Cambridge Film Festival Brochure 2022
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20<br />
27<br />
OCTOber<br />
OCTOber<br />
FILM<br />
<strong>Cambridge</strong>www.camfilmfest.com<br />
FESTIVAL <strong>2022</strong><br />
ALCARRÀS
WELCOMe<br />
TO THE 41ST CAMBRIDGE FILM FESTIVAL<br />
When the curtain came down on the 40th edition in November of<br />
last year, our small <strong>Festival</strong> team set to work on bringing you the<br />
strongest and most vital film programme possible in <strong>2022</strong>.<br />
Our first task was to combine new and existing CFF programmers and put together a<br />
Programming Panel able to bring you a collection of films that reflect our ever-changing world.<br />
Returning CFF curator Elle Haywood has taken up the position of Programming Panel Lead.<br />
She is joined by new Programmers Savina Petkova & Amon Warmann, alongside our Camera<br />
Catalonia Programmer Ramon Lamarca and new Submissions Coordinator & Short <strong>Film</strong>s<br />
Programmer Abigail Pollock. In addition, the programming panel is supported by Isabelle<br />
McNeill and Mike O’Brien from the <strong>Cambridge</strong> <strong>Film</strong> Trust and freelance journalist, curator and<br />
video essayist Leigh Singer who have joined the team as Programme Advisors.<br />
The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> Team<br />
Now more than ever, cinema worldwide is a rich tapestry of diverse<br />
works, and a great film festival should reflect that.<br />
The films we have chosen this year are of the highest quality,<br />
encompass many genres and are crafted by both veteran directors<br />
you know and love and up-and-coming artists you will want to<br />
keep an eye on in future.<br />
There’s truly something for everyone here, and we hope that<br />
attendees make the most of the week and seek out all the great<br />
art on offer.<br />
Programming CFF has been a hugely collaborative project and a profound journey working<br />
as a new team of programmers. Across the year, we have been sharing our knowledge about<br />
different areas of cinema, attending film festivals and markets, and finding exceptional films to<br />
bring to <strong>Cambridge</strong>.<br />
We are proud to be a part of this new era for the festival, curating unique strands, revisiting<br />
beloved films and ensuring we present a range of voices from around the world. We also want<br />
to thank our volunteer submission reviewers for their dedication and contribution to the<br />
reviewing process.<br />
We have constructed a diverse and vibrant programme with you, the <strong>Cambridge</strong> audience, in<br />
mind, lovingly selecting the best of cinematic offerings, which we are incredibly excited to share<br />
with you.<br />
Programming and curation are about care, and building a temporary home that we can all<br />
share for the <strong>Festival</strong>’s duration is something we don’t take lightly.<br />
All the films you can see at the <strong>Festival</strong> have something to say to you personally - whether it’s<br />
with a shout, a jolt, or a delicate whisper - that cinema is always there for you.<br />
Welcome to the 41st <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />
The Programming Panel<br />
#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 3
SURPRISE FILM<br />
Monday 24th, 20:30<br />
4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong><br />
<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> <strong>2022</strong><br />
Contents<br />
5<br />
6<br />
8<br />
11<br />
CFF<br />
15<br />
Are you ready to discover something new at the festival this<br />
year? From joyous cheers to discontented grumbles, the choice<br />
of CFF Surprise <strong>Film</strong> always causes a stir. This has been a<br />
festival tradition since 2001, so make sure to book your tickets<br />
early so you don’t miss out!<br />
Follow us at @camfilmfest and join in with the hashtag<br />
#CFFSurprise.<br />
OPENING<br />
& CLOSING FILMS<br />
GALA<br />
SCREENINGS<br />
international<br />
festival highlights<br />
FRIENDS<br />
& PATRONS<br />
connection<br />
12 & disconnection<br />
camerA<br />
14 catalonia<br />
IN DREAMS<br />
16 ARE MONSTERS<br />
schedule of films<br />
18 & BOOKING tickets<br />
short<br />
28 fusion<br />
YOUTH<br />
32 LAB<br />
20 RESILIENCE<br />
WILDLY<br />
22 WONDERFUL<br />
oustanding<br />
24 CONTRIBUTION award<br />
CFF industry<br />
26 day<br />
2021 Surprise film: Hit the Road<br />
CAMBRIDGE FILM FESTIVAL STAFF<br />
<strong>Festival</strong> Management Team<br />
Owen Baker, Esperanza Moreno Guerra<br />
& Cristina Roures<br />
Marketing Coordinator<br />
Hannah Hitchin<br />
Corporate Partnerships & PR Manager<br />
Becky Mann<br />
Youth Lab & Young People’s Jury Lead<br />
Abigail Pollock<br />
Programming Panel Lead<br />
Elle Haywood<br />
Programming Panel<br />
Ramon Lamarca, Savina Petkova<br />
& Amon Warmann<br />
Camera Catalonia Programmer<br />
Ramon Lamarca<br />
Programme AdvisorS<br />
Isabelle McNeill, Mike O’Brien & Leigh Singer<br />
Short <strong>Film</strong>s Programmer<br />
& Submissions Coordinator<br />
Abigail Pollock<br />
<strong>Brochure</strong> Editor & Coordinator<br />
Rhea Finnie<br />
<strong>Brochure</strong> Designer<br />
Dan Taylor<br />
Friends & Patrons<br />
Marie Palmer<br />
Projectionists & Technical Team<br />
George Agnew, Laurence Anderson,<br />
Tom Brooks & Hitomi Shinozaki<br />
Photographers<br />
Jean-Luc Benazet & David Riley<br />
<strong>Festival</strong> assistants<br />
Camilla Bertoldo, Lauren Powell,<br />
Maria Perez Martinez & Stuart Wren<br />
<strong>Festival</strong> Interns<br />
Isabel Fane, Zara Saunders<br />
& Zeynep Salerno<br />
TAKE ONE FESTIVAL MAGAZINE<br />
Editor-in-Chief<br />
Jim Ross<br />
Editor-AT-LARGE<br />
Rosy Hunt<br />
CAMBRIDGE FILM TRUST<br />
Isabelle McNeill, Simon Jones, Tony Jones,<br />
Jenny Nelson, Mike O’Brien & Matthew Webb<br />
ARTS PICTUREHOUSE<br />
General Manager<br />
Lorcan O’Neill<br />
Assistant General Manager<br />
Victoria Ayre<br />
Duty Managers<br />
Pėter Horvath, Thierry Preston<br />
& Sharna Suggitt<br />
PICTUREHOUSE CINEMAS<br />
Clare Binns, Keith Gehlert, Carol McKay<br />
& Madeleine Mullet<br />
Plus all the amazing volunteers, venue<br />
staff and all the hard-working film<br />
submissions reviewers.<br />
OPENING FILM<br />
THE BANSHEES OF INISHERIN CFF<br />
15<br />
Ireland, UK & USA <strong>2022</strong> 109 mins<br />
DIRECTOR Martin McDonagh<br />
WITH Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan<br />
THU<br />
20<br />
20:30<br />
Set on the small Irish island of Inisherin in 1923, Martin McDonagh’s latest film asks a simple question: what happens when your<br />
best friend decides he wants to break up with you? That’s the dilemma facing Pádraic (Colin Farrell), who is left confused and<br />
heartbroken when Colm (Brendan Gleeson) suddenly announces that he no longer likes his ex-friend and doesn’t want to see<br />
or talk to him anymore. What follows is by turn darkly funny and deeply empathetic, as their friendship erodes in increasingly<br />
absurd and brutal ways. Winner of Best Actor at the Venice <strong>Film</strong> <strong>Festival</strong>, Farrell is especially good as the earnest Pádraic, and<br />
Kerry Condon is the stealth MVP of the piece as his wiser older sister Siobhán. Add a tender score by Carter Burwell and some<br />
stunning cinematography by Ben Davis, and you have a McDonagh film you’ll want to befriend at the earliest opportunity.<br />
PRINT SOURCE Searchlight Pictures<br />
CLOSING FILM<br />
THE SILENT TWINS CFF<br />
15<br />
UK, Poland & USA <strong>2022</strong> 113 mins<br />
DIRECTOR Agnieszka Smoczyńska<br />
WITH Letitia Wright, Tamara Lawrance, Jodhi May, Michael Smiley, Jack Bandeira<br />
This is an often shouldershudderingly<br />
funny film,<br />
whose comic dialogue is<br />
dazzlingly designed and<br />
performed.<br />
ROBBIE COLLIN<br />
THE TELEGRAPH<br />
Polish filmmaker Agnieszka Smoczyńska’s (The Lure) English-language debut is a wildly imaginative ride. Based on the<br />
eponymous bestseller by journalist Marjorie Wallace, The Silent Twins adapts the story of authors June and Jennifer<br />
Gibbons who, from an early age, refused to communicate with anyone but each other. Between the harsh reality of being<br />
the only black family in town and the turbulence of teenhood, the sisters – played by Letitia Wright (Black Panther) and<br />
Tamara Lawrance (Small Axe) – deem separation impossible. Elevating their moments of togetherness, the film treats<br />
us to neon galore, musical-style interludes, and even puppet animation inspired by the sisters’ diaries and poems.<br />
GUY LODGE<br />
A hard‐hitting feast for the senses.<br />
VARIETY<br />
print source Universal Pictures<br />
#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 5<br />
FRI<br />
21<br />
18:20<br />
THU<br />
27<br />
20:30<br />
In Smoczyńska’s curious,<br />
careering, unshakeable wallop<br />
of a film, no touch is lightly<br />
felt, and no hard-fought word<br />
taken for granted.
