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The Trumpet Newspaper Issue 601 (July 12 - 25 2023)

Sierra Leone has been at peace for 20 years after brutal civil war - what went right. "I have not grieved my son's death" - Mother of 23-year-old fatally stabbed.

Sierra Leone has been at peace for 20 years after brutal civil war - what went right.
"I have not grieved my son's death" - Mother of 23-year-old fatally stabbed.

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<strong>The</strong><strong>Trumpet</strong><br />

Africans now have a voice... Founded in 1995<br />

V O L 29 N O <strong>601</strong> J U LY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

Men in camouflage uniform (Photo by Filip Andrejevic -<br />

Unsplash) High Res<br />

“I have not<br />

grieved my<br />

son’s<br />

murder”<br />

- Mother of<br />

23-year-old<br />

fatally<br />

stabbed.<br />

Seun's mother - Chantelle Bucknor (Photo -<br />

Henry Clare, Press Association)<br />

Sierra Leone<br />

has been at peace for 20<br />

years after a brutal civil war<br />

- what went right<br />

By Christina Mammone<br />

Flinders University<br />

Continued on Page 2><br />

Following the jailing of a<br />

man over the fatal<br />

stabbing of her son, a<br />

mother has said she feels she has<br />

not been able to grieve over his<br />

death.<br />

Seun McMillan’s mother<br />

said: “<strong>The</strong> impact on Seun’s<br />

death has been horrific on me<br />

emotionally and physically. I<br />

have not allowed myself to be<br />

consumed by grief, to be beaten<br />

with bitterness and sorrow. Since<br />

Seun’s death, I feel that I have<br />

not grieved. I have not allowed<br />

myself to do so, especially in<br />

front of my children as that<br />

would make them feel even<br />

more loss, than they are having<br />

to deal with.”<br />

26-year-old Jarrad Spence-<br />

Robinson of no fixed abode, was<br />

convicted of murdering 23-yearold<br />

Seun McMillan following a<br />

trial at the Old Bailey in<br />

Continued on Page 6


Page2 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

News<br />

Sierra Leone has been at peace for<br />

20 years after a brutal civil war -<br />

what went right<br />

Continued from Page 1<<br />

Sierra Leone’s June <strong>2023</strong><br />

parliamentary elections are the fifth<br />

since the end of the civil war in 2002.<br />

<strong>The</strong>y also mark a decade since the<br />

closure of the Special Court for Sierra<br />

Leone. <strong>The</strong> court prosecuted high level<br />

commanders deemed responsible for the<br />

suffering experienced during the war.<br />

<strong>The</strong> 11-year-long civil war (1991-2002)<br />

was estimated to have killed over 50,000<br />

people. Thousands were maimed and their<br />

limbs amputated. Half of the population<br />

was displaced. Almost all the people of<br />

Sierra Leone were affected by the war,<br />

leaving an enduring scar on the country and<br />

the collective psyche.<br />

In the late 1990s and early 2000s,<br />

academics and peacebuilders became<br />

increasingly interested in promoting<br />

transitional justice alongside other methods<br />

of peace consolidation, particularly in<br />

countries that had experienced mass<br />

violence and large-scale atrocities. <strong>The</strong>se<br />

included South Africa, Rwanda, Bosnia and<br />

Peru.<br />

Transitional justice mechanisms<br />

Transitional justice is justice adapted to<br />

societies undergoing transformation away<br />

from “normalised” human rights abuse.<br />

Sierra Leone became the first in which<br />

two transitional justice mechanisms were<br />

used. <strong>The</strong> Sierra Leone Truth and<br />

Reconciliation Commission was set up in<br />

<strong>July</strong> 2002 and a Special Court was created.<br />

<strong>The</strong> country has remained relatively<br />

peaceful in the two decades since the war<br />

ended. This is in a stark contrast to other<br />

examples such as Liberia and the<br />

Democratic Republic of Congo.<br />

In my thesis, I reflected on the longterm<br />

impact and the legacy of transitional<br />

justice in Sierra Leone. I examined whether<br />

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lessons learned could assist in improving<br />

