
An Artist Speaks. Patricia Tavenner, Editor. Oakland, California.
1994-1995.
Vol. 1, No. 1 ([January 1994]). Photocopy. 8 1/2"x11". (2 pages). Perzine from
"Mail Queen" Patricia Tavenner (USDA). Includes "A Note from Patricia,"
"Profile," and "1993 in Review." "Mail art is most commonly letters, envelopes,
artistamps, postcards, and at one time anything you could get into the mail
box...I was a major West Coast figure in the 70's receiving thousands of
piecesover (sic) the years."
Vol. 2, No 2 ([January 1995]). Photocopy. 8 1/2"x11". 4 pages. Perzine
chronicling the artists' year in 1994. Includes a reproduction of the artists'
artistamp, "Tea Time."
ANALgine Books. César Figueiredo, Editor. Lisbon, Portugal.
1994.
No. 25 (n.d.). Photocopy. 3 1/4"x2 3/4". (20 pages). Visual poetry by John Held,
Jr. (USA). Edition 45/45.
No. 31 (1994). Photocopy. 4"x3". (20 pages). Visual poetry by Mogens Otto
Nielsen (Denmark). Edition 51/69.
No. 40 (n.d.). Photocopy. 4"x3". (20 pages). Visual poetry by Birger Jesch (East
Germany). Edition 52/69.
No. 64 (n.d.). Photocopy. 4"x3". (20 pages). Visual poetry by Luce Fierens
(Belgium). Edition 57/69.
ANNA. Pere Sousa, Editor. Merz Mail, Barcelonia, Spain. 1997.

No. 1 (February 1977). Photocopy. 11 1/2"x4 1/4". 8 pages. Mail Art/Neoist
publication Includes the essay, "La Poesia Experimental en America Latina
(1996)," by Clemente Padin (Uruguay). Artistamp by Jas. Felter (Canada).
Annie's for the Communication. Anne (Wittles), Editor. Palos
Verdes Estates, California. 1991
September 1991. Photocopy. 8 1/2"x11". (1 page). Rubber stamps and
cinderellas make up this one page periodical. A rubber stamps reads,
"ARCHIVIST sounds better than pack rat."
Anodyne. Julie "Atomic" Shapiro, Editor. Boulder, Colorado;
Portland, Oregon; and Chapel Hill, North Carolina. 1994-1997.
No. 1 (n.d.). Photocopy (including color cover and centerfold). 8 1/2"x7". (32
pages). Based on "Kids with Sign" game of filling in the sign that two kids are
holding up shoulder level. Contributions by American Mail Artists Picasso
Gaglione, John Held, Jr., Fagagaga, Mike Dyer, Carolyn Substitute, et al.
No. 2 ([1994]). Photocopy (including color centerfold). 8 1/2"x7". (24 pages).
"Kids with Signs" continues with contributions from Americans Alice Borealis,
State of Being, Johnny Brewton, Sagebrush Moderne, et al.
No. 3 (n.d.). Photocopy (including color centerfold). 8 1/2"x7". (24 pages). "Help
these lovable kids spread a worthwhile message!!! Fill out their sign with any
image or statement you feel best expresses your state of mind these days."
Contributions by Mark Mothersbaugh (USA), Seth Mason (USA), et al.
No. 4 ([1994]). Photocopy (including color centerfold). 8 1/2"x7". (24 pages).
Contributions by Joolee Peeslee (USA), Pas de Chance (Canada), Picasso
Gaglione (USA), et al.
No. 5 (February 1995). Photocopy. 8 1/2"x7". (24 pages). Issued from Portland,
Oregon. Contributions by Tim Mancusi (USA), Pascal Lenoir (France), Clemente
Padin (Uruguay), Dogfish (USA), et al.
No. 6. (June 1995). Photocopy. 8 1/2"x7". (22 pages). Contributions by Luke
McGuff (USA), Sean Tejaratchi (USA), Ruud Janssen (Holland), et al.
No. 7 (October 1995). Photocopy (includes color front/back). 8 1/2"x7". (24
pages). Twenty contributors to the continuing "Kids with Sign" project.
No. 9 (February 1997). Photocopy (includes color front/back and centerfold). 8
1/2"x7". (20 pages). Issued from Chapel Hill, North Carolina. Format changed to
perzine, with one "Kids with Sign" contribution.

Anti-Isolation. Miekal And and Liz Was, Editors. Xerox Sutra
Editions, Madison, Wisconsin. (1985)-1987.
No. 1 ([1985]). Photocopy. 5 1/2"x4 1/4". 20 pages. "With eyes/ears turned
toward new, experimental, over-looked, & obscure trends in all medias, we are
actively seeking brief articles, interview, poetry & fiction, mail art, collage,
photography, performance documentation, & cassettes, albums & books for
review." Elizabeth Was (USA) on Mail Art. Mail Art by David Cole (USA).
Magazine contact list. "New Arts in Wisconsin."
No. 1 ([1985]). As above. Variant with blue cover.
No. 1 ([1985]). As above. Variant with green cover.
No. 2 (n.d.). Photocopy. 7"x5". 31 pages. Contributors include Ryosuke Cohen
(Japan), Scott Helmes (USA), Hapunkt Fix (Germany). Small press and music
reviews. "Networking New Arts."
No. 3/4 (Spring 1987). Photocopy. 8 1/2"x11". 31 pages. Contributions by Malok
(USA), Lloyd Dunn (USA), Crag Hill (USA), Pete Spence (Australia), Serse
Luigetti (Italy), et al. Sections on cassette reviews, contacts, book reviews,
catalogues & documentation. "Networking Primer" by Joel Haertling (USA).
"Networking the Experimental Underground."
Antivalues: Art Magazine. Pawel Petasz and Leszek Przyjemski,
Editors. Arriére-Garde Elblag, Poland. 1977.
([No. 1]) (January 1977). Lithography. 17"x12". (4 pages). Catalog for the Mail
Art exhibition, "In the Circle '77." Participants in the exhibition are listed with
selections of work reproduced. An important Eastern European Mail Art show, to
which many early practitioners of the genre responded.
Apocrypha. Sybil Coffey, editor. South Pasadena, California.
1993-1994.
No. 5 (Fall 1993). Mixed Media. 11"x8 1/2". (30 pages). Assembling. 20
contributors from 6 countries, including Guillermo Deisler (East Germany),
Andrzej Dudek-Durer (Poland), and Predrag Petrovic (Yugoslavia). Also includes
"news and networking from APOCRYPHA correspondence," a listing of
upcoming mail art shows, current publications and ongoing projects.
No. 6. (Spring 1994). Mixed media, including photocopy, and collage elements.
11"x8 1/2". (20 pages). Assembling. "A 50 copy limited edition original art
magazine." Fifteen contributors from 4 countries, including Arte A La Carte
(USA), Guillermo Deisler (East Germany), Mike Dyar (USA), Epistolary Stud

Farm (USA), and John Held, Jr. (USA). Mail Art resources (shows, magazines,
books) listed in "Correspondence/Network" section. Edition 50.
AR/280. "Karen Elliot," Ed. How to Secede Publications
.Valencia, California. 1991.
No. 2 (March 1991). Photocopy. 5 1/2"x4 1/4".(28 pages). Text and visuals
concerning Art Strike, 1990-1993. Includes a letter to Dr. Steven Lavine,
President, California Institute for the Art, reading in part, "You deserve a Public
Commendation for your participation in the noble, and global, ART STRIKE
(1990-1993)...Please keep up the removal, covering up, and general absence of
art on CIA walls. By doing so you call into question THE BLANK EMPTINESS
OF HISTORY previously hidden by so ma(n)y 'bright colors and squiggly lines.'"
ARG (Action Resource Guide) Zine. Ashley Parker Owens,
Editor. Soapbox Junction, Chicago, Illinois. (1992)-1995.
(No. 2) ([March 1992]). Newsprint. 14"x11 1/2". (24 pages). "In the Action
Resource Guide, over sixty organizations have come together to offer materials
to educate and network. By making the tools available, people will empower
themselves in large and small ways to make activism a part of their daily
routine." "Letters," including one by E. Pauluzzi (Italy), which reads, "There are
too little things (in the catalog) concerning the Mail Art network and usually in the
network we don't like much to buy things, when it's much better to barter them.
Maybe in the USA there is room for all but as an alternative movement the
network should be out of the business system." "About My Studio and Archive,"
by Ruggero Maggi (Italy). "Over 100 Mail Art Listings."
No. 3 (1993). Newsprint. 8 1/2"x11". 34 pages. Resource guide of "over 120
organizations offer(ing) materials to educate and network. By making tools
available, people empower themselves in large and small ways to make activism
a part of their daily routine." Includes, "Mail Art Listings," from the editor's "Global
Mail," and an article on Dreamtime Village.
No. 4 (February 1994). Newsprint. 11"x8 1/2". 71 pages. Includes "ARG Zine"
#5. "This publication began as a survey that was sent to roughly 300 people in a
variety of prisons. more than one survey was included per envelope. Many were
returned for a variety of reasons." Contact List for "Networkers behind bars."
Extensive listing of "Zinesters." Listings from "Global Mail."
No. 5 (1994). Newsprint. 8 1/2"x11". 71 pages. Includes Mail Art listing for the
editor's "Global Mail." Large contact list of zine publishers.
No. 6 (July 1994). Photocopy. 8 1/2"x11". 15 pages. Responses from the "Death
by Corporation" Mail Art show.

No. 6 (October 1994). Photocopy. 8 1/2"x11". 19 pages. Variant issue. "I have
become increasingly interested in networkers as individuals. I've been
uncovering some really interesting material, and some of it is stuff I don't want to
really know, but once discovered, I can't seem to pull back from it."
No. 10 (July 1995). Photocopy. 8 1/2"x11. (8 pages). Results of the editor's Mail
Art project on "Confessions." "The last 'ARG Zine'."
ARG Cata-Zine. Ashley Parker Owens, Editor. Soapbox Junction,
Chicago, Illinois. 1993.
No. 3 (June 1993). Newsprint. 8 1/2"x11". 19 pages. Resource guide to
alternative zines and books. "This magazine was made without any materials
and/or resources from any government." Letters to the editor.
No. 4 (November 1993). Photocopy. 8 1/2"x11". 27 pages. "News from Yugo,"
by Yugoslavian networker Andrej Tisma. Other letters from networkers Luce
Fierens (Belgium), Ruggero Maggi (Italy) and M. B. Corbett (USA).
ARLIS/NA (Art Libraries Society/North America) Newsletter.
Judith A. Hoffberg, Editor. Glendale, California. 1972-1976.
Vol. 1, No. 2 (November 1972). Offset 11"x8 1/2". (6 pages). "This is to
introduce you to a new organization, ARLIS (Art Libraries Society)/NORTH
AMERICA, an organization which will truly represent art librarians and those
interested in art librarian ship in this hemisphere. Up to this point, no one single
organization seems to have evolved which reflects the interests and goals of 'all'
art librarians and practitioners involved in art work in general." In "News from
ARLIS/UK," Clive Phillpot (England) sends notice of three new publications,
among them "Pages," by David Briers (England), which is described as having to
do with "correspondence art."
Vol. 1, No. 2 (February 1973). Offset 11"x8 1/2". (10 pages). "News and Notes"
makes a first appearance. "Foreign News." "New Periodicals." "New Books,"
mentions a publication by Something Else Press.
Vol. 1, No. 3 (April 1973). Offset 11"x8 1/2". 9 pages.
Vol. 1, Nos. 4/5 (Summer 1973). Offset 11"x8 1/2". Pages numbered 12-23.
Vol. 1, No. 6 (October 1973). Offset 11"x8 1/2". Pages numbered 26-37. "On
the Road With jah."
Vol. 2, No. 1 (December 1973). Offset 11"x8 1/2". 15 pages. "The conceptualist
artist has been publishing art books, or rather books as art works, for quite a
while. Recently, there has been material on these artists in greater abundance.

the ARLIS/NA NEWSLETTER has from time to time tried to bring this to your
attention."
Vol. 2, No. 2 (February 1974). Offset 11"x8 1/2". Pages numbered 18-31.
Mention of a new column in "Studio International," by Clive Phillpot (England) on
artists'' books.
Vol. 2, No. 3/4 (April 1974). Offset 11"x8 1/2". Pages numbered 34-54. "Names
in the News" added as new column.
Vol. 2, No. 5 (Summer 1974). Offset 11"x8 1/2". Pages numbered 58-79.
Vol. 2, No. 6 (October 1974). Offset 11"x8 1/2". Pages numbered 82-99. Listing
for "Art et Communication Marginale, Tampons d'Artistes (Art and Marginal
Communications, rubber Stamp Art Activity...Artists' Rubber Stamps," (Balland,
Paris) edited by Hervé Fischer (France), in "Artists' Books."
Vol. 3, No. 1 (December 1974). Offset 11"x8 1/2". 23 pages.
Vol. 3, No. 2 (February 1975). Offset 11"x8 1/2". Pages numbered 26-51. Wood
postcard by Joseph Beuys (Germany), noted in "Artists' Books."
Vol. 3, No. 3 (April 1975). Offset 11"x8 1/2". Pages numbered 54-73. "Since
Something Else Press had disbanded, many of their books are being
remaindered. Our librarians should take advantage of these books which are
selling for as little as one dollar. We are sure that in a very short time, they will be
located and found only through rare book dealers at exorbitant prices."
Vol. 3, Nos. 4/5 (Summer 1975). Offset 11"x8 1/2". Pages numbered 78-99.
Book Review supplement includes, "Artists' Bookworks: A British Council
Exhibition," which includes an essay by David Mayor (England).
Vol. 3 No. 6 (October 1975). Offset 11"x8 1/2". Pages numbered 102-127.
Vol. 4, No. 1 (December 1975). Offset 11"x8 1/2". 28 pages. "From the
Editor...We begin the fourth year and the fourth volume with awe, largely
because time has speeded by and we have in hand a great deal of printed
material, and a greater knowledge of the printing world, thanks to Bill James, our
printer, and IBM, who has given me a machine that allows us to typeset the
Newsletter with near-professional skill./What is more important is that we have
tried to create a true 'newsletter/ with current information gathered from many
sources to help visual librarians throughout North America and elsewhere as
well." John Dowd (USA) mentioned in "New Periodicals," in regard to the
publication of "Fanzini '75."
Vol. 4, No. 2 (February 1976). Offset 11"x8 1/2". Pages numbered 32-71. Notice
of the opening of Franklin Furnace Bookstore. "Martha Wilson's store will be

displaying one-f-a-kind books, but primarily distributing inexpensive multipleedition
books by artists to libraries and galleries. this is an important step in the
distribution of these important hard-to-fine books, which should be housed in
every visual library dedicated to contemporary art." The publication of "La
Mamelle," noted in "New Periodicals." "Each issue, according to the editor, C. E.
Loeffler, will impart knowledge and understanding upon the culture that was not
there before."
Vol. 4, No. 3 (April 1976). Offset 11"x8 1/2". Pages numbered 76-113. "Letter to
the Editor," by AA Bronson (Canada), "Under your column on artists' books in the
February Newsletter, you note the formation of the Franklin Furnace, a new
bookstore dedicated to the distribution of book-like works by artists. You call it
the 'first in a specialized type of artists' bookstore'./In fact, The Furnace is
modeled after ART METROPLE, a similar organization in Toronto, Canada, and
a member of ARLIS/NA. We were opened to the public in October, 1974. We
began by carrying only books by artists...we have now widened our selection to
multiple works by artists in popular formats (books, records, postcards and
videotapes)...Although we are totally in support of the Franklin Furnace's efforts
and hope to be working with them in the future, I wanted to clarify the fact that
there are other similar organizations in operation and there are likely to be more
in the near future." Notice of an exhibition by Ken Friedman (USA) at the
Slocumb Gallery, East Tennessee State University in Johnson city, Tennessee,
and an accompanying catalog. "Included is an essay on Friedman as well as
chronology, books by Friedman, booklets, pamphlets and monographs, book
publications about Friedman and his biography. Friedman is a member of the
Fluxus Group and has been director f Fluxus West since 1966." Publication by
Richard Mutt (USA) noted in "Artists' Books."
Vol. 4, No. 4/5 (Summer 1976). Offset 11"x8 1/2". Pages numbered 116-152.
Review of "Spatial Poem," by Fluxus artist Mieko Shiomi (Japan), in "Artists'
Books."
Vol. 5, No. 1 (December 1976). Offset 11"x8 1/2". 40 pages. "Glendale isn't in
the boondocks, but sometimes I feel that I really am doing this in complete
isolation. You see, I read lots of newspapers, lots of journals and pick up
information in my travels. You the membership, on the whole, do not seem to
send me in that which is important in your own area, so I dig it out and put it
under one cover...and so we begin our fifth year, hoping not to be bigger (I don't
think my strength can endure if we get bigger) but always better, generating
controversy and comments, as well as a network of communication and
cooperation among al the members of our large art library community..."
"Franklin Furnace Archive, Inc.," by Peter Zabielskis. "We are a public archive for
artists'' books, available as a scholarly research center, or just for casual
browsing. in keeping with the spirit in which these works were originally produced
(i.e. an inexpensive, readily available medium), we are inclusive rather than
exclusive. We are not concerned with books that are 'salable' or popular, but with
preserving examples of all works produced by artists. for this reason, the greater
part of our collection consists of works simply unavailable and unknown through

commercial outlets except for Printed Matter, Inc., the only bookstore dealing
exclusively with book-like works by artists still in print..." Notice of works by
Vincent Trasov (aka Mr. Peanut, Canada), Dick Higgins (USA) and Alison
Knowles (USA) in "Artists' Books."
Vol. 5, No. 2 (February 1977). Offset 11"x8 1/2". Pages numbered 46-87.
"Impressions/Expressions," contains a letter from Jonathan Held (aka John Held,
Jr., USA), "Programming Consultant, Mid-York Library System, Utica, New York."
"I am interested in receiving information and material on the subject of
correspondence art, with particular attention placed on the use of rubber stamps
(both visual and textual). Stamp Art has become a growing movement in Europe
and the United States with exhibitions devoted to the medium and books
published documenting the activities of various artists." First appearance of "Art
Spoken Here," a trademark not only of this publication, but of the editor's
forthcoming "Umbrella." The editor voices her concerns for the future of her
continuing in the present periodical in "From the Editor." "...the printing budget
had been cut, not only for the newsletter, but it seems to me for other printing
which is essential for the nuts and bolts of this society. the argument on the part
of some Board members was that most people do not read this newsletter
anymore since it is too big. If that is the case, then perhaps the hours of
preparation and the charge to document the activities of this society are really for
naught. I need your feedback, because this is crucial...If you don't like the back
of the newsletter, then say so, but that is the reason a great many non-librarians
red this newsletter...The future of this publication depends upon you. To be sure,
I can eliminate the obituaries, since 'everyone reads it in the newspapers.' But
there are more essential principles here, or frankly, you will get what you wantand
that is a handsome 24-page ARLIS/NA News Sheet-and another Editor will
be at the helm."
Art and Absence of Clothes. The Painter NATO, Editor.
Fondation Le Peintre NATO, Paris, France. 1995.
No. 2. (1995). Offset. 8 1/4"x5 3/4". (22 pages). Announcing the second festival
by the editor on the them, "Art and the Absence of Clothes." Statements by
Gianni Broi (Italy), Mayumi Handa (Japan).
Art and Communication Network. Roger Avau, Editor. Bruxelles,
Belgium. 1991.
No. 1 (1991). Offset. 11 3/4"x8 1/4". (4 pages). "Here is then the first number of
a newsletter who's entirely at the disposal of all adepts of the international
wirework called NETWORK, more commonly designed by Mail Art or Postal Art,
even if the term recovers only a part of networking." News. Coverage of "Net
Run," with Shozo Shimamoto (Japan), Ryosuke Cohen (Japan), Mayumi Handa
(Japan), et al. Portrait of Archive for Small Press and Communication.
Audio/Radio Art. Mail Art exhibition, project and publication opportunities.

Art Brigade. Ben Davis, Editor. Amarrillo, Texas. (1988).
Vol. 1, Issue 3 ([1988]). Newsprint. 14"x11 1/2" (oversize), 19 pages. "Mailart in
the Southwest," by John Held, Jr. (USA). "By definition, mailartists are
correspondents. But on September 19-21, 1986, the Southwest USA
Decentralized Worldwide Mailart congress was held in Dallas, which brought
together fifteen or so mailartists from Texas, Arkansas, Arizona and Louisiana.
These face-to-face meetings helped to solidify a common bond among these
regional practitioners of a global artform." Ruggero Maggi (Italy) interviews
himself. Daniel Plunkett (USA) interviewed by the editor. "Dan Plunkett has been
involved in mailart and alternative media since 1983, when he began
corresponding with the band Throbbing Gristle. in 1984, he began publishing ND,
a diverse mix of mail art, networking, underground bands and performance art."
Zine reviews.
Art by Mail. James Very, Editor. Rochester, New York. 1997.
(July 1997). Photocopy. 25"x4 1/2". (one page). "There are hundreds, thousands
of them, all standing with arms akimbo, swaying gently back and forth, but you
can not see them, You know that they are there, but you can not see them. You
can not hear them, but you know what they are saying. As they stand there,
swaying, they are saying YOUR LIFE IS MY GALLERY..." ends with the
admonition that, "Art by Mail Is A Powerful Force For Good In These Troubled
Times."
Art Com. Carl E. Loeffler, Editor. La Mamelle, Inc., San
Francisco, California. 1981-1991.
Vol. 4, No. 2-Issue 14 (1981). Newsprint. 8 1/2"x11". 35 pages. "Art
Contemporary, the most widely read contemporary Art magazine, published in
California since 1975 and collected by libraries, universities and museums
internationally, is continuing publication with this issue under the new title, Art
Com." Performance and publication coverage includes Mail Art information. In
this issue, performance documentation of Bill Gaglione (USA) and Anna Banana
(USA).
Vol. 4, No. 3-Issue 15 (Fall 1981). Newsprint. 8 1/2"x11". 56 pages. Interviews
with Chuck Stake (Canada) and Buster Cleveland (USA). Mail Art section.
Vol. 4, No. 4-Issue 16 (1982). Newsprint. 8 1/2"x11". 47 pages. Section on
"Correspondence Art." Article on Anna Banana (USA), "Banana Perspective," by
Alice Dubiel.

Vol. 5, No. 1-Issue 17 (1982). Newsprint. 8 1/2"x11". 54 pages. Monty Cantsin
interview by editor Carl Loeffler. Section on "Correspondence Art," noting recent
publications and projects.
Vol. 5, No 2-Issue 18 (1982). Newsprint. 8 1/2"x11". 66 pages. Correspondence
Art section features projects by Robert Rocola (USA) and Roger Radio
(England), and mail music by Nicola Frangione (Italy).
Vol. 5, No. 3-Issue 19 (1982). Newsprint. 8 1/2"x11". 55 pages. Includes a
review of the book "Kunst per Post/Mail Art," by G. J. De Rook (Holland).
Vol. 5, No. 4-Issue 20 (1983). Newsprint. 8 1/2"x11". 59 pages. Monty Cantsin
(Canada) comments on "Populism" in the Arts.
Vol. 6, No. 1-Issue 21 (1983). Newsprint. 8 1/2"x11". 68 pages. "From Mail Art
to Videogames," by John O'Neil. Review of "Neoist Songs," by Monty Cantsin
(Canada). Advertisement for Modern Realism Gallery, Dallas, featuring artist
postage stamps exhibition.
Vol. 6, No. 2-Issue 22 ([1983]). Newsprint. 8 1/2"x11". 58 pages.
Advertisements for Modern Realism Gallery (Dallas, Texas), J.E.S. Archives
East, and "About Vile."
Vol. 6, No. 3-Issue 23 (1984). Newsprint. 8 1/2"x11". 67 pages. Announcing the
publication of, "Correspondence Art: Source Book for the
Network of International Postal Art Activity," by Contemporary Art Press, the
book division of "Art Com."
Vol. 6, No. 4-Issue 24 ([1984]). Newsprint. 8 1/2"x11". 59 pages. Review of,
"Correspondence Art: Source Book for the Network of International Postal Art
Activity."
Vol. 7, No. 1-Issue 25 (1984). Newsprint. 8 1/2"x11". 53 pages. Fax Art.
Publication reviews, including "Mail Art About Mail Art." Special report on, "Mail
Music: Collective Work."
Vol. 11, No. 10-Issue 54 (November 1991). Photocopy. 8 1/2"x11". (5 pages).
"Welcome to ART COM, an online magazine forum dedicated to the interface of
contemporary art and new communication technologies." Guest Editor for this
issue, Chuck Welch (aka Crackerjack Kid, USA), discussing the 1992 Networker
Congresses.
Art Contemporary. Carl E. Loeffler, Editor. La Mamelle, Inc., San
Francisco, California. 1976-1979.
Vol. 2, No. 1-Issue 5 (1976). Newsprint. 8 1/2"x11". 73 pages. Coverage of the
Bay Area Conceptual Art scene.

Vol. 2, No. 2/3 (1977). Newsprint. 8 1/2"x11". 49 pages. "Art as a Contextual
Art," a review by Ken Friedman. Publication reviews include, "Letter to R. Mutt,"
VILE, Nu Art, and International Artists' Cooperation Newsletter, by Klaus Groh
(West Germany).
Vol. 2, No. 4 (1977). Offset. 8 1/2"x11". 119 pages. Visual Poetry by Geoffrey
Cook. Performance review of the Bay Area Dadaists. List of contributors to the,
"International Rubber Stamp Exhibition," La Mamelle (1976). Publication reviews.
Vol. 3, No. 1-Issue 9 (1977). Offset. 8 1/2"x11". 108 pages. "From Europe"
issue. Articles on Cavellini (Italy), Endre Tot (Hungary), Ulises Carrion (Holland).
Publication reviews. "In the Beginning is the Word: An Anthropological Prehistory
and History of Correspondence Art," by Marilyn Ravicz. First mention of
"Jonathan" Held in an art magazine in connection with a December 1976
exhibition of rubber stamp art at Stempelplaats, Amsterdam, Holland.
Vol. 3, No. 2-Issue 10 ([1978]). Newsprint. 18"x11 1/2". (40 pages). Checklist of
Art Periodicals exhibition. Photos of Bay Area Dadaists.
Vol. 4, No. 1-Issue 13 (1979). Newsprint. 8 1/2"x11". 23 pages. "Retrospective
Issue." Index of previous issue. Photograph from the video, "Dada Shave," by Bill
Gaglione (USA) and Anna Banana (USA).
Art For Um. Buster Cleveland, Editor. Long Island City, New
York. 1995-1996.
Special Issue: Al Hansen, 1927-1995 (1995). Color Photocopy with Rubber
Stamps and Artistamp. Al Hansen (USA) collage on front. Photograph of Hansen
on verso. Special Al Hansen artistamp.
Special Issue: Ray Johnson, 1927-1995 (1995). Color Photocopy with Rubber
Stamps and Artistamp. 5 1/4"x5 1/4". Postcard. Detail from Ray Johnson (USA)
work on front. Photograph of Johnson on verso. "Forever."
Special Issue: Cavellini, 1914-1990 (1996). Color Photocopy with Rubber
Stamps and Artistamp. 5 1/4"x5 1/4". Postcard. Photograph of Cavellini (Italy) on
front. Rubber stamp on verso.
Vol. 3, Issue 4 (1995). Color Photocopy with Rubber Stamps and Artistamp. 5
1/4"x5 1/4". Postcard. "Cold Moist Hole."
Vol. 3, Issue 8 (1996). Color Photocopy with Rubber Stamps and Artistamp. 5
1/4"x5 1/4". Postcard. Crop circle rubber stamps by Robert Rocola (USA).
"Boobs and Soup."

Vol. 4, Issue 1 (n.d.). Color Photocopy with Rubber Stamps and Artistamp. 5
1/4"x5 1/4". Postcard. Punk Princess Di on front. Sinad O'Conner on verso.
"Private Opening."
Vol. 4, Issue 3 (n.d.-Klein Blue Stamp Postmark, 1957). Color Photocopy with
Rubber Stamps and Artistamp. 5 1/4"x5 1/4". Postcard. Bill Clinton on front.
"New is Beautiful."
Vol. 4, Issue 4 (n.d.). Color Photocopy with Rubber Stamps and Artistamps. 5
1/4"x5 1/4". Postcard. Johns/Duchamp on front. Buster Cleveland (USA)/Yoko
Ono (USA) artistamp on verso. "Melancholy Infinity."
Vol. 4, Issue 5 (n.d.). Color Photocopy with Rubber Stamps and Artistamps. 5
1/4"x5 1/4". Postcard. Sid Viscous on front. Artistamps by E. F. Higgins (USA) on
verso. "Cerebral Eviction."
7 variant subscription notices for Art For Um submitted to "Stampzine" (1997).
Art Papers. Xenia Z. Zed; Glenn Harper, Editors. Atlanta,
Georgia. 1985-1991.
Vol. 9, No. 2 (March/April 1985). Newsprint. 15"x11 1/2". 41 pages. Includes the
article, "101 Things You Should Know About Mail Art," by Bill Chambers (USA).
Vol. 14, No. 2 (March/April 1990). Offset. 13 1/2"x10". 68 pages. "Special Noise
Culture issue with Alan Sondheim." "Postal Static: Mailbox Magic & Madness,"
by John Held, Jr. (USA). Additional articles by Elizabeth Was (USA), Miekal And
(USA), and Mike Gunderloy (USA), et al.
Vol. 14, No. 3 (May/June 1990). Offset. 13 1/2"x10" (oversize). 82 pages.
Special issue on artists' books. "Distribution and It's Discontents," by Judith A.
Hoffberg (USA), includes not only insights into her own history, but contains a
section on the Other Books & So bookstore/gallery/archive of Ulises Carrion
(Holland).
Vol. 15, No. 3 (May/June 1991). Offset. 13 1/2"x10". 83 pages. Special issue on
Mail Art. Includes articles "Mail Art Network: Source and Flow," by Chuck Welch
(USA); "Mail Art Archives," by John Held, Jr. (USA); "Open Letter to the
Network," by Mark Bloch (USA); "FEMAILART," by Mimi Holmes (USA);
"Wrinkled Network," by Mark Kingsley (USA); "Indirect Correspondence," by Guy
Bleus (Belgium). "Catalogue of Participating Mail Artists."
Art Romp. David Zack, Editor. Formular Publications
Foundation, Los Angeles, California. 1980.

(October 19, 1980). Photocopy. 8 1/2"x5 1/2". 12 pages. Texts by Dr. Al
Ackerman (USA), Jane Gaskill (USA), Roy DeForest (USA) and the editor,
author of a major piece on Mail Art published in "Art in America" (1973). Cover
art by Ackerman.
Art Works. Steven Peacock, Editor. New York, New York. 1985.
Vol. 2, No. 4 (August 1985). Mixed media. 8 1/2"x11". (18 pages). Assembling
magazine with contributions from 19 persons, including Jürgen Olbrich
(Germany).Edition 42/100.
Art Zoo. Shane Paul, Editor. Phoenix, Arizona. 1988.
No. 2 (Spring 1988). Photocopy. 8 1/2"x7". 41 pages. Exploring the
experimental arts in Arizona.
(No. 3) (September 1988). Photocopy. 8 1/2"x11". 20 pages. Graphics by
Pandora's Mailbox (USA), Shozo Shimamoto (Japan), Miekal And (USA), John
Held, Jr., (USA) et al. Notice of editor's forthcoming Mail Art show.
Arte Arte. Andrea Ovcinnicoff, Editor. Genova, Italy. 1991-1993.
No. 24 (July 1991). Photocopy. 8 1/4"x5 3/4". (8 pages). Handwritten Mail Art
info-zine. Large section on Mail Art publications. Section on "Computer
Information." Edition 75.
No. 26 (September 1991). Photocopy. 8 1/4"x5 3/4". (8 pages). Handwritten Mail
Art info-zine listing projects, publications and exhibitions. In this issue: notes on
the "Decentralized World-Wide Networker Congress 1992." 90 copies.
No. 26-Special Supplement (September 1991). Photocopy. 8 1/4"x5 3/4". (4
pages). Additional listing of projects, publications and exhibitions.
No. 29 (December 1991). Photocopy. 8 1/4"x5 3/4". (8 pages). Mail Art info-zine.
This issue features information on the "Decentralized World-Wide Networker
Congress 1992," in addition to regular notices of Mail Art projects, publications,
events.
No. 40 (November 1993). Photocopy. 8 1/4"x5 3/4". (8 pages). Mail Art info-zine.
Special, "Events," section. Typewritten.
No. 45 (April 1993). Photocopy. 8 1/4"x5 3/4". (8 pages). Mail Art info-zine. This
issue features an interview with Dobrica Kamperelic (Yugoslavia) by Peter
Küstermann (Germany) and Angela Pahler (Germany) on their "Mail Tour 1992."

Arte Postale! Vittore Baroni, Editor. Forte Dei Marmi and
Viareggio, Italy. 1979-2001.
No. 1 (October 1979). Photocopy. 13"x8 3/4". (20 pages). "Demonia Art Songs."
"This is the first issue of "arte postale," a mail-art fanzine from v.e.c.-italy: edited
and hand-assembled by vittore baroni, via raffaelli, 2 55042 forte dei marmi (lu)
italy in 100 numbered copies. the theme of the first three issues is MUSIC. the
fanzine will hopefully published every month, and freely delivered to all
contributors. this fanzine is not for sale, the only way to get it every month is by
sending mail-art works (or publications in exchange...spiritual guidance:
Guglielmo Achille Cavellini." Contributors include Pawel Petasz, Abdada LeClair,
et al.
No. 2 (November 1979). Photocopy and Mixed Media. 13"x8 3/4". (20 pages).
"Patti Smith Issue." Contributors include Michael Scott (England).
No. 3 (November 1979). Photocopy and Mixed Media. 13"x8 3/4". (18 pages).
"More Demonia." Contributors include Betty Danon (Italy), Angelika Schmidt
(West Germany), Nicola Frangione (Italy). "third musicART issue edited and
hand-assembled by vittore baroni."
No. 4 (January 1980). Photocopy and Mixed Media. 13"x8 3/4". (20 pages).
"More Political Satire: Post Scriptum. Ray Johnson. Commonpress Story. Bzdok
in Italy."
No. 5 (1980). Photocopy and Mixed Media. 13"x8 3/4". (20 pages). "Speciale
Cavelliniana."
No. 6 (March 1980). Photocopy. 13"x8 3/4". (18 pages). "American Mail-Artists.
Leavenworth Jackson. Bill Gaglione. The Badge Show."
No. 7 (April 1980). Photocopy. 13"x8 3/4". (14 pages). Photocopy and mixed
media. 13"x8 3/4". (14 pages). "Reflux Issue." Contributors include Timmy Mew
(USA), Robin Crozier (England), Ben Vautier (France), et al.
No. 8. (May 1980). Photocopy and Mixed Media. 13"x8 3/4". (22
pages)."Autobiographical Issue." Original contributions by Vittorio Baccelli (Italy),
Enzo Minarelli (Italy), Giuseppe Bedeschi (Italy), et al.
No. 9 (June 1980). Photocopy and Mixed Media. 13"x8 3/4". (16 pages).
Assembling magazine. "U. K. Special." Original contributions by Michael Scott
(England), Lon Spiegelman (USA), Julia and György Galantai (Hungary), et al.
No. 10 (July 1980). Photocopy with Mixed Media. 13"x8 3/4". (20 pages). "V. B.
Autobiographical Issue 'Living a Renegade Life.'" Assembling. Original works
from Ko de Jonge (Holland), Andrzej Wielgosz (Poland), Demos Ronchi (Italy),
John M. Bennett (USA) and C. Mehrl Bennett (USA), et al.

No. 11 (August 1980). Photocopy with Mixed Media. 13"x8 3/4". (22 pages).
Assembling. "Autobiographical Potpourri Issue." Original contributions from MIT
(Greece), Pawel Petasz (Poland), Leonhard Frank Duch (Brazil), Jürgen Olbrich
(Germany), et al. Edition 19/100.
No. 12 (September 1980). Photocopy with Mixed Media. 13"x8 3/4". (30 pages).
"All Stars Issue." Assembling with contributions from Davi Det Hompson (USA),
Leavenworth Jackson (USA), Daniel Daligand (France), Arturo Fallico (USA),
Romano Peli (Italy), Ulises Carrión (Holland), et al.
No. 13 (October 1980). Photocopy and Mixed Media. 13"x8 3/4". (22 pages).
Assembling. "T-Shirts Issue." Contributors include Paulo Brusky (Brazil),
Ruggero Maggi (Italy), Timm Ulrichs (Holland), et al. Special Badge show
supplement.
No. 14 (November 1980). Photocopy and Mixed Media. 13"x8 3/4". Assembling
"Develop My Dreams: In every copy of No. 4 of this magazine (January 80) I
enclosed one original negative asking for a contribution size 8x10 cm. This issue
reproduces 19 developed dreams I received after my invitation."
No. 15 (December 1980). Photocopy with Mixed Media. 13"x8 3/4". (20 pages).
Assembling. Includes an index to contributors for issues no. 1-15.
No. 16 (January/February 1981). Mixed Media. 12 3/4"x9". Sealed. "Poetry
Issue." Contributions by Metallic Avau (Belgium), Scott Helmes (USA), Volker
Hamann (Germany), et al.
No. 17 (March 1981). Mixed Media. 13"x9". Unpaged. Assembling. Contributions
by Henk Fakkeldy, Pete Horobin, et al.
No. 18 (n.d.). Mixed media. 13"x9". Unpaged. "The Yahoo Bulletin." Assembling.
Contributions by Ben Allen (Ireland), Dogfish (USA), Charlton Burch (USA),
Ruggero Maggi (Italy), et al.
No. 19 (May-June 1981). Photocopy and Mixed Media. 13"x9". Unpaged.
Assembling. "Think About Mail Art," issue. Günther Ruch (Switzerland), Gerald
Jupitter-Larsen (Canada), et al.
No. 20 (n.d.). Photocopy and Mixed Media. 13"x9". Unpaged. Assembling. Lt.
Murnau issue. Contributors include Bill Gaglione, Skooter, Roger Radio.
No. 22 (August 1981). Photocopy and Mixed Media. 13"x9". Unpaged.
Assembling. contributors include Guy Bleus (Belgium), Ben Allen (Ireland),
Ruggero Maggi (Italy), et al.

No. 23 (September 1981). Photocopy and Mixed Media. 1`3"x9". Unpaged.
Assembling. "The Yahoo Bulletin, Vol. 2." Contributors include Rod Summers
(Holland), Albrecht D. (Germany), et al.
No. 24 (n.d.). Photocopy and Mixed Media. 9 1/2"x9 1/2". Unpaged. Assembling
in box. Contributors include Guy Bleus (Belgium), Robin Crozier (England),
Carlo Pittore (USA), Bern Porter (USA), Kowa Kato (Japan), Graciela Marx
(Argentina), et al.
No. 25 (December 1981). Photocopy and Mixed Media. 13"x8 3/4". (18 pages).
"This Order: Lieutenant Murnau's Digital Network." Assembling magazine.
Contributions by Ginny Lloyd (USA), Manuel Marin (Mexico), Rockola, et al.
No. 26 (December 31, 1981). 12"x8 1/2". Photocopied and Mixed Media.
Sealed. 1981 Yearbook. Guy Schraenen (Belgium), Alfio Fiorentino (Italy), et al.
No. 27 (January/February 1982). Mixed Media. 6"x4 1/2" (Boxed). Unpaged.
Assembling. Special postcard issue. Piermario Ciani (Italy), Alex Igloo (USA,
Marcello Diotallevi( Italy), Guy Bleus (Belgium), et al.
No. 28 (March 1882). Photocopy and Mixed Media. 13"x8 3/4". Unpaged.
Assembling. Contributors include Crackerjack Kid (USA), Harley (USA), Ruggero
Maggi (Italy), Buster Cleveland (USA), et al. Poster for the exhibition, "Are you
Experienced," curated by Guy Bleus enclosed.
No. 29 (April 1982). Photocopy and Mixed Media. 13"x8 3/4". Sealed.
Assembling. "Mail Art Crises." Contributors include Dislokate Klammer (USA),
Giovanni Gulinello (Italy), Aaron Flores (Mexico).
No. 30 (May 1982). Photocopy and Mixed Media. 13"x8 3/4". Unpaged. "East-
West Connection." Seoung Buk-Ku (Korea), Cho Sang-Hyun (Korea), et al.
No. 31 (June 1982). Photocopy and Mixed Media. 8 1/2"x6". Unpaged. Sealed.
"Scanners" issue. Contributors include Bruno Valle (Italy), Ubaldo Giacomucci
(Italy), Michael Groschopp (Germany), buZ blurr (USA), et al.
No. 32 (July/August 1982). Photocopy and Mixed Media. 12"x8 1/4". Unpaged.
Special "Bidet," issue. "26 assholes nurds into mail! Neoist Summer Camp
VH/Action. B. J. Tisma special. Think cosmic death transfer & more."
No. 33 (September 1982). Photocopy and Mixed Media. 8 3/4"x6". Unpaged. "A
Mail Art Magazine collected by V. Baroni." Contributors include Vagrich
Bakhchanyan (USA), Guy Bleus (Belgium), Serse Luigetti (Italy), Klaus Groh
(Germany, et al.

No. 34 (October 1982). Photocopy and Mixed Media. 8 3/4"x6". Unpaged. "Are
You in Love." Contributors include Louise Neaderland (USA), Mark Pawson
(England), et al.
No. 35 (November 1982). Photocopy and Mixed Media. 8 1/2"x6". Unpaged.
Mail Art Assembling magazine. Contributions by Guy Bleus (Belgium), Ruggero
Maggi (Italy), Manuel Marín (Mexico), et al.
No. 36 ([December 1982]). Photocopy with Mixed Media. 8 1/2"x6". Unpaged.
Mail Art assembling magazine. Contributors include Jean-Marc Rastorfer
(Switzerland), Patrick T. (USA), Salvatore de Rosa (Italy).
No. 37 (January 1983). Photocopy with Mixed Media. 12"x8 1/4". Unpaged.
"S.I.N. News 1." Assembling. Contributions by Henning Mittendorf (Germany), R.
Milinkovic (Yugoslavia), Benedict Tisa (USA), et al. Edition 18/100.
No. 38 (March 1983). Photocopy with Mixed Media. 8 1/2"x6". Unpaged.
Assembling. Contributors include Demos Ronchi (Italy), Carlo Pittore (USA),
Michel Champendal (France), et al.
No. 39 (April 1983). Photocopy with Mixed Media. 8 1/2"x6". Unpaged. Mail Art
assembling zine. Thirty-four contributors including Richard Meade (USA), Steve
Random (USA), Robin Crozier (England), Gerald Jupitter-Larsen (Canada), et al.
No. 40 (May 1983). Photocopy with Mixed Media. 8 1/2"x6". Unpaged. Mail art
assembling magazine. Contributions by Arno Arts (Holland), Ruggero Maggi
(Italy), Levat Jeno (Hungary), et al.
No. 41 (June 1983). Photocopy with Mixed Media. 9 3/4"x7". Unpaged.
Assembling magazine. Nineteen contributors, including Ryosuke Cohen (Japan),
Ian Teuty (USA), Arturo Fallico (USA), et al. Aka "S.I.N.ews No. 2."
No. 42 (n.d.). Photocopy with mixed media. 9 3/4"x7". Unpaged. Mail Art
assembling magazine. Contributors include Rockola (USA), Galantai (Hungary),
Minoy (USA). Includes an editorial concerning Mail Art clichés.
No. 43 (August-September 1983). Photocopy with Mixed Media. 9 3/4"x7".
Unpaged. "Networkart." Assembling. Contributors include H. R. Fricker
(Switzerland), Guy Bleus (Belgium), Günther Ruch (Switzerland), Dogfish (USA),
et al.
No. 44 (October/November 1983). Photocopy with Mixed Media. 8 1/2"x6".
Unpaged. Assembling magazine. Contributors include Jürgen Olbrich, Ryosuke
Cohen (Japan), Dogfish (USA), Ulrich Kattenstroth (Germany), et al. "to be in the
next issue send 100 pieces of mail art crap to the usual address. No winners. No
losers."

No. 45 (December 1983). Photocopy and Mixed Media. 11 3/4"x81/4". Unpaged.
Mail Art assembling magazine. Aka "S.I.N.ews III." Contributors include Andrej
Tisma (Yugoslavia), Thierry Tillier (Holland), et al.
No. 46 (January/February 1984). Photocopy and Mixed Media. 10 1/4"x7 1/2".
Unpaged. Mail Art assembling magazine. This issue "A Trip to Akademgorod: A
Neoist Research Project." "This tourist portfolio commemorates the first
international flight to Akademgorod (the Promised Land of Neoism) as organized
in January 84 by Agenzia Neoista Italiana."
No. 47 (March 1984). Photocopy with Mixed Media. 8 1/4"x6". Unpaged.
Assembling. Contributions by H. R. Fricker (Switzerland), Guy Bleus (Belgium),
Philippe Billé (France), Open Head Arts (Greece), et al.
No. 48 (April/May/June 1984). Photocopy with Mixed Media. 8 1/4"x6".
Unpaged. Mail Art assembling magazine. Contributions by Peter Küstermann
(Germany), Guglielmo Achille Cavellini (Italy), Mark Pawson (England), et al.
Includes editorial. "It's funny how few mail art projects really use effectively the
network potential. It is not simply an activity of collecting crates full of yellowing
envelopes, It is a work of arranging heterogeneity in a significant perspective."
No. 50 (n.d). Photocopy with mixed media. 12"x8 1/2". Sealed Copy. "Silver
Issue." Assembling. Contributions by Mark Bloch (USA), Al Ackerman (USA),
Shozo Shimamoto (Japan), The Gerlovins (USA), Julien Blaine (France).
No. 52 (February/March 1985). Photocopy. 6 "x4 1/4". Sealed. "Scripta Volant
(mail poetryshow catalog)."
No. 54 (June/December 1985). Photocopy. 6"x4 1/4". Sealed. "Copy Art Show
Catalog." With invitation to the project. Contributors include K. S. Ernst (USA),
Klaus Urbons (West Germany).
No. 55 (1986). Photocopy. 6"x4 1/4". Sealed. "Vittore Baroni's Mail Art
Handbook." An overview of contemporary Mail Art, including chapters on History,
Congresses, Tourism, Archives, Money and Mail Art, and a Bibliography.
No. 56 (January/June 1987). Photocopy with Mixed Media. 8 1/2"x6". 31 pages.
Comments on the subject by Ray Johnson, Al Ackerman, Philippe Billé (France),
Leonhard Frank Duch (Brazil), Clemente Padin (Uruguay), et al.
No. 57 (July/December 1987). Photocopy. 8 1/2"x6". 27 pages. Results of
contributions to, "The Box Game." Contributors included Robin Crozier
(England), Piotr Rypson (Poland), Rod Summers (Holland), and Rea Nikonova
(Russia).
No. 58 (1988). Photocopy. 6"x4 1/4". 34 pages. "The B. A. T. Manual (Break Art
Taboos and Old Toys)." Includes an homage to English Mail Artist Michael Scott.

No. 59 (January/June 1989). Photocopy and Mixed Media. 8 1/4"x5 3/4".
Unpaged. "Alternative Philately" issue. Includes the essay, "Other Stamps," by
Christian Rigal (France).
(No. 60-See "Netzine")
(No. 61-See "Smile. Vittore Baroni, Editor.")
No. 62 (January/December 1990). Photocopy with Mixed Media. 6"x4 1/4". 42
pages. "B-Art Issue." "The difference between Art with a capital A and B-art with
a capital B is that you don't get free Art in the mail, you have to look it up in
museums and heavy catalogues & sign checks with multiple zeroes if you want it
on your wall."
No. 64 (January/March 1993). Photocopy with Mixed Media. 6"x4 1/4". 23
pages. "Utopia Infantile: a networking project by Vittore Baroni & Robin Crozier."
Edition 94/100.
No. 65 (April/June 1993). Photocopy. 6"x4 1/4".23 pages. Includes the essay,
"The Glass Enigma of David Drummond-Milne," by the editor.
No. 66 (July/September 1993). Photocopy and Mixed Media. 23 pages. "The
One-Man Show: collective add-on project conceived by Vittore Baroni."
Contributions by Ben Vautier (France), Paulo Bruscky (Brazil), Charles Dreyfus
(France), Ulises Carrion (Holland), et al. Edition 27/100.
No. 67 (October/December 1993). Photocopy with Mixed Media. 23 pages.
"Stickerman Scrapbook." Results of a project on "adhesive art" with Piermario
Ciani. Edition 92/100.
No. 68 (December 1994). Photocopy. 6"x4 1/4". 19 pages. Issue devoted to the
correspondence between the editor and Arturo Giuseppe Fallico (USA).
No. 69 (January/February 1995). Photocopy. 8 1/2"x6". 11 pages. Special Ray
Johnson issue after the artist's death on January 13, 1995).
Special Supplement (January 1995). Color and Black&White Photocopy and
Mixed Media. 8 1/4"x6". "A word/visual collaboration between me and russian
trans-poets Rea Nikonova and Serge Segay." "I Quaderni di Arte Postale!-N.1."
No. 70 (March/April 1995). Photocopy and Mixed Media. 5 3/4"x4 1/4". 19
pages. Collaborative issue with Jürgen O. Obrich (Germany).
No. 71 (May/September 1995). Photcopy with Mixed Media. 6"x4 1/4". 23
pages. Results of the editor's project "Fun in Acapulco." Contributions by 108
persons from 22 countries.

No. 73 (October/December 1995). Photocopy. 5 3/4"x4 1/4". 20 pages. "A Deck
of Postcards." Collaborative collage art with Guy Bleus (Belgium).
No. 74 (January 14-17, 1996). Photocopy. 5 3/4"x4 1/4". 8 pages. "My Own
Private Internet: the E. O. N. guide to happy networking: The Club of 12." "Once
again, it is a matter of tolerance not contraposition, collaboration not competition,
old and new media helping one another, integrated into a global tactic that
should evolve (h)armonisously and lovingly. The utopian idiot in us will never
die!"
No. 75 (January/April 1996). Photocopy. 5 3/4"x4 1/4". 19 pages. Luther
Blissett issue. Includes the essay, "Ray Johnson: A Zapatista in Greenwich," by
Luther Blissett. Edition of 111 copies.
No. 76 (May/September 1996). Photocopy and Mixed Media. 5 3/4"x4 1/4". 31
pages. Aka "Scissures 1." Commemorating the musical group, "Le Forbici di
Manitú. contributions to the project, "Manitou's Scissors." contributions by 86
persons from 20 countries. Edition 25/300. This copy sent by the editor to
Factsheet Five for review, with bibliographic information submitted by the editor.
No. 77 (January/December 1997). Photocopy with Mixed Media. 6"x4 1/4". 7
pages. "The Making of Arte Postale (the Book)." "I will take advantage of this
issue of "Arte Postale!" (the magazine , with exclamation mark) to report the
vicissitudes behind this publication, to balance things out in English only."
Backed by a "(im)personal invite to '1988: A Year of Incongrous Meetings.'"
No. 79 (January 13, 1998). Photocopy and Mixed Media. 11 3/4"x8 1/4". 15
page booklet+enclosures. Special issue on Ray Johnson. Special insert, "The
EON Archives of Ray," listing books by and about Johnson, Johnson exhibition
catalogs, Essays on Johnson in magazines and newspapers before and after his
death. Includes the booklet, "Scissures 2." Edition 18/31.
No. 83 (July/December 2000). Photocopy and Mixed Media. 6"x4 1/4". 6 pages.
Announcing, "The David Zack Project." Includes several reproductions of letters
from Zack to Baroni.
No. 84 (January 2001). Photocopy. 5 3/4"x4 1/4". 8 pages. Aka "Scissures 3."
Includes the essay, "Manitu' Rossi's Autobiography." Information on the musical
group, "Le Forbici di Manitu."
Artforum International. (Pawel Petasz, Editor). (Elblag, Poland).
1983.
No. 6 (1981). Offset on Handmade Paper with Typing. 11 1/4"x8 1/2".
(1 page). Recycled issue created in July 1983, with typed Table of Contents.