GALA<br />
SCREENINGS<br />
OPENING<br />
GALA FILM<br />
AFTERSUN<br />
CFF<br />
15<br />
United Kingdom & United States <strong>2022</strong> 102 mins<br />
DIRECTOR Charlotte Wells<br />
WITH Paul Mescal, Frankie Corio, Celia Rowlson-Hall<br />
How do you remember your father? When a young woman looks back at the VHS tapes of the<br />
last holiday she took with her dad Calum (Paul Mescal), the murky corners of memory suddenly<br />
light up, thanks to the art of filmmaking. Eleven-year-old Soph (Frankie Corio) is curious and<br />
valiant, a match for Calum’s taciturn gloom, amidst a seemingly endless summer somewhere in<br />
Turkey. Charlotte Wells delivers her first feature wrapped in a melancholic glow, as Aftersun is a<br />
film on the cusp of crisp light in shadowplay and sticky reminiscence.<br />
print source MUBI<br />
In a masterful feature debut,<br />
Scottish director Charlotte<br />
Wells creates a compelling<br />
study of how fundamentally<br />
unknowable our loved<br />
ones are.<br />
JENNA MAHALE<br />
i-D<br />
FRI<br />
21<br />
20:30<br />
TUE<br />
25<br />
18:00<br />
ALL THE BEAUTY AND THE BLOODSHED<br />
USA <strong>2022</strong> 117 MINS<br />
DIRECTOR Laura Poitras<br />
WITH Nan Goldin<br />
You may know Nan Goldin as a stellar name in the canon of contemporary American<br />
photography – and that she is – but Oscar-winning documentary filmmaker Laura Poitras<br />
(CitizenFour) invites you on an emotional journey through the artist’s life, as narrated by herself.<br />
Winner of the Golden Lion at the Venice film festival, All the Beauty and the Bloodshed is always<br />
guided by Goldin’s voice, unflinching and honest, paired with snapshots and slideshows, such<br />
as her most famous Nan Goldin: The Ballad of Sexual Dependency and never-before-seen footage<br />
of the activist group she founded with the aim to confront the Sackler family for funding and<br />
fuelling the opioid crisis.<br />
Laura Poitras levels up with a devastating work of shocking intelligence and still greater<br />
emotional power.<br />
SOPHIE MONKS KAUFMAN, INDIEWIRE<br />
PRINT SOURCE<br />
Altitude <strong>Film</strong>s<br />
SUN<br />
23<br />
20:35<br />
CFF<br />
15<br />
WED<br />
26<br />
15:55<br />
BLUE JEAN<br />
UK <strong>2022</strong> 135 mins<br />
CFF<br />
15<br />
DIRECTOR Georgia Oakley<br />
WITH Rosy McEwen, Kerrie Hayes, Lydia Page,<br />
Stacy Abalogun<br />
WED<br />
26<br />
20:30<br />
THU<br />
27<br />
20:25<br />
Georgia Oakley’s Blue Jean takes us to Tyneside in 1980s, as<br />
the Section 28 bill is passed by Thatcher’s government, which<br />
instructs schools not to promote homosexuality. Lesbian<br />
Physical Education teacher Jean (Rosy McEwen) spends her<br />
time between work at the local school, and evenings at the<br />
gay club with her mates and girlfriend Viv (Kerrie Hayes). The<br />
film shifts between the liberal atmosphere of the bar, and<br />
the claustrophobia of the classroom, where the curiosity of<br />
students threatens to reveal Jean’s hidden sexuality.<br />
PRINT SOURCE Altitude <strong>Film</strong>s<br />
Start off your <strong>Cambridge</strong> <strong>Film</strong><br />
<strong>Festival</strong> week in style, with the<br />
glamour of our Gala screenings!<br />
Featuring noteworthy performances from<br />
Vicky Krieps, Paul Mescal, Jim Gaffigan<br />
and Rosy McEwen, catch these exclusive<br />
previews before anyone else, and embrace<br />
the magic of the big screen experience<br />
once again.<br />
TRIANGLE OF SADNESS<br />
Sweden, Germany, France & Denmark <strong>2022</strong> 147 Mins<br />
DIRECTOR Ruben Östlund<br />
WITH Harris Dickinson, Charlbi Dean, Dolly De Leon, Zlatko Burić, Woody Harrelson<br />
Ruben Östlund delivers his second Palme d’Or-winning film only five years after the devastating<br />
satire The Square. With Triangle of Sadness, he turns to other creative industries: fashion and<br />
advertising. A successful catwalk audition results in an invitation for a trip aboard a luxury<br />
yacht and hilarity ensues as disaster befalls its super rich passengers. Hoping to sail away<br />
from their mundane relationship troubles Carl (Harris Dickinson) and Yaya (Charlbi Dean)<br />
board a luxurious cruise with their social media capital and tempered hysterics. Östlund never<br />
shies away from social criticism but he cares enough about people to ensure his audiences<br />
have a jolly good time. Triangle of Sadness is no exception to the rule: here, we have Woody<br />
Harrelson as a captain who is fond of a tipple, Nutella being helicoptered in on board and<br />
golden toilet bowls.<br />
print source Curzon <strong>Film</strong><br />
CFF<br />
15<br />
SAT<br />
22<br />
20:30<br />
TUE<br />
25<br />
20:25<br />
CORSAGE<br />
6 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 7<br />
CFF<br />
15<br />
Austria, France, Luxembourg & Germany <strong>2022</strong> 112 mins<br />
French, German, English and Hungarian with English subtitles<br />
DIRECTOR Marie Kreutzer<br />
WITH Vicky Krieps, Florian Teichtmeister, Katharina Lorenz, Colin Morgan<br />
MON<br />
24<br />
20:25<br />
Carrying the elegance and wit from her role in Phantom Thread, Vicky Krieps returns as<br />
the rebellious Empress Elizabeth ‘Sisi’ of Austria in Marie Kreutzer’s Corsage. Set in 1877,<br />
Elizabeth is adored and admired for her sartorial elegance and beauty. However, she is<br />
about to turn 40 and the pressure to present as eternally youthful is mounting. Not one to<br />
bow to orders, she stirs up gossip and scandal throughout the court, taking trips abroad<br />
away from her loveless marriage and spending many long hours visiting the women at<br />
the local asylum. Kriep’s phenomenal portrayal of Sisi captures the determination of the<br />
Empress that made her so iconic and was awarded the Best Performance in this year’s<br />
Un Certain Regard competition at the Cannes <strong>Film</strong> <strong>Festival</strong>. If you enjoyed the daring and<br />
delightful dramas of Sofia Coppola’s Marie Antoinette and Yorgos Lanthimos’s The Favourite,<br />
this is not a film to miss!<br />
print source Picturehouse Entertainment<br />
WED<br />
26<br />
18:15<br />
LINOLEUM<br />
CFF<br />
12A<br />
TUE<br />
25<br />
20:35<br />
USA <strong>2022</strong> 101 MINS<br />
DIRECTOR Colin West<br />
WITH Jim Gaffigan, Rhea Seehorn, Katelyn Nacon<br />
THU<br />
27<br />
18:25<br />
Colin West’s follow-up to his ghostly Double Walker takes you<br />
on an existential trip where questions count more than the<br />
answers you can be given. Jim Gaffigan (Tesla) and Rhea<br />
Seehorn (Better Call Saul) lead the film as a couple on the<br />
brink of divorce when something extraordinary happens.<br />
A bizarre series of events intervene and change their life<br />
overnight, and what a life that is! Linoleum is a black comedy<br />
concerned with the big stuff – ageing, regret, and how to<br />
face yourself in the darkest pits of despair with a sprinkle of<br />
humorous acceptance.<br />
print source Blue Fox Entertainment
INTERNATIONAL<br />
FESTIVAL HIGHLIGHTS<br />
UK<br />
P R E M I E R E<br />
LITTLE NICHOLAS, HAPPY AS CAN BE<br />
LE PETIT NICOLAS: QU’EST-CE QU’ON ATTEND POUR ÊTRE HEUREUX?<br />
France & Luxembourg <strong>2022</strong> 80 mins<br />
French with English subtitles<br />
DIRECTORS Amandine Fredon & Benjamin Massoubre<br />
WITH Alain Chabat, Laurent Lafitte, Simon Faliu<br />
Immersing its audience in the playful delights of creativity, Little Nicholas, Happy As Can Be, brings to life one of<br />
the most iconic figures of French children’s literature, against a nostalgic backdrop of 1950s France. Winner of the<br />
Cristal Award for a Feature <strong>Film</strong> at the Annecy <strong>Festival</strong>, the film tells the story of the invention of cheeky schoolboy<br />
Nicholas and his classmates by writer René Goscinny and cartoonist Jean-Jacques Sempé. As their friendship and<br />
collaboration develop, the boundaries between their lives and their stories’ imaginary world are blurred. We watch<br />
each sketch take form, transporting us into Nicholas’s adventures. For fans of the original stories, the film perfectly<br />
captures their humorous atmosphere, cleverly translating Sempé’s drawings into animation. For those discovering<br />
the characters for the first time, this is the perfect introduction to their offbeat appeal and the chance to spend time<br />
with both creators and creations in a watercolour version of New Wave Paris.<br />
PRINT SOURCE<br />
Charades<br />
CFF<br />
U<br />
SAT<br />
22<br />
18:10<br />
SUN<br />
23<br />
10:45<br />
BOY FROM HEAVEN<br />
Sweden, France & Finland <strong>2022</strong> 125 mins<br />
Arabic with English subtitles<br />
CFF<br />
15<br />
DIRECTOR Tarik Saleh<br />
WITH Tawfeek Barhom, Fares Fares, Mehdi Dehbi<br />
Director Talek Saleh takes us on a riveting journey in his latest<br />
thriller set in Cairo. From a rural village, fisherman’s son<br />
Adam (Tawfeek Barhom) is invited to study at the prestigious<br />
Al-Azhar University, a renowned institution for Sunni Muslims.<br />
Despite trying to keep focused on his work, the death of the<br />
university’s Grand Imam and murder of another student,<br />
drags Adam into a fight for power between the various<br />
student groups and institute’s leaders, fuelled by government<br />
interference. The young man unwittingly becomes a spy for<br />
agent Colonel Ibrahim (Fares Fares) and must navigate the<br />
moral dilemmas thrown at him and how he feels about his<br />
faith, in an effort to survive the crossfire.<br />
PRINT SOURCE Picturehouse Entertainment<br />
UK<br />
P R E M I E R E<br />
SAT<br />
22<br />
18:00<br />
THU<br />
27<br />
20:45<br />
CLOSE<br />
CFF<br />
15<br />
Belgium, Netherlands & France <strong>2022</strong> 104 Mins<br />
Dutch, French and Flemish with English subtitles<br />
DIRECTOR Lukas Dhont<br />
WITH Eden Dambrine, Gustav De Waele, Émilie Dequenne, Léa Drucker<br />
SUN<br />
23<br />
14:00<br />
TUE<br />
25<br />
15:55<br />
Flemish director Lukas Dhont scooped the Grand Prix at the Cannes <strong>Film</strong> <strong>Festival</strong> <strong>2022</strong> with his<br />
heartrending follow-up to his 2018 debut Girl (which won the Caméra d’Or and the Queer Palm).<br />
Close follows in this promising trajectory for a filmmaker so indebted to exploring the sore<br />
depths of tenderness. With the new school year starting, pre-teen boys Léo (Eden Dambrine) and<br />
Rémy (Gustav De Waele) are forced to emotionally reconfigure their closeness under the gaze of<br />
others. Surveilled and questioned, the two navigate the path towards growing up and growing<br />
apart with eye-watering impulsivity, as they learn how to articulate a growing feeling.<br />
PRINT SOURCE MUBI<br />
Programmed from film festivals<br />
around the globe including Cannes,<br />
Sundance, Annecy and the Berlinale,<br />
don’t miss some of the most exceptional,<br />
award-winning films from the circuit<br />
this year. This strand showcases political<br />
thrillers, heartwarming animations and<br />
breathtaking dramas, including Lola<br />
Quivoron’s fiery debut, Lukas Dhont’s<br />
moving sophomore film and Tarik Saleh’s<br />
latest gripping feature.<br />
Check out page 14 for details on our screening of Berlin’s<br />
Golden Bear Winner Alcarràs, presented as part of our<br />
Camera Catalonia strand.<br />
RETURN TO DUST<br />
隐 入 尘 烟 , YIN RU CHEN YAN<br />
CHINA <strong>2022</strong> 133 mins<br />
Chinese with English subtitles<br />
DIRECTOR Li Ruijun<br />
WITH Wu Renlin, Hai Qing<br />
CFF<br />
15<br />
Having reached middle age still single, farmer Ma Youtie (Wu Renlin) and Cao<br />
Guiying (Hai Qing) must agree to an arranged marriage by their families, in this<br />
tender story of companionship, shot in the Gansu province of China. Traditional<br />
farming is a brutal practice, as the pair spend long hours working the land, with<br />
Ma caring for Cao, who is disabled and suffers with incontinence, and in turn,<br />
Cao standing up for her husband when he is exploited by the locals. For his sixth<br />
film, director Li Ruijun explores the impact of urbanisation in rural communites,<br />
while observing the bond between two lonely people.<br />
PRINT SOURCE Modern <strong>Film</strong>s<br />
SAT<br />
22<br />
20:10<br />
WED<br />
26<br />
20:40<br />
A COMPASSIONATE SPY<br />
UK & USA <strong>2022</strong> 101 MINS<br />
NEPTUNE FROST<br />
8 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 9<br />
CFF<br />
12A<br />
DIRECTOR Steve James<br />
WITH Ted Hall, Joan Hall, Ruth London, Sarah Hall,<br />
Sarah Sax, Boria Sax<br />
In 1944, 18-year-old Harvard undergraduate Ted Hall was<br />
hired to work on the Manhatttan Project, in a race to create<br />
a nuclear bomb before Germany did. Concerned about the<br />
threat the weapon held, the young physicist made the decision<br />
to secretly pass on information about it’s construction to the<br />