the process for future use.<br />

My research focused on the official<br />

transitional justice mechanisms and<br />

whether the underlying causes of the war<br />

continued to affect the people of Sierra<br />

Leone. Economic mismanagement, poor<br />

governance, abject poverty and severe<br />

disenfranchisement were some of those<br />

underlying causes.<br />

Through interviews with people who<br />

worked alongside the mechanisms and in<br />

non-government organisations, as well as<br />

others in civil society, I gained a better<br />

understanding of the lasting impact of<br />

transitional justice.<br />

Transitional justice in the long term<br />

While in Sierra Leone, I had candid<br />

discussions on the implementation,<br />

limitations and legacy of the official<br />

transitional justice mechanisms. I found<br />

there were operational tensions between the<br />

Truth Commission and the Special Court,<br />

but having both - gave Sierra Leoneans<br />

restorative and retributive justice. Some<br />

thought that the Special Court undermined<br />

the existing amnesty and pardon<br />

agreements while using limited resources<br />

for both mechanisms was not ideal. <strong>The</strong>se<br />

led to the tensions between the two<br />

mechanisms.<br />

Restorative justice refers to “an<br />

approach to justice that seeks to repair harm<br />

by providing an opportunity for those<br />

harmed and those who take responsibility<br />

for the harm to communicate about and<br />

address their needs in the aftermath of a<br />

crime.” Retributive justice is a system of<br />

criminal justice based on the punishment of<br />

offenders rather than on rehabilitation.<br />

Considering the impact of the war,<br />

incorporating both mechanisms was<br />

essential in helping the society to reconcile<br />

and rebuild.<br />

My discussions also showed there was<br />

room for improvement in the way the two<br />

mechanisms worked. Both were hampered<br />

due to limited funding, more funds could<br />

have made their work easier. <strong>The</strong>re should<br />

have been wider community engagement<br />

Helicopter flying over field (Photo - Joel Rivera-Camacho - Unsplash) b<br />

and consultation also before both started<br />

operations. <strong>The</strong>ir effectiveness and<br />

acceptance was largely the result of<br />

outreach teams at grassroots level focusing<br />

on ensuring that the process benefited as<br />

much of the population as possible.<br />

<strong>The</strong> Truth Commission and the Special<br />

Court have left a legacy: they are still able<br />

to promote reconciliation and societal<br />

restoration now. This is despite the fact that<br />

access to the Commission’s report has been<br />

limited. A video edition of the report was<br />

circulated widely around the country, but<br />

the number of physical copies of the report<br />

is limited. Information about the findings<br />

and recommendations is restricted to the<br />

Commission’s website.<br />

Nevertheless, through the<br />

recommendations resulting from the victim<br />

testimonies, the report led to the<br />

establishment of an Anti-Corruption<br />

Commission. This addresses exploitative<br />

practices in the chieftaincy system and<br />

acknowledges systematic youth<br />

disenfranchisement. <strong>The</strong> effectiveness of<br />

the recommendations is debatable, but their<br />

ongoing influence demonstrates a<br />

concerted effort to ensure that certain<br />

causes of the conflict do not resurface.<br />

Similarly, through the Residual Special<br />

Court for Sierra Leone, which replaced the<br />

Special Court, the legacy of accountability<br />

and the rule of law continues. It still<br />

promotes societal reconstruction,<br />

reconciliation and collaboration. For<br />

example, there is a programme to<br />

reintegrate former war criminals back into<br />

the community. This acknowledges<br />

collective trauma but works towards peace<br />

in the long term.<br />

A long way forward<br />

It is vital to continue examining what<br />

transitional justice can do. This is because<br />

its mechanisms are put to work over a short<br />

period but aim at long-term and lasting<br />

peace.<br />

My research also explored the current<br />

situation in a more holistic way.<br />

Particularly, it considered how socioeconomic<br />

pressures continue to affect<br />

income generation and perceptions of<br />

disenfranchisement. Despite the Truth<br />

Commission’s acknowledgement of the fact<br />

that socio-economic injustice had a serious<br />

impact on the pre-war society, such issues<br />

persist. <strong>The</strong>y are seen through youth<br />

disenfranchisement and underdevelopment.<br />

Through this research I found that the<br />

peace which Sierra Leone has experienced<br />

in the last two decades was achieved<br />

through collaborative efforts. <strong>The</strong>se are the<br />

legacy of transitional justice and its<br />

relationship to long-term peace, and the<br />

resilience of the Sierra Leonean people.<br />

<strong>The</strong>re is still more to learn, including<br />

how better to incorporate socio-economic<br />

aspects of peace building. This might help<br />

to rectify the deeply entrenched causes of<br />

war, which current processes are not fully<br />

capable of addressing.<br />

Christina Mammone, Early Careers<br />

Researcher in Peace and Conflict Studies,<br />

Flinders University.<br />

This article is republished from <strong>The</strong><br />

Conversation under a Creative Commons<br />

license. Read the original article.


JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

Page3<br />

News Analysis<br />

Sierra Leone election: voter trust has<br />

been shaken, and will need to be regained<br />

By Catherine Bolten, University of Notre Dame<br />

Julius Maada Bio, a 59-year-old<br />

former soldier, was sworn in for<br />

his second and final five-year term<br />

as President of Sierra Leone on 27<br />

June. With 56% of votes cast in the<br />

election on 24 June, Bio was declared<br />

winner ahead of his main rival, Samura<br />

Kamara, who polled 41%.<br />

Kamara rejected the result and<br />

international election observers have<br />

highlighted some problems with the<br />

way votes were counted. <strong>The</strong>re has<br />

been relative calm across Sierra Leone<br />

since Bio was sworn in. Earlier, the<br />

opposition All People’s Congress<br />

alleged that the police had killed one of<br />

its supporters by firing live shots into<br />

their party offices a day after the polls.<br />

Police have denied this.<br />

In this interview, Catherine Bolten,<br />

Professor of Anthropology and Peace<br />

Studies at the University of Notre<br />

Dame, fielded questions on lessons<br />

learnt from the poll and the future of<br />

democracy in Sierra Leone. As an<br />

anthropologist, Bolten studies politics<br />

as a social practice, which means<br />

analysing how “democracy” manifests<br />

in campaigning, elections, and policymaking,<br />

and how people imagine<br />

Continued on Page 7


Page4 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

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News<br />

Life imprisonment for<br />

fatal stabbing<br />

Field: 07956 385 604<br />

E-mail:<br />

info@the-trumpet.com<br />

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PUBLISHER / EDITOR-IN-CHIEF:<br />

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<strong>The</strong> Central Criminal Court<br />

(a.k.a Old Bailey) has found<br />

20-year-old Godfrey Tanishe<br />

Madondo of Southwark guilty of the<br />

murder of 19-year-old Jeremiah<br />

Sewell. He was sentenced last Friday<br />

to life imprisonment – to serve a<br />

minimum of 24 years.<br />

20-year-old Khelsi Johnson-Davis<br />

and 20-year-old Leah Simmonds are<br />

also due to be sentenced next month<br />

for perverting the course of justice in<br />

relation to the murder.<br />

Jeremiah was stabbed and killed<br />

after he was attacked by Madondo as<br />

he sat in the back of a parked car in<br />

Beckenham Place Park, Lewisham, in<br />

the early hours of Saturday, 16 <strong>July</strong><br />

2022.<br />

Jeremiah had spent the hours prior<br />

to the attack hanging out with friends<br />

and associates.<br />

<strong>The</strong>y were listening to music and<br />

socialising when the defendant’s car<br />

arrived at around 04:<strong>25</strong>hrs.<br />

<strong>The</strong> reason for the attack is not<br />

known, however when Madondo<br />

arrived he approached Jeremiah as he<br />

sat in the car.<br />

Someone heard somebody ask<br />

where Jeremiah was from; and as he<br />

answered he was stabbed twice in the<br />

neck.<br />

Madondo ran back to the car,<br />

which was driven away at speed.<br />

Jeremiah’s friends rushed him to<br />

nearby Lewisham Hospital but,<br />

despite the efforts of medical staff he<br />

died a short time later.<br />

Police were called after Jeremiah<br />

arrived at hospital and homicide<br />

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detectives from the Met’s Specialist<br />

Crime Command began work to<br />

establish what had happened.<br />

<strong>The</strong> investigation built a<br />

compelling case with the support of<br />

witnesses and by utilising forensics<br />

and CCTV.<br />

CCTV analysis provided<br />

detectives with movements of the car<br />

that Madondo had been travelling in.<br />

Prior to the murder, the occupants<br />

were seen entering a shop in Peckham<br />

and Madondo could be made out in<br />

footage.<br />

Madondo was arrested the day<br />

after the murder, but refused to<br />

answer any questions about the attack<br />

of Jeremiah.<br />

Detective Chief Inspector Chris<br />

Wood, from the Met’s Specialist<br />

Crime Command, led the<br />

investigation and said: “Jeremiah’s<br />

murder was an utterly senseless and<br />

barbaric act – the speed in which the<br />

situation escalated, and the fact that<br />

Jeremiah was sitting defenceless in<br />

the back of a car, offering no threat to<br />

Madondo, makes it all the more futile.<br />

“From the outset, Madondo has<br />

not made any attempt to explain why<br />

he attacked Jeremiah, let alone accept<br />

Killed - Jeremiah Sewell<br />

Jailed - Godfrey Tanishe Madondo<br />

responsibility for his actions. <strong>The</strong>y<br />

have left Jeremiah’s family<br />

wondering why their loved one was<br />

viciously attacked – when he could<br />

have provided answers; he has taken<br />

the coward’s option and kept quiet.<br />

“Nothing will undo the<br />

catastrophic consequences of that<br />

night, but I hope the conviction of<br />

these three people will at least give<br />

Jeremiah’s family and friends some<br />

sense that justice has been served.”


JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong> <strong>The</strong><strong>Trumpet</strong><br />

Page5


Page6 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

News<br />

“I have not grieved my son’s murder”<br />

Mother of 23-year-old fatally stabbed.<br />

Continued from Page 1<<br />

February. Last Friday, he was<br />

sentenced to life imprisonment with<br />

a minimum of 32 years – following<br />

the fatal stabbing in Enfield in 2017.<br />

Seun and Spence-Robinson were<br />

known to each other and had fallen<br />

out in a row over money that<br />

Spence-Robinson believed was<br />

owed to him.<br />

On 2 May 2017, Spence-<br />

Robinson was informed by a<br />

telephone call that Seun was in the<br />

Cowper Gardens area of Southgate<br />

and he travelled to the scene to find<br />

him. On arrival, he launched a swift<br />

attack, stabbing him in the chest<br />

before quickly fleeing in his car.<br />

Seun died in hospital later that<br />

evening. A post-mortem<br />

examination found the cause of his<br />

death to be a single stab wound to<br />

the heart.<br />

Detective Chief Inspector Brian<br />

Howie, from the Met’s Specialist<br />

Jarrad Spence-Robinson<br />

Crime Command, said: “Seun’s<br />

family and friends have faced a long<br />

and difficult wait for justice – we<br />

will never give up fighting for<br />

families like theirs who have lost<br />

their loved ones, no matter how<br />

much time has passed.”<br />

Seun’s mother added: “<strong>The</strong> pain<br />

and loss of Shay’s death will never<br />

leave me and has left me heart<br />

broken. My heart currently works<br />

with one less valve. When I look at<br />

myself I see a different reflection, a<br />

person that I don’t recognise. When<br />

I see the pain on my children it hurts<br />

more.<br />

“Jarrad has never shown any<br />

remorse, or respect to me and the<br />

family for the murder of our eldest<br />

son.<br />

“For our family there will be no<br />

more family events, no joint<br />

birthdays that I arrange, Shay will<br />

not meet new additions to our<br />

family, I will never have any<br />

grandchildren and yet it’s hard to<br />

say life goes on. I thank my friends<br />

and family for supporting me over<br />

these years and thank the justice<br />

system for bringing justice for<br />

Shay.”<br />

Victim - Seun McMillan<br />

(Photo - Metropolitan Police)


