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Cambridge Film Festival Brochure 2022

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20<br />

27<br />

OCTOber<br />

OCTOber<br />

FILM<br />

<strong>Cambridge</strong>www.camfilmfest.com<br />

FESTIVAL <strong>2022</strong><br />

ALCARRÀS


WELCOMe<br />

TO THE 41ST CAMBRIDGE FILM FESTIVAL<br />

When the curtain came down on the 40th edition in November of<br />

last year, our small <strong>Festival</strong> team set to work on bringing you the<br />

strongest and most vital film programme possible in <strong>2022</strong>.<br />

Our first task was to combine new and existing CFF programmers and put together a<br />

Programming Panel able to bring you a collection of films that reflect our ever-changing world.<br />

Returning CFF curator Elle Haywood has taken up the position of Programming Panel Lead.<br />

She is joined by new Programmers Savina Petkova & Amon Warmann, alongside our Camera<br />

Catalonia Programmer Ramon Lamarca and new Submissions Coordinator & Short <strong>Film</strong>s<br />

Programmer Abigail Pollock. In addition, the programming panel is supported by Isabelle<br />

McNeill and Mike O’Brien from the <strong>Cambridge</strong> <strong>Film</strong> Trust and freelance journalist, curator and<br />

video essayist Leigh Singer who have joined the team as Programme Advisors.<br />

The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> Team<br />

Now more than ever, cinema worldwide is a rich tapestry of diverse<br />

works, and a great film festival should reflect that.<br />

The films we have chosen this year are of the highest quality,<br />

encompass many genres and are crafted by both veteran directors<br />

you know and love and up-and-coming artists you will want to<br />

keep an eye on in future.<br />

There’s truly something for everyone here, and we hope that<br />

attendees make the most of the week and seek out all the great<br />

art on offer.<br />

Programming CFF has been a hugely collaborative project and a profound journey working<br />

as a new team of programmers. Across the year, we have been sharing our knowledge about<br />

different areas of cinema, attending film festivals and markets, and finding exceptional films to<br />

bring to <strong>Cambridge</strong>.<br />

We are proud to be a part of this new era for the festival, curating unique strands, revisiting<br />

beloved films and ensuring we present a range of voices from around the world. We also want<br />

to thank our volunteer submission reviewers for their dedication and contribution to the<br />

reviewing process.<br />

We have constructed a diverse and vibrant programme with you, the <strong>Cambridge</strong> audience, in<br />

mind, lovingly selecting the best of cinematic offerings, which we are incredibly excited to share<br />

with you.<br />

Programming and curation are about care, and building a temporary home that we can all<br />

share for the <strong>Festival</strong>’s duration is something we don’t take lightly.<br />

All the films you can see at the <strong>Festival</strong> have something to say to you personally - whether it’s<br />

with a shout, a jolt, or a delicate whisper - that cinema is always there for you.<br />

Welcome to the 41st <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>.<br />

The Programming Panel<br />

#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 3


SURPRISE FILM<br />

Monday 24th, 20:30<br />

4 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong><br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> <strong>2022</strong><br />

Contents<br />

5<br />

6<br />

8<br />

11<br />

CFF<br />

15<br />

Are you ready to discover something new at the festival this<br />

year? From joyous cheers to discontented grumbles, the choice<br />

of CFF Surprise <strong>Film</strong> always causes a stir. This has been a<br />

festival tradition since 2001, so make sure to book your tickets<br />

early so you don’t miss out!<br />

Follow us at @camfilmfest and join in with the hashtag<br />

#CFFSurprise.<br />

OPENING<br />

& CLOSING FILMS<br />

GALA<br />

SCREENINGS<br />

international<br />

festival highlights<br />

FRIENDS<br />

& PATRONS<br />

connection<br />

12 & disconnection<br />

camerA<br />

14 catalonia<br />

IN DREAMS<br />

16 ARE MONSTERS<br />

schedule of films<br />

18 & BOOKING tickets<br />

short<br />

28 fusion<br />

YOUTH<br />

32 LAB<br />

20 RESILIENCE<br />

WILDLY<br />

22 WONDERFUL<br />

oustanding<br />

24 CONTRIBUTION award<br />

CFF industry<br />

26 day<br />

2021 Surprise film: Hit the Road<br />

CAMBRIDGE FILM FESTIVAL STAFF<br />

<strong>Festival</strong> Management Team<br />

Owen Baker, Esperanza Moreno Guerra<br />

& Cristina Roures<br />

Marketing Coordinator<br />

Hannah Hitchin<br />

Corporate Partnerships & PR Manager<br />

Becky Mann<br />

Youth Lab & Young People’s Jury Lead<br />

Abigail Pollock<br />

Programming Panel Lead<br />

Elle Haywood<br />

Programming Panel<br />

Ramon Lamarca, Savina Petkova<br />

& Amon Warmann<br />

Camera Catalonia Programmer<br />

Ramon Lamarca<br />

Programme AdvisorS<br />

Isabelle McNeill, Mike O’Brien & Leigh Singer<br />

Short <strong>Film</strong>s Programmer<br />

& Submissions Coordinator<br />

Abigail Pollock<br />

<strong>Brochure</strong> Editor & Coordinator<br />

Rhea Finnie<br />

<strong>Brochure</strong> Designer<br />

Dan Taylor<br />

Friends & Patrons<br />

Marie Palmer<br />

Projectionists & Technical Team<br />

George Agnew, Laurence Anderson,<br />

Tom Brooks & Hitomi Shinozaki<br />

Photographers<br />

Jean-Luc Benazet & David Riley<br />

<strong>Festival</strong> assistants<br />

Camilla Bertoldo, Lauren Powell,<br />

Maria Perez Martinez & Stuart Wren<br />

<strong>Festival</strong> Interns<br />

Isabel Fane, Zara Saunders<br />

& Zeynep Salerno<br />

TAKE ONE FESTIVAL MAGAZINE<br />

Editor-in-Chief<br />

Jim Ross<br />

Editor-AT-LARGE<br />

Rosy Hunt<br />

CAMBRIDGE FILM TRUST<br />

Isabelle McNeill, Simon Jones, Tony Jones,<br />

Jenny Nelson, Mike O’Brien & Matthew Webb<br />

ARTS PICTUREHOUSE<br />

General Manager<br />

Lorcan O’Neill<br />

Assistant General Manager<br />

Victoria Ayre<br />

Duty Managers<br />

Pėter Horvath, Thierry Preston<br />

& Sharna Suggitt<br />

PICTUREHOUSE CINEMAS<br />

Clare Binns, Keith Gehlert, Carol McKay<br />

& Madeleine Mullet<br />

Plus all the amazing volunteers, venue<br />

staff and all the hard-working film<br />

submissions reviewers.<br />

OPENING FILM<br />

THE BANSHEES OF INISHERIN CFF<br />

15<br />

Ireland, UK & USA <strong>2022</strong> 109 mins<br />

DIRECTOR Martin McDonagh<br />

WITH Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan<br />

THU<br />

20<br />

20:30<br />

Set on the small Irish island of Inisherin in 1923, Martin McDonagh’s latest film asks a simple question: what happens when your<br />

best friend decides he wants to break up with you? That’s the dilemma facing Pádraic (Colin Farrell), who is left confused and<br />

heartbroken when Colm (Brendan Gleeson) suddenly announces that he no longer likes his ex-friend and doesn’t want to see<br />

or talk to him anymore. What follows is by turn darkly funny and deeply empathetic, as their friendship erodes in increasingly<br />

absurd and brutal ways. Winner of Best Actor at the Venice <strong>Film</strong> <strong>Festival</strong>, Farrell is especially good as the earnest Pádraic, and<br />

Kerry Condon is the stealth MVP of the piece as his wiser older sister Siobhán. Add a tender score by Carter Burwell and some<br />

stunning cinematography by Ben Davis, and you have a McDonagh film you’ll want to befriend at the earliest opportunity.<br />

PRINT SOURCE Searchlight Pictures<br />

CLOSING FILM<br />

THE SILENT TWINS CFF<br />

15<br />

UK, Poland & USA <strong>2022</strong> 113 mins<br />

DIRECTOR Agnieszka Smoczyńska<br />

WITH Letitia Wright, Tamara Lawrance, Jodhi May, Michael Smiley, Jack Bandeira<br />

This is an often shouldershudderingly<br />

funny film,<br />

whose comic dialogue is<br />

dazzlingly designed and<br />

performed.<br />

ROBBIE COLLIN<br />

THE TELEGRAPH<br />

Polish filmmaker Agnieszka Smoczyńska’s (The Lure) English-language debut is a wildly imaginative ride. Based on the<br />

eponymous bestseller by journalist Marjorie Wallace, The Silent Twins adapts the story of authors June and Jennifer<br />

Gibbons who, from an early age, refused to communicate with anyone but each other. Between the harsh reality of being<br />

the only black family in town and the turbulence of teenhood, the sisters – played by Letitia Wright (Black Panther) and<br />

Tamara Lawrance (Small Axe) – deem separation impossible. Elevating their moments of togetherness, the film treats<br />

us to neon galore, musical-style interludes, and even puppet animation inspired by the sisters’ diaries and poems.<br />

GUY LODGE<br />

A hard‐hitting feast for the senses.<br />

VARIETY<br />

print source Universal Pictures<br />

#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 5<br />

FRI<br />

21<br />

18:20<br />

THU<br />

27<br />

20:30<br />

In Smoczyńska’s curious,<br />

careering, unshakeable wallop<br />

of a film, no touch is lightly<br />

felt, and no hard-fought word<br />

taken for granted.


GALA<br />

SCREENINGS<br />

OPENING<br />

GALA FILM<br />

AFTERSUN<br />

CFF<br />

15<br />

United Kingdom & United States <strong>2022</strong> 102 mins<br />

DIRECTOR Charlotte Wells<br />

WITH Paul Mescal, Frankie Corio, Celia Rowlson-Hall<br />

How do you remember your father? When a young woman looks back at the VHS tapes of the<br />

last holiday she took with her dad Calum (Paul Mescal), the murky corners of memory suddenly<br />

light up, thanks to the art of filmmaking. Eleven-year-old Soph (Frankie Corio) is curious and<br />

valiant, a match for Calum’s taciturn gloom, amidst a seemingly endless summer somewhere in<br />

Turkey. Charlotte Wells delivers her first feature wrapped in a melancholic glow, as Aftersun is a<br />

film on the cusp of crisp light in shadowplay and sticky reminiscence.<br />

print source MUBI<br />

In a masterful feature debut,<br />

Scottish director Charlotte<br />

Wells creates a compelling<br />

study of how fundamentally<br />

unknowable our loved<br />

ones are.<br />

JENNA MAHALE<br />

i-D<br />

FRI<br />

21<br />

20:30<br />

TUE<br />

25<br />

18:00<br />

ALL THE BEAUTY AND THE BLOODSHED<br />

USA <strong>2022</strong> 117 MINS<br />

DIRECTOR Laura Poitras<br />

WITH Nan Goldin<br />

You may know Nan Goldin as a stellar name in the canon of contemporary American<br />

photography – and that she is – but Oscar-winning documentary filmmaker Laura Poitras<br />

(CitizenFour) invites you on an emotional journey through the artist’s life, as narrated by herself.<br />

Winner of the Golden Lion at the Venice film festival, All the Beauty and the Bloodshed is always<br />

guided by Goldin’s voice, unflinching and honest, paired with snapshots and slideshows, such<br />

as her most famous Nan Goldin: The Ballad of Sexual Dependency and never-before-seen footage<br />

of the activist group she founded with the aim to confront the Sackler family for funding and<br />

fuelling the opioid crisis.<br />

Laura Poitras levels up with a devastating work of shocking intelligence and still greater<br />

emotional power.<br />

SOPHIE MONKS KAUFMAN, INDIEWIRE<br />

PRINT SOURCE<br />

Altitude <strong>Film</strong>s<br />

SUN<br />

23<br />

20:35<br />

CFF<br />

15<br />

WED<br />

26<br />

15:55<br />

BLUE JEAN<br />

UK <strong>2022</strong> 135 mins<br />

CFF<br />

15<br />

DIRECTOR Georgia Oakley<br />

WITH Rosy McEwen, Kerrie Hayes, Lydia Page,<br />

Stacy Abalogun<br />

WED<br />

26<br />

20:30<br />

THU<br />

27<br />

20:25<br />

Georgia Oakley’s Blue Jean takes us to Tyneside in 1980s, as<br />

the Section 28 bill is passed by Thatcher’s government, which<br />

instructs schools not to promote homosexuality. Lesbian<br />

Physical Education teacher Jean (Rosy McEwen) spends her<br />

time between work at the local school, and evenings at the<br />

gay club with her mates and girlfriend Viv (Kerrie Hayes). The<br />

film shifts between the liberal atmosphere of the bar, and<br />

the claustrophobia of the classroom, where the curiosity of<br />

students threatens to reveal Jean’s hidden sexuality.<br />

PRINT SOURCE Altitude <strong>Film</strong>s<br />

Start off your <strong>Cambridge</strong> <strong>Film</strong><br />

<strong>Festival</strong> week in style, with the<br />

glamour of our Gala screenings!<br />

Featuring noteworthy performances from<br />

Vicky Krieps, Paul Mescal, Jim Gaffigan<br />

and Rosy McEwen, catch these exclusive<br />

previews before anyone else, and embrace<br />

the magic of the big screen experience<br />

once again.<br />

TRIANGLE OF SADNESS<br />

Sweden, Germany, France & Denmark <strong>2022</strong> 147 Mins<br />

DIRECTOR Ruben Östlund<br />

WITH Harris Dickinson, Charlbi Dean, Dolly De Leon, Zlatko Burić, Woody Harrelson<br />