Soviet Union. This documentary, featuring archival footage<br />
and new inteviews, explores the impact of Hall’s decision,<br />
including his marriage to fellow student Joan, who kept his<br />
secret across their 50-year marriage, while enduring FBI<br />
surveillance and intimidation. This is a rare insight into a reallife<br />
spy story.<br />
PRINT SOURCE Autlook <strong>Film</strong>sales<br />
SAT<br />
22<br />
15:05<br />
WED<br />
26<br />
13:40<br />
CFF<br />
15<br />
TUE<br />
25<br />
18:15<br />
Rwanda & USA 2021 109 MINS<br />
Kinyarwanda, Kirundi, Swahili, French and English with<br />
English subtitles<br />
THU<br />
27<br />
16:15<br />
DIRECTORS Saul Williams & Anisia Uzeyman<br />
WITH Cheryl Isheja, Bertrand Ninteretse, Eliane Umuhire<br />
Sci-fi films are a dime a dozen and musicals have long been<br />
a cinema mainstay. Neptune Frost is the rare movie that’s<br />
both, with a hefty helping of Afro-futurism for good measure.<br />
Co-directed by Saul Williams and Anisia Uzeyman, its focus is<br />
on an intersex African hacker and a coltan miner who attempt<br />
to overthrow a regime that’s bent on exploiting the region’s<br />
natural resources and its people. With gorgeous, eye-popping<br />
cinematography, stunning costuming, and catchy music that<br />
unveils itself organically throughout the narrative, Neptune<br />
Frost is bursting with creativity and imagination from its very<br />
first frame that’s impossible to deny.<br />
print source Anti-Worlds Releasing
INTERNATIONAL<br />
FESTIVAL HIGHLIGHTS<br />
RODEO<br />
CFF<br />
15<br />
RODÉO<br />
France <strong>2022</strong> 105 Mins<br />
French with English subtitles<br />
DIRECTOR Lola Quivoron<br />
WITH Julie Ledru, Yannis Lafki, Antonia Buresi<br />
Rodeo is an electric feature debut from newcomer Lola<br />
Quivoron. In this French dirt-rider drama lone wolf Julia (Julie<br />
Ledru) takes off from her hostile housing estate and winds up<br />
in the midst of an all-male motocross ‘rodeo’ meet. Determined<br />
to join this wild bunch, a few sympathetic guys teach her some<br />
tricks and bring her into the group, yet she is unaware of the<br />
illegal underground operations the crew runs. The world of<br />
misfit bikers is vibrant and volatile, with Quivoron focusing on<br />
the pressures of social inequality and Julia’s perseverance to<br />
prove herself in a masculine-dominated urban community.<br />
This is a feisty coming-of-age story that weaves in mystery<br />
and crime, led by a headstrong protagonist and plenty of<br />
fiery action-packed heists and stunts.<br />
print source Curzon <strong>Film</strong><br />
MORE THAN EVER<br />
CFF<br />
15<br />
MON<br />
24<br />
18:20<br />
TUE<br />
25<br />
18:10<br />
PLUS QUE JAMAIS<br />
France, Germany, Luxembourg & Norway <strong>2022</strong> 123 Mins<br />
French, English & Norwegian with English subtitles<br />
DIRECTOR Emily Atef<br />
WITH Vicky Krieps, Gaspard Ulliel, Bjørn Floberg<br />
TUE<br />
25<br />
16:05<br />
THU<br />
27<br />
18:20<br />
What do the dying owe the living, and vice versa? This question<br />
is explored through the story of Hélène and Mathieu, a couple<br />
with a loving bond who must confront Hélène’s life-threatening<br />
illness. Feeling constrained by Mathieu’s expectations, Hélène<br />
makes a journey to a remote Norwegian fjord, offering her<br />
new perspectives. Somehow both intimate and elusive,<br />
Vicky Krieps’ performance is quietly extraordinary, while the<br />
late Gaspard Ulliel is poignantly brilliant as the struggling<br />
husband. Taking us, with Hélène, out of expected medical<br />
surroundings into contact with nature, the film opens a space<br />
for new conversations about death, and life.<br />
PRINT SOURCE Modern <strong>Film</strong>s<br />
ARMAGEDDON TIME<br />
United States & Brazil <strong>2022</strong> 115 Mins<br />
SICK OF MYSELF<br />
SYK PIKE<br />
Norway & Sweden <strong>2022</strong> 95 mins<br />
Norwegian with English subtitles<br />
CFF<br />
15<br />
DIRECTOR Kristoffer Borgli<br />
WITH Kristine Kujath Thorp, Eirik Sæther<br />
SUN<br />
23<br />
18:25<br />
CFF<br />
15<br />
DIRECTOR James Gray<br />
WITH Anne Hathaway, Jeremy Strong, Anthony Hopkins,<br />
Banks Repeta, Jessica Chastain<br />
Writer/director James Gray is a little more earthbound for<br />
his follow up to Ad Astra, but Armageddon Time is no less<br />
immersive. Because this isn’t a sequel to Michael Bay’s 1998<br />
disaster film Armageddon, but a partially autobiographical<br />
coming-of-age tale that focuses on a Jewish family growing<br />
up in the 1980s. It’s got a lot on its mind – themes of family,<br />
friendship, and the pursuit of the American Dream are all<br />
satisfyingly explored – and with the likes of Anthony Hopkins,<br />
Jessica Chastain, Anne Hathaway, and Jeremy Strong, an<br />
enviable cast to make that journey all the more moving.<br />
print source Universal Pictures<br />
FRI<br />
21<br />
18:10<br />
WED<br />
26<br />
18:10<br />
SUN<br />
23<br />
16:05<br />
Twenty-something Signe (Kristine Kujath Thorp, Ninjababy)<br />
is anything but careful with her wishes and is dead set on<br />
outperforming her boyfriend Thomas, whose (con)artistic<br />
career is taking off. In his feature fiction debut, Kristoffer Borgli<br />
holds nothing back as we follow Signe all the way down her<br />
rabbit hole, including the dreams, fears and anxious interludes<br />
of an always online millenial. The film is both brutally funny<br />
and funnily brutal. Also, keep your eyes peeled for an Anders<br />
Danielsen Lie (The Worst Person in the World) cameo. Indeed,<br />
Sick of Myself might be the Norwegian film of the year.<br />
print source Modern <strong>Film</strong>s<br />
BECOME OUR FRIEND<br />
(OR A PATRON!)<br />
By becoming a Friend of the<br />
<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>, you<br />
support not only the UK’s third<br />
longest-running film festival but<br />
also a year-round programme<br />
of activity and events bringing<br />
the best British and independent<br />
international cinema to<br />
<strong>Cambridge</strong> and the South<br />
East region.<br />
Becoming a Friend of CFF costs £50 per year. All friends<br />
receive regular friend emails, advanced notifications of<br />
upcoming festival events, and invitations to special events.<br />
CFF Friends also get access to discounts with a range of<br />
<strong>Festival</strong> partners, including BFI Player & BFI Southbank,<br />
and several independent <strong>Cambridge</strong> businesses!<br />
And, of course, a special Friend of the <strong>Festival</strong> lanyard<br />
AND a <strong>Film</strong> <strong>Festival</strong> memento!<br />
Find out more at<br />
cambridgefilmfestival.org.uk/support-us<br />
10 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 11<br />
or email<br />
joinus@cambridgefilmtrust.org.uk<br />
<strong>Cambridge</strong><br />
FILM FESTIVAL
Connection<br />
& disconnection<br />
UK<br />
P R E M I E R E<br />
BEAUTIFUL BEINGS<br />
BERDREYMI<br />
Iceland, Denmark, Sweden, Netherlands & Czech Republic <strong>2022</strong> 123 mins<br />
Icelandic with English subtitles<br />
DIRECTOR Guðmundur Arnar Guðmundsson<br />
WITH Birgir Dagur Bjarkason, Áskell Einar Pálmason, Viktor Benóný Benediktsson<br />
CFF<br />
15<br />
This stunning coming-of-age story from Iceland has a freshness and immediacy that delivers<br />
an unforgettable cinematic experience. Beautiful Beings takes us away from the familiar rural<br />
settings of many Icelandic films into the city and the experiences of a group of four teenage boys.<br />
Coming from often dysfunctional homes, they forge friendships marked by banter and bravado.<br />
The film doesn’t flinch from the raw brutality they face and instigate, but it also has surprising<br />
moments of tenderness. Brilliant, nuanced performances from the young leads and beautiful<br />
photography, which provides a poetic sensibility, make this a powerful, unmissable film.<br />
print source New Europe <strong>Film</strong> Sales<br />
FRI<br />
21<br />
18:05<br />
Beautiful Beings brings up the<br />
questions: What is true<br />
friendship? Can boys who<br />
seem like bad influences<br />
still be good friends? And<br />
finally, how do you find your<br />
own path? What is the<br />
importance of listening to<br />
one’s intuition?<br />
GUÐMUNDUR ARNAR<br />
GUÐMUNDSSON<br />
WED<br />
26<br />
15:45<br />
FATHER’S DAY<br />
CFF<br />
15<br />
Rwanda <strong>2022</strong> 111 Mins<br />
Kinyarwanda with English subtitles<br />
SUN<br />
23<br />
12:30<br />
DIRECTOR Kivu Ruhorahoza<br />
WITH Mediatrice Kayitesi, Aline Amike, Cedric Ishimwe,<br />
Yves Kijyana, André Musagara<br />
TUE<br />
25<br />
14:00<br />
Father’s Day, the fourth feature film from Rwandan director Kivu<br />
Ruhorahoza, is divided into three storylines. In one, struggling<br />
masseuse Zaninka (Médiatrice Kayitesi) grieves the loss of<br />
her son and distances herself from her husband; in another,<br />
small-time thief Karara (Yves Kijyana) drags his son into his<br />
life of crime; and one more story focuses on Mukobwa (Aline<br />
Amike), who grapples with whether or not to be an organ donor<br />
for her murderous father, who she’s never loved. The theme of<br />
paternity and its power runs through each of the narratives, as<br />
clever connections between characters are revealed.<br />
PRINT SOURCE IYUGI Productions<br />
IN BALANCHINE’S CLASSROOM<br />
USA 2021 88 MINS<br />
DIRECTOR Connie Hochman<br />
WITH George Balanchine, Edward Villella, Jacques d’Amboise, Merrill Ashley, Heather Watts<br />
Documentary filmmaker and ex-professional ballerina Connie Hochman spins us into the world<br />
of George Balanchine, one of the most influential choreographers of the 20th Century, during his<br />
days at the New York City Ballet company. He was a teacher with many disciples, who eagerly<br />
followed his teachings, but also had to adjust to his unorthodox methods, intense presence, and<br />
keep up with a man who pushed the limits of dance. The footage of Balanchine watching over<br />
his classes feels almost ethereal, his grunts and gestures demanding the direction of movement<br />
with little explanation.<br />
Former ballet dancers grasp at words to describe the genius of George Balanchine in this<br />
charming documentary.<br />
TEO BUGBEE THE NEW YORK TIMES<br />
PRINT SOURCE<br />
The <strong>Film</strong> Sales Company<br />
CFF<br />
12A<br />
FRI<br />
21<br />
16:35<br />
SUN<br />
23<br />
12:15<br />
UK<br />
P R E M I E R E<br />
UK<br />
P R E M I E R E<br />
As the ebb and flow of society<br />
changes, these films capture the<br />
fluxuation of time and memory,<br />
as we seek out new relationships,<br />
heal past wounds and set out on our<br />
own journeys. This strand includes<br />
a coming-of-age tale from Iceland,<br />
stories of patriarchy and loss from<br />
Rwanda, a pregnancy dilemma from<br />
the United States and an almostmurder<br />
mystery from Slovenia.<br />
CHERRY<br />
CFF<br />
12A<br />
USA <strong>2022</strong> 76 Mins<br />
DIRECTOR Sophie Galibert<br />
WITH Alex Trewhitt, Dan Schultz, Joe Sachem, Alice Bang<br />
FRI<br />
21<br />
14:55<br />
SAT<br />
22<br />
16:15<br />
THU<br />
27<br />
16:25<br />
When 25-year-old Cherry discovers she is 10 weeks pregnant, she has a few urgent decisions<br />
to make. Drifting between her job at the costume shop, rollerblading dance team, semiserious<br />
boyfriend and still living with her parents, the young protagonist is caught between a<br />
curiosity for motherhood and a desire to follow her unfulfilled dreams. Inspired by the likes of<br />
Agnès Varda, Noah Baumbach and Andrea Arnold, Sophie Galibert’s debut feature is a bold,<br />
bright love letter to not quite having life figured out yet and is a reminder of the rights and<br />
empowerment women deserve over their bodies.<br />
print source Cherry <strong>Film</strong> LLC<br />
INVENTORY<br />
KLOKKENLUIDER<br />
12 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 13<br />
CFF<br />
15<br />
INVENTURA<br />
SOLVENIA <strong>2022</strong> 106 MINS<br />
Slovenian with English subtitles<br />
FRI<br />
21<br />
12:45<br />
DIRECTOR Darko Sinko<br />
WITH Radoš Bolčina, Mirel Knez, Dejan Spasić<br />
SAT<br />
22<br />
11:15<br />
SUN<br />
23<br />
20:20<br />
Boris Robič (Radoš Bolčina) is an ordinary man, with a good<br />
job, nice family and simple life. Or so he thought, until someone<br />
tries to shoot him in his own home. As the police conduct their<br />
investigation, friends, colleagues and neighbours begin to<br />
gossip and ask nosy questions, adamant that Boris is hiding<br />
something or up to no good. Plagued by paranoia, Boris tries to<br />
keep it together, but who can you trust when suddenly everyone<br />
you know is a suspect? This slick Slovenian psychological<br />
drama is an amusing slow burn, with unsuspecting twists and<br />
turns, and a host of curious characters.<br />
PRINT SOURCE December<br />
CFF<br />