News<br />

JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

Sierra Leone election: voter trust has<br />

been shaken, and will need to be regained<br />

Page7<br />

Continued from Page 3<<br />

democratic processes in their own lives.<br />

She has conducted research in Sierra<br />

Leone since 2003, and published a<br />

2016 paper that focused on how the<br />

country managed the first election it<br />

ran on its own in 20<strong>12</strong>.<br />

What did you learn from the<br />

outcome of this election?<br />

Sierra Leoneans expect that the<br />

election process is potentially corrupt<br />

unless there is full transparency in the<br />

whole process. This means from the<br />

moment the electoral commission is<br />

appointed to the selection criteria for<br />

the ballot design, the selection and<br />

training of poll workers, the invitation<br />

to the international community for<br />

electoral observers, and every other<br />

decision that might affect the outcome.<br />

<strong>The</strong> public had very high levels of<br />

trust in the two elections immediately<br />

after the civil war, which ended in<br />

2002, because the United Nations was<br />

heavily involved. It was involved in the<br />

planning and execution of the 2002<br />

election and, to a lesser degree, the<br />

2007 elections.<br />

<strong>The</strong> 20<strong>12</strong> election was the country’s<br />

first self-administered election since the<br />

war began. <strong>The</strong> whole population was<br />

committed to it being free, fair and<br />

without violence. <strong>The</strong>y succeeded.<br />

Since then, bad old habits of<br />

nepotism, cronyism, and back-room<br />

deals have reappeared. Whether<br />

corruption is as bad as opposition party<br />

members claim is not as important as<br />

the perception that the election is<br />

corrupt.<br />

If there is any lesson to be learned, it<br />

is the necessity of rebuilding public<br />

trust in every election by maintaining a<br />

transparent process.<br />

What has changed between 20<strong>12</strong><br />

and <strong>2023</strong> to result in the return of<br />

nepotism and cronyism?<br />

20<strong>12</strong> may have been a special<br />

moment, when the country came<br />

together in a concerted effort to ensure<br />

that the elections were conducted<br />

without violence, with no questions<br />

about the legitimacy of the polling, and<br />

with full knowledge that the world was<br />

watching.<br />

As I wrote in my 2016 paper, drastic<br />

measures such as restricting freedom of<br />

movement, work, association, and even<br />

dress in the months and days leading up<br />

to the election and on election day were<br />

imposed. <strong>The</strong> citizens complied<br />

without complaint, even as these were<br />

technically violations of basic human<br />

rights. This is because the people were<br />

so committed to ensuring a free and fair<br />

election.<br />

Once these restrictions were<br />

allowed to loosen in succeeding<br />

elections, it portended a return to lack<br />

of transparency in the process, and thus<br />

to the powerful exerting themselves<br />

behind the scenes, because they were<br />

no longer also committed to these<br />

restrictions.<br />

Who has been responsible for the<br />

pre-election violence?<br />

Any whiff of corruption that could<br />

affect the outcome leads to accusations<br />

of democratic backsliding. A standardbearer<br />

who considers themselves<br />

wronged will call on the party’s<br />

followers to “demonstrate”. This is to<br />

ensure that those who are potentially<br />

corrupt see that others are trying to hold<br />

them to account.<br />

Any call for a “peaceful<br />

demonstration” is a challenge to the<br />

legitimacy of the claims being made by<br />

the other side. No political leader<br />

accuses their opposition of corruption<br />

and calls for “peaceful demonstrations”<br />

without knowing that violence will<br />

occur, no matter who throws the first<br />

stone or fires the first shot.<br />

Rhetoric is powerful, and a hint of<br />

grumbling about corruption will fan the<br />

flames of violence.<br />

What factors determine voter<br />

turnout?<br />

<strong>The</strong>re is an old saying in Sierra<br />

Leone politics: “same taxi, different<br />

driver”. It describes presidential<br />

candidates promising change when<br />

they get into office. <strong>The</strong> new president<br />

will do essentially what the last<br />

president did, with minor variations.<br />

People are also well aware that their<br />

leaders are, by and large, corrupt. <strong>The</strong>re<br />

is plenty of evidence for this, from the<br />

fisheries ministry officials turning a<br />

blind eye to illegal fishing by Chinese<br />

trawlers, to the “trickle-down<br />

corruption” that occurs in regular<br />

public life because public servants such<br />

as police officers and teachers are not<br />

being paid, and so demand bribes and<br />

tips from the community. This<br />

Mohamed Kenewui Konneh, Chief Electoral Commissioner and Chairman ECSL<br />

“everyday corruption” is blamed firmly<br />

on the cabinet ministers. <strong>The</strong> local artist<br />

Emerson, for example, consistently<br />

lambasts politicians in his music.<br />

This does not dissuade people from<br />

turning out in numbers to cast votes for<br />

their preferred candidate. <strong>The</strong>y have a<br />

sense of two things: one which is<br />

extremely likely, and the other which<br />

might happen.<br />

What’s extremely likely is that if<br />

their ethnic or preferred candidate does<br />

not win, their region and their ethnic<br />

people will be neglected or harassed by<br />

the ruling party, or they will simply<br />

“stand still” and receive no<br />

Catherine Bolten (Photo by Barbara<br />

Johnston - University of Notre Dame)<br />

development. <strong>The</strong>y feel voting is the<br />

only real power they have to be a part<br />

of any decision-making process, and so<br />

turnout is consistently high.<br />

What might happen is that, if their<br />

candidate wins, they will they reap the<br />

benefits of foreign direct investment,<br />

NGO relief, humanitarian distribution<br />

and infrastructure.<br />

So they turn out to vote for the<br />

candidate who will hurt them the least,<br />

and might actually help them.<br />

What does the <strong>2023</strong> election<br />

outcome portend for democracy?<br />

It is clear that the fact that a<br />

candidate is declared a winner and then<br />

immediately sworn in does not protect<br />

the country from violence or<br />

democratic backsliding.<br />

<strong>The</strong>re may still be violence, and<br />

there may be a crackdown on protest,<br />

which starts down a dangerous road to<br />

authoritarianism or potentially wider<br />

violence.<br />

I am not sure how this will affect the<br />

future of democracy in Sierra Leone.<br />

But I believe that the international<br />

community has a duty to send<br />

observers, if only to let a country’s<br />

citizens know that their election<br />

matters, and that they are part of the<br />

foundation of the international cause of<br />

democracy.<br />

Backsliding anywhere is dangerous,<br />

and no election is too small to ignore. I<br />

hope that the democratic state in Sierra<br />

Leone holds up for the next five years,<br />

in order for this repair to happen.<br />

Catherine Bolten, Professor of<br />

Anthropology and Peace Studies,<br />

University of Notre Dame.<br />

This article is republished from <strong>The</strong><br />

Conversation under a Creative<br />

Commons license. Read the original<br />

article.