Ruben Östlund delivers his second Palme d’Or-winning film only five years after the devastating<br />

satire The Square. With Triangle of Sadness, he turns to other creative industries: fashion and<br />

advertising. A successful catwalk audition results in an invitation for a trip aboard a luxury<br />

yacht and hilarity ensues as disaster befalls its super rich passengers. Hoping to sail away<br />

from their mundane relationship troubles Carl (Harris Dickinson) and Yaya (Charlbi Dean)<br />

board a luxurious cruise with their social media capital and tempered hysterics. Östlund never<br />

shies away from social criticism but he cares enough about people to ensure his audiences<br />

have a jolly good time. Triangle of Sadness is no exception to the rule: here, we have Woody<br />

Harrelson as a captain who is fond of a tipple, Nutella being helicoptered in on board and<br />

golden toilet bowls.<br />

print source Curzon <strong>Film</strong><br />

CFF<br />

15<br />

SAT<br />

22<br />

20:30<br />

TUE<br />

25<br />

20:25<br />

CORSAGE<br />

6 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 7<br />

CFF<br />

15<br />

Austria, France, Luxembourg & Germany <strong>2022</strong> 112 mins<br />

French, German, English and Hungarian with English subtitles<br />

DIRECTOR Marie Kreutzer<br />

WITH Vicky Krieps, Florian Teichtmeister, Katharina Lorenz, Colin Morgan<br />

MON<br />

24<br />

20:25<br />

Carrying the elegance and wit from her role in Phantom Thread, Vicky Krieps returns as<br />

the rebellious Empress Elizabeth ‘Sisi’ of Austria in Marie Kreutzer’s Corsage. Set in 1877,<br />

Elizabeth is adored and admired for her sartorial elegance and beauty. However, she is<br />

about to turn 40 and the pressure to present as eternally youthful is mounting. Not one to<br />

bow to orders, she stirs up gossip and scandal throughout the court, taking trips abroad<br />

away from her loveless marriage and spending many long hours visiting the women at<br />

the local asylum. Kriep’s phenomenal portrayal of Sisi captures the determination of the<br />

Empress that made her so iconic and was awarded the Best Performance in this year’s<br />

Un Certain Regard competition at the Cannes <strong>Film</strong> <strong>Festival</strong>. If you enjoyed the daring and<br />

delightful dramas of Sofia Coppola’s Marie Antoinette and Yorgos Lanthimos’s The Favourite,<br />

this is not a film to miss!<br />

print source Picturehouse Entertainment<br />

WED<br />

26<br />

18:15<br />

LINOLEUM<br />

CFF<br />

12A<br />

TUE<br />

25<br />

20:35<br />

USA <strong>2022</strong> 101 MINS<br />

DIRECTOR Colin West<br />

WITH Jim Gaffigan, Rhea Seehorn, Katelyn Nacon<br />

THU<br />

27<br />

18:25<br />

Colin West’s follow-up to his ghostly Double Walker takes you<br />

on an existential trip where questions count more than the<br />

answers you can be given. Jim Gaffigan (Tesla) and Rhea<br />

Seehorn (Better Call Saul) lead the film as a couple on the<br />

brink of divorce when something extraordinary happens.<br />

A bizarre series of events intervene and change their life<br />

overnight, and what a life that is! Linoleum is a black comedy<br />

concerned with the big stuff – ageing, regret, and how to<br />

face yourself in the darkest pits of despair with a sprinkle of<br />

humorous acceptance.<br />

print source Blue Fox Entertainment


INTERNATIONAL<br />

FESTIVAL HIGHLIGHTS<br />

UK<br />

P R E M I E R E<br />

LITTLE NICHOLAS, HAPPY AS CAN BE<br />

LE PETIT NICOLAS: QU’EST-CE QU’ON ATTEND POUR ÊTRE HEUREUX?<br />

France & Luxembourg <strong>2022</strong> 80 mins<br />

French with English subtitles<br />

DIRECTORS Amandine Fredon & Benjamin Massoubre<br />

WITH Alain Chabat, Laurent Lafitte, Simon Faliu<br />

Immersing its audience in the playful delights of creativity, Little Nicholas, Happy As Can Be, brings to life one of<br />

the most iconic figures of French children’s literature, against a nostalgic backdrop of 1950s France. Winner of the<br />

Cristal Award for a Feature <strong>Film</strong> at the Annecy <strong>Festival</strong>, the film tells the story of the invention of cheeky schoolboy<br />

Nicholas and his classmates by writer René Goscinny and cartoonist Jean-Jacques Sempé. As their friendship and<br />

collaboration develop, the boundaries between their lives and their stories’ imaginary world are blurred. We watch<br />

each sketch take form, transporting us into Nicholas’s adventures. For fans of the original stories, the film perfectly<br />

captures their humorous atmosphere, cleverly translating Sempé’s drawings into animation. For those discovering<br />

the characters for the first time, this is the perfect introduction to their offbeat appeal and the chance to spend time<br />

with both creators and creations in a watercolour version of New Wave Paris.<br />

PRINT SOURCE<br />

Charades<br />

CFF<br />

U<br />

SAT<br />

22<br />

18:10<br />

SUN<br />

23<br />

10:45<br />

BOY FROM HEAVEN<br />

Sweden, France & Finland <strong>2022</strong> 125 mins<br />

Arabic with English subtitles<br />

CFF<br />

15<br />

DIRECTOR Tarik Saleh<br />

WITH Tawfeek Barhom, Fares Fares, Mehdi Dehbi<br />

Director Talek Saleh takes us on a riveting journey in his latest<br />

thriller set in Cairo. From a rural village, fisherman’s son<br />

Adam (Tawfeek Barhom) is invited to study at the prestigious<br />

Al-Azhar University, a renowned institution for Sunni Muslims.<br />

Despite trying to keep focused on his work, the death of the<br />

university’s Grand Imam and murder of another student,<br />

drags Adam into a fight for power between the various<br />

student groups and institute’s leaders, fuelled by government<br />

interference. The young man unwittingly becomes a spy for<br />

agent Colonel Ibrahim (Fares Fares) and must navigate the<br />

moral dilemmas thrown at him and how he feels about his<br />

faith, in an effort to survive the crossfire.<br />

PRINT SOURCE Picturehouse Entertainment<br />

UK<br />

P R E M I E R E<br />

SAT<br />

22<br />

18:00<br />

THU<br />

27<br />

20:45<br />

CLOSE<br />

CFF<br />

15<br />

Belgium, Netherlands & France <strong>2022</strong> 104 Mins<br />

Dutch, French and Flemish with English subtitles<br />

DIRECTOR Lukas Dhont<br />

WITH Eden Dambrine, Gustav De Waele, Émilie Dequenne, Léa Drucker<br />

SUN<br />

23<br />

14:00<br />

TUE<br />

25<br />

15:55<br />

Flemish director Lukas Dhont scooped the Grand Prix at the Cannes <strong>Film</strong> <strong>Festival</strong> <strong>2022</strong> with his<br />

heartrending follow-up to his 2018 debut Girl (which won the Caméra d’Or and the Queer Palm).<br />

Close follows in this promising trajectory for a filmmaker so indebted to exploring the sore<br />

depths of tenderness. With the new school year starting, pre-teen boys Léo (Eden Dambrine) and<br />

Rémy (Gustav De Waele) are forced to emotionally reconfigure their closeness under the gaze of<br />

others. Surveilled and questioned, the two navigate the path towards growing up and growing<br />

apart with eye-watering impulsivity, as they learn how to articulate a growing feeling.<br />

PRINT SOURCE MUBI<br />

Programmed from film festivals<br />

around the globe including Cannes,<br />

Sundance, Annecy and the Berlinale,<br />

don’t miss some of the most exceptional,<br />

award-winning films from the circuit<br />

this year. This strand showcases political<br />

thrillers, heartwarming animations and<br />

breathtaking dramas, including Lola<br />

Quivoron’s fiery debut, Lukas Dhont’s<br />

moving sophomore film and Tarik Saleh’s<br />

latest gripping feature.<br />

Check out page 14 for details on our screening of Berlin’s<br />

Golden Bear Winner Alcarràs, presented as part of our<br />

Camera Catalonia strand.<br />

RETURN TO DUST<br />

隐 入 尘 烟 , YIN RU CHEN YAN<br />

CHINA <strong>2022</strong> 133 mins<br />

Chinese with English subtitles<br />

DIRECTOR Li Ruijun<br />

WITH Wu Renlin, Hai Qing<br />

CFF<br />

15<br />

Having reached middle age still single, farmer Ma Youtie (Wu Renlin) and Cao<br />

Guiying (Hai Qing) must agree to an arranged marriage by their families, in this<br />

tender story of companionship, shot in the Gansu province of China. Traditional<br />

farming is a brutal practice, as the pair spend long hours working the land, with<br />

Ma caring for Cao, who is disabled and suffers with incontinence, and in turn,<br />

Cao standing up for her husband when he is exploited by the locals. For his sixth<br />

film, director Li Ruijun explores the impact of urbanisation in rural communites,<br />