15<br />
UK <strong>2022</strong> 85 MINS<br />
DIRECTOR Neil Maskell<br />
WITH Amit Shah, Tom Burke, Jenna Coleman<br />
SAT<br />
22<br />
20:05<br />
MON<br />
24<br />
18:25<br />
One government whistle-blower, his slightly panicked partner,<br />
two bumbling bodyguards, and a no-nonsense journalist,<br />
all sent to a remote Belgian cottage - what on earth is going<br />
on? Actor-turned-director Neil Maskell, plunges us into this<br />
strange scenario of high-stakes secrets, with a healthy side of<br />
humorous British awkwardness, as a group of very different<br />
individuals are forced to endure each other’s company in an<br />
overly extravagant house, while occasionally watching armed<br />
tanks go by. Klokkenluider’s stellar cast includes Amit Shah,<br />
Tom Burke and Jenna Coleman, who embrace this bizarre<br />
yet gripping story, which takes some very unexpected twists<br />
and turns.<br />
PRINT SOURCE MarVista/Endeavor
Camera<br />
catalonia<br />
ALCARRÀS<br />
CFF<br />
15<br />
Spain, Italy <strong>2022</strong> 120 mins<br />
Catalan and Spanish with English subtitles<br />
SUN<br />
23<br />
18:00<br />
DIRECTOR Carla Simón<br />
WITH Jordi Pujol Dolcet, Anna Otín, Xènia Roset, Albert Bosch, Ainet Jounou, Josep Abad<br />
MON<br />
24<br />
15:20<br />
We are very proud to programme this year’s Golden Bear Winner, which confirms director Carla<br />
Simón as one of the most talented and interesting new young directors to come from Catalonia.<br />
Alcarràs is an affectionate and realistic portrayal of rural life in Catalonia. The impending<br />
eviction of a family from the land they have worked on for many decades is the trigger of<br />
conflicting emotions amongst the several family members. Simón is not so much interested in<br />
traditional narrative, as providing a naturalistic view of reality through the eyes of the different<br />
characters and how each of them live and feel the threat to their livelihood (peach farming). The<br />
meticulous casting of non-professional actors is fundamental in achieving a real and truthful<br />
portrayal, and the warm photography captures the beauty of the farmland and the emotions in<br />
the faces of the extended family, young and old.<br />
print source MUBI<br />
UK<br />
P R E M I E R E<br />
MEN’S COOKING<br />
CFF<br />
PG<br />
LA CUINA DELS HOMES<br />
SPAIN <strong>2022</strong> 93 MINS<br />
Catalan and Spanish with English subtitles<br />
DIRECTOR Sílvia Subirós<br />
SUN<br />
23<br />
18:20<br />
THU<br />
27<br />
14:45<br />
Although kitchens have always been a domestic territory<br />
typically associated with women, the professional culinary<br />
world has been mostly dominated by men. Using the example<br />
from her own family of famous chefs, Sílvia Subirós reflects on<br />
patriarchal society and the pernicious influence of Franco’s<br />
dictatorship in women’s rights. Subirós combines old 8mmfilmed<br />
family footage with other family objects and memories<br />
to reflect on family relationships, Catalan gastronomy, and<br />
the unfairness of patriarchal societies, which render women<br />
invisible. The director’s detailed and moving examination of<br />
the filmed snippets of the grandparents she never met are a<br />
true example of the power of cinema.<br />
PRINT SOURCE Cornelius <strong>Film</strong>s<br />
PACIFICTION<br />
CFF<br />
15<br />
France, Spain, Germany & Portugal <strong>2022</strong> 162 MINS<br />
French with English subtitles<br />
DIRECTOR Albert Serra<br />
WITH Benoît Magimel, Sergi López, Cécile Guilbert, Pahoa Mahagafanau<br />
MON<br />
24<br />
20:15<br />
THU<br />
27<br />
11:05<br />
On the French Polynesian island of Tahiti, The High Commissioner of the Republic is an astute<br />
diplomat with perfect manners and oratory. A rumour suggests that French nuclear tests are<br />
resuming on the island and this threatens social stability. Catalan maverick filmmaker Albert<br />
Serra has directed what is considered to be his most accessible film to date. However, under<br />
what appears to be a political thriller (or anti-thriller as Serra prefers to call it) lies a hypnotic<br />
dissection of European political decadence and the dreadful legacy of colonialism. The<br />
eroticism of both political power and sex lure humans into their realms, which at times become<br />
difficult to distinguish in this subversive and captivating cinematic proposal.<br />
PRINT SOURCE New Wave <strong>Film</strong>s<br />
UK<br />
P R E M I E R E<br />
UK<br />
P R E M I E R E<br />
We are proud to present this year’s<br />
Golden Bear winner, Alcarràs. Five<br />
other films complete our assortment of<br />
Catalan cinema, including internationally<br />
renowned director Albert Serra’s last<br />
film; a fresh Mediterranean comedy; a<br />
compelling film about the Syrian war from<br />
the female perspective; and a little known<br />
episode of the Second World War set in the<br />
Pyrenees.<br />
Supported by<br />
THE BURNING COLD<br />
CFF<br />
18<br />
EL FRED QUE CREMA<br />
Spain & ANDORRA <strong>2022</strong> 117 Mins<br />
Catalan, Spanish and German with English subtitles<br />
DIRECTOR Santi Trullenque<br />
WITH Greta Fernandez, Roger Casamajor, Daniel Horvath<br />
SAT<br />
22<br />
13:35<br />
TUE<br />
25<br />
13:35<br />
This film covers a little-known aspect of World War II and the Jewish Diaspora - the escape of<br />
Jews through Andorra, a small country in the Pyrenees, whose only official language is Catalan.<br />
When a Jewish family has to find shelter in a village, tensions arise amongst the villagers, some<br />
of them also fighting for survival in very harsh conditions. This is Santi Trullenque’s first film<br />
and he has acknowledged taking inspiration from Werner Herzog in terms of the role forces of<br />
nature play in the film and the difficulties of the shoot itself, in the harsh winter of snowy and<br />
breathtaking Andorra.<br />
PRINT SOURCE <strong>Film</strong>ax<br />
WE WON’T KILL EACH OTHER WITH GUNS<br />
NOSALTRES NO ENS MATAREM AMB PISTOLES<br />
SPAIN <strong>2022</strong> 85 mins<br />
Catalan and Spanish with English subtitles<br />
DIRECTOR Maria Ripoll<br />
WITH Ingrid García Jonsson, Joe Manjon, Elena Martín, Lorena López, Carlos Troya<br />
Five good friends, who have not seen each other for quite a while, reunite in the village where<br />
they grew up. What starts as just a friendly paella lunch catch up, develops into an opportunity<br />
to air unresolved matters and personal frustrations, which explode in a cathartic party at night.<br />
This film, like the paella, contains many ingredients - some are those we expect to find in ‘friends<br />
reunion’ films, with comedy and drama, but there are added Mediterranean spices in the<br />
heightened emotions and the rawness of some of the confrontations. Maria Ripoll, whose film<br />
Traces of Sandalwood we programmed some years ago, shows a very good command of comedic<br />
timing with many hilarious scenes throughout the film.<br />
PRINT SOURCE <strong>Film</strong>ax<br />
14 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 15<br />
SINJAR<br />
CFF<br />
18<br />
FRI<br />
21<br />
11:30<br />
Iraq, Turkey & Spain <strong>2022</strong> 127 Mins<br />
Arabic, Catalan, Kurdish and Spanish with English subtitles<br />
DIRECTOR Anna M. Bofarull<br />
WITH Nora Navas, Halima Ilter, Eman Eido, Guim Puig<br />
WED<br />
26<br />
18:00<br />
The Syrian war is the background to the separate stories of<br />
three women affected by it in different and painful ways.<br />
During the ISIS invasion of Sinjar, Hadia (Halima Ilter) is<br />
enslaved and held captive with her children; another young<br />
woman escapes and joins the resistance as a fighter; and in<br />
Barcelona, Carlota (Nora Navas) searches for her disappeared<br />
son. These stories are told from a female perspective and<br />
writer/director Anna Bofarull achieves a sense of natural<br />
realism by filming in real locations in Iraqi Kurdistan, and the<br />
poignant fact that one of the actresses was abducted by the<br />
Islamic State as a young girl.<br />
PRINT SOURCE <strong>Film</strong>ax<br />
FRI<br />
21<br />
16:25<br />
SUN<br />
23<br />
10:45<br />
CFF<br />
18
THE LURE<br />
CFF<br />
15<br />
Poland 2015 92 MINS<br />
Polish with English subtitles<br />
DIRECTOR Agnieszka Smoczyńska<br />
WITH Marta Mazurek, Michalina Olszanska, Kinga Preis<br />
You better believe it – this is the only Polish mermaid horror musical in film history! In a daring debut, director Agnieszka<br />
Smozcyńska presents us with Silver (Marta Mazurek) and Golden (Michalina Olszanska) – two mermaid sisters who end up on<br />
the river bank in Warsaw, sometime in the late 1980s. Through their eyes, we witness a lavish (but also hellish) underground<br />
cabaret, where they become the new main attraction. Yes, one of them falls in love with a boy. Yes, she wants to lose the tail<br />
and become human for him. The Lure is The Little Mermaid as you’ve never seen her before.<br />
PRINT SOURCE Park Circus<br />
SAT<br />
22<br />
18:15<br />
JENNIFER’S BODY 15<br />
USA 2009 102 mins<br />
DIRECTOR Karyn Kusama<br />
WITH Megan Fox, Amanda Seyfried, Adam Brody<br />
FRI<br />
21<br />
16:00<br />
A perfect movie for Halloween, Jennifer’s Body tells the story<br />
of Needy (Amanda Seyfried), whose best friend, popular<br />
cheerleader Jennifer (Megan Fox), starts behaving very<br />
oddly after a violent encounter with a local band on a night<br />
out. Events quickly take an horrific turn, can Needy stop<br />
Jennifer in time? Incorrectly marketed upon its release, in<br />
recent years Jennifer’s Body has undergone a major critical<br />
re-evaluation and is now considered a significant addition<br />
to the modern feminist cinematic canon. Led by strong<br />
performaces from Amanda Seyfried and Megan Fox, enjoy<br />
Diablo Cody’s darkly comic story this spooky season.<br />
print source <strong>Film</strong>bankmedia<br />
Jennifer’s Body was always<br />
good, and everyone just now is<br />
starting to get on its level.<br />
CONSTANCE GRADY<br />
VOX<br />
LET THE RIGHT ONE IN 15<br />
LÅT DEN RÄTTE KOMMA IN<br />
Sweden 2008 114 mins<br />
Swedish with English subtitles<br />
WED<br />
26<br />
20:50<br />
DIRECTOR Tomas Alfredson<br />
WITH Lina Leandersson, Kåre Hedebrant, Per Ragnar<br />
If you’re expecting a standard vampire film, you’re in for a<br />
wonderful surprise, as this is so much more. It will take your<br />
breath away. In a cold Stockholm suburb where strange<br />
and frightening things are happening, a young boy falls in<br />
love with his new neighbour’s daughter. She just happens<br />
to be a vampire. And so unfolds a tale of friendship and<br />
revenge, both heartbreakingly poignant and casually<br />
brutal. With gorgeous cinematography and standout<br />
performances, this is quite simply a modern masterpiece.<br />
print source EOne<br />
Consider your late nights taken care of, your<br />
nightmares soothed. With these cult classics<br />
and fresh blood contemporary offerings,<br />
we invite you to embrace the monstrous<br />
within. In the search for non-conforming<br />
identities, these profoundly bold films<br />
explore alternative ways of thinking of<br />
our human bodies – beastly, supernatural,<br />
bloody, vampiric – but always embraced<br />
and accepted.<br />
DONNIE DARKO 15<br />
USA 2001 113 mins<br />
FRI<br />
21<br />
20:05<br />
DIRECTOR Richard Kelly<br />
WITH Jake Gyllenhaal, Jena Malone, Maggie Gyllenhaal,<br />
James Duval<br />
Time bends in 1980s suburban America in Richard Kelly’s<br />
thought-provoking cult classic, where metaphysics<br />
blends with teen alienation. Donnie Darko (played by Jake<br />
Gyllenhaal in his star-making role) wakes up on the local<br />
golf course after a night of sleepwalking. He returns home to<br />
find he has escaped death as his bedroom has been crushed<br />
by the engine of an aeroplane in an unlikely aviation<br />
accident. Over the next few weeks life spirals out of control<br />
as he embarks on a crime spree encouraged by repeated<br />
hallucinations of Frank (James Duval), a disturbing rabbit<br />
figure, as well as falling in love with Gretchen (Jenna<br />
Malone), the new girl in town with a traumatic past. Donnie<br />
Darko’s reputation grew through home cinema viewing, do<br />
not miss the rare chance to see this film on the big screen.<br />
print source Arrow <strong>Film</strong>s<br />
16 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com<br />
#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 17
SCHEDULE OF FILMS<br />
THU 20 OCT<br />
Arts Picturehouse<br />
Screen 1<br />
20:30 The Banshees of 5<br />
Inisherin<br />
£3.00<br />
We know times are<br />
tough at the moment, to<br />
make a trip to the festival<br />
more affordable we are<br />
pleased to offer tickets<br />
for £3 for screenings<br />
before 1pm.<br />
BOOKING TICKETS<br />
Advance tickets can be purchased:<br />
ONLINE<br />