Page8 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

Passages<br />

‘Peter Pan’ Enahoro, Nigerian<br />

journalist and publisher, was not<br />

afraid to speak his mind<br />

By Olayinka Oyegbile<br />

Trinity University, Lagos<br />

<strong>The</strong>re are some people whose lives<br />

intersect with yours even if you<br />

never meet them in the flesh. One<br />

of these was Peter Osajele Aizegbeobor<br />

Enahoro, the Nigerian journalist who was<br />

also known by his pen name, Peter Pan.<br />

Enahoro died on 24 April <strong>2023</strong> in London,<br />

aged 88. He had worked in Nigeria from<br />

1954 to 1967.<br />

As a journalist and journalism teacher,<br />

I have followed his career – one of<br />

professional excellence and achievements.<br />

He was a bold journalist who was not<br />

afraid to say what he thought was right.<br />

Enahoro served as Subeditor, Features<br />

Editor, (the Nigerian) Sunday Times<br />

Editor, Editor of the Daily Times and<br />

Editor-In-Chief of Times Group. He was<br />

to return from exile in 1996 to be the sole<br />

administrator of the Daily Times under a<br />

military government. He wrote his Peter<br />

Pan column first in the Sunday Times.<br />

When he was appointed the Editor of the<br />

daily paper, the column was transferred<br />

there.<br />

By the time he started his career, the<br />

battle against colonialism had been fought<br />

and won. <strong>The</strong> task was to demand good<br />

governance. He understood this very well.<br />

He put his satirical pen to full service and<br />

took regular digs at political leaders of the<br />

period.<br />

Early life<br />

Born on 21 January 1935, he came<br />

from a well-heeled and well-known<br />

political family in Uromi, now in Edo<br />

State. His parents were educationists and<br />

he was one of 10 siblings. His elder<br />

brother, Anthony Enahoro,was also a<br />

journalist and nationalist. He was<br />

renowned as the parliamentarian who<br />

moved the first motion for Nigeria’s<br />

independence in 1953. Another wellknown<br />

sibling was also a journalist: Mike<br />

Enahoro, who died in 2015, was a<br />

broadcaster of note in the 1980s.<br />

After his secondary school education,<br />

as was the practice during his time, Peter<br />

Enahoro joined the government service as<br />

Assistant Publicity Officer in the<br />

Department of Information. <strong>The</strong>re he<br />

showed his talent as an inquisitive officer<br />

whose skills went beyond just writing<br />

government statements.<br />

Like most journalists of his time, he<br />

never got a university education.<br />

A great journalist<br />

Enahoro became perhaps the youngest<br />

Nigerian journalist to edit a national<br />

newspaper, Daily Times, in 1962. He was<br />

27.<br />

<strong>The</strong> Editor of Daily Times, another<br />

legendary Nigerian journalist, Biodun<br />

Aloba, had spotted him taking on a<br />

politician at a press conference and invited<br />

him to join the paper, then owned by the<br />

Daily Mirror of London.<br />

It was the beginning of Enahoro’s rise<br />

to become “perhaps Africa’s best-known<br />

international journalist”, as Frank Barton<br />

described him in his book <strong>The</strong> Press in<br />

Africa.<br />

As Editor of Sunday Times in Nigeria<br />

(from 1958) and later the flagship<br />

Nigerian paper of the period, Daily Times<br />

(succeeding Babatunde Jose), he was<br />

unsparing of politicians and soldiers who<br />

were at the helm of affairs in the country.<br />

By the time the military struck on 15<br />

January 1966, cutting short the elected<br />

government that had ushered the country<br />

into independence, he had become a<br />

household name whose pen was feared by<br />

those in power.<br />

Enahoro and his Managing Director,<br />

Jose, were on opposite sides of the divide<br />

in politics. Samuel Ladoke Akintola was<br />

the Premier then of the Western Region in<br />

Nigeria. According to Jose’s account in his<br />

memoir Walking a Tight Rope, “Peter did<br />

not agree with my pro-Akintola stand and<br />

I told him from the start that he had the<br />

freedom to express his views in his Peter<br />

Pan column, but that the editorial column<br />

of the Daily Times would reflect my<br />

Peter Enahoro (Photo courtesy Peter Enahoro)<br />

stand.” (page 207). This never in any way<br />

affected their relationship.<br />

Enahoro escaped from Nigeria in<br />

1966, fearing for his life after the 15<br />

January coup, as stated in his memoir. In<br />

Germany and later Britain, his career<br />

blossomed and his name became well<br />

known all over the world through his work<br />

in publications such as Africa, New<br />

African and his own, which he called<br />

Africa Now.<br />

A long shadow<br />

Enahoro was long gone from Nigeria<br />

by the time I became a journalist in the<br />

mid-1980s but his reputation loomed<br />

large. Magazine publishing was<br />

flourishing at that time. Many younger<br />

journalists of the day became interested in<br />

international reporting because of Peter<br />

Pan’s example and success.<br />

In 2015, when he turned 80, while<br />

reflecting on the role of the media in<br />

national development, he told the Daily<br />

Trust that newspapers<br />

are very good at saying what is wrong.<br />

But we are not yet very good at suggesting<br />

what can be done to heal it so that we<br />

don’t become part of the problem.<br />

He knew that making suggestions to<br />

those in power had repercussions. He lost<br />

his job.<br />

Romance with a dictator<br />

A part of his life that he only touched<br />

on in his memoir was his return to Nigeria<br />

in 1996 to work for the government of the<br />

late dictator Sani Abacha. <strong>The</strong> same<br />

government had declared his older brother<br />

Anthony a wanted man.<br />

In his memoir <strong>The</strong>n Spoke the<br />

Thunder (2009) he tried to justify his<br />

acceptance of the offer to “take over the<br />

Daily Times”. Enahoro accepted the offer<br />

made to him by Tom Ikimi, the then<br />

Foreign Affairs Minister in the Abacha<br />

junta. He said he accepted the offer after<br />

Augustus Aikhomu, retired military leader<br />

and his kinsman, told him: “<strong>The</strong>y want<br />

you to come and clear up the mess in<br />

Daily Times … Your country needs you.”<br />

His acceptance eroded the respect<br />

some had for him. He was appointed in<br />

1996 and did the job for less than two<br />

years.<br />

He wrote four books: How to be a<br />

Nigerian (1966), You gotta cry to laugh!<br />

(1972), <strong>The</strong> Complete Nigerian (2016)<br />

and <strong>The</strong>n Spoke the Thunder (2009).<br />

For his incisive writings and<br />

commentaries, Enahoro’s seat in the<br />

pantheon of journalism in Nigeria is<br />

assured, his latter-day romance with the<br />

military notwithstanding.<br />

• Olayinka Oyegbile, Journalist and<br />

Communications scholar, Trinity<br />

University, Lagos.<br />

• This article is republished from <strong>The</strong><br />

Conversation under a Creative C<br />

.


Passages<br />

JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

Silvio Berlusconi: the property developer<br />

who became a media tycoon – and Italy’s<br />

most flamboyant Prime Minister<br />

By Andrea Colli<br />

Bocconi University<br />

Page9<br />

Berlusconi had built a business empire<br />

that spanned construction, banking and<br />

insurance, TV and advertising,<br />

publishing, sport and even supermarkets.<br />

In just a couple of decades, Berlusconi<br />

had transformed Fininvest into Italy’s<br />

eighth largest company by turnover.<br />

From outsider to Prime Minister<br />

Despite this remarkable success – and<br />

his notorious business skill – Berlusconi<br />

was neither immediately nor eagerly<br />

welcomed into the drawing rooms of the<br />

country’s entrepreneurial elite, who<br />

tended to consider him at best a useful<br />

upstart. This is perhaps partially what<br />

drove an already individualistic character<br />

to seek a new level of primacy.<br />

At the beginning of the 1990s,<br />

Berlusconi turned himself into a<br />

“political entrepreneur”. At the time, the<br />

“Tangentopoli” scandal had exposed<br />

deeply entrenched corruption among<br />

national and regional politicians.<br />

Individual politicians and entire<br />

political parties were brought down by<br />

the revelations and the old party system<br />

was turned on its head, leaving an<br />

institutional vacuum. Berlusconi stepped<br />

in to fill that vacuum by creating a new<br />

political party practically overnight,<br />

leveraging his personal entrepreneurial<br />

prestige and the communication power of<br />

his media empire.<br />

Having crafted a (sometimes<br />

precarious) alliance with two different<br />

partners on the right and far right,<br />

Berlusconi was elected Prime Minister<br />

for the first time in 1994. It was the<br />

Continued on Page 10 ><br />

Silvio Berlusconi (Photo by Agência Brasil - CCA 3.0 Brazil licence)<br />

Silvio Berlusconi, who has died at<br />

the age of 86, was born into a<br />

middle-class family in Milan, a<br />

city heavily affected by the Second World<br />

War. He attended a private school<br />

belonging to a religious order, and<br />

eventually graduated with distinction in<br />

law in 1961, specialising in advertising<br />

contracts, an area that would of course<br />

prove extremely useful in his later<br />

careers.<br />

As Berlusconi came of age, Italy was<br />

entering its postwar economic “miracle”.<br />

And immediately after his graduation, he<br />

started a series of successful<br />

entrepreneurial initiatives in a booming<br />

construction industry.<br />

In his early 30s, Berlusconi conceived<br />

of a revolutionary and visionary project,<br />

the construction of a residential area in<br />

the northern outskirts of Milan called<br />

Milano 2. <strong>The</strong> idea was to offer high<br />

standard, spacious homes in new areas on<br />

the outskirts of the city that contrasted<br />

with an increasingly crowded and<br />

polluted metropolis.<br />

<strong>The</strong> project was ahead of its time in<br />

marketing “exclusive” property to a<br />

growing middle class looking to escape<br />

the inner city but remain close by. It<br />

proved a significant success, which<br />

quickly propelled Edilnord (Berlusconi’s<br />

construction company) into the big<br />

leagues and enabled it to diversify under<br />

the umbrella of a financial holding<br />

company, Fininvest.<br />

By the 1980s, Berlusconi had<br />

received the Order of Merit of Labor and<br />

the informal nickname “Il Cavaliere” (the<br />

Knight) for his entrepreneurship.<br />

Building an empire<br />

Meanwhile, as video broadcasting<br />

was being commercialised for the first<br />

time in Italy in the mid-1970s (having<br />

previously been a State monopoly),<br />

Berlusconi started investing in TV.<br />

He set up a media company that<br />

transmitted three channels across Italy<br />

(Canale 5, Italia 1 and Rete 4). All this<br />

was supported by the company’s<br />

aggressive advertising arm, Publitalia.<br />

Berlusconi’s media empire<br />

(complemented by the acquisition in<br />

1984 of Arnoldo Mondadori, the most<br />

important publishing house in the<br />

country) became the sole real competitor<br />

of RAI, the State-owned television<br />

company. Berlusconi’s personal ability to<br />

attract the most popular TV stars of the<br />

time certainly helped, as did personal<br />

connections in the government.<br />

This made him a pervasive figure in<br />

Italian society, but his popularity<br />

skyrocketed in the mid-1980s when a<br />

highly valuable jewel was added to his<br />

crown: AC Milan football club. This was<br />

already a highly strategic move given<br />

Italy’s national obsession with the game,<br />

but Berlusconi quickly set about turning<br />

Milan from a domestic team into an<br />

international brand.<br />

In the 15 years that followed the<br />

successful project of Milano 2,<br />

AI is set to disrupt 70% of jobs over the<br />

next 5 years. You MUST build your own<br />

wealth, NOW, before its too late


Page10 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong>Arts<br />

<strong>The</strong> Caine Prize for African Writing<br />

announces <strong>2023</strong> shortlist<br />

<strong>The</strong> Caine Prize for African Writing, an<br />

esteemed annual award honouring<br />

outstanding African writers, has<br />

announced the shortlist for the <strong>2023</strong> edition.<br />

<strong>The</strong> five shortlisted stories were carefully<br />

selected from a pool of 297 entries originating<br />

from 28 African countries.<br />

<strong>The</strong> shortlisted writers for the <strong>2023</strong> Caine<br />