while observing the bond between two lonely people.<br />

PRINT SOURCE Modern <strong>Film</strong>s<br />

SAT<br />

22<br />

20:10<br />

WED<br />

26<br />

20:40<br />

A COMPASSIONATE SPY<br />

UK & USA <strong>2022</strong> 101 MINS<br />

NEPTUNE FROST<br />

8 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 9<br />

CFF<br />

12A<br />

DIRECTOR Steve James<br />

WITH Ted Hall, Joan Hall, Ruth London, Sarah Hall,<br />

Sarah Sax, Boria Sax<br />

In 1944, 18-year-old Harvard undergraduate Ted Hall was<br />

hired to work on the Manhatttan Project, in a race to create<br />

a nuclear bomb before Germany did. Concerned about the<br />

threat the weapon held, the young physicist made the decision<br />

to secretly pass on information about it’s construction to the<br />

Soviet Union. This documentary, featuring archival footage<br />

and new inteviews, explores the impact of Hall’s decision,<br />

including his marriage to fellow student Joan, who kept his<br />

secret across their 50-year marriage, while enduring FBI<br />

surveillance and intimidation. This is a rare insight into a reallife<br />

spy story.<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

SAT<br />

22<br />

15:05<br />

WED<br />

26<br />

13:40<br />

CFF<br />

15<br />

TUE<br />

25<br />

18:15<br />

Rwanda & USA 2021 109 MINS<br />

Kinyarwanda, Kirundi, Swahili, French and English with<br />

English subtitles<br />

THU<br />

27<br />

16:15<br />

DIRECTORS Saul Williams & Anisia Uzeyman<br />

WITH Cheryl Isheja, Bertrand Ninteretse, Eliane Umuhire<br />

Sci-fi films are a dime a dozen and musicals have long been<br />

a cinema mainstay. Neptune Frost is the rare movie that’s<br />

both, with a hefty helping of Afro-futurism for good measure.<br />

Co-directed by Saul Williams and Anisia Uzeyman, its focus is<br />

on an intersex African hacker and a coltan miner who attempt<br />

to overthrow a regime that’s bent on exploiting the region’s<br />

natural resources and its people. With gorgeous, eye-popping<br />

cinematography, stunning costuming, and catchy music that<br />

unveils itself organically throughout the narrative, Neptune<br />

Frost is bursting with creativity and imagination from its very<br />

first frame that’s impossible to deny.<br />

print source Anti-Worlds Releasing


INTERNATIONAL<br />

FESTIVAL HIGHLIGHTS<br />

RODEO<br />

CFF<br />

15<br />

RODÉO<br />

France <strong>2022</strong> 105 Mins<br />

French with English subtitles<br />

DIRECTOR Lola Quivoron<br />

WITH Julie Ledru, Yannis Lafki, Antonia Buresi<br />

Rodeo is an electric feature debut from newcomer Lola<br />

Quivoron. In this French dirt-rider drama lone wolf Julia (Julie<br />

Ledru) takes off from her hostile housing estate and winds up<br />

in the midst of an all-male motocross ‘rodeo’ meet. Determined<br />

to join this wild bunch, a few sympathetic guys teach her some<br />

tricks and bring her into the group, yet she is unaware of the<br />

illegal underground operations the crew runs. The world of<br />

misfit bikers is vibrant and volatile, with Quivoron focusing on<br />

the pressures of social inequality and Julia’s perseverance to<br />

prove herself in a masculine-dominated urban community.<br />

This is a feisty coming-of-age story that weaves in mystery<br />

and crime, led by a headstrong protagonist and plenty of<br />

fiery action-packed heists and stunts.<br />

print source Curzon <strong>Film</strong><br />

MORE THAN EVER<br />

CFF<br />

15<br />

MON<br />

24<br />

18:20<br />

TUE<br />

25<br />

18:10<br />

PLUS QUE JAMAIS<br />

France, Germany, Luxembourg & Norway <strong>2022</strong> 123 Mins<br />

French, English & Norwegian with English subtitles<br />

DIRECTOR Emily Atef<br />

WITH Vicky Krieps, Gaspard Ulliel, Bjørn Floberg<br />

TUE<br />

25<br />

16:05<br />

THU<br />

27<br />

18:20<br />

What do the dying owe the living, and vice versa? This question<br />

is explored through the story of Hélène and Mathieu, a couple<br />

with a loving bond who must confront Hélène’s life-threatening<br />

illness. Feeling constrained by Mathieu’s expectations, Hélène<br />

makes a journey to a remote Norwegian fjord, offering her<br />

new perspectives. Somehow both intimate and elusive,<br />

Vicky Krieps’ performance is quietly extraordinary, while the<br />

late Gaspard Ulliel is poignantly brilliant as the struggling<br />

husband. Taking us, with Hélène, out of expected medical<br />

surroundings into contact with nature, the film opens a space<br />

for new conversations about death, and life.<br />

PRINT SOURCE Modern <strong>Film</strong>s<br />

ARMAGEDDON TIME<br />

United States & Brazil <strong>2022</strong> 115 Mins<br />

SICK OF MYSELF<br />

SYK PIKE<br />

Norway & Sweden <strong>2022</strong> 95 mins<br />

Norwegian with English subtitles<br />

CFF<br />

15<br />

DIRECTOR Kristoffer Borgli<br />

WITH Kristine Kujath Thorp, Eirik Sæther<br />

SUN<br />

23<br />

18:25<br />

CFF<br />

15<br />

DIRECTOR James Gray<br />

WITH Anne Hathaway, Jeremy Strong, Anthony Hopkins,<br />

Banks Repeta, Jessica Chastain<br />

Writer/director James Gray is a little more earthbound for<br />

his follow up to Ad Astra, but Armageddon Time is no less<br />

immersive. Because this isn’t a sequel to Michael Bay’s 1998<br />

disaster film Armageddon, but a partially autobiographical<br />

coming-of-age tale that focuses on a Jewish family growing<br />

up in the 1980s. It’s got a lot on its mind – themes of family,<br />

friendship, and the pursuit of the American Dream are all<br />

satisfyingly explored – and with the likes of Anthony Hopkins,<br />

Jessica Chastain, Anne Hathaway, and Jeremy Strong, an<br />

enviable cast to make that journey all the more moving.<br />

print source Universal Pictures<br />

FRI<br />

21<br />

18:10<br />

WED<br />

26<br />

18:10<br />

SUN<br />

23<br />

16:05<br />

Twenty-something Signe (Kristine Kujath Thorp, Ninjababy)<br />

is anything but careful with her wishes and is dead set on<br />

outperforming her boyfriend Thomas, whose (con)artistic<br />

career is taking off. In his feature fiction debut, Kristoffer Borgli<br />

holds nothing back as we follow Signe all the way down her<br />

rabbit hole, including the dreams, fears and anxious interludes<br />

of an always online millenial. The film is both brutally funny<br />

and funnily brutal. Also, keep your eyes peeled for an Anders<br />

Danielsen Lie (The Worst Person in the World) cameo. Indeed,<br />

Sick of Myself might be the Norwegian film of the year.<br />

print source Modern <strong>Film</strong>s<br />

BECOME OUR FRIEND<br />

(OR A PATRON!)<br />

By becoming a Friend of the<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>, you<br />

support not only the UK’s third<br />

longest-running film festival but<br />

also a year-round programme<br />

of activity and events bringing<br />

the best British and independent<br />

international cinema to<br />

<strong>Cambridge</strong> and the South<br />

East region.<br />

Becoming a Friend of CFF costs £50 per year. All friends<br />

receive regular friend emails, advanced notifications of<br />

upcoming festival events, and invitations to special events.<br />

CFF Friends also get access to discounts with a range of<br />

<strong>Festival</strong> partners, including BFI Player & BFI Southbank,<br />

and several independent <strong>Cambridge</strong> businesses!<br />

And, of course, a special Friend of the <strong>Festival</strong> lanyard<br />

AND a <strong>Film</strong> <strong>Festival</strong> memento!<br />

Find out more at<br />

cambridgefilmfestival.org.uk/support-us<br />

10 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 11<br />

or email<br />

joinus@cambridgefilmtrust.org.uk<br />

<strong>Cambridge</strong><br />

FILM FESTIVAL


Connection<br />

& disconnection<br />

UK<br />

P R E M I E R E<br />

BEAUTIFUL BEINGS<br />

BERDREYMI<br />

Iceland, Denmark, Sweden, Netherlands & Czech Republic <strong>2022</strong> 123 mins<br />

Icelandic with English subtitles<br />

DIRECTOR Guðmundur Arnar Guðmundsson<br />

WITH Birgir Dagur Bjarkason, Áskell Einar Pálmason, Viktor Benóný Benediktsson<br />

CFF<br />

15<br />

This stunning coming-of-age story from Iceland has a freshness and immediacy that delivers<br />

an unforgettable cinematic experience. Beautiful Beings takes us away from the familiar rural<br />

settings of many Icelandic films into the city and the experiences of a group of four teenage boys.<br />

Coming from often dysfunctional homes, they forge friendships marked by banter and bravado.<br />

The film doesn’t flinch from the raw brutality they face and instigate, but it also has surprising<br />

moments of tenderness. Brilliant, nuanced performances from the young leads and beautiful<br />

photography, which provides a poetic sensibility, make this a powerful, unmissable film.<br />

print source New Europe <strong>Film</strong> Sales<br />

FRI<br />

21<br />

18:05<br />

Beautiful Beings brings up the<br />

questions: What is true<br />

friendship? Can boys who<br />

seem like bad influences<br />

still be good friends? And<br />

finally, how do you find your<br />

own path? What is the<br />

importance of listening to<br />

one’s intuition?<br />

GUÐMUNDUR ARNAR<br />

GUÐMUNDSSON<br />

WED<br />

26<br />

15:45<br />

FATHER’S DAY<br />

CFF<br />

15<br />

Rwanda <strong>2022</strong> 111 Mins<br />

Kinyarwanda with English subtitles<br />

SUN<br />

23<br />

12:30<br />

DIRECTOR Kivu Ruhorahoza<br />

WITH Mediatrice Kayitesi, Aline Amike, Cedric Ishimwe,<br />

Yves Kijyana, André Musagara<br />

TUE<br />

25<br />

14:00<br />

Father’s Day, the fourth feature film from Rwandan director Kivu<br />

Ruhorahoza, is divided into three storylines. In one, struggling<br />

masseuse Zaninka (Médiatrice Kayitesi) grieves the loss of<br />

her son and distances herself from her husband; in another,<br />

small-time thief Karara (Yves Kijyana) drags his son into his<br />

life of crime; and one more story focuses on Mukobwa (Aline<br />

Amike), who grapples with whether or not to be an organ donor<br />

for her murderous father, who she’s never loved. The theme of<br />

paternity and its power runs through each of the narratives, as<br />

clever connections between characters are revealed.<br />

PRINT SOURCE IYUGI Productions<br />

IN BALANCHINE’S CLASSROOM<br />

USA 2021 88 MINS<br />

DIRECTOR Connie Hochman<br />

WITH George Balanchine, Edward Villella, Jacques d’Amboise, Merrill Ashley, Heather Watts<br />

Documentary filmmaker and ex-professional ballerina Connie Hochman spins us into the world<br />

of George Balanchine, one of the most influential choreographers of the 20th Century, during his<br />

days at the New York City Ballet company. He was a teacher with many disciples, who eagerly<br />

followed his teachings, but also had to adjust to his unorthodox methods, intense presence, and<br />

keep up with a man who pushed the limits of dance. The footage of Balanchine watching over<br />

his classes feels almost ethereal, his grunts and gestures demanding the direction of movement<br />

with little explanation.<br />

Former ballet dancers grasp at words to describe the genius of George Balanchine in this<br />

charming documentary.<br />

TEO BUGBEE THE NEW YORK TIMES<br />

PRINT SOURCE<br />

The <strong>Film</strong> Sales Company<br />

CFF<br />

12A<br />

FRI<br />

21<br />

16:35<br />

SUN<br />

23<br />

12:15<br />

UK<br />

P R E M I E R E<br />

UK<br />

P R E M I E R E<br />

As the ebb and flow of society<br />

changes, these films capture the<br />

fluxuation of time and memory,<br />

as we seek out new relationships,<br />

heal past wounds and set out on our<br />

own journeys. This strand includes<br />

a coming-of-age tale from Iceland,<br />

stories of patriarchy and loss from<br />

Rwanda, a pregnancy dilemma from<br />

the United States and an almostmurder<br />

mystery from Slovenia.<br />

CHERRY<br />

CFF<br />

12A<br />

USA <strong>2022</strong> 76 Mins<br />

DIRECTOR Sophie Galibert<br />

WITH Alex Trewhitt, Dan Schultz, Joe Sachem, Alice Bang<br />

FRI<br />

21<br />

14:55<br />

SAT<br />

22<br />

16:15<br />

THU<br />

27<br />

16:25<br />

When 25-year-old Cherry discovers she is 10 weeks pregnant, she has a few urgent decisions<br />

to make. Drifting between her job at the costume shop, rollerblading dance team, semiserious<br />

boyfriend and still living with her parents, the young protagonist is caught between a<br />

curiosity for motherhood and a desire to follow her unfulfilled dreams. Inspired by the likes of<br />

Agnès Varda, Noah Baumbach and Andrea Arnold, Sophie Galibert’s debut feature is a bold,<br />

bright love letter to not quite having life figured out yet and is a reminder of the rights and<br />

empowerment women deserve over their bodies.<br />

print source Cherry <strong>Film</strong> LLC<br />

INVENTORY<br />

KLOKKENLUIDER<br />

12 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 13<br />

CFF<br />

15<br />

INVENTURA<br />

SOLVENIA <strong>2022</strong> 106 MINS<br />

Slovenian with English subtitles<br />

FRI<br />

21<br />

12:45<br />

DIRECTOR Darko Sinko<br />

WITH Radoš Bolčina, Mirel Knez, Dejan Spasić<br />

SAT<br />

22<br />

11:15<br />

SUN<br />

23<br />

20:20<br />

Boris Robič (Radoš Bolčina) is an ordinary man, with a good<br />

job, nice family and simple life. Or so he thought, until someone<br />

tries to shoot him in his own home. As the police conduct their<br />

investigation, friends, colleagues and neighbours begin to<br />

gossip and ask nosy questions, adamant that Boris is hiding<br />

something or up to no good. Plagued by paranoia, Boris tries to<br />

keep it together, but who can you trust when suddenly everyone<br />

you know is a suspect? This slick Slovenian psychological<br />

drama is an amusing slow burn, with unsuspecting twists and<br />

turns, and a host of curious characters.<br />

PRINT SOURCE December<br />

CFF<br />

15<br />

UK <strong>2022</strong> 85 MINS<br />

DIRECTOR Neil Maskell<br />

WITH Amit Shah, Tom Burke, Jenna Coleman<br />

SAT<br />

22<br />

20:05<br />

MON<br />

24<br />

18:25<br />

One government whistle-blower, his slightly panicked partner,<br />

two bumbling bodyguards, and a no-nonsense journalist,<br />

all sent to a remote Belgian cottage - what on earth is going<br />

on? Actor-turned-director Neil Maskell, plunges us into this<br />

strange scenario of high-stakes secrets, with a healthy side of<br />

humorous British awkwardness, as a group of very different<br />

individuals are forced to endure each other’s company in an<br />

overly extravagant house, while occasionally watching armed<br />

tanks go by. Klokkenluider’s stellar cast includes Amit Shah,<br />

Tom Burke and Jenna Coleman, who embrace this bizarre<br />

yet gripping story, which takes some very unexpected twists<br />

and turns.<br />

PRINT SOURCE MarVista/Endeavor


Camera<br />

catalonia<br />

ALCARRÀS<br />

CFF<br />

15<br />

Spain, Italy <strong>2022</strong> 120 mins<br />

Catalan and Spanish with English subtitles<br />

SUN<br />

23<br />

18:00<br />

DIRECTOR Carla Simón<br />

WITH Jordi Pujol Dolcet, Anna Otín, Xènia Roset, Albert Bosch, Ainet Jounou, Josep Abad<br />

MON<br />

24<br />

15:20<br />

We are very proud to programme this year’s Golden Bear Winner, which confirms director Carla<br />

Simón as one of the most talented and interesting new young directors to come from Catalonia.<br />