Artist Call. Michael Schwartz, Editor. Tucson, Arizona. 1992.
Vol. 1, No. 3 (May 1992). Photocopy. 5 3/4"x4 1/2". 38 pages.
Contributors include Gerard Barbot (USA), Epistolary Stud Farm (USA), Henning
Mittendorf (Germany) and Pedro F. Bericat (Spain). Mail Art project and show
announcements.
The Artist Calls: Newsletter of the Artists Network of Amnesty
International. Angie Baldassarre, Editor. Toronto, Canada. 1993.
Vol. 5 (May 1993). Photocopy. 8 1/2"x11". (4 pages). Article by Mike
Duquette (Canada), "Amnesty International Stamps Out Injustice," which reports
on an exhibition of 278 stamp images "honouring the work of Amnesty
International."
Artistamp News. Anna Banana and Ed Varney, Editors.
Vancouver, Canada. 1991-1999.
Vol. 1, No. 1 (January 1991). Offset. 8 1/2"x11". 8 pages. Edited by
Anna Banana. "In phasing out our 20-year newsletter, "The Banana Rag," to
make time and money for this new venture, we have decided to include in
'Artistamp News' as much of the information on mailart shows and publications
that we have room for, which seemed to be of most interest to our "Banana Rag"
readers; thereby creating a new publication that will span overlapping areas of
interest." News section. Profile of Ed Varney (Canada). "Notes form Jas.
(Felter)." Contains "Banana Rag," No. 29, "Mail Art Shows and Project
Information."
Vol. 1, No. 2 (December 1991). Offset (Artistamps Attached). 8
1/2"x11". 8 pages. News. Profiles on buZ blurr (USA) and Carl Chew (USA).
"Jas. Notes II." Publications (books, magazines, catalogs) received, including a
review of "Mail Art: An Annotated Bibliography," by John Held, Jr. "Banana Rag,
No. 30," containing "Mail Art Show and Project Information."
Vol. 2, No. 1 (August 1992). Offset (Artistamps Attached). 8
1/2"x11". 8 pages. "Artistamp Statement," by Crackerjack Kid (USA). News
Briefs. Jas. Notes. Profile of E. F. Higgins III (USA). Publication reviews. Mail Art
Shows and Projects.
Vol. 3., No. 1&2 (February 1993). Offset (Artistamps Attached). 8
1/2"x11". 12 pages. Editorial by Anna Banana. Letters. Network News. Artist
Profile: Vittore Baroni (Italy). "Robert Watts Stamp Rememorative," by Sara
Seagull. Publications received. "New Editions" featuring new artistamps by

Dogfish (USA), H. R. Fricker (Switzerland), Ed Higgins (USA), et al. "Mail Art
Shows & Projects, Announcements, contacts."
Vol. 4, No. 1 (March 1994). Offset (Artistamps Attached). 8 1/2"x11".
12 pages. Articles by Guy Bleus, "Philately: Mail Art is Disguise," and "I'm a
Networker, Ha Ha...," by Anthroat. Mars (Mail Art/Rubber Stamps) Expo
reviewed by Carl Chew (USA) and Ed Varney (Canada). Review of "Timbres
d'Artistes," at the Museé de la Poste, Paris, by Dogfish (USA). Catalog of the
exhibition reviewed. Artist Profile: Greg Byrd (aka Toast Postes, USA).
Publications reviewed. New stamp issues noted. Mail Art show and project
information. News and Events.
Vol. 4, No. 2. (October 1994). Offset (Artistamps Attached). 8
1/2"x11". 12 pages. News of the artistamp world. Exhibition reviews.
Publication reviews. Artist Profiles: Cati LaPorte (USA), Marcello Diotallevi (Italy)
and Bruce Grenville (USA). "Art is Stamps," by Guy Bleus. Books and Catalogs
received. New artistamp issues by buZ blurr (USA), Peter Kaufmann
(Switzerland), Edgardo Antonio Vigo (Argentina), et al. Mail Art exhibition and
project invitations.
Vol. 5, No. 1 (June 1995). Offset (Artistamps Attached). 8 1/2"x11".
12 pages. Exhibition reviews. "It's in the Mail-Artistamps and the mail Art
Movement," by Robert Rudine (Dogfish). News reports. Artist Profiles: Peter
Küstermann and Angela Pähler (Germany), Günther Ruch (Switzerland), Bruce
Grenville (USA). Books and periodicals review. New artistamp issues by Vittore
Baroni (Italy), György Galantai (Hungary), Serge Segay (Russia), Georgine
Margaretta Witta (Denmark), et al. Mail Art show and project invitations.
Vol. 6, No. 1 (February 1996). Offset (Artistamps Attached). 8
1/2"x11". 12 pages. Last issue edited by Anna Banana. Exhibition reviews.
Ray Johnson memorial. Profiles of Harley (USA), James W. Felter (Canada) and
William Graf (USA). Books and catalogs reviewed. New artistamp issues by
Boog (USA), Sandor Gogolyak (Yugoslavia), Eiichi Matsuhashi (Japan), et al.
No. 9 (Spring 1997). Offset. 8 1/2"x11". 12 pages. First issue edited by
Ed Varney, replacing former editor Anna Banana. "Mail Art as a Means of
Survival under Communism," by Peter Küstermann (Germany). Interview with
Jas. Felter .Alternative Artfest. Pacific Rim Artistamp Congress 1997. Profile of
Patricia Tavenner (USDA). Stamp Art Gallery, San Francisco. Publications.
"Artistamp Reviews."
No. 10 (Summer 1998). Offset (Artistamps Attached). 8 1/2"x11". 12
pages. "Art is Stamps," by Guy Bleus. "Some Thoughts About Mail Art," by
Ruud Janssen. "The Rhythm of the Post OR Le Timbre des Timbres Poste," by
Ina Blom. Artist profile of Stive Smith (USA). Review of Pacific Rim Artistamp

Congress. Michael Hernandez de Luna and Michael Thompson. Exhibition
reviews. Publications. Memorials to Josef "Joki" Klaffki (Germany) and Edgardo
Antonio Vigo (Argentina). Illustrated reviews of recent artistamp issues.
No. 11 (Fall 1999). Offset (Artistamps Attached). 8 1/2"x11". 12
pages. Editorial. "Mail Art-Brain Cell-Fractal," by Ryosuke Cohen (Japan).
"Great Moments in the History of Artists' Stamps," by Vittore Baroni (Italy).
"World of Artistamps" CD-ROM, reviewed by the editor. "What's About
Artistamps?," by Merlin (Germany). "Meditation on Perforation," by Gianni
Simone (Japan). Artist Profile: Marilyn Califf (USA). Memorials to Buster
Cleveland (USA) and Dick Higgins (USA). "First International Female Artistamp
Exhibition," curated by Gaglione/Held (USA). Publications received. Reviews of
recent artistamp issues.
Artistampzine. Edited by the Fake Picabia Bros. (Picasso
Gaglione and John Held, Jr.). San Francisco, California. 2000-
2001.
Vol. 1, No. 1 (June 2000). Photocopy and Artistamps in Various
Media. 11 1/2"x9 1/4". Unpaged portfolio. Artistamp portfolio featuring
artistamps by Bay Area Dada Artists (Charles Chickadel, Dadaland, Darling
Darlene, John Held, Jr., Indian Ralph, Tim Mancusi, Seth Mason). Review of
Mexican artistamp exhibition. "Debate on Mail Art," by Clemente Padin
(Uruguay). Response by John Held, Jr. Edition of 30.
Vol. 1, No. 2 (November 2000). Photocopy and artistamps in various
media. 11 1/2"x9 1/4". Unpaged portfolio. Artistamp portfolio featuring
artistamps by 11 persons including Dadaland (USA), John Held, Jr. (USA),
Patricia Harris (aka Princess Petal, USA), Charles Gatewood (USA), et al. News
on Mail Art in print, Mail Art Mekka Minden. "Fake Ray Johnson Weekend."
Reprints from recent publications featuring artistamps. Edition 3/30.
Vol. 2, No. 1 ([February 2001]). Photocopy, rubber stamps, and
artistamps in various media. 11 1/2"x9 1/4". Unpaged Portfolio.
Features 10 artistamp sheets by buZ blurr (USA). Accompanying booklet
includes information on the artistamp sheets and autobiographical information on
the artist, inlcluding, "Some buZ blurr Autostoricizzazione." Edition 1/30.
Vol. 2, No. 2 ([2001]). Photocopy and Artistamps. 11 1/2"x9 1/4".
Unpaged portfolio. "Special Womens Issue." Artists featured include Darling
Darlene (USA), Anna Banana (Canada), Dragonfly Dream (USA), Ex Posto
Facto (USA), Patricia Harris (USA), Teesha Moore (USA), Annina Van Sebroeck
(Belgium), et al. Accompanying booklet reprints recent newspaper articles on

artistamps. Issue dedicated to the Baroness Von Freytag-Loringhoven (1874-
1927). Edition 3/30.
Vol. 2, No. 3 ([2001]). Photocopy and Artistamps. 11 1/2"x9 1/4".
Unpaged portfolio. Featuring artistamp sheets by 14 persons, including
Dadaland (USA), Vittore Baroni (Italy), Dogfish (USA), Michael Thompson (USA),
Michael Hernandez de Luna (USA), Ed Varney (Canada), et al. "Working Permit:
A Canadian Travel Diary (April 19-23, 2001)," by John Held, Jr. (USA) Edition
2/30.
Artists Internat'l Newsposter. Ruth Howard, Editor. Santa Cruz,
California. (1983).
([1983]). Photocopy. 19"x11". (2 pages). Mail Art questionnaire response.
Collage of images by contributing artists including Vittore Baroni (Italy), Ryosuke
Cohen (Japan), Robert Rehfield (East Germany). Original art by Rockola
enclosed.
Artpaper: Art/Community/Cultural Activism. Lane Relyea; Jan
Zita Grover, Editor. Visual Arts Information Service,
Minneapolis, Minnesota. 1989-1993.
Vol. 9, No. 2 (October 1989). Newsprint. 17 1/2"x11 1/2". 32 pages.
Alternative magazine featuring article on Art Strike, 1990-1993. Includes insert
advertisement with rubber stamp reading, "It's terrific! Yes! mail art changed my
life!"
Vol. 9, No. 4 (December 1989). Newsprint. 17 1/2"x11 1/2". 32
pages. "The Activist Librarians," by Chris Dodge (USA), which tracks his
discovery of Mail Art and zines.
Vol. 9, No. 5 ( January 1990). Newsprint. 17 1/2"x11 1/2". 32 pages.
"The Eternal Mail Art Network," by John Held, Jr. (USA). Front cover features
images from the Mail Art network. Back cover features reprint of "Yawn: Sporadic
Critique of Culture," edited by Lloyd Dunn (USA).
Vol. 11, No. 2 (October 1991). Newsprint. 17"x11" (oversize). 26
pages. "Networking: The Decentralized Assault," by The Aggressive School of
Cultural Workers-Iowa City (aka Lloyd Dunn and Stephen Perkins, et al., USA).
"...a new breed of cultural worker has developed who takes these geographic
and psychic disturbances as the context from which much of their work springs.
We are speaking here of the concept of the networker and the network./the
networker is someone who respects no borders, brooks no artificial barriers in
his or her quest to celebrate the most basic of human acts: communication.

connected with others across the country and around the globe, networkers
generate dialogues of many kinds, from play to collaboration to propagandizing.
It's a defiant and subversive culture constantly slipping its message through the
postal system n the form of xeroxes, underground zines, audio cassettes,
videotapes, and computer discs. More recently, the fax, modem, and computer
bulletin board have been added to the networker's repertoire. Indeed, all the
duplicative technologies and any other available means of transmitting
information are potential tools for the networker..." Edited by Jan Zita Grover.
Vol. 11, No. 6 (February 1992). Newsprint. 17"x11" (oversize). 26
pages. "Received by Mail," includes contributions by Jeffrey Vallance (USA),
Sister Serpents (USA), et al.
Vol. 12, No. 2 (October 1992). Newsprint. 17"x11" (oversize). 31
pages. "Prison Envelope Art: Imagery in Motion." Selections from an exhibition
in Long Beach, California.
Vol. 12, No. 4 (December 1992). Newsprint. 17"x11" (oversize). 27
pages. Cover art by Joel Lipman (USA).
Vol. 12, No. 8 (April 1993). Newsprint. 17"x11" (oversize). 27 pages.
Guest edited by Vince Leo (USA). "...while this issue is not expressly about
art or community or cultural activism, to my mind is 'is' art, community, and
cultural activism. It's a testimonial to the differences we call our own, to all the
cultures that every who loves 'Artpaper' holds dear." Contributors asked to
recommend an item of current interest. Contributions by Hakim Bey (USA), Chris
Dodge (USA) and Stephen Perkins (USA), who writes about "'SMILE' Classified
Review," edited by Simon Ford (England). "Smile is everybody's magazine
because anybody can produce it! All you have to do is call your magazine
'SMILE.' the English writer Stewart home proposed the SMILE concept in 1984
after plagiarizing and refining ideas that had been developed by the Neoist
conspiracy in the late '70s and then reapplying them to the field of publishing. the
concept found fertile ground as it weaved its way through the international
network of neoists, cultural refuseniks, correspondence artists, xerox zinesters,
and others in underground networks. this catalog documents approximately 11
'SMILE's produced throughout Europe,, North America, and Australia during the
years 1984-1988. Editor Simon Ford also provides succinct overviews of a string
of related concepts that intersect with the 'SMILE' project: Neoism, Multiple
Names, Plagiarism, and the Art Strike..."
Ask Ling. Al Ackerman, Editor. San Antonio, Texas. 1984-1986.
Christmas Issue ([December 27, 1984]). Photocopy. 8 1/2"x5 1/2".
(4 pages). Mail Art lit-zine by the master of the TLP (Tacky Little Pamphlet).

No. 33 (February 1985). Photocopy. 8 1/2"x5 1/2". (4 pages). "'The
Ching What Am,'" by the Ling Master. Graphic, "American I Ching," by B(ill)
Chambers USA).
No. 38 ([May 16, 1985]). Photocopy. 8 1/2"x5 1/2". (4 pages).
"Devotees quiz Ling about semi-severed sandwiches and missing dollar bills."
Devotee David Greenberger (USA) pictured.
No. 38 (July [1985]). Photocopy 11"x8 1/2". 17 pages. Questions from
buZ blurr (USA) and Dazar (USA). "Puzzled? Baffled? Unclear in you head?
Send your question along with $5 to 'Ask Ling' c/o House of Crazies..."
No. 43 (October 1955 [1985]). Photocopy. 8 1/2"x5 1/2". (4 pages).
"This is Ling. There is one thing I've noticed as I sit here in my mystic Ling hood
pillowcase with the single eyehole cut in the center, sipping Mogan David on the
rocks, fighting crime and rich people, and doing my best to answer the questions
that you, my world-wide network of devotees, keep or keeps sending in to 'Ask
Ling': it's how I can generally spot the intelligent, well-thought-out questions in
advance, I mean before I even read the things."
No. 44 (July 1936 [July 1986]). Photocopy. 8 1/2"x5 1/2". (4 pages).
"Ling Answers Your Questions."
([October 7, 1986]). Photocopy. 8 1/2"x5 1/2". (6 pages). "Solving Your
Low-Ball Sex Problems (Part III)."
Assembling. Richard Kostelanetz, Editor. New York, New York.
1970-1979.
[No. 1] (1970). Photocopy. 11"x8 1/2". Unpaged. Edited with Henry
Korn. Published by Gnilbmessa Inc., Brooklyn, New York. "Assembling: A
cooperative annual magazine of the unpublished and the unpublishable-selected
and printed by the contributors. Compiled by Richard Kostelanetz and Henry
Korn." Contributor Notes. "Why Assembling?," by Richard Kostelanetz.
(1978). Offset. 11"x8 1/2". 96 pages. "Assembling Assembling." Preface,
introduction and bibliography by Richard Kostelanetz. History of the magazine up
to the present issue.
No. 9 (1979). Offset. 11"x8 1/2". Unpaged. "A Critical (Ninth)
Assembling." "Prospective contributors were invited to submit two pages,
camera-ready for offset reproduction of 'critical commentary on radical
experimental tendencies in contemporary literature.'" Biographical notes of
contributors.

Atalaya. Christer Brunström, Editor. Halmstad, Sweden. 1987-
1988.
Vol. 13. No. 1 (Winter/Spring 1987/1988). Photocopy. 8 1/4"x5 3/4".
11 pages. Philatelic magazine dealing with "cinderellas, 'dead' countries and
other oddities." Article on Mail Art by Dogfish (USA).
Atmosphere. Mogens Otto Nielsen and Atmosphere Controlled,
Editors. n.d.
No. 3 (n.d.). Offset. 11 3/4"x8 1/4". (4 pages). Visual poetry.
AU (Artists' Union/Art Unidentified). Shozo Shimamoto; Misao
Kusumoto; Sumiko Kim; Yoshio Kato; Yoko Kuwaki; Yoyoi
Yoshitome; Hiloco Usui, Editors. AU, Nishinomiya, Japan. 1977-
2001.
Newsletter published by AU art organization in Nishinomiya, Japan, under the
direction of Shozo Shimamoto, a former member of the Gutai art movement.
Gutai was one of the pre-eminent post-war avant-garde art movements in Japan,
formed in the mid-1950s, well-known for incorporating performance aspects into
the physical artwork (i.e., running through a series of paper screens, or in the
case of Shimamoto, hurling bottles with oil pigments at a canvas, the resulting
canvas bearing the trace of the performance). Shimamoto can be seen in the
bottom photograph on page 1 of this issue, far right. Shimamoto was introduced
to Mail Art by Byron Black, from Ft. Worth, Texas, and Vancouver, Canada,
where he was a resident at Western Front. Black went to Japan to teach English
and made the acquaintance of Shimamoto and Ryosuke Cohen (see Brain Cell),
who he introduced to Mail Art. Over the years, Mail Art became a growing
concern of the organization, composed of artists throughout Japan.
No. 2 (1977). Offset. 12"x9". 8 pages. In Japanese. Published in Nara,
Japan.
No. 3 (April 1977). Offset. 11 3/4"x8 1/4". (4 pages). Notices of projects
by Angelika Schmidt (Germany) and G. J. de Rook (Holland), and the "Broadway
Inter-national post Card and Mail Art Extravaganza)."
No. 4 ( May 1977). Offset. 11 3/4"x8 1/4". (4 pages). In this issue
(primarily in Japanese), we can see the work of Canadian Mail Artist, Chuck
Stake, and a reference to a project by Uncle Don Milliken (USA).

No. 5 (June 1977). Offset. 11 3/4"x8 1/4". (4 pages). Notice of the "First
International Postal Encounter Art-Workers of the Visual Communication," from
C. D. O., Parma, Italy. Postcard from Angelika Schmidt (Germany).
No. 6 (July 1977). Offset. 12 1/2"x8 3/4". (4 pages). Project listed by
Albrecht D. (Germany).
No. 7 (August 1977). Offset. 12 1/2"x8 3/4". (4 pages).
No. 8 (September 1977). Offset. 12 1/2"x8 3/4". (4 pages). Mail Art
project listings, including notice of a project by R. Mutt (USA).
No. 9 (October 1977). Offset. 11 1/4"x8". (4 pages). Mail Art project
listings, including notice for an exhibition of visual poetry organized by Dadaland
(USA).
No. 10 (November 1977). Offset. 12 1/2"x8 3/4". (4 pages). Graphics
by Klaus Groh (Germany). robin Crozier (England), and Uncle Don Milliken
(USA).
No. 11 (December 1977). Offset. 12 1/2"x8 3/4". (4 pages). Graphics
by Andrzej Partum (Poland). Text by Ed Varney (Canada).
No. 12 (n.d.). Newsprint. 16"x11". 8 pages.
No. 13 (n.d.). Newsprint. 16"x11". 8 pages.
No. 15 (March 10, 1978). Offset. 12 1/2"x9". (4 pages). Information on
Chuck Stake (Canada).
No. 17 (June 10, 1978). Offset. 12 1/2"x9". (4 pages).
No. 18 (July 10, 1978). Offset. 12 1/2"x9". (4 pages). Project
announcement of Italian Mail Art exhibition. Uncle Don Milliken(USA).
No. 19 (August 10, 1978). Offset. 12 1/2"x9". (4 pages).
No. 20 (September 10, 1978). Offset. 12 1/2"x9". (8 pages). Graphics
by Uncle Don Milliken (USA).
No. 21 (October 10, 1978). Offset. 12 1/2"x9". 8 pages. Centerfold with
Mail Art graphics by Albrecht D. (Germany), Pauline Smith (England), et al.

No. 22 (March 10, 1978?). Offset. 12 1/2"x9". (4 pages). Graphics by
Chuck Stake (Canada).
No. 23 (December 10, 1978). Offset. 12 1/2"x9". (4 pages).
No. 24 (January 10, 1979). Offset. 12 1/2"x9". (8 pages). Excepts from
"Orworks," by Uncle Don Milliken (USA).
No. 25/26 (March 10, 1979). Offset. 12 1/2"x9". (8 pages). Report on
"Artists' Union Symposium '79."
No. ? (1979). Offset. 12 1/2"x9". (4 pages). "AU mail art." Contributions
by Klaus Groh (Germany), Fletcher Copp (USA), Luis (Brazil), et al.
No. ? (1979). Offset. 12 1/2"x9". 4 pages. "AU mail art." Contributions by
Falves Silva (Brazil), Bill Gaglione (USA), et al.
No. 34 (April 1, 1980). Offset. 17 1/4"x12". (2 pages). Performance
photographs. Chair exhibition.
No. 38 (September 10. 1980). Offset. 17 1/4"x12". (4 pages). "Artists
Union Art Unidentified." "Mail Art Stamp" AU exhibition announcement. Misao
Kusumoto, Editor.
No. 40 (December 20, 1980). Offset. 17 1/4"x12". (2 pages). "Artists'
Union Art Unidentified."
No. 41 (February 10, 1981). Offset. 17 1/4"x12". (2 pages). 16
3/4"x12 1/4". (4 pages). "Mail Art Belgium." "Mail Art W. Germany." "A. U.
intends to open a 'mail Art' Exhibition at Portopia, an artificial island made in
Kobe port, and we are seeking art work for our exhibition which will be on the
themes of "Sea Port" and "Warm Breezes." "Presently A. U. a modern art
cultural center in Kobe, Japan, is promoting cultural exchange in the field of
modern art and we are seeking overseas members. We do not require any
membership fees whatsoever, only that the member holds interest in the
activities at A. U. by sending us twice a year or more of Post Card Art." "'Art
Space', which opened last April in Nishinomiya, offers a place where people who
are interested in Video art, music, or any other artistic medium, can freely meet
and exchange ideas."
No. 42 (April 10, 1981). Offset. 15 3/4"x12". (4 pages). Profile of
"Ryosuke Kohen," including resume and performance photographs.

No. 45 (August 10, 1981). Offset. 16 1/2"x12 1/4". (4 pages).
Announcement of forthcoming AU Mail Art exhibition at Tokyo Public Museum.
Graphic by Pawel Petasz (Poland), Byron Black (Japan).
No. 46 (September 30, 1981). Offset. 16 1/2"x12 1/4". (4 pages).
"Mail Art World Map." Announcement for "Post Card Exhibition."
No. 47 (January 1, 1982). Offset. 24 1/4"x16 1/4". (2 pages). AU
assumes format, which becomes a standard for the next years. Announcement
of forthcoming shows on Canadian and Australian Mail Art. Intention to publish
"Mail Art Book." "Toilet Performance," by Byron Black (Japan).
No. 48 (March 1, 1981). Offset. 24 1/4"x16 1/4". (2 pages). Cavellini
photograph performance. Performances by Shozo Shimamoto and Byron Black.
No. 49 (April 5, 1982). Offset. 24 1/4"x16 1/4". (2 pages). "Truck Art,"
by Ryosuke Koen (aka Ryosuke Cohen, Japan) and Teruyuki Tsubouchi
(Japan), et al. "Announcement of "Seoul International mail Art Exhibition."
No. 50 (June 1, 1982). Offset. 24 1/4"x16 1/4". (2 pages). "Information
about the Mail Art Book." includes photograph of AU Mail Art exhibition. Mail Art
project information. Performance photograph of Iikka-Juhani Takalo-Eskoia
(Finland).
No. 51 (July 25, 1982). Offset. 23 1/2"x16 1/4". (2 pages). "Truck Art."
Masil Art project information. Graphic by Robin Crozier (England).
No. 52 (September 15, 1982). Offset. 23 1/2"x16 1/4". (2 pages).
Graphic by Timm Ulrichs (Holland).
No. 54 (January 1, 1983). Offset. 24 1/2"x16 1/4". (2 pages).
"Cavellini's Ten Commandments." "Ten Ways to Make Yourself Famous, by
Cavellini (Italy). Mail Art project information. Announcement of AU "Mail Art Book
2."
No. 57 (May 31, 1983). Offset. 23 3/4"x13 1/2". (2 pages). "Form
Fornicates Function," by Byron Black (Japan). Mail Art project and exhibition
announcements including, "Mail Art Autumn '83 AU."
No. 57(sic) (August 1, 1983). Offset. 23 1/2"x13 1/2". (2 pages).
Photographs of art actions by Ryosuke Cohen (Japan).

No. 59 (October 20, 1983). Offset. 23 1/2"x13 1/2". (2 pages). Mail Art
graphics by Private World (USA), Carlo Pittore (USA), Hans Nevidal (Austria),
Marcello Diotallevi (Italy), et al. Participant list, "Mail Art Autumn '83."
No. 60 (December 1, 1983). Offset. 23 1/2"x13 1/2". (2 pages).
Newspaper review of AU exhibition at Western Front, Vancouver, Canada. "Mail
Art Book No. 2."
No. 61 (February 1, 1984). Offset. 23 1/2"x13 1/2". (2 pages). "We
are interested in having on exhibit, works by different people who delve in
making their own books and who have a vast collection of mail art material."
No. 62 (April 20, 1984). Offset. 23 1/2"x16 1/4". (2 pages). "The
initials, AU stand for "Art Unidentified." Originally, its name was "Artists' Union
established in 1975, and was changed in 1980. here at our Nishinomiya gallery,
we have given it the name Art Space...At the present, we have 130 members
throughout Japan...The editor of AU is Ms. Misao Kusumoto. Director of Mail Art
is Mr. Ryosuke Cohen."
No. 63 (June 18, 1984). Offset. 23 1/4"x16". (2 pages). "AU Mail Art
Network Manifesto." Graphics by H. R. Fricker (Switzerland) and Lon
Spiegelman (USA). Kum Num Baik (South Korea) "One Man Show at Art
Space."
No. 64 (August 30, 1984). Offset. 23 1/4"x16". (2 pages). Participant
lists for the AU Mail Art exhibitions, Hand Maid Book," and "Unique Art."
"Correspondent Art Produced by Shozo Shimamoto. Shozo Shimamoto using his
copy machines has reproduced a Brand New Kind of art work using works of
mail Art sent to him from all corners of the world. This new life from is called
Correspondent Art."
No. 65 (October 1, 1984). Offset. 24"x16". (2 pages). Stelarc "body
suspension" performance at Art Space. Mail Art project and exhibition
announcements. Reproductions of Mail Art work for "Osaka '84" exhibition.
No. 66 (December 1, 1984). Offset. 24"x16". (2 pages). Ray Johnson
graphic. Notice for "Envelope Art Works Show." at Art Space. Participant list for
"Art in the Bed." Letter from Monty Cantsin (Canada) on Neoism.
No. 67 (February 10, 1985). Offset. 23 1/2"x16 1/2". (2 pages). "AU
Contemporary Art Exhibition at Tokyo Metropolitan Museum." Mail Art project
and exhibition notices, including "The Scroll Unrolls," at Janco-Dada Museum,
Israel. Editor, Shozo Shimamoto.

No. 68 (April 1, 1985). Offset. 24"x16". (2 pages). "The Encyclopedia Of
Mail Artist-AU Collection," with self-portraits of 128 Mail Artists. New editor,
Sumiko Kim.
No. 69 (June 10, 1985). Offset. 24"x16". (2 pages). Mail Art project and
exhibition notices. Klaus Groh (Germany) exhibition at Art Space.
No. 70 (June 20,1985). Offset. 24"x16". (2 pages). "Deconstruction Art,"
exhibition, including work by Crackerjack Kid (USA). Mail Art project and
exhibition notices.
No. 71 (August 15, 1985). Offset. 24"x16". (2 pages). "AU
Contemporary Art 1985" at Kyoto City Museum. Participant list for "Mr. Network"
exhibition at Art Space (Networking Space). Exhibitions by Pat and Dick Larter
(Australia) and "Mail Art in Eastern Europe."
No. 72 (September 25, 1985). Offset. 24"x16". (2 pages). Graphics for
"Mr. Network" exhibition including graphics by Lon Spiegelman (USA), Peter
Küstermann (Germany), Fernand Barbot (USA), et al. "An Introduction About Art
and Exchange," by Guy Bleus. Mail Art project and exhibition opportunities.
No. 74 (January 25, 1986). Offset. 23 1/2"x16 1/2". (2 pages).
Photographs from a visit to Eastern Europe by Shozo. Notice of Mail Art
exhibition at Networking Space (Art Space), including works by Eastern
European Mail Artists.
No. 75 (March 10, 1986). Offset. 24"x16". (2 pages). Bern Porter (USA)
at Art Space. Announcement of "Shadow Project," by Ruggero Maggi (Italy).
Shimamoto photograph with Cavellini (Italy).
No. 76 (April 1, 1986). Offset. 24"x16". (2 pages). "Turismo. December
in 1985, Shozo Shimamoto traveled in 10 countries, Ryosuke Cohen in 4
countries...These are the portraits of every artists whom they communicated with
at that time."
No. 77 (May 15, 1986). Offset. 24"x16". (2 pages). Notices for upcoming
Mail Art exhibitions at Art Space. AU and Gutai.
No. 78 (June 10, 1986). Offset. 24"x16". (2 pages). "Unwrapping
Manifest," by Shozo Shimamoto. Works in "Unwrapping Manifest" exhibition
illustrated.
No. 79 (July 10, 1986). Offset. 23 1/2"x16 3/4". (2 pages). "World Mail
Art Wall painting in Osaka." Contributor list for, "Le Esprit de Edo." Mail Art

project and exhibition notices. "What a Historical Event!," announces forthcoming
Cavellini (Italy) appearance at Art Space.
No. 80 (August 15, 1986). Offset. 23 1/2"x16 3/4". (2 pages). Cavellini
(Italy). H. R. Fricker (Switzerland). "World Symposium on Mail Art." Mail Art
exhibitions at Art Space.
No. 81 (September 20, 1986). Offset. 23 1/2"x16 3/4". (2 pages).
New editor-Yoshio Kato. AU staff pictured. Printing history of Gutai and AU. "Mail
Art. The way of expression making use of postal and communication system. It is
said that the magazine "Gutai" (published in 1955) by Shozo Shimamoto was a
pioneer in mail art history." Contributor list for, "Contemporary Event in Saku 86."
Notices for forthcoming Art Space exhibitions and events. New editor-Yoshio
Kato.
No. 82 (November 1, 1986). Offset. 23 1/2"x16 3/4". (2 pages).
"Shozo Shimamoto had his head shaved by a priest at Shitennoji Temple in
Osaka, which is the oldest one in Japan. And this picture shows that Cavellini is
writing his autobiography on his head when Cavellini came to Japan."
Forthcoming Art Space exhibitions.
No. 83 (January 15, 1987). Offset. 23 1/2"x16 3/4". (2 pages).
Photographs documenting the visit of Cavellini to Japan. New editor-Yoko
Kuwaki.
No. 84 (n.d. [1987]). Offset. 23 1/2"x16 3/4". (2 pages). "AU
International Contemporaly (sic) Art Exhibition 87' Tokyo (G. A. Cavellini)."
Notice for Art Space exhibition, "Mail Art in New York ," featuring Mail Art by Ray
Johnson, Barbot family, E. F. Higgins III, David Cole, Carlo Pittore, Anne Sharp,
et al.
No. 85 (March 23, 1987). Offset. 23 1/2"x16 3/4". (2 pages). Interview
with Shimamoto and Cohen conducted by Guy Stuckens (Belgium), No Se No
Gallery in New York City.
No. 86 (May 23, 1987). Offset. 23 1/2"x16 3/4". (2 pages). Bern Porter
(USA). Ryosuke Cohen. Mail Art project and exhibition announcements.
No. 87 (July 9, 1987). Offset. 23 1/2"x16 3/4". (2 pages). "International
Contemporary Art Exhibition Osaka." Project and exhibition notices.
No. 88 (August 22, 1987). Offset. 23 1/2"x16 3/4". (2 pages).
"American Tourism." Shozo Shimamoto, Ryosuke Cohen, Fumiko Tatamatsu,

and Koighi Yamazaki in New York, Dallas, Los Angeles and San Francisco.
Photographs documenting the tour.
No. 89 (October 17, 1987). Offset. 23 1/2"x16 3/4". (2 pages). "Japan
AU Mail Art Members." "American Tourism," by Shozo Shimamoto. Mail Art
project and exhibition notices. Mail Art shows at Networking Space.
No. 90 (December 5, 1987). Offset. 23 1/2"x16 3/4". (2 pages). Mail
Art shows at networking Space. "AU International Contemporary Art Exhibition,
Tokyo." Exhibitions and performances at Art Space.
No. 91 (January 30, 1988). Offset. 23 1/2"x16 3/4". (2 pages).
Announcement of "International Mail Art Symposium for Hiroshima." Participant
list for "Japanese Contemporary Art Solo Exhibition Series in New York,"
including Shozo Shimamoto and Ray Johnson.
No. 92 (March 19, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Barbot
Family at Networking Space. More on the Hiroshima Symposium. Mail Art project
and exhibition notices.
No. 93 (n.d [1988]). Offset. 23 1/2"x16 3/4". (2 pages). John Cage,
Nam June Paik, Shigeko Kubota, et al, at N.Y./Japan Art Exchange Center.
"International Shadow Project." "Mail Art U. S. A." at Networking Space,
featuring Benedict Tisa (USA), Bill Gaglione(USA), Carlo Pittore (USA), John M.
Bennett (USA), Lon Spiegelman (USA), et al.
No. 94 (June 9, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Schedule for
"World Symposium, Peace," featuring John Held, Jr. (USA), Ruggero Maggi
(Italy), Daniel Daligand (France).
No. 95 (August 2, 1988). Offset. 23 1/2"x16 3/4". (2 pages).
Participant list for the exhibition "Mail Art du Francais." Mail Art exhibition and
project notices.
No. 96 (September 9, 1988). Offset. 23 1/2"x16 3/4". (2 pages).
Photos documenting "Hiroshima Shadow" events with Ruggero Maggi (Italy),
Gerard Barbot (USA), Daniel Daligand (France), John Held, Jr. (USA), Ryosuke
Cohen (Japan), Shozo Shimamoto (Japan), et al.
No. 97 (n.d. [1988]). Offset. 23 1/2"x16 3/4". (2 pages). "AU
International Contemporary Art Exhibition" at Tokyo Metropolitan Museum.
Nenad Bogdaovic (Yugoslavia) at Networking Space. Mail Art project and
exhibition notices.

No. 98 (February 10, 1989). Photocopy. 16 1/2"x11 3/4". (2 pages).
Participant list for ""16th AU International contemporary Art Exhibition," at the
Tokyo Metropolitan Art Museum, January 6-16, 1989. Photographs of exhibition
installation.
No. 99 (April 1, 1989). Offset. 23 1/2"x16 3/4". (2 pages).
Documentation for the Mail Art project, "What exists over the hairless head of
Shozo." More on the "Hiroshima Shadow Project 1988." Art critic Pierre Restany
on Italian Mail Artist Marcello Diotallevi.
No. 100 (n.d. [1989]). Offset. 23 1/2"x16 3/4". (2 pages). Participant list
for, "The Symposium and Mail Art Project for Desegregation." "Kansai TV in
Osaka," documenting the appearance of AU members. Photographs of the Mail
Art exhibition in New York City featuring John Evans, David Cole, The Barbot
Family, et al.
No. 101 (August 25, 1989). Offset. 23 1/2"x16 3/4". (2 pages). Based
on a project by Native American Dennis Banks, Shozo Shimamoto, Ryosuke
Cohen and Mayumi Handa undertake a "run for peace" across Europe.
Information on Japanese AU members.
No. 102 (October 1, 1989). Offset. 23 1/2"x16 3/4". (2 pages).
Announcement of Expo '90 Mail Art show. "Networking has Changed My Life," by
Peter Küstermann (Germany). "Mail Art Statements," by Ruud Janssen. Art
Strike, 1990-1993. Reprint of article on Crackerjack Kid (USA). Mail Art project
and show notices.
No. 103 (December 25, 1989). Offset. 23 1/2"x16 3/4". (2 pages).
Map of Europe with "the mail art friends who have offered their help for Sacred
Run." Reprint of newspaper article about Mail Art show organized by Kikuko
Aono (Japan) and Teruyuki Tsubouch (Japan) in Matsuyama, Japan. Participant
list of contributors to Shozo Shimamoto's (Japan) "Networking on the Head"
project.
No. 104 (February 23, 1990). Offset. 23 1/2"x16 3/4". (2 pages).
"Networking Project by Migratory Mail Arts," listing Eastern and Western
European Mail Artists hosting "Sacred Run" participants. Bern Porter (USA) in
Los Angeles. "17th AU International Contemporary Art Exhibition" at Tokyo
Metropolitan Museum. New editor-Yoyoi Yoshitome.
No. 105 (May 18, 1990). Offset. 23 1/2"x16 3/4". (2 pages). "AU Event
in Expo' 90." Behind the scenes at AU television programs on Kansai television.
No. 106 (July 13, 1990). Offset. 23 1/2"x16 3/4". (2 pages). Letters to
AU by José VdBroucke (Belgium), Fatima Pombo (Brazil), Eric Finley (England),

Mark Bloch (USA). Art Strike 1990-1993. "Join Exhibitions for Net Run. The art
exhibitions and performance is being planned in each countries along Net Run.
The following mail artists will hold exhibition when Shozo Shimamoto, Ryosuke
Cohen, Mayumi Handa, and Shizue Kinami will pass their town...To mail Artists
in Europe, Please come to see us o the place which you could visit. We would
be happy to meet you and do performance together." Schedule follows.
No. 107 (October 30, 1990). Offset. 23 1/2"x16 3/4". (2 pages). "1990
Net Run Report," by Mayumi Handa. Photo documentation. Participant list of
those contributing to "Net Run" exhibitions.
No. 108 (January 1, 1991). Offset. 23 1/2"x16 3/4". (2 pages). Tribute
to the late Italian Mail Artist Cavellini (1914-1990). Recent performances by AU
members.
No. 109 (February 1, 1991). Offset. 23 1/2"x16 3/4". (2 pages).
Cavellini tributes by Lon Spiegelman (USA), Kowa Kato (Japan), Shozo
Shimamoto (Japan), et al.
No. 110 (May 15, 1991). Offset. 23 1/2"x16 3/4". (2 pages). Gutai and
AU exhibition at Mathildenhohe Museum, Darmstadt, Germany. Newspaper
reprint picturing Pierre Restany writing on the shaved head of Shozo Shimamoto.
Mail Artists present included Luc Fierens (Belgium), Henning and Angela
Mittendorf (Germany), Klaus Groh (Germany), et al.
No. 111 (July 29, 1991). Offset. 23 1/2"x16 3/4". (2 pages). "Net Run
1991." "Netshaker Harmonic Divergence," by Crackerjack Kid (USA). Peter
Küstermann in Japan.
No. 112 (October 23, 1991). Offset. 23 1/2"x16 3/4". (2 pages). "The
Investigation Leading from a Hopi Prophecy to Bern Porter," by Mayumi Handa.
More on Porter (USA) by Carlo Pittore (USA). "Hair Networking," by John Held,
Jr. (USA) "Hair Media Networking," by Mayumi Handa, documenting her trip to
the United States. John Held, Jr. with head shaved .
No. 113 (January 1, 1992). Offset. 23 1/2"x16 3/4". (2 pages).
Documenting the 20th AU art exhibition at the Tokyo Metropolitan Museum.
No. 115 (April 7, 1992). Offset. 23 1/2"x16 3/4". (2 pages). AU
participates in "Art Festival of the Disabled in Japan." AU exhibition in Milan,
Italy, organized by Ruggero Maggi.

No. 116 (July 24, 1992). Offset. 23 1/2"x16 3/4". (2 pages). "Building
Crash Project." Television project dedicated to the Mail Art Congress. "Book
Burning Edict of 1992."
No. 117 (November 10, 1992). Offset. 23 1/2"x16 3/4". (2 pages).
"AU & Global forum. Participant list of contributors to "Global Forum Artists
Conference at Shimane."
No. 118 (January 30, 1993). Offset. 23 1/2"x16 3/4". (2 pages). 21st
Annual Exhibition of AU at Tokyo Metropolitan Museum.
No. 119 (March 3, 1993). Offset. 23 1/2"x16 3/4". (2 pages). Activities
in relation to Global Forum, including participation by Byron Black (Indonesia)
and John Held, Jr. (USA).
No. 120 (June 2, 1993). Offset. 23 1/2"x16 3/4". (2 pages). Global
Forum performances with Shozo Shimamoto, Byron Black, John Held, Jr., et al.,
documented. AU exhibition at Kulturzentrum Büz, Minden, Germany.
No. 121 (July 12, 1993). Offset. 23 1/2"x16 3/4". (2 pages). Excerpts
from "Blinking Through: japan tour diary 1993," by John Held, Jr. Exhibition
documentation from Global forum Mail Art exhibition. Photographs of
performances by Byron Black and John Held, Jr. at Itami City Life Culture
Department.
No. 122 (August 4, 1993). Offset. 23 1/2"x16 3/4". (2 pages). "La
Biennale di Venezia and Tourism," by Shozo Shimamoto. AU members
Shimamoto, Handa, and AU editor, Yoyoi Yoshitome, photographed with artists
Yoko Ono, Nam June Paik, Alan Kaprow and Yayoi Kusama.
No. 125 (January 27, 1994). Offset. 23 1/2"x16 3/4". (2 pages). "AU
Exhibition for the Start of Kyoto Contemporary Art Field."
No. 126 (May 25, 1994). Offset. 23 1/2"x16 3/4". (2 pages). "An
interview to Shin-Ichiro Yoshihara, the Oldest Son of the Late Jiro Yoshihara, the
Founder of the Gutai group by Mayumi Handa..." "From Gutai to 'Collective
Networking," by Shozo Shimamoto. "This 'collective networking', the complete
opposite of the modern day tendency for subdivision in art. provides a counter
balance to the various problems that exist in the world of art today." Participant
list for the exhibition, "Shozo Party."
No. 127 (June 6, 1994). Offset. 23 1/2"x16 3/4". (2 pages). Report of
Mail Artist Yasuyuki Watanabe. Gutai photographer Yoshima Kamada., who has
been documenting the recent activities of Shozo Shimamoto.

No. 128 (August 8, 1994). Offset. 23 1/2"x16 3/4". (2 pages). AU
exhibition in Helsinki, Finland.
No. 130 (December 1, 1994). Offset. 23 1/2"x16 3/4". (2 pages). AU
artists in New York city for the opening of the exhibition, "Scream Against the
Sky: Japanese Art After 1945." Shozo Shimamoto performs at the Hungarian
Cultural Center, Bucharest, Romania.
No. 131 (February 28, 1995). Offset. 23 1/2"x16 3/4". (2 pages).
"23rd AU International Contemporary Art Exhibition," Tokyo Metropolitan Art
Museum, with special section on Yugoslavian Mail Art. Giovanni Strada (Italy)
and Emilio Morandi (Italy) at AU Art Space.
No. 132 (March 10, 1995). Offset. 23 1/2"x16 3/4". (2 pages). "The
Kobe Earthquake of January 17th, 1995," Shozo Shimamoto writes, "A number
of AU members came from the Tokyo area to assist and quite a few faxes and
letters were received from abroad. From out of the disaster, I felt the broadening
of Art networking."
No. 132 (March 10, 1995). Offset. 23 1/2"x16 3/4". (2 pages). Variant
issue from the one above, printed in different color.
No. 135 (October 9, 1995). Offset. 23 1/2"x16 3/4". (2 pages).
"Dennis Banks Sacred Run Networking from Hokkaido to Hiroshima." Bern
Porter sends poetry after 50 years of the dropping of the Atomic Bomb on
Hiroshima. "In addition, a Japanese television station was impressed enough to
invite Mr. Porter to discuss the issue of "Peace" with Shozo Shimamoto.
Realization of this event, however, may be somewhat difficult due to the fact that
Mr.. Porter lives an almost saintly existence, partaking of only a half an onion a
day!"
No. 136 (December 24, 1995). Offset. 23 1/2"x16 3/4". (2 pages). AU
on the Internet. "The Internet and Mail Art," by Mark Bakula. "AU Networking
History."
No. 138 (April 23, 1996). Offset. 23 1/2"x16 3/4". (2 pages). AU
members in Helsinki, Finland, with Ilkka Juhani Takalo-Eskola, and Paris with Le
Peintre Nato. Body prints by Shozo Shimamoto.
No. 139 (September 26, 1996). Offset. 23 1/2"x16 3/4". (2 pages).
Shozo Shimamoto, Mayumi Handa and other AU members in Finland, Sweden
and France for a series of performances.

No. 141 (January 31, 1997). Offset. 23 1/2"x16 3/4". (2 pages). "25th
AU International Contemporary Art Exhibition," at the Tokyo Metropolitan
Museum. Shozo Shimamoto resumes editorship.
No. 142 (March 31, 1997). Offset. 23 1/2"x16 3/4". (2 pages). "AU
Member's Mail Art Networking." AU members state their various interests,
requesting work form international artists.
No. 145 (October 10, 1997). Offset. 23 1/2"x16 3/4". (2 pages). "AU
Tourism." Members of AU with Shozo Shimamoto in Paris; meet H. R. Fricker
(Switzerland), in Belgium with Luce Fierens, José VdBroucke, Charles
Françoise, et al., and in Germany with Henning Mittendorf.
No. 150 (June 1, 1999). Offset. 23 1/2"x16 3/4". (2 pages). Body
painting (Nyotaku) by Shozo Shimamoto (Japan). Allan Kaprow (USA) and Jean-
Jacques Lebel (France) with Shozo Shimamoto in Japan. New editor-Hiloco
Ushi.
No. 153 (November 1, 1999). Offset. 23 1/2"x16 3/4". (2 pages).
"Georgia Fashion Show Presentation," by Shozo Shimamoto (Japan). AU
members travel to the Republic of Georgia for an avant-garde fashion show.
Autograph Book. Ellen George, Editor. Vancouver, Washington.
2000.
(April 2000). Mixed media. 2"x2 3/4". Unpaged. Add and pass booklet.
Contributors include Harry Burras (USA), David Stone (USA), Ines Baillet
(Belgium), Guido Vermeulen (Belgium), Petra Weimer (Germany).
Automne. Guy Stuckens, Editor. Les Edition Provisoires,
Brussels, Belgium. 1982-1983.
No. 1 (1982). Offset. 16 1/2x 11 1/2" (oversize). (69 pages). Drawing
by the editor.
No. 2 (1983). Offset. 16 1/2"x11 1/2" (oversize). (114 pages).
Contribution by the editor. Edition 801/1000.
B Scene. Fabrizio Basso and Bartolomeo Migliore, Editor. The
Obscenes, Genova, Italy. (1993).

No. 2 (1993). Photocopy and mixed media. 12"x8 3/4". Unpaged.
Assembling with 17 contributors. ""About Art, Photos, 'Zines, Music, People,
More."
Bad News Bingo. d. (Diana) g. (Garcia), Editor. Austin, Texas.
1991-1996.
No. 7 (Fall 1991). Photocopy. 11"x8 1/2". (30 pages). "The 'O Happy
Meat O Happy Soul' Issue."
No. 8 (Summer 1992). Photocopy with mixed media. 11"x8 1/2". (26
pages). "Theme Transition." Contribution by John Held, Jr.
No. 9 (Fall 1993). Photocopy. and mixed media. 11"x8 1/2". (20
pages). Contributions by Malok (USA), Fa Ga Ga Ga (USA), Gerado Yepiz
(Mexico).
No. 10 ([1994]). Photocopy and mixed media. 11"x8 1/2". (34 pages).
"Family Issue." Contributors include Ashley Parker Owens (USA), Gerardo
Yepiz (Mexico), John Held, Jr. (USA), et al.
No. 11 ([1995]). Photocopy. 11"x8 1/2". (24 pages). "Education vs. Rock
'n Roll" issue. Contributions by John Held, Jr. Malok, et al.
No. 12 (December 1996). Photocopy and mixed media. 11"x8 1/2".
(30 pages). "Bitch Goddess Issue." Contributions by Shigeru Tamaru (Japan),
Malok (USA), Pere Sousa (Spain), et al.
"Bag Art." Fernand and Gerard Barbot, "Editors." Brooklyn, New
York. 1986-1987.
1986. Mixed media. 5 1/2"x8 3/4". Unpaged. Periodical mailings from
Gerard Barbot were composed of recycled Mail Art from his correspondents.
This method of distribution is similar to assembling magazines, in that the
mailings were composed of an assortment of original materials from various Mail
Artists. Gerard's father, Fernand Barbot's aka is "Bag Art," as good description
as any for this method of distribution. This envelope contains Mail Art from
Jacques Massa (France), Private World (USA), Christian LaPorte (France), et al.
March 14, 1986. Mixed media. 5 1/2"x9 3/4". Unpaged. Mail Art from
Ruud Janssen (Holland), Kim Il Jung (Germany), El Olivare (Spain), State of
Being (USA), et al.

April 10, 1987. Mixed media. 6 1/2"x8 3/4". Unpaged. Mail Art from
Lucien Suel (France), A. Kornfield (USA), E. M. Plunkett (USA), Anne Sharp
(USA), et al.
May 3, 1986. Mixed media. 6 1/2"x11". Unpaged. Mail Art from Julie
Bloch (USA), Robin Crozier (England), A. E. Carvellho (Brazil), Freya Zabitsky
(USA), et al.
February 2, 1987. Mixed media. 5 1/2"x10". Unpaged. Mail Art from
Michael Sakolsky (USA), Jean-Paul Morelle (Italy), Fruit Basket Upset (USA), et
al.
February 17, 1987. Mixed media. 6 1/4"x12". Unpaged. Mail Art from
Joel Smith (USA), S. van der Burg (Holland), Radio Free Dada (USA), Bálint
Szombathy (Yugoslavia). An especially interesting series of conceptual works by
Robin Crozier (England). Most of the material sent from Tony Lowes (Ireland) to
Barbot, making this a "bagging" of another "bagging."
December (6) 1987. Mixed media. 7 1/4"x5 1/2". Unpaged. Mail Art
from Ph. Billé (France), Luca Brunori (Italy), Pascal Lenoir (France), et al.
March 11, 1987. Mixed media. 5 1/2"x9 3/4". Unpaged. Mail Art from
Rudi Rubberoid (USA), Ph. Billé (France), Jennifer Henderson (USA) Jan W.
Vugts (Holland), Salvatore de Rosa (Italy), et al.
Balkon. István Hajdu, Editor. Budapest, Hungary. 1994.
94/2 (February 1994). Offset. 13"x9 1/2". 46 pages. Articles by Mail Art
scholar Géza Perneczky (Germany), "Ipics-apacs pop art," and Bálint Szombathy
(Yugoslavia), "Dávid Vera elektroimázsai."
94/5 (May 1994). Offset. 13"x9 1/2". 43 pages. Article on pioneering
Hungarian Mail Artist Endre Tót. In Hungarian.
Bambu. Ubaldo Giacomucci, Editor. Pescara, Italy. (1992-1996).
No. 13 ([1992]). Mixed media. 9 1/2"x7" Boxed. Unpaged. Guest edited
by Guy Bleus (Belgium). Mail Art assembling magazine. Accompanied by 8 page
booklet on the history of the magazine. "Bambu is a totally new concept in the
field of small press and assembling magazines. It is based on the original idea of
combining a commonpress (every issue of the magazine edited by another artist
and an assembling (every participant sends as much (more or less identical
pages to the editor as necessary for his/her edition." In this issue, 105
contributors from 21 countries. Edition 91/135.

No. 14 ([1996]). Mixed media. 8 1/2"x6". Unpaged. Guest edited by M.
B. Corbett (Preston Park, Pennsylvania). "The Last Issue." Mail Art assembling
magazine. 48 contributors including Guy Bleus (Belgium), Keith Bates (England),
Jean-François Robin (France), John M. Bennett (USA), Coco Gordan (USA),
Dobrica Kamperelic (Yugoslavia), et al.
Banal. Part B. Editor. Orange Jed Press, Liverpool, England.
1990.
(1990). Mixed media including artistamps, collage, envelopes, etc.
9"x12 1/2". Assembling magazine. Contributors include Vittore Baroni (Italy), H.
R. Fricker (Switzerland), Shozo Shimamoto (Japan), Michael Leigh (England), et
al.
Banana Rag. Anna Banana, Editor. Victoria, Canada; San
Francisco, California; Vancouver, Canada. 1971-1990.
No. 1 (August 17, 1971). Photocopy. 11"x8 1/2". (2 pages). Reproduction of the
original. "News and Views from the Town Fool of Victoria." Banana facts and
news of "Operation Banana." "Sometimes Daily Banana Rag."
No. 2 (September 17, 1971). Photocopy. 14"x8 1/2". (2 pages).
Reproduction of the original. "This is your Town Fool Here, Anna Banana, to
introduce herself and her projects to you, with the sincere hope that SOME of
you, at least, will participate in these activities.." "The Sometimes Weekly
Banana Rag."
No. 3 (January 1972). Photocopy. 14"x8 1/2". (3 pages). Reproduction
of the original. Activities of the editor and a "Banana Bank," featuring banana
news and notes. "The Sometimes Monthly Banana Rag."
No. 4 (April 1972). Photocopy. 14"x8 1/2". (3 pages). "Why Play the
Fool?" Announcement of April Fools Day activities. Banana facts, jokes, etc.
"Sometimes Monthly Banana Rag."
No. 6 (Fall 1972). Photocopy. 14"x8 1/2". (6 pages). "Fool Quits." Travel
plans announced. Banana news and notes. "The Sometimes Monthly Banana
Rag."

No. 9 (June 1973). Photocopy. 14"x8 1/2". (8 pages). "Daddaland
Edition." The editor in San Francisco. Contributors to this issue include Bill
Gaglione (Dadaland), Genesis P. Orridge (England), Art Rat (Canada), John
Dowd (USA), et al.
No. 11 (May 1975). Photocopy. 14"x8 1/2". 6 pages. Reproduction, with
original front cover. Report of the 1975 Banana Olympics.
No. 12 (Autumn 1976). Photocopy. 4"x2 1/2". 26 pages. "The drawings
in this edition are by Dana Long, daughter of A. Banana...the repeat banana is a
stamp made up from a cartoon strip called 'Spikey Goes Bananas" by Helicopter
Art Co., of Australia." "Sometimes yearly Banana Rag."
No. 14 (June 1979). Photocopy. 14"x8 1/2". (2 pages). Pre-publication
information for "VILE," No. 8. Review of performance tour with Gaglione. Notes
on upcoming Cavellini visit to San Francisco, "Inter Dada 80" and "The
Encyclopedia Bananica," etc. "The Sometimes Yearly Banana Rag."
No. 15 (July 1979). Photocopy. 14"x8 1/2". (2 pages). Same as above,
but with different issue number.
No. 16 (Spring 1981). Photocopy. 11"x8 1/2". 6 pages. "A lot of people
who wrote to me in the last year did not receive any reply, and I would like to
apologize for that, thank them for their mail, and offer the following explanation:"
An activity report follow. Encyclopedia Bananica. "Vile" update. "Banana News."
"Sometimes Yearly Banana Rag."
No. 18 (June 1984). Photocopy. 11"x8 1/2". (4 pages). Edited in
Vancouver, Canada. Banana news and notes. ""The Sometimes Yearly Banana
Rag."
No. 19 (January 1987). Photocopy. 17"x11". (2 pages). "Mail Art
Starter Kit." Shows & Projects. Publications. "Euro Tour in Brief." Announcing
Banana Productions "to coordinate a full-color, printed edition of artist postage
stamps on a collaborative, cost-sharing basis."
No. 20 (April 1987). Photocopy. 11"x8 1/2". (4 pages). "Dear
Networker" column includes mention of the, "Corresponding Worlds-Artists'
Stamps," exhibition at Oberlin College, Ohio. "Encyclopedia Bananica
Continues." Editorial, "Mail Art and Money don't Mix?"
No. 21 (September 1987). Photocopy. 11"x8 1/2". (4 pages). Mail Art
show and projects. "Network Replies," on the question of money and Mail Art
(Vittore Baroni, Mark Pawson, Steven Durland, John Held, Jr., et al.).