Prize for African Writing are:<br />

· Yejide Kilanko (Nigeria) for ‘This<br />

Tangible Thing’, HarperVia (<strong>2023</strong>)<br />

· Tlotlo Tsamaase (Botswana) for ‘Peeling<br />

Time<br />

(Deluxe<br />

Edition)’, TorDotCom (2022)<br />

· Mame Bougouma Diene and Woppa<br />

Diallo (Senegal) for ‘A Soul of Small<br />

Places’, TorDotCom (2022)<br />

Gambia, Ghana, Kenya, Lesotho, Liberia,<br />

Libya, Malawi, Mauritius, Namibia, Nigeria,<br />

Rwanda, Senegal, Sierra Leone, South Africa,<br />

Somalia, Sudan, Tanzania, Togo, Uganda,<br />

Zambia, and Zimbabwe.<br />

Fareda Banda, Chair of Judges, and a<br />

Professor of Law at SOAS, University of<br />

London, expressed her thoughts on the<br />

shortlist: “Together, we have meticulously<br />

reviewed and debated 230 eligible<br />

submissions, ultimately narrowing it down to<br />

the final five. <strong>The</strong> entries we received<br />

showcased the depth and breadth of writing on<br />

the Continent and beyond. <strong>The</strong>se stories span<br />

generations, genres, and themes; challenging,<br />

stimulating, and delighting us. <strong>The</strong>y embrace<br />

speculative fiction and artivism, highlighting<br />

the power of engaging and innovative<br />

storytelling in addressing gender-based<br />

violence and reproductive autonomy.<br />

Additionally, they explore inter-generational<br />

wisdom and the sense of alienation<br />

experienced by Diasporic youth. Each story<br />

deserves recognition, as they all captivated us.”<br />

Banda further noted the remarkable fact<br />

that four out of the six shortlisted finalists<br />

reside in Africa, with two from the Diaspora.<br />

This year’s shortlist also boasts a joint<br />

submission and an all-women judging panel,<br />

marking significant milestones in the history<br />

of the Caine Prize.<br />

Ukamaka Olisakwe, Editor of Isele<br />

Magazine, expressed her excitement: “We are<br />

thrilled that Ekemini Pius and Yvonne<br />

Kusiima’s short stories have been shortlisted<br />

Continued on Page 11<<br />

· Ekemini Pius (Nigeria) for ‘Daughters, By<br />

Our Hands’, Isele Magazine (2022)<br />

· Yvonne Kusiima (Uganda) for<br />

‘Weaving’, Isele Magazine (2022)<br />

This year’s submissions encompassed a<br />

diverse range of talent from 28 different<br />

countries, including Botswana, Burkina Faso,<br />

Cameroon, Egypt, Eritrea, Eswatini, Ethiopia,<br />

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Silvio Berlusconi: the property<br />

developer who became a media<br />

tycoon – and Italy’s most<br />

flamboyant Prime Minister<br />

Continued from Page 9<<br />

beginning of a lengthy spell in power<br />

as head of coalitions and alliances of<br />

the right. In the end, he was Prime<br />

Minister three times: from 1994 to<br />

1995, 2001 to 2006 and 2008 to 2011.<br />

Berlusconi was recognised as a<br />

charismatic politician and the electoral<br />

campaigns that put him in government<br />

were inevitably centered on him<br />

personally. However, he was less<br />

convincing as a Statesman. He lacked<br />

a long-term vision for Italy both in<br />

terms of statecraft and economic<br />

development.<br />

In his two decades in power, Italy’s<br />

GDP remained in line with the rest of<br />

Europe but the country’s<br />

competitiveness, measured in terms of<br />

export, declined consistently. This was<br />

mirrored by a generous rise in public<br />

spending – despite the neoliberal<br />

leanings of Berlusconi’s governments.<br />

Berlusconi’s politics always came<br />

down to personal relationships over<br />

institutions. This style as worsened by<br />

a persistent conflict of interest between<br />

his role as Prime Minister of the<br />

country and de facto monarch of a<br />

business empire largely built on<br />

commercial TV and advertising.<br />

He acted no differently as a<br />

politician than he did in his<br />

entrepreneurial life, running his<br />

governments with incredible energy<br />

but with an extremely low propensity<br />

for delegation.<br />

But while Berlusconi was able to<br />

slot his eldest sons Marina and<br />

Piersilvio into top jobs in his business<br />

empire, he hasn’t been able to find an<br />

equally charismatic successor for his<br />

political project.<br />

All is forgiven, again and again<br />

Italians gave the flamboyant<br />

Berlusconi a pass for many antics,<br />

particularly his sometimes<br />

unconventional behaviour in his private<br />

life. He probably got more lenience<br />

from the public than he deserved, and<br />

certainly much more than the judicial<br />

system was willing to extend him, as<br />

was clear from his conviction for tax<br />

fraud.<br />

While he fought off other legal<br />

cases over allegations of sex with a<br />

minor, others were convicted of<br />

recruiting prostitutes for Berlusconi’s<br />

parties.<br />

Even now, after his death, it is<br />

difficult to land on a definitive view of<br />

Berlusconi and his role in Italy’s recent<br />

history. His own life story is certainly<br />

emblematic of a country endowed with<br />

many gifts – a creative place capable of<br />

sudden and unexpected revival.<br />

But he could equally be said to<br />

represent Italy in a negative way too,<br />

unfortunately too often incapable of<br />

producing a vision of the future based<br />

on anything other than individual<br />

egoistic interests.<br />

Andrea Colli, Full Professor,<br />

Department of Social and Political<br />

Sciences, Bocconi University.<br />

This article is republished from <strong>The</strong><br />

Conversation under a Creative<br />

Commons license. Read the original<br />

article.