Alcarràs is an affectionate and realistic portrayal of rural life in Catalonia. The impending<br />

eviction of a family from the land they have worked on for many decades is the trigger of<br />

conflicting emotions amongst the several family members. Simón is not so much interested in<br />

traditional narrative, as providing a naturalistic view of reality through the eyes of the different<br />

characters and how each of them live and feel the threat to their livelihood (peach farming). The<br />

meticulous casting of non-professional actors is fundamental in achieving a real and truthful<br />

portrayal, and the warm photography captures the beauty of the farmland and the emotions in<br />

the faces of the extended family, young and old.<br />

print source MUBI<br />

UK<br />

P R E M I E R E<br />

MEN’S COOKING<br />

CFF<br />

PG<br />

LA CUINA DELS HOMES<br />

SPAIN <strong>2022</strong> 93 MINS<br />

Catalan and Spanish with English subtitles<br />

DIRECTOR Sílvia Subirós<br />

SUN<br />

23<br />

18:20<br />

THU<br />

27<br />

14:45<br />

Although kitchens have always been a domestic territory<br />

typically associated with women, the professional culinary<br />

world has been mostly dominated by men. Using the example<br />

from her own family of famous chefs, Sílvia Subirós reflects on<br />

patriarchal society and the pernicious influence of Franco’s<br />

dictatorship in women’s rights. Subirós combines old 8mmfilmed<br />

family footage with other family objects and memories<br />

to reflect on family relationships, Catalan gastronomy, and<br />

the unfairness of patriarchal societies, which render women<br />

invisible. The director’s detailed and moving examination of<br />

the filmed snippets of the grandparents she never met are a<br />

true example of the power of cinema.<br />

PRINT SOURCE Cornelius <strong>Film</strong>s<br />

PACIFICTION<br />

CFF<br />

15<br />

France, Spain, Germany & Portugal <strong>2022</strong> 162 MINS<br />

French with English subtitles<br />

DIRECTOR Albert Serra<br />

WITH Benoît Magimel, Sergi López, Cécile Guilbert, Pahoa Mahagafanau<br />

MON<br />

24<br />

20:15<br />

THU<br />

27<br />

11:05<br />

On the French Polynesian island of Tahiti, The High Commissioner of the Republic is an astute<br />

diplomat with perfect manners and oratory. A rumour suggests that French nuclear tests are<br />

resuming on the island and this threatens social stability. Catalan maverick filmmaker Albert<br />

Serra has directed what is considered to be his most accessible film to date. However, under<br />

what appears to be a political thriller (or anti-thriller as Serra prefers to call it) lies a hypnotic<br />

dissection of European political decadence and the dreadful legacy of colonialism. The<br />

eroticism of both political power and sex lure humans into their realms, which at times become<br />

difficult to distinguish in this subversive and captivating cinematic proposal.<br />

PRINT SOURCE New Wave <strong>Film</strong>s<br />

UK<br />

P R E M I E R E<br />

UK<br />

P R E M I E R E<br />

We are proud to present this year’s<br />

Golden Bear winner, Alcarràs. Five<br />

other films complete our assortment of<br />

Catalan cinema, including internationally<br />

renowned director Albert Serra’s last<br />

film; a fresh Mediterranean comedy; a<br />

compelling film about the Syrian war from<br />

the female perspective; and a little known<br />

episode of the Second World War set in the<br />

Pyrenees.<br />

Supported by<br />

THE BURNING COLD<br />

CFF<br />

18<br />

EL FRED QUE CREMA<br />

Spain & ANDORRA <strong>2022</strong> 117 Mins<br />

Catalan, Spanish and German with English subtitles<br />

DIRECTOR Santi Trullenque<br />

WITH Greta Fernandez, Roger Casamajor, Daniel Horvath<br />

SAT<br />

22<br />

13:35<br />

TUE<br />

25<br />

13:35<br />

This film covers a little-known aspect of World War II and the Jewish Diaspora - the escape of<br />

Jews through Andorra, a small country in the Pyrenees, whose only official language is Catalan.<br />

When a Jewish family has to find shelter in a village, tensions arise amongst the villagers, some<br />

of them also fighting for survival in very harsh conditions. This is Santi Trullenque’s first film<br />

and he has acknowledged taking inspiration from Werner Herzog in terms of the role forces of<br />

nature play in the film and the difficulties of the shoot itself, in the harsh winter of snowy and<br />

breathtaking Andorra.<br />

PRINT SOURCE <strong>Film</strong>ax<br />

WE WON’T KILL EACH OTHER WITH GUNS<br />

NOSALTRES NO ENS MATAREM AMB PISTOLES<br />

SPAIN <strong>2022</strong> 85 mins<br />

Catalan and Spanish with English subtitles<br />

DIRECTOR Maria Ripoll<br />

WITH Ingrid García Jonsson, Joe Manjon, Elena Martín, Lorena López, Carlos Troya<br />

Five good friends, who have not seen each other for quite a while, reunite in the village where<br />

they grew up. What starts as just a friendly paella lunch catch up, develops into an opportunity<br />

to air unresolved matters and personal frustrations, which explode in a cathartic party at night.<br />

This film, like the paella, contains many ingredients - some are those we expect to find in ‘friends<br />

reunion’ films, with comedy and drama, but there are added Mediterranean spices in the<br />

heightened emotions and the rawness of some of the confrontations. Maria Ripoll, whose film<br />

Traces of Sandalwood we programmed some years ago, shows a very good command of comedic<br />

timing with many hilarious scenes throughout the film.<br />

PRINT SOURCE <strong>Film</strong>ax<br />

14 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 15<br />

SINJAR<br />

CFF<br />

18<br />

FRI<br />

21<br />

11:30<br />

Iraq, Turkey & Spain <strong>2022</strong> 127 Mins<br />

Arabic, Catalan, Kurdish and Spanish with English subtitles<br />

DIRECTOR Anna M. Bofarull<br />

WITH Nora Navas, Halima Ilter, Eman Eido, Guim Puig<br />

WED<br />

26<br />

18:00<br />

The Syrian war is the background to the separate stories of<br />

three women affected by it in different and painful ways.<br />

During the ISIS invasion of Sinjar, Hadia (Halima Ilter) is<br />

enslaved and held captive with her children; another young<br />

woman escapes and joins the resistance as a fighter; and in<br />

Barcelona, Carlota (Nora Navas) searches for her disappeared<br />

son. These stories are told from a female perspective and<br />

writer/director Anna Bofarull achieves a sense of natural<br />

realism by filming in real locations in Iraqi Kurdistan, and the<br />

poignant fact that one of the actresses was abducted by the<br />

Islamic State as a young girl.<br />

PRINT SOURCE <strong>Film</strong>ax<br />

FRI<br />

21<br />

16:25<br />

SUN<br />

23<br />

10:45<br />

CFF<br />

18


THE LURE<br />

CFF<br />

15<br />

Poland 2015 92 MINS<br />

Polish with English subtitles<br />

DIRECTOR Agnieszka Smoczyńska<br />

WITH Marta Mazurek, Michalina Olszanska, Kinga Preis<br />

You better believe it – this is the only Polish mermaid horror musical in film history! In a daring debut, director Agnieszka<br />

Smozcyńska presents us with Silver (Marta Mazurek) and Golden (Michalina Olszanska) – two mermaid sisters who end up on<br />

the river bank in Warsaw, sometime in the late 1980s. Through their eyes, we witness a lavish (but also hellish) underground<br />

cabaret, where they become the new main attraction. Yes, one of them falls in love with a boy. Yes, she wants to lose the tail<br />

and become human for him. The Lure is The Little Mermaid as you’ve never seen her before.<br />

PRINT SOURCE Park Circus<br />

SAT<br />

22<br />

18:15<br />

JENNIFER’S BODY 15<br />

USA 2009 102 mins<br />

DIRECTOR Karyn Kusama<br />

WITH Megan Fox, Amanda Seyfried, Adam Brody<br />

FRI<br />

21<br />

16:00<br />

A perfect movie for Halloween, Jennifer’s Body tells the story<br />

of Needy (Amanda Seyfried), whose best friend, popular<br />

cheerleader Jennifer (Megan Fox), starts behaving very<br />

oddly after a violent encounter with a local band on a night<br />

out. Events quickly take an horrific turn, can Needy stop<br />

Jennifer in time? Incorrectly marketed upon its release, in<br />

recent years Jennifer’s Body has undergone a major critical<br />

re-evaluation and is now considered a significant addition<br />

to the modern feminist cinematic canon. Led by strong<br />

performaces from Amanda Seyfried and Megan Fox, enjoy<br />

Diablo Cody’s darkly comic story this spooky season.<br />

print source <strong>Film</strong>bankmedia<br />

Jennifer’s Body was always<br />

good, and everyone just now is<br />

starting to get on its level.<br />

CONSTANCE GRADY<br />

VOX<br />

LET THE RIGHT ONE IN 15<br />

LÅT DEN RÄTTE KOMMA IN<br />

Sweden 2008 114 mins<br />

Swedish with English subtitles<br />

WED<br />

26<br />

20:50<br />

DIRECTOR Tomas Alfredson<br />

WITH Lina Leandersson, Kåre Hedebrant, Per Ragnar<br />

If you’re expecting a standard vampire film, you’re in for a<br />

wonderful surprise, as this is so much more. It will take your<br />

breath away. In a cold Stockholm suburb where strange<br />

and frightening things are happening, a young boy falls in<br />

love with his new neighbour’s daughter. She just happens<br />

to be a vampire. And so unfolds a tale of friendship and<br />

revenge, both heartbreakingly poignant and casually<br />

brutal. With gorgeous cinematography and standout<br />

performances, this is quite simply a modern masterpiece.<br />

print source EOne<br />

Consider your late nights taken care of, your<br />

nightmares soothed. With these cult classics<br />

and fresh blood contemporary offerings,<br />

we invite you to embrace the monstrous<br />

within. In the search for non-conforming<br />

identities, these profoundly bold films<br />

explore alternative ways of thinking of<br />

our human bodies – beastly, supernatural,<br />

bloody, vampiric – but always embraced<br />

and accepted.<br />

DONNIE DARKO 15<br />

USA 2001 113 mins<br />

FRI<br />

21<br />

20:05<br />

DIRECTOR Richard Kelly<br />

WITH Jake Gyllenhaal, Jena Malone, Maggie Gyllenhaal,<br />

James Duval<br />

Time bends in 1980s suburban America in Richard Kelly’s<br />

thought-provoking cult classic, where metaphysics<br />

blends with teen alienation. Donnie Darko (played by Jake<br />

Gyllenhaal in his star-making role) wakes up on the local<br />

golf course after a night of sleepwalking. He returns home to<br />

find he has escaped death as his bedroom has been crushed<br />

by the engine of an aeroplane in an unlikely aviation<br />

accident. Over the next few weeks life spirals out of control<br />

as he embarks on a crime spree encouraged by repeated<br />

hallucinations of Frank (James Duval), a disturbing rabbit<br />

figure, as well as falling in love with Gretchen (Jenna<br />

Malone), the new girl in town with a traumatic past. Donnie<br />

Darko’s reputation grew through home cinema viewing, do<br />

not miss the rare chance to see this film on the big screen.<br />

print source Arrow <strong>Film</strong>s<br />

16 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com<br />

#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 17


SCHEDULE OF FILMS<br />

THU 20 OCT<br />

Arts Picturehouse<br />

Screen 1<br />

20:30 The Banshees of 5<br />

Inisherin<br />

£3.00<br />

We know times are<br />

tough at the moment, to<br />

make a trip to the festival<br />

more affordable we are<br />

pleased to offer tickets<br />

for £3 for screenings<br />

before 1pm.<br />

BOOKING TICKETS<br />

Advance tickets can be purchased:<br />

ONLINE<br />

IN PERSON at the Arts Picturehouse<br />

FRI 21 OCT SAT 22 OCT<br />

SUN 23 OCT MON 24 OCT TUE 25 OCT WED 26 OCT Thu 27 OCT<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Arts Picturehouse<br />