No. 22 (March 1988). Photocopy. 11"x8 1/2". (4 pages). "Dear
networker." Mail Art exhibition and project information. More on "Money &
Mailart."
No. 23 (August 1988). Photocopy. 11"x8 1/2". (4 pages). "Dear
networker." Mail art exhibition and project information. Publications received.
No. 24 (December 1988). Photocopy. 11"x8 1/2". (4 pages). "Dear
Networker." Mail Art exhibition and project information. International Art Post
Editions.
No. 25 (May 1989). Photocopy. 11"x8 1/2". (4 pages). "Dear
Networker." "Network Forum," reporting the death of Michael Bidner (Canada),
and a continuation of the Money and mail Art question. "Shows and Projects."
"Recommended Publications." "International Art Post Editions."
No. 26 (October 1989). Photocopy. 11"x8 1/2". (4 pages). "Dear
Networker." "Network Forum" on sub-genres (rubber stamp, artistamps) in Mail
Art. Publications reviewed. Mail Art exhibition and project information.
No. 27 (February 1990). Photocopy. 11"x8 1/2". (6 pages). "Dear
Networker." "Network Forum" Summary of "Banana Rag" questionnaire.
Publications received and reviewed. Large mail Art exhibition and project listing.
No. 28 (June 1990). Photocopy. 11"x8 1/2". ((8 pages). "Dear
Networker" includes the confession that, "I am no longer 'in love' with many
aspects of mailart. I am not much interested in doing mailart shows, and find the
task of organizing, typing and pasting-up all that information onerous. Even my
opinionated attempts at stimulating network discussion haven't revitalized my
interest. I find the rhetoric and theoretical discussions of the Art Strike, neoism
and the like to be as pedantic and overbearingly serious as the 'serious art' that
mailart was supposedly replacing. What happened to the joy? the playfulness?
the surprise?" Network news and notes. Publications. "Encyclopedia Bananica."
Mail Art exhibition and project information.
Bawana-Art. P. M. Summers, Editor. Dallas, Texas. (1982-1984.
Vol. 1, No. 1 (n.d.). Newsprint. 14 3/4"x11 1/2" (oversize). (10
pages). Dallas, Texas, art periodical, featuring local artists.
Vol. 2, No. 1 ([1982]. Newsprint. 14 3/4"x11 1/2" (oversize). (12
pages). Notice of an article in "Linn's Stamp News," mentioning Michael Bidner
(Canada), and his search for artistamps. "Canadian philatelist is compiling

comprehensive catalog and album of artist stamps. Information on known artist
stamps and private printing will be accepted in any medium...be to used for
documentary purposes only..."
Vol. 3, No. 1 ([1982]). Newsprint. 14 3/4"x11 1/2" (oversize). (24
pages). Contribution by the Church of the SubGenius (USA).
Vol. 4, No. 1 (1983). Newsprint. 14 3/4"x11 1/2" (oversize). (20
pages). "You May Have Art In Your Home That You Are Unaware Of!" "Have
you always wanted to won or invest in Modern Art, but were confused by the
problem of what is Art and what is mere decoration? Were you aware that thanks
to the advancement of conceptual Art, you may at this very moment be sitting on
a veritable Moderlode of Art? We at Bwana Art Home Services can not only tell
you what is or is not Art, but we can probably locate Art in the privacy of your
very own home!"
No. 5 (n.d.). Newsprint. 14 3/4"x11 1/2" (oversize). (20 pages).
"Frankly, Bwana is tired of hearing you people out there complain about not
having an outlet for your work. Put up or shut up." Contribution by John Held, Jr.
(USA), et al.
No. 6 ([1983]). Newsprint. 14 3/4"x11 1/2" (oversize). (12 pages).
"This is the first anniversary issue of Bwana-Art. Bwana-Art is an unedited
periodical of works by artists from various disciplines. Listing of 'supporters and
contributors" include John Held, Jr. (USA). Edition 628/1000.
No. 7 ([1983]). Newsprint. 14 3/4"x11 1/2" (oversize). (16 pages).
Contributions by Michael Helsem (USA). Gerald Burns (USA), John Held, Jr.
(USA), et al.
No. 8 ([December 1983]). Newsprint. 14 3/4"x11 1/2" (oversize). (20
pages). Contributions by Pamela Nelson (USA), John Held, Jr. (USA), et al.
No. 11 ([1984]). Newsprint. 14 3/4"x11 1/2" (oversize). (20 pages).
Contributions by Marian Henley (USA), John Held, Jr. (USA), et al.
Beat Poet. Jack Saunders, Editor. Tucker, Georgia. (1998).
No. 1 (1998). Newsprint. 10 1/2"x7 1/4". 16 pages. "The Class of '57,"
which contemplates an upcoming class reunion by this prolific mail-based writer,
a contemporary of Al Ackerman, John M. Bennett, et al.

Bern Porter International: A Literary Newspaper. N. Bernstein
and S. Holtz, Editors. Royersfort, Pennsylvania. 1997.
Vol. 1, No. 1 (Summer 1997). Photocopy. 11"x8 1/2". "In the 1970's,
'80's, and '90's, Bern has channeled much of his creative effort into the
International mail Art network, a loose affiliation of artists and writers which
traces its roots to the experimental movements of the early-to-mid twentieth
century-Fluxus, Praxis, Futurism, Surrealism, Dada, visual and concrete poetry,
as well as an area in which Bern was especially seminal: Found Art and Found
Poetry."
Better Marking. (Jeanette C. Hachmeister, Editor). Chicago,
Illinois. 1985.
Fall 1985. Offset. 8"x5 1/4". 18 pages. Magazine for the rubber stamp
industry. Includes the article, "Rubber Stamps: Their Life in the Mail," by John
Held, which comments on the use of rubber stamps in the mail Art network.
Illustrated with stamp impressions from Robert Rockola, Bill Gaglione,
Leavenworth Jackson, Andrej Tisma (Yugoslavia), et al.
beyond baroque 691. George Drury Smith, editor. Beyond
Baroque Enterprises Venice, California. 1968.
Vol. 1, No. 1 (December 1968). Offset. 11"x8 1/2". 62 pages. Includes
"Woofie Tales Five & Six," by David Zack. Illustrated by his wife, Maija. The
contributors notes read, "David and Maija Zack are 'inhabitants of Rainbow
house, San Francisco.' (The editor recently visited Rainbow House, a fabulous
old mansion in the Fillmore District and found it inhabited by two charming
people, and many creatures straight out of [or straight into] the Woofie Tales.)"
Beyond Midnight. Kalynn Campbell, Editor. San Francisco,
California. (March 1987).
([March 1987]). Photocopy. 8 1/2"x5 1/2". (12 pages). Cut and past
newspaper articles on "dark events," by the editor, a San Francisco Mail Artist.
Bibliozine. John Held, Jr., Editor. Dallas, Texas, and San
Francisco, California. 1992-
No. 1 (June 1992). Photocopy. 11"x8 1/2". (2 pages). "Bibliozine is an
irregular periodical that is published in connection with research the editor is
conducting for a new book, "International Networker Culture: an Annotated

Bibliography." This issue: "Artist Periodicals and 'Zines in the Modern Realism
Archive."
No. 4 (September 1992). Photocopy. 11"x8 1/2". (2 pages).
"Especially looking for articles on networking and it's various aspects (cassette
culture, zines, mail art, telecommunications, computer bulletin boards, fax,
photocopy, collaborative performances, artist collectives, artistamps, rubber
stamp art, etc.)." This issue: "Some entries from early research stressing
different networking mediums."
No. 5 (October 1992). Photocopy. 11"x8 1/2". 2 pages. Review of Mike
Gunderloy and Cari Goldberg's, "The World of Zines: A guide to the Independent
Magazine Revolution."
No. 6 (November 1992). Photocopy. 11"x8 1/2". (2 pages). "Mail Art
and Present Networks," by Guy Bleus (Belgium).
No. 7 (November 1992). Photocopy. 11"x8 1/2". 2 pages. "The
following was written for Carol Stetser's Networker Congress affiliated project,
"One Day in the Life of the Eternal Network" for which she asked contributors to
send, "a description of your activities during the day and night of November 10,
1992."
No. 8 (December 1992). Photocopy. 11"x8 1/2". (2 pages). "This issue
features a selection of materials gathered during the editor's recent trip to
London, England, during which he presented a lecture on mail art at the Victoria
and Albert museum on November 28, 1992."
No. 9 (January 1993). Photocopy. 11"x8 1/2". (2 pages). "Concerning
the networker Congresses," by the editor. Bibliography.
No. 10 (April 1993). Photocopy. 11"x8 1/2". 2 pages. "Publications of
Shozo Shimamoto." A listing of ten works.
No. 11 (August 1993). Photocopy. 11"x8 1/2". 2 pages. "This issue of
'Bibliozine' features two books recently sent to me by individuals of very different
temperament in the network, who are nevertheless nurtured in the collectively of
the alternative arts: Bern Porter and Stewart Home."
No. 12 (August 1993). Photocopy. 11"x8 1/2". 2 pages. "Some Recent
Zines." Reviews of "Cage", "Dreamtime Talkingmail," "Expresion Deforme,"
"Herd," and 'in remembrance."

No. 13 (September 1993). Photocopy. 11"x8 1/2". 2 pages. Remarks
by Ben Vautier (France) made in his art periodical, "Bull Shit." Illustrated.
No. 14 (October 1993). Photocopy. 11"x8 1/2". 2 pages. Five
publications on the field of artistamps (artist postage stamps) reviewed.
No. 15 (October 1993). Photocopy. 11"x8 1/2". 2 pages. "Book
Catalogues. Being a bibliophile, one of my greatest joys is looking through book
catalogues for both new and out-of-print materials. Some interesting ones have
come my way recently, and I though I'd share them. They're usually free for the
asking. These companies cater to libraries and collectors, and are one of the first
steps on the food chain of historification: libraries buy here; the materials are
archived; whence they are made available to researchers; thence to the public."
No. 16 (November 1993). Photocopy. 11"x8 1/2". 2 pages. Review of
the artistamp exhibition catalog, "Timbres d'Artistes," published by the Musée de
la Poste, Paris, France.
No. 17 (December 1993). Photocopy. 11"x8 1/2". 2 pages. "A year
end report of writings by and about John Held, Jr."
No. 18 (December 1983). Photocopy. 11"x8 1/2". 2 pages.
Biographical and bibliographical information on Picasso Gaglione.
No. 20 (February 1994). Photocopy. 11"x8 1/2". (2 pages). "Dobrica
Kamperelic's 'Open World': YU Mail Art Magazine," by the editor.
No. 21 (March 1994). Photocopy. 11"x8 1/2". 2 pages. "General
Work(s) on the Alternative Arts." Publications reviewed in the fields of Fluxus,
Mail Art, rubber stamps, artistamps and zines.
No. 22 (April 1994). Photocopy. 11"x8 1/2". 2 pages. "The Assembling
Magazine." Reviews of "Apocrypha," "Mani Art," "Tensettenodoned," and "X-
Ray" magazines.
No. 24 (August 1994). Photocopy. 11"x8 1/2". 2 pages. Review of
"Marcel Duchamp: Work and Life," by Pontus Hulten (texts by Jennifer Gough-
Cooper and Jacques Caumont.).
No. 25 (August) 1994). Photocopy. 11"x8 1/2". 2 pages. "E-Zines in
Cyperspace, networking Discussions in Indonesia, A Festival of Plagiarism in
Scotland, and Slovakian Supplements."

No. 26 (November 1994). Photocopy. 11"x8 1/2". (2 pages). "From
October 15 through November 1. 1994, the editor was in the Czech Republic,
Hungary, and Yugoslavia. Lectures were given on the alternative arts (mail art,
networking, performance, and Fluxus) at the national Academies of Fine Arts in
Prague and Budapest. In Yugoslavia a performance and exhibition took place at
the happy new Art Galley in Belgrade. Following are a list f books, catalogs, and
periodicals accumulated during the visit, reflecting the people met along the
way."
No. 27 (December 1994). Photocopy. 11"x8 1/2". (2 pages). Reviews
of publications by Bob Black (USA), Guy Bleus (Belgium), Maadeline Gins
(USA), Judith Hoffberg (USA) and Claire Lamarre (Canada).
No. 29 (March 1995). Photocopy. 11"x8 1/2". (2 pages). Review of the
book "Eternal Network: A Mail Art Anthology," edited by Chuck Welch.
No. 31 (March 1995). Photocopy. 11"x8 1/2". (2 pages). Review of the
German publication, "Mail Art Szene DDR 1975-1990," by Friedrich Winnes and
Lutz Wohlrab.
No. 32 (April 1995). Photocopy. 11"x8 1/2". (2 pages). "Recent Articles
by John Held, Jr."
No. 33 (April 1995). Photocopy. 11"x8 1/2". (2 pages). "Ray Johnson
Swims in the mainstream," some recent articles appearing on Johnson since his
death in January 1995.
No. 36 (July 1995). Photocopy. 11"x8 1/2". (3 pages). "Post-
Johnsonian Mail Art." Reviews of "Neoism, Plagiarism & Praxis," by Stewart
Home (England), and "Alternative Creativity and Human Values: Free Dogs in
the Galaxy," by Gianni Broi (Italy).
No. 37 (August 1995). Photocopy. 11"x8 1/2". (2 pages).
Bibliographies prepared for talks delivered at the Underground Press
Conference, Chicago, August 19-21, 1995. Subjects include "History of the
Underground Press," "Archives," and "Human Rights and the Printed Word."
No. 38 (September 1995). Photocopy. 11"x8 1/2". 2 pages. "Stamp
Art Editions: A Checklist of Selected Works." Announcing the editor's move to
San Francisco, California.
No. 39 (October 1995). Photocopy. 11"x8 1/2". (2 pages). "Some
Recent European Mail Art Publications.'

BILE Dadazine. Bradley Lastname, Editor. Chicago, Illinois.
1979-1982.
(1979). Photocopy with rubber stamp. 11"x8 1/2". (8 pages with
insert). Announcement of playing card project. "Scratch and sniff" front and
back covers.
(1980). Photocopy with rubber stamp. 11"x8 1/2". (10 pages). "Letters
2 the Editor: Cavellini." Dada sculpture. Edition ?/200.
([1980]). Transparency paper and rubber stamp. 17"x11". (6 pages)
with broadside). "A Guerrealist Manifesto." "Exquisite corpse." by the editor
and Valery Oisteanu. "Bile Broadside 3," by Jeff Twiss (USA).
([1981]). Photocopy with rubber stamp and transparency. 11"x8 1/2".
(14 pages). "The FILE-VILE-BILE dialectic: Four Fallacious Causal Structures
and a True One. (a) Bile is not causally connected to either File or Vile. (b) File is
a cause of Bile, but not of Vile. (c) File is a cause of both Vile and Bile, but the
effect of File on Bile is completely contained in Vile or mediated by Vile. (d) The
covariation between Vile and Bile is totally due to their direct common
dependence upon an outside cause. (e) The covariation between Vile and Bile is
due in part to the causal dependence of Bile on Vile, and due in part to their
direct sharing of a common cause. Note also that this is the only causal structure
that crystallies into a dadagorean triangle. "In this issue: EXQUISITE CORPSE
supplement." Illustration by Ken Brown.
(July 12, 1982). Photocopy with rubber stamp. 11"x8 1/2". (10
pages). "BILE Dadazine." Illustration by Thomas Lawson. "BILE Hall of Fame."
([1982]). Photocopy with sticker. 11"x8 1/2". (12 pages). "Portrait of
Lastname" on cover with "earglasses-Vittore Baroni." Includes "BILE Broadside
Four," by Stephen Spera.
([1982]). Offset with rubber stamp. 11"x8 1/2". (16 pages). Cover photo
by Andrew David, "Nuclear Flash Shadow-Pictures." "Collages by C. Brooke
Rothwell." Includes "BILE Broadside #9."
(n.d.). Photocopy with rubber stamp. 11"x8 1/2". (8 pages). The search
for "International Bile Green." "CB Blues," by the editor. Art by Ken Brown (USA).
(n.d). Photocopy with sticker. 11"x8 1/2". (10 pages). "bile dadazine is a
product of no tickee/no washee enterprises." Dick Higgins. "BILE Hall of Fame:
René Creval." Signed by the editor. Edition 48/100.

Birdada. Bird (aka Chis Burnett), Editor. Norman, Oklahoma.
(1995).
No. 4 ([1995]). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (24
pages). Contributions by Stampmeister Kevin Friend, Zetetics, Sean Tajaratchi.
Birk Neark. Karen Eliot (aka Al Ackerman), Editor. "Unowned
Worlds"/Mad Dog Press, (San Antonio, Texas). (1987).
(July [1987]). Photocopy. 8 1/2"x5 1/2". 19 pages. "Formerly SMILE."
Neoist publication. Cover by Lon and Linda Spiegelman (USA). Guest Editorial,
"The Muses are Heard," by Jack Saunders (USA). "The Felasa of Jeeter," by
Monty Cantsin. "(A Memoir)," by V(ittore) Baroni (Italy). "Herna," by Doris "O"
(aka Doris Oppenheimer, USA). "Karen Eliot Interviews Karen Eliot." "Poetic
Plagerisms," by Karen Eliot. "M. O. L. D. (Mail Order, Ladies Division)," by Dr. F.
C. Jerkoffsky (aka Fran Cutrell Rutkovsky, USA). "How I Became a Writer," by
Karen Eliot. Contributions by Michael Leigh (England), Crowbar Nestle (aka Suzy
Poe, USA). Andre Stitt (England), Dazar (USA), et al.
Blah. Joe Decie and Apple Jack Dada, Editors. Nottingham,
England. 1998.
Issue 1 (1998). Photocopy with rubber stamps and artistamp. 6"x4
1/4". 15 pages. Michael Scott (England) and Ray Johnson (USA) memorials.
Artist trading cards. Notice for "Arte Postale: A Guide to the Network of Creative
Correspondence," by Vittore Baroni (Italy). Edition 89/100.
Issue 2 (1998). Photocopy with rubber stamp. 6"x4 1/4". 15 pages.
Book reviews. "The End of the Fluxus Buck?" Incongruous Meetings '98. Artist
trading card. Edition 38/1000.
Blammoroots. Heidi Ferguson, Editor. Salt Lake City, Utah. 1990-
1991.
Vol. 4, No. 1 (August 31, 1990). Photocopy and mixed media. 11"x8
1/2". 21 pages. Assembling magazine. "Blammoroots is a non-juried
magazine of art and writing. The purpose of "Blammoroots" is to help initiate a

dialogue between the participants and to act as a barometer of artistic
activity...Please send 50 copies of your entry (on 8 1/2 x 11 archival quality
paper, if possible) to the address above." !5 Contributors.
Vol. 4, No. 2 (February 15, 1991). Photocopy and mixed media.
11"x8 1/2". 24 pages. Mail Art assembling magazine. 15 contributors.
Vol. 5, No. 1 (August 31, 1991). Photocopy and mixed media. 11"x8
1/2". 20 pages. Mail Art assembling magazine. 18 contributors, including Fa
Ga Ga Ga (USA), Minoy (USA) and John Held, Jr. (USA).
Blitzkunst. Ginny Lloyd, Editor. Lloyd Productions, San
Francisco, California. 1984.
No. 2 (March 1984). Offset. 10 1/2"x8 1/4". (34 pages). "The
Storefront." Documenting the editor's storefront gallery, which featured such
exhibitions as Ginny Lloyd/Anna Banana, "Artists' Stamps Show," "The Daily Mail
Show," "Dayglos-Dagos (Bill Gaglione and Rockola," etc. Includes a "Chronology
of Events." Printed in an edition of 500.
BNETZINE. Bruno Capatti, Editor. mail Art Archives, Dogato ,
Italy. 2001.
No. 18 (February 2001). Photocopy. 6"x4 1/4". (8 pages).
Documenting the "add and pass" activities of the editor in the Mail Art network.
"'BNETZINE' is a micro-artzine of Capatti Bruno's Personal network...The idea of
its form is union of different mail typology (letter, documentation on a project and
artzine) in a single work." "Add and Pass" units reproduced. List of contributors.
No. 20 (March 2001). Photocopy. 6"x4 1/4". (16 pages). Documenting
the "add and pass" activities of the editor in the Mail Art network. Also includes
mail art news and notes. In this issue, information of "L'Arte del Timbro/Rubber
Stamp Art," by John Held, jr. (USA). "Every issue of BNETZINE is sent in a(n)
ordinary letter envelope. These envelopes are decorated with rubber stamps
which are created on purpose, by hand, for every issue released of the
microzine. The stamps are carved on 'Adigraf,' which is a special green rubber
that is usually sold in the Italian stationer's shops and that is used by the basic
school students for their artistic activities."
No. 25 (April 2001). Photocopy. 6"x4 1/4". (8 pages). "What is
BNETZINE? In M-A network circulate many "alter-pass" basis and booklets. This
is an interactive practice quite important and diffuse but not very documented in
its final result. BNETZINE wants to be an exception and an invitation all those

people who make gather this kind of documents but rarely show them." 16
examples reproduced. List of contributors.
No. 30 (May 2001). Photocopy. 6"x4 1/4". (16 pages). Documenting the
editor's "add and pass" activities in the Mail Art network. List of contributors. "A
page of STAMPART with some Italian mailers' works." Notice for, "The rubber
Stamps of Ray Johnson," by John Held, Jr.
No. 32 (June 2001). Photocopy. 6"x 4 1/4". (8 pages). Documenting the
editor's "add and pass" Mail Art activities. List of contributors. "BNET stories"
features the editor's "Brain Cell" portrait by Ryosuke Cohen (Japan).
No. 1-32 (June 24, 2001). CD-ROM. Documenting BNETZINE, Issues 1-
32.
BOEK 861: Boletin Oficial del Taller del Sol. César Reglero,
Editor. Tarragona, Spain. 1999-2000.
([January 1999]). Photocopy. 8 1/4"x6". (20 pages). Newspaper
reprints about a mail Art show organized by Taller del Sol. Announcement of
action to reinstate Humberto Nilo. "Freedom in the Fine Arts Teaching."
([July 1999]). Photocopy. 11 3/4"x8 1/4". (4 pages). Newspaper article
reprint on Mail Art exhibition for Humberto Nilo. Incongruous Meetings 1998.
(August 1999). Photocopy. 11 1/2"x8 1/4". (4 pages with insert).
"Crear, Comunicarse, Crear," by Jesús Montia (Spain).Reproduction of a
artistamp sheet by Peter Küstermann and Angela Pähler (Germany).
([October 1999]). Photocopy. 11 3/4"x8 1/4". (10 pages). Documenting
the "Museo de Mail-Art" exhibition, organized by Taller del Sol in Tarragona,
Spain.
(November-December 1999). Photocopy. 11 1/2"x8 1/4". (4
pages).Announcing Mail Art projects of AUMA (Accion Urgente Mail Art),
including a joint project with Amnistia Internacional, "against the death penalty in
the year 2000," and the reinstatement of Humberto Nilo, a professor from Chile,
fired for teaching Mail Art.
(January 2000). Photocopy with transparency. 11 1/2"x8 1/4". (4
pages with insert). Reprint of an article in "Diari de Taragona" (December 11,
1999), on the activities of AUMA.

(January 2000). Photocopy. 11 3/4"x 8 1/4". (6 pages). Reprints of
newspaper articles on the collective, "AUMA (Acción Urgente de Mail Art), in
regard to their project with Amnesty International against the death penalty.
(January-February 2000). Photocopy. 11 1/2"x8 1/4". (4 pages).
Reprint of an article on Mail Art, "Artistas por Correspondencia," appearing in
"Interviú" magazine (January 2000). List of participants in a "Debate on Mail Art
in the New Millenium." coordinated by Clemente Padin (Uruguay) and the editor.
(March 2000). Photocopy. 11 1/2"x7 3/4". (4 pages). Debate on mail
Art," by Clemente Padin (Uruguay). List of "Participants in the Debate."
BOEK 861 WWW. César Reglero, Editor. Tarragona, Spain. 1998.
(September 1998). Photocopy. 11 3/4"x8 1/4". 12 pages. "El Diario del
Taller del Sol," which chronicles correspondence with Jas. Felter (Canada),
Keiichi Nakamura (Japan), Ruud Janssen (Holland), John Held, Jr. (USA), et al.
(November 1998). Photocopy. 11 3/4"x8 1/4". (10 pages). "Diario del
Taller del Sol." Correspondence received from the Mail Art Network, September-
October 1998. Project announcements. Tribute to Guillermo Deisler.
(December 1998). Photocopy. 11 3/4"x8 1/4". (18 pages with insert).
"Diario del Taller del Sol." Correspondence received from the Mail Art Network,
October-November 1998. Project announcements.
Bones. B. Thales, Editor. Athens, Georgia. 1995.
No. 2 (November 8, 1995). Photocopy. 9"x4 1/4". (52 pages). Image
of a skeleton distributed by the editor modified by various artists. Contributors
include Crag Hill, K. Takeishi-Tateno (Japan), Nonlocal Variable, John M.
Bennett, Ashley Parker Owens, et al.
Box of Water. Stephen Perkins, Editor. San Francisco,
California. 1985-1988.
Vol. 1, No. 1 (1985). Photocopy. 8 1/2"x5 1/2". (62 pages). "Box of
Water" extends a big thanks to the approximately 150 people from 25 different
countries who submitted work. A truly encouraging beginning!" Graphic
contributions from Robert Swierkiewicz (Hungary), Byron Black (Thailand),
Leonard Frank Duch (Brasil), Vittore Baroni (Italy), Edgardo-Antionio Vigo
(Argentina), et al. Magazine and Tape reviews. Front cover by Carlo Pittore
(USA). Back cover by Cavellini (Italy).

Vol. 1, No. 2 (1986). Photocopy. 8 1/2"x5 1/2"(56 pages). Graphics
contributed by Serse Luigetti (Italy), Cesar Espinosa (Mexico), Andrzej Dudek
Durer (Poland), Lloyd Dunn (USA), Jack Hirschman (USA), Andrej Tisma
(Yugoslavia), Pawel Petasz (Poland), et al. Magazine and tape reviews.
Vol. 1, No. 3 (1987). Photocopy. 8 1/2"x5 1/2". (60 pages). "This issue
has a larger review section than previously, mostly because I was sent more
magazines to review, but also as a result of introducing two new sections
devoted to exhibition catalogues (primarily postal art) and compilation magazines
(contributors send a certain number of pages to the editor who then assembles
the magazine using one page from each contributor)." Graphic contributions from
Karen Eliot (England), Gottorm Nordø (Norway), Lucio Kume (Brazil), et al. Front
cover by Daniel Daligand (France). Back cover by Jürgen Olbrich (Germany).
Edition of 250 copies.
Vol. 1, No. 4 (1988). Photocopy. 11"x4". (52 pages). "This issue sees a
new format, an expanded review section, and a different use of images with less
emphasis on individual authorship and more on recombination and recycling."
Contributors include Luc Fierens (Belgium), Carlo Pittore (USA), Tatomar
Toroman (Yugoslavia), Stewart Home (England), John Held, Jr.. (USA), et al.
Edition of 300 copies.
Boy Evacuee, The. Géza Perneczky, Editor. Institute for
Research in Neoism, Köln, West Germany. (1989).
Issue 2 (1989). Offset. 13"x9". Unpaged. Mixed papers in support of "Art
Strike, 1990-1993." Open letter from Andrej Tisma (Yugoslavia); graphics by the
editor; reprint of "On the Art Strike," by Bob Black (USA); series of postcards."
"The primary functions of the Artstrike, as formulated by the various groups
involved were to increase the presance (sic) of critical political attitudes in certain
sections of the political and art communities, make the cynical positions of
certain careerist hacks less tenable, and to demoralize any naive 'Aritists' who
might otherwise go their entire lives without having the content of their
Religious/Ruling Class attitudes called into question."
Brain Cell. Ryosuke Cohen, "Editor." Osaka, Japan. 1985-2001.
(April 8, 1985). Gocco print. 11"x8 1/2". (1 page). One of the
outstanding and longest lasting projects in the Mail Art network, Ryosuke Cohen
began using a common Japanese printing method, Gocco printing, to gather
images from an international array of artists. Gocco printing is used in Japanese
households to make handmade greeting cards and other family announcements.
It has the appearance of color photocopy, but the colors, which are produced by
applying pigment through a screen in the manner of silk-screen printing

(vertically, rather than a horizontal swip), produce a subtle graduation, rarely
seen in Western art technique printing techniques. Previous to creating the
numbered units in the "Brain Cell" series, Cohen used the gocco printing method
on postcards (often with the word "Cell" incorporated in the design), and then
began producing sheets with images, usually of his own creation. It was but one
step to the formal "Brain Cell" series, when instead of using his own imagery,
Cohen began collaging the graphic work of others. In addition to the gocco
printed sheet of graphic images, a second black and white photocopy sheet is
added, listing the names and addresses of contributors. This listing of
contributors, not only stimulated unprecedented interaction between
correspondents, but produced the finest road map to Mail Art networking activity
over a fifteen year period. This pre-"Brain Cell" sheet traces Cohen's path to this
extraordinary series of work.
(May 9, 1985). Gocco printing. 11"x8 1/2". (1 page). Another gocco
printed sheet prefiguring the formal "Brain Cell" series. The imagery is mainly
found, with the exception of the graphic taken from the work of Robert Rockola
(USA).
(July 25, 1985). Gocco Printing. 11"x8 1/2". (1 page). Found images,
stickers and an image from Guy Bleus (Belgium) are composed on this sheet,
prefiguring the formal "Brain Cell" series. The back of the envelope in which the
work is sent is printed with the following request. "Dear Friend: It is original
pleasure of mail art network which we make use of another persons seal or
stamp at will. Ourselves may be likened to one of the Brain Cell, it is crowed
without number and comes into superb object. At present art faculty of only
genius is no more necessity. I intend to collect seal or stamp of everybody into
one sheet and send back to each. Please send your seal or stamp to me."
No. 2 ([September 18, 1985]). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). The gocco printed sheet of images is now
accompanied by a second black and white photocopy sheet of paper listing the
artists whose work is collaged on the "Brain Cell" unit. 54 artists from 14
countries, including Nepal and India. The envelope is also gocco printed with
both graphics, and a text reading, "Net-Work is Concert/You are Conductor."
No. 4 (September 1985). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Fifty-six artists from 17 countries.
No. 6 (October 1985). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (4 pages). 56 artists from 14 countries. Includes the essay, "Brain Cell,"
by Ryosuke Cohen. "This time, I selected the title named "Brain Cell" by reason
of the structure of the brain through a microscope and a diagram of mail art

network are at all alike. Neuron in the condition of entwine and piled up beyond
count are quite right mail art network." Stickers bearing the "Brain Cell" logo with
the receivers name enclosed, along with instructions for participation.
No. 13 (January 1986). Gocco Printing and Photocopy. 11 13/4"x16
1/2". (4 pages). 55 artists from 15 countries. "Brain Cell" essay. Instructions
for participation.
No. 15 (February 1986). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 60 artists from 18 counters. Instructions.
No. 17 (March 1986). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 54 artists from 17 countries. Instructions.
No. 20 (April 1986). Gocco Printing and Photocopy. 11 1/2"x16 1/2".
(3 pages). Contributions by 60 artists from 18 countries. Instructions.
No. 21 (April 1986). Gocco Printing and Photocopy. 11 1/2"x16 1/2".
(3 pages). Contributions by 62 artists from 13 countries. Instructions (with
personal note).
No. 22 (April 1986). Gocco Printing and Photocopy. 11 1/2"x16 1/2".
(2 pages). Contributions by 62 artists from 20 countries. Instructions.
No. 24 (May 1986). Gocco Printing and Photocopy. 11 1/2"x16 1/2".
(3 pages). Contributions by 57 from 16 countries. Instructions.
No. 26. (May, 30, 1986). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 61 artists from 19 countries.
No. 28 (June, 26, 1986). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 66 artists from 20 countries.
No. 32 (August 2, 1986). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 60 artists from 16 countries.
No. 33 (August 16, 1986). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 56 artists from 18 countries.
Instructions.

No 36 (September 19, 1986). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 57 from 21 countries. Instructions.
No. 37 (September 28, 1986). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributors by 58 artists from 17 countries.
Instructions.
No. 41 (November 21, 1986). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 14 countries.
Instructions.
No. 43 (December 5, 1986). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 58 artists from 16 countries.
No. 52 (March 13, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 58 artists from 16 countries. Instructions.
No. 53 (March 22, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 55 artists from 16 countries. Instructions.
No. 54 (March 31, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 64 artists from 16 countries. Instructions.
No. 58 (May 7, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 54 artists from 17 countries. Instructions
changed to smaller format. "Brain Cell. Please send me your 91) stamp design,
(2) rubber stamp, (3) seals or stickers (on [3], each 150 pieces). I will print or
paste those material on the A3 size paper of 150 sheets and send back its sheet
to each participant with entry added their address. I am publish to intervals of 8-
10 days and the issue of one time are 60 persons or so. Brain Cell Always
seeking a change, intend to don't settle and care of its extension as network. So,
don't mail in a lump for several times, please send me apart."
No. 61 (June 3, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 63 artists from 16 countries. Itinerary for,
"Shozo in America, with Ryosuke Cohen, Fumiko Tatematsu & Koichi
Yamasaki."
No. 62 (June 12, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions from 57 artists from 15 countries.

No. 63 (June 22, 1987). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 62 artists from 15 countries.
No. 69 (September 7, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 48 artists from 13 countries.
Instructions.
No. 71 (September 21, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 53 artists from 16 countries.
Instructions.
No. 74 (October 20, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 54 artists from 16 countries.
Instructions.
No. 75 (November 3, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 62 artists from 14 countries.
No. 77 (November 30, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 63 artists from 18 countries.
No. 80 (December 31, 1987). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 60 artists from 16 countries.
Instructions.
No. 89 (April 9, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 59 artists from 14 countries. Instructions.
No. 87 (March 20, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 59 artists from 16 countries.
No. 92 (May 5, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 55 artists from 16 countries.
No. 93 (May 15, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 61 artists from 19 countries.
No. 94 (May 26, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 55 artists from 16 countries. Instructions.

No. 95 (June 15, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 58 artists from 17 countries. Instructions.
No. 96 (June 30, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 56 artists from 18 countries. Instructions.
No. 98 (July 20, 1988). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 57 artists from 15 countries.
No. 99 (August 16, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 57 artists from 19 countries.
Instructions.
No. 100 (August 24, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 54 artists from 18 countries.
Instructions. "This 100 commemoration number issue made in collaboration with
Ruggero Maggi (Italy), John Held Jr. & Gerard Barbot (USA)." Signed by Cohen,
Maggi, Held and Barbot (while in Japan for a series of performances).
No. 103 (September 15, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 59 artists from 17 countries.
Instructions.
No. 104 (September 25, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 64 artists from 18 countries.
No. 105 (October 6, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 14 countries. New
instruction sheet. ""Please send me your stamp design, rubber stamp, or 150
stickers or seals. I will print or paste these materials onto the A# size paper,
creating 150 sheets. I will then send a sheet back with a list of addresses to each
and every participant. I will publish at intervals of 8 to 10 days and the issue at
that time will include 60 persons or so. Brain Cell is always seeking a change,
does not intend to settle and care of its extension of the network. So...don't mail
a lump of stuff for several issues. please send them to me for one issue at a
time. Thank you."
No. 108 (November 3, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 14 countries.
Instructions.
No. 109 (November 13, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 51 artists from 15 countries.

No. 114 (December 30, 1988). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 60 artists from 18 countries.
Instructions.
No. 115 (January 8, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 63 artists from 21 countries.
Instructions.
No. 118 (January 30, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 52 artists from 18 countries.
Instructions.
No. 120 (February 16, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 47 artists from 12 countries.
Instructions.
No. 130 (May 16, 1989). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 45 artists from 15 countries. Instructions.
No. 135 (June 15, 1989). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 44 artists from 13 countries. Instructions.
No. 137 (June 26, 1989). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 41 artists from 11 countries. Instructions.
No. 139 (July 3, 1989). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 44 artists from 13 countries. Instructions.
No 145 (August 23, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 45 artists from 13 countries.
Instructions.
No. 146 (September 1, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 48 artists from 16 countries.
Instructions.
No. 151 (October 5, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 47 artists from 14 countries.
Instructions.

No. 154 (October 25, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 46 artists from 15 countries.
Instructions.
No. 158 (December 7, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 63 artists from 21 countries.
Instructions.
No. 162 (December 30, 1989). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 47 artists from 12 countries.
Instructions.
No. 168 (February 13, 1990). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 58 artists from 19 countries.
Instructions.
No. 171 (March 6, 1990). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 53 artists from 14 countries. On reverse of
the participant list there is a printed message from Cohen, "send your angry
message against mail art exhibition without mail arts," which asks contributors to
send protest letters to the organizers of "Expo '90," who choose to exclude
practicing Mail Artists from the exhibition.
No. 178 (April 28, 1990). Gocco printing and photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 49 artists from 17 countries.
No. 181 (May 23, 1990). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 49 artists from 16 countries.
No. 187 (July 24, 1990). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions from 54 artists from 15 countries.
No. 188 (July 30, 1990). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 58 artists from 15 countries.
No. 194 (November 7, 1990). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions from 56 artists from 18 countries.
No. 199 (December 20, 1990). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions from 53 artists from 15 countries.

No. 203 (January 27, 1991). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 50 artists from 13 countries.
Instructions.
No. 209 (March 23, 1991). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 50 contributors from 13 countries.
Instructions.
No. 213 (May 1, 1991). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 58 artists from 13 countries. Instructions.
No. 214 (May 1, 1991). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 56 artists from 16 countries. Instructions.
No. 215 (May 20, 1991). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 50 artists from 14 countries.
No. 221 (July 30, 1991). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 61 artists from 19 countries.
No. 222 (August 20, 1991). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 52 artists from 19 countries.
Instructions.
No. 223 (August 30, 1991). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 14 countries.
Instructions.
No. 232 (November 30, 1991). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 17 countries.
Instructions.
No. 234 (January 20, 1992). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 49 artists from 17 countries.
No. 239 (March 9, 1992). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 57 artists from 18 countries.

No. 241 (March 30, 1992). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 63 artists from 18 countries.
Instructions.
No. 243 (April 20, 1992). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 56 artists from 16 countries. Instructions.
No. 249 (June 20, 1992). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 58 artists from 18 countries.
No. 250 (June 30, 1992). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 52 artists from 12 countries.
No. 256 (September 20, 1992). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 62 artists from 15 countries.
Instructions.
No. 262 (November 20, 1992). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 15 countries.
Instructions.
No. 269 (February 20, 1993). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 54 artists from 17 countries.
No. 270 (February 28,1993). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 52 artists from 17 countries.
No. 275 (April 30, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 61 artists from 16 countries.
No. 276 (May 10, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 55 artists from 14 countries.
No. 277 (May 20, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 60 artists from 16 countries.
No. 279 (June 20, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 52 artists from 17 countries.

No. 281 (July 20, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 53 artists from 18 countries.
No. 290 (October 31, 1993). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 54 artists from 16 countries.
Instructions printed on back of envelope.
No. 291 (November 11, 1993). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (4 pages). Contributions by 49 artists from 17 countries. Essay
on verso of contributor list, "Brain Cell," by Ryosuke Cohen (June 1993). "Mail
Art is a parting for 20th century art and that is a best way to show the new path
for the last 20th century art which has lost the direction." Instructions (new
printing).
No. 294 (December 10, 1993). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 55 artists from 18 countries. "Brain
Cell" essay by Ryosuke Cohen on verso of contributor list. Instructions printed on
back of envelope.
No. 303 (March 31, 1994). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 54 artists from 14 countries.
Instructions printed on back of envelope.
No. 307 (May 20, 1994). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 49 artists from 14 countries.
No. 311 (July 10, 1994). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 53 artists from 19 countries. "Brain Cell"
essay on verso of contributors list. Instructions on back of envelope.
No. 311 (July 10, 1994). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 53 artists from 19 countries. Variant issue
without "Brain Cell" essay. No instructions on reverse of envelope.
No. 311 (July 10, 1993). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 53 artists from 19 countries. Variant issue
without "Brain Cell" essay. Instructions printed on reverse of envelope.
No. 312 (July 30, 1994). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 53 artists from 19 countries.

No. 314 (August 20, 1994). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 56 artists from 15 countries.
No. 317 (September 30, 1994). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 55 artists from 20 countries.
No. 320 (November 10, 1994). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 53 artists by 15 countries.
Instructions on reverse of envelope.
No. 323 (December 20, 1994). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 51 artists from 20 countries.
Instructions on back of envelope.
No. 331 (March 20, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 57 artists from 15 countries.
No. 332 (March 31, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 58 artists by 18 countries.
No. 333 (April 10, 1995). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 52 artists from 14 countries.
No. 339 (June 30, 1995). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 56 artists from 13 countries. Instructions.
No. 343 (August 20, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 51 artists from 14 countries.
Instructions on back of envelope.
No. 345) (September 20, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 50 artists from 19 countries.
Instructions on back of envelope.
No. 346 (September 30, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 49 artists from 12 countries.
No. 347 (October 10, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 55 artists from 14 countries.

No. 350 (November 20, 1995). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 57 artists from 17 countries.
No. 355 (January 20, 1996). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 61 artists from 17 countries.
No. 367 (June 10, 1996). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 59 artists from 18 countries. Project
invitation.
No. 392 (May 20, 1997). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 47 artists from 16 countries.
No. 395 (June 20, 1997). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 45 artists from 19 countries. (Review copy to
"Factsheet Five" magazine. Review by John Held, Jr. enclosed.)
No. 401 (September 10, 1997). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 48 artists from 14 countries.
Instructions on back of envelope.
No. 403 (October 10, 1997). Gocco printing and photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 45 artists from 15 countries. New
essay by Ryosuke Cohen, "Mail Art-Brain Cell-Fractal," on verso of contributors
list. ""We wish to sympathize with others' concepts and to use them in our works.
many fragments (fractals) of other artists are mingled into our works. they are
repeatedly mixed together on the Brain cell's canvas. We can recognize
FLUXUS and Ray Johnson on the canvas here and there. Each of them is a
Fractal which constructs Brain Cells. these are the Fractals of mail art."
No. 405 (October 31, 1997). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 48 artists from 16 countries. "Mail
Art-Brain Cell-Fractal" essay on verso of contributors list.
No. 411 (January 10, 1998). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 53 artists from 15 countries. "Mail
Art-Brain Cell-Fractal" essay on verso of contributors list.
No. 421 (June 10, 1998). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 44 artists from 13 countries.

No. 431 (October 31, 1998). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 43 artists from 12 countries. "Mail
Art-Brain Cell-Fractal" essay on verso of contributors list.
No. 437 (January 10, 1999). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 45 artists from 15 countries. "Mail
Art-Brain Cell-Fractal" essay on verso of contributors list.
No. 445 (March 31, 1999). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (3 pages). Contributions by 48 artists from 14 countries. "Mail
Art-Brain Cell-Fractal" essay in Japanese on separate sheet of paper.
No. 447 (April 20, 1999). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (3 pages). Contributions by 41 artists from 12 countries. "Mail Art-Brain
Cell-Fractal" essay in Japanese on separate sheet of paper.
No. 449 (May 10, 1999). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 42 artists from 14 countries.
No. 451 (May 31, 1999). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 45 artists from 15 countries.
No. 476 (May 31, 2000). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 50 artists from 15 countries.
No. 484 (September 10, 2000). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 47 artists from 18 countries.
No. 493 (December 31, 2000). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 49 artists from 14 countries.
No. 500 (April 10, 2001). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 54 artists from 14 countries.
No. 501 (April 20, 2001). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 51 artists from 13 countries.
No. 509 (July 31, 2001). Gocco Printing and Photocopy. 11 1/2"x16
1/2". (2 pages). Contributions by 45 artists from 19 countries.

No. 511 (September 10, 2001). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 56 artists from 13 countries.
No. 513 (October 10, 2001). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 58 artists from 18 countries.
No. 514 (October 20, 2001). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 55 artists from 16 countries.
No. 515 (October 31, 2001). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 48 artists from 14 countries.
No. 516 (November 10, 2001). Gocco Printing and Photocopy. 11
1/2"x16 1/2". (2 pages). Contributions by 54 artists from 16 countries.
Bread Doll Fancier: A Magazine for Devotees. (Al Ackerman,
Editor). (San Antonio, Texas). (August 1984).
Vol. 9, No. 2 (Summer Edition [August 27, 1984]). Photocopy. 8
1/2"x5 1/2". (4 pages). Lit-zine from Mail Artist Al Ackerman. It is highly
unlikely that the given volume and number are correctly stated.
Bric-a-Brac: A Mail Art Magazine. Joe Decie, Editor. Nottingham,
England. (1997).
Vol. 2, No. 1 ([1997]). Photocopy and mixed media. 6"x4 1/4". (28
pages). Mail Art assembling magazine. Contributors include the artists' mother
and father (also Mail Artists) Jilly Jargon and Roger Radio (England), A1 Waste
paper Co. (England), Patricia Collins (England), Pascal Lenoir (France), et al.
Edition of 20.
Brulot, Le. Gustave Arthur Dassonville, Editor. Bagnolet, France.
1988-1990.
No. 266 (July 1988). Photocopy. 5 1/4"x3 3/4". (8 pages). Magazine
reviews. Notice of a Mail Art exhibition in Dallas, Texas, organized by John
Held, Jr.
No. 288 (July 31, 1990). Photocopy. 5 1/4"x3 3/4". (8 pages). Review
of a book on contemporary postcards by Enrico Sturani.

Bugle, The. Arthur Secunda, Editor. Arthur Secunda Studio,
Beverly Hills, California. 2000.
No. 6 (January 2000). Color and Black & WhitePhotocopy. 11"x8
1/2". (19 pages). Magazine published by one of Ray Johnson's closest
childhood friends. Includes a "bunny list" by Picasso Gaglione.
Bulletin Réparation de Poésie. Jean-Claude Gagnon, Editor.
Collectif Réparation de Poésie, Quebec, Canada. 1996.
No. 2 (1996). Photocopy. 8 1/2"x5 1/2". 19 pages. Listings of Mail Art
projects and publications.
No. 3 (1996). Photocopy. 8 1/2"x5 1/2". 15 pages. Listing of mail Art
projects and publications. Graphics by Luc Fierens (Belgium), Clemente Padin
(Uruguay), Pascal Lenoir (France), et al.
Cacophony. Luke McGuff, Editor. Seattle Cacophony Society,
Seattle, Washington. 1995.
(August 26, 1995). Photocopy and Mixed Media. 11"x10". Unpaged.
Mail Art assembling magazine with "Approx. 70 contributors, 8 countries."
Includes a twelve page booklet listing contributors and their addresses.
Contributors include Leavenworth Jackson (USA), Dogfish (USA), Mike Dyar
(USA), Patricia Collins (England), Pascal Lenoir (France), Antonio Gomez
(Spain), et al.
(August 26, 1995). Photocopy and Mixed Media. 11"x10". Unpaged.
Variant issue. Edition of 105.
Cafe Box, The. Pete Fischer, Editor. Phoenix, Arizona. 1995.
(August 1995). Photocopy and Mixed Media. 11 1/2"x8 3/4".
Unpaged. Mail Art assembling. Ten contributors including Arto Posto (USA),
buZ blurr (USA), Guy Bleus (Belgium), Crackerjack Kid (USA), ex posto facto
(USA), John Held, Jr. (USA). Dominated by references to Ray Johnson (USA),
including a compilation of obituary notices by E. Z. Smith (USA), and artistamp
sheets in his honor.

Cage: Anti-Embargo Magazine. Alexandar Jovanovic, Editor.
Odzaci, Yugoslavia. 1992-1994.
No. 1 (December 1992). Offset. 11 3/4"x8 1/4". (24 pages).
"Yugoslavia is under the unfair cultural embargo at this moment. We, Yugoslav
networkers, are aparted from the world. We are in the cage of embargo of the
new world order." Active Yugoslavian networkers, including Nenad Bogdanovic,
Andrej Tisma, Jaroslav Supek, Sandor Gogoljak, and Dobrica Kamperelic, report
on their conditions under a United Nations cultural embargo. Information on
Yugoslavian Mail Art Congresses in Odzaci, Baranja, Beograd and Sremski
Karlovci. Mail Artists Peter Küstermann (Germany), Angela Pähler (Germany),
and Vesselin Sarieff (Bulgaria) lend support.
No. 2 (April 1993). Offset. 11 3/4"x8 1/4". 35 pages. Text and graphics
dealing with the United Nations cultural embargo of Yugoslavia. Yugoslavian
contributors include Rorica and Dobrica Kamperelic, Andrej Tisma, Gogoljak
Sandor, Mitrovic Vladimir, Branko lazic, Miroljub Todorovic, Nenad Bodanovic,
Jaroslav Supek, Slavko Matkovic and Balint Szombathy. Mail Artists outside of
Yugoslavia contributing to the issue include Günther Ruch (Switzerland), John
Held, Jr. (USA), Ruggero Maggi (Italy), Guy Bleus (Belgium), Vittore Baroni
(Italy), Ryosuke Cohen (Japan), et al.
No. 4 (October 1993). Offset. 11 3/4"x8 1/4". 32 pages. Anti-embargo
carved rubber stamp impressions by Andrej Tisma (Yugoslavia), artistmps by
Sandor Gogoljak (Yugoslavia), essays by Dobrica Kamperelic (Yugoslavia) and
Andrej Tisma (Yugoslavia). Contributions by Giovanni Strada (Italy), Shozo
Shimamoto (Japan), Fernando Agular (Portugal), Paulo Bruscky (Brazil), et al.
No. 5 (July 1994). Offset. 11 3/4"x8 1/4". 60 pages. "'The networker's
spirit' has been realized in which 38 artists from 18 countries took part...In this
action I have asked the artists-networkers to send me their breath in the bottle
because believe that in each of our breath there is a part of our soul, a part of
soul energy, a part of our intellect, of our existence and our ethos. For this action
I have asked the artists to intervene on the bottles so that by this act they could
become artistic objects which shall remain as permanent trace and document
this action."
Calgary Philatelist. Dale Speirs, Editor. Calgary Philatelic
Society, Calgary, Canada. 1998.
Issue 28 (February 1998). Photocopy. 8 1/2"x5 1/2". 12 pages.
"Notes Toward a History of Artistamps," by John Held, Jr. (USA). "There have
been several attempts to define artistamps. Some say that artistamps must be
perforated, be of a certain size, produced in multiples (as opposed to original

works), or be gummed. But these definitions only tend to limit the field, in which
the history of this new medium is being written on al almost daily basis."
Camolawa-Pish. Carlos Montes de Oca, Editor. Santiago, Chile.
1990-1991.
(1990). Photocopy. 7 1/2"x5 1/4". (4 pages). Text and graphics by the
editor.
(1991). Photocopy with rubber stamp. 4"x5 1/4". Unpaged. Images
from the international Mail Art network. The 44 contributors include Dogfish
(USA), Guillermo Deisler (East Germany, formerly of Chile), José Oliveira
(Portugal), Ruud Janssen (Holland), Edgardo A. Vigo (Argentina), Shigeru
Tamaru (Japan), et al. Stamped 0042.
(1991). Photocopy with rubber stamp. 4"x5 1/4". Unpaged. Variant
copy of the above issue, with Mail Art project list enclosed. Stamped 0059.
Canadian Journal of Detournement. Dale Speirs. Editor. Society
for Economic Epistemology, Calgary, Canada. 1993-2001.
No. 1 (1993). Photocopy. 8 1/2"x5 1/2". (4 pages). Play on situationist
"detournement" of existing mass media imagery.
No. 3 (1993). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 4 (1994). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 5 (1995). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 6 (1995). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 7 (n.d.). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 9 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 10 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages). "But does mail art
have to have a message?" "Mail art should be open to all!!" "Send me another
piece of junk and you'll swing."
No. 12 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages).

No. 14 (1996). Photocopy. 8 1/2"x5 1/2". (4 Pages).
No. 15 (1996). Photocopy. 8 1/2"x5 1/2". (4 Pages).
No. 16 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages). Comments on the
"World Wide Party."
No. 18 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 19 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 20 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 21 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages). Mention of Luther
Blissett.
No. 22 (1997). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 24 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 25 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 26 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages). "Luther Blissett
(1978-1998)."
No. 27 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages). "I do mail art
because it's cool./I like mail art because it is not commodified./I like mail art
because it sells to philatelists./We do mail art as part of our campaign."
No. 28 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 29 (1998). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 30 (2001). Photocopy. 8 1/2"x5 1/2". (4 pages). "Nonsense, darling.
We are married now. It is your duty as a wife to satisfy me by helping to make
Artist Trading Cards."
Canvas Ranch. Russell Manning, Editor. Dallas, Texas. 1994.

(February 1994). Photocopy and rubber stamp. 11"x8 1/2". (5
pages). Reprint of an article about the editor in "Rubberstampmadness," with
additional works by the artist.
C(art)A. Damaso Ogaz, Editor. (Venezuela). 1981.
No. 22 (n.d.). Photocopy with mixed media and rubber stamp. 12"x8
1/2". (1 page).
No. 23 (n.d.). Photocopy. 11 1/2"x8 1/2". (2 page). "Mail Art a Strange
Equation Whose Elements are: Action=Waiting." "Reemision C(ART)A N:5"
No. 24 (n.d.). Photocopy with rubber stamp and mixed media. 12"x8
1/2". (1 page). Visual poetry.
No. 25 (1981). Photocopy with mixed media. 12"x8 1/2". Visual poetry.
No. 27 (n.d.). Photocopy with rubber stamp and mixed media. 11"x8
1/2". (1 page). Visual poetry by the editor. "Emisiones de Damasco Ogaz."
Cassette Mythos. Robin James, Editor. Olympia, Washington.
1986-1988.
(1986). Newsprint. 35"x22 3/4". (2 pages). "It is possible for many people
to record their favorite sounds using cassettes. These recordings are easy to
listen to and travel conveniently through the mail. Making and collecting
cassettes is an interesting hobby. Cassette Mythos is collecting information t
make a book about this phenomenon, and in that process is sharing material
collected in various forms..." Huge listing of cassettes from the audio
underground. Cassettes are pictured, as well as contact information.
(1988). Newsprint. 35"x22 3/4". (2 pages). Huge contact list of the
cassette underground, with practitioners from 15 countries.
Catch-Up Files. Gene Elder, Editor. The Happy Foundation, San
Antonio, Texas. 1990-1991.
No. 4 (December 1990). Photocopy. 14"x8 1/2". (4 pages). A
publication of Texas Mail Artist Gene Elder, focusing on local art and gay/lesbian
issues. Notice for "Gay Mail Art" exhibition.
No. 5 (January 1991). Photocopy. 14"x8 1/2". (4 pages).