IN PERSON at the Arts Picturehouse<br />
FRI 21 OCT SAT 22 OCT<br />
SUN 23 OCT MON 24 OCT TUE 25 OCT WED 26 OCT Thu 27 OCT<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Arts Picturehouse<br />
Screen 1<br />
Screen 1<br />
Screen 1<br />
Screen 1<br />
Screen 1<br />
Screen 1<br />
Screen 1<br />
11:10 A Life on the Farm 23<br />
12:45 Inventory 13<br />
14:55 Cherry 12<br />
16:35 In Balanchine’s 13<br />
Classroom<br />
18:20 The Banshees of 5<br />
Inisherin<br />
20:30 Aftersun 6<br />
SCREEN 2<br />
12:30 The Hamlet Syndrome 21<br />
14:30 A Bunch of Amateurs 22<br />
16:25 We Won’t Kill Each 15<br />
Other With Guns<br />
18:10 Sick of Myself 10<br />
20:05 Donnie Darko 16<br />
SCREEN 3<br />
11:30 Sinjar 15<br />
14:25 Go Through the Dark 20<br />
16:00 Jennifer’s Body 17<br />
18:05 Beautiful Beings 12<br />
www.camfilmfest.com<br />
Adult £12.50<br />
Adult Picturehouse Member £10.50<br />
Retired/Student £11.50<br />
Retired/Student Picturehouse Member £9.50<br />
Child £6.50<br />
Matinee (1pm-5pm) £6.50<br />
Morning (10am-1pm) £3.00<br />
Please note, not all of the films in the <strong>Festival</strong> have<br />
been certificated by the BBFC, some have been<br />
given advisory certificates by the <strong>Festival</strong>.<br />
Please visit cambridgefilmfestival.org.uk/content-details<br />
for information about content and trigger warnings<br />
SILVER<br />
SCREEN<br />
Silver Screen is aimed at over 60s and<br />
includes a free hot drink and biscuits at<br />
selected Arts Picturehouse screenings that<br />
start before 17.00.<br />
11:15 Inventory 13<br />
13:25 Sirens 21<br />
15:05 A Compassionate Spy 9<br />
18:00 Boy from Heaven 9<br />
20:30 Triangle of Sadness 6<br />
Screen 2<br />
11:00 Nanny McPhee 25<br />
13:35 The Burning Cold 14<br />
16:15 Cherry 12<br />
18:10 Little Nicholas, 8<br />
Happy As Can Be<br />
20:05 Klokkenluider 13<br />
Screen 3<br />
12:50 The Show Must Go On 21<br />
14:10 The Hamlet Syndrome 21<br />
15:55 Seaside Special 23<br />
18:15 The Lure 16<br />
20:10 Return To Dust 8<br />
There are<br />
no adverts or<br />
trailers before<br />
the films<br />
at CFF.<br />
FF-RATED<br />
Launched in 2014 by our good friends at <strong>Film</strong>Bath, the<br />
F-Rating is applied to films by cinemas and film festivals,<br />
giving moviegoers an easily identifiable label, so they can<br />
choose films that fairly represent women on screen and<br />
behind the camera. Highlighting these films sends a clear<br />
message that women can and should have more than just a<br />
supporting role within the industry. Find out more about the<br />
F-Rating at f-rated.org.<br />
The F-Rating is applied to all films which are directed<br />
by women and/or written by women.<br />
The Triple F-Rating is the gold standard. It is applied<br />
to all films which have significant women on screen,<br />
as well as being directed and/or written by women.<br />
12:15 In Balanchine’s 13<br />
Classroom<br />
14:00 Close 9<br />
16:05 Sick of Myself 10<br />
18:00 Alcarràs 14<br />
20:35 All The Beauty and 7<br />
the Bloodshed<br />
Screen 2<br />
10:45 Little Nicholas, 8<br />
Happy As Can Be<br />
12:30 Father’s Day 13<br />
14:45 Perlimps 20<br />
16:20 Pushing Boundaries 21<br />
18:25 Armageddon Time 10<br />
20:40 Sense and Sensibility 24<br />
Screen 3<br />
10:45 We Won’t Kill Each 15<br />
Other With Guns<br />
12:30 Come With Me To The 22<br />
Cinema - The Gregors<br />
15:45 The Remains of the Day 25<br />
18:20 Men’s Cooking 15<br />
20:20 Inventory 13<br />
11:00 Shorts & Reactions 30<br />
12:50 Shorts & Vulnerability 31<br />
15:00 BFI Network x <strong>Film</strong> Hub 26<br />
South East Short <strong>Film</strong><br />
Showcase<br />
16:00 BFI Network x <strong>Film</strong> Hub 26<br />
South East Fund Facts<br />
17:00 The State of the Industry 27<br />
Panel - Making A Life In<br />
UK <strong>Film</strong><br />
18:20 Rodeo 10<br />
20:25 Corsage 7<br />
Screen 2<br />
11:15 Shorts & Animation 29<br />
13:00 Shorts & Questions 30<br />
15:20 Alcarràs 14<br />
18:25 Klokkenluider 13<br />
20:30 Surprise <strong>Film</strong> 4<br />
Screen 3<br />
11:05 Shorts & Judgement 29<br />
13:05 Shorts & Actuality 28<br />
15:05 The Show Must Go On 21<br />
16:25 A Life on the Farm 23<br />
18:00 A Bunch of Amateurs 22<br />
20:15 Pacifiction 15<br />
Anglia Ruskin University<br />
12:00 BFI NETWORK x <strong>Film</strong> 26<br />
Hub South East How To<br />
Programme Shorts<br />
11:35 Come With Me To The 22<br />
Cinema - The Gregors<br />
14:30 Perlimps 20<br />
16:05 Rodeo 10<br />
18:10 More Than Ever 10<br />
20:35 Linoleum 7<br />
Screen 2<br />
12:20 Shorts & Actuality 28<br />
14:00 Father’s Day 13<br />
16:15 Medusa Deluxe 22<br />
18:15 Neptune Frost 9<br />
20:25 Triangle of Sadness 6<br />
Screen 3<br />
13:35 The Burning Cold 14<br />
15:55 Close 9<br />
18:00 Aftersun 6<br />
The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> is<br />
committed to following the most<br />
up-to-date government guidance<br />
on Covid-19 to make your visit<br />
with us a safe one.<br />
We welcome masks in our venues.<br />
38-39 St Andrew’s Street,<br />
<strong>Cambridge</strong>, CB2 3AR<br />
www.picturehouses.co.uk<br />
The Arts Picturehouse screens a year-round programme of<br />
the best in new and classic cinema over three screens<br />
(including one THX-certificated for best quality sound).<br />
All screens are licensed, so you can take your drink<br />
from the café-bar in with you. You do not have to be a<br />
member to view films at the Arts Picturehouse, but if<br />
you are you’ll receive discounts on tickets.<br />
12:20 The Hamlet Syndrome 21<br />
14:05 Shorts & Judgement 29<br />
15:55 All The Beauty and 7<br />
the Bloodshed<br />
18:15 Corsage 7<br />
20:30 Blue Jean 7<br />
Screen 2<br />
11:50 Shorts & Vulnerability 31<br />
13:40 A Compassionate Spy 9<br />
15:45 Beautiful Beings 12<br />
18:10 Armageddon Time 10<br />
20:40 Return To Dust 8<br />
Screen 3<br />
12:45 Shorts & Reactions 30<br />
14:30 Late Night 24<br />
16:20 Sirens 21<br />
18:00 Sinjar 15<br />
20:50 Let the Right One In 17<br />
We look<br />
forward to<br />
welcoming guests to<br />
the festival, please check<br />
the website and our social<br />
media pages for the<br />
latest information.<br />
THE ARTS PICTUREHOUSE<br />
THE ARTS PICTUREHOUSE<br />
11:05 Pacifiction 15<br />
14:10 Pushing Boundaries 21<br />
16:15 Neptune Frost 9<br />
18:25 Linoleum 7<br />
20:30 The Silent Twins 5<br />
Screen 2<br />
11:30 Seaside Special 23<br />
14:45 Men’s Cooking 15<br />
16:25 Cherry 12<br />
18:05 Medusa Deluxe 22<br />
20:25 Blue Jean 7<br />
Screen 3<br />
11:40 Shorts & Animation 29<br />
13:15 Shorts & Questions 30<br />
15:10 Go Through the Dark 20<br />
16:45 A Life on the Farm 23<br />
18:20 More Than Ever 10<br />
20:45 Boy from Heaven 9<br />
18 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong>2021 camfilmfest.com<br />
#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 19
Resilience<br />
UK<br />
P R E M I E R E<br />
PERLIMPS<br />
CFF<br />
PG<br />
Brazil <strong>2022</strong> 80 mins<br />
Portuguese with English subtitles<br />
DIRECTOR Alê Abreu<br />
WITH Lorenzo Tarantelli, Guilia Benite, Stênio Garcia, Rosa Rosah, Nill Marcondes<br />
Claé and Bruó are secret agents working for enemy kingdoms, tracking mysterious creatures known as ‘perlimps’<br />
to save the Enchanted Forest. To succeed, they will have to overcome their differences and work together. This<br />
dreamlike and moving adventure will appeal to fans of Studio Ghibli: Perlimps shares the Japanese studio’s interest<br />
in eco-fables that encourage us to revel in and fight for the natural world. The animation is both original and<br />
beautiful: a lush Brazilian rainforest (under threat) is evoked through painterly brush strokes and gorgeous smudges<br />
in a spectrum of jewel-like colours, inspired by the papercuts of French painter Henri Matisse. Abreu’s previous<br />
film, Boy and the World (2013) was nominated for an Academy Award for Best Animated Feature. With Perlimps, the<br />
Brazilian director again creates a brilliantly imaginative world with a poignant environmental message.<br />
PRINT SOURCE Best Friend Forever<br />
SUN<br />
23<br />
14:45<br />
TUE<br />
25<br />
14:30<br />
UK<br />
P R E M I E R E<br />
THE HAMLET SYNDROME<br />
Poland & GERMANY <strong>2022</strong> 85 mins<br />
Ukranian with English subtitles<br />
CFF<br />
15<br />
FRI<br />
21<br />
12:30<br />
DIRECTORS Elwira Niewiera & Piotr Rosolowski<br />
WITH Slavik Gavianets, Katya Kotliarova, Roman Kryvdyk, Rodion Shuygin-<br />
Grekalov, Oxana Cherkashyna, Roza Sarkisian<br />
Set in the months leading up to the <strong>2022</strong> Russian invasion of Ukraine, this<br />
urgent documentary follows a group of young Ukrainians preparing for a play<br />
based on Shakespeare’s Hamlet, that explores the impact of conflict on their<br />
lives. They face up to moments of trauma from the war in Donbas, going from<br />
being a civilian to a soldier, and processing raw emotions together. This is a<br />
powerful and cathartic story, that finds hope in the harrowing moments and<br />
seeks to reconcile the past, while facing the uncertainty of the future.<br />
print source KFF Sales & Promotion<br />
SAT<br />
22<br />
14:10<br />
WED<br />
26<br />
12:20<br />
UK<br />
P R E M I E R E<br />
PUSHING BOUNDARIES<br />
Ukraine & Switzerland <strong>2022</strong> 102 Mins<br />
Ukrainian with English subtitles<br />
SUN<br />
23<br />
16:20<br />
DIRECTOR Lesia Kordonets<br />
WITH Valeriy Suschkevytsch, Angelika Churkina,<br />
Anton Kriukov, Roman Polianskiy<br />
CFF<br />
12A<br />
THU<br />
27<br />
14:10<br />
In the midst of war and conflict, where can one call home?<br />
After the annexation of Crimea in 2014, the Ukrainian<br />
Paralympic National Team not only lose access to their<br />
state-of-the-art training base, but must also adapt to the new<br />
political and geographical boundaries that now bind their<br />
country. Giving us a glimpse from the inside, filmmaker Lesia<br />
Kordonets follows the Paralympians as they prepare for the<br />
next Olympic Games while dealing with the division of family<br />
and friends, and a worsening economic situation, yet still strive<br />
to keep morale high.<br />
print source Dschoint Ventschr <strong>Film</strong>produktion AG<br />
INTL<br />
P R E M I E R E<br />
EURO<br />
P R E M I E R E<br />
These remarkable films capture<br />
the strength and determination of<br />
those at the centre of different conflicts<br />
and the fight for change. With a focus<br />
on documentaries you can meet one of<br />
Lebanon’s only female thrash bands, the<br />
Ukranian Paralympians fighting for their<br />
stadium or enter the animated Enchanted<br />
Forest in Brazil where secret agents<br />
fight deforestation.<br />
GO THROUGH THE DARK<br />
CHINA 2021 75 Mins<br />
Mandarin with English subtitles<br />
DIRECTOR Yunhong Pu<br />
WITH Guanglin<br />
Guanglin is a blind boy from a poor, single parent family in China. His prospects would normally<br />
be severely limited, but he is also very gifted at the game of Go and gains fame as a prodigy.<br />
This captivating documentary follows him as he navigates his way through the pressure of<br />
developing his talents, dealing with his troubled past, and the relationship with a father who<br />
is pushing him hard to succeed. What are the true motives of all those helping the boy and will<br />
Guanglin manage to become a professional Go player?<br />
print source Yunhong Pu<br />
CFF<br />
PG<br />
FRI<br />
21<br />
14:25<br />
THU<br />
27<br />
15:10<br />
THE SHOW MUST GO ON<br />
INDIA <strong>2022</strong> 60 mins<br />
English, Gujarati and Hindi with English subtitles<br />
DIRECTOR Divya Cowasji<br />
WITH Dolly Dotiwala, Bomi Dotiwala, Ruby Patel,<br />
Burjor Patel, Sam Kerawala<br />
The leading movement of modern Indian theatre is<br />
undoubtedly Parsi theatre, which was mainly active during the<br />
mid-20th century and held influence over Bollywood and the<br />
Hindi film industry. Determined to take to the stage once more,<br />
a collective of older Parsi theatre icons and new youngsters<br />
head into rehearsals, to revisit beloved storylines and prepare<br />
for one last show. Director Divya Cowasji adopts a cinéma<br />
vérité style of filmmaking, quietly observing the chaos and<br />
laughter, as they practice their lines and share stories of their<br />
past. You will be cheering them on all the way.<br />
PRINT SOURCE Divya Cowasji & Jall Cowasji<br />
20 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 21<br />
SAT<br />
22<br />
12:50<br />
CFF<br />
U<br />
MON<br />
24<br />
15:05<br />
SIRENS<br />
CFF<br />
15<br />
LEBANON & USA <strong>2022</strong> 78 MINS<br />
Arabic with English subtitles<br />
DIRECTOR Rita Baghdadi<br />
WITH Shery Bechara, Lilas Mayassi<br />
SAT<br />
22<br />
13:25<br />
WED<br />
26<br />
16:20<br />
Have you ever listened to an all-female Lebanese thrash<br />