Screen 1<br />

Screen 1<br />

Screen 1<br />

Screen 1<br />

Screen 1<br />

Screen 1<br />

Screen 1<br />

11:10 A Life on the Farm 23<br />

12:45 Inventory 13<br />

14:55 Cherry 12<br />

16:35 In Balanchine’s 13<br />

Classroom<br />

18:20 The Banshees of 5<br />

Inisherin<br />

20:30 Aftersun 6<br />

SCREEN 2<br />

12:30 The Hamlet Syndrome 21<br />

14:30 A Bunch of Amateurs 22<br />

16:25 We Won’t Kill Each 15<br />

Other With Guns<br />

18:10 Sick of Myself 10<br />

20:05 Donnie Darko 16<br />

SCREEN 3<br />

11:30 Sinjar 15<br />

14:25 Go Through the Dark 20<br />

16:00 Jennifer’s Body 17<br />

18:05 Beautiful Beings 12<br />

www.camfilmfest.com<br />

Adult £12.50<br />

Adult Picturehouse Member £10.50<br />

Retired/Student £11.50<br />

Retired/Student Picturehouse Member £9.50<br />

Child £6.50<br />

Matinee (1pm-5pm) £6.50<br />

Morning (10am-1pm) £3.00<br />

Please note, not all of the films in the <strong>Festival</strong> have<br />

been certificated by the BBFC, some have been<br />

given advisory certificates by the <strong>Festival</strong>.<br />

Please visit cambridgefilmfestival.org.uk/content-details<br />

for information about content and trigger warnings<br />

SILVER<br />

SCREEN<br />

Silver Screen is aimed at over 60s and<br />

includes a free hot drink and biscuits at<br />

selected Arts Picturehouse screenings that<br />

start before 17.00.<br />

11:15 Inventory 13<br />

13:25 Sirens 21<br />

15:05 A Compassionate Spy 9<br />

18:00 Boy from Heaven 9<br />

20:30 Triangle of Sadness 6<br />

Screen 2<br />

11:00 Nanny McPhee 25<br />

13:35 The Burning Cold 14<br />

16:15 Cherry 12<br />

18:10 Little Nicholas, 8<br />

Happy As Can Be<br />

20:05 Klokkenluider 13<br />

Screen 3<br />

12:50 The Show Must Go On 21<br />

14:10 The Hamlet Syndrome 21<br />

15:55 Seaside Special 23<br />

18:15 The Lure 16<br />

20:10 Return To Dust 8<br />

There are<br />

no adverts or<br />

trailers before<br />

the films<br />

at CFF.<br />

FF-RATED<br />

Launched in 2014 by our good friends at <strong>Film</strong>Bath, the<br />

F-Rating is applied to films by cinemas and film festivals,<br />

giving moviegoers an easily identifiable label, so they can<br />

choose films that fairly represent women on screen and<br />

behind the camera. Highlighting these films sends a clear<br />

message that women can and should have more than just a<br />

supporting role within the industry. Find out more about the<br />

F-Rating at f-rated.org.<br />

The F-Rating is applied to all films which are directed<br />

by women and/or written by women.<br />

The Triple F-Rating is the gold standard. It is applied<br />

to all films which have significant women on screen,<br />

as well as being directed and/or written by women.<br />

12:15 In Balanchine’s 13<br />

Classroom<br />

14:00 Close 9<br />

16:05 Sick of Myself 10<br />

18:00 Alcarràs 14<br />

20:35 All The Beauty and 7<br />

the Bloodshed<br />

Screen 2<br />

10:45 Little Nicholas, 8<br />

Happy As Can Be<br />

12:30 Father’s Day 13<br />

14:45 Perlimps 20<br />

16:20 Pushing Boundaries 21<br />

18:25 Armageddon Time 10<br />

20:40 Sense and Sensibility 24<br />

Screen 3<br />

10:45 We Won’t Kill Each 15<br />

Other With Guns<br />

12:30 Come With Me To The 22<br />

Cinema - The Gregors<br />

15:45 The Remains of the Day 25<br />

18:20 Men’s Cooking 15<br />

20:20 Inventory 13<br />

11:00 Shorts & Reactions 30<br />

12:50 Shorts & Vulnerability 31<br />

15:00 BFI Network x <strong>Film</strong> Hub 26<br />

South East Short <strong>Film</strong><br />

Showcase<br />

16:00 BFI Network x <strong>Film</strong> Hub 26<br />

South East Fund Facts<br />

17:00 The State of the Industry 27<br />

Panel - Making A Life In<br />

UK <strong>Film</strong><br />

18:20 Rodeo 10<br />

20:25 Corsage 7<br />

Screen 2<br />

11:15 Shorts & Animation 29<br />

13:00 Shorts & Questions 30<br />

15:20 Alcarràs 14<br />

18:25 Klokkenluider 13<br />

20:30 Surprise <strong>Film</strong> 4<br />

Screen 3<br />

11:05 Shorts & Judgement 29<br />

13:05 Shorts & Actuality 28<br />

15:05 The Show Must Go On 21<br />

16:25 A Life on the Farm 23<br />

18:00 A Bunch of Amateurs 22<br />

20:15 Pacifiction 15<br />

Anglia Ruskin University<br />

12:00 BFI NETWORK x <strong>Film</strong> 26<br />

Hub South East How To<br />

Programme Shorts<br />

11:35 Come With Me To The 22<br />

Cinema - The Gregors<br />

14:30 Perlimps 20<br />

16:05 Rodeo 10<br />

18:10 More Than Ever 10<br />

20:35 Linoleum 7<br />

Screen 2<br />

12:20 Shorts & Actuality 28<br />

14:00 Father’s Day 13<br />

16:15 Medusa Deluxe 22<br />

18:15 Neptune Frost 9<br />

20:25 Triangle of Sadness 6<br />

Screen 3<br />

13:35 The Burning Cold 14<br />

15:55 Close 9<br />

18:00 Aftersun 6<br />

The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> is<br />

committed to following the most<br />

up-to-date government guidance<br />

on Covid-19 to make your visit<br />

with us a safe one.<br />

We welcome masks in our venues.<br />

38-39 St Andrew’s Street,<br />

<strong>Cambridge</strong>, CB2 3AR<br />

www.picturehouses.co.uk<br />

The Arts Picturehouse screens a year-round programme of<br />

the best in new and classic cinema over three screens<br />

(including one THX-certificated for best quality sound).<br />

All screens are licensed, so you can take your drink<br />

from the café-bar in with you. You do not have to be a<br />

member to view films at the Arts Picturehouse, but if<br />

you are you’ll receive discounts on tickets.<br />

12:20 The Hamlet Syndrome 21<br />

14:05 Shorts & Judgement 29<br />

15:55 All The Beauty and 7<br />

the Bloodshed<br />

18:15 Corsage 7<br />

20:30 Blue Jean 7<br />

Screen 2<br />

11:50 Shorts & Vulnerability 31<br />

13:40 A Compassionate Spy 9<br />

15:45 Beautiful Beings 12<br />

18:10 Armageddon Time 10<br />

20:40 Return To Dust 8<br />

Screen 3<br />

12:45 Shorts & Reactions 30<br />

14:30 Late Night 24<br />

16:20 Sirens 21<br />

18:00 Sinjar 15<br />

20:50 Let the Right One In 17<br />

We look<br />

forward to<br />

welcoming guests to<br />

the festival, please check<br />

the website and our social<br />

media pages for the<br />

latest information.<br />

THE ARTS PICTUREHOUSE<br />

THE ARTS PICTUREHOUSE<br />

11:05 Pacifiction 15<br />

14:10 Pushing Boundaries 21<br />

16:15 Neptune Frost 9<br />

18:25 Linoleum 7<br />

20:30 The Silent Twins 5<br />

Screen 2<br />

11:30 Seaside Special 23<br />

14:45 Men’s Cooking 15<br />

16:25 Cherry 12<br />

18:05 Medusa Deluxe 22<br />

20:25 Blue Jean 7<br />

Screen 3<br />

11:40 Shorts & Animation 29<br />

13:15 Shorts & Questions 30<br />

15:10 Go Through the Dark 20<br />

16:45 A Life on the Farm 23<br />

18:20 More Than Ever 10<br />

20:45 Boy from Heaven 9<br />

18 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong>2021 camfilmfest.com<br />

#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 19


Resilience<br />

UK<br />

P R E M I E R E<br />

PERLIMPS<br />

CFF<br />

PG<br />

Brazil <strong>2022</strong> 80 mins<br />

Portuguese with English subtitles<br />

DIRECTOR Alê Abreu<br />

WITH Lorenzo Tarantelli, Guilia Benite, Stênio Garcia, Rosa Rosah, Nill Marcondes<br />

Claé and Bruó are secret agents working for enemy kingdoms, tracking mysterious creatures known as ‘perlimps’<br />

to save the Enchanted Forest. To succeed, they will have to overcome their differences and work together. This<br />

dreamlike and moving adventure will appeal to fans of Studio Ghibli: Perlimps shares the Japanese studio’s interest<br />

in eco-fables that encourage us to revel in and fight for the natural world. The animation is both original and<br />

beautiful: a lush Brazilian rainforest (under threat) is evoked through painterly brush strokes and gorgeous smudges<br />

in a spectrum of jewel-like colours, inspired by the papercuts of French painter Henri Matisse. Abreu’s previous<br />

film, Boy and the World (2013) was nominated for an Academy Award for Best Animated Feature. With Perlimps, the<br />

Brazilian director again creates a brilliantly imaginative world with a poignant environmental message.<br />

PRINT SOURCE Best Friend Forever<br />

SUN<br />

23<br />

14:45<br />

TUE<br />

25<br />

14:30<br />

UK<br />

P R E M I E R E<br />

THE HAMLET SYNDROME<br />

Poland & GERMANY <strong>2022</strong> 85 mins<br />

Ukranian with English subtitles<br />

CFF<br />

15<br />

FRI<br />

21<br />

12:30<br />

DIRECTORS Elwira Niewiera & Piotr Rosolowski<br />

WITH Slavik Gavianets, Katya Kotliarova, Roman Kryvdyk, Rodion Shuygin-<br />

Grekalov, Oxana Cherkashyna, Roza Sarkisian<br />

Set in the months leading up to the <strong>2022</strong> Russian invasion of Ukraine, this<br />

urgent documentary follows a group of young Ukrainians preparing for a play<br />

based on Shakespeare’s Hamlet, that explores the impact of conflict on their<br />

lives. They face up to moments of trauma from the war in Donbas, going from<br />

being a civilian to a soldier, and processing raw emotions together. This is a<br />

powerful and cathartic story, that finds hope in the harrowing moments and<br />

seeks to reconcile the past, while facing the uncertainty of the future.<br />

print source KFF Sales & Promotion<br />

SAT<br />

22<br />

14:10<br />

WED<br />

26<br />

12:20<br />

UK<br />

P R E M I E R E<br />

PUSHING BOUNDARIES<br />

Ukraine & Switzerland <strong>2022</strong> 102 Mins<br />

Ukrainian with English subtitles<br />

SUN<br />

23<br />

16:20<br />

DIRECTOR Lesia Kordonets<br />

WITH Valeriy Suschkevytsch, Angelika Churkina,<br />

Anton Kriukov, Roman Polianskiy<br />

CFF<br />

12A<br />

THU<br />

27<br />

14:10<br />

In the midst of war and conflict, where can one call home?<br />

After the annexation of Crimea in 2014, the Ukrainian<br />

Paralympic National Team not only lose access to their<br />

state-of-the-art training base, but must also adapt to the new<br />

political and geographical boundaries that now bind their<br />

country. Giving us a glimpse from the inside, filmmaker Lesia<br />

Kordonets follows the Paralympians as they prepare for the<br />

next Olympic Games while dealing with the division of family<br />

and friends, and a worsening economic situation, yet still strive<br />

to keep morale high.<br />

print source Dschoint Ventschr <strong>Film</strong>produktion AG<br />

INTL<br />

P R E M I E R E<br />

EURO<br />

P R E M I E R E<br />

These remarkable films capture<br />

the strength and determination of<br />

those at the centre of different conflicts<br />

and the fight for change. With a focus<br />

on documentaries you can meet one of<br />

Lebanon’s only female thrash bands, the<br />

Ukranian Paralympians fighting for their<br />

stadium or enter the animated Enchanted<br />

Forest in Brazil where secret agents<br />

fight deforestation.<br />

GO THROUGH THE DARK<br />

CHINA 2021 75 Mins<br />

Mandarin with English subtitles<br />

DIRECTOR Yunhong Pu<br />

WITH Guanglin<br />

Guanglin is a blind boy from a poor, single parent family in China. His prospects would normally<br />

be severely limited, but he is also very gifted at the game of Go and gains fame as a prodigy.<br />

This captivating documentary follows him as he navigates his way through the pressure of<br />

developing his talents, dealing with his troubled past, and the relationship with a father who<br />

is pushing him hard to succeed. What are the true motives of all those helping the boy and will<br />

Guanglin manage to become a professional Go player?<br />

print source Yunhong Pu<br />

CFF<br />

PG<br />

FRI<br />

21<br />

14:25<br />

THU<br />

27<br />

15:10<br />

THE SHOW MUST GO ON<br />

INDIA <strong>2022</strong> 60 mins<br />

English, Gujarati and Hindi with English subtitles<br />

DIRECTOR Divya Cowasji<br />

WITH Dolly Dotiwala, Bomi Dotiwala, Ruby Patel,<br />

Burjor Patel, Sam Kerawala<br />

The leading movement of modern Indian theatre is<br />

undoubtedly Parsi theatre, which was mainly active during the<br />

mid-20th century and held influence over Bollywood and the<br />

Hindi film industry. Determined to take to the stage once more,<br />

a collective of older Parsi theatre icons and new youngsters<br />

head into rehearsals, to revisit beloved storylines and prepare<br />

for one last show. Director Divya Cowasji adopts a cinéma<br />

vérité style of filmmaking, quietly observing the chaos and<br />

laughter, as they practice their lines and share stories of their<br />

past. You will be cheering them on all the way.<br />

PRINT SOURCE Divya Cowasji & Jall Cowasji<br />

20 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 21<br />

SAT<br />

22<br />

12:50<br />

CFF<br />

U<br />

MON<br />

24<br />

15:05<br />

SIRENS<br />

CFF<br />

15<br />

LEBANON & USA <strong>2022</strong> 78 MINS<br />

Arabic with English subtitles<br />

DIRECTOR Rita Baghdadi<br />

WITH Shery Bechara, Lilas Mayassi<br />

SAT<br />

22<br />

13:25<br />

WED<br />

26<br />

16:20<br />

Have you ever listened to an all-female Lebanese thrash<br />

metal band? If not, it’s time to introduce Slave to Sirens! Join<br />

guitarists Lilas and Shery, and their bandmates Maya, Alma<br />

and Tatyana, as they chase their dreams of success, address<br />

the need for rebellion in the music scene and navigate their<br />

sexuality. From friendship fallouts to the familial trauma<br />

of the civil war, director Rita Baghdadi shines a light on<br />

the band’s optimism against the backdrop of a divided<br />

country and celebrates the Arab women who are defying<br />

cultural stereotypes.<br />

print source Autlook <strong>Film</strong>sales<br />

A beautifully balanced<br />

portrait of young women,<br />

screaming to be heard within<br />

their deafeningly oppressive<br />

culture, Sirens succeeds in<br />

delivering the one thing every<br />

revolution needs most, hope.<br />

REBECCA LANDMAN<br />

COLLIDER


WILDLY<br />

Wonderful<br />

MEDUSA DELUXE<br />

UK <strong>2022</strong> 100 Mins<br />

CFF<br />

15<br />

DIRECTOR Thomas Hardiman<br />

WITH Anita-Joy Uwajeh, Clare Perkins, Darrell D’Silva, Debris Stevenson, Harriet Webb,<br />