<strong>The</strong>Arts<br />

JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

<strong>The</strong> Caine Prize for African Writing<br />

announces <strong>2023</strong> shortlist<br />

Page11<br />

Continued from Page 10<<br />

for this year’s Caine Prize. At Isele Magazine,<br />

we strive to work with writers who hold a<br />

mirror to our society and challenge<br />

conventional expectations. It brings us<br />

immense joy to see two of our brilliant writers<br />

included in this prestigious list for the first time<br />

ever.”<br />

Zelda Knight, Co-Editor at Africa Risen<br />

(TorDotCom), commented on the selected<br />

works: “Tlotlo Tsamaase’s ‘Peeling Time’ and<br />

‘A Soul of Small Places’ by Mame Bougouma<br />

Diene and Woppa Diallo are evocative pieces<br />

of feminist horror. <strong>The</strong>ir incorporation of<br />

speculative elements to depict the everyday<br />

struggles and atrocities faced by women<br />

captured our attention and refused to let go. We<br />

are honoured to have these exceptional authors<br />

nominated for the prize.”<br />

Nana Ekua Brew-Hammond, Editor of<br />

RELATIONS: An Anthology of African and<br />

Diaspora Voices, expressed her enthusiasm:<br />

“We are thrilled that Yejide Kilanko’s ‘This<br />

Tangible Thing‘ has been recognized by the<br />

prestigious Caine Prize for African Writing.<br />

Kilanko’s story is a powerful exploration of the<br />

complexities of love and loss, masterfully<br />

crafted with rich imagery and deeply evocative<br />

prose. It is a well-deserved recognition of her<br />

talent as a writer and a testament to the<br />

enduring relevance of African storytelling. We<br />

are honoured to have ‘This Tangible Thing’<br />

included in RELATIONS and congratulate<br />

Yejide Kilanko on this remarkable<br />

achievement.”<br />

<strong>The</strong> Caine Prize for African Writing also<br />

convened an impressive panel of Judges for<br />

<strong>2023</strong>. Chair of Judges, Fareda Banda is joined<br />

by Edwige-Renée Dro, a writer, literary<br />

translator, and literary activist; Kadija George<br />

Sesay, editor and founder of Mboka Festival;<br />

Jendella Benson, author and Head of Editorial<br />

at Black Ballad; and Warsan Shire, a multiaward<br />

winning writer and poet who recently<br />

collaborated with Beyoncé Knowles-Carter on<br />

her Peabody Award-winning visual album<br />

Lemonade and the Disney film Black Is King.<br />

Fareda Banda says, “Chairing the <strong>2023</strong><br />

Caine Prize has been one of the highlights of<br />

my life. My accomplished, generous, kind and<br />

hardworking fellow judges have been a joy to<br />

work with. This is the first all-women selection<br />

committee in the history of the prize.”<br />

Commenting on the <strong>2023</strong> panel, Sarah<br />

Ozo-Irabor, Director of the Caine Prize, says:<br />

<strong>2023</strong> Caine Prize judges<br />

“We are thrilled to have such an illustrious and<br />

highly accomplished panel of judges who will<br />

no doubt continue <strong>The</strong> Caine Prize’s legacy of<br />

expanding the wealth of contemporary African<br />

writings.”<br />

Ellah Wakatama OBE, Chair of <strong>The</strong> Caine<br />

Prize Board of Trustees, expressed her<br />

thoughts on the judges and shortlist: “This year<br />

we have, for the first time, an all-female<br />

judging panel for <strong>The</strong> Caine Prize for African<br />

Writing, which for me, is a particular delight.<br />

We set out to put together a group of<br />

formidable talent and experience across a range<br />

of art forms and disciplines. <strong>The</strong> judges have<br />

presented a shortlist that shows range and<br />

ambition, across genres and with diverse<br />

approaches to storytelling - the quality and<br />

innovation that is a hallmark of our annual<br />

shortlist.”<br />

<strong>The</strong> Caine Prize for African Writing<br />

celebrates the richness and diversity of African<br />

literature and recognizes outstanding<br />

achievements in African storytelling. <strong>The</strong><br />

winner of the <strong>2023</strong> Caine Prize will be<br />

announced at a ceremony held on Monday,<br />

2 nd October <strong>2023</strong> in London, UK.<br />

JUDGES’ BIOS:<br />

· Fareda Banda is a Professor of Law at<br />

SOAS, University of London. She is<br />

interested in women’s rights and law and<br />

society in Africa. Her most recent book<br />

African Migration, Human Rights and<br />

Literature explores how art, and<br />

specifically literature, can be used as a<br />

form of art activism.<br />

· Edwige-Renée Dro is a<br />

writer, translator, and literary activist from<br />

Continued on Page <strong>12</strong>


Page<strong>12</strong> <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong>Arts<br />

<strong>The</strong> Caine Prize for African Writing<br />

announces <strong>2023</strong> shortlist<br />

Continued from Page 11<<br />

Côte d’Ivoire. Her short stories and articles<br />

have been published in anthologies such as<br />

New Daughters of Africa, Africa39, the<br />

Eastern African Literary and Cultural<br />

Studies, This is Africa, etc. In 2020, she<br />

founded 1949: the library of women’s<br />

writings from Africa and the black world<br />

in Abidjan.<br />

· Kadija George Sesay is a Sierra<br />

Leonean/British scholar and literary<br />

activist. She is the Publications Manager<br />

for Inscribe/Peepal Tree Press and the<br />

editor of several anthologies. She has<br />

published poetry, short stories, and essays.<br />

She is the founder/publisher of SABLE<br />

LitMag and co-founder of Mboka Festival<br />

of Arts Culture and Sport in <strong>The</strong> Gambia.<br />

She is also the founder of the ‘AfriPoeTree’<br />

app.<br />

· Jendella Benson is a British-Nigerian<br />

author and editor. Her debut novel Hope &<br />

Glory was published in April 2022, and her<br />

short story Kindle was published in <strong>The</strong><br />

Book of Birmingham collection. She is<br />

Head of Editorial at Black Ballad and has<br />

written for various publications. She is<br />

working on her second novel.<br />

· Warsan Shire is a Somali British writer<br />

and poet born in Nairobi and raised in<br />

London. She has written two chapbooks<br />

and was awarded the inaugural Brunel<br />

International African Poetry Prize. She<br />

served as the first Young Poet Laureate of<br />

London and is the youngest member of the<br />

Royal Society of Literature. She has<br />

collaborated with Beyoncé Knowles-<br />

Carter on Lemonade and the Disney film<br />

Black Is King.<br />

SHORTLISTED WRITERS’ BIOS:<br />

· Yejide Kilanko was born in Ibadan,<br />

Nigeria. She writes poetry and<br />

This FREE Choir Concert features an array<br />

of spiritually uplifting Music, Dance, Drama, Worship and<br />

the Word of God.<br />

Register for a FREE Ticket at:<br />

https://www.eventbrite.co.uk/e/<strong>2023</strong>-choir-day-journeyupward-tickets-646130141647<br />