No. 6 (February 1991). Photocopy. 14"x8 1/2". (4 pages).
No. 7 (March 1991). Photocopy. 14"x8 1/2". (4 pages). Notice of a
postcard project by Act-Up Portland, Oregon.
Cenizas. (Rolando Constallion, Editor). San Francisco,
California. 1982.
No. 18 (July 1982). Offset with rubber stamp. 7"x4 1/4". (36 pages).
Visual poetry by Geoffrey Cook. Performance by Cook and Bill Gaglione on front
and back covers. Presentation copy signed by Cook to Gaglione.
Character Disorder. Klaus Postler, Editor. Art Works Social
Artists' Reality Empire, Brattleboro, Vermont. (1986).
Vol. 1, No. 1 ((1986). Photocopy. 11"x8 1/2". (52 pages). "Homage to
Mail Art" issue. "The artists represented in Character Disorder's Homage to Mail
Art are but a few of those who create & send out mail Art. May are friends I have
corresponded with over the years, & quite a few were picked at random from old
mail art show catalogues. Of 200 invites sent out, 75 responded; in all, 375
pieces and zeroxes (sic) of pieces arrived. In keeping with the non-discriminatory
spirit of mail Art, one piece from each artist who sent work has been included."
Contributions by Ryosuke Cohen (Japan), John Evans (USA), Lon Spiegelman
(USA), Carol Stetser (USA), et al.
Choice Words! Kevin Nickerson, Editor. Osoyoos, Canada. n.d.
No. 24 (n.d.). Photocopy. 14"x8 1/2". (2 pages). Publication and
cassette reviews. Prose.
Chronique de L'Abominable Homme des Letteres, La. Jean-
Claude Gagnon, Editor. Collectif Réparation de poésie, Quebec,
Canada. (1995-1996).
([1995]). Computer Print. 8 1/2"x5 1/2". 15 pages. Mail Art exhibition,
project and publication opportunities. Publication reviews. In the manner of the
editor's column in "Inter" magazine.
No. 5 ([1996]). Computer Print. 8 1/2"x5 1/2". 12 pages. Mail Art
exhibition, project and publication opportunities. Publication reviews.
Contributions by Willi R. Melnikov-Starqvist (Russia), Bruno Sourdin (France),
Dimity Bulatov (Russia), La Toanvinh (Canada), Tartarugo (Spain), Antonio

Pérez-Cares (Chile), Alberto Rizzi (Italy), Diana Bertrand (Cada),Carla Bertola
(Italy), et al.
Circolo Pickwick. Giuseppe Iannicelli, Editor. Alessandria, Italy.
1988.
No. 3/4 (March 1988). Offset. 9 1/4"x6 1/4". 73 pages. Feature on
Cavellini (Italy). "Nuove Comunicazioni, Nuove Astrazioni", by Bruno Capatti.
"Mail Art Info." Graphic design by Andrea Ovcinnicoff (Italy).
Circular. Carol Schneck, Editor. East Lansing, Michigan. (1988).
No. 26. (July [1988]). Photocopy. 8 1/2"x7". (12 pages). Visual and
found poetry. Detournement. Prose.
No. 27 (n.d.). Photocopy. 8 1/2"x7". (12 pages). Found images and
prose/poetry by the editor.
Circus Bee, The. Al Ackerman, Editor. San Antonio, Texas. 1988.
Issue 54 (August 1988). Photocopy. 11"x8 1/2". 7 pages. Lit-zine.
Cover photograph by buZ blurr (USA). Poetry by John M. Bennett (USA), Bill
"Mad Dog" Shields (USA), Rupert Wondolowski (USA), et al. Highly unlikely that
this is true issue number 54.
Cirque Divers. Antaki, Editor. Cirque Divers, Liege, Belgium.
1988-19912.
No. 99-100 (September/October 1988). Offset. 5 3/4"x4". (90 pages).
Published by a restaurant and art center, often featuring mail art. Works in this
issue by Pierre Marquer (France), Ben (France), Daniel Spoerri (France),
Charles François (Belgium), et al.
No. 108-109-110 (June/July/August 1989). Offset. 5 3/4"x4".
Unpaged. "Mail Art R Debanterié (Belgium)."
No. 113 (November 1989). Offset. 5 3/4"x4". Unpaged. "Mail Art
Corradini (Belgium)."
No. 115 (January 1990). Offset. 5 3/4"x4". Unpaged. "Mail Art A. Stas
(vue de la Cité Administrative de Liege)." "Mail Art A. Hallet."

No. 116 (February 1990). Offset. 5 3/4"x4". Unpaged. "Mail Art R.
Debanterié (Belgium)." "Mail Art Metallic Avau (Belgium)."
No. 117 (March 1990). Offset. 5 3/4"x4". Unpaged. "L'Historire
Chuc;hotee de L'Art," by Robert Filliou.
No. 119-120-121 (June/July/August 1990). Offset. 5 3/4"x4".
Unpaged. "Mail Art P. Alechinski (France)." "Mail art J. P. Loriaux (Italy)." "Mail
art Ensemble Vide (France)."
No. 122-123 (September/October 1990). Offset. 5 3/4"x4".
Unpaged. "Mail Art P. Macar." "Mail Art Luc Thyssens." "Mail Art Pol Pierrart."
No. 124 (November 1990). Offset. 5 3/4"x4". Unpaged. "Mail Art
Michael Fox (Germany." "Mail Art maccart (France).
No. 125 (December 1990). Offset. 5 3/4"x4". Unpaged. "Mail art J. D.
Boussart (Belgium)."
No. 126 (January 1991). Offset. 5 3/4"x4". Unpaged. "Mail Art A. Stas
(Belgium)."
No. 127 (February 1991). Offset. 5 3/4"x4". Unpaged. "Mail art La
Casiniere (Nantes)." "mail art C. Habert (Belgium)."
No. 128 (March 1991). Offset. 5 3/4"x4".Unpaged. "Mail art P.
Marquer."
No. 131 (June/July/August). Offset. 5 3/4"x4".Unpaged. "mail art Ch.
François." "mail art A Duez.""mail art P. Marquer."
No. 132-135 (September/October 1991). Offset. 5 3/4"x4".
Unpaged. "Mail Art Th. Vangalen."
No. 137 (December 1991). Offset. 5 3/4"x4". Unpaged. "Mail art H. V.
d.w.B."
No. 138 (January 1992). Offset. 5 3/4"x4". Unpaged. "mail art L. Pire,
Super Dehaize Vervier (Belgium)." "mail art P Puttemans (Belgium)." "mail art J.
Orban (Belgium)." "mail art Ensemble Vide (France)."

No. 139 (February 1992). Offset. 5 3/4"x4". Unpaged. "Mail art: JC
Landurcy, Huissier de Justice (Belgium)." "Mail art: P. marquer (France)." "Mai
art: J. Charlier, (Belgium) Section curiosité administrative."
City of Tiny Lights, The. "Sir Konchaco Pantsleeb," Editor. The
Republic of Pinkingshear National Gallery of Art, Editor.
Minneapolis, Minnesota. 1996.
No. 1 (1996). Photocopy. 8 1/2"x3 3/4". (24 pages). "In Memoriam
Guillermo Deisler," by Clemente Padin. Mail Art project listings from Global Mail.
"Announcement of a Mail Art show organized by the editor, "Artist's Murphy
Beds: A look at clandestine studio living"
Clarke A. Sany Newsletter. (Russell Bloch, Editor.) The Clarke A.
Sany Fan Club, Royal Oak, Michigan. 1991.
Vol. 6., No. 1 (April 1991). Photocopy with rubber stamps. 8 1/2"x5
1/2". 7 pages. "Thanks to John, John and Eel for allowing me, Clarke A, Sany,
to experiment around with their work, to Blaster Al Ackerman for the swell
graphic on the cover, and to Any Salyer for the anagrams and typing."
Clear. Carol Schneck, Editor. East Lansing, Michigan. 1989.
No. 1 (n.d.). Photocopy. 11"x8 1/2". 2 pages. Poetry by the editor.
No. 3 (January 3, 1989). Mixed Media. 3 1/2"x5". Unpaged. Cut paper
fragments with text. "Some assembly required."
No. 4 ([January 12, 1989]). Mixed Media. 3 1/2"x5". Unpaged. Cut-up
poetry and rubber stamped page fragments.
No. 5 (January 28, 1989). Mixed Media. 6 1/2"x3 1/2". Unpaged.
"This Clear (#5) composed using only the letters ABSDEHIMOTUVWXY inspired
by Luigi-Burning Press. Any sense is coincidental."
No. 6 (February 1, 1989). Mixed Media. 5"x3 1/4". Unpaged.
Handwritten notes on cut paper fragments.
No. 8 (February 13, 1989). Mixed Media. 6 1/2"x3 1/2". Unpaged.
"This Clear (#8) is dedicated to my father, born February 14, 1916." Cut paper
fragments with handwritten text. Valentine heart.

No. 9 (February 20, 1989). Mixed Media. 6 1/2"x3 3/4". Unpaged. Cut
paper fragments with clichés written on them. "Stand clear of the closing doors."
No. 11 (March 3, 1989). Mixed Media.6 1/4"x 3 1/4". Unpaged.
"Twenty Questions." Handwritten notes on paper fragments.
No. 12 (March 25, 1989). Mixed Media. 9 1/4"x4". Unpaged.
Handwritten notes on cut paper fragments.
No. 14 (March 27, 1989). Mixed Media. 6 1/4"x3 1/2". Unpaged.
"Grow so incredibly high." Handwritten text on cur paper fragments.
No. 15 (April 15, 1989). Mixed Media. 6 1/2"x3 3/4". Unpaged.
Handwritten notes on cut paper fragments. Second envelope marked "(Came up
w/ more stuff I wanted to add to Clear 15).
No. 16 (April 14, 1989). Mixed Media. 6 1/2"x3 3/4". Unpaged.
"Unfamiliar Quotations." hand written texts on cut paper fragments.
No. 17 (n.d.). Mixed Media. 6 1/2"x3 1/4". Unpaged. Handwritten texts
on cut paper fragments.
No. 18 (May 19, 1989). Mixed Media. 6 1/2"x3 3/4". Unpaged.
Handwritten texts on cut paper fragments.
No. 19 (June 10, 1989). Mixed Media. 6 1/2"x3 3/4". Unpaged.
"Everyting's clear. Everything's bright." Handwritten texts and photocopy on cut
paper fragments.
No. 20 (n.d.). Mixed Media. 14"x8 1/2". Unpaged. Poetry by the editor,
"2-4-D."
No. 22 (n.d.). Mixed Media. 6 1/2"x3 3/4". Unpaged. Cut paper
fragments with handwritten text.
No. 24 (July 31, 1989). Mixed Media. 5 1/4"x3 3/4". Unpaged.
Handwritten texts on cut paper fragments.
No. 25 (August 25, 1989). Mixed Media. 6 1/2"x3 1/2". Unpaged.
Handwritten texts on cut paper fragments. "The last Clear."
Clinch. Günther Ruch, Editor. Genéve-Peney, Switzerland. 1983-
1988.

No. 1 ((1983). Offset and Stickers. 8 1/4"x6". (28 pages). "Clinch is an
international CO-ART magazine/ CO-rrespondences/ CO-mmunications/ COmentaries/
CO-ntributions/ CO-operations/ CO-mpositions/ CO-nferences/ COnclusions
/CO-nstellations/ Co-nfrontations / Co-..." "Mail Performances" issue
featuring Dick Higgins (USA), Lon Spiegelman (USA). H. R. Fricker
(Switzerland), Jacques Juin (France), Ray Johnson (USA), Guy Bleus (Belgium),
Edgardo-Antonio Vigo (Argentina), Bill Gaglione and Buster Cleveland (USA),
Gianfranceo Duro (Italy), Pier Van Dijk (Holland), Pawel Petasz (Poland), Olivier
Lerch (France). Notice of assembling magazines. Essay by Vittore Baroni (Italy),
"Do it Yourself Medium: Impulse Fly," on photocopy art. Original sticker art by 22
international artists.
No. 2 (1983). Offset, Mixed Media and Stickers. 8 1/4"x6". (26
pages). "Mail Music" issue featuring robincrozier (England), Gerald Jupiter-
Larsen (Canada), Albrecht d. (Germany), Peter Meyer (Sweden), Nicola
Frangione (Italy), et al. Original stickers from 18 artists including Anna Banana
(Canada), Carol Pittore (USA), Nenad Bogdanovic (Yugoslavia).
No. 3 (1983). Offset and Stickers. 8 1/4"x6". (38 pages). "Visual
Poetry" issue featuring works by Jürgen Olbrich (Germany), Dobrica Kamperelic
(Yugoslavia), Vittore Baroni (Italy), Richard Kostelanetz (USA), Ruth Wolf-
Rehfeldt (Germany), et al. Original stickers by 17 artists.
No. 4 (1984). Offset and Stickers. 8 1/4"x6". (32 pages). "Earcut &
Social Engagement" issue. "Mail Art Earstory," by Vittore Baroni (Italy). "Every
form of art that counts must be new, shocking, energetic stuff. Something that
clicks in your brain and makes you want to jump and kiss the ceiling or lie flat
and swim in your living room...Mr. Günther Ruch of Switzerland, who proposed
the 'Ear Show': I was to get the real ears of mailartists and he was to get them
bloody knives. A final challenge for the network before we call the game over."
50 contributors. Original stickers by 20 artists.
No. 5 (1984). Offset and Stickers. 8 1/4"x6". (44 pages). "Mail Art
History." Includes the essay "From Mail-Art to Other Co-Works," by the editor.
Statements on Mail Art by Guy Bleus (Belgium), Ray Johnson (USA), G. A.
Cavellini (Italy), Vittore Baroni (Italy), Dobrica Kamperelic (Yugoslavia), et al.
"Mail-Art as an Alternative?," by Géza Perneczky (Germany). First appearance of
the oft-reprinted diagram, "M. A. Messages: A Short Uncompleted Chronology,"
by the editor.
No. 6 (1985). Offset, Mixed Media and Stickers. 8 1/4"x6". (50
pages). The "Endless" issue. Announcement of the "First International Swiss
MA-Congress 1985/1986," becoming the starting point for the "Word-Wide
Decentralized Mail Art Congresses 1986," which the editor co-organized with H.

R. Fricker (Switzerland). "Postal-Art is more predestined to e-n-d-l-e-s-s projects
than other art-forms through its marginal repetition (rubberstamps/stickers/xerox-stamps).
No. 7 (1985). Offset and Stickers. 8 1/4"x6". (44 pages). "Mail Art
Congress" issue. "Dear friends: the big echo to Clinch 7 demonstrates: THE
CONGRESS HAS TO BE HELD...Please organize your own part of the congress
according to your possibilities and needs...How can we organize a decentralized
congress? -that was the question. One possibility is that all organisators of the
decentralized congress are contacting us and send, after the congress has taken
place, results and statements to us. We will publish a sampler containing all
results, which will be obtainable to all participants." Comments on the congress
idea by Anna Banana (Canada), Ko De Jonge (Holland), Vittore Baroni (Italy),
Ph. Billé (France), Colectivo-3 (Mexico), et al.
No. 8 (1986). Offset, Mixed Media and stickers. 8 1/4"x6". (56
pages). "Sightseeing: Congress-Sessions & Post-Poetry" issue. "Decentralized
MA-Congress 1986" organizer and session listing. "Black Yellow Red Reflections
about the 30.08.86 Mail Art Congress in Rainy Belgium, by Guy Bleus (Belgium).
"Mail Art World Wide Congress," by Llys Dana (France). Photographs of various
Congress sessions. "Editor's Crisis," by the editor. "Everyone who visits mailartists
goes further into the mail-art-world...but tourism in mail-art remains
tourism and not mail-art."
No. 9 (1987). Offset, Mixed Media and Stickers. 8 1/4"x6". (32
pages). "Restmaterial," issue. Address list of Congress-organizers.
"Restmaterial: A Short Recycled View About: Clinch/ Eternal/ Network/ stamps/
shoes/ strategies/ mixedmedia/ collective tickets/ national questions/
invitationcards/ misunderstandings/ lack of time/ psalms & sounds/ motion
pictures/ 700 correspondents/ 60 countries..."
No. 10 (Summer 1988). Offset and Stickers. 8 1/4"x6". (52 pages).
"The Last Issue." "The proper use of a mail-art magazine requires care and
patience/ if the no-definition of a letter-fragment isn't at first understood, the user
should take part himself in the whole network process in order to make certain
that he knows what this all mean(s)." Comments on the editor's "MA -Congress
86" book.
Closed World=Open World. Ruud Janssen, Editor. TAM-
Publications, Tilburg, Holland. 1999.
(April 14, 1999). Photocopy. 8 1/4"x5 3/4". (16 pages). "Magazine for
Dobrica Kamperelic in Beograd-Yugoslavia, With contributions from Dobrica
Kamperelic & Andrej Tisma (Yugoslavia). Dear Members of the IUOMA. While
the war in Yugoslavia is going on I received a letter from Dobrica Kamperelic

(today, April 13, 1999, the letter took 15 days to get her but still arrived!!!!!) which
he wrote on the 5th day of the bombardments in Yugoslavia on Sunday 28th
March 1999. He asks me to copy and pass on the letter because it also contains
a OPEN LETTER in it. You are encouraged to copy this magazine that I made
for him. The magazine itself contains information that originates from Yugoslavia.
Also e-mail messages I received from Andrej Tisma in Novi Sad are included.
We hear a lot about the war in Yugoslavia from our own media. It only felt right to
spread these informations from our mail art friend(s) inside Yugoslavia to all of
you to hear what they have to say."
CLWN WR. Bob Herman, Editor. New York, New York. 1998-
2000.
No. 38 (1988). Photocopy. 11"x8 1/2". (10 pages). Visual poetry.
Contributions by Roy Arenella (USA), John M. Bennett (USA), A. F. Caldiero
(USA), Christopher Myers (USA) and Spenser Selby (USA).
No. 39 ( 2000). Photocopy. 11"x8 1/2". (16 pages). Visual poetry.
contributions by American artists Roy Arenella, John M. Bennett, A. F. Caldiero,
David Cole, Richard Kostelanetz, Jim Leftwich, Spencer Selby and Robert. von
L. "CLWN WR 39 is dedicated to the memory of David Cole who passed away
earlier this year. David's piece in this issue was drawn on a napkin while he and
Robert Erickson and I were having a conversation and snack at the Metropolitan
Museum of Art. He will be missed."
"Collaboration By." Keiichi Nakamura, Editor. Tokyo, Japan.
1996-2001.
Series of collaborative visual poetry booklets. Japanese Mail Artist Keiichi
Nakamura sends out pages of graphics to fellow Mail Artists, asking them to
"add to and return". Upon return receipt, the pages are photocopied and made
into booklets. Numbering system is somewhat suspect, as "Vol. 1" is used
throughout the series. Titles are given each booklet, but together they form an
outstanding series of collaborative works. I have given the series the name,
"Collaboration By," as this phrase appears on many of the booklets. Three
booklets appear to have been produced before the series began, but have been
included because of their similarity to the series, and to give a historic
perspective to Nakamura's project.
(n.d). Photocopy. 8 1/4"x5 3/4". (8 pages). "Long Life." Collaboration by
Walt Evans (USA), Keiichi Nakamura (Japan), Barry Edgar Pilcher (Ireland),
Yarita Misako (Japan)."

(n.d.). Photocopy. 8 1/4"x5 3/4". (8 pages). "The Different Trips. By"
Collaboration by Clemente Padin (Uruguay), Keiichi Nakamura (Japan) and
Barry Edgar Pilcher (Ireland).
(n.d.). Photocopy. 8 1/4"x5 3/4". (8 pages). "Dish and Chips."
Collaboration by Walt Evans (USA), Keiichi Nakamura (Japan), Barry Edgar
Pilcher (Ireland) and Bartosz Fraczek (Poland).
(April 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "Interface."
Collaboration by Walt Evans (USA) and Keiichi Nakamura (Japan).
(May 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "In the Square."
Collaboration by Giordano Genghini (Italy) and Keiichi Nakamura (Japan).
Vol. 2 (July 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "In the
Square." Collaboration by Giordano Genghini (Italy) and Keiichi Nakamura
(Japan).
Vol. 1 (July 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "The Different
Trips." Collaboration by Clemente Padin (Uruguay) and Keiichi Nakamura
(Japan).
Vol. 1 (July 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "Fertilized
Eggs." collaboration by David Dellafiora (England) and Keiichi Nakamura
(Japan).
Vol. 1 (October 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "Fake
Emperor." Collaboration by John Held Jr. (USA) and Keiichi Nakamura (Japan).
Vol. 1 (October 1996). Photocopy. 8 1/4"x5 3/4". (8 pages). "Two
Edges." Collaboration by Michael Lumb (England) and Keiichi Nakamura
(Japan).
Vol. 1 (May 1997). Photocopy. 8 1/4"x5 3/4". (8 pages). "Angel
Fragments." Collaboration by Igor Bartolec (Yugoslavia), Marilyn Dammann
(USA) and Keiichi Nakamura (Japan).
Vol. 2. (August 1997). Photocopy. 8 1/4"x5 3/4". (8 pages). "Amazonic
Love." Collaboration by Ruggero Maggi (Italy), Diane Bertrand (Canada) and
Keiichi Nakamura (Japan).

Vol. 1 (September 1997). Photocopy. 8 1/4"x5 3/4". (8 pages).
"Rolling Over Dreams." Collaboration by Zvonko Saric (Yugoslavia) and Keiichi
Nakamura (Japan).
Vol. 1 (November 1997). Photocopy. 8 1/4"x5 3/4". (8 pages). "The
End of all Travels." Collaboration by Eberhard Janke (Germany) and Keiichi
Nakamura (Japan).
Vol. 3 (June 1998). Photocopy. 8 1/4"x5 3/4". (8 pages). "Two Edges."
Collaboration by Michael Lumb (England) and Keiichi Nakamura (Japan).
(June 1998). Photocopy. 8 1/4"x5 3/4". (8 pages). "Mutual Reality."
Collaboration by B. Saved (USA) and Keiichi Nakamura (Japan).
Vol. 1 (August 1998). Photocopy. 8 1/4"x5 3/4". (8 pages). "Summer
Dream." Collaboration by Tatjana Neuber (Germany) and Keiichi Nakamura
(Japan).
Vol. 1 (September 1998). Photocopy. 8 1/4"x5 3/4". (8 pages). "At the
End of the Millenium." Collaboration by K. Frank Jensen (Denmark) and Keiichi
Nakamura (Japan).
Vol. 1 (September 1998). Photocopy. 8 1/4"x5 3/4". (8 pages). "Ventriloquists."
Collaboration by Bruno Capatti (Italy) and Keiichi Nakamura (Japan).
Vol. 1 (September 1998). Photocopy. 8 1/4"x5 3/4". (8 pages).
"Eternal Consciousness." Collaboration by ex posto facto (USA) and Keiichi
Nakamura (Japan).
Vol. 1 (December 1998). Photocopy. 8 1/4"x5 3/4". (14 pages).
"Core." Collaboration by Gloria Neamtiu (Romania) and Keiichi Nakamura
(Japan).
Vol. 1 (January 1999). Photocopy. 8 1/4"x5 3/4". (8 pages). "Pearl
Shell." Collaboration by Lothar Trott (Switzerland) and Keiichi Nakamura
(Japan).
Vol. 2 (February 1999). Photocopy. 8 1/4"x5 3/4". (8 pages). "Two
Knots." Collaboration by Michael Fox (Germany) and Keiichi Nakamura (Japan).
Vol. 3 (April 1999). Photocopy. 8 1/4"x5 3/4". (12 pages). "Two Knots."
Collaboration by Michael Fox (Germany) and Keiichi Nakamura (Japan).

Vol. 1 (June 1999). Photocopy. 8 1/4"x5 3/4". (8 pages). "Whirlwind.
Collaboration by Jean-Noel Potte (France) and Keiichi Nakamura (Japan).
Vol. 1 (July 1999). Photocopy. 8 1/4"x5 3/4". (8 pages). "Polyphony."
Collaboration by" Maurizio Mericui (Italy) and Keiichi Nakamura (Japan).
Vol. 1 (July 1999). Photocopy. 8 1/4"x5 3/4". (8 pages)."Colleague."
Collaboration by Luc Fierens (Belgium) and Keiichi Nakamura (Japan).
Vol. 2 (January 2000). Photocopy. 8 1/4"x5 3/4". (8 pages). "Formal
Garden." Collaboration by Scott Garinger (USA) and Keiichi Nakamura (Japan).
Vol. 2 (July 2000). Photocopy. 8 1/4"x5 3/4". (8 pages). "Mirage."
Collaboration by Cesar Reglero Campos (Spain) and Keiichi Nakamura (Japan).
Vol. 1 (January 2001). Photocopy. 8 1/4"x5 3/4". (8 pages). "Jet
Black." Collaboration by Marilyn Dammann (USA) and Keiichi Nakamura
(Japan).
Vol. 1 (February 2001). Photocopy. 8 1/4"x5 3/4". (8 pages). "Poetic
Justice." Collaboration by Clemente Padin (Uruguay) and Keiichi Nakamura
(Japan).
Vol. 2 (June 2001). Photocopy. 8 1/4"x5 3/4". (8 pages). "Fake
Emperor." Collaboration by John Held, Jr. (USA) and Keiichi Nakamura (Japan).
Vol. 2 (July 2001). Photocopy. 8 1/4"x5 3/4". (8 pages). "Dancing
Damsels." Collaboration by Nicole Bayle (France) and Keiichi Nakamura
(Japan).
Vol. 1 (October 2001). Photocopy. 8 1/4"x5 3/4". (8
pages)."Premeditation." Collaboration by Reed Altemus (USA) and Keiichi
Nakamura (Japan).
Vol. 1 (October 2001). Photocopy. 8 1/4"x5 3/4". (8 pages).
"Separation and Fusion." collaboration by Mark Sonnenfeld (USA) and Keiichi
Nakamura (Japan).
Commonpress. Pawel Petasz, Founder and Coordinator; Gerald
Jupitter-Larsen, Coordinator. Elblag, Poland. 1978-1990.
The idea of Commonpress, conceived by Pawel Petasz (Poland) in 1977, paved
the way for new strategies in publishing and international artistic cooperative
practice, remaining a hallmark of Mail Art. Petasz conceived of a publication with

a revolving editorship, assigning issue numbers to those wishing to publish under
the banner of Commonpress. All contributors were to become future editors, but
this was shortly modified. Petasz passed on the role of Coordinator to Gerald
Jupitter-Larsen, when it became difficult to receive mail in Poland.
No. 3 (March 1978). Offset. 11 3/4"x8 1/4". (24 pages). Peter Below,
Editor. Mixed Media Editions, Kitzingen, Germany. "Eroticism and Art." 56
participants.
No. 5 (1978). Photocopy. 8 1/4"x6". (40 pages). Ulises Carrión, Editor.
Amsterdam, Holland. ""Box Boxing Boxers." 34 participants. Edition 200. "The
form of the title should not be changed. No price should be put on the covers.
copes assigned for selling should be marked 'surplus', not participating in the
system of distribution. Only by fulfilling these conditions Commonpress will not
become one of the many 'papers' devoted to art."
No. 11 (December 1978). Photocopy. 8 1/2"x5 1/2". (34 pages).
Tommy Mew, Editor. Mt. Berry, Georgia. "Diary Pages." 31 participants.
"Commonpress is an art magazine cooperatively compiled from the mail art of
artists around the world-it was started by Pawel Petasz of Poland in December of
1977."
No. 12 (January 1979). Photocopy. 8 1/4"x5 3/4". (40 pages). Robin
Crozier, Editor. Sunderland, England. "White Lies." 35 participants.
No. 17 (December 31, 1979). Photocopy. 11"x8 1/2". 27 pages.
Epistolary Stud Farm (AKA John Pyros), Editor. Dramatika Press, Tarpon
Springs, Florida; New York, New York. "Modern Greek, Modern Turk." 27
participants.
No. 18 (August 1979). Color Photocopy, Artistamps and Rubber
Stamps. 8 1/2"x5 1/2". (8 pages with 128 color artistamps). E. F.
Higgins III, Editor. Doo-Da Postage Works, New York, New York. "Nudes on
Stamps." 120 participants.
No. 23 (September 1979). Photocopy in Offset Case. 9"x7". (110
pages). Vittore Baroni, Editor. Forte dei Marmi, Italy. "Political Satire: Post
Scriptum." 250 participants. "Commonpress is a periodical edited by common
effort. Apart from providing material for a particular edition, each participant may
elect to edit, print and distribute a future edition at his/her own cost. Each edition
is composed according to its editor. Only the title 'Commonpress', numeration
and format being retained."
No. 33 ([1980]). Photocopy. 8 1/2"x5 1/2". (36 pages). Russell Butler
(AKA buZ blurr), Editor. Gurdon, Arkansas. "Meanwhile." Twenty-nine

participants. "Each contributor, or reader, is encouraged to edit future issues by
selecting theme, format, etc., and assume responsibility for the printing and
distribution, with one copy to each of the participating artists and copies to
various archives selected by Pawel. thereby continuing an open forum."
No. 36 (1980). Offset. 8 1/4"x5 3/4". (92 pages). Günther Ruch, Editor.
Geneve-Peney, Switzerland. "Idea and Communication." 120 participants.
No. 37 (October 1980). Photocopy and Rubber Stamps. 9"x7". (256
pages). Mario Lara, Editor. San Diego, California. "Things to Think About in
Space." 197 participants. "An international magazine of art is created, produced,
shared & distributed by and to its participants. As such it is one alternative art
form in action." Edition 85/300.
No. 47 ([1982]). Photocopy and Handmade Paper. 12"x9 1/2". (68
pages). Chuck Welch (AKA Crackerjack Kid), Editor. Omaha, Nebraska.
"Material Metamorphosis." 130 participants.
No. 51 (n.d.[1984]). Offset. 9 1/2"x8 1/4". (Unpaged). György and Julia
Galántai, Editors. Artpool, Budapest, Hungary. "Hungary." 101 participants.
No. 55 (March 1984). Offset. 8 1/4"x5 1/2". 34 pages. John Held, Jr.,
Editor. Richland College, Dallas, Texas. "Mail Art About Mail Art." 400
participants.
No. 56 (September 1984). Offset. 8"x6". (140 pages). Guy Bleus,
Editor. Administrative Centre, Wellen, Belgium. "Commonpress Retrospective."
570 participants. Essay on the Commonpress concept, and a listing of all
Commonpress magazines issued to that time. Edition 219/720.
No. 64 ([1985]). Photocopy and Rubber Stamps. 12"x5". (132
pages). Peter Küstermann, Editor. Minden, Germany. "Ein Bealiner Im Pariser."
83 participants. Edition 200.
No. 77 ([1985]). Photocopy. 11"x8 3/4". 158 pages. Pat Fish, Editor.
Santa Barbara, California. "The Big Golden Book of Flash." 193 participants.
"Both Correspondence Art (also mail Art and postal Art) and Tattooing are
renegade Art Forms. They involve creating the best possible work or art and then
letting go of it." Edition 171/400.
No. 100 (n.d. [1989]). Photocopy with Rubber Stamps, and Sticker. 5
3/4"x4 1/4". (24 pages). Birger Jesch, Editor. Volkmanndorf, East Germany.
"Pornos." 154 participants. Letter from Petasz. Update of Guy Bleus'
Commonpress bibliography. Edition 70/200.

No. 100 (March 1990). Photocopy. 8 1/4"x6". (16 pages). Birger Jesch,
Volkmanndorf, East Germany, and Lutz Wohlrab, Berlin, East Germany.
Editors/Curators. Exhibition catalog for the "Your Favorite Pornography" (Jesch),
and "Animals" curated by Wohlrab. Rubber-stamped, "Commonpress No. 100."
Reproduction of contributors works.
Computerized TAM-Bulletin, The. Ruud Janssen, Editor.
Traveling Art Mail Archives, Tilburg, Holland. 1991.
(April 29, 1991). Photocopy. 11 3/4"x8 1/2". 6 pages. History of the
TAM-Bulletin. "Some think that mail is about to vanish, and computer(s) will be
the tools for communication in the future. In fact, the building of the ISDNnetwork
(Integrated Services Digital Network) leads to the world of
communication without paper. mail-artist (s) must prepare to make their
messages digital. maybe we should change the name "MAIL-ART' into
'COMMUNICATION ART' as this is what it is really all about." Signed by the
editor.
Convolutions. Cerebral Shorts, Editor. Elwood and Northcote,
Australia. 1989-1990.
Vol. 1, No. 1 (n.d.). Photocopy and Gocco Printing. 8 1/4"x5 3/4". (8
pages). Issue "Notes." Contributions by Jürgen Olbrich (Germany), Sheila
Holligon (England). "Mail Art News."
Vol. 2, No. 2 (March 1989). Photocopy with Mixed Media. 8 1/4"x5
3/4". (16 pages). Issue "Notes." Contributions by Pete Spense (Australia),
Jenny de Groot (Holland), John M. Bennett (USA), Serge Segay (USSR) et al.
Project and exhibition opportunities.
Vol. 1, No. 3 (May 1989). Photocopy and Gocco Printing. 8 1/4"x5
3/4". (16 pages). Issue "Notes." Contributions by Pat Larter (Australia), E.
Seifried (Germany), Clemente Padin (Uruguay), et al. Mail Art project and
exhibition opportunities.
Vol. 1, No. 4 (July 1989). Photocopy and Gocco Printing. 8 1/4"x5
3/4". (8 pages). Issue "Notes." contributions by Rea Nikonova (USSR),
Crackerjack Kid (USA), Guy Bleus ("An Introduction about Art and Exchange"),
Giovanni Strada (Italy). FaGaGaGa (USA), et al. mail Art project and exhibition
opportunities.

Vol. 1, No. 5 (September 1989). Photocopy and Mixed Media. 8
1/4"x5 3/4". (16 pages). Issue "Notes." contributions by Jonas Nekrasias
(Lithuania, USSR). Géza Perneczky (Germany), Tamotsu Watanabe (Japan), et
al. Mail Art project and exhibition opportunities.
Vol. 1, No. 6 (November 1989). Photocopy and Gocco Printing. 8
1/4"x5 3/4". (16 pages). Issue "Notes." Contributions by Julie Clarke-Powell
(Australia), Emilio Morandi (Italy), Luke McGuff (USA), Monty Cantsin (Canada),
Ruggero Maggi (Italy), et al. Mail Art project and exhibition opportunities.
Vol. 2, No. 1 (January 1990). Photocopy and Gocco Printing. 8
1/4"x5 3/4". (16 pages). Issue "Notes." Contributions by Franziska Pfeiffer
(Germany), Wojtek Sojka (Poland), Shozo Shimamoto (Japan), Mail Art project
and exhibition opportunities.
Vol. 2, No. 2 (March 1990). Photocopy and Gocco Printing. 8 1/4"x5
3/4". (16 pages), Issue "Notes", Contributions by Kendell P. Geers (South
Africa), Javant Biarujia (Australia), Crash (Italy), Guy Bleus' "An Introduction
About Zero-One Mail-Art" (Belgium), Malok (USA)" et al. Mail Art project and
exhibition opportunities.
Cook Island News. Carol Stetser, Editor. Sedona, Arizona. 1994.
(July-August 1994). Color and B&W Photocopy. 11"x8 1/2". (26
pages). A vacation in the Cook Islands by Arizona Mail Artist Carol Stetser. "I've
compiled here a collage of clippings which will give you a glimpse of the events
in July and August 1994 on Tum-te-varo-varo ('Source of Booming Sounds' and
early name for Rarotonga describing the large waves breaking on the reef.)"
Copy. Shigeru Nakayama, Editor. Kyoto, Japan. 1988.
(Spring 1988). Photocopy. 10"x7 1/4". (12 pages). Reproductions of
contributions by Barry Edgar Pilcher (Wales), Marcello Diotellavi (Italy), Claudine
Barbot (USA), Shozo Shimamoto (Japan), et al.
Copy-left. Manfred Stirnemann, Editor. Zürich, Switzerland.
([1985])
No. 3 (n.d.). Offset and Mixed Media. 12"x8 1/2". (28 pages).
"Pornography". Drawings by five artists.

No. 4 ([Fall 1985]). Photocopy and Mixed Media. 12"x8 1/2". (30
pages). "Pornography II." Seven artists represented.
Correo Del Sur/Southern Post. Clemente Padin, Editor.
Montevideo, Uruguay. 2000.
No. 1 (March 24, 2000). Color Computer Print. 8"x5 1/2". (6 pages).
Assembling magazine. "We are soliciting 100 individual artistamps. No deadline.
any medium or technique. Each contributor will receive two copies. We will
publish each number when we have 20 artistamps, approximately." Seventeen
contributors including Keiichi Nakamura (Japan), Guido Vermeulen (Belgium),
State of Being (USA), Boog (USA), Rod Summers (Holland), Lothar Trott
(Switzerland), Lisa Hooker (USA), Avelino De Araujo (Brazil), Emily Joe (Italy), et
al. Edition 94/100.
No. 2 (n.d.). Color Computer Print. 8"x5 1/2". (6 pages). Assembling
magazine. Artistamps contributed by Anna Banana (Canada), E. F. Higgins III
(USA), James Felter (Canada), Scientist Sam (USA), Tulio Restrepo (Columbia),
Diana Bertrand (Canada), César Reglero (Spain), Gianni Simone (Japan),
Vittore Baroni (Italy), David Dellafiora (Australia), Emilio Morandi (Italy), et al.
No. 4 ([2000]). Color Computer Print. 8"x5 1/2". (6 pages). Assembling
magazine. Artistamps contributed by Gianni Simone (Japan), Hugo Rene Vidal
(Argentina), Scientist Sam (USA), John M. Bennett (USA), Stephen Perkins
(USA), David L. Alvey (USA), Guy Bleus (Belgium), Boog (USA), Michael Lumb
(England), Daniel Daligand (France), Jas. Felter (Canada), John Held, Jr. (USA),
Thomas Kerr (USA) and The Sticker Dude (aka Joel Cohen, USA), Ruggero
Maggi (Italy), et al.
Correspondence Novelas. Florian Cramer, Editor. Berlin,
Germany. (n.d.).
(n.d.). Photocopy. 8 1/4"x4". (6 pages). Neoist publication. "CN-3-2."
Prose by "Monty Cantsin."
Couch Potato Magazine. Dazar OmahaHa, Editor. Omaha,
Nebraska. 1985.
(April 1986). Photocopy. 11"x8 1/2". (9 pages). Drawings by the editor.
Crash Update. Miles Poindexter and John Labovitz, Editors. San
Francisco, California. 1992.

(September 1992). Photocopy. 8 1/2"x5 1/2". (16 pages). Guide to
underground travel. "Inner Travel," issue. Includes the article, "Mail Myself to
You," by John Held, Jr.
Crazy, Old Poets Magazine. David Zack, Editor. Tepoztlan,
Mexico. 1983.
(January 1984). Photocopy. 11"x8 1/2". (34 pages). Illustrations by the
editor and Blaster Al Ackerman (USA). Handwritten and typed text by the editor.
Contributions by Mail Arts Steve Random (USA), Carlo Pittore (USA), buZ blurr
(USA), Robin Crozier (England), et al. A classic David Zack cut and paste litzine.
Edition 4/100.
Creatif Art Revue. Guy Stuckens, Editor. Les Editions
Provisoires, Bruxelles, Belgium. 1985-1989.
No. 10 (1985). Photocopy. 11 3/4"x8 1/4". (10 pages). Contributors
include Peter Meyer (Sweden), Jacques Massa (France). Guillermo Deisler
(Bulgaria), Dobrica Kamperelic (Yugoslavia), et al.
Special Number (Spring 1989). Photocopy and Mixed Media. 8
1/4"x5 3/4". (24 pages). "This is a new issue of C.A.R...It was a log, long
time since the last C.A.R. came out, 2 or 3 years...and this because of a lot of
work! Of course I met a lot of people, mani (sic) mail-artists came over to
Belgium, and I went to different countries. This new issue of C.A.R. is the
occasion to give you some info's about different activities who are very important
to me." Centerfold depicts meeting of Belgian Mail Arts with Shozo Shimamoto
(Japan) and Ryosuke Cohen (Japan).
Creative Discourse, The. Joshua Roststen; William M. van Horn,
Editors. The Association for Creative Endeavor, Petaluma,
California. 1988-1989.
Vol. 3, No. 1 (Summer 1988). Newsprint. 15"x11 1/2". 16 pages.
Notice of the Associations' Performance Party and Mail Art Show,
June 18, 1988.
Vol. 3, No. 4 (Spring 1989). Newsprint. 15"x11 1/2". 12 pages.
Notice of the Associations' "Mail-In Art and Performance Festival,"
June 9-24, 1989.
Cult Comix. Mumbles, Editor. Wichita, Kansas. 1987-1988.

No. 6 (November 1987). Photocopy. 8 1/2"x5 1/2". (8 pages).
Contributions by American Mail Artists Al Ackerman, The Haddock, Jake Berry,
Tuli Kupferberg, et al.
No. 9 (August 1988). Photocopy. 8 1/2"x5 1/2". (8 pages).
Contributions by American Mail Artists Al Ackerman, John M. Bennett, Dazar, et
al.
No. 10 (December 1989). Photocopy. 8 1/2"x5 1/2".43 pages.
Highlights from Nos. 1-9. Contributors include Americans Bob Black, Al
Ackerman, Dazar, A-1 Waste (England), John M. Bennett, et al.
Curios Dog. Michael Leigh, Editor. A.1. Waste Paper Co. Ltd.,
Cheshire, England. 1999.
(June 1999). Photocopy and Rubber Stamps. 5 3/4"x4 1/4". 15
pages. Includes participant list of "Dog" project. Rubber stamped,
"Documentation." Classic A-1 Waste cut and paste collage throughout.
Curious Thing. A.1. Waste Paper Company (Michael Leigh and
Hazel Jones), Editors. London, England. 1996.
No. 3 (n.d.). Photocopy and Rubber Stamps. 4"x3". 15 pages. "In this
fun-packed Summer Issue we once again delve deep into the world of art &
invention-like the one above, the A-1 patented ART FRANKER for those all too
busy weekends in the studio. Not only does it erase De Koonings but eliminates
post marks from stamps enabling poor and deprived mail artists to re-use and recycle
their mail to greater financial advantage!"
No. 11 (n.d.). Photocopy and Rubber Stamps. 6"x4 1/4". 15 pages.
"A special Poetry and parsnip issue." Edition 58/100.
No. 15. (1996). Photocopy and Rubber Stamps. 6"x4 1/4". 15 pages.
"Nonslip Rubber Hog-Feeding Issue." Signed.
Curious X. A-1 Waste Paper Co, (Jonathan) Strangroom, and
Michael Greenfield, Editors. London, England. n.d.
(n.d.). Photocopy and Rubber Stamp. 6"x4 1/4". 14 pages.
Collaboration between the editors. Rubber stamp by M. Greenfield on this copy.

CVS (Copyright Violation Squad) Bulletin, The. Lloyd Dunn,
Editor. Drawing Legion, Iowa City, Iowa. 1993.
No. 1 (February 1993). Photocopy. 8 1/2"x5 1/2". (12 pages). "Issues
of The CVS Bulletin appear sporadically, in intermittent series with other Drawing
Legion Publications, such as Retrofuturism, YAWN, and PhotoStatic Magazine."
"Parallel Culture," by Luke McGuff. Negativland. Review of "Flyposter Frenzy:
Posters from the Anaticopright Network," by Matthew Fuller.
Dada News Source. Uncle Bob, Editor. J-Star Productions, San
Bernandino, California. 1981-1982.
Vol. 1, No. 1 ([June 1982]). Photocopy. 11"x8 1/2". (1 page). "Rrose
Selevy-Founder."
Vol. 1, No. 2 (June 3, 1981). Photocopy. 11"x8 1/2". (1 page).
Dadazine. Bill Gaglione, Editor. San Francisco, California.
(Spring 1976). Offset. 8 1/2"x7". (12 pages). "I Hand Changed His Name
to Dadaland." on the cover with enlarged photo booth portraits of Gaglione and
Jorge Zontal (Canada) on the cover. Text by Jorge Zontal. Cover design by
Dawn Gaglione. 1976-1978.
([1976]). Rubber Stamps. 8 1/2"x5 1/2". (20 pages). "This is a special
Rubber Stamp Art Issue of Dad(d)azine," stamped on the front cover. One page
stamped "original," with the remaining stamped, "duplicate."
([1976]). Rubber Stamps and Stickers. 8 1/2"x5 1/2". (20 pages).
"This is a Special Rubber Stamp Art Issue of Dad(d)azine," stamped on the front
cover. One page stamped "original," with the remaining stamped, "duplicate."
Variant issue to the above, with "Cavellini, 1914-2014," stickers affixed and two
Cavellini rubber stamps impressed on each page. Signed "gac 1976."
No. 6 (August 1978). Newsprint. 8"x5 1/2". (8 pages). "This is a
special ART GANGSTER issue of DADAZINE." Anna Banana and Buster
Cleveland assistant editors. Newspaper reports of art vandalism.
DATA FILE. Richard Meade, Editor. Los Angeles, California.
1987.

Issue N (1987). Mixed Media. 8 1/2"x5 1/2". Assembling magazine.
"Nude Data File." Each issue with a different alphabetical letter, with a theme
derived from the specific letter. 45 contributors. Edition 91/150.
De Media. Jan De Boever, Editor. De Media, Eeklo, Belgium.
1984-1989.
No. 3 (June 1984). Photocopy. 11 3/4"x8 1/4". 4 pages. Publication of
De Media art center. "Extra Cavellini Berichtenblad." "European G.A.C. Festival."
"Cavellini in De Media." Cavellini bibliography.
No. 9 (January/February 1985). Photocopy. 11 3/4"x8 1/4". 4 pages.
Contributor list for "The Mail Art Magazine." project. Cavellini at De Media.
No. 23a (September 1986). Photocopy. 11 3/4"x8 1/4". 8 pages.
"Extra Small Mags Issue." About De Media's "Small Mags Archive," with a listing
of titles in the collection.
No. 39 ([1989]). Photocopy. 11 3/4"x8 1/4". 4 pages. John Held, Jr.
exhibition, "A Library of Stamps," at De Media.
No. 40 ([1989]). Photocopy. 11 3/4"x8 1/4". 4 pages. Notice for the
lecture, "Mail Art Publications," by John Held, Jr.
Extra Mail Art Issue ([1989]). Photocopy. 11 3/4"x8 1/4". 4 pages.
Photographs of Mail Artists visiting de media including Ryosuke Cohen (Japan),
Shozo Shimamoto (Japan), Robin Crozier (England), Guy Bleus (Belgium), Paul
Rutkovsky (USA), et al.
Dead Mail-Artists. Ruud Janssen, Editor. TAM, Tilburg, Holland.
1991-1997.
(September 28 1991). Photocopy. 8 1/4"x5 3/4". 1 page. Listing of 12
Mail Artists who have died, by name, country, date of birth, and date of death.
Includes Mike Bidner (Canada), Achim Weigelt (Germany), Ulises Carrion
(Holland), Cavellini (Italy), et al.
(March 12. 1993). Photocopy with Rubber Stamp. 8 1/4"x5 3/4". 2
pages. List of 27 Mail Artists who have passed away. Rudolph (USA), A. M.
Fine (USA), Arto Kytohonka (Finland), R. Mutt (USA), added to the list.
(April 9, 1993). Photocopy with Rubber Stamp. 8 1/4"x5 3/4". 2
pages. List of late Mail Artists. David Zack added to the list.

(May 22, 1995). Photocopy with Rubber Stamps. 11 3/4"x8 1/4". 3
pages. 39 late Mail Artists listed. Newly added: Ray Johnson (USA), Slavko
Matkovic (Yugoslavia), Robert Rehfield (Germany), Jerry Dreva (USA), Jean
Brown (USA), et al.
(April 10, 1996). Photocopy. 11 3/4"x8 1/4". 4 pages. "In the last years I
noticed that -like normal people- mail-artists have died, and not everybody was
informed about this. So in honor of the dead mail-artists I started making this list
below." 40 persons listed. Guillermo Deisler (Germany) and Eric Finlay (England)
added to the list.
(June 27, 1997). Photocopy. 8 1/4"x5 3/4". 4 pages. 42 late mail Artists
on the list. Pat Larter (Australia) and Joseph "Joki" Klaffki (Germany) added to
the list.
Devil/Paradis. Thierry Tillier, Ed. Charleroi, Belgium. (1984).
No. 11 ([1984]). Photocopy. 11 3/4"x8 1/4". (24 pages). Participant list
with reproductions of contributions from the editors' project, "Mailart Star."
Devil's Playground. Musicmaster, Editor. Musical Comedy
Editions, Hopkins, Minnesota. 1983.
No. 1 (Summer 1983). Photocopy. 4 1/2"x4 1/4". (12 pages). Graphics
and text by the editor.
No. 2 (1983). Photocopy. 4 1/2"x4 1/4". (12 pages). Graphics by the
editor.
No. 4 (1984). Photocopy. 4 1/2"x4 1/4". (18 pages). "Neat Lady," poetry
and graphics by the editor. . "If you do not wish to save this item, please be sure
to dispose of it neatly!"
No. 5 (1984). Photocopy. 4 1/2"x4 1/4". (8 pages). "Pets." Poetry and
graphics by the editor.
Diapoteka Bulletin. Bruno Capatti, Editor. Dogato, Italy. 1990.
No. 1 (1991). Photocopy. 11 3/4"x8 1/4". (1 page). List of contributors to
the editors' "Artslides," Mail Art project, as of December 29, 1990.

Diary of Neo-Psychedelic Man. Maximum Traffic, Editor. Butler,
Pennsylvania. 1992.
No. 9 (December 1992). Photocopy. 5 1/2"x4 1/4". (8 pages). Comixs
by the editor.
Die Katastrophe. Graf Haufen, Editor. Berlin, Germany. 1983-
1984.
No. 10 (November 1983). Offset. 8 1/4"x6". (28 pages). Statements of
artists involved in the international "cassette culture" scene.
No. 11 (n.d.[1984]). Offset. 11 3/4"x8 1/4". (4 pages). Listing of artists
producing cassette tapes.
No. 12 (n.d.[1984]). Photocopy. 8 1/4"x6". (40 pages). Statements from
numerous international producers of cassettes.
Die Young. Rod Summers. VEC, Maastricht, The Netherlands.
1991.
(Spring 1991). Photocopy. 8 1/4"x5 1/2". 36 pages. "This Die Young
was collected edited and published in Europe by Rod Summers." Includes
contributions by Cesar Figueiredo (Portugal), John M. Bennett (USA), Piotry
Rypson (Poland), Pawel Petasz (Poland), Teresinka Pereira (USA), et al.
Dimensao: Revista Internacional de Poesia. Guido Bilharinho,
Editor. Uberaba, Brazil. 1995.
Vol. 15, No. 24 (1995). Offset. 9"x6". 150 pages. Visual poetry by Willi
R. Melnikov-Starkvist (Russia), Raimondo Cortese (Australia), Pedro Gutierrez
(Cuba), Paulo Bruscky (Brazil),Julien Blaine (France), Iberico (Spain), Clemente
Padin (Uruguay), et al.
DJ at FOMT. David Johnson, Editor. Publishers Group South
West (Ireland), Allihies, County Cork, Ireland. 1987.

(January 1987). Photocopy, Rubber Stamps and Stickers. 16
1/2"x11 3/4". (12 pages). Open letters to numerous international Mail Artists
by the editor. Excerpts from, "Correspondence Novels," by David Zack (Mexico).
Do Wonders Invention Manual. Michael Leigh, Editor. A-1 Waste
Paper Co. Ltd., London, England. (1988).
Vol. 93, No. 1 ([1988]). Photocopy and Rubber Stamps. 4"x3". 15
pages. Handwritten commentary with collage. Fictitious volume number.
DOC(K)S. Julien Blaine, Editor. Ventabren, France. 1979-1984).
No. 15 (June 1979). Offset. 8 1/4"x7". Unpaged. "Folios" of work by
Polish Artists including Pawel Petasz, Andrzej Partum and Thomas Schulz.
Special postcard, Mail Art and artistamp sections.
No. 19 (December 1979). Offset. 8 1/4"x7". Unpaged. Visual poetry,
Mail Art and a special section on artistamps.
No. 23 (1980). Offset. 8 1/4"x7". Unpaged. Special section on Russian
artists. Special section on artistamps.
No. 66 (1984). Offset. 8 1/4"x7". Unpaged. Visual poetry, performance
and a special section on small press and Mail Art magazines.
Documents. Phillippe Billé, Editor. Bordeaux, France. 1988-1989.
Pages 1-10 (September 1988). Photocopy. 11 3/4"x8 1/4". 10
pages. Documenting the work of various artists including Keiko Takeda
(Japan), Ivan Sládek (Czechoslovakia), et al.
Pages 11-20 (December 1988). Photocopy. 11 3/4"x8 1/4". 10
pages. Documenting the work of Mail Artists. John Rininger (USA), Serse
Luigetti (Italy), S. Gustav Hägglund (Norway), et al. Review of small press
publications.
Pages 21-30 (April 1989). Photocopy. 11 3/4"x8 1/4". 10 pages.
Documenting the work of Enrico Sturani (Italy), Lloyd Dunn (USA), Alessandro
Aiello (Italy), et al. Publication reviews.