metal band? If not, it’s time to introduce Slave to Sirens! Join<br />
guitarists Lilas and Shery, and their bandmates Maya, Alma<br />
and Tatyana, as they chase their dreams of success, address<br />
the need for rebellion in the music scene and navigate their<br />
sexuality. From friendship fallouts to the familial trauma<br />
of the civil war, director Rita Baghdadi shines a light on<br />
the band’s optimism against the backdrop of a divided<br />
country and celebrates the Arab women who are defying<br />
cultural stereotypes.<br />
print source Autlook <strong>Film</strong>sales<br />
A beautifully balanced<br />
portrait of young women,<br />
screaming to be heard within<br />
their deafeningly oppressive<br />
culture, Sirens succeeds in<br />
delivering the one thing every<br />
revolution needs most, hope.<br />
REBECCA LANDMAN<br />
COLLIDER
WILDLY<br />
Wonderful<br />
MEDUSA DELUXE<br />
UK <strong>2022</strong> 100 Mins<br />
CFF<br />
15<br />
DIRECTOR Thomas Hardiman<br />
WITH Anita-Joy Uwajeh, Clare Perkins, Darrell D’Silva, Debris Stevenson, Harriet Webb,<br />
Heider Ali, Kae Alexander, Kayla Meikle, Lilit Lesser<br />
An extravagant, contemporary continuous shot murder mystery at a lively hairdressing<br />
competition from British writer/director Thomas Hardiman – what more could you want?<br />
Amongst a haze of glitter and hairspray, it emerges that a stylist has been killed and scalped,<br />
sending a group of professional hairdressers and models into a tizz. A whodunnit drama then<br />
unfolds, as rivalries are stoked and trust is broken down within the group. Robbie Ryan’s masterful<br />
camerawork follows the suspects and witnesses through the labyrinth of dark staircases and<br />
neon-lit rooms in a kaleidoscope of comedy, paranoia and passions that border on obsession.<br />
print source MUBI<br />
TUE<br />
25<br />
16:15<br />
Blackly comic thriller about<br />
a high-level hairdressing<br />
competition is a cut above<br />
the rest.<br />
JOHN BLEASDALE<br />
DMOVIES<br />
THU<br />
27<br />
18:05<br />
FRI MON<br />
21 24<br />
11:10 16:25<br />
CFF<br />
A LIFE ON THE FARM 15<br />
United Kingdom & United States <strong>2022</strong> 75 Mins<br />
DIRECTOR Oscar Harding<br />
WITH Charles Carson, Oscar Harding, Karen Kilgariff,<br />
Derrick Beckles, Davy Rothbart, Thomas Lynch,<br />
Koo Stark, Peter Shaw<br />
THU<br />
27<br />
16:45<br />
This is a found footage story like you’ve never experienced<br />
before. Meet Charles Carson, an eccentric farmer who<br />
documents birth, life and death on his farm, which he stages as<br />
a creative, comedic TV show with a dash of horror. <strong>Film</strong>maker<br />
Oscar Harding inherited these tapes after his grandfather’s<br />
death and set about reconstructing the film to share Charles’<br />
story with the world, but also to conduct interviews with those<br />
who knew him and to find out what this man meant to his<br />
family, friends and community. This is an unexpectedly moving,<br />
surreal story which celebrates one man’s creativity and vigour<br />
for life but also teaches us about processing grief and loss. You<br />
will undoubtedly be part of the Charles fan club by the end.<br />
print source Sonderbar Pictures Ltd.<br />
UK<br />
P R E M I E R E<br />
SEASIDE SPECIAL<br />
UK 2021 93 Mins<br />
DIRECTOR Jens Meurer<br />
WITH John Lee, Olly Day<br />
CFF<br />
12A<br />
SAT<br />
22<br />
15:55<br />
THU<br />
27<br />
11:30<br />
Shot on crisp 16mm Kodak film, Seaside Special follows Norfolk’s Cromer Pier Show over the<br />
course of a year, from the perspective of the performers, and the seaside town’s locals. This is<br />
a genuine, funny and bittersweet documentary about the trials and tribulations of life on the<br />
stage, and the divided political perspectives of their community. The director Jens Meurer (An<br />
Impossible Project) seeks to show a ‘microcosm of Brexit England’ and reflects on the impact of<br />
the changing tourist landscape, alongside the cultural importance of Cromer’s show, as they<br />
prepare for their grand summer finale.<br />
print source Instant <strong>Film</strong> / Deckert Distribution<br />
UK<br />
P R E M I E R E<br />
CLASSICAL<br />
Join us for<br />
‘outside the box’<br />
films that will<br />
guide you on weird<br />
and wonderful<br />
adventures. Take<br />
a walk along the<br />
North Sea pier with<br />
the Cromer theatre<br />
crew, sit in a seat of<br />
the iconic Arsenal<br />
cinema in Berlin<br />
and pull on your<br />
wellies to watch the<br />
oddest farmyard<br />
found footage<br />
documentary.<br />
Prepare for some<br />
unforgettable<br />
experiences!<br />
A BUNCH OF AMATEURS<br />
UK <strong>2022</strong> 95 MINS<br />
DIRECTOR Kim Hopkins<br />
WITH Colin Egglestone, Harry Nicholls, Joe Ogden,<br />
Philip Wainman<br />
CFF<br />
12A<br />
Taking home the Audience Award from this year’s Sheffield<br />
DocFest, Kim Hopkins introduces us to one of the oldest<br />
amateur film clubs - the Bradford Movie Makers. Made up of<br />
British working-class artists, many heading into their nineties,<br />
they regularly reconvene to discuss their glory days, shake off<br />
the chill of isolation in the digital age, and reminisce about<br />
their love of cinema. This documentary creates a beautiful<br />
sense of belonging and celebrates the bonds formed over a<br />
wild shared dream.<br />
A profoundly moving and funny film that acts as an<br />
extraordinary document of the power of community and art.<br />
DANIEL DYLAN WRAY THE GUARDIAN<br />
print source<br />
Republic <strong>Film</strong> Distribution<br />
FRI<br />
21<br />
14:30<br />
MON<br />
24<br />
18:00<br />
COME WITH ME TO THE<br />
CINEMA - THE GREGORS<br />
KOMM MIT MIR IN DAS CINEMA -<br />
DIE GREGORS<br />
Germany <strong>2022</strong> 155 Mins<br />
German, English, and French with English subtitles<br />
DIRECTOR Alice Agneskirchner<br />
WITH Erika Gregor, Ulrich Gregor<br />
SUN<br />
23<br />
12:30<br />
CFF<br />
12A<br />
TUE<br />
25<br />
11:35<br />
The world of arthouse filmmaking and communal cinema<br />
owes so much to the iconic curating duo that is Erika and<br />
Ulrich Gregor. Alice Agneskirchner’s riveting documentary<br />
explores what it meant to have been children of the post-war<br />
generation, their founding of the Arsenal cinema and Forum<br />
strand of the Berlinale, the entwining of their personal and<br />
professional lives across 65 years, with interviews from Wim<br />
Wenders, Jim Jarmusch, Margarethe von Trotta and other<br />
directors impacted by the pair’s tireless work. This is a tribute<br />
to two people who dedicated their all to share unique and<br />
influential cinema with the world.<br />
print source Ehlermann & Agneskirchner <strong>Film</strong>produktion<br />
MUSIC FOR<br />
MODERN<br />
LIFE<br />
WITH MARK KERMODE<br />
SATURDAYS 1PM-3PM<br />
22 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 23
Outstanding<br />
Contribution award<br />
SENSE AND SENSIBILITY<br />
U<br />
UK & USA 1995 136 MINS<br />
DIRECTOR Ang Lee<br />
WITH Emma Thompson, Kate Winslet, Alan Rickman, Imogen Stubbs, Hugh Grant<br />
SUN<br />
23<br />
20:40<br />
Emma Thompson won the Academy Award for Best Adapted Screenplay for scripting Ang<br />
Lee’s rich adaptation of this Jane Austen classic. After enjoying a privileged upbringing, Elinor<br />
(Emma Thompson) and Marianne Dashwood (Kate Winslet) are forced to relocate to a country<br />
cottage upon the death of their father. Here, stoic Elinor falls quietly in love with the reserved<br />
Edward Ferrars (Hugh Grant) and the fiery Marianne becomes entangled with the caddish<br />
John Willoughby (Greg Wise). In typical Austen style, the road of love does not run smoothly in<br />
this starry period romance. Thompson leads the cast as Elinor, alongside Kate Winslet in her<br />
first Oscar-nominated role as the passionate Marianne. They are joined by a myriad of British<br />
stars, including Alan Rickman, Hugh Grant, Imedla Staunton, Greg Wise, and many more, in this<br />
heartwarming tale of love lost and found.<br />
print source <strong>Film</strong>bankmedia<br />
NANNY MCPHEE PG<br />
UK, USA & France 2005 97 Mins<br />
DIRECTOR Kirk Jones<br />
WITH Emma Thompson, Colin Firth, Thomas Sangster,<br />
Kelly Macdonald, Angela Lansbury<br />
SAT<br />
22<br />
11:00<br />
Nanny McPhee (Emma Thompson) is hired by widower Cedric<br />
Brown (Colin Firth) to look after his mischievous children in<br />
this modern children’s classic. The seemingly stern Nanny<br />
arrives just in time to help the unruly Brown family to learn<br />
and grow into the best version of themselves. This film sees<br />
Emma Thompson play the titular character in one of her most<br />
colourful roles. Nanny McPhee is also a who’s who of British<br />
acting talent, as Thompson is joined by Colin Firth, Thomas<br />
Brodie-Sangster, Kelly McDonald, the legendary Angela<br />
Lansbury and many more, in this fun film for all the family.<br />
print source <strong>Film</strong>bankmedia<br />
It is only a thoroughly English<br />
film that could frustrate yet<br />
charm viewers at the same<br />
time in a tale of endless<br />
manners and disguised<br />
longing. At the heart of<br />
The Remains of the Day is a<br />
tragicomic story of a stoic<br />
life of unlived possibilities<br />
and a simple reminder:<br />
don’t hold out.<br />
MICHELLE WANG<br />
THE GUARDIAN<br />
SUN<br />
23<br />
15:45<br />
THE REMAINS OF THE DAY PG<br />
UK & USA 1993 134 mins<br />
English, French, and German with English subtitles<br />
DIRECTOR James Ivory<br />
WITH Emma Thompson, Anthony Hopkins, John Haycraft<br />
This masterful drama is adapted from Kazuo Ishiguro’s awardwinning<br />
novel by the tour de force that is director James Ivory,<br />
producer Ismail Merchant and writer Ruth Prawer Jhabvala.<br />
Set at the end of World War II, Mr Stevens (Anthony Hopkins),<br />
the professional butler of Darlington House, must face up to<br />
the anti-Semitism of his employer, the changing landscape of<br />
class and tradition, and addressing his hidden affections for<br />
the housekeeper Miss Kenton (Emma Thompson). The camera<br />
creeps slowly around the house, revealing secrets and regrets,<br />
and makes us confront what is worth putting on the line in the<br />
name of duty.<br />
print source <strong>Film</strong>bankmedia<br />
We are delighted to honour the<br />
remarkable Dame Emma Thompson<br />
with our Outstanding Contribution<br />
Award. This is a specially curated strand<br />
that showcases her best performances,<br />
focuses on her work in front and behind<br />
the camera, and celebrates her riveting and<br />
refreshing roles. With <strong>Cambridge</strong> being the<br />
home of her alma mater, and the start of<br />
her early years in comedy, we are incredibly<br />
proud to present this retrospective of an<br />
exceptional actress, screenwriter, activist<br />
and leader of the industry.<br />
This is some of Emma<br />
Thompson’s best work (and<br />
that’s saying something)…<br />
What’s subversive about it is<br />
how it shows the complexities<br />
behind the scenes, the pain,<br />
the human frailty.<br />
SHEILA O’MALLEY<br />
ROGEREBERT.COM<br />
LATE NIGHT 15<br />
USA 2019 102 mins<br />
DIRECTOR Nisha Ganatra<br />
WITH Emma Thompson, Mindy Kaling, Amy Ryan,<br />
John Lithgow<br />
WED<br />
26<br />
14:30<br />
The cutthroat world of television production is revealed in this<br />
comedy-drama set in the world of American late-night talk<br />
shows. Emma Thompson plays Dame Katherine Newbury,<br />
who is battling to remain relevant amid declining ratings. She<br />
hires Molly Patel (Mindy Kaling), a young Indian-American<br />
comedy writer, to her staff, making her the sole non-white,<br />
female member of the team. Molly slowly helps revitalise the<br />
show, but can this new success last? Mindy Kaling’s sparkling<br />
script takes in everything from sexism in the workplace, to<br />
the importance of social media in the modern world, in this<br />
incredibly relevant comedy.<br />
print source <strong>Film</strong>bankmedia<br />
24 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 25
<strong>Cambridge</strong><br />
FILM FESTIVAL INDUSTRY DAY<br />
IN PARTNERSHIP WITH<br />
Monday 24 October<br />
<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> has long provided great networking<br />
opportunities for filmmakers and film professionals. This year we<br />
are introducing our Industry Day, building on our previous work and<br />
formalising the networking aims for the festival. We are bringing<br />
together key partners across the sector for the benefit of the filmmaking<br />
and exhibition industries, in this region and beyond. Networking is a vital<br />
part of filmmaking and CFF is providing an invaluable opportunity for<br />
filmmakers and professionals to create new relationships and learn new<br />
skills. Come join us for this exciting event!<br />