<strong>The</strong> Caine Prize for African Writing <strong>2023</strong> shortlist<br />

fiction. Kilanko’s debut novel, Daughters<br />

Who Walk This Path, a Canadian national<br />

bestseller, was longlisted for the 2016<br />

Nigeria Prize for Literature. Her short<br />

fiction is included in the anthology, New<br />

Orleans Review 2017: <strong>The</strong> African<br />

Literary Hustle. Kilanko’s latest novel, A<br />

Good Name, was published in 2021.<br />

Kilanko lives in Ontario, Canada where<br />

she practices as a social worker.<br />

· Tlotlo Tsamaase is a Motswana author<br />

(xe/xem/xer or she/her pronouns). Tlotlo’s<br />

debut adult novel, Womb City, comes out<br />

in January 2024 from Erewhon Books. Xer<br />

novella, <strong>The</strong> Silence of the Wilting Skin, is<br />

a 2021 Lambda Literary Award finalist and<br />

was shortlisted for a 2021 Nommo Award.<br />

Tlotlo has received support from the Rolex<br />

Mentor and Protégé Arts Initiative, and xer<br />

story “Behind Our Irises” is the joint<br />

winner of the Nommo Award for Best<br />

Short Story (2021). Tlotlo’s short fiction<br />

has appeared in News Suns 2, Africa Risen,<br />

<strong>The</strong> Best of World SF Volume 1,<br />

Clarkesworld, Terraform, and<br />

Africanfuturism Anthology, and is<br />

forthcoming in Chiral Mad 5. Xe obtained<br />

a Bachelor’s degree in architecture from<br />

the University of Botswana and won an<br />

award for design architecture. Tsamaase is<br />

currently pursuing an MFA in Creative<br />

Writing at Chapman University.<br />

· Mame Bougouma Diene is a Franco –<br />

Senegalese American humanitarian based<br />

in Pretoria, the francophone spokesperson<br />

for the African Speculative Fiction Society<br />

(), the French language editor for Omenana<br />

Magazine, and a regular columnist at<br />

Strange Horizons. You can find his fiction<br />

and nonfiction work in Omenana, Galaxies<br />

SF, Edilivres, Fiyah! Truancy Magazine,<br />

EscapePod, Mythaxis, Apex Magazine and<br />

TorDotCom; and in anthologies such as<br />

AfroSFv2 & V3 (Storytime), Myriad<br />

Lands (Guardbridge Books), You Left Your<br />

Biscuit Behind (Fox Spirit Books), This<br />

Book Ain’t Nuttin to Fuck Wit (Clash<br />

Media), Africanfuturism (Brittle Paper),<br />

Dominion (Aurelia Leo), Meteotopia<br />

(Future Fiction/Co-Futures in English and<br />

Italian), Bridging Worlds (Jembefola<br />

Press) and Africa Risen (TorDotCom). His<br />

novelette <strong>The</strong> Satellite Charmer is<br />

translated in Italian by Moscabianca<br />

Edizioni, his novelette Ogotemmeli’s Song<br />

is translated in Bangla (Joydhak<br />

Prakashan). He was nominated for several<br />

Nommo Awards, and his debut collection<br />

“Dark Moons Rising on a Starless Night”<br />

(Clash Books) was nominated for the 2019<br />

Splatterpunk Award.<br />

· Woppa Diallo is a lawyer with a<br />

specialisation in human rights,<br />

humanitarian action and peace promotion.<br />

She is a feminist activist committed to<br />

social change and the realisation of<br />

women’s rights. Woppa founded<br />

Association pour le Maintien des Filles à<br />

l’Ecole (AMFE) at fifteen in Matam,<br />

Senegal, to ensure fair access to education<br />

for girls, eradicate gender-based<br />

stereotypes, promote sexual &<br />

reproductive health, and the continued<br />

socialisation of girls-victims of genderbased<br />

violence.<br />

· Ekemini Pius is a Nigerian writer and<br />

editor who lives in Calabar, Nigeria. His<br />

works have been published in the Kendeka<br />

Prize for African Literature anthology, the<br />

K & L Prize anthology, Afro Literary<br />

Magazine, and Isele Magazine. His story,<br />

‘Time and Bodies’ was shortlisted for the<br />

2021 Kendeka Prize for African Literature.<br />

He was also shortlisted for the 2022 Awele<br />

Creative Trust Short Story Prize. He is an<br />

alumnus of the 2019 Wawa Literary<br />

Fellowship and was a finalist for the 2022<br />

Guest Artist Space Fellowship. He is<br />

currently working on his debut novel.<br />

· Yvonne Kusiima is a writer from<br />

Kampala, Uganda with a degree in Social<br />

Sciences. She is interested in the<br />

complexities of human societies and aims<br />

to shake things up to make this world a<br />

better place. She believes stories have the<br />

power to change the status quo, one word<br />

at a time. Her work has been published in<br />

African Writer Magazine, Kalahari<br />

Review, Brittle Paper, <strong>The</strong> Hektoen<br />

International Journal of Medical<br />

Humanities and Isele. Her work has been<br />

shortlisted for the Isele short story prize<br />

(<strong>2023</strong>).


JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong> <strong>The</strong><strong>Trumpet</strong><br />

Page13


Page14 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>Trumpet</strong><br />

North West<br />

Meet the Phenomenal Women of North<br />

West England<br />

By Chantelle Tindall<br />

<strong>Trumpet</strong>’s Phenomenal North West<br />

series aims to celebrate and bring<br />

to light all the positive<br />

achievements of folks in Northwest<br />

England. Ethnic minorities et al - not<br />

only will we highlight their<br />

achievements, we will also follow their<br />

stories from the start, to where they are,<br />

and what the future holds.<br />

It is common knowledge that as<br />

ethnic minorities, especially those of us<br />

from Africa, back home, people believe<br />

we all live in London. As a case study,<br />

most major events take place in London<br />

e.g. movie premieres and music shows<br />

featuring big-name artistes from the<br />

motherland. Very often for cities outside<br />

the capital, the fall out is a watered-down<br />

version of the main event. Most<br />

organisers argue that audience<br />

engagement is a problem, so they try to<br />

limit costs as much as possible not<br />

putting up big shows.<br />

Phenomenal North West aims to<br />

change this. Drawing on the strengths of<br />

our wider network of brands and<br />

communities including: <strong>Trumpet</strong> North<br />

West, <strong>Trumpet</strong> Connect and <strong>Trumpet</strong><br />

Media Group – we aim to get Diaspora<br />

Africans and Friends of Africa in North<br />

West England to connect and collaborate.<br />

We aim for professional, business and<br />

social networking – and more. Social<br />

engagement as we all know is good for<br />

the mental wellbeing. Through this much<br />

needed connection and collaboration, we<br />

foresee even more visibility for<br />

stakeholders - big or small in the region.<br />

Manchester for example is rich in<br />

diversity. A welcoming city where<br />

different ethnicities call home. Within<br />

these communities are men and women<br />

from different professional backgrounds.<br />

Architects, Authors, Lawyers, Medical<br />

Practitioners, Business Owners,<br />

Entertainers, Magistrates, Media<br />

Personalities, Charity CEOs, Clergy Men<br />

and Women, Creatives and much more.<br />

Phenomenal North West aims to<br />

reveals faces from these backgrounds,<br />

men and women who are either known or<br />

unknown, contributing positively to their<br />

communities through their field of<br />

expertise. As the year unfolds, they will<br />

be introduced to you in-depth. We will<br />

get to know them and hopefully develop<br />

different forms of positive collaborations.<br />

Photo Credit: All Participants.<br />

Continued on Page 15>


<strong>Trumpet</strong> North West<br />

JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong><br />

Meet the Phenomenal Women of North<br />

West England<br />

Continued from Page 14<<br />

Page15


Page16 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />

<strong>The</strong><strong>Trumpet</strong> is published in London fortnightly by <strong>Trumpet</strong><br />

Field: 07956 385 604 E-mail: info@the-trumpet.com (ISSN: 1477-3392)

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