Pages 31-40 (June 1989). Photocopy. 11 3/4"x8 1/4". 10 pages.
Documenting the work of Bruno Charpentier (France), Jean-François Robic
(France), et al. Publication reviews.
Pages 41-50 (September 1989). Photocopy. 11 3/4"x8 1/4". 10
pages. Documenting the work of John M. Bennett (USA), Pierre Marquer
(France), et al. Publication reviews.
doda Florida. Paul Rutkovsky, Editor. Tallahassee, Florida. n.d.
Vol. 2, No. 1 (n.d.). Newsprint. 11"x8 1/2". (32 pages). Scanned and
computer generated images from popular culture.
Doo Daa Florida. Paul Rutkovsky, Editor. Tallahassee, Florida.
(1984).
See also, doda Florida.
Vol. 1, No. 2 ([1984]). Newsprint. 15"x11 1/2". (24 pages).
Contributions from Mick Mather (USA), Guy Bleus(Belgium), Jack Saunders
(USA), Carlo Pittore (USA), Clemente Padin (Uruguay), et al.
Vol. 1, No. 3 ([1984]). Newsprint. 15"x11 1/2". (24 pages).
Contributions by Richard Kostelanetz (USA), Ryosuke Cohen (Japan), Ruggero
Maggi (Italy), Peter Frank (USA), Al Ackerman (USA), et al.
Double. Rea Nikonova, Editor. Eysk, Russia, USSR. 1992.
No. 3 (1992). Mixed Media. 11 1/2"x7 1/2". Unpaged. Assembling
magazine. 36 participants. "International mail-art & visual poetry review." Edition
of 50 copies.
Dream Magazine. Brian Salzberg, Editor. Block Island, Rhode
Island. 1988.
No. 10 (May 21, [1988]). Photocopy. 8 1/2"x5 1/2". (12 pages). Visual
poetry.
No. 11 (n.d.). Photocopy. 2 1/2"x2". (28 pages). Found poetry from the
classified section of the newspaper.

Contributors Issue (Summer 1988). Photocopy. 8 1/2"x5 1/2". 19
pages. Dream contributions from Ivan H. Sladek (Czechoslovakia), Philippe
Billé (France), Ruggero Maggi (Italy), Harley (USA), Shozo Shimamoto (Japan),
et al.
Dreams of Pag-hat the Rat-girl. Pag-hat the Rat-girl (Jessica
Salomon), Editor. Seattle, Washington. (1995).
No. 15 ([1995]). Photocopy. 4"x3/4". (1 page). "I opened my underwear
drawer but the only thing I had clean were possums."
No. 17 ([1995]). Photocopy. 4"x3/4". (1 page). "I was riding about in
heaven on the back of a flying terrapin."
No, 19 ([1995]). Photocopy. 4"x3/4". (1 page). "I dreamed I was walking
on the bottom of the sea looking for pennies."
No. 21 ([1995]). Photocopy. 4"x3/4". (1 page). "I dreamed I had an
infestation of merchant marines in my cupboards."
No. 23 ([1995]). Photocopy. 4"x3/4". (1 page). "There was a Jackson's
chameleon in my mail box."
Dreamtime Talkingmail. Miekal And and Liz Was, Editors. West
Lima, Wisconsin. 1991-1995.
(No. 1) (Summer 1991). Newsprint. 11"x8 1/2". (8 pages). Titled
"Dreamtime Village" for this first issue. "Welcome to the first communique from
"dreamtime," the embryonic beginnings of a permaculture hypermedia village in
southwest Wisconsin. In this newsletter we will outline the different information
relating to the projekt including how our other projekts like Festival of the
Swamps & Xexoxil Endarchy fit into the formation of this community." "Art Glut"
proposed in opposition to Art Strike.
No. 2 (Spring 1992). Newsprint. 10 3/4"x8". (24 pages). "...information
& images concerning the becoming of Dreamtime Village, a rural experiment in
combining the ancient technology of permaculture with the unlimited possibilities
of hypermedia arts..." Calendar of events includes a meeting of the
"Decentralized Networker Congress," facilitated by Miekal And and John Held,
Jr. "After Tourism Comes Planetary Citizenship: Some Random Thoughts on
Networking," by Vittore Baroni.

No. 3 (Spring 1993). Newsprint. 10 3/4"x8". 29 pages. "Dreamtime
Corroboree as Temporary Autonomous Zone," by Hakim Bey. Malok biography.
No. 4 (Summer 1993). Newsprint. 10 3/4"x7 3/4". (24 pages). Coedited
by Miekal And and Ben Meyers. Announcement of a series of lectures by
Peter Lamborn Wilson (USA) on the unpublished writings of Hakim Bey.
Publication reviews.
No. 5 (Winter 1994). Newsprint. 10 3/4"x7 3/4". 39 pages. "Networking
Message," by Angela and Peter Netmail (Germany). "Anarcho-Aesthetics," by
Hakim Bey (USA).
No. 6 (Summer 1994). Newsprint. 10 3/4"x7 3/4". 29 pages. "New
Releases from Xeroxial Endarchy." Mail Art Garden. Publication reviews.
No. 7 (Spring 1995). Newsprint. 10 3/4"x7 3/4". 29 pages. Edited by
And, Was and Patrick Mullins. Publication reviews. "...being a polymorphous
project commandeered & inhabited by polymorphous creatures with
polymorphous identities, plans, & perspectives, Dreamtimes's printed voice too
speaks with a variegated & forked tongue."
Duplex Planet. David B. Greenberger, Duplex Nursing Home,
Brookline, Massachusetts; Saratoga Springs, New York. 1980-
1998.
An active Mail Artist in the 70s and 80s, Greenberger worked at the Duplex
Nursing Home, interviewing the residents and publishing the results in this long
running zine.
No. 18 (November 1980). Offset. 8 1/2"x5 1/2". (12 pages). "Special
back-to-back issue with THE TOOTH: The Worst Job I Ever had by Dr. Al
Ackerman." Issue theme, "What was the worst job you ever had?"
No. 27 (August 1981). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme:
travel.
No. 30 (November 1981). Offset. 8 1/2"x5 1/2". (12 pages). Issue
theme: "What is sleep?"
No. 31 (December 1981). Offset. 8 1/2"x5 1/2". (12 pages). Issue
theme: "Tell me a Cowboy Story."
No. 38 (July 1982). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme:
Summer.

No. 45 (February 1983). Offset. 8 1/2"x5 1/2". (12 pages). Issue
theme: television.
No. 48 (May 1983). Offset. 8 1/2"x5 1/2". (10 pages). Issue theme:
swimming.
No. 49 (June 1983). Offset. 8 1/2"x5 1/2". (10 pages). Issue theme:
"What's the funniest thing that ever happened to you on account of gravity?"
cover by Ken Brown.
No. 50 (July 1983). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme:
"Fifty."
No. 51 (August 1983). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme:
fish.
No. 53 (1983). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: bowling.
No. 54 (1983). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: shaving.
Cover by Al Ackerman.
No. 55 (1984). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: reviews by
"Fergie" Ferguson.
No. 56 ([1984]). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme:
neighbors.
No. 57 (1984). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: fire.
No. 58 (1984). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: "What's
Art?"
No. 59 (1984). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: records.
No. 61 (1984). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: eyes.
No. 62 (1984). Offset. postage stamp and rubber stamp. 8 1/2"x5
1/2". (12 pages). Issue theme: postal.
No. 81 (1987). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: money.
Hand carved rubber stamps by the editor illustrate the issue.

No. 85 (1987). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: magic.
No. 89 (1987). Offset. 8 1/2"x5 1/2". (16 pages). Issue theme: Duplex
Planet resident, Ernest Noyes Brookings.
No. 90 (1988). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: lost.
No. 95 (1988). Offset. 8 1/2"x5 1/2". (12 pages). "Interviews conducted
at several Boston-area nur(s)ing homes and various elderly centers in
Schenecnady, NY." Issue theme: difficult task.
No. 100 (1989). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: "How
Should I commemorate the Hundredth issue of the Duplex Planet?"
No. 115 (1991). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: "lucky
lane."
No. 120 (1992). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: between.
No. 121 (1992). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: Master
of Zoro.
No. 122 (1992). Offset. 8 1/2"x5 1/2". (12 pages). "This is the second
issue devoted exclusively to the stories and observations of Ken Eglin."
No. 123 (1992). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: Elvis.
No. 124 (1993). Offset. 8 1/2"x5 1/2". (12 pages). Issue theme: wrong
foot.
No. 148 (1997). Offset. 8 1/2"x5 1/2". 16 pages. Issue theme: names.
No. 151 (1998). Offset. 8 1/2"x5 1/2". 15 pages. Issue theme: Francis
McElroy.
Dyslexic People: The 25 Most Intriguing People of 1993 and
Beyond. Julee-Peezlee, Editor. Boulder, Colorado. 1994.
(1994). Photocopy. 11"x8 1/2". (12 pages). "A dyslexic survey of 25
amazing, ball-busting comic artists, musicians, mail artists, self-publishers and
artistic visionaries." Includes personal observations of Mail Artists M. B. Corbett

(USA), Bugpost (USA), Mike Dyar (USA), John Held, Jr. (USA), Julee Peezlee
(USA) and Ashley Parker Owens (USA).
E-Pele-Mele: Electronic Mail Art Netzine. Guy Bleus, Editor.
Administration Centre, Wellen, Belgium. 1994-1995.
Vol. 1, No. 1 (April/May 1994). Photocopy. 11 3/4"x8 1/4". (20
pages). "'E-Pele-Mele' or 'E-Pale-Mail' is also the name of this archival
magazine of 'The Administration Center'-42.292.' It characterizes some
administrative and cyber aspects of what happens here. The classification of
works and/or information of thousands of netlanders. It comprises several artistic
sections: e.g. Copy-Art, Collages, Fax-Art, Assemblages, Rubberstamp-Art,
Artistamps, Artists' Books, B&W & Color Photographs, Mail-Art, Posters
Paintings, Postcards, Computer-Art, Poesia Visiva, E-Mail Art, Internet-Works,
etc." Includes the essay, "Mail-Art During This Last Decade," by the editor.
"Provisional List of E-Netland-Zines."
Vol. 1, No. 2 (October/November 1994). Photocopy. (22 pages).
"Pre-Electronic Mail-Art Projects in Mexico," by the editor. "Provisional" lists of
"E-Netlanders," and "E-Netland-Zines."
Vol. 2, No. 1 (January/February 1995). Photocopy. 11 3/4"x8 1/4".
(28 pages). Essays, "A Dialogue Between the Postman and His Electronic
Shadow," "Mail Art in Sweden," and "The Roles of the E-Netlanders," by the
editor. List of "E-Netlanders," and "E-Netland Zines."
Vol. 3, No. 1 (December 1997). Photocopy. 11 3/4"x8 1/4". 37
pages. "Re: the E-Mail-Art & Internet-Art Manifesto." A project of the editor
asking for short statements from 35 Mail Artists on the new electronic media and
its' relation to Mail-Art.
Vol. 3, No. 2 (December 1997). Offset. 8 1/4"x5 3/4". 31 pages. Ruud
Janssen interviews Guy Bleus. Appendix 1: "A Dialogue Between the Postman &
His Electronic Shadow." Appendix 2: "Telecopying in the Electronic Netland."
Appendix 3: "In Quest of Netland." Appendix 4: "Re: The E-Mail-Art & Internet-
Art Manifesto."
(1994-1995). Offset. 8 1/4"x5 3/4". Unpaged. Contains the contents of
Vol. 1, No. 1; Vol. 1, No. 2; Vol. 2, No. 1; and Vol. 2, No. 2/3.
Easy & Instant Mail Art Mag E3. Kazuyoshi Takeishi, Editor.
Aerial Print, Tokyo, Japan. 1989-1990.

No. 005 (June 7, 1989). Photocopy. 4 1/4"x5 3/4". (24 pages).
Reproductions of Mail Art received from Roman Muszynski (Poland), Shmuel
(USA), Jorge Caraballo (Uruguay), Daniel Daligand (France), et al. Edition 4/20.
No. 011 (July 16, 1989). Photocopy. 4 1/4"x5 3/4". (24 pages).
Contributions by Makata Takamura (Japan), Mumbles (USA), Tamotsu
Watanabe (Japan), Ruggero Maggi (Italy), Pierre Marquer (France), et al. Edition
18/20.
No. 012 (July 16, 1989). Photocopy. 4 1/4"x5 3/4". (24 pages).
Contributions by Klaus Groh (Germany), Oronzo Liuzzi (Italy), FaGaGaGa
(USA), Shigeru Nakayama (Japan), Guy Bleus (Belgium), et al. Edition 12/20.
No. 015 (August 17, 1989). Photocopy. 4 1/4"x5 3/4". (24 pages).
Contributions by Henning Mittendorf (Germany), Shozo Shimamoto (Japan),
Shmuel (USA), Vittorio Baccelli (Italy), Antonio Gomez (Spain), et al. Edition
1/30.
No. 017 (October 10, 1989). Photocopy. 4 1/4"x5 3/4". (14 pages).
Contributions by FaGaGaGa (USA), Guy Bleus (Belgium), Henning Mittendorf
(USA), et al. Edition 19/20.
No. 018 (October 10, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Ivica Culoak-Catcherii (Yugoslavia), Le Peintre Nato (France),
Kowa Kato (Japan), Shozo Shimamoto (Japan), et al. Edition 4/20.
No. 019 (October 10, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Dada Kan (Japan), Rod Summers (The Netherlands), Shozo
Shimamoto (Japan), et al. Edition 19/20.
No. 020 (October 10, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Solamito Luigino (Italy), Shozo Shimamoto (Japan), Jun
Kuramitsu (Japan), Luce Fierens (Belgium), Matthias Dreyer (Germany), et al.
Edition 17/20.
No. 21 (October 10, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Vittorio Baccelli (Italy), Mukata Takamura (Japan), Ryosuke
Cohen (Japan), Pascal Lenoir (France), Kowa Kato (Japan), et al. Edition 14/20.
No. 023 (October 22, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Michel Jeantieu (France), Teruyuki Tsubouchi (Japan), Ruggero
Maggi (Italy), et al. Edition 10/20.

No. 030 (November 19, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Fodor Sandor (Romania), Henning and Angela Mittendorf
(Germany), Barry Edgar Pilcher (England), John Held, Jr. (USA), Dada Kan
(Japan), et al. Edition 18/20.
No. 035 (December 3, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Fernand Barbot (USA), Kjell Nyman (Sweden), Musicmaster
(USA), Pascal Lenoir (France), Haddock (USA), et al. Edition 7/20.
No. 036 (December 10, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Musicmaster (USA), Pascal Lenoir (France), Kowa Kato
(Japan), Fernand Barbot (USA), et al. Edition 8/20.
No. 034 (December 3, 1989). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Kjell Nyman (Sweden), Musicmaster (USA), Shmuel (USA),
Factor X. (England), et al. Edition 9/20.
No. 045 (January 7, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Alain Dumont (France), Kunio Yamayoshi (Japan) Cerebral
Shorts (Australia), John Held, Jr. (USA), Guy Bleus (Belgium), Shigeru
Nakayama (Japan), et al. Edition 17/24.
No. 046 (January 7, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Solamito Luigino (Italy), Jose Oliveira (Portugal), Pascal Lenoir
(France), Dada Kan (Japan), Factor X. (England), et al. Edition. 20/20.
No. 053 (January 28, 1990). Photocopy and mixed media. 4 1/4"x5
3/4". (20 pages). Contributions by Tatotsu Watanabe (Japan), R(obert) C.
Morgan (USA), Bruno Capatti (Italy), Marcello Diotallevi (Italy), Ryosuke Cohen
(Japan), et al.
No. 054 (January 28, 1990). Photocopy and mixed media. 4 1/4"x5
3/4". (12 pages). Contributions by John Held, Jr. (USA), Postproduct
Exchange (Italy), Bruno Capatti (Italy), Klaus Groh (Germany), et al. Edition 9/20.
No. 055 (February 12, 1990). Photocopy and mixed media. 4 1/4"x5
3/4". (12 pages). Contributions by Henning Mittendorf (Germany), Jorge
Grimm (Brazil), Vittorio Baccelli (Italy), Guillermo Deisler (East Germany), et al.
Edition 8/20.
No. 060 (February 18, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Fernand Barbot (USA), Michel Jeantieu (France), Musicmaster
(USA), Yoshio Takeda (Japan), et al. Edition 14/15.

No. 062 (March 4, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Matthias Dreyer (Germany), FaGaGaGa (USA), Barry Edgar
Pilcher (England), Miroslav Janosek (Czechoslovakia), Jonas Nekrasius
(Lithuania), et al. Edition 8/15.
No. 063 (March 4, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by John Held, Jr., Shmuel (USA), Henning Mittendorf (USA),
Solamito Luigino (Italy), et al. Edition 10/15.
No. 074 (March 31, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Katsutoshi Sakai (Japan), Jean Spiroux (Belgium), Bruno
Capatti (Italy), Shmuel (USA), et al.
No. 075 (March 31, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Musicmaster (USA), Factor X. (England), FaGaGaGa (USA),
Shozo Shimamoto (Japan), Barry Edgar Pilcher (England), et al.
No. 084 (April 15, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Claude Lemaire (Belgium), Lily Scholes (England), Arto
Kytöhonka (Finland), John Held, Jr. (USA), et al.
No. 085 (April 15, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Rod Summers (The Netherlands), Arto Kytöhonka (Finland),
John Held, Jr. (USA), Rupert Hoyoell (England), et al.
No. 086 (April 30, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Shmuel (USA), O. Jason (England), Yoshio Takeda (Japan), et
al.
No. 089 (April 30, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by Rubert Loydell (England), Factor X. (England), Mieko Togi
(Japan), A1 Waste Paper Co. Ltd. (England), Vittore Baccelli (Italy), et al.
No. 090 (April 30, 1990). Photocopy. 4 1/4"x5 3/4". (12 pages).
Contributions by A1 Waste Paper Co. Ltd. (England), Hogart (USA), Bruno
Capatti (Italy), Rupert Loydell (England), et al.
No. 095 (May 13, 1990). Photocopy. 4 1/4"x5 3/4". (32 pages).
Contributions by Angela and Henning Mittendorf (Germany), A1 Waste Paper
Co. Ltd. (England), Mark Bloch (USA), Géza Perneczky (Germany), Pascal
Lenoir (France), Guido Bondioli (Guatemala), Shozo Shimamoto (Japan), et al.
No. 096 (May 13, 1990). Photocopy. 4 1/4"x5 3/4". (32 pages).
Contributions by John Held, Jr. (USA), Kowa Kato (Japan), Wojtek Polcyn

(Poland), Géza Perneczky (Germany), R(obert) C. Morgan (USA), Pascal Lenoir
(France), et al.
No. 097 (May 13, 1990). Photocopy. 4 1/4"x5 3/4". (32 pages).
Contributions by Ivica Culjak-Catcher (Yugoslavia), Le Peintre Nato (France),
Shozo Shimamoto (Japan), De Media (Belgium), Angela and Henning Mittendorf
(Germany), et al.
No. 098 (June 3, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Shozo Shimamoto (Japan), Le Peintre Nato (France), Marcello
Diotallevi (Italy), A1 Waste Paper Co. Ltd. (England), FaGaGaGa (USA), et al.
No. 099 (June 3, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by Géza Perneczky (Germany), Shozo Shimamoto (Japan), John
Held, Jr. (USA), Bruno Capatti (Italy), A1 Waste Paper Co. Ltd. (England),
Musicmaster (USA), Ruggero Maggi (Italy), et al.
No. 100 (June 3, 1990). Photocopy. 4 1/4"x5 3/4". (16 pages).
Contributions by John Held, Jr. (USA), Ruggero Maggi (Italy), Joaquim Branco
(Brazil), Musicmaster (USA), Marcello Diotallevi (Italy), Kjell Nyman (Sweden),
Géza Perneczky (Germany). et al.
Eat It Up. Frank Void, Editor. Post Urban Press, Berkeley,
California. 1981-1984.
No. 1 (June 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "Editorial
content is not necessarily the opinion of this paper or any of its writers. 'Eat it Up'
was started to fill the emptiness in, that regular magazines perpetually create.
'Eat It Up' will be published only when needed." Publication reviews. Notice of a
performance by Geoffrey Cook (USA).
No. 2 (n.d.). Photocopy. 5 1/2"x4 1/4". (8 pages). Local art notices.
Interview with Jack Perkins.
No. 3 (July 4, 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art
to a post urban artist? Xerox art is one answer. Its a quick way at visual thinking
and your inspiration need only last seconds..."
No. 4 (July 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art to
the post urban artist? Performance art is one more answer. Live visual/audio
activity for a few minutes to a few hours. One person or as a group..."

No. 5 (August 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "Cleveland
Ohio Issue."
No. 6 (September 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to a posturban artist? Artists meeting..." Notice of Byron Black at Postcard
Palace, San Francisco.
No. 7 (October 1, 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to a posturban artist? the night of a live show always proves to be
interesting. Its the most real part of the total performance art sequence
(conception, process, results) that may go unnoticed by the audience..."
No. 8 (Mid-October 1981). Photocopy. 5 1/2"x4 1/4". (8 pages).
"What is art to a posturban artist? Printed information of all kings. Artists' books,
posters, postcards, catalogs, announcements, etc...." This issue published in
New York City.
No. 9 (November 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to a posturban artist? making the scene, or just being seen at the right time
and the right place..."
No. 10 (November 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to the posturban artist? mail Art. Postal art-as to not confuse any persons
who may ask: Male Art? Mail art is a vehicle for posturban communication-your
mailbox becomes an art gallery of sorts..."
No. 11 (December 1981). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to the posturban artist? Its a matter of influences to the posturban artist that
make up the content of his/her artwork. Whether one admits to it or not, there is
a line which art follows through history..."
No. 12 (January 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). What is
art to a posturban artist? Little magazines (again) still are. Since our first issue
back in may 1981, so called new magazines have come and gone. The
temporary quality of this kind of media assures the freshness in content, but not
always as expected..." California Futurism. Mail Art exhibition opportunities.
No. 13 (February 1982). Photocopy. 5 1/2"x4 1/4". (8 pages).
Published in Oakland, California. "What is art to a posturban artist? Phone art.
More communication via established but mostly unused networks..." Mail Art
show at Postcard palace, San Francisco.

No. 14 (March 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art
to a posturban artist? Openings: Openings are when the maximum amount of
people come to see the art and artists. Or do they?..." "Mail Art Info."
No. 15 (April 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art
to a posturban artist: The posturban artist has alot to consider these days
outside of the purely aesthetic realm: like his/her social standing in the artist
community..." Mail Art exhibition opportunities.
No. 16 (May 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art to
a posturban artist? Writing: which of course leads to typing, since one needs to
have it in a digestible form. Artists have always talked about and written about
things they do and like; so, now this form is becoming visual and valid. Put down
the paintbrush in lieu of a typewriter, see if you can line up thoughts and words in
sentences. communication..." Mail Art information.
No. 17 (June 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art
to a posturban artist: No-art is art to a posturban artist. No-art art! What is it?
Who are its' advocates? No-art art is the result of Modern art painting itself into a
corner..."
No. 18 (July 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is art
to a posturban artist? Public Art. Site oriented work that has been seen by and
influenced thousands of passer-bys..." Mail Art information.
No. 19 (August 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is
art to a posturban artist? Sculpture; or is it something that takes up space and
material as sculpture does, presents a dilemma to posturban thought..." Mail Art
information.
No. 20 (September 1982). Photocopy and rubber stamp. 5 1/2"x4
1/4". (8 pages). "What is art to a posturban artist? Stamp Art. (Rubber) that's
right. Another spinoff; by-product of our economic work-a-day world finds its
place in posturban culture..." "Mail art info: info art mail."
No. 21 (October 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What is
art to a posturban artist? Tape recording: trying to catch the elusive creativity that
comes out in the form of audio/sound waves and put into magnetic information
on to a strip of mylar..." Mail Art information.
No. 22 (November 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to a posturban artist? copyright prohibited. the decision to use/exploit all
and any scraps of imagery is central to the posturban artist..." "Mail-Art
Information."

No. 23 (December 1982). Photocopy. 5 1/2"x4 1/4". (8 pages). "What
is art to a posturban artist? Useful Information: all those well known and/or little
known facts that make fife and art easier..." Mail art information.
No. 37 (February 29, 1984). Photocopy. 5 1/2"x4 1/4". (8 pages).
"What is art to a posturban artist? Memory-knowledge and ideas acquired from
the useful past..." mail Art information. New section called, "Mailbox," listing
names and address, among them a number of Mail Artists." Artists Talk on Art:
International Mail Art, Parts 1 & 2."
No. 40 (May/June 1984). Photocopy. 5 1/2"x4 1/4". (16 pages). "What
is art to the posturban artist? Propaganda: the manipulation of words and ideas
that are the facts in our given situation. simplify ideas right out of reality..."Mail
Art Information. "Mailbox." Extra pages with images by Stephen Ronan (USA),
A.1. Waste Paper Co. Ltd. (England), et al.
Effluvium. Seth Mason, Editor. San Francisco, California. (1994).
No. 1 ([1994]). Photocopy and Rubber Stamps, Twin Binding. 11"x8
1/2". (37 pages). "Submissions are strongly encouraged as t is the only way of
receiving this magazine..." Image of the editor mailed out for artists to "alter and
return." Contributions received from 36 artists including Mayumi Handa (Japan),
Clemente Padin (Uruguay), Mike Dyar (USA), M. B. Corbett (USA), Picasso
Gaglione (USA), Pascal Lenoir (France), Anna Banana (Canada), et al.
Einbecker Kunstblatt Mail-Art-News. Frierdhelm Schulz, Editor.
Mail-Art-Museum, Einbeck, West Germany. 1993.
No. 20 (April 1993). Photocopy. 11"x8 1/2". (26 pages).
Documentation of the editors' Mail Art project, "Where Art the Colours?"
Contributors list. Reprint of "Global Mail," No. 4. Text by Seiei Nishimura (Japan).
Essay by the editor in German.
Einai Aypio: A Mail Art Magazine. Open Head Arts, Editor.
Athens, Greece. 1984.
No. 7/8 (1984). Photocopy and Mixed Media. 8 1/4"x5 3/4". Unpaged.
Assembling magazine. Theme: Masters and Slaves. 36 participants from 13
countries. Edition 3/100.
El Djarida. Guttorm Nordø, Editor. Trondheim, Norway. 1986-
1993.

No. 2 (March 1986). Newsprint. 16 1.2"x11 1/2". (28 pages).
Contributions by Manfred Vançi Stirnemann (Switzerland), Kum Nam Baik
(South Korea), Klaus Groh (Germany), et al. "Words About Mail Art."
No. 3 (June 1986). Newsprint. 15 1/2"x10 3/4". (24 pages). "Mail Art:
Exhibitions Projects Magazines." Text by G. X. Jupitter-Larsen (Canada).
Graphics by Dobrica Kamperelic (Yugoslavia), Manfred Vançi Stirnemann
(Switzerland), et al.
No. 4 ([November 1986]). Newsprint. 16 1/2"x11 1/2". (24 pages).
Cover by Robert Rehfield (East Germany). Notice for upcoming, "First
International Mail Art manifest in Norway." Dr. Al Ackerman contributes, "My
Job." Mark Block contributes, "Reasons I love New York." Centerfold illustrates
recent Mail Art publications. Art by Andrzej Dudek Durer (Poland).
No. 5 (April 1987). Newsprint. 15 1/2"x10 1/2". (32 pages). One of the
most informative Mail Art magazines ever published. Essays by Vittore Baroni
(Italy), "Maillonta Tauta;" Géza Perneczky (Germany), "Mail Art as an
Alternative?;" Guy Bleus (Belgium), "An Introduction About Art and Exchange;"
Carlo Pittore (USA), "Stop Misery;" Klaus Groh (Germany), "Mail Art and the New
Dada." Additional texts by Monty Cantsin (Canada), G. X. Jupitter-Larsen
(Canada), Mark Bloch (USA), Pat Fish (USA), Tony Lowes (Ireland), Mike Bidner
(USA), et al. Participant list for the exhibition, "First International Mailart Manifest
Norway."
No. 6 ([June 1987]). Newsprint. 10 1/2"x8". (64 pages). "The Wordless
Issue." Names of contributors in "El Djarida," No. 7.
No. 7 ([January 1988]). Newsprint. 16 1/2"x11 1/2". (24 pages).
"Philosophy of Mail Art," by Guy Bleus. "Chosen by the 4 Secret masters of the
Universe," an interview with Monty Cantsin (Canada). "ten Ways to make
Yourself Famous," by G. A. Cavellini. Large listing of Mail Art publications. "If
Mailart is to Considered High Art," by J. P. Jacob (USA). "Mail Art in
Czechoslovakia," by Petr Sevcik. "Mail Art-My Dream of Freedom and Love," by
Henning Mittendorf. "Bury Me Alive," by Carlo Pittore (USA).
"Xtra-Issue." (January 1989). Offset. 4"x4 1/4". (8 pages). (16 page
insert). Editorial. "I didn't want to print only stuff that I personally admired or
preferred, the idea was to get into position as a kind of communicational-central,
a distributor of works and ideas flowing in the different networks-receiving,
selecting, reprinting, putting-together and distribute back to everyone who sent
their works and info." Insert of texts and images contributed by Robert and Ruth
Rehfield (East Germany), Harry Polkinhorn (USA), Stephen Perkins (USA),
Vittore Baroni (Italy), et al.

No. 8 (May 1989). Newsprint. 15 1/2"x11". (20 pages). "Art as a Drake,"
by Géza Perneczky. "Mail Art: Exhibitions Project magazines." Editorial: El
Djarida is a contributors' magazine: Each issue is made out of material found in
our mailbox..."
No. 10 (1993). Newsprint. 10"x10". (60 pages). "Neo Ist," by Monty
Cantsin (Canada). "Taking the Offensive," by Stephen Perkins. Statements on
networking by John Held, Jr. (USA), Luc Fierens (Belgium), Julee Peezlee
(USA), guy Bleus (Belgium), Piermario Ciani (Italy), Lloyd Dunn (USA), Gianni
Broi (Italy), Andrej Tisma (Yugoslavia), et al. "The Word Strike," by Mark Bloch
(USA). "Where the Secret is Hidden," by John Held, Jr. (USA), Lloyd Dunn
(USA) and Serge Segay (Russia). History of "El Djarida." Edition of 1,200.
El Gallo Isustrado. Alberto Beltrán, Presidente del Consejo
Editorial. Mexico City, Mexico. 1984.
(September 9, 1984). Newsprint. 15"x11 1/2". 19 pages. Special
supplement of "El dia" newspaper on Mail Art. "Arte- Correo," by N. N. Arganaraz
(Uruguay), "Cart de Eugenio Dittborn." Spanish version of "Circuito Internacional
de Arte-Correo," translated by C. Espinosa (Mexico) from the original English
version by Günther Ruch (Switzerland). "The Marginal Codices of
MaMaBLAnCa," by Graciela Gutiérrez Marx (Argentina). Text by Carol Stetser
(USA).
El Networker Latinoamericano. Clemente Padin, Editor.
Montevideo, Uruguay. 1991-1992.
No. 1 (October 1991). Offset. 8 3/4"x7". 8 pages. Special Mail Art
magazine devoted to the, "Decentralized World-Wide Networker Congress
1992," in Latin America. Congress invitation in Spanish. Essays by Hans
Braumüller (Chile) and Graciela G. Marx (Argentina). "El Network en
Latinoamerica," by the editor.
No. 2 (February 1992). Offset. 8 3/4"x7". 8 pages. Magazine dedicated
to the 1992 Networker Congresses. List of congress sessions worldwide. Notice
of a trip to Uruguay and Argentina by John Held, Jr. (USA). Graphics by
Edgardo-Antonio Vigo (Argentina). "Missing by Misery," a manifesto by
Clemente Padin (Uruguay).
Electronic Cottage: International Magazine. Hal McGee, Editor.
Apollo Beach, Florida. 1989-1991.

No. 1 (April 1989). Offset. 8 1/2"x7". 64 pages. "Polyintermedia and a
Strategy for Electromagnetic Survival," by Miekal And. "ND: An Ongoing History,"
by Daniel Plunkett (USA). Other articles on "cassette culture." Reviews.
No. 6 (July 1991). Offset. 11"x8 1/2". 76 pages. "An Inside Look at the
Home Taper Phenomenon, Cassette Culture and Electronic & Experimental
Music." "Questions and Answers," by Miekal And (USA) and Liz Was (USA).
Article on Minoy (USA), Mail Artist and sound artist.
Electronic Mail Art. Ruud Jannsen, Editor. TAM, Tilburg,
Holland. 1994-1994.
No. 1 (March 25, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages).
"Computers nowadays are used a lot in mail-art, but for most current mail-artists
who use the computer, it is limited to 'local' work. The printing of texts, graphics
etc...., and also the making of computerized address-lists, producing catalogues
and art-cards with desktop publishing. Not that many use the computer for
electronic communication."
No. 2 (April 24, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "The first
article on 'electronic mail-art' caused some various reactions. That is why I
started with this follow-up article on the same subject. the text is accessible on
my own BBS, but also I spread this printed version because the discussion about
electronic mail is important for all mail-artists."
No. 3 (May 26, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "Again I
feel in the middle. Computers are included in my daily life, but for communication
I have learned that the computer isn't always the best tool. It just depends on
what you want to send, what your goal is, what the message I(s) that you want to
send."
No. 4 (June 27, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "Mail-art
has brought many people together. the electronic mail-art will even make the
group of networkers larger. The reason is simple. Spreading of electronic mail is
expensive but has the advantage that it works even faster then xerox-machines."
No. 5 (October 18, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "This
is the fifth article on electronic mail-art. In 1995 the Telenetlink year will take
place. I will try to take part in this year and at the same time try to inform others
by 'snail-mail' (none-computer users) about this project."
No. 6 (December 19, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages).
"When will there be the first E-mail-art show, where there is a host-computer with
full-size screen where all participants can log-in and participate in a joined

drawing they make. The FAX-projects are an example of how the location of the
artist isn't important anymore. He an produce art at his home while it occurs
somewhere else too."
No. 7 (December 30, 1994). Photocopy. 8 1/4"x5 3/4". (4 pages). "I
started to make a list of all the mail-artists I know that also have an E-mail
address and I realize that there are only a few I know. I am not that active with Email
yet, but what I remember from the BBS-world (I started with that in 1986 or
so) is that there is a real kind of anarchy in that world. no judgment on the quality
of what is being sent at all."
No. 8 (January 28, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages).
"When your E-mail address is out there you can get mail from anybody who
wants to react just to your 'name.' Also being mentioned in one of the E-mail
magazines means that your address gets around and that people start to send
you invitations. Good and bad ones I must say. There isn't that much difference
compared to the 'snail-mail' as mail-art has been named now."
No. 9 (April 11, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "I made a
two special arti-stamps so far that have to do with E-mail. One says: "I couldn't
have sent this by E-mail" to emphasize that the snail-mail is a completely
different (analog) communication form."
No. 10 (April 19, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "I know
of mail-artists that are starting their own homepages. I myself also have a very
small homepage with only a few lines, but the fact is that you don't mail the
homepage to your (mail-) friends. You are waiting till they come and access your
host (via Internet), and then they can just see what you made in a digital form. I
miss the interaction a bit on this front."
No. 11 (May 17, 1995). Photocopy. 8 1/4"x5 3/4". (4 pages). "This
article I would also like to discuss the e-zines as they n(o)w appeared in he
network. The e-zines I know all consist of a text file that contains information the
editor has received or that the editor has typed himself. They are produced on
computers but are distributed like the traditional zines with one central point."
Elefanzine. Ennio Pauluzzi, Editor. Florence, Italy. 1992.
No. 14 (March 1992). Photocopy. 8 1/4"x5 3/4". (20 pages).
Contributions on the theme of elephants by Ashley Parker Owens (USA),
Christopher dodge (USA), Giovanni Strada (Italy), A.1. Waste paper Co. Ltd.
(England), Dmitriy Konstantinov (Russia), Vittore Baroni (Italy), et al.

11x30: A Publication of the Toledo Poets Center. Joel Lipman,
Editor. University of Toledo Publications Office, Toledo, Ohio.
(1989-1992).
Vol. 1, No. 3 ([July 1983]). Offset. 30"x11". (1 page). George Myers, Jr.
on visual literature. Bern Porter in Toledo.
Vol. 3, No. 1 (n.d. [October 1990]). Offset. 30"x11". (1 page).
Graphics by Ray Johnson (USA) and C.W. Poste (USA).
Vol. 3, No. 2 (n.d.). Offset. 30"x11". (1 page). "Telling It All: A roundup of
Local, Regional, & Cosmic Lit Gossip," mentioning Bern Porter's 80th birthday.
Vol. 4, No. 1 (n.d). Offset. 30"x11". (1 page). Appearance by David B.
Greenberger of "Duplex Planet."
Vol. 4, No. 2 ([1992]). Offset. 30"x11". (1 page). Visual poetry with
rubber stamps by the editor. Richard Kostelanetz. Visual Poetry by Graciela G.
Marx (Argentina).
EMILS. Emils Steiner (aka Al Ackerman), Editor. Emils Lay
Hypnagogic Center, San Antonio, Texas. (n.d., circa 1984).
(n.d.). Photocopy. 8 1/2"x5 1/2". (12 pages). Anagram of "SMILE"
magazine. "For the non-conformists among you there is still a chance to take
part in this process without actuarially taking up the multiple names. Several
magazines have been started which are anagrams of "Smile" so that their
originators can take part in our conspiracy without actually conforming to all its
rules. Examples of this are "Slime" and "Miles."
Emozioni. Lucio Martelli and Gianni Donaudi, Editors. Torino,
Italy. 1996.
Vol. 1, No. 2 (January 7, 1996). Photocopy. 11 3/4"x8 1/4". (30
pages). Reproductions of Mail Art Gianni Donaudi has circulated in the network.
(February 6, 1996). Photocopy. 11 3/4"x8 1/4". (34 pages). Mail Art
sent into the network by Editor Donaudi, with reproductions of Mail Art received.
Reprints of newspaper and magazine articles.
Energy: The Mailart Journal of Thoughts and News. Michael
Lumb, Editor. Ipswich, England. (1998).

No. 84 ([1998]). Photocopy and Mixed Media. 8 1/4"x5 3/4".
Unpaged. "This is an open magazine for your MAILART thoughts and news.
Please add your own page of pages and your name and address then, either
pass-on or return to me. I will reproduce and circulate the magazine."
Enigma. Zebra Man, Editor. East Moline, Illinois. 1996.
No. 3 (May 1996). Photocopy. 11"x8 1/2". 14 pages. Contributions by
Mail Artists Pag-hat the Rat-girl (USA), Predrag Petrovic (Yugoslavia), Malok
(USA), et al.
No. 5 ([1996]). Photocopy. 11"x8 1/2". 24 pages. Contributions by
Carolyn Substitute (USA), Malok (USA), Larry Angelo (USA), Obvious Front (D.
Young), et al.
No. 9 ([1996]). Photocopy with Rubber Stamp. 8 1/2"x5 1/2". 24
pages. Contributions by Mail Artists Pag-hat the Rat-girl (USA), Geoffrey Cook
(USA), Maximum Traffic (USA), Obvious Front (USA), et al.
Entartete Kunst! Mark Wambling, Editor. Rejected Mail Art
Archive, Adelphi, Maryland. 1984.
Vol. 1, No. 1 (Spring 1984). Photocopy. 11"x8 1/2". (8 pages).
Special issue on the events surrounding the Franklin Furnace, "Mail Art Now and
Then," exhibition, and the panel discussion on Mail Art sponsored by "Artists
Talk on Art." Contributions by Mark Bloch (USA), H. R. Fricker (Switzerland), Ken
Friedman (USA), Lon Spiegelman (USA), John Held, Jr. (USA), Cracker Jack Kid
(USA), Carlo Pittore (USA), et al.
Ephemera. Ulises Carrión, Aart van Barneveld, and Salvador
Flores, Editors. Other Books and So Archives, Amsterdam,
Holland. 1978.
No. 10 (August 1978). Offset. 12 3/4"x9". (8 pages). "Special
Langwe Jart issue by Gaglione, 1940-2040, Anna Banana." Gray
printing on black paper.
No. 12 (October 1978). Offset, Rubber Stamps and Mixed Media. 12
1/2"x9". (4 pages). Focus on Mail Artists from Brazil including Julio Plaza,
Gilmar Cardoso, Leonhard Frank Duch, Paulo Bruscky, et al.

Eraser Carver's Quarterly. Mick Mather, Editor. Clay, New York.
1996-1998.
Special Edition (1996). Offset. 8 1/2"x5 1/2". (20 pages). "The
Portraiture of Tim Mancusi: Eraser Carvers Quarterly Special Edition. "For the
past three years the most amazing portraits have been arriving here at Eraser
Carvers Quarterly Headquarters from the hand of Tim Mancusi of Rohnert Park,
California...Tim Mancusi is, for certain among the best block relief print portrait
artists we currently have and I'm proud to present this masterfully carved body of
work." Portraits of Mail Artists Graffiti Grafix (USA), Ray Johnson (USA), Jeff
Berner (USA), Mike Dyar (USA), Seth Mason (USA), Diana Mars (USA), M. B.
Corbett (USA), Turk LeClair (USA), Mick Mather (USA), William Gaglione (USA),
John Held, Jr. (USA), et al.
No. 32 (Autumn 1997). Offset. 8 1/2"x5 1/2". 16 pages. "Stamping
with Printmaking Inks," by the editor and Larry Angelo (USA). "Making Artists'
Books and Greeting Cards and Other Such-Like Projects," by Annie Wittels
(USA). Eraserstamps by E. Seifried (Germany), Rudi Rubberoid (USA), Lavona
Sherarts (USA), et al. Includes an original eraserstamp. "Factsheet Five" review
by John Held, Jr. (USA) enclosed.
No. 33 (Winter 1998). Offset. 8 1/2"x5 1/2". 16 pages. "Artistamps for
You," by the editor. "Some of you may already know that 4-U-2 POST is my old
mail art 'issuing authority' for faux postage stamps, or as commonly referred to in
the Eternal Network, artistamps." Eraserstamps by Rusty Clark (USA), Zetetics
(USA), Lavona Sherarts (USA), Ed Giecek (USA), et al.
Escape from Gravity: Irregular Bulletin of the Association of
Autonomous Astronauts. (Stewart Home), Editor. London,
England. (1996).
No. 4 ([1996]). Offset. 11 3/4"x8 1/4". (4 pages). One in a series of
"Neoist-Situationist" papers by the author of "The Assault on Culture: Utopian
Currents from Lettrisme to Class War."
Evidence of Active Thought. Rev. Rich Mackin, Editor. Allston,
Massachusetts. 1995.
No. 1 (Spring/Summer 1995). Photocopy and Mixed Media. 11"x8
3/4". 61 pages. Assembling magazine. "Basically a collaborative exploration in
publishing...It is sponsored by Mass College of Art... " Edition of 300.

Exclusive: Underground Mail World Wide. Jack Cordova, Editor.
Salt Lake City, Utah. 1996.
No. 6 (December/January 1996). Photocopy. 8 1/2"x5 1/2". (12
pages). "I have yet to see another ad-source zine that offers camera-ready ads
to all. Sure, Global Mail contains a million listings and maybe FactSheet five is
pretty good on reviews, but hey! Where's the 'mail art' side to that. Don't get me
wrong, I LOVE Global mail and recommend it highly to anyone looking for zine
contacts. It's amazing..."
Expatriot, The. Lloyd Dunn, Editor. Bordeaux, France. 1995.
Communiqué No. 1 (January 1995). Photocopy. 6"x4 1/4". (24
pages). "This is no great literary work; it is just a few my thoughts as I
encounter happenstances that interest me as I make a change in my life." Mail
Artist Lloyd Dunn (see "Retrofuturism.") moves from Iowa to live in France with
correspondent Ph. Billé. This is his diary of the adventure. In this issue
December 1, 1994-January 10, 1995.
Communiqué No. 2 (February 1995). Photocopy. 6"x4 1/4". (24
pages). Diary continues from January 16, 1995-February 6, 1995.
Communiqué No. 3 (March 1995). Photocopy. 6"x4 1/4". (24
pages). "Suicide Special." Observations on the deaths of Ray Johnson and Guy
Debord.
Communiqué No. 4 (April 1995). Photocopy. 6"x4 1/4". (24 pages).
Diary from February 20-April 6, 1995. New "Mail corner" feature.
Communiqué No. 5 (May 1995). Photocopy. 6"x4 1/4". (22 pages).
Diary from May 2, 1995-May 9, 1995. "Boite Postale 249 (Formerly 'Mail
Corner').
Communiqué No. 6 (June 1995). Photocopy. 6"x4 1/4". (24 pages).
The diary of a Mail Art expatriate continues.
Experimenta. Yolanda Pérez Herreras, Editor. Madrid, Spain.
1998.
No. 0 (1998). Offset. 8 1/4"x4". (24 pages). Blending photography and
visual poetry.

No. 0 (1999). Offset. 8 1/4"x4". 53 pages. Visual poetry from contributors
Hilda Paz (Argentina), Harry Burras (USA), Giovanni Strada (Italy), Clemente
Padin (Uruguay), John Held, Jr. (USA), et al.
Expresion Deforme. Tina Anderson , Editor. San Ysidro,
California. 1993.
(1993). Offset. 7 1/2"x6 1/2". (24 pages). Mail Art section with work by
Ilmar Kruusamae (Estonia), Factor X (England), Ruggero Maggi (Italy), Henning
Mittendorf (Germany), Ryosuke Cohen (Japan), Rea Nikonova (Russia), et al.
Mail Artist Gerardo Yepiz graphic designer for the issue.
Eyrie. Klaus Peter-Fürstenau, Editor. Frankfurt/Main, Germany.
1984.
Vol. 2, No. 5 (n.d.). Offset. 5 3/4"x4 1/4". 8 pages. Visual poetry by
David Cole (USA), Michael Groschopp (Germany), Bern Porter (USA), et al.
Vol. 2, No. 6 (1984). Offset. 5 3/4"x4 1/4". (16 pages). Visual poetry by
John M. Bennett (USA), David Cole (USA) and Bern Porter (USA).
Vol. 2, No. 7 (1984). Offset. 5 3/4"x4 1/4". (16 pages). Visual poetry by
the editor, Serse Luigetti (Italy) and Bern Porter (USA).
F. Jose Carlos Soto, Editor. La Celula Creativa Eifer, Barcelona,
Spain. 1996.
No. 4 (1996). Mixed media. 6 1/4"x5". (20 postcards). "You can find
attached an issue of the Magazine I publish as leader of the creative group
"eifer." The magazine is called "F", and I include in it all the correspondence I've
received during this year. Your issue belongs to the first period of "F", a period
that has reached its end at the beginning of 1997. In its second period, the "F"
magazine has become a poem-packaging containing a work by one of the group
or by any other artist that feels close to us."
No. 4 (July 1996). Mixed Media. 15 1/4"x15" (oversize). Unpaged.
Assembling magazine. Packaged in a hat box. "You can find attached an issue
of 'F', the magazine published by the creative group 'Eifer.' We produce only a
few issues, but we want them to be always moving: you can enjoy it some time
and then send it forward to another artist. You will find in our magazine
works...some interesting Spanish artist(s). Contributions by Spanish Mail Artists
Sergi Quiñonero, Cristina Masgoret, Domingo Perez, Silvia Domininguez, Maria
Teresa Macias, Julia Balsameda, Pepin Bonany, M. Soler.

Face of the Congress, The. Fa Ga Ga Ga (aka Mark and Mel
Corroto), Editors. Youngstown, Ohio. 1992-1993.
No. 1 (January 1992). Photocopy. 8 1/2"x5 1/2". (16 pages). "A
monthly portrait zine of the 1992 Decentralized World-Wide Networker
Congress." Created to document the various meetings (congresses) of a year
long network project. "This publication is not about Self-Portraits. Although we
have included many here to fill the pages of this 1st zine, the succeeding "Faces"
will show portraits from meetings, list dates & places of meetings, brief
statements of what happened, and produce a forum for your letters." John Held,
Jr. in South America.
No. 2 ([March 1992]). Photocopy. 8 1/2"x5 1/2". (20 pages). "From our
Mailbox," letters from Mark Bloch (USA), Jennifer Huebert (USA), Ruud Janssen
(Holland), Rea Nikovova (Russia), et al. "Detective Mail Art Show in Russia."
"Participants in this Zine." "Fixed Sessions 92."
No. 3 ([June 1992]). Photocopy with Sticker, Button, and Rubber
Stamps. 8 1/2"x5 1/2". (24 pages). "From our Mailbox," letters from Luce
Fierens (Belgium), Jacques Massa (France), Piotr Piatek (Poland), Michael
Pollard (USA), et al. Congress sessions in Dallas, Texas; Milan, Italy; St.
Petersburg, Russia, etc.
No. 4 ([August 1992]). Photocopy and Rubber Stamps. 8 1/2"x5
1/2". (28 pages). "From our Mailbox," letters from Dawn Redwood (England),
buZ blurr and Bugpost (USA), Raimondo del Prete (Italy), Eugene Shashkin
(Russia), Jose VdBroucke (Belgium), Dobrica Kamperelic (Yugoslavia), Richard
C. (USA) et al. "Networker Congresses" in North Carolina; Vada, Italy; Fresno,
California; Montevideo, Uruguay, etc. Listing of networking Publications.
No. 5 ([1992]). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (28
pages). "From our Mailbox," letters from Lon Spiegelman (USA), Peter
Küstermann (Germany), Rora and Dobrica Kamperelic (Yugoslavia), John Held,
Jr. (USA), Stephen Perkins (USA), Miekel And and Liz Was (USA), Ashley
Parker Owens (USA), Baudhuin Simon (Belgium), et al. Networker Congresses
in Yugoslavia, Uruguay, Holland, etc. Publications. Net Mail Delivery. mail Art
project and exhibition opportunities.
No. 6 ([April 1993]). Photocopy with Rubber Stamps and Artistamps.
8 1/2"x5 1/2". (28 pages). Subtitle changed to, "Tools for a Network." Report
on, "Art Strike: 1990-1993." Letters from Janet Janet (USA), Dobrica Kamperelic
(Yugoslavia), Andrej Tisma (Yugoslavia), Ashley Parker Owens (USA), John
Evans (USA), Rod Summers (Holland), Malok (USA), et al. "The last of the

Decentralized Networker Congress Portraits." Publication reviews. Project
listings. "E-Mail Contact List."
No. 7 ([October 1993]). Photocopy. 8 1/2"x5 1/2". (24 pages). Special
issue on FeMail Art. Editorial by honoria (USA). Letters from d.g. (USA), Ilene
Frank (USA), Julia Tant (England), Carol Stetser (USA), Jennifer Huebert (USA),
Judith Hoffberg (USA), et al. Mail Art exhibition opportunities. "Mail Art gender
and Other Myths," by Crackerjack Kid (USA). "FeMail Art: An Annotated
Bibliography," by John Held, Jr. (USA). Publication reviews. E-mail and snail-mail
contact listings.
Factsheet Five. Michael A. Gunderloy; Hudson Luce; Seth
Friedman; Chris Becker, Editors. Medford, Massachusetts;
Rensselaer, New York; Atlanta, Georgia; San Francisco,
California. 1985-1998.
No. 13 ([February] 1985). Photocopy. 8 1/2"x5 1/2". 49 pages. Mike
Gunderloy, editor (Medford, Massachusetts). "Welcome to the first FACTSHEET
FIVE of 1985. In this new year, it's still the zine of crosscurrents and
crosspollination..." Zine and audio reviews. Edition of 400.
No. 17 (1986). Photocopy. 8 1/2"x5 1/2". 61 pages. Mike Gunderloy,
editor (Medford, Massachusetts). Zine, audio, video and book reviews. Glossary.
Edition of 800.
No. 18 (1986). Photocopy. 8 1/2"x5 1/2". 65 pages. Mike Gunderloy,
editor (Medford, Massachusetts). Zine reviews. "Publisher's Showcase." "Why
Publish?," in which zine produces state their reasons for doing so.
No. 19 (1986). Newsprint. 11"x8 1/2". 48 pages. New format. Mike
Gunderloy editor (Medford, Massachusetts). "Publisher's Choice," includes
"Level" and "Lightworks." Zine reviews. "Why Publish?"
No. 20 (1986). Newsprint. 11"x8 1/2". (62 pages). Mike Gunderloy,
Editor (Rensselaer, New York). "News." Zine reviews. "Publisher's Choice." "Why
Publish?" Listing of zines published in major metropolitan areas.
No. 21 (1987). Newsprint. 11"x8 1/2". 76 pages. "News." Editorial.
"Publisher's Choice." "Past Blast," gives early history of the publication. " Review

of John Held, Jr.'s (USA), "International Artistic Cooperation: Mail Art Shows,
1970-1985. "Trying to present a complete picture of the mail art universe
reminds me of the nineteenth-century dream of predicting the future of the whole
universe by cataloguing the location of each and every particle in it at some
instant. It's a foolhardy and impossible project. Nevertheless, John Held has
made a valiant attempt, and while no doubt incomplete, this compendium has a
lot of information between it's covers."
No. 22 (1987). Newsprint. 11"x8 1/2". 68 pages. News. Zine reviews.
"Publisher's Choice," includes ND magazine. "Why Publish," includes statement
by Steve Sikora, editor of the "Letter Exchange."
No. 23 (August 1987). Newsprint. 11"x8 1/2". 68 pages. News. Zine
reviews. Editorial on "Electronic Factsheet Five."
No. 24 (November 1987). Newsprint. 11"x8 1/2". 68 pages. News.
Zine reviews. Publisher's Choice include, "Anti-Isolation" edited by Miekal and
and Liz Was (USA).
No. 25 (February 1988). Newsprint. 11"x8 1/2". 68 pages. News. Zine
reviews. Publisher's Choice." "Why Publish."
No. 26 (May 1988). Newsprint. 11"x8 1/2". 68 pages. News. Zine
reviews. "Publisher's Choice."
No. 27 (August 1988). Newsprint. 11"x8 1/2". 76 pages. News. Zine
reviews. "Why Publish," includes statement by Colin Hinz (Canada).
No. 28 (November 1988). Newsprint. 11"x8 1/2". 84 pages. Zine
reviews. "Why Publish?"
No. 29 (February 1989). Newsprint. 11"x8 1/2". 84 pages. Zine
reviews. "Why Publish?" includes a long statement by Guttorm Nordø (Norway),
editor of El Djarida. "I publish because I am you, or said more exact: because I'm
a part of "We."
No. 30 (May 1989). Newsprint. 11"x8 1/2". 84 pages. News. "Publisher's
Choice, includes "Electronic Cottage," "Novoid" and "Vague." Zine reviews.
"Xerografica," by Stephen Perkins (USA)."Why Publish?," includes a statement
by Lloyd Dunn (USA), editor of "Photostatic."
No. 31 (August 1989). Newsprint. 11"x8 1/2". 116 pages. News. Zine
reviews. "Mail Art." "Xerografica." by Stephen Perkins (USA). "Why Publish?"