FREE accreditations available for film students,<br />
filmmakers and industry professionals<br />
www.cambridgefilmfestival.org.uk/industry-day<br />
11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00<br />
SHORTFUSION PREMIERES<br />
How to<br />
Programme Shorts<br />
Short <strong>Film</strong><br />
Showcase<br />
Fund<br />
Facts<br />
The State of the Industry Panel<br />
Making A Life In UK <strong>Film</strong><br />
17:00-17:55<br />
Whether you’re an experienced filmmaker or you’re just<br />
starting out, it’s crucial to meet and work with people from<br />
different areas of the sector. This talk will bring together<br />
critics, programmers, academics and network executives<br />
to discuss the state of the industry and developing your<br />
career. Moderated by BFI NETWORK Talent Executive<br />
Nicole Davis, we are pleased to welcome onto the panel:<br />
<strong>Film</strong> Hub South East’s Thomas Wightman, International<br />
<strong>Film</strong> Critic and Programmer Savina Petkova, Empire<br />
Contributing Editor Amon Warmann and Dr Tina Kendall<br />
from Anglia Ruskin University.<br />
Making a Life<br />
in UK <strong>Film</strong><br />
Networking<br />
Drinks<br />
NICOLE DAVIS<br />
THOMAS WIGHTMAN<br />
DR TINA KENDALL<br />
Prior to joining BFI NETWORK <strong>Film</strong> Hub<br />
South East as a Talent Executive, Nicole<br />
held positions at <strong>Film</strong>4, BFI and awardwinning<br />
digital content agency Little Dot<br />
Studios as a producer. Nicole is also a<br />
freelance writer and podcaster. She is the<br />
host and creator of Best Girl Grip, a weekly<br />
interview podcast that navigates the film<br />
industry through the lens of the women<br />
doing just that.<br />
Thomas joined the Independent Cinema<br />
Office from the Institute of Contemporary<br />
Arts (ICA) where he managed STOP PLAY<br />
RECORD, a commissioning programme<br />
for emerging filmmakers. During this<br />
time Thomas commissioned, developed<br />
and exec produced 72 short films for the<br />
Channel 4 Random Acts series. For BFI<br />
NETWORK Thomas has commissioned<br />
and exec produced over 50 short film<br />
projects and 15 treatments for feature<br />
length projects.<br />
Dr Tina Kendall is Associate Professor<br />
in <strong>Film</strong> & Media at Anglia Ruskin<br />
University, where she leads modules in<br />
Classical Hollywood Cinema, Theorising<br />
Spectatorship, and Professional Practice<br />
in <strong>Film</strong>, amongst others. She is passionate<br />
about encouraging students to develop<br />
their skills alongside their classroom<br />
learning, and has extensive experience in<br />
bringing students together with industry<br />
and third sector partners.<br />
CAMBRIDGE FILM FESTIVAL<br />
SHORTFUSION PREMIERES<br />
11:00-14:45<br />
This year we are excited to bring together the premieres of<br />
ALL our ShortFusion films as a launch pad for our brand new<br />
Industry Day. An integral strand at the festival, this year’s<br />
programme contains an exciting mix of themes and genres,<br />
offering something for everyone. Very much open to the public and<br />
filmmakers, ShortFusion is a great way to experience the very best<br />
short form work of both new and established filmmakers.<br />
See pages 28–31<br />
BFI Network x <strong>Film</strong> Hub South East<br />
Short <strong>Film</strong> Showcase<br />
15:00-15:55<br />
This showcase of short films funded by BFI NETWORK<br />
highlights the diverse, vivid and unique stories being told by<br />
filmmakers in the South East. Transporting audiences across<br />
a spectrum of genre and form, these short, perfectly formed<br />
tales highlight the massive filmmaking talent in the region, via<br />
comedy, drama and a lockdown date in a laundromat.<br />
BFI Network x <strong>Film</strong> Hub South East<br />
Fund Facts<br />
16:00-16:55<br />
BFI NETWORK x <strong>Film</strong> Hub South East<br />
How To Programme<br />
Shorts<br />
12:00-13:00<br />
Programming isn’t just for feature films. In this talk,<br />
programmers from <strong>Film</strong> Hub South East dive into the world of<br />
shorts and highlight the benefits of bringing short films into<br />
cinema programming.<br />
In this workshop, BFI NETWORK Talent Executives and some of the filmmakers they’ve<br />
funded discuss how a project can reach that crucial goal. Whether it’s crafting the perfect<br />
funding application, economising your script or tips on running a low-budget set, this team<br />
will be here to answer all your questions about the financial side of filmmaking.<br />
26 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com<br />
Networking Drinks<br />
from 18:00<br />
A chance to relax with a drink and meet up with fellow<br />
filmmakers, courtesy of BFI NETWORK and <strong>Film</strong> Hub South<br />
East. As well as being able to toast the end of another great<br />
day at the festival, this is where you can network with other<br />
artists, chat to each other and the BFI NETWORK team too.<br />
AMON WARMANN<br />
SAVINA PETKOVA<br />
Amon Warmann has been a film and<br />
TV critic in the UK for the past decade,<br />
and became a Contributing Editor and<br />
monthly columnist at Empire Magazine in<br />
late 2020. He is talkSPORT Radio’s weekly<br />
film reviewer and has written for amongst<br />
others Variety, Yahoo! Movies, Daily Mirror,<br />
and Heat Magazine. He also has numerous<br />
television appearances to his name across<br />
Sky Cinema, BBC News, and Channel 4.<br />
Savina Petkova is a freelance film critic<br />
based in London. She covers shorts and<br />
features at European film festivals such<br />
as the Berlinale, Cannes, Venice and<br />
Rotterdam, and has written for MUBI<br />
Notebook, Talking Shorts, AwardsWatch,<br />
and Little White Lies. In <strong>2022</strong>, Savina is<br />
part of the editorial board for photogénie<br />
alongside her language editing role at the<br />
International Federation of <strong>Film</strong> Critics. She<br />
is currently completing her PhD at King’s<br />
College London, where she also teaches.<br />
#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 27
SHORTfusion<br />
We are excited to showcase expressive<br />
and masterful films from a global cohort<br />
of emerging filmmakers. Contemplate<br />
the distortion and complexities of<br />
▼ The Ballad of Olive Morris<br />
varied subjects in six stimulating short<br />
film programmes.<br />
SHORTS<br />
& animation<br />
PG | 68 mins Step into a world of stylistic<br />
animation and challenging topics.<br />
ECHO<br />
Greece, 2021 12 mins Dir. Gizem Özmen<br />
UK<br />
P R E M I E R E<br />
Ellie struggles with verbal communication and<br />
survives thanks to her landlady. Manu moves<br />
into the apartment directly across from her. Day<br />
by day, their routines echo each other and a<br />
connection emerges.<br />
GRANDPA<br />
France, 2021 7 mins Dirs. Théo Bongiovanni,<br />
Sophie Ouvrard, Valentine Rolland, Hugo<br />
Martins, Thomas Piot & Nell Molinier<br />
Witness the magic of youth as we dive into the<br />
wild imagination of a young girl as she bids<br />
farewell to her grandfather in a cascade of<br />
memories of their treasured fishing trips.<br />
▼ Echo<br />
MON<br />
24<br />
11:15<br />
THU<br />
27<br />
11:40<br />
It wasn’t bourgogne<br />
France, 2021 7 mins<br />
Dir. Mathias de Panafieu<br />
UK<br />
P R E M I E R E<br />
Between two telephone calls, a grandfather<br />
recounts some of his memories of the Second<br />
World War from when he was just twenty years old.<br />
OOP<br />
WORLD<br />
China & Canada, <strong>2022</strong> 4 mins<br />
Dir. Hongliang Verner Huang<br />
P R E M I E R E<br />
On the battlefield, a creature called “Oop”<br />
awakes by coincidence. It follows a guide and<br />
wanders in an abandoned city until it regains its<br />
memory and finds out about itself.<br />
OTHER HALF<br />
UK, 2021 13 mins Dir. Lina Kalcheva<br />
In a world that is made up of merged couples, a<br />
lonely, individual being longs for a connection<br />
and to find his true other half. In his eyes, this is<br />
the only way he will truly be complete.<br />
CONTENT WARNING This strand contains scenes<br />
of war and violence<br />
▼ Grandpa<br />
PEARS<br />
Israel, 2021 6 mins<br />
Dir. Julia Trachtenberg<br />
UK<br />
P R E M I E R E<br />
Yana yearns for contact from those she loves,<br />
but only receives pain in return. The complicated<br />
relationships test Yana’s personal journey to<br />
discovering who she really is.<br />
THE RECORD<br />
Switzerland, <strong>2022</strong> 9 mins Dir. Jonathan Laskar<br />
An antique music instrument dealer receives a<br />
magical vinyl record that can read your mind<br />
and play lost memories. Obsession begins and<br />
memories re-emerge, resulting in a painful<br />
memory being revealed.<br />
THE SPRAYER<br />
Iran, <strong>2022</strong> 10 mins Dir. Farnoosh Abeo<br />
UK<br />
P R E M I E R E<br />
In land occupied by the sprayers army, no one can<br />
grow any kind of plants neither in public nor in<br />
private, until one day a soldier finds a seed buried<br />
deep down in the dust.<br />
▼ Pears<br />
▲ #BLACKBOYJOYGONE<br />
SHORTS<br />
& actualitY<br />
CFF15 | 80 mins Bringing to light the formidable<br />
realities surrounding our everyday lives.<br />
THE BALLAD OF OLIVE MORRIS<br />
UK, <strong>2022</strong> 10 mins<br />
Dir. Alex Kayode-Kay<br />
Olive Morris tried to prevent a Nigerian<br />
diplomat named Clement Gomwalk from being<br />
arrested and assaulted under false pretences<br />
by police officers in Brixton. Things do not go<br />
well after that ...<br />
MON<br />
24<br />
13:05<br />
TUE<br />
25<br />
12:20<br />
▲ Caterpillar<br />
#BLACKBOYJOYGONE<br />
UK, <strong>2022</strong> 25 mins<br />
Dir. Ashley Karrell, Isaac Ouro-Gnao<br />
Blending interviews, poetry, dance and<br />
storytelling, #BlackBoyJoyGone is a short<br />
documentary by and for black men focussing<br />
upon mental health, sexual trauma and finding<br />
strength through brotherhood.<br />
CATERPILLAR (Sâu Bướm)<br />
UK, 2021 21 mins<br />
Dir. Marcus Anthony Thomas<br />
In the aftermath of an attempt to escape modern<br />
slavery, a Vietnamese boy’s relationship with his<br />
overseer becomes even more complicated.<br />
DAYS WITHOUT<br />
Portugal, Estonia & Scotland, <strong>2022</strong> 15 mins<br />
Dir. Ívar Erik Yeoman<br />
After Nikolays’s wife has a chaotic episode, he<br />
must take care of their daughter until she returns.<br />
As time goes by, he begins to doubt they will see<br />
each other again.<br />
LIONESS UK<br />
USA, 2021 7 mins<br />
Dir. Molly E. Smith<br />
P R E M I E R E<br />
Barricaded in a motel room, a mother’s<br />
determination and primal instincts kick in to<br />
protect her child’s innocence.<br />
CONTENT WARNING This strand contains scenes of a sexual nature, racism, domestic and child abuse<br />
SHORTS<br />
& Judgement<br />
CFF15 | 86 mins How can we judge one another<br />
without judging ourselves?<br />
CONTENT WARNING This strand contains scenes of<br />
abuse, death and suicide<br />
THE BOWER<br />
UK, <strong>2022</strong> 18 mins Dir. Marco Alessi<br />
Set in 1991 and 2021, the film explores the<br />
changing attitudes towards the LGBTQ+<br />
community over the last three decades through<br />
the hopeful eyes of Terri.<br />
HONESTY<br />
UK, <strong>2022</strong> 9 mins Dir. Roxy Rezvany<br />
A young actress auditions for a role as a<br />
domestic abuse victim, but rather than finding<br />
the character through her own embodiment,<br />
she faces a gruelling and uncomfortable<br />
interrogation.<br />
A MORAL MAN<br />
UK, <strong>2022</strong> 19 mins Dir. Paul Wade, Simon Wade<br />
A right-to-die evangelist wrestles with his faith<br />
and morality when he is asked to assist in the<br />
death of a woman who is not terminally ill.<br />
Not the 80s<br />
Germany, <strong>2022</strong> 17 mins<br />
Dir. Marleen Valien<br />
28 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 29<br />
▲ Honesty<br />
MON<br />
24<br />
11:05<br />
WED<br />
26<br />
14:05<br />
▲ Swim<br />
WORLD<br />
P R E M I E R E<br />
What judgements do we formulate about one<br />
another before the first exchange of words?<br />
Follow a journey of preconceptions between two<br />
people, in one restaurant, eating a bit of fish.<br />
REGRET TO INFORM YOU<br />
USA, <strong>2022</strong> 14 mins<br />
Dir. Yusuf Shadeed Nasir & Benji Schwimmer<br />
▲ The Bower<br />
EURO<br />
P R E M I E R E<br />
We follow a day in the life of an ageing dancer on<br />
the verge of forced retirement, who is desperately<br />
holding on to the unfulfilled dream of becoming a<br />
star one day.<br />
SWIM<br />
UK, <strong>2022</strong> 9 mins Dir. Michael Gamarano Singleton<br />
A chance encounter at a swimming pool offers<br />
the promise of a beautiful relationship between<br />
Sid and Luke. Could it all be shattered when Sid<br />
decides to just be himself?