Heider Ali, Kae Alexander, Kayla Meikle, Lilit Lesser<br />

An extravagant, contemporary continuous shot murder mystery at a lively hairdressing<br />

competition from British writer/director Thomas Hardiman – what more could you want?<br />

Amongst a haze of glitter and hairspray, it emerges that a stylist has been killed and scalped,<br />

sending a group of professional hairdressers and models into a tizz. A whodunnit drama then<br />

unfolds, as rivalries are stoked and trust is broken down within the group. Robbie Ryan’s masterful<br />

camerawork follows the suspects and witnesses through the labyrinth of dark staircases and<br />

neon-lit rooms in a kaleidoscope of comedy, paranoia and passions that border on obsession.<br />

print source MUBI<br />

TUE<br />

25<br />

16:15<br />

Blackly comic thriller about<br />

a high-level hairdressing<br />

competition is a cut above<br />

the rest.<br />

JOHN BLEASDALE<br />

DMOVIES<br />

THU<br />

27<br />

18:05<br />

FRI MON<br />

21 24<br />

11:10 16:25<br />

CFF<br />

A LIFE ON THE FARM 15<br />

United Kingdom & United States <strong>2022</strong> 75 Mins<br />

DIRECTOR Oscar Harding<br />

WITH Charles Carson, Oscar Harding, Karen Kilgariff,<br />

Derrick Beckles, Davy Rothbart, Thomas Lynch,<br />

Koo Stark, Peter Shaw<br />

THU<br />

27<br />

16:45<br />

This is a found footage story like you’ve never experienced<br />

before. Meet Charles Carson, an eccentric farmer who<br />

documents birth, life and death on his farm, which he stages as<br />

a creative, comedic TV show with a dash of horror. <strong>Film</strong>maker<br />

Oscar Harding inherited these tapes after his grandfather’s<br />

death and set about reconstructing the film to share Charles’<br />

story with the world, but also to conduct interviews with those<br />

who knew him and to find out what this man meant to his<br />

family, friends and community. This is an unexpectedly moving,<br />

surreal story which celebrates one man’s creativity and vigour<br />

for life but also teaches us about processing grief and loss. You<br />

will undoubtedly be part of the Charles fan club by the end.<br />

print source Sonderbar Pictures Ltd.<br />

UK<br />

P R E M I E R E<br />

SEASIDE SPECIAL<br />

UK 2021 93 Mins<br />

DIRECTOR Jens Meurer<br />

WITH John Lee, Olly Day<br />

CFF<br />

12A<br />

SAT<br />

22<br />

15:55<br />

THU<br />

27<br />

11:30<br />

Shot on crisp 16mm Kodak film, Seaside Special follows Norfolk’s Cromer Pier Show over the<br />

course of a year, from the perspective of the performers, and the seaside town’s locals. This is<br />

a genuine, funny and bittersweet documentary about the trials and tribulations of life on the<br />

stage, and the divided political perspectives of their community. The director Jens Meurer (An<br />

Impossible Project) seeks to show a ‘microcosm of Brexit England’ and reflects on the impact of<br />

the changing tourist landscape, alongside the cultural importance of Cromer’s show, as they<br />

prepare for their grand summer finale.<br />

print source Instant <strong>Film</strong> / Deckert Distribution<br />

UK<br />

P R E M I E R E<br />

CLASSICAL<br />

Join us for<br />

‘outside the box’<br />

films that will<br />

guide you on weird<br />

and wonderful<br />

adventures. Take<br />

a walk along the<br />

North Sea pier with<br />

the Cromer theatre<br />

crew, sit in a seat of<br />

the iconic Arsenal<br />

cinema in Berlin<br />

and pull on your<br />

wellies to watch the<br />

oddest farmyard<br />

found footage<br />

documentary.<br />

Prepare for some<br />

unforgettable<br />

experiences!<br />

A BUNCH OF AMATEURS<br />

UK <strong>2022</strong> 95 MINS<br />

DIRECTOR Kim Hopkins<br />

WITH Colin Egglestone, Harry Nicholls, Joe Ogden,<br />

Philip Wainman<br />

CFF<br />

12A<br />

Taking home the Audience Award from this year’s Sheffield<br />

DocFest, Kim Hopkins introduces us to one of the oldest<br />

amateur film clubs - the Bradford Movie Makers. Made up of<br />

British working-class artists, many heading into their nineties,<br />

they regularly reconvene to discuss their glory days, shake off<br />

the chill of isolation in the digital age, and reminisce about<br />

their love of cinema. This documentary creates a beautiful<br />

sense of belonging and celebrates the bonds formed over a<br />

wild shared dream.<br />

A profoundly moving and funny film that acts as an<br />

extraordinary document of the power of community and art.<br />

DANIEL DYLAN WRAY THE GUARDIAN<br />

print source<br />

Republic <strong>Film</strong> Distribution<br />

FRI<br />

21<br />

14:30<br />

MON<br />

24<br />

18:00<br />

COME WITH ME TO THE<br />

CINEMA - THE GREGORS<br />

KOMM MIT MIR IN DAS CINEMA -<br />

DIE GREGORS<br />

Germany <strong>2022</strong> 155 Mins<br />

German, English, and French with English subtitles<br />

DIRECTOR Alice Agneskirchner<br />

WITH Erika Gregor, Ulrich Gregor<br />

SUN<br />

23<br />

12:30<br />

CFF<br />

12A<br />

TUE<br />

25<br />

11:35<br />

The world of arthouse filmmaking and communal cinema<br />

owes so much to the iconic curating duo that is Erika and<br />

Ulrich Gregor. Alice Agneskirchner’s riveting documentary<br />

explores what it meant to have been children of the post-war<br />

generation, their founding of the Arsenal cinema and Forum<br />

strand of the Berlinale, the entwining of their personal and<br />

professional lives across 65 years, with interviews from Wim<br />

Wenders, Jim Jarmusch, Margarethe von Trotta and other<br />

directors impacted by the pair’s tireless work. This is a tribute<br />

to two people who dedicated their all to share unique and<br />

influential cinema with the world.<br />

print source Ehlermann & Agneskirchner <strong>Film</strong>produktion<br />

MUSIC FOR<br />

MODERN<br />

LIFE<br />

WITH MARK KERMODE<br />

SATURDAYS 1PM-3PM<br />

22 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 23


Outstanding<br />

Contribution award<br />

SENSE AND SENSIBILITY<br />

U<br />

UK & USA 1995 136 MINS<br />

DIRECTOR Ang Lee<br />

WITH Emma Thompson, Kate Winslet, Alan Rickman, Imogen Stubbs, Hugh Grant<br />

SUN<br />

23<br />

20:40<br />

Emma Thompson won the Academy Award for Best Adapted Screenplay for scripting Ang<br />

Lee’s rich adaptation of this Jane Austen classic. After enjoying a privileged upbringing, Elinor<br />

(Emma Thompson) and Marianne Dashwood (Kate Winslet) are forced to relocate to a country<br />

cottage upon the death of their father. Here, stoic Elinor falls quietly in love with the reserved<br />

Edward Ferrars (Hugh Grant) and the fiery Marianne becomes entangled with the caddish<br />

John Willoughby (Greg Wise). In typical Austen style, the road of love does not run smoothly in<br />

this starry period romance. Thompson leads the cast as Elinor, alongside Kate Winslet in her<br />

first Oscar-nominated role as the passionate Marianne. They are joined by a myriad of British<br />

stars, including Alan Rickman, Hugh Grant, Imedla Staunton, Greg Wise, and many more, in this<br />

heartwarming tale of love lost and found.<br />

print source <strong>Film</strong>bankmedia<br />

NANNY MCPHEE PG<br />

UK, USA & France 2005 97 Mins<br />

DIRECTOR Kirk Jones<br />

WITH Emma Thompson, Colin Firth, Thomas Sangster,<br />

Kelly Macdonald, Angela Lansbury<br />

SAT<br />

22<br />

11:00<br />

Nanny McPhee (Emma Thompson) is hired by widower Cedric<br />

Brown (Colin Firth) to look after his mischievous children in<br />

this modern children’s classic. The seemingly stern Nanny<br />

arrives just in time to help the unruly Brown family to learn<br />

and grow into the best version of themselves. This film sees<br />

Emma Thompson play the titular character in one of her most<br />

colourful roles. Nanny McPhee is also a who’s who of British<br />

acting talent, as Thompson is joined by Colin Firth, Thomas<br />

Brodie-Sangster, Kelly McDonald, the legendary Angela<br />

Lansbury and many more, in this fun film for all the family.<br />

print source <strong>Film</strong>bankmedia<br />

It is only a thoroughly English<br />

film that could frustrate yet<br />

charm viewers at the same<br />

time in a tale of endless<br />

manners and disguised<br />

longing. At the heart of<br />

The Remains of the Day is a<br />

tragicomic story of a stoic<br />

life of unlived possibilities<br />

and a simple reminder:<br />

don’t hold out.<br />

MICHELLE WANG<br />

THE GUARDIAN<br />

SUN<br />

23<br />

15:45<br />

THE REMAINS OF THE DAY PG<br />

UK & USA 1993 134 mins<br />

English, French, and German with English subtitles<br />

DIRECTOR James Ivory<br />

WITH Emma Thompson, Anthony Hopkins, John Haycraft<br />

This masterful drama is adapted from Kazuo Ishiguro’s awardwinning<br />

novel by the tour de force that is director James Ivory,<br />

producer Ismail Merchant and writer Ruth Prawer Jhabvala.<br />

Set at the end of World War II, Mr Stevens (Anthony Hopkins),<br />

the professional butler of Darlington House, must face up to<br />

the anti-Semitism of his employer, the changing landscape of<br />

class and tradition, and addressing his hidden affections for<br />

the housekeeper Miss Kenton (Emma Thompson). The camera<br />

creeps slowly around the house, revealing secrets and regrets,<br />

and makes us confront what is worth putting on the line in the<br />

name of duty.<br />

print source <strong>Film</strong>bankmedia<br />

We are delighted to honour the<br />

remarkable Dame Emma Thompson<br />

with our Outstanding Contribution<br />

Award. This is a specially curated strand<br />

that showcases her best performances,<br />

focuses on her work in front and behind<br />

the camera, and celebrates her riveting and<br />

refreshing roles. With <strong>Cambridge</strong> being the<br />

home of her alma mater, and the start of<br />

her early years in comedy, we are incredibly<br />

proud to present this retrospective of an<br />

exceptional actress, screenwriter, activist<br />

and leader of the industry.<br />

This is some of Emma<br />

Thompson’s best work (and<br />

that’s saying something)…<br />

What’s subversive about it is<br />

how it shows the complexities<br />

behind the scenes, the pain,<br />

the human frailty.<br />

SHEILA O’MALLEY<br />

ROGEREBERT.COM<br />

LATE NIGHT 15<br />

USA 2019 102 mins<br />

DIRECTOR Nisha Ganatra<br />

WITH Emma Thompson, Mindy Kaling, Amy Ryan,<br />

John Lithgow<br />

WED<br />

26<br />

14:30<br />

The cutthroat world of television production is revealed in this<br />

comedy-drama set in the world of American late-night talk<br />

shows. Emma Thompson plays Dame Katherine Newbury,<br />

who is battling to remain relevant amid declining ratings. She<br />

hires Molly Patel (Mindy Kaling), a young Indian-American<br />

comedy writer, to her staff, making her the sole non-white,<br />

female member of the team. Molly slowly helps revitalise the<br />

show, but can this new success last? Mindy Kaling’s sparkling<br />

script takes in everything from sexism in the workplace, to<br />

the importance of social media in the modern world, in this<br />

incredibly relevant comedy.<br />

print source <strong>Film</strong>bankmedia<br />

24 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 25


<strong>Cambridge</strong><br />

FILM FESTIVAL INDUSTRY DAY<br />

IN PARTNERSHIP WITH<br />

Monday 24 October<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> has long provided great networking<br />

opportunities for filmmakers and film professionals. This year we<br />

are introducing our Industry Day, building on our previous work and<br />

formalising the networking aims for the festival. We are bringing<br />

together key partners across the sector for the benefit of the filmmaking<br />

and exhibition industries, in this region and beyond. Networking is a vital<br />