No. 32 (October 1989). Newsprint. 11"x8 1/2". 108 pages. News. Zine
reviews. "Mail Art." "Festival of the Swamps," organized by Miekal And and Liz
Was.
No. 33 (December 1989). Newsprint. 11"x8 1/2". 116 pages. Zine
reviews. More on "The Festival of the Swamps," including a report of a Mail Art
show.
No. 33 (December 1989). Photocopy. 8 1/2"x5 1/2". 22 pages. Index.
No. 34 (February 1990). Newsprint. 11"x8 1/2". 124 pages. News.
Zine reviews. "Mail Art." Essay by John Held, Jr., "Eighties Mail Art Networking."
No. 34 (February 1990). Photocopy. 8 1/2"x5 1/2". 22 pages. Index.
No. 35 (April 1990). Newsprint. 11"x8 1/2". 132 pages. News. Zine
reviews. "Mail Art." "Publisher's Choice," includes "Panmag," edited by Mark
Bloch (USA). "networking the Nineties," by John Held, Jr. (USA).
No. 35 (April 1990). Photocopy. 8 1/2"x5 1/2". 22 pages. Index.
No. 36 (June 1990). Newsprint. 11"x8 1/2". 131 pages. News. Zine
Reviews. "Mail Art."
No. 36 (June 1990). Photocopy. 8 1/2"x5 1/2". 22 pages. Index.
No. 37 (August 1990). Newsprint. 11"x8 1/2". 140 pages. News. Zine
reviews. "Mail Art." "Network: Proud Mary and the Internal Network," by Mark
Bloch (USA).
No. 38 (October 1990). Newsprint. 11"x8 1/2". 132 pages. News. Zine
reviews. "Mail Art."
No. 39 (October 1990 [sic]). Newsprint. 11"x8 1/2". 140 pages.
News. Zine reviews. "Mail Art."
No. 40 (February 1990 [sic]). Newsprint. 11"x8 1/2". 132 pages.
News. Zine reviews. "Mail Art."
No. 41 (March 1990 [sic]). Newsprint. 11"x8 1/2". 108 pages. News.
Zine reviews. "Mail Art." "How Much Work Could a Network Work if a Network
Could Net Work?," by Mark Bloch (USA).

No. 42 (May 1991). Newsprint. 11"x8 1/2". 140 pages. News. Zine
reviews. "Mail Art."
No. 43 (June 1991). Newsprint. 11"x8 1/2". 108 pages. News. Zine
reviews. "Mail Art." "Net Work," by Mark Bloch (USA).
No. 44 (August 1991). Newsprint. 11"x8 1/2". 131 pages. News. Zine
reviews. "Mail Art." "Experipddoca: A Mail Art Show." by Bob Grumman (USA).
No. 45 (1991). Newsprint. 11"x8 1/2". 95 pages. Editorial by the new
editor, Hudson Luce, based in Atlanta, Georgia. Zine Reviews. "Post Art Net
Work: The Last Mail Art Show," by Mark Bloch. Review of "Mail Art: An
Annotated Bibliography," by John Held, Jr. "Post Art" reviewed by Mark Bloch.
No. 46 (n.d.). Newsprint. 11"x8 1/2". 96 pages. "Editorial," by new Editor
R. Seth Friedman from San Francisco, California. Zine reviews. "Mail Art,"
section "This is a small sampling of the zines covering correspondence art and
networking. To fully explore the subject, check out the Global mail listings, and
make some contacts. You'll be glad you did." "Global Mail" by Ashley Parker
Owens, a listing of Mail Art shows and projects.
No. 47 ([1993]). Newsprint. 11"x8 1/2". 112 pages. Zine reviews.
"Duplex Planet," edited by David B. Greenberger, included in "Publisher's
Choice."
No. 48 (July 1993). Newsprint. 11"x8 1/2". 96 pages. Zine reviews.
No. 49 (October 1993). Newsprint. 11"x8 1/2". 96 pages. Zine reviews.
No. 50 (December 1993). Newsprint. 11"x8 1/2". 111 pages. Zine
reviews. "Is it a Zine? Is it mail Art? It's...a Dead Locust." by Billie Aul (Senior
Librarian, New York State Library), ruminates on including zines and Mail Art in a
library situation.
No. 51 (March 1994). Newsprint. 11"x8 1/2". 127 pages. Zine reviews.
No. 52 (July 1994). Newsprint. 11"x8 1/2". 136 pages. Zine reviews.
"The Big Glossary."
No. 53 (October 1994). Newsprint. 11"x8 1/2". 135 pages. Zine
reviews.

No. 54 (December 1994). Newsprint. 11"x8 1/2". 127 pages. Zine
reviews. "Zines are Everywhere," by R. Seth Friedman.
No. 55 (March 1995). Newsprint. 11"x8 1/2". 128 pages. Zine reviews.
No. 56 (June 1995). Newsprint. 11"x8 1/2". 144 pages. Zine reviews.
"Going Digital: How to Transform Your Zine Electronically," by Chip Rowe.
No. 57 (August 1995). Newsprint. 11"x8 1/2". 144 pages. Zine
reviews.
No. 58 (October 1995). Newsprint. 11"x8 1/2". 128 pages. Zine
reviews.
No. 59 (January 1996). Newsprint. 11"x8 1/2". 152 pages. Zine
reviews. "Global Mail," edited by Ashley Parker Owens, listed in "Editors'
Choice."
No. 60 (August 1996). Newsprint. 11"x8 1/2". 160 pages. Zine
reviews.
No. 61 (March 1997). Newsprint. 11"x8 1/2". 160 pages. Zine reviews.
"The Secret of My Success: Six Zine Publishers Reveal the Secrets of Their
Success," includes a statement by David B. Greenberger, editor of "Duplex
Planet."
No. 62 (October 1997). Newsprint. 11"x8 1/2". 152 pages. Zine
reviews.
No. 63 (February 1998). Newsprint. 11"x8 1/2". 128 pages.
Christopher Becker new editor. "The Art of Zines," by the editor. "From Dada to
DIY: The history of Alternative Art Culture in the 20th Century," by John Held, Jr.
Zine reviews.
No. 64 (June 1998). Newsprint. 11"x8 1/2". 120 pages. Zine reviews.
Cover by John Held, Jr. (USA). "The Factsheet Five Story: Or...Zines are My
Life," by R. Seth Friedman. "Bomb Enclosed," by Julee Peezlee (USA). "For the
last 10 years I've toggled between the identities of mail artist and zine person."
Fallout. Winston Smith, Editor. San Francisco, California. 1981-
1984.
No. 2 (1980). Photocopy. 8 1/2"x7". (24 pages). Editor was a member of
Mendo Dada, and attended the 1980 "Interdada" festival.

No. 3 (([1981]). Newsprint. 15"x11". (32 pages). "Our aim is to provide a
foum for ideas and images from the surrealist's point of view. Edited by the noted
punk artist and cover artist for "The New Yorker."
No. 4 (1981). Newsprint. 15"x11". (38 pages). Classic cut and paste by
the master of punk graphics.
No. 5 (1984). Newsprint. 15"x11". (24 pages). Surrealism/Punk graphics.
Fandangos. Raul Marroquin, Editor. Maastricht, Holland. 1978.
No. 8-11 (Spring 1978). Offset with Rubber Stamps. 11 3/4"x8 1/4".
(162 pages. Art directed by Rod Summers (Holland), "Visual Poetry as a form
of Visual Art," by Peter Frank. General Idea's, "The 1984 Miss General Idea
Pavillion." Bill Gaglione (USA) and Anna Banana (Canada). Interview with Robert
Filliou (France).
Farm Pulp. Gregory Hischak, Editor. Seattle, Washington. 1992-
1999.
No. 12 (January 1992). Photocopy. 11"x6 3/4". 22 pages. Innovative
desktop publishing. Contribution by Luke McGuff (USA).
No. 13 (April/May 1992). Photocopy. 11"x6 3/4". 23 pages.
"Evolution."
No. 14 (July/August 1992). Photocopy. 11"x6 3/4". 23 pages.
"Meeting the Primitive for Lunch."
No. 15 (October/November 1992). Photocopy. 11"x6 3/4". 23
pages. "The Future...Now Already!" Text from "Nomo the Zine," edited by Rudi
Rubberoid (USA). Publication reviews.
No. 16 (January/February 1993). Photocopy. 11"x6 3/4". 23 pages.
"Electric is This Body."
No. 19 (November/December 1993). Photocopy. 11"x6 3/4". 23
pages. "Stuff Through the Mail."
No. 20 (February/March 1994). Photocopy. 11"x6 3/4". 22 pages.
Zine reviews.

No. 21 (July/August 1994). Photocopy. 11"x6 3/4". 22 pages.
"Through the Mail."
No. 22 (November/December 1994). Photocopy. 11"x6 3/4". 22
pages. "Proper Assembly." "Why Farm Pulp?" "It Came Through the Mail."
No. 23 (February/March 1995). Photocopy. 11"x6 3/4". 23 pages.
"Eat, Skeleton!" "Through the mail," includes a brief review of Eternal Network: A
Mail Art Anthology," by Chuck Welch.
No. 24 (May/June 1995). Photocopy. 11"x6 3/4". 23 pages. "Through
the Mail."
No. 25 (July/August 1995). Photocopy. 11"x6 3/4". 23 pages.
Publication reviews.
No. 27 (February/March 1996). Photocopy. 11"x6 3/4". 22 pages.
"Through the Mail."
No. 28 (May/June 1996). Photocopy. 11"x6 3/4". 26 pages. "Notes &
Crap & Reviews & Stuff."
No. 31 (May/June 1997). Photocopy. 11"x6 3/4". 26 pages. Office
supply issue.
No. 32 (November/December 1997). Photocopy. 11"x6 3/4". 23
pages. More on copy machines.
No. 33 (March/April 1998). Photocopy. 11"x6 3/4". 23 pages. "Misc.
Pulp Notes."
No. 34 (August/September 1998). Photocopy. 11"x6 3/4". 26 pages.
"Tenants."
No. 35 (December/January 1998/1999). Photocopy. 11"x6 3/4". 23
pages.
No. 36 (May/June 1999). Photocopy. 11"x6 3/4". 26 pages.
Farrago. Reed Altemus, Editor. Cumberland, Maine. 2001.

No. 1 (July 2001). Photocopy. 11"x8 1/2". (18 pages). "Poetry-
Networking-Mail Art." Editorial on photocopying in Mail Art. Review of
"Postfluxpostbooklets," by Luc Fierens (Belgium). Contributions by Ruggero
Maggi (Italy), Mark Pawson (England), Blaster Al Ackerman (USA), Clemente
Padin (Uruguay), Keiichi Nakamura (Japan), et al.
Fashion. Carol Stetser, Editor. Padma Press, Oatman, Arizona.
1986-1990.
(Spring 1986). Color and Black & White Photocopy and Mixed
Media. (47 pages). Assembling magazine. Thirty-three contributors.
Contributors include Al Ackerman (USA), Ruosuke Cohen (Japan), David Cole
(USA), Judith Hoffberg (USA), Mick mather (USA), Leavenworth Jackson (USA),
Lon Spiegelman (USA), et al.
(Fall 1990). Photocopy and Mixed Media. 11"x8 1/2". (40 pages).
Published in Village of Oak Creek, Arizona. Assembling magazine. Twenty-nine
contributors including Anna Banana (Canada), David Cole (USA), Mayumi
Handa (Japan), Bern Porter (USA), Marcello Diotallevi (Italy), et al.
Fatuous Times. O. Jason, Editor. Institute of Fatuous Research,
Stoke-on-Trent, England. (1992).
No. 1 ([1992]). Photocopy. 11 3/4"x8 1/4". (48 pages). "Special Bumper
Fatuous Flyposter Frenzy Issue." Free badge and sticker included. "This is
Fat(uous): Pleas for Networketry." "Networking is the use of a system of
communication by a collection of individuals (for example the postal system) for
their own purposes. Networking is a cultural strategy which demonstrates that it
is possible to take something from the dominant culture and use it for yourself."
Detourned images.
No. 2 ([1992]). Photocopy. 11 3/4"x8 1/4". (28 pages). "Special Liberate
Mickey Mouse Issue." Anticopyright. "Networkertry." reviews recent publications.
Notice of Mail Art show organized by the editor.
No. 3 ([1992]). Photocopy, 11 3/4"x8 1/4". (32 pages). "Special Maps &
mapping issue." Report of "Seizing the Media," Networker Congress in Oxford,
England, October 1992. Publication reviews.
Fault, The. Terrence McMahon, Editor. The Fault Press, Union
City, California. 1982.

TV Issue (April 1982). Newsprint. 9 3/4"x6 3/4". (32 pages).
Contributors include Opal Nations (USA), Madam X (USA), Patrick T (USA), Dan
Max (USA), Rockola (USA), Carlo Pittore (USA), Vittore Baroni (Italy), Radio
Free Dada (USA), et al. "Insert invitation (color photocopy) for "A Movie Star Mail
Art Show & Starzine."
Feeling of Infinity, A. Kim Kauffman, Editor. KMK Productions,
Neshanic, New Jersey. 1988.
No. 5 (March 1989). Photocopy. 5 1/2"x4 1/4". (16 pages).
Contribution by John M. Bennett. "Special Weird Issue."
Fiji Times. Carol Stetser, Editor. Padma Press, Village of Oak
Creek, Arizona. 1991.
No. 2 (1991). Photocopy and Postage Stamps. 8 1/2"x5 1/2". (30
pages). Journal of the editors' visit to Fiji from July 1-August 26, 1991.
FILE. General Idea (A. A. Bronson, Jorge Zontal, Felix Partz),
Editors. Art Official, Inc., Toronto, Canada. 1972-1980.
Vol. 1, No. 4 (December 1972). Offset and Newsprint. 14"x10 3/4"
(oversize). 29 pages. "'FILE' is 'LIFE' out of hand, a handy map of scenic
networks lacing the globe for you." "Letters to the Editor," from Gabor Attalai
(Hungary), Guerrilla Art Action Group (aka Jon Hendricks and Jean Touche,
USA), Monte Cazazza (USA), Helicopter Art Coy (Australia), Clayton Bailey
(USA), et al. "Pen Pals Face to Face," mentions John Dowd (USA), General Idea
(Canada), Dana Atchley (USA). Felipe Erhenberg (England), David Mayor
(England), Granada Gazelle (Canada), Mr. Peanut (Canada), et al. "Artists'
Directory" lists "over 700 names and addresses of artists across Canadada and
elsewhere... Additions and changes will be listed in each issue of 'FILE', and an
up-to-date and enlarged directory will be printed in 1973." Revealing
documentation of early network activity from A Space (Canada) to David Zack
(Canada). "Image Bank Image Request List," continues artists address listings,
with additional information on the interests of the specific artists, "Ray
Johnson/N.Y.C.S...Requests photos and info on Shirley Temple and Shirley
Temple dolls, plus alphabets." Section on publication "Reviews," lists works by
Gilbert and George (England) and Dick Higgins (USA). "Books Received" and
"Magazines Received." Anna Banana's "Banana Event," in Toronto, Canada,
mentioned in "Act in Art." Contributions by Ray Johnson (USA), May Wilson
(USA), Brian Buczak (USA), Michael Scott (England), John Dowd, Monte
Cazazza, Richard C. (USA), et al.

Vol. 2, Nos. 1&2 (April/May 1973). Offset and Newsprint. 14"x10
1/2" (oversize). 64 pages. "Performance," "Books," and "Magazines," and
"Films" reviewed. "Letters" includes correspondence from Ray Johnson (USA),
Robert Cumming (USA), David Gilhooly (USA), et al. "Pablum for the Pablum
Eaters," by Image Bank (Canada), a collage photo-documentation with brief text,
includes, "Making art art made art art and so we made art without producing an
object and said there we have made art art and we had. That was called the dematerialization
of art and that was when the whole shithouse blew up." "Top Ten:
Where are They Now," includes notices of the whereabouts for Mr. Peanut
(Canada), Granada Gazelle (Canada), Dr. Brute (Canada), Flakey Rose Hips
(Canada), John "Bum Bank Dowd (USA), et al. "Arti-Facts: Merger is in the Air-
The Mysterious East and The Western Front," discusses Western Front,
Vancouver, and A Space, Toronto. "Travel" mentions the visit of Mr. Peanut to
San Francisco to meet Arthur Craven (aka Charles Chickadel, USA), Dada
Processing (aka Tim Mancusi, USA), Dadaland (aka Bill Gaglione, USA), et al.
"Media: It's a Very Touchy Subject," examines notices of the emerging Mail Art
scene in various media outlets. "It's a very touchy subject when the corres-
Spongers decide to go to press. Lately it's been very hit and run as familiar
names and traces surface in the media. FILE has made the decision to go
general public and the Gold diggers have been burning the candles at both ends
long into the night forming strategies to deal with the media junkies. it's collage or
perish and the regular media channels are a whole new ground to plant your foot
in your mouth in. So let's pick up the papers and see what's been knews
worthy...Marred Surfacing of the Year award goes to David Zackenstein...for his
'Phenomenon of Mail Art' article in the February issue of 'Art in America'. There
was much chatter on the mail scene when this one hit the fans...Marcel Idea sent
a letter of explanation to editor Brian O'Doherty and Dave Zack; and Ray
Johnson was wondering why he was chosen 'the meanest man in town'..." More
gossip in "Pass it On," with mentions of E. M. Plunkett (USA), Dana Atchley
(USA), Ray Johnson (USA), Bay Area Dadaists (USA), Ken Friedman (USA),
Image Bank (USA), Milan Knizak (Czechoslovakia), Jorge Glusber(g)
(Argentina), Western Dakota Junk Company (USA), et al. "Greg Curneo: A FILE
Interview." "Image Bank Image Request List." FILE "Artists' Directory."
Contributions by COUM (aka Genesis P-Orridge, England), Michael Scott
(England), Tim Mancusi, Hoo Hoo Archives (aka buZ blurr, USA), Ray Johnson,
E. M. Plunkett, Arthur Craven (aka Charles Chickadel), Readers Da-Jest (aka
Perry Mancusi, USA), et al.
Vol. 2, No. 4 (December 1973). Offset and Newsprint. 14 1/4"x10
3/4" (oversize). 48 pages. "The Network is an Eternal flutter!/Cooing
correspondents in engaging stances./Agog aver spilt mail:/Sugardada shuts his
trap/With Ad Reinhardt's adhesive tape./Waiting reporters/Sniff out the stench of
image futures./The Wild boys hide in the foyer./The Bride pauses before her
mirror,/Adjusting reflections of '84./And the seven grooms, poor
chaps,/Unwittingly sitting/On their best men's best foot forward,/Enjoy a quiet
pause/With General Idea's FILE Megazine./Our Megazine reminds them of the

Bride./It too has piquant personality,/The lure of Image bondage,/Allround
excellency worthy of it subscribers./FILE Megazine crosses the threshold/Into
subliminal realities,/Mirroring the appreciation of a patronage/Coaxed by the
caressingly subversive./FILE is utterly unique in image appeal,/Answering
tomorrow's new needs/Today. "Reviews of "Performance," "Books," "Zines," and
Records." FILE Letters," with correspondence from A. M. Fine (USA), Anna
Banana (Canada), (who writes, "I didn't get enough attention. Those listings that
I submitted are fine but in no way compare with some editorial notice. There
were several spots where 'AB/Ban Rag' should have been mentioned but
weren't."), Robert Cumming (USA), et al. "The Search for the Spirit of Miss
General Idea (1984)." "Art's Birthday and the Hollywood Decca-Dance," by
Michael Morris (Canada) announces "On February 2nd and 3rd, 1974 IMAGE
BANK, MR. PEANUT, DR. BRUTE of BANAL BEAUTY INC., FAT CITY
SCHOOL OF FINDS ART, THE NEW YORK CORRES SPONGE DANCE
SCHOOL OF VANCOUVER, THE JOHN DOWD FAN CLUB, GENERAL IDEA,
ACE SPACE CO., ROBERT FILLIOU OF THE TERRITOIRE DE LA
REPUBLIQUE GENIALE, WILLOUGBY SHARP and others will throw a party for
Art's one million and eleventh birthday at the Elks Hotel in Hollywood, California.
this event will be the first to bring together an international group of artists who
have been working closely together on the subliminal." "Nude Egoes in a Nude
Era." "Traveling with Robin Page," a "FILE Interview by Flakey," profiles the
Canadian Fluxus artist. Contributions by Ray Johnson (USA), May Wilson (USA),
Bay Area Dadaists (USA), Jim De Sana (USA), Robert Filliou (France), Gilbert
and George (England), Klaus Groh (West Germany), et al.
Vol. 3, No. 1 (Fall 1975). Offset and Newsprint. 14"x10 3/4"
(oversize). 79 pages. "LIFE" magazine takes on "FILE" megazine. Book and
magazine reviews. "Glamour Issue." "This is the story of General Idea and the
story of what we wanted./We wanted to be famous, glamorous and rich. that is to
say we wanted to be artists and we knew that if we were famous and glamorous
we could say we were artists and we would be./We never felt we had to produce
great art to be great artists. We knew great art did not bring glamour and fame.
We knew we had to keep a foot in the door of art and we were conscious of the
importance of berets and paint brushes. We made public appearances in
painters' smocks. We knew that if we were famous and glamorous we could say
we were artists and we would be. We did and we are. We are famous,
glamorous artists. This is the story of Glamour and the part it has played in our
art." "Get Down Amarillo," features Ant Farm (USA) and Stanley Marsh 3 (USA).
"Image Bank Image Request List." Contributions by Bill Gaglione (USA), Michael
Cooper (USA), Terry Reid (New Zealand), et al.
Vol. 4, No. 3 (Summer 1980). Offset and Newsprint. 14"x10 3/4"
(oversize). 64 pages. "Editorial." "It seems that FILE is still a network
magazine. In the early seventies our context was the correspondence network,
artists in correspondence and collaboration through exchange and rewrites via
the mail. Like chain letter addicts, they threw out a vast debris of art garbage of
no use to the collector's market...or so we thought./Almost ten years later we

can't help but notice that a shift has been affected. Through rubbing against the
mass media, McLuhan's Global village has moved downtown. FILE finds itself
servicing the needs of a new network: the Global Downtown./With this 'Architect
Tonic Issue' of FILE we take a look at the ists, isms, and posts of today's Neodesign
aesthetic at work within this Global Downtown...In this Neo FILE issue,
the architectural aesthetic permeates art, industry, writing, fashion, music and
more..."
fishcake UBMA. afungusboy, Editor. Philadelphia, Pennsylvania.
1992.
No. 4 (October 1992). Photocopy. 4 3/4"x4 1/4". (12 pages). "The
drawings in this book(let) were inspired from the works of Stampmiester Kevin,
and John Bennett. (and all my other mail art friends.)"
598. Pere Sousa, Editor. Barcelona, Spain. 2001.
No. 0 (Winter 2001-2002). Photocopy and Mixed Media. 5 3/4"x4".
16 pages. Documentation of various "Art Strikes," including those in San
Francisco, California, and at the Museum of Modern Art, New York. Luther
Blissett in Spain.
Flatland Catalog. Jim Martin, Editor. Flatland, Fort Bragg,
California. 1991.
(January 1991). Newsprint. 11"x8 1/2". (64 pages). "News Stand by
Mail" catalog of small press publications, including mail art. Interview with Tom
Vague (England). Includes notices for magazines "Box of Water," "ND," "Smile,"
and the book, "Plagiarism," by Stewart Home (England).
Florida DooDaa. Paul Rutkovsky, Editor. Tallahassee, Florida.
(1984).
Vol. 1, No. 4 ([1984]). Newsprint. 15"x11 1/2". (28 pages). Satire on
consumer culture. Contributions by Al Ackerman (USA), Steve Random (USA),
Charlton Buch (USA), Clemente Padin (Uruguay), Carol Stetser (USA), Carlo
Pittore (USA), Fran Rutkovsky (USA), David Greenburger (USA) Mick Mather
(USA), Hannes Clerico (West Germany). et al.
Fluxzine. Ed Varney, Editor. Vancouver, Canada. n.d.
No. 1 (n.d.). Offset. 7"x4 1/4". 7 pages. Publication by the editor of
"Artistamp News."

Fluxus Bucks. Ex-Posto-Facto (Julie Jeffries), Editor. Garland,
Texas. 1996-2000.
(1996-2000). Assortment of "Fluxus Bucks" sent into the Mail Art network to be
modified by artists and returned to the editor, who then documents the results
and issues an inventory of contributors. Also includes "Fluxus Bucks" produced
by Ruud Janssen (Holland).
Fnord! Seth Tisue and Paul Leonard, Editors. St. Charles,
Illinois. 1990.
No. 2 (January 1990). Photocopy. 8 1/2"x7". (38 pages). Contributions
by John M. Bennett (USA), Bob Black (USA), Malok (USA), et al. Publication
reviews.
Foist. Scott Dohring, Editor. Rochester, New York. (1988).
({1987]). Photocopy. 11"x8 1/2". (4 pages). "Zeens of like Approach."
"Mail Art Shows: Documentation, Catalogues."
No. 7 ([1988]). Photocopy. 8 3/4"x6 3/4". 67 pages. Contributions from
over 50 artists including Gerard Barbot (USA), Gilberto Prado (Brazil), Shozo
Shimamoto (Japan), Andrej Tisma (Yugoslavia), Luc Fierens (Belgium), John
Held, Jr. (USA), Damaso Ogaz (Venezuela), A-1 Waste Paper Co. Ltd.
(England), Stephen Perkins (USA), et al. Mail Art project and exhibition
opportunities.
FOMT Bulletin. David Johnson, Editor. Publishers Group South
West (Ireland), Allihies, County Cork, Ireland. 1984.
See also "DJ at FOMT."
No. 4 (January 1984). Photocopy. 11 3/4"x8 1/4". (14 pages). Letters
from David Zack (Mexico), Al Ackerman (USA), Andre Stitt (Ireland), Tentatively
A Convenience (USA), John M. Bennett (USA), et al. "I don't think any
confidences have been broken, and maybe nothing significant is said here.
There is strength in the simple existence of these letters though, the evidence of
people in the process of living. The underbelly of history."
Food for Thought. R. Seth Friedman, Editor. New York, New
York. 1991.

Vol. 1, No. 1 (Spring 1991). Photocopy. 8 1/2"x5 1/2". 15 pages. The
zine Friedman published before assuming editorship of "Factsheet Five."
Vol. 1, No. 2 (July 1991). Photocopy. 8 1/2"x5 1/2". 23 pages. "The
Seth Friedman Method," Zine reviews.
Force Mental. Guy Schraenen, Editor. Small Press Archives,
Antwerp, Belgium. 1986.
No. 13.A. (Summer 1986. Offset. 8"x5". (16 pages). "The Archive for
Small Press & Communication wants to be the witness and the memory of
actions, independent of all power and influences, where passes the breath of
non-conformism, liberty and creation. We want to preserve the patrimony built up
by people active from inside and not from outside the international artscene."
Format: Art & the World. C. L. Morrison, Editor. Saint Charles,
Illinois. 1982-1983.
Vol. 4, No. 4 (Autumn 1982). Newsprint. 10 1/2x7 1/2". 35 pages.
Cover by Bill Stipe (USA). Mention of "Duplex Planet."
Vol. 5, No. 2 (Spring 1983). Newsprint. 10 1/2"x7 1/2". Art by Bill Stipe.
"How to Recognize Your reviewer," by George Myers, Jr.
Found Street. Larry Tomoyasu, Editor. A Found Street
Publication, Monterey Park, California. 1994.
Vol. 3 (1994). Photocopy. 8 1/2"x5 1/2". (40 pages). Contributions by
Richard Kostelanetz (USA), Musicmaster (USA), Spencer Selby (USA), et al.
4-U-2 POST. Mick Mather, Editor. Syracuse, New York, 1985.
No. 1 ([1985]). Photocopy. 5 1/2"x4 1/4". (4 pages). "Initially 4-U-2
POST was a postcard set of 3 cards that grew to a dozen (then 2 dozen) and
eventually included my favorite postal-art item, stamps. It's always been my
intention to have my mail-art contacts use the stamps & postcards I send out,
now 4-U-2 POST Magazine looks to expand that premise. many things are
possible and contributions or suggestions are welcomed." (Third Printing).
No. 3 (n.d.). Photocopy. 5 1/2"x4 1/4". (4 pages). "Each issue contains a
'Make-It-Yourself 4-U-2 POSTCARD', artistamps, a few words from the editor,
AND...the upper right hand corner of each '4-U-2 POST MAGAZINE cover is in
color and applied individually by the 4-U-2 POST Mail-Artboy."

No. 4 ([1985]). Photocopy. 5 1/2"x4 1/4". (4 pages). "The Make-Your-
Own-Postcard has been specifically designed for use with rubberstamps & any
other medium the artist wishes to use...I even have visions of getting some of
them returned for a future 4-U-2 POST project." (Second Printing).
No. 5 ([1985]). Photocopy. 5 1/2"x4 1/4". (4 pages). Do-It-Yourself
postcard and artistamps.
No. 6 ([1985]). Photocopy. 5 1/2"x4 1/4". (4 pages). "Look at what you
get: artistamps, post cards, mail-art, projects, wallet size collages, lotsa darn
fun."
Special Art Preacher Issue ([May 1985]). Photocopy. 5 1/2"x4 1/4".
(4 pages). "This issue is special in that it has been designed specifically for Bill
Whorrall, the ART PREACHER. The make-your-own postcard is from Bill as you
may have noticed, and the general overtone of these pages is an offer of
inspiration & the 'go-ahead' for each of you to copy & distribute, clip & post; or
get dangerous and do-it-yourself."
No. 7 ([1985]). Photocopy. 5 1/2"x4 1/4". (8 pages). "With this issue I've
made good my threats to expand the format. I've printed on both sides of the
page, adhered to a more formal magazine-type format and engaged in a bit of
cutting and final assembly."
The Little Learner's Art School Issue. (n.d.). Photocopy. 5 1/2"x4
1/4". 7 pages. "How-to-Make-A-Little-Magazine."
([August 20, 1985]). Photocopy. 5 1/2"x4 1/4". (4 pages). Collage with
rubber stamp reading, "Official Mailart 4-U-2-POST."
2nd Anniversary Super Special ([September 1985]). Photocopy. 8
1/2"x5 1/2". (4 pages). New larger format.
Special 1/3 Off Issue ([November 7, 1985]). Photocopy. 8 1/2"x5
1/2". (8 pages). Includes a contribution by Gail Alien (USA).
No. 8 (January 1985). Photocopy. 8 1/2"x5 1/2". (8 pages). "With this
issue I plan to begin a regular publishing schedule with 6 editions per year. I've
also finally committed myself to limiting each edition to 50 copies. I don't know
for sure if any of you are collecting these but if so, now is the time to get caught
up. to date there are 4-U-2 POST magazines #1 thru #8, the "SPECIAL Art
Preacher ISSUE' and the 'ANNIVERSARY SUPER SPECIAL' Issue. I've already

put Issue #2 on the out-of-print list, sorry, special postcard editions of Issue #2
are available however."
Fractals: In the Arts Magazine. Stephen A. Rozwenc, Robert
Steinem, and Sherry Steiner, Editors. Williamsburg Arts Council,
Williamsburg, Massachusetts. 1991.
(Spring/Summer 1991). Newsprint. 17"x11 1/2". (16 pages).
"Correspondence Art," by John Held, Jr. (USA). A pre-publication text of the
entry appearing in "Grove's Encyclopedia of Art."
Fragment. "Kennedy," Editor. Toronto, Canada. (1993).
No. 47 ([1993]). Photocopy, Rubber Stamps, Mixed Media and
Cassette Tape. 11"x8 1/2". (10 pages). "Each copy is different."
From the Archive: Mail Art and Networking Culture. Neil Degnay,
Editor. Brisbane, Australia. 1996.
No. 3 (Spring 1996). Photocopy, 8 1/4"x5 3/4". (8 pages). "Motico
Issue." "Friday 13th January 1995 Ray Johnson 'swan dives' to oblivion off a
bridge in Sag Harbour (sic), New York. The death of Johnson at a time when
Mail Art is being usurped by the all conquering Internet and its ability to transmit
aesthetic messages instantly to a vast audience, can be interpreted as 'a turning
point' in the continual flux of Mail Art." Contributions by Keith Bates and Leanda
Ryan (England), Dada Kan (Japan), Vittore Baroni (Italy). Pete Spence
(Australia), featured in "Rubber Stamp Zine Exhibition Space."
Front. Carl Loeffler and Mary Stofflet, Editors. La Mamelle, San
Francisco, California.
Vol. 1, No. 3 (March 1976). Newsprint. 17 1/2"x11". (8 pages). Notice
for the exhibition, "The Printed Word," at San Jose State University, featuring
Mail Artists Robert Cummings (USA), Lowell Darling (USA), Tyler Hoare (USA),
Pat Tavenner (USA), et al. Mail Art exhibition and project opportunities. Listing of
books, periodicals, catalogs, and Something Else Press publications available at
Arts Center Bookstore.
Vol. 1, No. 4 (May 1976). Newsprint. 17 1/2"x11". (10 pages). "Special
Catalog Edition: International Rubber Stamp Exhibition." Work by Ray Johnson
on the cover. Documents an important and early Rubber Stamp Art exhibition (La
Mamelle Arts Center, San Francisco, April 23-May 30, 1976. "Introduction," by
Carl Loeffler. Additional texts by Herve Fischer (France), Klaus Groh (Germany),

E. M. Plunkett (USA), Carol Law (USA), Ken Friedman (USA) and Georg M.
Gugelberger. "Selected Bibliography." List of contributing artists.
Frozen HYPNOSIS. Malok, Editor. (Wasau, Wisconsin). n.d.
No. 2 (n.d.). Photocopy. 8 1/2"x5 1/2". (8 pages). Collages by the editor.
Collaborative work with Bern Porter (USA) on the back cover.
Full Moon. Dazar, Editor. Omaha, Nebraska. 1987.
(1987). Photocopy and Mixed Media. 11"x8 1/2". 106 pages.
Assembling magazine. Over 100 contributors including Petra Grund (East
Germany), Monty Cantsin (Canada), Lon Spiegelman (USA), Tarzana Savannah
(USA), Dogfish (USA), Pascal Lenoir (France), Information Sickness (USA),
Klaus Groh (Germany), H. R. Fricker (Switzerland), et al.
Für Alle. Horst Tress, Editor. Haberscheid, Germany. 1984-1985.
No. 3 (March 1984). Newsprint. 16 1/4"x11 1/4". 12 pages.
Contributions by Uwe Dressler (East Germany), Arno Arts (Holland), Klaus Groh
(West Germany), Robert Rehfield (East Germany), Timm Ulrichs (West
Germany), et al.
No. 4 ([January 1985]). Newsprint. 16 1/4"x11 1/4". 7 pages.
Graphics by Joseph Beuys (Germany), and Klaus Groh (Germany), et al.
Further Too. Jon Simmons-Jones, Editor. London, England.
(1992).
(1992). Photocopy. 8 1/4"x5 3/4". (20 pages). "To Indiepop or to Mailart,
that is the Question, whether it is Nobler in the Mind Fate and fortune blah Blah
Blah..." Mail Art exhibition and project opportunities. Interview with A1 Waste
Paper Co. (England). "Why are there so few women in the network?," answered
by Michael Leigh (England), Hazel Leigh (England), et al. "Shopping for
clothes!," by R. Seth Friedman (USA). Publication reviews.
Garatiuja. Ademir Antonio Bacca, Editor. Bento Gonçalves,
Brazil. 1995.
No. 43 (November 1995). Newsprint. 15"x11 1/2". 16 pages. Visual
Poetry by Clemente Padin (Uruguay) on the cover. Additional graphics by
Avelino de Araújo (Brazil), Paulo Bruscky (Brazil), Hugo Pontes (Brazil), et al.

Generator. John Byrum, Editor. Generator Press, Mentor, Ohio.
1990.
No. 4 (1990). Offset. 8 1/2"x7". 103 pages. Contributions by Vittore
Baroni (Italy), John M. Bennett (USA), Dick Higgins (USA), Crag hill (USA),
Ruggero Maggi (Italy), Spencer Selby (USA), et al.
Get. Paul Rutkovsky, Editor. D. D. Florida, Tallahassee, Florida.
1984-1986.
Vol. 1, No. 1 (1984). Newsprint. 14"x11". (12 pages). "All graphics
prepared on a modern computer." Satire of consumer culture.
Vol. 1, No. 3 (1986). Newsprint. 15"x11 1/2". (20 pages). "The Gets
Visit the Future." Computer graphics by the editor.
Ghostdance. Hugh Fox, Editor. East Lansing, Michigan. 1975
No. 25 (Spring/Summer 1975). Offset. 8 1/2"x5 1/2". 37 pages.
"Special Dada Issue." Contributors include Opal L. Nations (USA), Geoffrey
Cook (USA), Richard Kostelanetz (USA), Dick Higgins (USA), John Pyros (USA),
et al. Anna Banana on the cover. Co-published with "Camels Coming" magazine,
edited by Richard Morris.
Giants Play Well in the Drizzle. Martha King, Editor. Brooklyn,
New York. 1988.
No. 18 (May 1988). Photocopy. 11"x8 1/2". (6 pages). Includes a poem
by Al Ackerman.
Girl-illa Art 'Zine, The. Miriam Parcés (aka The Stamp Goddess),
Editor. Piedmont, California. 1993-1996.
Vol. 1, No. 1 (Autumn Equinox 1993). Photocopy. 11"x8 1/2". 13
pages. Mail and Rubber Stamp Art by 27 Fe-Mail artists including Beth
Jacobson (USA), Julie Hagan Bloch (USA), Rusty Clark (USA), Sister
Stampalotta (USA), et al.

Vol. 1, No. 2 (Full Moon in May 1994). Photocopy. 11"x8 1/2". 11
pages. Rubber Stamp Art by 23 contributors including Julie Hagan Bloch
(USA), Becky Ivancic (USA), Laurel Hall (USA), Cathy McGuire (USA), et al.
Vol. 3 (August 1994). Photocopy. 11"x8 1/2". 16 pages. Rubber Stamp
Art by 22 contributors including Beth Jacobs (USA), Laural Hall (USA), Rubber
Poet (USA), Stampaphyl (USA), et al. Mail Art exhibition opportunities.
Vol. 1, No. 3 (October 1994). Photocopy. 11"x8 1/2". 16 pages.
"Mars Edition Second Printing." Artistamps replace Mail Art exhibition listings.
(Spring 1995). Photocopy. 11"x8 1/2". (20 pages). "Faux Post Issue."
contributions by Beth Jacobs (USA), Laural Hall (USA), Cathy McGuire (USA),
Gone Gecko (USA), Julie Hagan Bloch (USA), Rusty Clark (USA), et al.
(1996). Photocopy. 11"x8 1/2". (26 pages). "Turtle Moon Issue." Rubber
stamp art contributed by 21 artists including Arte Ala Carte (USA), Have Stamps
Will Travel (USA), Julie Hagan Bloch (USA), Rick Banning (USA), Sean
Whatever (USA), et al.
Global Mail. Ashley Parker Owens; Michael Dittman, Editors.
Chicago, Illinois; San Francisco, California; Grove City,
Pennsylvania. 1992-1999.
(January [1992]). Offset. 11"x8 1/2". (4 pages). "A newsletter of
international mail art events..." The beginning of the premier Mail Art info-zine.
"Over 100 Mail Art Listings."
(May Issue 1992). Offset and Rubber Stamp. 11"x8 1/2". (4 pages).
"Please copy and distribute to networkers."
Issue 3 (September 1992). Offset and Rubber Stamps. 11"x8 1/2".
(4 pages). "Over 180 mail Art Listings."
Issue 4 (January 1993). Offset. 11"x8 1/2". (4 pages). "Over 200
Listings!" Sections on Mail Art Shows, Question, Archives, Art Projects and
books, Compilations, Computer, Exchanges, Fax Projects, Letter, Tape and
Video Projects, Zines. "Approximately 4000 copies were made of this issue."
Issue 5 (May 1993). Offset. 11"x8 1/2". (4 pages). "Over 240 Listings."
Issue 6 (September 1993). Offset. 11"x8 1/2". 7 pages. "Over 470
Listings! Over 35 countries!" Sections on Time Sensitive Entries; Mail Art Shows;

Archives, Anarchism, and Art Projects; Books and Compilations; Exchanges;
Email and BBS Listings; Eroticism and Gender; Misc.; Newcomers and Penpals;
Politics; Rubber Stamps, Postal Stamps; Tape and Video Projects; Zines
requesting contributors.
Issue 7 (January 1994). Offset. 11"x8 1/2". 8 pages. "Over 400
Listings! Over 30 Countries!"
Issue 9 (September-December 1994). Offset. 11"x8 1/2". 8 pages.
"'Global Mail' is a cross-cultural, cross-media listing of all kings of art projects,
collaborations and mail art events. It comes out three times a year." "This issue
has approximately 400 entries from 39 countries." "New this issue: Poetry,
Queer, Postage Stamp, Rubber Stamp, and Conceptual Mail Art categories;
Address Changes; and a Reader Survey." Includes a personal note by the editor
concerning the next issue.
Issue 10 (January-April 1995). Newsprint. 10 1/2"x8". 15 pages.
Cover by M. B. Corbett (AKA Tensetendoned). "Global Mail is a listing of art
projects, zines, archives, actions, boycotts, exchanges, networks, sound & video
projects, mail art and collaborative events. The latest issue is 16 pages, with
over 500 entries from 45 countries." Results of Reader Survey. Biographical
notes on cover artist M. B. Corbett (USA). "Spotlight" on the Underground Press
Conference 1995.
Issue 11 (May-August 1995). Newsprint. 10 1/2"x8". 23 pages. "The
Hole to the Underground," added to masthead. Cover by John M. Bennett
(USA). Letters. "Spotlight" features "John Held, Jr. goes to Cuba; Angela and
Peter Netmail Explore Africa; Co-Op Publishing. "This issue has approximately
750 entries from over 40 countries."
Issue 12 (September-December 1995). Newsprint. 10 1/2"x8". 31
pages. Cover art by Angela Mark. Sections on Mail Art; Actions; Ad Swaps;
Anarchist; Archives; Art Projects; Books; Boycotts; Catalogs; Co-Op;
Comix/Humor; Compilations/Portfolios; Computer; Distros; Dreams; Conceptual;
Deaths; corrections; Email/BBS; Erotic; Events; Exchanges; Gender; Health;
Messages; Misc.; Networks; Newcomers; Penpals; Performance; Places; Poetry;
Politics; postage Stamps; Postcards; Queer; Research; Reviewers; Rubber
Stamps; SF/Fantasy; Tape/Sound/Comp; Text/Writing;Websites; Zines
Requesting Contributions; Address Changes; Thanks; rants; Letters; Peeves;
Tips; Harassment. "Spotlight" features Netland Book News. "this issue has
approximately 750 entries from over 40 countries"
Issue 13 (January-April 1996). Newsprint. 10 1/2"x8". 31 pages.
Editor moves to San Francisco, California. "Global Mail is a cross cultural crossmedia
listing of all kings of art projects, exchanges, collaborations, & mail art

events." Websites section added. "Living Scene Reports" section features a firstperson
account of the Hanshin, japan, earthquake by Mayumi Handa (Japan).
"Spotlight" includes a notice of a workshop at Picasso Gaglione's Stamp
Francisco with John Held, Jr. (USA) and Seth Friedman (USA). "This issue has
approximately 800 entries from over 45 countries."
Issue 14 (May-August 1996). Newsprint. 10 1/2"x8". 39 pages.
"Global Mail lists art and book projects, zines, archives, actions, boycotts,
resources, distros, exchanges, websites, sound and video projects, rants, news,
project updates, mail art events, and all kings of info for interesting people." Mail
Art Show Etiquette. "This issue has approximately 850 entries from over 45
countries."
Issue 15 (September-December 1996). Newsprint. 10 1/2"x8". 31
pages. Cover Artist, John Held, jr. (USA). "What is mail art?" "How can I get
started writing a zine?" "Missing Mail Art Project documentation," by (Theo.)
Breuer (Germany). "Mail Art as Means of Survival Under Communism," by
(Peter) Netmail (Germany). "This issue has 600 printed listings, with an
additional 150 website links available electronically through the global mail
Website List." "Letter from Ashley-This issue marks five wonderful years for
Global Mail. This letter is a farewell letter of sorts, as the locus of control and
publishing is being transferred to Michael Dittman starting with the next issue.
Michael has been involved in Global Mail over the last year or two as a
contributor and editorial consultant...Part of the benefits of doing GM is that I was
finally able to let go of existing in the material world. Perhaps it is a beautiful
outcome that dabbling in the underground makes you finally believe enough to
really let go of all your worldly ambitions, and slip into an alternative reality which
is indeed utopian."
Issue 16 (January-April 1997). Newsprint. 10 1/2"x8". 28 pages.
Edited by Michael Dittman, Grove City, Pennsylvania. Cover by Tim Mancusi
(USA). "Global Mail has always been an open forum and will remain as such. All
entries are uncensored and unscreened." Letters by Jose VdBroucke (Belgium),
Andrea Ovcinnicoff (Italy), Pag-hat the Rat-girl (USA), et al.
Issue 17 (January-April 1998). Newsprint. 10 1/2"x8". 29 pages.
Cover by Barbara Cooper (USA). Sections on Actions; Address Changes; Ad
Swaps; Art Projects; Boycott; Compilations; Comix; Computer; Conceptual;
Deaths; Distros; Dreams; Erotic; Events; Exchange; Gender; Health; Messages;
Misc.; Netwerking; Newcomers; Performances; Places; Poetry; Political; Stamps;
postcards; Queer; Research; Resources; Rubber Stamps; Noise; Texts; Zines;
Video. Letters. "Gazetta & Mummy MailArt," by Birger Jesch (Germany). "I
dedicate this short text to the kindred spirits who left our circle in the last
decade."

Issue 18 (May-August 1998). Newsprint. 10 1/2"x8". 29 pages. Cover
by Tim Mancusi (USA). Letter section answers the question, "How have your
projects changed you?"
Issue 19 (January-April 1999). Newsprint. 10 1/2"x8". 14 pages.
Project listings. "What's in a Name," by clASSwAR Karakoe (England) on various
names for Mail Art. Dale Speirs (Canada) on cross-currents in networking. "Many
SF fans belong to apas, mail artists take in literary zines, and political activist(s)
read SF." Ends with the section, "Question." "Anyone sending in an answer to
this issue's question will receive a free issue of Global Mail #20. What should
Global Mail be doing."
(August 21, 1993). Photocopy. 8 1/2"x5 1/2". 46 pages. "Directory 93:
a directory of mail artists and netwerkers." The largest listing compiled at the
time on Mail Artists and alternative cultural networkers. "Brought to you by Global
Mail." Names and addresses listed alphabetically within country. "1st 'crummy'
version," according to the editor.
(September 18, 1993). Photocopy. 8 1/2"x5 1/2". 46 pages. "Directory
93: a directory of mail artists and netwerkers." Final version of the above.
(December 27, 1994). Photocopy. 1"x8 1/2". 50 pages. "Netwerker
Directory '95: 3500 contacts from Global Mail." Edited by Ashley Parker Owens.
The largest such listing ever compiled. Names and addresses listed
alphabetically within country. "Please do not copy or disseminate this booklet.
This is a fundraising project and your assistance is greatly appreciated."
(August 1995). Photocopy with rubber stamps and stickers. 11"x8
1/2". 16 pages. "Technical Tips for Zine Makers: an informational pamphlet
from Global Mail." Edited by Ashley Parker Owens. " Guido Vermeulen (Belgium)
on, "Transformation through Zines." "Statements from Zinesters on Why They
Make Zines." Chris Dodge (USA) contributes, "Bibliography of Publications on
how to Make a Zine." More. Signed.
([1995]). Photocopy with rubber stamp and ink. 11"x8 1/2". 14 pages.
"Mail Art Info Sheet: an informational pamphlet from Global Mail." Edited by
Ashley Parker Owens. "What is mail Art?" "Glossary of Network Terms." Ruud
Janssen (Holland), "Some Thoughts About Mail-Art." "Interview with Ashley
Parker Owens by Michael Corbett (USA). Signed.
Global Village Voice. Trans-Global Media Communications,
Editor. London, England. 1990.

No. 1 (March 1990). Photocopy. 8 1/4"x5 3/4". 156 pages.
Contributors include Françoise Duvivier (France), Malok (USA), Miekal And and
Liz Was (AKA Xeroxial Endarchy) (USA), Michael Voodoo (USA), et al. Mail Art
show and magazine listings.
Grafopublik. Beograd, Yugoslavia. 1992.
(1992). Offset. 11 1/2"x7 3/4". 26 pages. Text and graphics on Miroljub
Todorovic (Yugoslavia), proponent of Signal Art, who popularized the phrase,
"Think About Mail Art." In Serbo-Croat.
Grand TRAX. Vittore Baroni, Editor. Near the Edge Editions,
Forte Dei Marmi, Italy. (1984).
TRAX 0184. ([1984]). Mixed Media. 13"x13" (oversize). Unpaged.
Assembling magazine. Includes prints, magazines ('Arte Postale!" #25),
artistamps, etc. Box-cover by Piermario Ciani (Italy). Contributions by Daniela
Ciullini (Italy), Robert Swierkiewizc (Hungary), Günther Ruch (Switzerland), S.
Gustav Hagglund (USA), Marlon Rockola (USA), Henning Mittendorf (West
Germany), Timm Ulrichs (West Germany), Gerald Jupitter-Larsen (Canada), et
al.
Great Adventure of Kanzan and Jyuttoku. Eiichi Matsuhashi,
Editor. Tokyo Street Museum, Tokyo, Japan. 2001.
(2001). Color Photocopy. 8 1/4"x5 3/4". (8 pages). Comix adventures of
the "Holy Homeless," by the curator of the Tokyo Street Museum and active Mail
Artist.
(2001). Color Photocopy. 8 1/4"x5 3/4". (8 pages). Comix adventures of
the "Holy Homeless," by the curator of the Tokyo Street Museum and active Mail
Artist.
(July 1, 2001). Color Photocopy. 8 1/4"x5 3/4". (8 pages). Comix
adventures of the "Holy Homeless," by the curator of the Tokyo Street Museum
and active Mail Artist. Edition 3/10.
(December 18, 2001). Color Photocopy. 8 1/4"x5 3/4". (8 pages).
Comix adventures of the "Holy Homeless," by the curator of the Tokyo Street
Museum and active Mail Artist. Edition 9/10.

Gulf Bulletins. Al Ackerman, Editor. The Odirono Circle, Portland
Oregon. 1976.
Issue No. 86 (March 1976). Photocopy. 8 1/2"x5 1/2". 40 pages.
Contributions by Ron Illardo (USA), Haddock (USA), David Zack (USA), Rain
Rien (USA), Terry Reid (Australia), Genesis P. Orridge (England) et. al. Plus the
editors' own writings. Issue number fictitious. Date probably correct. From the
birthplace of Neoism.
Gummiglot's Un-Weekly Reader...Bit's o' News: More Fun than a
Personal Note. Gummiglot (AKA Roz Stendahl), Editor.
Minneapolis, Minnesota. 1990.
Issue 1 (August 7, 1990). Photocopy. 11"x8 1/2". (4 pages). "Theme:
Writing." Reprinted newspaper articles.
Issue 2 (October 8, 1990). Photocopy. 11 2/2"x 8 1/2". 4 pages.
"Theme: Sleep Deprivation." Reprinted newspaper articles.
H23. Ron Rice, Editor. Pullman, Washington. 1989.
Vol. 1, No. 1 (Spring 1989). Newsprint. 11"x8 1/2". 30 pages.
Contains an interview with Daniel Plunkett (USA), Editor of "ND." "I also started
getting mail from mail-artists as my name would appear from time to time as a
contact. I became a real addict about the idea of exchanging art, music and
ideas with people from all over the world." Publication reviews.
Ham. John E. Mumbles, Editor. Wichita, Kansas. 1988-1989.
([1988]). Photocopy. 8 1/2"x5 1/2". (4 pages). Graphics by Al Ackerman
(USA) and F(ran). C(utrell). Rutkovsky (USA).
No. 3 (March 1989). Photocopy. 8 1/2"x5 1/2". (4 pages). Text and
graphic by Al Ackerman (USA). Contributions by F. C. Rutkovsky (USA) and The
Haddock (USA).
Hapunkt Special. Hapunkt Fix, Editor. Berlin, Germany. 1986.
Vol. 2, No. 1 (Summer 1986). Photocopy. 5 3/4"x4 1/4". 8 pages.
"Mail Art Corner." "The Sound of Neoism." Explanation of Fair Info Xchange. The
FIX is a project to spread around news. It's neither a magazine nor a newspaper.