SHORTS<br />
& Questions<br />
CFF15 | 87 mins Sometimes the unthinkable is<br />
the answer to our questions.<br />
GOOD TIMES<br />
AND THAT’S OKAY<br />
Australia, <strong>2022</strong> 13 mins<br />
Dir. Amanda Kaye<br />
EURO<br />
P R E M I E R E<br />
A 70-year-old closeted woman has to confront<br />
her faith as she learns what true love is from a sex<br />
worker named Destiny.<br />
▼ Good Time and That’s OK<br />
MON<br />
24<br />
13:00<br />
THU<br />
27<br />
13:15<br />
MORNING INTO NIGHT<br />
USA, 2021 15 mins<br />
Dir. Joanna Gleason<br />
EURO<br />
P R E M I E R E<br />
The children of a dying mother gather to say<br />
goodbye, and attempt to convince their father he<br />
cannot withhold his farewells any longer.<br />
THe Silent Ones<br />
France, <strong>2022</strong> 20 mins<br />
Dir. Basile Vuillemin<br />
UK<br />
P R E M I E R E<br />
After four days of an unsuccessful fishing<br />
campaign, Jorick finds himself faced with a<br />
difficult dilemma. The decision leads to a tragic<br />
and traumatising realisation.<br />
CONTENT WARNING This strand contains scenes / themes of death<br />
▼ The Silent Ones<br />
TILL THE MUSIC STOPS<br />
France, <strong>2022</strong> 23 mins<br />
Dir. Emilie de Monsabert<br />
UK<br />
P R E M I E R E<br />
Pauline is desperate to enjoy her best friend’s<br />
wedding and connect with a lost flame but<br />
struggles to take her eyes off her vulnerable<br />
daughter, which causes difficulties during the<br />
celebrations.<br />
WALLS LIKE WINDOWS<br />
UK, <strong>2022</strong> 12 mins Dir. Werner Vivier<br />
When Maggie invites a stranger into her home,<br />
she is confronted with the very thing she has been<br />
trying to avoid.<br />
SHORTS<br />
& Vulnerability<br />
MON<br />
24<br />
12:50<br />
WED<br />
26<br />
11:50<br />
CFF15 | 88 mins Showcasing resilient individuals<br />
to demonstrate the innocence within us.<br />
CONTENT WARNING This strand contains scenes /<br />
themes of sexual assult, death, domestic abuse<br />
and mental illness<br />
▼ Roots<br />
THE MOUNTAIN<br />
UK, <strong>2022</strong> 15 mins Dir. Clare Macdonald<br />
Matthew is tired of feeling down. He wants to<br />
get help, get milk, get back to normal. But his<br />
relentless inner voices are not going to make<br />
things easy.<br />
ONE LIKE HIM<br />
UK & Jordan, 2021 15 mins<br />
Dir. Caitlin McLeod<br />
A Jordanian man must find a way to tell his<br />
childhood friend and first love the truth about<br />
what happened twenty years ago, when a single<br />
moment changed their lives.<br />
RootS<br />
WORLD<br />
UK, <strong>2022</strong> 15 mins<br />
Dir. Ugne Jurgaityte<br />
P R E M I E R E<br />
After living her whole life on an isolated farm, a<br />
young girl must transform into a woman as she is<br />
faced with the task of burying her own mother.<br />
SHOWER BOYS<br />
Sweden, 2021 9 mins<br />
Dir. Christian Zetterberg<br />
UK<br />
P R E M I E R E<br />
Viggo and Noel return home from training to<br />
challenge each other’s limits and masculinity.<br />
The two boys explore their innocence before<br />
ultimately testing their friendship and<br />
boundaries.<br />
THE SILENT CANARY<br />
UK, <strong>2022</strong> 19 mins<br />
Dir. Vera Graziadei<br />
WORLD<br />
P R E M I E R E<br />
When troubled Joy forms an unlikely bond with<br />
rebellious Kat, she discovers her new friend’s<br />
secret boyfriend is not who she expected. This<br />
causes Joy’s own trauma to resurface.<br />
TO HAVE AND TO HOLD<br />
UK, <strong>2022</strong> 15 mins<br />
Dir. Jess Moore<br />
UK<br />
P R E M I E R E<br />
Why doesn’t she just leave? Left alone in her<br />
house following a brutal domestic attack, a<br />
woman attempts to leave the home she is<br />
trapped in.<br />
▼ To Have and To Hold<br />
▲ Legs<br />
▲ Baked Beans<br />
SHORTS<br />
& Reactions<br />
CFF15 | 83 mins Bringing you stimulating<br />
themes to create inconceivable reactions and<br />
responses.<br />
BAKED BEANS<br />
UK, <strong>2022</strong> 10 mins Dir. Matt Ayleigh<br />
When Nik auditions for a radical retelling of the<br />
British Asian classic East is East, he soon begins<br />
to wonder if everyone around him is stuck in<br />
the past.<br />
MON<br />
24<br />
11:00<br />
WED<br />
26<br />
12:45<br />
LEGS<br />
UK, <strong>2022</strong> 16 mins Dir. Celine Cotran<br />
Joy and Harry want to have a baby. One night,<br />
Joy unknowingly swallows a spider. It dawns<br />
on her that there may be more than one way of<br />
becoming a mother.<br />
Not for sale<br />
UK & Spain, <strong>2022</strong> 17 mins<br />
Dir. Alejandro Sánchez Porras<br />
UK<br />
P R E M I E R E<br />
Daisy and her employees concoct a fake art<br />
sale in order to scam the ruthless CEO of the<br />
supermarket chain that drove them out of<br />
business.<br />
T’EMBRASSER SUR LE MIEL<br />
France, 2021 20 mins Dir. Khalil Cherti<br />
UK<br />
P R E M I E R E<br />
Siwan and Rawad live on different sides of a<br />
war-ridden Syria. Despite the chaos, they have<br />
decided to engage and communicate with each<br />
other through videos.<br />
TRUTH SERUM<br />
UK, <strong>2022</strong> 21 mins<br />
Dir. Vika Evdokimenko<br />
UK<br />
P R E M I E R E<br />
When guests at a party are spiked with a<br />
mysterious drug, unpleasant truths and painful<br />
secrets emerge as the night spirals into a chaotic<br />
and unforgettable affair.<br />
CONTENT WARNING This strand contains scenes / themes of violence and drug misuse<br />
▲ The Silent Canary<br />
30 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 31<br />
▲ Shower Boys
Youth Lab<br />
Youth Lab is one of the proudest achievements of <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> over recent years and is a<br />
key focus as we move into the next 40 years of CFF. It is an exciting, young person-led film education<br />
initiative focusing on young people’s film evaluation and criticism skills, as well as encouraging<br />
communication and network building. It is open to anyone aged 16-24, with a specific focus on<br />
addressing participation from under-represented communities and those at risk of social exclusion.<br />
Youth Lab runs regular film discussion groups, workshops and networking events, as well as<br />
presentations by industry professionals (previous guests have included Mark Kermode, Beth Webb,<br />
Simon Mayo, and Simran Hans). During the Covid pandemic, the Youth Lab partnered with the BFI to<br />
produce and present a special online screening of County Lines, which included an in-depth interview<br />
with director Henry Blake.<br />
As well as developing film knowledge and industry connections, participants build self-confidence,<br />
as they progress through the Youth Lab programme. Over 80% of participants go on to employment<br />
or higher education within the film industry! In fact, both our Short <strong>Film</strong> Programmer and<br />
Programming Panel Lead for CFF41 are previous Youth Lab participants.<br />
Youth Lab is for everyone and actively recruits people from all backgrounds, including those with<br />
disabilities, from minority communities, or from disadvantaged backgrounds.<br />
If any young people would like to join the 2023 cohort, please email Abby, the Youth Lab Lead, at<br />
abby@cambridgefilmtrust.org.uk<br />
of Youth Lab members go on to employment or higher education within the industry<br />
are from economically deprived backgrounds<br />
are from minoritised ethnic backgrounds<br />
identify as disabled<br />
identify as LGBTQ+<br />
identify as female<br />
25%<br />
40%<br />
55%<br />
50%<br />
80%<br />
80%<br />
Youth Lab has<br />
connected me with a range<br />
of like‐minded individuals<br />
that share a profound<br />
interest in film making. The<br />
Youth Lab does a beautiful<br />
job of valuing every opinion<br />
or suggestion made by the<br />
team; I am excited to see<br />
how all our collective ideas<br />
will help reshape CFF in the<br />
near future.<br />
Chloe Kelly<br />
My first goal within the Youth<br />
Lab was to build personal<br />
connections with the members<br />
and network with other<br />
professionals. Being in the group<br />
has helped me gain the confidence<br />
in articulating my voice and<br />
always believing in myself!<br />
Raveen Choudhury<br />
32 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 33
MAIN FUNDER<br />
SENIOR MEDIA PARTNER<br />
SUPPORTERS<br />
INSTITUTES, FOUNDATIONS AND TRUSTS<br />
MEDIA PARTNERS<br />
DONOR<br />
VENUE PARTNERS<br />
INDEX<br />
Features<br />
Aftersun 6<br />
Alcarràs 14<br />
All The Beauty And Bloodshed 7<br />
Armageddon Time 10<br />
Banshees of Inisherin, The 5<br />
Beautiful Beings 12<br />
Blue Jean 7<br />
Boy From Heaven 9<br />
Bunch of Amateurs, A 22<br />
Burning Cold, The 14<br />
Cherry 12<br />
Close 9<br />
Come With Me to the Cinema 22<br />
- The Gregors<br />
Compassionate Spy, A 9<br />
Corsage 7<br />
Donnie Darko 16<br />
Father’s Day 13<br />
Go Through The Dark 20<br />
Hamlet Syndrome, The 21<br />
In Balanchine’s Classroom 13<br />
Inventory 13<br />
Jennifer’s Body 17<br />
Klokkenluider 13<br />
Late Night 24<br />
Let The Right One In 17<br />
Life on the Farm, A 23<br />
Linoleum 7<br />
Little Nicholas, Happy 8<br />
As Can Be<br />
Lure, The 16<br />
Medusa Deluxe 22<br />
Men’s Cooking 15<br />
More Than Ever 10<br />
Nanny McPhee 25<br />
Neptune Frost 9<br />
Pacifiction 15<br />
Perlimps 20<br />
Pushing Boundaries 21<br />
Remains of the Day, The 25<br />
Return to Dust 8<br />
Rodeo 10<br />
Seaside Special 23<br />
Sense and Sensibility 24<br />
Show Must Go On, The 21<br />
Sick of Myself 10<br />
Sinjar 15<br />
Sirens 21<br />
Silent Twins, The 5<br />
Triangle of Sadness 6<br />
We Won’t Kill Each Other 15<br />
With Guns<br />
SHORTS<br />
Baked Beans 30<br />
Ballad of Olive Morris, The 28<br />
#BlackBoyJoyGone 28<br />
Bower, The 29<br />
Caterpillar 28<br />
Days Without 28<br />
Echo 29<br />
Good Time And That’s Okay 30<br />
Grandpa 29<br />
Honesty 29<br />
It Wasn’t Bourgogne 29<br />
Legs 30<br />
Lioness 28<br />
Moral Man, A 29<br />
Morning Into Night 30<br />
Mountain, The 31<br />
Not For Sale 30<br />
Not The 80s 29<br />
One Like Him 31<br />
Oop 29<br />
Other Half 29<br />
Pears 29<br />
Record, The 29<br />
Regret To Inform You 29<br />
Roots 31<br />
Shorts & Actuality 28<br />
Shorts & Animation 29<br />
Shorts & Judgement 29<br />
Shorts & Questions 30<br />
Shorts & Reactions 30<br />
Shorts & Vulnerability 31<br />
Shower Boys 31<br />
Silent Canary, The 31<br />
Silent Ones, The 30<br />
Sprayer, The 29<br />
Swim 29<br />
T’Embrasser Sur Le Miel 30<br />
Till The Music Stops 30<br />
To Have And To Hold 31<br />
Truth Serum 30<br />
Walls Like Windows 30<br />
CAMBRIDGE FILM FESTIVAL FRIENDS<br />
Lola Caball Roures, Anne Bailey, Gavin Midgley, Lucy Sheppard, Chris Shaw, Rachel Knight, Stuart Wren, Anne Beamish, Janet Fox,<br />
Sandra Lindblom, François Penz, Hilary Goldsmith, Nicoletta Rahimi, Julie Mortimer, Jonathon Pollock, John Hodges, Alec Pendred<br />
CAMBRIDGE’S LEADING LUXURY HOTEL<br />
REGENT STREET, CAMBRIDGE, CB2 1AD<br />
TELEPHONE +44 (0)1223 60 60 66<br />
ENQUIRIES@UNIVERSITYARMS.COM UNIVERSITYARMS.COM<br />
34 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 35
WE WOULD<br />
LIKE TO THANK<br />
PRINCIPAL PARTNERS<br />
THIRD PARTNERS