part of filmmaking and CFF is providing an invaluable opportunity for<br />

filmmakers and professionals to create new relationships and learn new<br />

skills. Come join us for this exciting event!<br />

FREE accreditations available for film students,<br />

filmmakers and industry professionals<br />

www.cambridgefilmfestival.org.uk/industry-day<br />

11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00<br />

SHORTFUSION PREMIERES<br />

How to<br />

Programme Shorts<br />

Short <strong>Film</strong><br />

Showcase<br />

Fund<br />

Facts<br />

The State of the Industry Panel<br />

Making A Life In UK <strong>Film</strong><br />

17:00-17:55<br />

Whether you’re an experienced filmmaker or you’re just<br />

starting out, it’s crucial to meet and work with people from<br />

different areas of the sector. This talk will bring together<br />

critics, programmers, academics and network executives<br />

to discuss the state of the industry and developing your<br />

career. Moderated by BFI NETWORK Talent Executive<br />

Nicole Davis, we are pleased to welcome onto the panel:<br />

<strong>Film</strong> Hub South East’s Thomas Wightman, International<br />

<strong>Film</strong> Critic and Programmer Savina Petkova, Empire<br />

Contributing Editor Amon Warmann and Dr Tina Kendall<br />

from Anglia Ruskin University.<br />

Making a Life<br />

in UK <strong>Film</strong><br />

Networking<br />

Drinks<br />

NICOLE DAVIS<br />

THOMAS WIGHTMAN<br />

DR TINA KENDALL<br />

Prior to joining BFI NETWORK <strong>Film</strong> Hub<br />

South East as a Talent Executive, Nicole<br />

held positions at <strong>Film</strong>4, BFI and awardwinning<br />

digital content agency Little Dot<br />

Studios as a producer. Nicole is also a<br />

freelance writer and podcaster. She is the<br />

host and creator of Best Girl Grip, a weekly<br />

interview podcast that navigates the film<br />

industry through the lens of the women<br />

doing just that.<br />

Thomas joined the Independent Cinema<br />

Office from the Institute of Contemporary<br />

Arts (ICA) where he managed STOP PLAY<br />

RECORD, a commissioning programme<br />

for emerging filmmakers. During this<br />

time Thomas commissioned, developed<br />

and exec produced 72 short films for the<br />

Channel 4 Random Acts series. For BFI<br />

NETWORK Thomas has commissioned<br />

and exec produced over 50 short film<br />

projects and 15 treatments for feature<br />

length projects.<br />

Dr Tina Kendall is Associate Professor<br />

in <strong>Film</strong> & Media at Anglia Ruskin<br />

University, where she leads modules in<br />

Classical Hollywood Cinema, Theorising<br />

Spectatorship, and Professional Practice<br />

in <strong>Film</strong>, amongst others. She is passionate<br />

about encouraging students to develop<br />

their skills alongside their classroom<br />

learning, and has extensive experience in<br />

bringing students together with industry<br />

and third sector partners.<br />

CAMBRIDGE FILM FESTIVAL<br />

SHORTFUSION PREMIERES<br />

11:00-14:45<br />

This year we are excited to bring together the premieres of<br />

ALL our ShortFusion films as a launch pad for our brand new<br />

Industry Day. An integral strand at the festival, this year’s<br />

programme contains an exciting mix of themes and genres,<br />

offering something for everyone. Very much open to the public and<br />

filmmakers, ShortFusion is a great way to experience the very best<br />

short form work of both new and established filmmakers.<br />

See pages 28–31<br />

BFI Network x <strong>Film</strong> Hub South East<br />

Short <strong>Film</strong> Showcase<br />

15:00-15:55<br />

This showcase of short films funded by BFI NETWORK<br />

highlights the diverse, vivid and unique stories being told by<br />

filmmakers in the South East. Transporting audiences across<br />

a spectrum of genre and form, these short, perfectly formed<br />

tales highlight the massive filmmaking talent in the region, via<br />

comedy, drama and a lockdown date in a laundromat.<br />

BFI Network x <strong>Film</strong> Hub South East<br />

Fund Facts<br />

16:00-16:55<br />

BFI NETWORK x <strong>Film</strong> Hub South East<br />

How To Programme<br />

Shorts<br />

12:00-13:00<br />

Programming isn’t just for feature films. In this talk,<br />

programmers from <strong>Film</strong> Hub South East dive into the world of<br />

shorts and highlight the benefits of bringing short films into<br />

cinema programming.<br />

In this workshop, BFI NETWORK Talent Executives and some of the filmmakers they’ve<br />

funded discuss how a project can reach that crucial goal. Whether it’s crafting the perfect<br />

funding application, economising your script or tips on running a low-budget set, this team<br />

will be here to answer all your questions about the financial side of filmmaking.<br />

26 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com<br />

Networking Drinks<br />

from 18:00<br />

A chance to relax with a drink and meet up with fellow<br />

filmmakers, courtesy of BFI NETWORK and <strong>Film</strong> Hub South<br />

East. As well as being able to toast the end of another great<br />

day at the festival, this is where you can network with other<br />

artists, chat to each other and the BFI NETWORK team too.<br />

AMON WARMANN<br />

SAVINA PETKOVA<br />

Amon Warmann has been a film and<br />

TV critic in the UK for the past decade,<br />

and became a Contributing Editor and<br />

monthly columnist at Empire Magazine in<br />

late 2020. He is talkSPORT Radio’s weekly<br />

film reviewer and has written for amongst<br />

others Variety, Yahoo! Movies, Daily Mirror,<br />

and Heat Magazine. He also has numerous<br />

television appearances to his name across<br />

Sky Cinema, BBC News, and Channel 4.<br />

Savina Petkova is a freelance film critic<br />

based in London. She covers shorts and<br />

features at European film festivals such<br />

as the Berlinale, Cannes, Venice and<br />

Rotterdam, and has written for MUBI<br />

Notebook, Talking Shorts, AwardsWatch,<br />

and Little White Lies. In <strong>2022</strong>, Savina is<br />

part of the editorial board for photogénie<br />

alongside her language editing role at the<br />

International Federation of <strong>Film</strong> Critics. She<br />

is currently completing her PhD at King’s<br />

College London, where she also teaches.<br />

#CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 27


SHORTfusion<br />

We are excited to showcase expressive<br />

and masterful films from a global cohort<br />

of emerging filmmakers. Contemplate<br />

the distortion and complexities of<br />

▼ The Ballad of Olive Morris<br />

varied subjects in six stimulating short<br />

film programmes.<br />

SHORTS<br />

& animation<br />

PG | 68 mins Step into a world of stylistic<br />

animation and challenging topics.<br />

ECHO<br />

Greece, 2021 12 mins Dir. Gizem Özmen<br />

UK<br />

P R E M I E R E<br />

Ellie struggles with verbal communication and<br />

survives thanks to her landlady. Manu moves<br />

into the apartment directly across from her. Day<br />

by day, their routines echo each other and a<br />

connection emerges.<br />

GRANDPA<br />

France, 2021 7 mins Dirs. Théo Bongiovanni,<br />

Sophie Ouvrard, Valentine Rolland, Hugo<br />

Martins, Thomas Piot & Nell Molinier<br />

Witness the magic of youth as we dive into the<br />

wild imagination of a young girl as she bids<br />

farewell to her grandfather in a cascade of<br />

memories of their treasured fishing trips.<br />

▼ Echo<br />

MON<br />

24<br />

11:15<br />

THU<br />

27<br />

11:40<br />

It wasn’t bourgogne<br />

France, 2021 7 mins<br />

Dir. Mathias de Panafieu<br />

UK<br />

P R E M I E R E<br />

Between two telephone calls, a grandfather<br />

recounts some of his memories of the Second<br />

World War from when he was just twenty years old.<br />

OOP<br />

WORLD<br />

China & Canada, <strong>2022</strong> 4 mins<br />

Dir. Hongliang Verner Huang<br />

P R E M I E R E<br />

On the battlefield, a creature called “Oop”<br />

awakes by coincidence. It follows a guide and<br />

wanders in an abandoned city until it regains its<br />

memory and finds out about itself.<br />

OTHER HALF<br />

UK, 2021 13 mins Dir. Lina Kalcheva<br />

In a world that is made up of merged couples, a<br />

lonely, individual being longs for a connection<br />

and to find his true other half. In his eyes, this is<br />

the only way he will truly be complete.<br />

CONTENT WARNING This strand contains scenes<br />

of war and violence<br />

▼ Grandpa<br />

PEARS<br />

Israel, 2021 6 mins<br />

Dir. Julia Trachtenberg<br />

UK<br />

P R E M I E R E<br />

Yana yearns for contact from those she loves,<br />

but only receives pain in return. The complicated<br />

relationships test Yana’s personal journey to<br />

discovering who she really is.<br />

THE RECORD<br />

Switzerland, <strong>2022</strong> 9 mins Dir. Jonathan Laskar<br />

An antique music instrument dealer receives a<br />

magical vinyl record that can read your mind<br />

and play lost memories. Obsession begins and<br />

memories re-emerge, resulting in a painful<br />

memory being revealed.<br />

THE SPRAYER<br />

Iran, <strong>2022</strong> 10 mins Dir. Farnoosh Abeo<br />

UK<br />

P R E M I E R E<br />

In land occupied by the sprayers army, no one can<br />

grow any kind of plants neither in public nor in<br />

private, until one day a soldier finds a seed buried<br />

deep down in the dust.<br />

▼ Pears<br />

▲ #BLACKBOYJOYGONE<br />

SHORTS<br />

& actualitY<br />

CFF15 | 80 mins Bringing to light the formidable<br />

realities surrounding our everyday lives.<br />

THE BALLAD OF OLIVE MORRIS<br />

UK, <strong>2022</strong> 10 mins<br />

Dir. Alex Kayode-Kay<br />

Olive Morris tried to prevent a Nigerian<br />

diplomat named Clement Gomwalk from being<br />

arrested and assaulted under false pretences<br />

by police officers in Brixton. Things do not go<br />

well after that ...<br />

MON<br />

24<br />

13:05<br />

TUE<br />

25<br />

12:20<br />

▲ Caterpillar<br />

#BLACKBOYJOYGONE<br />

UK, <strong>2022</strong> 25 mins<br />

Dir. Ashley Karrell, Isaac Ouro-Gnao<br />

Blending interviews, poetry, dance and<br />

storytelling, #BlackBoyJoyGone is a short<br />

documentary by and for black men focussing<br />

upon mental health, sexual trauma and finding<br />

strength through brotherhood.<br />

CATERPILLAR (Sâu Bướm)<br />

UK, 2021 21 mins<br />

Dir. Marcus Anthony Thomas<br />

In the aftermath of an attempt to escape modern<br />

slavery, a Vietnamese boy’s relationship with his<br />

overseer becomes even more complicated.<br />

DAYS WITHOUT<br />

Portugal, Estonia & Scotland, <strong>2022</strong> 15 mins<br />

Dir. Ívar Erik Yeoman<br />

After Nikolays’s wife has a chaotic episode, he<br />

must take care of their daughter until she returns.<br />

As time goes by, he begins to doubt they will see<br />

each other again.<br />

LIONESS UK<br />

USA, 2021 7 mins<br />

Dir. Molly E. Smith<br />

P R E M I E R E<br />

Barricaded in a motel room, a mother’s<br />

determination and primal instincts kick in to<br />

protect her child’s innocence.<br />

CONTENT WARNING This strand contains scenes of a sexual nature, racism, domestic and child abuse<br />

SHORTS<br />

& Judgement<br />

CFF15 | 86 mins How can we judge one another<br />

without judging ourselves?<br />

CONTENT WARNING This strand contains scenes of<br />

abuse, death and suicide<br />

THE BOWER<br />

UK, <strong>2022</strong> 18 mins Dir. Marco Alessi<br />

Set in 1991 and 2021, the film explores the<br />

changing attitudes towards the LGBTQ+<br />

community over the last three decades through<br />

the hopeful eyes of Terri.<br />

HONESTY<br />

UK, <strong>2022</strong> 9 mins Dir. Roxy Rezvany<br />

A young actress auditions for a role as a<br />

domestic abuse victim, but rather than finding<br />

the character through her own embodiment,<br />

she faces a gruelling and uncomfortable<br />

interrogation.<br />

A MORAL MAN<br />

UK, <strong>2022</strong> 19 mins Dir. Paul Wade, Simon Wade<br />

A right-to-die evangelist wrestles with his faith<br />

and morality when he is asked to assist in the<br />

death of a woman who is not terminally ill.<br />

Not the 80s<br />

Germany, <strong>2022</strong> 17 mins<br />

Dir. Marleen Valien<br />

28 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 29<br />

▲ Honesty<br />

MON<br />

24<br />

11:05<br />

WED<br />

26<br />

14:05<br />

▲ Swim<br />

WORLD<br />

P R E M I E R E<br />

What judgements do we formulate about one<br />

another before the first exchange of words?<br />

Follow a journey of preconceptions between two<br />

people, in one restaurant, eating a bit of fish.<br />

REGRET TO INFORM YOU<br />

USA, <strong>2022</strong> 14 mins<br />

Dir. Yusuf Shadeed Nasir & Benji Schwimmer<br />

▲ The Bower<br />

EURO<br />

P R E M I E R E<br />

We follow a day in the life of an ageing dancer on<br />

the verge of forced retirement, who is desperately<br />

holding on to the unfulfilled dream of becoming a<br />

star one day.<br />

SWIM<br />

UK, <strong>2022</strong> 9 mins Dir. Michael Gamarano Singleton<br />

A chance encounter at a swimming pool offers<br />

the promise of a beautiful relationship between<br />

Sid and Luke. Could it all be shattered when Sid<br />

decides to just be himself?