It is a collection of original works, infor sheets & invitations to
contribute/collaborate, which artists & labels have sent me."
HalfLife Network Magazine. Scott Armstrong, Des McLean, Don
McPartland, Andrea Wheeler, Editors. Glassboro State College,
Glassboro, New Jersey. (1991).
No. 11 ([1991]). Photocopy. 8 1/2"x7". (4 pages). Contributor list for
Issue #11. Includes 37 contributors including Mike Dyar (USA), Jennifer Huebert
(USA), Pascal Lenoir (France), Ashley Parker Owens (USA), Carol Stetser
(USA), et al.
HeMisA-Book. Henning Mittendorf, Editor. Frankfurt am Main,
Germany. 1995-1996.
No. 2B (1995). Photocopy. 5 1/4"x5 3/4". 15 pages. "What is Mail Art?"
"In the following mail art is dealt with principally from the fine art's point of view,
not at last because it is this field of art that is mainly represented in mail art."
No. 1B (1996). Photocopy. 5 1/4"x5 3/4". 9 pages. "Visual Experimental
Poetry." "Especially as part of the network visual poetry develops an additional
quality. Circulating within the network it takes part in the alternative art's process:
It is not any longer steered by economical calculation, it is impulse and effect of
concerned artists and creative people interconnected through the global Eternal
Network, the eternal dialogue, 'multilogue', cognitive-communication process of
the network and part of the interconnected perspectives' change as evolving
knowledge's organisation."
No. 3B (1996). Photocopy and rubber stamps. 5 1/4"x5 3/4". 11
pages. "Naked Art as Mail Art: Included Some General Remarks About Man's
Body and Soul as a Whole." "Naked art becomes more effective, more effective
as art, when becoming a part of mail art as the optimum exemplary artistic
concept of influencing communication and cognition by interconnected
discoursive perspectives' change to get improved viable realities' constructions,
artistic ones and beyond that. Then naked art becomes coordinated between
concerned people and spread beyond them gobally."
herd. Jennifer Heubert. Rifton, New York; Chicago, Illinois. 1993-
1995.
Vol. 1, No. 1 ([1993]). Photocopy. 8 1/2"x7 1/4". 14 pages. "Winding
up 1992, the Year of the Networker, is HERD. This is a forum for women who are
active in the mail and men who wish to contribute...The responses gathered here
have been gleaned from women in many different facets of this 'Eternal

Network'...mail artist, visual artist, networker, rubberstamper, 'zine artist."
Statements by Elissa Rashkin (USA), Carol Stetser (USA), Jenny Soup (USA),
Lilian Ward (England), Ashley Parker Owens (USA), Pat Fish (USA), Helena
Perkins (USA), Tarzana Savannah (USA), Graciela Marx (Argentina), LaVona
Sherarts (USA), Julie Bloch (USA), Carol Schneck (USA), Arto Posto (USA),
Honoria (USA), Anna Banana (Canada), et al.
([June 1993]). Photocopy. 7 1/2"x5 1/2". 17 pages. Gender in Mail Art.
"'Do women perceive mail artists as an aggressive club?' I was asked some time
ago by an active male-mail-artist. If you're talking about the whole art world, well
then, Yes! Individuals don't generally act in an aggressive, impersonal manner
but GROUPS do. And the collective power of the male-dominated (art) world
(see page 3) is felt by women! Many women tell me they feel alienated, choose
not to participate in, or have LEFT the network." Statements by Julie Tant
(England), Crackerjack Kid (USA), Marilyn R. Rosenberg (USA), Anna Banana
(Canada), et al. Publication notices.
No. 3 ([January 1994]). Photocopy. 8 1/2"x7". (18 pages). "Welcome
to the Networking Issue about mail art and the Eternal Network. How terrific it
can be to be a networker, how essential in this age of information! The
Networker has evolved from Mail Artist, responding to the tremendous volume of
information out there today...Each networker's interpretation of the mail art world
is different, depending on their involvement. Some people have a handle on the
'big picture', other's sphere of interaction is close and personal. One can't
assume the mail artist has any grasp on mail art history or even a full picture of
what is considered a 'Networker'. It is happening, being created, right now. There
are no complete source references on it, few mail art historians or histories to
peruse. You just need to do it to discover its past. Mail Art is not exactly covered
in Art History courses; though it has been around for over 25 years (longer than
me!)." Includes "Mail Art by Carolyn Substitute." Letters by Rea Nikonova
(Russia), M. B. Corbett (USA), Crackerjack Kid (USA), John Held, Jr. (USA,
Stephen Perkins (USA), Julia Tant (England), FaGaGaGa (USA), et al. "Mail Art
Gender and Other Myths," by Crackerjack Kid (USA). Publication reviews.
Pullout contains a list of Mail Art publications cited by John Held, Jr. (USA)
during a lecture at the V&A Museum, London.
No. 4 (February 1995). Color and B&W Photocopy, rubber stamps.
(18 pages). Editor relocates to Chicago, Illinois. "herd this time is about
feminine protection, food, aggression and cars."
Hexa'gono. Edgardo-Antonio Vigo, Editor. La Plata, Argentina.
1971-1974.

Issue a (1971). Offset and Mixed Media. 11"x10". (5 pages). Visual
poetry by the editor. Contributions by Jochen Gerz (France), Carlos Ginzbug
(Argentina), and Germano Celant (Italy).
Issue a-b (1971). Offset and Mixed Media. 11"x10". (6 pages). Visual
and concrete poetry by the editor. Contributions by Clemente Padin (Uruguay),
Jochen Gerz (France), and Klaus Groh (West Germany).
Issue a-c (1971). Offset and Mixed Media. 11""x10". (12 pages).
"foew&ombwhnw" by Dick Higgins. In Spanish. Visual poetry by the editor.
Issue b-c (1971). Offset and Mixed Media. 11""x10". 8 pages.
Contributions from Hans-Werner Kalkmann (West Germany), Julien Blaine
(France), Klaus Groh (West Germany), et al. Visual Poetry by the editor. Essay
on Walter Benjamin.
Issue b-d ([1972]). Offset and Mixed Media. 11""x10". (9 pages plus
enclosures). Rubber stamped envelope by Robin Crozier (England). Visual
Poetry by the editor. "Múltiples Presentaciones de Imágenes Imigráficas."
Issue b-e (1972). Offset and Mixed Media. 11""x10". (9 pages plus 6
page "comic strip"). "La Calle: Escenario del arte Actual," by the editor. Visual
Poetry "comic-strip, "La (in) communicacion de los Medios de Comunicacion
Masivos (por caso la TV)," by the editor. Contributions by Betty Radin, Anna
Esposito and Miarella Bentivoglio.
Issue c-d (1973). Offset and Mixed Media. 11""x10". (12 pages).
Includes newsletter from CAYC (Centro de Arte y Communicación), Buenos
Aires, Argentina; a page of rubber stamp impressions; contributions by Zabala
(Argentina), Alberto Pellegrino, Bercetche, J. C. Romero (Argentina), et al.
Vistual Poetry by the editor.
Issue c-e ([1973]). Offset and Mixed Media. 11""x10". Sealed (too
fragile to open).
Issue c-f (1973). Offset and Mixed Media. 11""x10". (unpaged.).
Assembling magazine. Contains the periodical, "Arte Argentino de Vanguardia,"
No. 1, December 1973, with works by Argentine artists Benveniste, Leonetti,
Pazos, Romero, Vigo and Zabala. Contributions by Juan Bercetche (Argentina)
and Horacio Zabala (Argentina), Carlos Ginzburg (Argentina) and the editor.
Issue d-e (1974). Offset and Mixed Media. 11""x10". (11 pages).
Assembling magazine. Portfolio containing works by Barrlete, Horacio Zabala
(Argentina), Jorge Glusberg (Argentina),Luis Pazos (Argentina), and the editor.

Issue d-f (1974). Offset and Mixed Media. 11""x10". (13 pages).
Assembling magazine. Portfolio with contributions by E. Leonetti/J. C. Romero
(Argentina), Chuck Stake (Canada), Jorg Glusberg (Argentina), Endre Tót
(Hungary), Horacio Zabala (Argentina), Amelia Toledo (Argentina), Michael
Joseph Phillips (USA), Guillermo Deisler (Chile), Clemente Padin (Uruguay), and
the editor.
Issue d-g (1974). Offset and Mixed Media. 11""x10". (2 pages).
Contributions by Garcia Palou, E. Leonetti, J. C. Romeo, and the editor. (In
sealed portfolio with bullet holes [?].)
High Performance. Linda Frye Burnham, Editor. Los Angeles,
California. 1981.
Vol. 4, No. 3 (Fall 1981). 11"x8 1/2". 75 pages. Special
"Correspondence Art," section. Excerpts from "Correspondence Art: Source
Book for the Network of International Postal Art Activity," by Mike Crane and
Mary Stofflet (Contemporary Art Press, 1984). Advanced look at excerpted texts
by Mary Stofflet (USA), Michael Crane (USA), Anna Banana (Canada), Judith
Hoffberg (USA), Geoffrey Cook (USA), Richard Craven (USA), Ken Friedman
(USA) and Georg Gugelberger, Ulises Carrion (Holland), and Dick Higgins
(USA). Illustrated with works by Eric Metcalfe (Canada), Endre Tot (Hungary),
Anna Banana (Canada), Ray Johnson (USA), Pauline Smith (England), John
Dowd (USA), Vincent Trasov (Canada). Special pages by E. F. Higgins (USA),
Billy Curmano (USA), Lerner & Turner (USA), Nancy Frank (USA), Lon
Spiegelman (USA), Jerri Allyn (USA), Jeffrey Vallance (USA) and Monique
Safford (USA).
Historians Anonymous. Scott Garinger, Editor. El Segundo,
California. 1996-1998.
No. 1 (Spring 1996). Photocopy. 8 1/2"x5 1/2". 18 pages. "The Fish
Issue." "...I would like to wish you a warm welcome to 'Historians Anonymous'
(HA) where our credo is 'Everyone who wants to be a historian, is.'"
No. 2 (Summer 1996). Photocopy. 8 1/2"x5 1/2". 15 pages. "A Generic
Mail Art History," reprinted from "Global Mail."

No. 4 (Summer 1997). Photocopy. 11"x8 1/2". (40 pages). "The focus
of this issue is the postal service." Mark Bloch (USA) contributes "A Brief History
of Postal Art."
No. 5 (Winter 1998). Photocopy. 8 1/2"x5 1/2". 30 pages. "A Non-
History of Mail Art," by John Held, Jr. (USA). "A history of mail art? Yes, they've
been written and more will follow. Each will have it's own twist. Be a little wary of
each one. They are all written from a centrist view, when no such view actually
exists." Followed by "Bloch's Reaction to Held's Reaction."
History of Pagiarism, The. (Stephen Perkins), Editor. Plagiarist
Press, Iowa City, Iowa. 1992.
Vol. 1 (1992). Photocopy. 5 1/2"x4 1/4". (20 pages). "(the footnotes)."
Subjects covered include plagiarism, detournement, Stewart Home, "Art Strike,"
"The Festival of Plagiarism," xerography, Mail Art, Ralph Rumney, etc. Green
cover.
Vol. 1 (1992). Photocopy. 5 1/2"x4 1/4". (20 pages). Variant copy with
blue cover.
Vol. 1 (1992). Photocopy. 5 1/2"x4 1/4". (20 pages). Variant copy with
red cover.
Hoje Hoja Hoy. Graciela Gutierrez Marx, Editor. Asociación
Latinomericana y del Caribe de Artistascorreo, La Plata,
Argentina. 1985-1992.
Vol. 1, No. 1 (January 1985). Newsprint with rubber stamp. 9 3/4"x7
3/4". (8 pages). Statement by Hilda Paz (Argentina). Mail Art exhibition and
publishing opportunities. Statements on Mail Art by Vittore Baroni (Italy), Lon
Spiegelman (USA), Guy Bleus (Belgium), Mark Bloch (USA). "Manifesto of
Asociacion Latinomericana y del Caribe de Artistascorreo." C.D.O (Italy)
Manifesto (1982). Original graphic by the editor inserted (edition 470/500).
Vol. 1, No. 2 (April/May 1985). Newsprint. 11 1/2"x8". (8 pages).
Statement by Hilda Paz (Argentina). "El Artcorreo no Acepta se Definido," by the
editor. Contributors listed for "Mamablanca" Mail Art exhibition. Mail Art exhibition
and publication opportunities.
Vol. 1, No. 3 (July/August 1985). Newsprint. 11 1/2"x8". (8 pages).
Manifesto of the "Association of Latin American and Caribbean Mail Artists,"
signed by Susana G. Lombardo (Argentina), Juan Ferreyra (Argentina) Alfedo

Mauderli (Argentina), Hilda Paz (Argentina) and the editor. Contributions by
Jesus Romeo Galdamez (Mexico), Bettina Rege (Argentina), Martin Raul
Eckmeyer (Argentina), Rafael Cellini (Argentina), Crackerjack Kid (USA),
Ruggero Maggi (Italy), et al. Inserted poster by Ruggero Maggi (Italy) and the
editor (edition 170/400).
Vol. 2 No. 5 (March/April 1986). Newsprint with Mixed media. 11
1'2"x8". (8 pages). Graphics by Graciela G. Marx. Poster inserted.
No. 7 (September 1991). Photocopy with Rubber Stamp and Acrylic.
13 1/2"x8 1/2". (2 pages). Editorial. Announcement of a "Pre-Congress" in
December 1991 with John Held, Jr. (USA) in La Plata, Argentina. Networker
Congress announced for April 1992 in La Plata.
No. 8 ([1992]). Photocopy. 13 1/2"x8 1/2". (2 pages). "NC92 Spirit
Netlink Performance," by Crackerjack Kid (USA). "Resoluciones del Pre-
Congreso 1992, Realizado en Argentina." "Art Strike 1990-93," information by
Keith de Mendoza (England).
Honolulu Haole Flake. Indian Ralph (AKA Peter Mancusi), Editor.
Indian Ralph Publication, Kappa, Hawaii. 1999.
(April 7, 1999). Color and B&W Photocopy. 11"x8 1/2". 11 pages.
Contributions by Tim Mancusi (USA), Matt Tompson USA), Ed Giecek (USA),
John Wirtz (USA), the editor, et al.
Howler on the Toilet, The. Jean-Paul Leonis, Editor. Wépion,
Belgium. 1993.
No. 6 (October 1993). Photocopy. 8 1/4"x5 3/4". 42 pages. "The
place, the habits, and everything which can be associated with the theme; shit
and all about the toilets." 33 contributors including Fernand Barbot (USA), Guy
Bleus (Belgium), Ruud Janssen (Holland), Pascal Lenoir (France), Magda
Lagerwerf (Holland), Emilio Morandi (Italy), Reiu Túúr (Estonia), Guido
Vermeulen (Belgium), et al. Mail Art exhibition and publication opportunities.
No. 7 (December 1993). Photocopy and Rubber Stamp. 8 1/4"x5
3/4". 42 pages. Introduction by Guido Vermeulen (Belgium). 23 contributors
including J. Ahokas (Finland), Raimondo Del Prete (Italy), Mayumi Handa and
Shozo Shimamoto (Japan), Christ Reider (USA), Klaus Rupp (Germany), András
Voith (Hungary), et al. Mail Art exhibition and publication opportunities.

Humboldt Da-Jest, The. Indian Ralph (AKA Peter Mancusi),
Editor. Miranda, California. 1999.
(May 1, 1999). Color and B&W Photocopy. 11"x8 1/2". 30 pages.
Contributions by 30 artists including Arthur Secunda (USA), buZ blurr (USA),
Dadaland (USA), John Evans (USA), Lorana Chickadel (USA), Sticker Dude
(USA), John M. Bennett (USA), Mick Mather (USA). Tim Mancusi (USA), John
Held, Jr. (USA). et al.
Idea Fuggente. Brunco Pollaci, Editor. Accademia d'Arte, Pisa,
Italy. 1994.
Vol. 3, No. 18 (October 1994). Offset. 11 3/4"x8 1/4". (4 pages). The
editor exhibits at Modern Realism Gallery, Dallas, Texas. Mail Art exhibition and
publication opportunities.
Ideology of Madness. Dr. Don Prescott, editor. Yggdrassil Press,
Arlington, Texas. (1988).
(1988). Photocopy. 8 1/2"x7 1/4". 18 pages. "Factsheet Five" and Monty
Cantsin cited in "Other Weirdos" section.
No. 9 ([1989]). Photocopy. 8 1/2"x7 1/4". 13 pages. Sub-Genius
oriented with Neoist, Mail Art and zine overtones.
Idle Time Mail Art. Dixon, Editor. Denton, Texas. (1985).
([1985]). Photocopy. 11"x8 1/2". (7 pages). "The Concept of Monty
Cantsin," by Monty Cantsin, Baltimore (USA). Contributions by John S. Fawcett
(USA), Arturo G. Fallico (USA), Pier Van Dijk (Holland), Carol Stetser (USA),
David Cole (USA), John Held, Jr. (USA). Mail Art exhibition and publication
opportunities. "Idle Time Projects."
Idolise. Robert Nixon, Editor. Surrey, England. 1987.
No. 3 (November 1987). Photocopy. 8 1/4"x6 1/4". (32 pages).
Contributions by A.1 Waste Paper Co. Ltd. (England), Vittore Baroni (Italy),
Trevor Brown (England), Manfred Vançi Stirnemann (Switzerland), et al. Mail Art
publication and exhibition opportunities.
Illuminati. F. A. Nettelbeck, Editor. Los Angeles, California. 1986.

No. 12 (1986). Photocopy. 4 1/4"x2 3/4". (10 pages). Contributions by
John B. Bennett (USA), S. Gustav Hägglund, et al.
Impossibilists. Musicmaster, Editor. Hopkins, Minnesota;
Minneapolis, Minnesota. 1982-1986.
No. 17 (Spring 1982). Photocopy. 11"x8 1/2". (20 pages). "The
Unreligioning Issue." Contributions by John M. Bennett (USA), buZ blurr (USA),
Al Ackerman (USA), Scott Helmes (USA), Lon Spiegelman (USA), et al.
No. 19 (January 1985). Photocopy. 8 1/2"x5 1/2". (16 pages).
Contribution by fucci (USA). Drawings by the editor.
No. 20 (April 1985). Photocopy. 8 1/2"x5 1/2". 27 pages. "The 10th
Year...Anniversary Edition." Contributions by Bill Whorrall (USA), Long
Spiegelman (USA), Al Ackerman (AKA Harry Bates Club), et al.
No. 21 (February 1986). Photocopy. 8 1/2"x5 1/2". (14 pages).
"Syllogisms." Contributors include Bern Porter (USA), Al Ackerman (USA),
Rhoda Mappo (England), Pat Fish (USA), et al.
No. 22 (August 1986). Photocopy. 8 1/2"x5 1/2". 20 pages.
Contributions by Pat Fish (USA), Cerebral Discourse (USA), Tarzana Savannah
(USA), Al Ackerman (AKA Eel Leonard) (USA), et al.
impossible utterance, the. Brad Russell and Seth Tisue, Editors.
Plast Cramp Press, Wheaton, Illinois. 1990.
No. 1 (March 1990). Photocopy. 11"x4 1/4". (8 pages). Contributions
by John M. Bennett (USA), Jake Berry (USA), Geof Huth (USA), et al. "We
intend to destroy all dogmatic verbal systems."
No. 2 (March 1990). Photocopy. 11"x4 1/4". (8 pages). Contributions by
John M. Bennett (USA), Jake Berry (USA), Geof Huth (USA), et al.
No. 4 (May 1990). Photocopy. 11"x4 1/4". (8 pages). Contributions by
Miekal And (USA), Jake Berry (USA), Paul Weinman (USA), et al.
No. 5 (September 1990). Photocopy. 8 1/2"x7". (4 pages). "Mother's
Milk," by John Eberly.

No. 6 (August 1990). Photocopy. 11"x4 1/4". (8 pages). Contributions
by Guy R. Beining (USA), Crag Hill (USA), John M. Bennett (USA), et al.
In Remembrance. Jenny Soup, Editor. San Francisco, California;
North Hollywood, California; Studio City, California. 1988-1998.
No. 1 (n.d. [1988]). Photocopy. 8 1/2"x5 1/2". (12 pages). Goth poetry
with artistamps. Published in San Francisco.
No. 3 (n.d). Photocopy. 8 1/2"x5 1/2". (14 pages). "In Remembrance is
a grave collection of imagery and poetry from frail breath of mysterie that damply
creeps across my coffined thoughts." Published in North Hollywood. Edition 5/50.
No. 5 ({1989]). Photocopy. 8 1/2"x5 1/2". (18 pages). Goth zine.
Published in Studio City. Record reviews. Edition 3/100.
No. 6 ([1990]). Photocopy. 8 1/2"x5 1/2". (16 pages). Contributions by
Kalynn Campbell (USA), et al. Edition 64/500.
No. 11 (n.d). Photocopy. 8 1/2"x5 1/2". (20 pages). Eleven contributors.
Edition 23/500.
No. 12 (n.d.). Photocopy. 8 1/2"x5 1/2". (16 pages). Poetry. Music
reviews. Edition 38/500.
No. 13 (Winter 1994). Photocopy. 8 1/2"x5 1/2". (20 pages). Poetry.
Publication reviews. Music reviews.
(n.d.). Photocopy. 8 1/2"x5 1/2". (16 pages). Contributions by Kalynn
Campbell (USA), Stephen J. Romanko, et al. Record reviews. Edition 203/500.
(n.d.). Photocopy. 8 1/2"x5 1/2". (18 pages). Contributions by Kalynn
Campbell (USA), et al. Edition 278/500.
Final Issue (1998). Color and B&W Photocopy. 8 1/2"x5 1/2". (30
pages). "This issue has been a long time coming, and certainly the most difficult
to compile. Good-byes are hard and often painful, but they are necessary when
we are moving on to other things."
In the Mail. Tim Harding, Editor. Wordless Press, Lakewood,
Ohio; Washington, D. C. 1987-1992.

(December 10, 1987). Photocopy and rubber stamps. 8 1/2"x5 1/2".
(12 pages). "Video ¢lones" issue. Edition 3/58.
(January 1988). Photocopy. 8 1/2"x5 1/2". (20 pages). Contributions by
L(arry) Angelo (USA), Carlo Pittore (USA), Stephen Perkins (USA), Lancillotto
Bellini (Italy), Crackerjack Kid (USA), et al.
(February 1988). Photocopy and rubber stamps. 8 1/2"x5 1/2". (20
pages). Contributions by John Held, Jr. (USA), Xeno (USA), Musicmaster
(USA), F. Aguiar (Portugal), D(avid) Jarvis (England), Jacques Massa (France),
et al. "Colaborator" special edition included.
(March 1988). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). "Confined." Contributors include Jacques Massa (France), Carlo Pittore
(USA), JK Post (USA), Luc Fierens (Belgium), K. Francke (Holland), et al.
(April 1988). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). Contributors include buZ blurr (USA), Ruggero Maggi (Italy), F(rank)
Cissne (USA), Blaster Al Ackerman (USA), Mimi Holmes (USA), et al.
([May 1988]). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 59
pages. 50 contributors including Carlo Pittore (USA), Patrick T. (USA), Pierre
Marquer (France), Ruggero Maggi (Italy). John Held, Jr. (USA), Nenad
Bogdanovic (Yugoslavia), Stephen Perkins (USA), F. Aguiar (Portugal), Everarts
(Holland), et al.
(July 1988). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). "Camouflage." Contributions by Jacques Massa (France), Guillermo
Deisler (East Germany), Jiri Hula (Czechoslovakia), Stephen Perkins (USA), JK
Post (USA), et al.
(January 1992). Photocopy. 8 1/2"x5 1/2". (20 pages). Published in
Washington, D. C. Contributors include Predrag Petrovic (Yugoslavia), State of
Being (USA), Clemente Padin (Uruguay), Raphael Nadolny (Poland), Kalynn
Campbell (USA), Pascal Lenoir (France), FaGaGaGa (USA), et al.
(February 1992). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). Contributors include Stephen Ronan (USA), John Held, Jr. (USA),
Lindley Bhanji (Australia), Guido Bondioli (USA), E. Z. Smith (USA), Crackerjack
Kid (USA), Claudine Barbot (USA), et al.

(March 1992). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). "'In the Mail' is distributed each month. On occasion there will be a
theme announced, and the issue may be expanded to include all of the mail
covering the topic-no refusals. Items that are not related to a theme are held for
inclusion in a regular issue. Anything that I receive that I can manage to copy will
eventually be included in an issue of 'In the Mail' - and a copy is sent to anyone
from whom I have received mail." Contributors include Private World (USA),
Stephen Perkins (USA), Sean Whatever (USA), Lavona Sherarts (USA), Shmuel
(USA), et al.
(May 1992). Photocopy. 8 1/2"x5 1/2". (18 pages). Work by Pascal
Lenoir (France), Rea Nikonova (Russia), et al.
(April 1992). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (20
pages). Contributions by Epistolary Stud Farm (USA), Musicmaster (USA),
Jake Berry (USA), Shmuel (USA), Larry Angelo (USA), et al.
In Your Mail. Dallas Swan, Editor. Salisbury, Maryland. 1988.
No. 1/2 (1988). Photocopy. 11"x8 1/2". 10 pages. "Of course this isn't
(the) first alternative publication you have received in the mail and I'm sure it
won't be your last. I hope to accomplish several things with and through you.
One is to enlighten each of us on whats available out there in mailand. I hope to
list some stuff available out there that you might not be aware of. Maybe some of
you might turn me on to something I'm not tuned in to. I enjoy hearing or seeing
something different." Publication listings.
INFO-MAM. Guy Stukens, Editor. Bruxelles, Belgium. 1988-1993.
No. 56 (May 1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Cover by
Paul Rutkovsky (USA). Exhibition, publication, and cassette notices.
No. 60 (January 1989). Photocopy. 8 1/4"x5 3/4". (20 pages).
Exhibition and publication notices. "Hiroshima Shadow Project."
No. 61 (April 1989). Photocopy. 8 1/4"x5 3/4". (16 pages). Exhibition
and publication notices. "Les Nouveaux Timbres de H. R. Fricker." by Serge
Segay (Russia). "Archives for Small Press and Communication." by Guy
Schraenen (Belgium).
No. 62 (June 1989). Photocopy. 8 1/4"x5 3/4". (16 pages). Exhibition
and publication notices. "Les Correspondances Entre Fluxus et Mail Art," by the
editor. Issue decorated with collaborative artistamps by Ruggero Maggi (Italy), H.
R. Fricker (Switzerland) and John Held, Jr. (USA).

No. 64 (November 1989). Photocopy. 8 1/4"x5 3/4". (16 pages).
Exhibition and publication notices. "Le Mail-Art dans le Sud-Ouest des Etat-
Unis," by John Held, Jr. (USA).
(December 1993). Photocopy. 8 1/4"x5 3/4". (8 pages). Special English
Edition. "noarmally, INFO-MAM is published only in French. This is a special
issue devoted to the announcement of the change of address and the
presentation of certain structures (i.e., radios...) we are working with. In our
normal issue, we have an important section entitled 'Magazines'-where we
present books, fanzines, magazines, records, cassettes, exhibitions, and other
cultural activities." Text by Roger Avau (Belgium).
Information Sickness: The Journal of More Than You Needed to
Know. Alan K. Lipton, Editor. Berkeley, California. 1992-1996.
Issue 2 (September 1992). Photocopy. 11"x8 1/2". 36 pages. Poetry
and live music reviews by the editor.
Issue 3 (December 1992). Photocopy. 11"x8 1/2". 20 pages. "What
Information Sickness Is (submitted to the Decentralized Networker Congress,
8/11/1992)."
Issue 4 (December 1993). Photocopy. 11"x8 1/2". 36 pages. "The
Northernmost Mailart Ever. Angela and Peter NetMail travel the world with mail
art, delivering it in person to any networkers they meet."
Issue 5 (July 1994). Offset. 11"x8 1/2". 48 pages. Special "No theater"
issue.
Issue 6 (December 1994). Offset. 11"x8 1/2". 36 pages. Masthead
changed to, "The Testament of Our Ongoing Daze."
Issue 8 ([1996]). Offset. 11"x8 1/2". 96 pages. Contribution by
Musicmaster (USA).
Inia-Kelma: Taller Andaluz de Poesia Inista. Juan Oosco Ocaña,
Editor. Sevilla, Spain. (1995).
No. 4 ([1995]). Photocopy. 8 1/4"x5 3/4". (24 pages). Visual Poetry.
contributions by César Figueiredo (Spain), Ibirico (Spain), Jean-François Robic
(France), et al.

Inquirer: A Folio of Art and Ideas. Fran Kalmykov, Editor.
Houston, Texas. 1986.
Issue 12 (November-December 1986). Newsprint. 14"x11"
(oversize). 35 pages. "Mail Art/Artist postage Stamps," by Jon Held, Jr.
(USA). "Over a twenty-five year period an alternate art system has developed
connecting an international group of artists via the postal system. A mail artist is
one who relates on a fairly consistent basis with this network of artists. It is a
network without central leadership, without formal membership, but a network
nevertheless, which is said to encompass several thousand participants from
over thirty countries. The iconography of mail art is drawn from this pool of global
artistic interaction. Mail art is not the production of objets which are sent through
the mail, but the at of participation, and the 'correspondances' which occur
through involvement with the network...While the creation of precious objects
has not been of primary importance, visual statements have been made along
the way. And nowhere in mail art have those statements been made to better
effect than within the genre of artist postage stamps. In the world of philately,
they are often referred to as 'cinderellas,' stamps which are not intended for legal
postage. They can be either an offset, xerox, rubberstamp or drawing. It is an
aspect of mail art which instantaneously aligns itself with the postal medium. A
symbol, if you will, of the mail art experience..." contributions by Gene Laughter
(USA), E. F. Higgins III (USA), Ray Johnson (USA), Julie Hagan Bloch (USA),
Ruggero Maggi (Italy), H. R. Fricker (Switzerland), John Held, Jr., et al.
Instant Media Dispatch: The Journal of Quick Art. Buster
Cleveland, Editor. Andrew Nevai, Inc., Florida, New York. 1978.
Vol. 1, No. 2 (August 1978). Offset and Rubber Stamp. 14 1/2"x11
1/2". (8 pages). "First issue" rubber stamped on the cover. "Homage to Padin
and Caraballo," photo-documentation of a performance by Dadaland (Bill
Gaglione) (USA) and Buster Cleveland (USA) at A-Space, Toronto, "Canadada,"
August 12, 1978. Publication announcement for "The Rubber Stamp Album," by
Miller and Thompson. Dinner for Gaglione (USA) and Banana (Canada) in New
York City (photos). Exhibition and publication opportunities. Centerfold
documents a road trip by Buster Cleveland covering San Francisco, Toronto,
Florida, New York, and New York City, featuring appearances by Gaglione
(USA), Banana (Canada), Nancy Frank (USA), "Will-O-Be Sharp" (USA), et al.
Inter (La Revue Intervention). Andrée Fortin, Jean-Claude
Gagnon, Robert Délinas, Richard Martel, Alain-Martin Richard,
Editors. St. Jean, Québec, Canada. 1984-2001.
No. 25 (Autumn 1984). Offset. 11"x8 1/2". 60 pages. "In Memoriam
George Maciunas." Interview with Hervé Fischer (France). Publication reviews,
including "Lightworks," "DOC(K)S," and "Art Com."

No. 28 (Summer 1985). Offset. 12"x9". Unpaged. "Cavellini and Monty
Cantsin," by Monty Cantsin (Canada).
No. 29 (Autumn 1985). Offset. 11"x8 1/2". 84 pages. Listing of art
periodicals in the Le Lieu (organization publishing the magazine) archive.
No. 30 ((Winter (1986). Offset and Mixed Media. 11"x8 1/2". 69
pages. Fluxus. "The Box," by Llys Dana. "Contact-Réseau," section lists
periodicals of interest including "Lightworks," "DOC(K)S," and "Rampike."
No. 31 (Spring 1986). Offset. 12"x9". 65 pages. Joseph Beuys, 1921-
1986. "Contacts Réseau."
No. 32 (Summer 1986). Offset and Mixed Media. 12"x9". 66 pages.
Publication reviews include "Box of Water," Art/Life," "High Performance" and
"George Macunias and the Face of Time," by Fred Truck (USA).
No. 33 (Autumn 1986). Offset. 12"x9". 63 pages. Visual Poetry in Italy.
Notice of a Mail Art "vitrine" exhibited by Jean-Claude Gagnon, in connection
with the group, Réparation de Poésie.
No. 34 (Winter 1987). Offset. 12"x9". (62 pages). Inserted poster lists
concerns of the periodical including "Poésie Visuelle, Nouvelle Musique, Théatre
Expériméntal, Art Actuel, Festivals D' In(ter)vention, Editions Marginales, Mail
Art, Poésie Sonore, Revue des Revues, Photographie, Installation, Video, Audio
Art, Performance, Art Engagé." Special Mail Art section with contributions by
Anna Banana (Canada), Daniel Daligand (France), Rod Summers (Holland),
Carlo Pittore (USA), Chuck Stake (Canada), et al. "Heil Mail Art," by Daniel
Daligand (France). "Orientation for the Use of a Context and the context for the
use of an Orientation," by Karen Eliot. "Publications D'Art Postal," by Jacques
Massa (France), mentions "Mani Art," "Le Timbre," Photostatic," et al.
No. 35 (Spring 1987). Offset. 12"x9". 65 pages. "Espéces Nomades
features short biographies of Monty Cantsin (Canada), Jean-Claude Gagnon
(Canada), Jürgen Olbrich (Germany), Wolfgang Hainke (Germany). Nomads in
Germany (Chuck Stake, Jürgen Olbrich, Manfred Vançi Stirnemann, Günther
Ruch, et al.). "Smile" magazine. "Neoist Propaganda" lists 54 people using the
name. Report of Berlin Neoist Apartment Festival.
No. 36 (Summer 1987). Offset. 12"x9". 65 pages. Rod Summers
(Holland), "V.E.C. Computer Poem Display." Chuck Stake (Canada). Photocopy
Art by Emilio Morandi (Italy). Artistamps by Carlo Pittore (USA).

No. 52 (1991). Offset. 13 1/2"x8 3/4". 62 pages. Special section on
Hungary mentions Artpool (György Galantai). "Crhonique de L'Abominable
Homme des Lettres," by Jean-Claude Gagnon features Mail Art publications,
exhibition catalogs and project announcements, including works by Henning
Mittendorf (Germany), Pascal Lenoir (France), Peter Kaufmann (Switzerland),
Alberto Rizzi (Italy), Guillermo Deisler (East Germany). Reprint of the
announcement for the "Decentralized World-Wide Networker Congress 1992."
No. 53 ([1992]). Offset. 13 1/2"x8 3/4". 64 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and project announcements by Clemente Padin
(Uruguay), Luce Fierens (Belgium), De Decker Geert (Belguim), Cesar
Figueiredo (Portugal), Ruggero Maggi (Italy), Judith Hoffberg (USA), et al.
No. 60 (1994). Offset. 13 1/2"x8 3/4". 64 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and project announcements by Guy Bleus
(Belgium), Emillio Morandi (Italy), Anna Banana (Canada(, Pascal Lenoir
(France), Alessandro Ceccotto (Italy), Guillermo Deisler (Germany), Andréa
Ovcinnicoff (Italy), Ryosuke Cohen (Japan), Abelardo Mena (Cuba), et al.
"Premiére Rencontre International d'Art Postal," recounts the activities of a
"Networker Congress" in Québec, May 19-24, 1994 with Anna Banana (Canada),
Jean-Claude Gagnon (Canada), Monty Cantsin (Canada), Malcolm Reid
(Canada), John Held, Jr. (USA), State of Being (USA), Emilio Morandi (Italy),
Giovanni and Renata Stada (Italy), Marcel Stüssi (Switzerland), Rafaël
Courtosisie (Uruguay), et al.
No. 61 (1995). Offset. 13 1/2"x8 3/4". 77 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Dirk Frohlich (Germany),
Emanuele Calo (Italy), Guy Bleus (Belgium), Lancillotto Bellini (Italy), Nenad
Bogdanovic (Yugoslavia), Dobrica Kamperelic (Yugoslavia), Pascal Lenoir
(France), Antonio Gomez (Spain), Mauricio Guerrero (Mexico), et al.
No. 62 (1995). Offset. 13 1/2"x8 3/4". 92 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Baudhuin Simon (Belgium),
Shozo Shimamoto (Japan), Pascal Lenoir (France), John Held, J. (USA), John
M. Bennett (USA), Ryosuke Cohen (Japan), Jean-François Robic (France), Alice
Borealis (USA), Reid Wood (USA), Allesandro Ceccotto (Italy), et al.
No. 63 (1995). Offset. 13 1/2"x8 3/4". 76 pages.
No. 64 (1996). Offset. 13 1/2"x8 3/4". 69 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art

publications, exhibition catalogs and projects by M. B. Corbett (USA), La
Toanvinh (Canada), Reika Yamamoto (Japan), Judith Hoffberg (USA), Anna
Banana (Canada), Sol Cultural (Spain), Mielle Christophe (France), John Held,
Jr. (USA), Banco de Ideas Z (Cuba), Luce Fierens (Belguim), Ashley Parker
Owens (USA), et al.
No. 65 (1996). Offset. 13 1/2"x8 3/4". 77 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Clemente Padin (Uruguay),
"Score Magazine" (USA), John Byrum (USA), M. B. Corbett (USA), Cracker Jack
Kid (USA), Hans Braumüller (Chile), Juan Agius (Switzerland), Guy Bleus
(Belgium),Artpool (Hungary), et al.
No. 67 (1997). Offset. 13 1/2"x8 3/4". 83 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Jean-François Robic (France),
Andrea Ovcinnicoff (Italy), Lucien Suel (France), Merz Mail (Spain), et al.
No. 68 (1997). Offset. 13 1/2"x8 3/4". 76 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by BubbhaBabalMamaDadaDan
(AKA Dan Landrum) (USA), David Dellafiora (England), John Held, Jr. (USA),
Diane Bertrand (Canada), Ed Varney (Canada), et al.
No. 71 (1998). Offset. 13 1/2"x8 3/4". 83 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Juan Aguis (Switzerland), J. M.
Callega (Spain), Anna Banana (Canada), Malcolm Reid (Canada), Aleksandr
Zhamailo (Ukraine), Angela Pähler (Germany, et al.
No. 72 (1999). Offset. 13 1/2"x8 3/4". 83 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Francis Fan Mail (Ireland),
Christian Laporte (France), Manfred Vançi Stirnemann (Switzerland), Planet
Dada (England), Judith Hoffberg (USA), Thierry Tillier (Belgium), Ryosuke Cohen
(Japan), Henning Mittendorf (Germany), Fernando Aguiar (Portugal), Michael
Lumb (England), Ruud Janssen (Holland), et al.
No. 73 (1999). Offset. 13 1/2"x8 3/4". 92 pages. Dick Higgins, 1939-
1998. "Crhonique de L'Abominable Homme des Lettres," by Jean-Claude
Gagnon features Mail Art publications, exhibition catalogs and projects by Keiichi
Nakamura (Japan), Anna Banana (Canada), Cesar Regelo Campos (Spain),
Predrag popoic (Yugoslavia), Magda Lagerwerf (Holland), Angela and Peter
Netmail (Germany), et al.

No. 74 (1999). Offset. 13 1/2"x8 3/4". 76 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Guy Bleus (Belgium), Ruud
Janssen (Holland), Fernando Garcia Delgado (Argentina), Ryosuke Cohen
(Japan), Clemente Padin (Uruguay), Emilio Morandi (Italy), La Toan Vinh
(Canada), Carlo Pittore (USA), Eberhard Janke (Germany), et al.
No. 75 (2000). Offset. 13 1/2"x8 3/4". 74 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Vittorio Baccelli (Italy), Robin
Crozier (England), Christian Laporte (France), Scientist Sam (USA), Keiichi
Nakamura (Japan), Jean-François Robic (France), Henning Mittendorf
(Germany), Vittore Baroni (Italy), Le Peintre Nato (France), et al.
No. 76 (2000). Offset. 13 1/2"x8 3/4". 75 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Reed Aaltemus (USA),
Dragonfly Dream (USA), Angela and Peter Netmail (Germany), Artpool
(Hungary), Judith Hoffberg (USA), Wilfried Nold (Germany), Pascal Lenoir
(France), Dale Speirs (Canada), et al.
No. 77 (2000). Offset. 13 1/2"x8 3/4". 89 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by Jorg Seiffert (Germany), Guido
Vermeulen (Belgium), Dr Teresinka Pereira (USA), Vittore Baroni (USA), John
Byrum (USA), Guy Bleus (Belguim), Clemente Padin (Uruguay), Bruno Sourdin
(France), Nenad Bogdanovic (Yugoslavia), Lucien Suel (France), et al.
No. 78 (2001). Offset. 13 1/2"x8 3/4". 80 pages. "Crhonique de
L'Abominable Homme des Lettres," by Jean-Claude Gagnon features Mail Art
publications, exhibition catalogs and projects by José Vandenbroucke (Belgium),
A1 Waste Paper Co. Ltd. (England), Dobrica Kamperelic (Yugoslavia), Anna
Boschi (Italy), Diane Bertrand (Canada), Keiichi Nakamura (Japan), Carlo Pittore
(USA), et al.
No. 79 (2001). Offset. 13 1/2"x9". 80 pages. Performance art and
installation work by Andre Stitt (England). "Crhonique de L'Abominable Homme
des Lettres," by Jean-Claude Gagnon features Mail Art publications, exhibition
catalogs and projects by Vincent Courtois (France), Ginger Mason (USA), Dada
Kan (Japan), Reed Altemus (USA), Julien Blaine (France), Vittore Baroni (Italy),
Pascal Lenoir (France), Carla Bertola (Italy), Diane Bertrand (Canada). Jean-
Françoise Robic (France), Reid Wood (aka State of Being, USA), Emilio Morandi
(Italy), et al.

Interface. Advanced Computing Center for the Arts and Design,
Editors. Ohio State University, Columbus, Ohio. 1991.
Vol. 3, No. 2 (October 1991). Offset. 11"x8 1/2". 19 pages. "Some
Notes on The Reflux Project," by Wayne Draznin, discusses the project by Artur
Matuck, Carnegie Mellon University, which formed a component of the
"Decentralized World-Wide Networker Congress 1992." Computer art by Steve
Bradley, organizer of, "Post-Modem Facsimile," exhibition at the College of New
Rochelle, New York.
Vol. 5, No. 1 (September 1993). Offset. 11"x8 1/2". 19 pages.
"Gallery" section features Paul Rutkovsky (USA), editor of "Get, "Do Doo Daa
Florida," et al.
International Artists' Cooperation. Klaus Groh, Editor.
Edewecht-Fr'Fehn, Germany. 1977.
No. 25 (1977). Photocopy. 8 1/4"x5 3/4". 4 pages. One of the first Mail
Art info-zines listing exhibition and publication opportunities in the Eternal
network. Examples in this issue include "Seventh assembling," by Richard
Kostelanetz (USA), Mike Crane (USA) seeking contributions for a "Brief History
of Correspondance Art," preparation for a book on Visual Poetry by Bill Gaglione
(USA), Stempelplaats Gallery (Amsterdam, Holland), Mildura Arts Centre
(Australia), et al.
International Electrographic Magazine. Christian Rigal, Editor.
Paris, France. 1991.
Vol. 1, No. 1 (January 1, 1991). Photocopy. 11 3/4"x8 1/4". (12
pages). "A Publication: The International Electrographic Magazine," by the
editor. Works by Valentine Plisnier (France). International Museum of
Electrography (Spain).
International Poetry. Teresinka Pereira, Editor. University of
Colorado, Boulder, Colorado. 1982.
No. 36 ([1985]). Photocopy. 8 1/2"x5 1/2". 36 pages. Contributions by
Afzet (Holland), Christian Laporte (France), Daniel Passeado Branco Ribeiro
(Brazil), Guillermo Deisler (Bulgaria), Clemente Padin (Uruguay), Pascal Lenoir
(France), et al.
Interpretive Science. Julian Davis, Editor. BSBN Publishing,
Minneapolis, Minnesota. 1993.

No. 6 (1993). Photocopy. 11"x8 1/2". (35 pages). Contributions by Julee
Peeslee (USA), Guy Bleus (Belgium), M. B. Corbett (USA), FaGaGaGa (USA),
Obvious Front (USA), Jonathan Stangroom (USA), et al.
Invitation to Temple. José VdBroucke, Editor. Deerlijk. Belgium).
1990.
(October, 2, 1990). Photocopy. 8 1/4"x5 3/4". (75 pages).
Contributions to a project, requesting the contributors to add to imagery
distributed by the editor. Contributions by Jenny De Groot (Holland), Robin
Crozier (England), John Held, Jr. (USA), Ruggero Maggi (Italy), Pawel Petasz
(Poland), Michael Leigh (England), Emilio Morandi (Italy), Pascal Lenoir
(France), et al.
Irons Bulletin. Raphael Nadolny, Editor. Mosina, Poland. 1995.
No. 2 (November 1992). Photocopy. 8 1/4"x5 3/4" 4 pages. Special
issue with "Art-Zine Gallery." Introduction from the catalogue by N. Toxic
(Poland). "In the beginning this event was to be one evening-art-zines authors
meeting. But lots of answers and support of our idea made us extend this event
to three days...'Art-Zine-Gallery' is meeting only part of art-zine and mail-art
authors mostly from Poland. We hope that form and range will increased in the
future." The editor displayed a selection of Mail Art from his project, "In Memory
of Salvador Dali," at this event. Participant list. Mail Art exhibition, project and
publication opportunities.
No. 9 (February 1995). Photocopy. 8 1/4"x5 3/4". (12 pages). "In this
number of IRONs bulletin and some next I'd like to give more attention to art and
artists from countries, which are considered as periphery of the Europe,
somewhere on its borders. We don't have so much contacts with artists from
Romania, Bulgaria, Ukraine, Belarus and Baltic countries." Contributions by
Birger Jesch (Germany), Luc Fierens (Belgium), Ruud Janssen (Holland), Peter
and Angela Netmail (Germany), Ashley Parker Owens (USA), et al. Newspaper
reprint of Ray Johnson obituary.
Irregular Quarterly. Dion Wright, Editor. Laguna Beach,
California. 1987.
Vol. 3, No. 3 (1987). Photocopy. 8 1/2"x7". 148 pages. Includes,
"American Writer: A Jack Saunders Sampling."

IS. Vic d'Or, Editor. Toronto, Canada. 1975.
No. 17 (Fall 1975). Offset. 12 1/2"x8 1/2". (36 pages). Transcript of the
proceedings of the dinner celebrating "The Hollywood Deccadance, Art's
Birthday," at the Elk's Lodge, Los Angeles, California, February 2, 1974. This
was the first big gathering of Mail Artists, drawing participants from throughout
Canada (General Idea and Western Front) and the West Coast of the United
States. Those taking part included Marcel idea (Canada), A. A. Bronson
(Canada), Irene dogmatic (USA), Felix Partz (Canada), Lowell Darling (USA),
Willoughby Sharp (USA), Dr. Brute (Canada), Anna Banana (Canada), Futzie
Nutzle (USA), Vic d'Or (Canada), Chip Lord (USA), Bill Gaglione (USA), the
Oinga Boinga Band (England), et al. Awards given out in various categories,
including "The Spirit of Ray," award. An important document of the emerging
Eternal Network. Designed by A. A. Bronson (Canada).
ISCA Quarterly, The. Louise Neaderland, Editor. The
International Society of Copier Artists, Brooklyn, New York.
1986-1997.
Vol. 4, No. 4 (Summer 1986). Photocopy and Mixed Media. 11"x8
1/2". (Unpaged). Assembling magazine. "First Annual Bookworks Edition."
Sixteen-page catalog accompanies the work. Thirty-seven contributors including
Phyllis Cairns (USA), Freya Zabitsky (USA), David Jarvis (England), Claire
Moore (USA), Marilyn Rosenberg (USA), Carol Stetser (USA), Candy Jernigan
(USA), Dick Torchia (USA), Fruit Basket Upset (USA), Sarah Jackson (Canada),
et al.
Vol. 5, No. 1 (Fall 1986). Photocopy (Color & B&W) and Mixed
Media. 11"x8 1/2". (42 pages). Assembling magazine. Photocopy
contributions from 43 artists including Louise Neaderland (USA), Minoy (USA),
Homer Springer (USA), Carolyn Bery (USA), Phyllis Cairns (USA), Fruit Basket
Upset (USA), David Jarvis (England), et al. Edition 200.
Vol. 5, No. 2 (Winter 1986). Photocopy and Mixed Media. 11"x8
1/2". (50 pages). Assembling magazine. Photocopy Art. Fifty-one contributors
including Heino Partanen (Finland), David Jarvis (England), Phyllis Cairns (USA),
Museum für Fotokopie (Germany), Sarah Jackson (Canada), Minoy (USA),
Iberico (Spain), B. J Tisma (USA), et al. Edition 200.
Vol. 5, No. 3 (Spring 1987). Photocopy and Mixed Media. (57
pages). Assembling magazine. Sixty contributors including Sarah Jackson
(Canada), Carol Stetser (USA), Desmond McLean (USA), Marilyn Rosenberg

(USA), Minoy (USA), Tyler Hoare (USA), Fruit Basket Upset (USA), Iberico
(Spain).
Vol. 5, No. 4 (Summer 1987). Photocopy and Mixed Media. 8
1/2"x7". (Unpaged). Assembling magazine. "Second Annual Bookworks
Edition." Ten page catalog, including an untitled essay by William J. Dane,
Newark Public Library, accompany the work. Forty-six contributors including
Minoy (USA), Sarah Jackson (Canada), David Jarvis (England), Fruit Basket
Upset (USA), Carol Stetser (USA), et al.
Vol. 6, No. 1 (Fall 1987). Color and B&W Photocopy. 11"x8 1/2".
(Unpaged). Assembling magazine. "Poster Issue." Fifty-six contributors
including Heino Partanen (Finland), Euphemisms (USA), Fruit Basket Upset
(USA), Homer Springer (USA), Dick Torchia (USA), David Jarvis (England), Tyler
Hoare (USA), Klaus Urbons (Germany), et al.
Vol. 6, No. 2 (Winter 1987). 6 1/2"x4 1/2". (56 postcards). Assembling
magazine. "Second Annual Postcard Issue. Theme: Black and White."
Accompanied by a twenty-page "I.S.C.A. Yellow Pages," listing membership to
the Society. fifty-three contributors including Sarah Jackson (USA), Minoy (USA),
Carol Stetser (USA), David Jarvis (England), Ibirico (Spain), Gerard Barbot
(USA), Dick Torchia (USA), Galaxy Ver Batim (USA), Ruggero Maggi (Italy), et
al.
Vol. 6, No. 3. (Spring 1988). Photocopy and Mixed Media.
(Unpaged). Assembling magazine. Forty-five contributors including David
Jarvis (England), Homer Springer (USA), Carol Stetser (USA), Heino Partanen
(Finland), Fruit Basket Upset (USA), Phyllis Cairns (USA), Carolyn Berry (USA),
et al.
Vol. 6, No. 4 (Summer 1988). Photocopy and Mixed Media. 9"x7".
Unpaged. Assembling magazine. "Third Annual Bookworks Edition. Catalogue
accompanies individual bookworks. Includes the essay, "Library Books?," by
Beth Houghton, Librarian, Tate Gallery (London, England). Fifty-two contributors
including Sarah Jackson (Canada), Carol Stetser (USA), David Jarvis (England),
Galaxy Ver Batim (USA), Homer Springer (USA), Carolyn Berry (USA), Marcello
Diotallevi (Italy), Minoy (USA). Fruit Basket Upset (USA), Phyllis Cairns (USA), et
al.
Vol. 7, No. 1 (Fall 1988). Color and Black & White Photocopy and
Mixed Media. 14 1/2x8 1/2" (oversize). (47 pages). Assembling
magazine. "We now enter our seventh year as an organization devoted to the
promotion of the use of the copier as a creative tool. The 'I. S. C. A. Quarterly'
has earned an international reputation as the premier journal of xerography as a
print and bookworks medium and our traveling exhibition have appeared in

Europe, Canada and the United States..." Forty-five contributors including Phyllis
Cairns (USA), David Jarvis (England), Sarah Jackson (Canada), Homer Springer
(USA), Heino Partanen (Finland), Minoy (USA), Fruit Basket Upset (USA),
Marcello Diotallevi (Italy), et al.
Vol. 7, No. 2 (Winter 1988). Photocopy and Mixed Media. 8 1/2"x5
1/2". Unpaged. Assembling magazine. Photocopy Art. Thirty-five contributors
including Heino Partanen (Finland), Carolyn Berry (USA), Homer Springer
(USA), Marcello Diotallevi (Italy), et al.
Vol. 7, No. 3 (Spring 1989). Photocopy and Mixed Media. 11
1/2"x9". Unpaged. Assembling magazine. Photocopy Art in portfolio. forty
contributors including Carolyn Berry (USA), Homer Springer (USA), State of
Being (USA), Phyllis Cairns (USA), David Jarvis (England), Carol Stetser (USA),
Sarah Jackson (Canada), et al.
Vol. 7, No. 4 (Summer 1989). Photocopy and Mixed Media. 9"x7".
(Unpaged). Assembling magazine. "Fourth Annual Bookworks Issue." Twelvepage
catalogue accompanies the work. Includes the essay, "An ambiguity of
Function: Xerographic Artists Books," by Janice Woo, Brooklyn Museum. Fortyeight
contributors including Marcello Diotallevi (Italy), William Harroff (USA),
Sarah Jackson (Canada), David Jarvis (England), Heino Partanen (Finland),
Reid Wood (USA), et al.
Vol. 8, No. 1 (Fall 1989). Photocopy. 11"x8 1/2". (38 pages).
Assembling magazine. Photocopy Art. forty contributions including Carol Stetser
(USA), Reid Wood (aka State of Being) (USA), Sarah Jackson (Canada), Homer
Springer (USA), et al.
Vol. 8, No. 2 (Winter 1989). Photocopy and Mixed Media. 11"x8
1/2". (34 pages). Assembling magazine. Photocopy Art. Thirty-eight
contributors including Marcello Diotallevi (Italy), Carol Stetser (USA), Reid Wood
(USA), Steve Frenkel (USA), et al.
Vol. 8, No. 3 (Spring 1990). Photocopy and Mixed Media. 11"x8
1/2". (55 pages). Assembling magazine. Photocopy Art. Forty-seven
contributors including Carol Stetser (USA), Reid Wood (USA), Sarah Jackson
(USA), Heino Partanen (Finland), Naomi Ramieri-Hall (USA), William Harroff
(USA), et al. Edition 150.
Vol. 8, No. 4 (Summer 1990). Photocopy and Mixed Media. 9 3/4"x8
1/4". Unpaged. Assembling magazine. "Fifth Annual Bookworks Issue." thirtynine
contributors including Carolyn Berry (USA), Marcello Diotallevi (Italy), Heino
Partanen (Finland), Reid Wood (USA), et al.

Vol. 16, No. 2 (December 1997). Photocopy and Mixed Media. (58
pages). Assembling magazine. Photocopy Art. Fifty-one contributors include
Owen Smith (USA), Eiichi Matsuhashi (Japan), Dietmar Vollmer (Germany), et
al.
It Still Doesn't Matter. Al Ackerman, Editor. (San Antonio, Texas).
(1986).
No. 6&7 ([December 1986]). Photocopy. 11"x8 1/2". (2 pages). Litzine
featuring, "The Return of Ding-Dong Vice in America," by Dr. Al "Arboreal"
Ackerman.
It's the Andy Griffith Comic. John E. Mumbles, Editor. Wichita,
Kansas. 1989.
([1989]). Photocopy. 8 1/2"x5 1/2". (4 pages). Drawings and text by the
editor.
IUOMA Magazine. Ruud Janssen, Editor. The International Union
of Mail-Artists, Tilburg, Holland. 1991.
No. 1 (1991). Photocopy. 11 3/4"x8 1/4". 25 pages. "So one has joined
the network just by participating. For outsiders this isn't that easy to understand,
especially when they don't know what Mail-Art is all about. For these outsiders I
invented the I.U.O.M.A. as a kind of joke." Reactions to the project. Contributions
by Carlo Pittore (USA), Lon Spiegelman (USA), O. Jason (England), Arto Posto
(USA), et al. List of members of the I.U.O.M.A., with functions assigned by the
editor. Members and addresses of Mail Artists from 34 countries. Mail Art project
opportunities.
JB Arte Informativo. Jorge Barreto, Editor. Sao Paulo, Brazil.
(1996).
Vol. 2, No. 5 (January/February [1996]). Computer Print. 8 1/4"x4".
(6 pages). Mail Art project opportunities.
Jackpot Years. Mike Gunderloy, Editor. Pretzel Press,
Rensselaer, New York. (1992).