SHORTS<br />

& Questions<br />

CFF15 | 87 mins Sometimes the unthinkable is<br />

the answer to our questions.<br />

GOOD TIMES<br />

AND THAT’S OKAY<br />

Australia, <strong>2022</strong> 13 mins<br />

Dir. Amanda Kaye<br />

EURO<br />

P R E M I E R E<br />

A 70-year-old closeted woman has to confront<br />

her faith as she learns what true love is from a sex<br />

worker named Destiny.<br />

▼ Good Time and That’s OK<br />

MON<br />

24<br />

13:00<br />

THU<br />

27<br />

13:15<br />

MORNING INTO NIGHT<br />

USA, 2021 15 mins<br />

Dir. Joanna Gleason<br />

EURO<br />

P R E M I E R E<br />

The children of a dying mother gather to say<br />

goodbye, and attempt to convince their father he<br />

cannot withhold his farewells any longer.<br />

THe Silent Ones<br />

France, <strong>2022</strong> 20 mins<br />

Dir. Basile Vuillemin<br />

UK<br />

P R E M I E R E<br />

After four days of an unsuccessful fishing<br />

campaign, Jorick finds himself faced with a<br />

difficult dilemma. The decision leads to a tragic<br />

and traumatising realisation.<br />

CONTENT WARNING This strand contains scenes / themes of death<br />

▼ The Silent Ones<br />

TILL THE MUSIC STOPS<br />

France, <strong>2022</strong> 23 mins<br />

Dir. Emilie de Monsabert<br />

UK<br />

P R E M I E R E<br />

Pauline is desperate to enjoy her best friend’s<br />

wedding and connect with a lost flame but<br />

struggles to take her eyes off her vulnerable<br />

daughter, which causes difficulties during the<br />

celebrations.<br />

WALLS LIKE WINDOWS<br />

UK, <strong>2022</strong> 12 mins Dir. Werner Vivier<br />

When Maggie invites a stranger into her home,<br />

she is confronted with the very thing she has been<br />

trying to avoid.<br />

SHORTS<br />

& Vulnerability<br />

MON<br />

24<br />

12:50<br />

WED<br />

26<br />

11:50<br />

CFF15 | 88 mins Showcasing resilient individuals<br />

to demonstrate the innocence within us.<br />

CONTENT WARNING This strand contains scenes /<br />

themes of sexual assult, death, domestic abuse<br />

and mental illness<br />

▼ Roots<br />

THE MOUNTAIN<br />

UK, <strong>2022</strong> 15 mins Dir. Clare Macdonald<br />

Matthew is tired of feeling down. He wants to<br />

get help, get milk, get back to normal. But his<br />

relentless inner voices are not going to make<br />

things easy.<br />

ONE LIKE HIM<br />

UK & Jordan, 2021 15 mins<br />

Dir. Caitlin McLeod<br />

A Jordanian man must find a way to tell his<br />

childhood friend and first love the truth about<br />

what happened twenty years ago, when a single<br />

moment changed their lives.<br />

RootS<br />

WORLD<br />

UK, <strong>2022</strong> 15 mins<br />

Dir. Ugne Jurgaityte<br />

P R E M I E R E<br />

After living her whole life on an isolated farm, a<br />

young girl must transform into a woman as she is<br />

faced with the task of burying her own mother.<br />

SHOWER BOYS<br />

Sweden, 2021 9 mins<br />

Dir. Christian Zetterberg<br />

UK<br />

P R E M I E R E<br />

Viggo and Noel return home from training to<br />

challenge each other’s limits and masculinity.<br />

The two boys explore their innocence before<br />

ultimately testing their friendship and<br />

boundaries.<br />

THE SILENT CANARY<br />

UK, <strong>2022</strong> 19 mins<br />

Dir. Vera Graziadei<br />

WORLD<br />

P R E M I E R E<br />

When troubled Joy forms an unlikely bond with<br />

rebellious Kat, she discovers her new friend’s<br />

secret boyfriend is not who she expected. This<br />

causes Joy’s own trauma to resurface.<br />

TO HAVE AND TO HOLD<br />

UK, <strong>2022</strong> 15 mins<br />

Dir. Jess Moore<br />

UK<br />

P R E M I E R E<br />

Why doesn’t she just leave? Left alone in her<br />

house following a brutal domestic attack, a<br />

woman attempts to leave the home she is<br />

trapped in.<br />

▼ To Have and To Hold<br />

▲ Legs<br />

▲ Baked Beans<br />

SHORTS<br />

& Reactions<br />

CFF15 | 83 mins Bringing you stimulating<br />

themes to create inconceivable reactions and<br />

responses.<br />

BAKED BEANS<br />

UK, <strong>2022</strong> 10 mins Dir. Matt Ayleigh<br />

When Nik auditions for a radical retelling of the<br />

British Asian classic East is East, he soon begins<br />

to wonder if everyone around him is stuck in<br />

the past.<br />

MON<br />

24<br />

11:00<br />

WED<br />

26<br />

12:45<br />

LEGS<br />

UK, <strong>2022</strong> 16 mins Dir. Celine Cotran<br />

Joy and Harry want to have a baby. One night,<br />

Joy unknowingly swallows a spider. It dawns<br />

on her that there may be more than one way of<br />

becoming a mother.<br />

Not for sale<br />

UK & Spain, <strong>2022</strong> 17 mins<br />

Dir. Alejandro Sánchez Porras<br />

UK<br />

P R E M I E R E<br />

Daisy and her employees concoct a fake art<br />

sale in order to scam the ruthless CEO of the<br />

supermarket chain that drove them out of<br />

business.<br />

T’EMBRASSER SUR LE MIEL<br />

France, 2021 20 mins Dir. Khalil Cherti<br />

UK<br />

P R E M I E R E<br />

Siwan and Rawad live on different sides of a<br />

war-ridden Syria. Despite the chaos, they have<br />

decided to engage and communicate with each<br />

other through videos.<br />

TRUTH SERUM<br />

UK, <strong>2022</strong> 21 mins<br />

Dir. Vika Evdokimenko<br />

UK<br />

P R E M I E R E<br />

When guests at a party are spiked with a<br />

mysterious drug, unpleasant truths and painful<br />

secrets emerge as the night spirals into a chaotic<br />

and unforgettable affair.<br />

CONTENT WARNING This strand contains scenes / themes of violence and drug misuse<br />

▲ The Silent Canary<br />

30 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 31<br />

▲ Shower Boys


Youth Lab<br />

Youth Lab is one of the proudest achievements of <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> over recent years and is a<br />

key focus as we move into the next 40 years of CFF. It is an exciting, young person-led film education<br />

initiative focusing on young people’s film evaluation and criticism skills, as well as encouraging<br />

communication and network building. It is open to anyone aged 16-24, with a specific focus on<br />

addressing participation from under-represented communities and those at risk of social exclusion.<br />

Youth Lab runs regular film discussion groups, workshops and networking events, as well as<br />

presentations by industry professionals (previous guests have included Mark Kermode, Beth Webb,<br />

Simon Mayo, and Simran Hans). During the Covid pandemic, the Youth Lab partnered with the BFI to<br />

produce and present a special online screening of County Lines, which included an in-depth interview<br />

with director Henry Blake.<br />

As well as developing film knowledge and industry connections, participants build self-confidence,<br />

as they progress through the Youth Lab programme. Over 80% of participants go on to employment<br />

or higher education within the film industry! In fact, both our Short <strong>Film</strong> Programmer and<br />

Programming Panel Lead for CFF41 are previous Youth Lab participants.<br />

Youth Lab is for everyone and actively recruits people from all backgrounds, including those with<br />

disabilities, from minority communities, or from disadvantaged backgrounds.<br />

If any young people would like to join the 2023 cohort, please email Abby, the Youth Lab Lead, at<br />

abby@cambridgefilmtrust.org.uk<br />

of Youth Lab members go on to employment or higher education within the industry<br />

are from economically deprived backgrounds<br />

are from minoritised ethnic backgrounds<br />

identify as disabled<br />

identify as LGBTQ+<br />

identify as female<br />

25%<br />

40%<br />

55%<br />

50%<br />

80%<br />

80%<br />

Youth Lab has<br />

connected me with a range<br />

of like‐minded individuals<br />

that share a profound<br />

interest in film making. The<br />

Youth Lab does a beautiful<br />

job of valuing every opinion<br />

or suggestion made by the<br />

team; I am excited to see<br />

how all our collective ideas<br />

will help reshape CFF in the<br />

near future.<br />

Chloe Kelly<br />

My first goal within the Youth<br />

Lab was to build personal<br />

connections with the members<br />

and network with other<br />

professionals. Being in the group<br />

has helped me gain the confidence<br />

in articulating my voice and<br />

always believing in myself!<br />

Raveen Choudhury<br />

32 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 33


MAIN FUNDER<br />

SENIOR MEDIA PARTNER<br />

SUPPORTERS<br />

INSTITUTES, FOUNDATIONS AND TRUSTS<br />

MEDIA PARTNERS<br />

DONOR<br />

VENUE PARTNERS<br />

INDEX<br />

Features<br />

Aftersun 6<br />

Alcarràs 14<br />

All The Beauty And Bloodshed 7<br />

Armageddon Time 10<br />

Banshees of Inisherin, The 5<br />

Beautiful Beings 12<br />

Blue Jean 7<br />

Boy From Heaven 9<br />

Bunch of Amateurs, A 22<br />

Burning Cold, The 14<br />

Cherry 12<br />

Close 9<br />

Come With Me to the Cinema 22<br />

- The Gregors<br />

Compassionate Spy, A 9<br />

Corsage 7<br />

Donnie Darko 16<br />

Father’s Day 13<br />

Go Through The Dark 20<br />

Hamlet Syndrome, The 21<br />

In Balanchine’s Classroom 13<br />

Inventory 13<br />

Jennifer’s Body 17<br />

Klokkenluider 13<br />

Late Night 24<br />

Let The Right One In 17<br />

Life on the Farm, A 23<br />

Linoleum 7<br />

Little Nicholas, Happy 8<br />

As Can Be<br />

Lure, The 16<br />

Medusa Deluxe 22<br />

Men’s Cooking 15<br />

More Than Ever 10<br />

Nanny McPhee 25<br />

Neptune Frost 9<br />

Pacifiction 15<br />

Perlimps 20<br />

Pushing Boundaries 21<br />

Remains of the Day, The 25<br />

Return to Dust 8<br />

Rodeo 10<br />

Seaside Special 23<br />

Sense and Sensibility 24<br />

Show Must Go On, The 21<br />

Sick of Myself 10<br />

Sinjar 15<br />

Sirens 21<br />

Silent Twins, The 5<br />

Triangle of Sadness 6<br />

We Won’t Kill Each Other 15<br />

With Guns<br />

SHORTS<br />

Baked Beans 30<br />

Ballad of Olive Morris, The 28<br />

#BlackBoyJoyGone 28<br />

Bower, The 29<br />

Caterpillar 28<br />

Days Without 28<br />

Echo 29<br />

Good Time And That’s Okay 30<br />

Grandpa 29<br />

Honesty 29<br />

It Wasn’t Bourgogne 29<br />

Legs 30<br />

Lioness 28<br />

Moral Man, A 29<br />

Morning Into Night 30<br />

Mountain, The 31<br />

Not For Sale 30<br />

Not The 80s 29<br />

One Like Him 31<br />

Oop 29<br />

Other Half 29<br />

Pears 29<br />

Record, The 29<br />

Regret To Inform You 29<br />

Roots 31<br />

Shorts & Actuality 28<br />

Shorts & Animation 29<br />

Shorts & Judgement 29<br />

Shorts & Questions 30<br />

Shorts & Reactions 30<br />

Shorts & Vulnerability 31<br />

Shower Boys 31<br />

Silent Canary, The 31<br />

Silent Ones, The 30<br />

Sprayer, The 29<br />

Swim 29<br />

T’Embrasser Sur Le Miel 30<br />

Till The Music Stops 30<br />

To Have And To Hold 31<br />

Truth Serum 30<br />

Walls Like Windows 30<br />

CAMBRIDGE FILM FESTIVAL FRIENDS<br />

Lola Caball Roures, Anne Bailey, Gavin Midgley, Lucy Sheppard, Chris Shaw, Rachel Knight, Stuart Wren, Anne Beamish, Janet Fox,<br />

Sandra Lindblom, François Penz, Hilary Goldsmith, Nicoletta Rahimi, Julie Mortimer, Jonathon Pollock, John Hodges, Alec Pendred<br />

CAMBRIDGE’S LEADING LUXURY HOTEL<br />

REGENT STREET, CAMBRIDGE, CB2 1AD<br />

TELEPHONE +44 (0)1223 60 60 66<br />

ENQUIRIES@UNIVERSITYARMS.COM UNIVERSITYARMS.COM<br />

34 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> camfilmfest.com #CFF41 <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2022</strong> 35


WE WOULD<br />

LIKE TO THANK<br />

PRINCIPAL PARTNERS<br />

THIRD PARTNERS

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