No. 1 ([January 1992]). Photocopy. 11"x8 1/2". 7 pages. "I think just
about everyone getting this will already have heard that after nine years I have
bailed out of publishing Factsheet Five. It was a tough decision to make,
preceded by two weeks of agonizing and followed by two weeks of grief, but it
was definitely the right decision to make." Journal from August through
December 1991. "So what's the story here? Well, I'm sending this out to two
groups of people (which do overlap, of course): Close Personal Friends and zine
editors...I intend to keep this zine small and personal. It will not be available by
subscription, nor will it be on the newsstand."
Joe's Art Corner Newsletter. Joe Decie, Editor. Nottingham,
England. 1999.
No. 2 (July 1999). Photocopy. 11 3/4"x8 1/4". (2 pages). Mail Art perzine.
Editor writes about his continuing Mail Art while pursuing his studies by
writing a dissertation on mail Art. Accompanied by the chart, "Networking: A Map
of a Network Project via Traditional Mail and Internet."
Juxbox Hq. Ulli Kattenstroth, Editor. Berlin, West Germany.
1984.
No. 1 (1984). Photocopy. 11 3/4"x8 1/4". (3 pages). Notice of the
editor's Mail Art exhibition, "Visionen Einer Imaginären Spartakiade am Nordpol."
No. 5 (1984). Photocopy. 11 3/4"x8 1/4". (one page). "Juxboxnetwork at
the moment are Ulli Kattenstroth, Berlin (D); Ruggero Maggi, Milano (I); Mark
Pawson, London (GB); Jürgen Olbrich, Kassel (D); Jörg Sonntag, Dresden
(DDR); and Angelo Vitale, Caserta (I). We've started in March '84 with sending to
each other 'art'-objects to be transmuted and overworked by every participant of
the network and for circulations to the next."
Juxta. Ken Harris and Jim Leftwich, Editors. Charlottesville,
Virginia. 1996.
No. 4 (1996). Photocopy. 11"x8 1/2". (128 pages). Forty-three
contributors including Jake Berry (USA), John M. Bennett (USA), Fernando
Aquiar (Portugal), Avelino de Araujo (Brazil), Clemente Padin (Uruguay),
Spencer Selby (USA), Pedro Juan Gutierrez (Cuba), Ficus Strangulensis (USA),
John Byrum (USA), Mike Basinski (USA), et al.
Kairan: Mail Art Forum. Gianni Simone, Editor. Johnnyboy
Production, Kanagawa-ken, Japan. 2000-2001.

No. 1 (May 2000). Photocopy and Mixed Media. 8 1/4"x5 3/4". 51
pages. Text driven periodical on the critical Mail Art issues of the day. Articles
by Henning Mittendorf (Germany), "The Artist at the Beginning of the new
Millennium (Part 1)"; Ruggero Maggi (Italy), "No Aesthetics But Ethics!"; César
Reglero (Spain), "For a Millennium of Life. No to Death Penalty"; Guido
Vermeulen (Belgium), "Mirror Medicine"; Theo Breuer (Germany), My-mail-Art-
ABC-News No. 5," and "Preface to YE No. 7 1999/2000." Special Feature; Mail
Artists vs. Professional Artists, featuring articles by Clemente Padin, "Debate on
Mail Art"; John Held, jr. (USA), "Point of View"; Charles Berg, "The Stamp Art
and Postal History of Michael Thompson and Michael Hernandez de Luna";
Michael Thompson, "Reply." Other articles include Vittore Baroni (Italy), "Mail Art
& Internet," Ruggero Maggi (Italy), "Mail Art & Technology." More. Graphics by
Michael Thompson (USA), Anna Banana Canada), Keiichi Nakamura (Japan), et
al. "this is copy #11 of Issue # 2.
No. 2 (November 2000). Photocopy and Mixed Media. 8 1/4"x5 3/4".
55 pages. Texts by the editor, "Mail Art and Money Do Mix (But We Can Limit
the Damage);" Hannamaija Teisko (Finland) and Luc Fierens (Belgium), "Letters
and comments to Issue #1;" Henning Mittendorf, "The Artist at the Beginning of
the New Millennium (Part 2);" John Held, Jr. (USA), "Mail Art ABC;" Geert De
Decker (Belgium), "Critical Notes About E-Mail Art;" Gianni Simone (Japan),
"The David Dellafiora Tape Interview;" Clemente Padin (Uruguay), "Trends in
Mail Art Mr. Jensen Wants;" K. Frank Jensen (Denmark), "Defining Mail Art;"
Stephen Perkins (USA), "SMILE Magazine: Collective Identities and the
Mechanics of Historicisation;" Michael Leigh (England), "Mail Art ABC;" et al.
Graphics by Keith Bates (England), John M. Bennett (USA), Emilio Morandi
(Italy), et al. "This is copy #20 of issue #2."
No. 3 (May 2001). Photocopy and Mixed Media. 8 1/4"x5 3/4". 52
pages. Special issue commemorating the 20th anniversary of TRAX project by
Vittore Baroni (Italy) and Piermario Ciani (Italy). Texts by Henning Mittendorf
(Germany), "Hommage a the TRAX Saga;" Wilfried Nold (Germany), "Mail Art
and the 'Cosmic Cross';" The Sticker Dude (USA), "A Question of Balance;"
Vittore Baroni (Italy), "TRAX-the 20th Anniversary Commemorative Rant;" Gianni
Simone (Japan), "Retracing the TRAX;" Sztuka Fabrika (Belgium), "Mail Art
ABC;" Dobrica Kamperelic (Yugoslavia), "The Shortway of the Mind/The
Diagonale of Presentiment;" Keith Bates (England), "A Draft Manifesto of
Abstract Realism; et al. Graphics by Bruno Capatti (Italy), David Dellafiora
(Australia), Emilio Morandi (Italy), Jürgen Olbrich (Germany), et al.
No. 4 (November 2001). Photocopy and Mixed Media. 8 1/4"x5 3/4".
51 pages. Articles by K. Frank Jensen (Denmark), "When is a Documentation a
Documentation?;" Guido Vermeulen (Belgium), "On Documentation;" Ruediger
Boettcher (Germany), "Accumulator of Networking Spirit (A Purifying Mail
Action);" David Baptiste Chirot (USA), "Mail Art: Refuse/Refuse;" Reed Altemus

(USA), "Copy-Art;" Jürgen Olbrich (Germany), "Touching the Material: Some
Thoughts About My Copy-Art;" Gianni Simone (Japan), "A Question of Style?"
Special section on "The Balkans," featuring works by Sasa Stojanovic
(Yugoslavia), Slavko Mali (Yugoslavia), Svjetland Mimica (Croatia), Dobrica
Kamperelic (Yugoslavia), Predrag Petrovic (Yugoslavia). Additional graphics by
Trajce Blazevski (Macedonia), Tatjana Cvejin (Yugoslavia), Slatko Krstevski
(Macedonia), Dusan Lesevic (Yugoslavia), Miroljub Todorovic (Yugoslavia), et al.
Kaldron: A Journal of Visual Poetry and Language. Karl
Kempton, Editor. Grover City, California, 1980-1982
No. 11 (Summer 1980). Newsprint. 17 1/2"x11". (20 pages).
Contributions by Scott Helmes (USA), Betty Danon (Italy), Bill Gaglione (USA),
Paul Zelevansky (USA), Vittore Baroni (Italy), K. S. Ernst (USA), R. Saunders
(USA), Miroljub Toderovic (Yugoslavia), A. de Araugo (Brazil), Bern Porter
(USA), et al. Publication reviews.
No. 12 (Winter Solstice 1980). Newsprint. 17 1/2"x11". (24 pages).
Russian Futurism visual poetry by Illya Zdanevich (1919), curated by Gerald
Janecek (USA).
No. 13 (1981). Newsprint. 17 1/2"x11". (20 pages). Typewriter poems by
the editor.
No. 14 (Spring Equinox 1981). Newsprint. 17 1/2"x11". (20 pages).
Contributions of visual poetry by Ruth Wolf-Rehfield (East Germany), Vittore
Baroni (Italy), Betty Danon (Italy), Guillermo Deisler (Bulgaria), Giovanni Fontana
(Italy), A. de Araujo (Brazil), Scott Helmes (USA), et al.
No. 15 (Fall Equinox 1982). Newsprint. 17 1/2"x11". (20 pages).
Contributions of visual poetry by Marilyn R. Rosenberg (USA), Miekal And
(USA), Vittore Baroni (Italy), Robert Rehfield (East Germany), Miroljub Todorovic
(Yugoslavia), A. de Araugo (Brazil). Paulo Bruscky (Brazil), Guillermo Deisler
(Bulgaria), Ruth Wolf-Rehfield (East Germany), David Cole (USA), et al.
Publication reviews and notices.
Karta Zine. Bartek Nowak, Editor. Myszkow, Poland. (1995).
No. 12 ([1995]). Assembling magazine. Contributions by A. De Araujo
(Brazil), Michael Lumb (England), Peter Netmail (Germany), Fa GaGaGa (USA),
Paulo Bruscky (Brazil), David Dellafiora (Australia), Stephen Perkins (USA),
Giovanni Strada (Italy), Michael Fox (Germany), Keiichi Namamura (Japan), et
al.

KFR-(Kentucky Fried Royalty) Indibase Newsflyer. Andreas
Heilwagen, Editor. Sinzig, West Germany. (1990).
([1990]). Computer print. 5"x4 1/4". (5 pages). "We are searching for
contacts, interested in Mail Art, especially Computer Mail Art."
Kettle of Fisk. Afungusboy, Editor. Brockport, New York; Laurel,
New Jersey; Philadelphia, Pennsylvania. (1991-1993).
Vol. 2, No. 1 ([1991]). Photocopy and Mixed Media. 7"x4 1/4". 16
pages. Graphics by the editor. (Published in Brockport, New York).
Vol. 2, No. 4 ([1992]). Photocopy and Rubber Stamp. 4 1/4"x3 1/2".
(36 pages). Contributions by Mike Diana (USA), buZ blurr (USA), fucci (USA),
Jake Berry (USA), Arturo Fallico (USA), Michel Pollard (People's Republic of
China), et al. (Published in Laurel, New Jersey).
Vol. 2, No. 5 ([March 1992]). Photocopy. 4"x3 1/2". 31 pages.
Contributions by Hoagart (USA), Arturo G. Fallico (USA), Larry Angelo (USA),
Citizen X. (Japan), Mike Diana (USA), et al.
Vol. 3, No. 1 ([1992]). Photocopy and Mixed Media. 5 1/2"x4 1/4". 29
pages. Interview with John M. Bennett (USA). "Memories and Archives," by
John Held, Jr. (USA). "My archives are the echo of my crying out to the network.
The archive becomes a result of my communication with others. All my
correspondence is used to elicit a response. My archives tell me how I'm doing.
They are the summation of my desires and obsessions." "Archive (ing): Notes
from the Network," with statements by Michel Pollard (China), J.K. Post (USA),,
Nicol Kostic (USA) and Larry Angelo (USA). "Nakedwomen: Mail Art Project
Documentation." Contributions by Geof Huth (USA), Arturo G. Fallico (USA),
Kingdom of Edelweiss (USA), Musicmaster (USA), Crackerjack Kid (USA), et al.
Publication notices. (Published in Philadelphia, Pennsylvania).
Vol. 3, No. 2 ([1993]). Photocopy. 5 1/2"x4 1/4". 31 pages. Editorial.
"Some Thoughts on: Xerox Art vs. hand made Art," with replies by M. B. Corbett
(USA), Rubber Grace (USA), et al. "(This is Not a Lecture: From a Letter to
afungusboy Dated August 21, 1991)," by John Held, Jr. (USA). " I'm not sure
how to react to your frustration about the lack of quality in the replies you get to
your work, or no reply at all. I answer everything and try to make as little
distinction as possible between quality/non-quality, age of correspondents,
longevity in the network, etc. People grow. Those who mail junk today might end

up as the masters of tomorrow. It's a question of patience. You need to cultivate
it if you want to hang around the network. Of course, equals tend to find each
other. It's a search and an adventure. I urge you to continue on the path in spite
of the obstacles. It's worth it." More documentation of the "Naked Women
Project." Motivations for networking by Peter Küstermann (Germany).
"Influences," by Arturo G. Fallico (USA). Publication reviews. Addition
contributions by Michel Pollard (USA), Julee Peezlee (USA), Michael Kaczynski
(Poland), Shigeru Tamaru (Japan), buZ blurr (USA). et al.
Vol. 3, No. 3 ([1993]). Photocopy. 5 1/2"x4 1/4". 32 pages. Editorial.
"Networking," by the editor. "(What is) International Networker Culture
(Anyway)?," by John Held, Jr. (USA). "Television Mailart Project Documentation."
Publication reviews. Additional contributions by Jean-Claude Gagnon (Canada),
Mike Diana (USA), Mike Dyar (USA), Nonlocal Variable (USA), Art Ala Carte
(USA), et al.
Kinokaze: Report from the Underground. Mischievous
Productions, Editor. London, England. 1993.
No. 2 (1993). Photocopy, 8 1/4"x5 3/4". 44 pages. Interview with David
Greenberger (USA), Editor of "Duplex Planet." "Neo vs. Neo," Paddy pain
interviews Stewart Home (England) and Monty Cantsin (AKA Istvan Kantor)
(Canada). "Like many avant-garde groups, the Neoists have been plagued by infighting
and splits. The most notorious was the 1985 split initiated by Stewart
Home, novelist, polemicist and provocateur. Home's version of Neoism was
published in 1991 by AK Press as "The Neoist Manifestoes."
kontexts. Michael Gibbs, Editor. Amsterdam, Holland. 1976/1977.
No. 9/10 (Winter 1976/1977). Newsprint and Mixed Media. 10 3/4"x8
1/4". (88 pages). Contributions by Dick Higgins (USA), Fred Truck (USA),
Scott Helmes (USA), Peter Meyer (Sweden), Ulises Carrión (Holland), Robin
Crozier (England), Endre Tot (Hungary), et al. News. Publication reviews.
Contributing Editor, Ulises Carrión.
Kreuz-Aktionen. Wilfred Nold, Editor. Frankfurt, Germany. 2001.
(2001). Offset. 8 1/4"x5 3/4". 48 pages. "I have provided a written
accompaniment to the 'Cosmic Cross' in the form of the 'Kreuz-Aktionen' series
of journals, with a total of five issues and two special issues. The project and the
publications are the result of a personal research programme which I initiated for
myself, for which I am solely responsible, and which I finance on a private basis.
The practical realization of this idealistic idea was only made sufficiently possible
through the medium of Mail Art..." "The Graffiti v Mail Art Project," by Joe Decie
(England).

Kryptogame. Hanna Bremer and Jack Marlow, Editor. Bremen,
Germany. 1980.
No. 2 (April 1980). Offset and Mixed Media. 11 1/2"x8 1/4". 93
pages. Contributions by Vittore Baroni (Italy), Michel Corfou (France), Opal
Louis Nations (USA), et al.
KS. K. S., Editor. Vancouver, Canada. 1982.
No. 47 (1982). Photocopy and Mixed Media. 6 1/2"x4 1/4". (28
pages). Contributions by Gerald Jupitter-Larsen (Canada), Piermario Ciani
(Italy), Birger Jesch (East Germany), Vittore Baroni (Italy), Lon Spiegelman
(USA), Alex Torrid Zone Igloo (USA), A. De Araugo (Brazil), Carlo Pittore (USA),
Ruggero Maggi (Italy), Ed Varney (Canada), Robert Swierkiewicz (Hungary), et
al.
La Langouste. Dominique Leblanc, Editor. Strasbourg, France.
1987-1989.
No. 4/5 (July/August). Photocopy. 11 3/4"x8 1/4". (4 pages).
Informational supplement to the magazine, "Model Peltex." Sections on
Graphics, Records, Music, and Fanzines.
No. 8 (November 5, 1987). Photocopy. 11 3/4"x8 1/4". (4 pages).
"Mail Art" section added. Project and publication opportunities.
No. 9 (December 8, 1987). Photocopy. 11 3/4"x8 1/4". (4 pages).
Pascal Lenoir (France) responsible for the Mail Art section of the info-zine.
No. 12 (March 7, 1988). Photocopy. 11 3/4"x8 1/4". (4 pages).
Expanded Mail Art section features publication, exhibition and project
opportunities.
No. 13 (April 7, 1988). Photocopy. 11 3/4"x8 1/4". (4 pages). Mail Art
publication, exhibition and project opportunities. "Art Postal: Comment ça
Marche!!!," by Pascal Lenoir (France). Graphics by Ryosuke Cohen (Japan), Luc
Fierens (Belgium), et al.
No. 20 (Spring 1989). Photocopy. 11 3/4"x8 1/4". (12 pages). Pascal
Lenoir (France) responsible for the mail Art section. Mail Art publication,
exhibition and project opportunities. Graphics by Mike Duquette (Canada),
Teruyuki Tsubouchi (Japan), et al.

la mamelle. C. E. Loeffler, Editor. San Francisco, California.
1975.
Vol. 1, No. 2 (Fall 1975). Offset. 11"x8 1/2". 48 pages. Anna Banana,
"Discovery of the Banana." Ken Friedman, "Perspective: Brief Notes on an
Exhibition." Tyler James Hoare, "Xerography-Process and History."
Vol. 1, No. 3 (Winter 1976). Newsprint. 18"x11 1/2" (oversize). 30
pages. Video Issue. "Still Another Interview Between Dudley Finds and
Lowell Darling-Hollywood, 1975," by Lowell Darling (USA). "Eleanor Antin: An
Interview with Mary Stofflet." "Literary Video," by Richard Kostelanetz (USA).
Vol. 1, No. 4 (Spring 1976). Newsprint. 22 3/4"x17 1/2" (oversize).
27 pages. Performance issue. Contributions by Daddaland (aka Bill Gaglione,
USA), Anna Banana (USA), Monte Cazazza (USA), et al.
Laugh Clown Laugh. "eddie & fifi", Editor. Wickatunk, New
Jersey. (1990-1995).
No. 1 ([1990]). Photocopy with Mixed Media. 11"x8 1/2". (22 pages).
Contributions by Gene Kuhn (USA), Malok (USA), et al.
No. 2 (1991). Photocopy and Mixed Media. 11"x8 1/2". (28 pages).
Contributions by Mike Diana (USA), Jeanie M. (USA), et al. "Mail Art
Conspiracy."
No. 3 ([1992]). Photocopy and Mixed Media. 11"x8 1/2". (20 pages).
Assembling magazine. Contributions by Jeanie M. (USA), Guy Hensel (USA),
Ficus Strangulenisis (USA), Mike Diana (USA), Dogfish (USA), Paul Weinman
(USA), et al.
No. 3 (([1992]). Photocopy and Mixed Media. 11"x8 1/2". (20 pages).
Assembling magazine. As above. Variant.
No. 6 ([1995]). Photocopy and Mixed Media. 11"x8 1/2". (20 pages).
Assembling magazine. Contributions by Mike Diana (USA), J. Vasseur (USA), et
al.
Laughing Postman. Dr. Al Ackerman, Editor. Portland, Oregon.
1981.

No. 3 (1981). Photocopy. 11"x8 1/2". (5 pages). Ackerman on "Duplex
Planet." Editor David B. Greenberger replies.
Le Timbre. Daniel Daligand, Editor. Levallois, France. 1983-1992
No. 2 (May 1983). Photocopy. 11 3/4"x8 1/4". (9 pages). Published in
English. "Is Mail-Art Art or Not?," by the editor. "Mail Art is also a kind of critic of
the reigning way of living. If mail-art cannot change the world, it can express the
universal wish to change it into a true human world. It's why mail-art is
important." "A Brief History of Mail Art in Europe," by the editor. "In the Mailbox,"
features correspondence from Mogens Otto Nielsen (Denmark), Plagiat
(Denmark), Mario Giavino (Italy), Ryosuke Cohen (Japan), Dobrica Kamperelic
(Yugoslavia). Contributions by Guillermo Deisler (Bulgaria), Klaus Groh
(Germany), et al. Published in an edition of 100 copies.
No. 3 (July 1983). Photocopy. 11 3/4"x8 1/4". (8 pages). Published in
Spanish. "Elogio del Arte Correo," by the editor. Text by Ruggero Maggi (Italy).
MailArt exhibition and publication opportunities. Contributions by Klaus Groh
(Germany). Guillermo Deisler (Bulgaria), Vittore Baroni (Italy), et al.
No. 4 (August/September 1983). Photocopy. 11 3/4"x8 1/4". (12
pages). Published in Italian. Contributions by Serse Luigetti (Italy), X.C.L.
Francke (Holland), Anna Banana (Canada), Arno Arts (Holland), Roberto Zito
(Italy), Guillermo Deisler (Bulgaria), et al. Mail Art exhibition opportunities. "Mail
Art/Debate-Inquest," by Ruggero Maggi (Italy). "Arte Postale,: by the editor.
No. 6 (January 1984). Photocopy. 11 3/4"x8 1/4". (10 pages). "This
issue is mainly on east European countries: Jugoslavia, German Democratic
Rep., Bulgaria,...unfortunately we did receive anything from Poland since some
months, and we never received anything from USSR." reprint of article by the
editor published in Yugoslavia. Contributions by Andrej Tisma (Yugoslavia),
Dobrica Kamperelic (Yugoslavia), Robert Rehfield (East Germany), Ruth Wolf-
Rehfield (East Germany), Guillermo Deisler (Bulgaria), Filimir (Yugoslavia), et al.
Edition 100.
No. 7 (February/March 84). Photocopy. 11 3/4"x8 1/4". (14 pages).
"L'Art Postal: Un Pretexte Pour L'Unite," by Clemente Padin (Uruguay). Text by
Eduardo Diaz Espinoza (Chile) on Padins' imprisonment by the government on
"suspicion of contravening public security of the state." Names and addresses of
Mail Artists listed in, "In the Mail Box." Mail Art exhibition, publication and project
opportunities. Contribution by Ben Vautier (France).
(No. 8) (1984). Photocopy. 11 3/4"x8 1/4". (12 pages). "Since our last
issue in February, we have received 2,5 kg of mail art..." "Il Contraiburo Della
Mail-Art All Nuove Esperienze Visive di Scrittura," by Bruno Chiarlone (Italy).

Open letter to D. Ronny Cohen (USA) written by crackerjack Kid (USA).
Contributions by David Cole (USA), Damasco Ogaz (Venezuela), Manfred Martin
(East Germany), et al. Mail Art project, exhibition and publication opportunities.
No. 9 (September 1984). Photocopy. 11 3/4"x8 1/4". (12 pages). "As
usual Le TImbre is issued at 100 copies it contents: -Mail Art in Mexico. -In the
mail box. -past and coming exhibitions. I apologize for the correspondance I
forgot to mention. no computer has been used in its fabrication." Contributions by
Andrej Tisma (Yugoslavia), Ryosuke Cohen (Japan), Guy Bleus (Belgium),
Ruggero Maggi (Italy), Crackerjack Kid (USA), Robert Swierkiewicz (Hungary),
Carlo Pittore (USA), Damasco Ogaz (Venezuela), Clemente Padin (Uruguay), et
al.
Nouvelle Série, No. 1 (August 1986). Photocopy. 11 3/4"x8 1/4".
(18 pages). Special issue on Brazil. "Arte Correio: Hoje a Arte é Este
Comunicado," by Paulo Bruscky. "1st Congresso Frances-Brasileiro de Arte
Correio," with Daniel Daligand (France), and Brazilians Paulo Bruscky, Daniel
Santiago, Iota Medeiros, L. F. Duch, Silvio Hansen, Artur Matuck, Alexandre
Nobrega, Eurince Duarte, Unhandeijara Lisboa, Roberto da Silva, and Mauricio
Silva. Photos of the Congress. Edition 55/100.
Nouvelle Série, No. 2 (October 1986). Photocopy. 11 3/4"x8 1/4". (6
pages). "Mail Art Congress in Paris," with Jacques Massa (France), Daniel
Daligand (France), Charles François (Belgium), Andrezej Dudek-Dürer (Poland),
Elie-Gérard Maman (France). "Resolution" (1). Mail art is communication. (2).
Every man is an artist but he is not conscious of being an artists. To become
artist he must act with the consciousness of being an artist when he is making
bread, pizza, shoes, and so on. (3). mail art has no limitation, no convention, no
jury... (4). mail art is not for sale." Edition 58/100.
Nouvelle Série, No. 3 (November 1986). Photocopy and Rubber
Stamp. 11 3/4"x8 1/4". (8 pages). "Venice" issue. "Mail Art Congress in
Venice, November 13, 1986," with participants Lancillotto Bellini (Italy), Daniel
Daligand (France), Christiane Daligand (France), Giovanni Bragantini (Italy).
Edition 83/100.
Nouvelle Série, No. 4 (January 1987). Photocopy. 11 3/4"x8 1/4". (8
pages). "Shozo Shimamoto á Paris." Performance at Diagonale with Ben
Vautier (France) writing on the shaven head of Shimamoto (Japan). Visits with
Joki Mail Art (Germany) and Jacques Massa (France). Edition 93/100.
Nouvelle Série, No. 5 (October 1987). Photocopy. 11 3/4"x8 1/4".
(10 pages). "Paris 6th September 1987: Fernand & Claudine Barbot were in
France." News and coming events. "Mail At Ten Years After: a common project
by Leonhard Frank Duch (Brazil) and Daniel Daligand (France)."

Nouvelle Série, No. 6 (April 1988). Photocopy. 11 3/4"x8 1/4". (912
pages). "Special Exhibitions." Reproduction of various Mail Art exhibition
invitations, including Jenny de Groot (Holland), Jean-Noël Laszlo (France), AU
(Japan), Pawel Petasz (Poland), et al.
Nouvelle Série, (August 1988). Photocopy and Photograph. 11
3/4"x8 1/4". (10 pages). "Special Japon." Documentation of "World Peace for
Hiroshima," events (Hiroshima, Nishinomiya, Osaka, Ryujin, Kyoto, Sennan,
Nagano, Tokyo) with the editor, John Held, Jr., (USA), Gerard Barbot (USA),
Ruggero Maggi (Italy), Shozo Shimamoto (Japan), Ryosuke Cohen (Japan),
Mayumi Handa (Japan), Shigero Tamatsu (Japan), et al.
Nouvelle Série, No. 9 (February 1990). Photocopy and Rubber
Stamp. 11 3/4"x8 1/4". (16 pages). "What is Mail Art?" Statements by Paul
Hartel (Canada), Michael Leigh (England), John Held, Jr. (USA), Guido Bondioli
(Guatemala), Lancillotto Bellini (Italy), FaGaGaGa (USA), Peter Küstermann
(Germany), Ruud Janssen (Holland), Andrej Tisma (Yugoslavia), Ruggero Maggi
(Italy), et al. List of 61 mail Artists responding to the question. Edition 88/100.
Nouvelle Série, No. 10 (September 1990). Photocopy and Rubber
Stamps. 11 3/4"x8 1/4". (12 pages). Photo documentation of meetings in
Paris by Mail Artists Fernand Barbot (USA), Françoise Duvivier (France), Shozo
Shimamoto (Japan), and Mayumi Handa (Japan). The editor visits Dallas, Texas,
to meet John Held, Jr. (USA). Exhibition opportunities.
Nouvelle Série (1992). Photocopy. 11 3/4"x8 1/4". (16 pages).
"Special Congress 1992." Peter Küstermann in Paris, January 1992.
"Decentralized Worldwide Networker Congress 1992: Compiegne, France,
February 28, 1992." Participants included Daniel Daligand (France), Gilberto
Prado (Brazil), Charles François (Belgium), Jean-Noël Laszlo (France), Pascal
Lenoir (France), et al.
Nouvelle Série (1992). Photocopy. 11 3/4"x8 1/4". (10 pages).
"Decentralized World Wide Networker Congress: 1992 Liege/Maastricht." August
7-9, 1992. Documentation of the Congress with participants Daniel Daligand
(France), Gilberto Prado (Brazil), Charles François (Belgium), Metallic Avau
(Belgium), Volker Hamann (Belgium), Guy Stuckens (Belgium), Luc Fierens
(Belgium), Rod Summers (Holland), H. R. Fricker (Switzerland), et al.
Left-Handed. Ric Soloway (AKA Tip Top), Editor. Tucson,
Arizona. (1974).

([1974]). Quickprint. 5 1/2"x4 1/4". (16 pages). Early "Bay Area Dada"
publication, circa 1974. Contributors include Linda Vista (USA), Futzie Nutzle
(USA), TipTop (USA), Roger Yogis (USA), Aldous Tubb (USA).
Leisure. Matthew Fuller, Editor. Cardiff, Wales. (1991).
([1991]). Newsprint. 16 1/2"x11 3/4". (8 pages). "The Anticopyright
network distributes just about anything that an be squeezed through a
photocopier. It spreads the widest and wildest collection of agitational and
generally scurrilous art / flyposters available worldwide." "Listings" include
mentions of Mark Pawson (England), "ND" and "Retrofuturism" magazines.
([1991]). Offset. 11 3/4"x8 1/4". (24 pages). Publication by the author of
"Flyposter Frenzy" (Working Press, 1992). "Network: Beyond the Cathode
Homelands," by the editor. "Who Were the Situationists?" "Contacts" section lists
"Censoria From Censorium," "Arte Postale!," magazine edited by Vittore Baroni
(Italy), Stewart Home (England), Mark Pawson (England), FaGaGaGa (USA),
"The Decentralized Worldwide Networker Congress 1992." Back cover by O.
Jason (AKA Institute of Fatuous Research) (England).
LET's ALL ENJOY The CHAOs of Life: A newsletter from the
dispatcher of Signs & Stones. Guido Vermeulen, Editor.
Brussels, Belgium. 2001.
(June 2001). Photocopy. 11 3/4"x8 1/4". (6 pages). Mail Art publication,
exhibition and project opportunities. Stampsheet by A.1. Waste Paper Co. Ltd.
Listing of French Mail Artists.
Lettre Documentaire. Philippe Billé. Editor. Bordeaux, France.
1989-1990.
No. 1 (October 1998). Photocopy. 8 1/4"x5 3/4". (4 pages). "A Propos
de l'Internationale Situationniste et de son Historicisation: Conversation avec
Ralph Rumney, par Stewart Home," translated from English to French by the
editor. Past publishing history and letter to "Factsheet Five" by the editor.
No. 2 (November 1989). Photocopy. 8 1/4"x5 3/4". (4 pages). Tracing
the publishing history of Lloyd Dunn (USA), editor of "PhotoStatic" and
"Retrofuturism" magazines. Notice of a project by Jean-Françoise Robic
(France). Graphic from NYCS, Nyack Campus (USA).

No. 3 (December 1989). Photocopy. 8 1/4"x5 3/4". (4 pages). Graphic
by John Rininger (USA). "Le marriage du chateau Fort," by Michel Ohl (France).
Poem by John M. Bennett (USA), translated into French by the editor.
No. 4 (January 1990). Photocopy. 8 1/4"x5 3/4". (6 pages). On "Art
Strike, 1990-1993." Includes a bibliography of publications in regard to the "Art
Strike." Inserted text in English by the editor, reading in part, "Nevertheless, there
is without doubt much to deplore, and so to criticize, in the present state of arts,
culture & civilization: at least enough, I think, to make it possible to consider this
unrealist idea of the Art Strike (1990-1993) as opportune, even if only as a curse,
or an invitation to reflection."
No. 5 (February 1990). Photocopy. 8 1/4"x5 3/4". (4 pages).
No. 6 (Mid-February 1990). Photocopy. 8 1/4"x5 3/4". (4 pages).
Reflections on "Art Strike, 1990-1993," by Jacques Abeille (France), Jacques
Massa (France), Jean-François Robic (France), et al.
No. 7 (March 1990). Photocopy. 8 1/4"x5 3/4". (4 pages). Interview
with the art group, Presence Panchounette (France).
LEVEL. Brian Callahan, Editor. Indianapolis, Indiana. 1982-1988.
No. 1 (June 1982). Photocopy and Mixed Media. 11"x8 1/2'.
Unpaged. Assembling magazine. "LEVEL is a non-linear newsletter based on
the promulgation of Art and information; designed to release the reader from the
thraldom of three dimensions and open up the ability to experience and operate
on all levels./LEVEL is an opportunity for all readers to become part of the
creative process. The newsletter is compiled from the contributions of readers
whose creations find no compatible pigeon-hole in linear, restrictive, predictable
magazines. We will publish almost anything in LEVEL, provided it is not illegal or
too long./copyrights for all items appearing in LEVEL remain in the hands of the
contributor. We are merely a distribution network, a spaceship to carry the
visions of Post-P3 Mutants to others of their kind. It is a toy." Contributions by
Victor Vanix (USA), Dennis Baldwin (USA), the editor, et al.
No. 2 (September 1982). Photocopy and Mixed Media. (Unpaged).
Assembling magazine. Sixteen contributors. "LEVEL MAGAZINE cannot exist
without your contributions of artworks, writings, toys etc...If you would like to see
more of this thing then help us to offer a wider variety of materials by sending
your contributions to us. We will see that they are distributed to others like
yourself who are motivated enough to react to our simple request. We do not
solicit any profit from this venture...only the nominal costs incurred through
packaging and mailing the contributions of our subscribers./Our mailing list at

this time numbers 100./You are but one of a hundred others who have been
chosen to receive our send issue and in return all that we are asking is a
response... that is all...a postcard telling us how you liked or disliked the
contents, an idea or two on how we might upgrade the effort, a printing press if
you happen to have an extra one gathering dust in your kitchen...that is
all./There ain't no editor at LEVEL MAGAZINE headquarters in Indianapolis. Just
some-intellectual' artist types stuffing manila envelopes full of your stuff and
lickin' the stamps that get LEVEL into your mailbox. This is the whole idea
behind LEVEL MAGAZINE. We don't edit any fucking thing except explosives or
threats to public figures."
No. 3 (January 1983). Photocopy and Mixed Media. 11"x8 1/2"
(oversize). Unpaged. Assembling magazine. Contributions by the staff of
LEVEL including Victor Vanix (USA), Brian Callahan (USA), Kathryn Hawley
(USA), et al. "Letters to LEVEL." "Contributing to LEVEL 4."
(No. 4) (n.d.). Photocopy and Mixed Media. 14"x10" (oversize).
Unpaged. No issue number specified. Poster issue. Contributions by C(arol)
Schneck (USA), Musicmaster (USA), Richard Kostelanetz (USA), Annie (aka
Annie Wittels, USA), State of Being (aka Reid Wood, USA), Laura Poll (USA),
Geoff Huth (USA), et al.
No. 5 (December 1983). Photocopy and Mixed Media. 12"x9 1/2"
(oversize). Unpaged. Assembling magazine. Contributions by Joe Schwind
(USA), Mark Bloch (USA), et al. Also contains "Mail Art Page" and
"Publication/Music Listing."
No. 6 (June 1984). Mixed Media. 11 3/4"x9 1/4". Unpaged. "Do you
like to receive mail? Do you like to receive strange things in the mail? Would you
like to receive strange things from strangers in the mail????? Finally, civilization
has advanced to the point where this is possible, and LEVEL is the result!/Here
is how LEVEL works: People from all around the planet each send 105 mailable
objects to LEVEL. an edition of 105 issues of LEVEL is made, with one mailable
object from each contributor in each copy. so, the end result is a box full of
stories, cartoons, drawings, toys, whatever. Each issue is unique and different
from the others." Forty contributors by Minóy (USA), Xerox Sutra Editions (aka
Liz Was and Miekal And, USA), Vittore Baroni (Italy), Luke McGuff (USA), Steve
Willis (USA), Mr. Bop (USA), et al. Extensive listing of Mail Art publications.
No. 7 ([1985]). Mixed media. 11 3/4"x9 1/2". Unpaged. Assembling
magazine. Approximately 40 contributors including Vittore Baroni (Italy), Minoy
(USA), Fruit Basket Upset (USA), Ruggero Maggi (Italy), Ryosuke Cohen
(Japan), Mike Mather (USA), et al. Includes an information sheet with sections
on "Mail Art," "Resources," and "Publications." In a portfolio with a cover by
Victor Vanix (USA).

No. 7 ([1985]). Mixed media. 11 3/4"x9 1/2". Unpaged. Variant copy.
No 1-7 (July 1985). Mixed Media. 12 1/2"x9 3/4". Unpaged.
Assembling magazine. "Here are items from old LEVELS #1-7.
No. 8 (July 1985). Mixed Media. 12"x9". Unpaged. Assembling
magazine. Approximately 50 contributors including Vittore Baroni (Italy), Ryosuke
Cohen (Japan), Ruggero Maggi (Italy), Keith Bates (England), Achim Schnyder
(Germany), Carlo Pittore (USA), John M. Bennett (USA), Teresinka Pereira
(USA), Mick Mather (USA), Jürgen Olbrich (Germany), Minoy (USA), Luc Fierens
(Belgium), Wolfgang Hainke (Germany), Miekal And and Liz Was (USA), et al.
Includes a list of Mail Art contacts. Address list of contributors. Sheet for
contributors to "Level" includes instructions to, "Send us 105 copies of your
submission. We will put one of your items in each package. You will receive one
copy of LEVEL for each submission, maximum two copies...Send us a copy of
your submission and 10 cents per page (20 cents for both sides of a page); we
will copy it for you with the best quality and material that we can get for the
money. You will receive one copy of LEVEL...Send us your Magazine, Art,
Catalog, Publication, Promo for inclusion in our Listings. Every issue we list
publications, art and music outlets." Sheet listing "Publications" and "Resources."
Packaged in a silk-screened cloth bag.
No. 8 (July 1985). Mixed Media. 12"x9" (oversize). Unpaged. Variant
copy.
No. 9 (April 1986). Mixed Media. 9 1/2"x6 1/2". Unpaged. Assembling
magazine. 51 contributors including Keith Bates (England), John M. Bennett
(USA), Epistolary Stud Farm (USA), Pat Fish (USA), Wolfgang Hainke (West
Germany), Ruggero Maggi (Italy), Teresinka Pereira (USA), Carol Stetser (USA),
Jürgen Olbrich (West Germany), Vittore Baroni (Italy), Luc Fierens (Belgium),
Carlo Pittore (USA), Achim Schnyder (West Germany), Lon Spiegelman (USA),
Malok (USA), Joe Schwind (USA), John Held, Jr. (USA), Bern Porter (USA),
Craig Hill (USA), et al. Eight-page insert lists "Mail Art," "Resources," and
"Publication," sections.
No. 10 (January 1987). Mixed Media. 11 1/2"x9". Unpaged.
Assembling magazine. Approximately 50 contributors including Ryosuke Cohen
(Japan), Mark Pawson (England), Serse Luigetti (Italy), Ruggero Maggi (Italy),
Steve Perkins (USA), Minoy (USA). John Held, Jr. (USA), Achim Schnyder (West
Germany), Pat Fish (USA), Lon Spiegelman (USA), Carol Stetser (USA), et al.
No. 10 (January 1987). Mixed Media. 11 1/2"x9" (oversize).
Unpaged. Variant copy.

No. 11 (July 1987). Mixed Media. 9"x7". Unpaged. Assembling
magazine. Issue Theme: "Dead Things." contributors include Vittore Baroni
(Italy), Park Pawson (England), Minoy (USA), Pat Fish (USA), John M. Bennett
(USA), The Mumbles (USA), Luc Fierens (Belgium), Malok (USA), et al.
No. 12 ([1988]). Mixed Media. 9 1/2"x6 1/4". Unpaged. Assembling
magazine. "Liberty Mail Art Show." Contributors include Steve Perkins (USA),
Fruit Basket Upset (USA), Vittore Baroni (Italy), Jürgen Olbrich (West Germany),
Chuck Stake (Canada), Lon Spiegelman (USA), Ruggero Maggi (Italy), Mark
Pawson (England), Serse Luigetti (Italy), John Held, Jr. (USA), Carlo Pittore
(USA), Carol Stetser (USA), Carol Schneck (USA), Pat Fish (USA), Tentatively A
Convenience (USA), et al.
Libellus: A Monthly Mail-Art Publication. Guy Schraenen, Editor.
International Cultureel Centrum, Antwerp, Belgium. 1981.
No. 5 (February 1981). Newsprint with Rubber Stamps. 11 3/4"x8
1/4". (8 pages). "Mail Art News," includes information of exhibition and
publication opportunities. Contributions (in the manner of "Brain Cell," with
snippets of images culled from the editor's correspondence) by 39 artists,
including J. H. Kocman (Czechoslovakia), Robert Filliou (France), Richard C.
(USA), Cavellini (Italy), Guillermo Deisler (Bulgaria), Ruth Wolf-Rehfield (East
Germany), Horace Zabala (Argentina), Robert Rehfield (East Germany), Richard
Kostelanetz (USA), Ben Vautier (France), Metallic Avau (Belgium), Hervé
Fischer (France), A. De Araujo (Brazil), et al. List of Mail Art received daily from
January 2-31, 1981. "Libellus is published monthly until October 1981, date of
the Antwerp International Mail-Art Festival. This festival will include several
projects such as postage stamps, audio-cassettes, postcards, yellow-pages,
video, mail-art history, etc. All your mail will also be displayed monthly in our
show-window."
No. 7 (April 1981). Newsprint with Rubber Stamps. 11 3/4"x8 1/4". (8
pages). "Mail Art News," includes information on exhibition and publication
opportunities. List of Mail Art received by the editor from March 2-31, 1981.
Contributions by approx. 60 artists, including Henryk Bzdok (Poland), E. F.
Higgins III (USA), Ko de Jonge (Holland), Miroljub Todorovic (Yugoslavia),
George Brett (USA), Carlo Pittore (USA), Tane (New Zealand), Paulo Bruscky
(Brazil), Bill Gaglione (USA), Robert Rehfield (East Germany), Crackerjack Kid
(USA), György Galantai (Hungary), G. A. Cavellini (Italy), Damasco Ogaz
(Venezuela), Pawel Petasz (Poland), et al.
No. 8 (May 1981). Newsprint with Rubber Stamps. 11 3/4"x8 1/4". (4
pages). "Mail Art News," lists exhibition and publication opportunities. Journal of
Mail Art received by the editor from April 1-April 30, 1981. Contributions by

György Galantai (Hungary), David Jarvis (England), E. F. Higgins III (USA),
George Brett (USA), Johan Van Geluwe (Belgium), et al.
No. 9 (June 1981). Newsprint with Rubber Stamps. 11 3/4"x8 1/4". (8
pages). "Mail Art News," lists exhibition and publication opportunities. Journal of
Mail Art received by the editor from May 2-30, 1981. "Mail Art Shows Manifesto"
distributed by Lon Spiegelman (USA). "Mail-Art Dada Skank," song lyrics by Rod
Summers (Holland). Contributions by Arno Arts (Holland), Vigo-Marx (Argentina),
Vittore Baroni (Italy), Damasco Ogaz (Venezuela), Crackerjack Kid (USA), et al.
(August 1981). Newsprint with Rubber Stamps. 11 3/4"x8 1/4". (8
pages). "Mail Art News," lists exhibition and publication opportunities. Journal of
Mail Art received by the editor from July 1-August 31, 1981). Contributions by Bill
Gaglione (USA), Johan Van Geluwe (Belgium), Ulises Carrion (Holland), Rolf
Staeck (West Germany), Gábor Tóth (Hungary), Leonhard F. Duch (Brazil), J. H.
Kocman (Czechoslovakia), Mohammed Centro di Comunicazione Ristretta
(Italy), et al.
Light of the He-Art. Svjetlana Mimica, Editor. Split, Croatia. 1992-
1996.
No. 7 (June 1992). Typewriter Carbon Paper. 11 3/4"x8 1/4". (2
pages). Poem by Kimmo Framelius (Finland). "News" includes mentions of
José VD Broucke, Antonio Cherchi (Italy), Ruggero Maggi (Italy), et al. "Special
thanks to Croatian good friend John Held Jr." "People on the Street are Talking
About...Mail Art." One response from "Maja (23, unemployed artist). It's loosing
of time if it's not a payable job. Network? What will I do about it?"
No. 8 (July 1992). Typewriter Carbon Paper. 11 3/4"x8 1/4". (2
pages). "How I've Gotta be Objective-I Feel Like a Movie," by Malok (USA).
"Mail Art News" includes mentions of Barry Edgar and Eve Pilcher (England),
Eliot Cantsin (USA), Mike Dyar (USA), FaGaGaGa (USA). Poem by Kimmo
Framelius (Finland).
No. 19 (June 1993). Photocopy, 8 1/4"x5 3/4". (2 pages). "Magazine
for ordinary people-contents news from 25/4 '93 til 16/5 '93." Mail Art news about
the activities of Ashley Parker Owens (USA), Peter Küstermann (Germany), Joss
(Belgium), Toast Posts (USA). "People on the Street are Talking About-Ordinary
People," contains responses to the editor's question asked to friends and
strangers on the street.

No. 23 (October 1993). Photocopy. 11 3/4"x8 1/4". (2 pages). "This
issue contents news from 30/8 - 10/10 '93, Written and designed by Mimic-
Croatian Mail-Artist." News section mentions Raphael Nadolny (Poland), Sergio
Spadoni (Italy), Ruud Janssen (Holland), Bill Gaglione (USA), John Held, Jr.
(USA), Joki Mail Art (Germany), et al.. "People on the Streets are Talking
About...Global Mail Art." "During last month we put some articles and adds (sic)
in a local papers and mail-boxes in Split, waiting for answers...but, nobody
answered!"
No. 23 (1993). Photocopy. 8 1/4"x5 3/4". (2 pages). "News from 16/5
'93-18/6 '93. Mentions Kimmo Framelius (Finland), Birger Jesch (Germany),
John Held, Jr. (USA), Obvious Fish (USA), Ruud Janssen (Holland), et al.
"People on the Streets are Talking About..."
No. 21 (1993). Photocopy. 11 3/4"x8 1/4". (2 pages). "Mail Art News,"
mentions Ashley Parker Owens (USA), Giovanni Strada (Italy), Shozo
Shimamoto (Japan), Jose VD Broucke (Belgium), Greg Byrd (USA), Shigeru
Tamaru (Japan), Ruud Janssen (Holland), Ruben Contreras (Panama), et al.
"People on the Streets...How could you use your life the best? Are you happy
man/woman?"
No. 22 (1993). Photocopy. 11 3/4"x8 1/4". (2 pages). "Contents are
from 20/7-30/8 '93." "Mail Art News" mentions Malok (USA), M. B. Corbett (USA),
Vincze Laszlo (Romania). Societe Anonyme (Belgium), FaGaGaGa (USA),
Ashley Parker Owens (USA), et al. "People of the Streets are Talking
About...How Your cultural life looks like in a war?" A typical response by Mirjana
(30, lawyer) reads, "People, especially refugees, come to the library every daythey
read a lot, there's no other fun for them (it's cheap) and there's no
electricity. I'm not so interested in reading or something else-I read only
(journals) for women."
No. 25 (December 1993). Photocopy. 11 3/4"x8 1/4". (2 pages). "Mail
Art News" includes mention of Melissa Clark (Canada), Ruud Janssen (Holland),
John Held, Jr. (USA), Kracker Jack Kid (sic) (USA), et al. "Invitation! Important!
What can you do fro a war hospital in Nova Billa, Bosnia? You can save 60,000
lives. How? You artists of the world, can show sympathy for the children born in
cellars who can't go to school, who are killed by snipers and granates (sic)...The
most important is that we, mail artists all over the world, as a common people,
wouldn't stop the believe (sic) that we can do nothing. We can, we wish and we
have to open the white ways for the people and children which are eaten by a
black death of silence and resignation." "The last bridge on Neretva river in
Mostar, more 400 years old, is destroyed by Serbian bombs. We asked people
on the streets...do you still believe in a bridges between people?"
No. 32 (July 1994). Photocopy with Rubber Stamp. 11 3/4"x8 1/4". (2
pages). "This issue contents news from 25/5 94-26/6 94." Mail Arts mentioned

in news section include Pips (Germany), Phillipe Billé (France), Ruud Janssen
(Holland), Melissa Clark (Canada), Sdenek Sima (Czech Republic), et al.
"People on the Streets are Talking About...Summer Vacations."
No. 44/45/46 (October/November/December 1995). Photocopy. 11
3/4"x8 1/4". (2 pages). "Mail Art News" mentions Clemente Padin (Uruguay),
Guido Bondioli (Guatemala), Bruno Pollacci (Italy), et al. "People in the Street
are Talking About...What will you do in peace?" One response by "Ljerka
(pensioned editor, 82) When I've first time traveled by train from Zagreb to Split, I
had seen so terrible views-corpses on the streets, burned hauses (sic), mad
cows and dogs, destroyed churches and cemeteries...I wept all the time. I'll live
as before. I can nothing to hope for." Poetry by Elliot Cantsin (USA).
No. 50/51/52 (April/May/June 1996). Photocopy. 11 3/4"x8 1/4". (2
pages). "Mail Art News" mentions Keiichi Nakamura (Japan), K. Frank Jensen
(Denmark), et al. poetry by Alberto Rizzi (Italy). "People on the Street are Talking
About...Do you want to Include Yourself in Mail Art? (Second Part)." One
response by Marcelo (model maker-he makes models of ships)-I'm pensioned.
Do you know what does it mean? It means that I haven't money even to survive.
I haven't intention to give my ships so far away fro home for the exhibition. And
who will pay expenses for mail? Me? Are you crazy?"
Lightworks. Deborah Schwartz; Charlton Burch, Editor. Ann
Arbor, Michigan; Brookline, Massachusetts; Birmingham,
Michigan. 1976- 2000.
Vol. 1, No. 2 (February 1976). Newsprint. 15 1/2"x111/2" (oversize).
(12 pages). "With no apologies or reservations here is the first in a long line of
Lightworks. Back-breaking and mind boggling as it was, we are overjoyed to
bring this to you...the important thing is that our readers find a little bit of joy and
information in these pages. And if you do send along your comments. feedback
is the best quality control. Submissions are also welcome. One of your crazy
ideas could make you famous." "Correspondence" features mail from Third Story
(aka Charlton Burch, USA), future editor of the magazine. Deborah Schwartz
(USA), editor. Published in Ann Arbor, Michigan.
Vol. 1, No. 3 (March 1976). Newsprint. 15"x11 1/2" (oversize). (16
pages). "Art Flash Cards," by Third Story (aka Charlton Burch, USA). Deborah
Schwartz (USA), editor. Published in Ann Arbor, Michigan.
Vol. 1, No. 4 (April 1976). Newsprint. 15"x11 1/2" (oversize). (20
pages). "Correspondence." "Mail Art: Communications Media," by Third story
(aka Charlton Burch, USA). "Our images are transmissions of our spirit. The
synthesis yields place and rotation via positive media where content and control

lie solely with the artists. Here comes the return to one-to-one...The premise is
and has been that we are all the artists of our own making. focusing and
Centering...The Eternal network a notion developed by FILE (Manhattan-based
presently) and the image Bank of Vancouver are two Canadian enclaves visibly
demonstrating that you too can be a worldwide famous artist via
correspondence. Contributions by Ray Johnson (USA), Robert Rehfield (East
Germany), Rain-Rein Nevermind (USA), et al. Eric Keller (USA), Publisher. Co-
Edited by Deborah Schwartz (USA) and Charlton Burch. Published in Ann Arbor,
Michigan.
Vol. 1, No. 5 (June 1976). Newsprint. 15"x11 1/2" (oversize). 27
pages. "A Journal of Images, Ideas & Information." "Correspondence." "Nam
June Paik," by Mariane Doezema (USA) focuses on the artist's video
contributions. Contributions by Third Story (aka Charlton Burch, USA) and Jim
Shaw (USA). Published by Eric Keller (USA). Co-Edited by Charlton Burch and
Eric Keller. Published in Ann Arbor, Michigan.
No. 6 (December-January, 1977). Newsprint. 15"x11 1/4" (oversize).
38 pages. "Mail," has contributions from John M. Bennett (USA), Rolf Staeck
(West Germany), Mike Kelly (USA), Harley (aka Harley Lond, Intermedia, USA),
et al. "Xerography," by Charlton Burch (USA). "Out of the technological hovel of
the sixties springs Xerography as a potent and viable source for truly
democratized communication and media art forms. Xerograpy, or electrostatic
photo-mechanical reproduction or xerox, its non-generic, patented tradename,
stands as a virtually instantaneous information image recorder. Every library,
office and public gathering point has adapted the tool as an accessible quick and
high-quality system of reproduction. The consequence of a highly-efficient word
processor is enormous for the businessworld. As well the social and artistic
possibilities also abound." "Xerox Art," by Jim Shaw (USA). Published by Eric
Keller. Co-Edited by Charlton Burch and Eric Keller. Published in Ann Arbor,
Michigan.
No. 7 (Summer 1977). Offset and Mixed Media. 11"x8 1/2".
Unpaged. "Lightworks offers an eclectic view of contemporary graphic art
forms. This issue documents suchdiverse processes of image reproduction and
generation as computer art, hand silk-screened fabrics, photography, paper cutouts,
and xerography, exploring the particular sensitivities of each. 'Lightworks' is
an extension of these pieces themselves in providing the artists with an
acessible and inexpensive means of exposing their work to the public. Out of this
emerges a changing and expanding definition of art as an alternative to
traditional artist/viewer/patron relationships." Includes contributions by John M.
Bennett (USA), E. F. Higgins, III (USA), Opal L. Nations (Canada), et al.
No. 8/9 (Winter 1977). Offset. 11"x8 1/2". 57 pages. Contributions by
Dadaland/Bill Gaglione (USA), G. A. Cavellini (Italy), Ken Saville (USA), Anna