The Trumpet Newspaper Issue 601 (July 12 - 25 2023)
Sierra Leone has been at peace for 20 years after brutal civil war - what went right. "I have not grieved my son's death" - Mother of 23-year-old fatally stabbed.
Sierra Leone has been at peace for 20 years after brutal civil war - what went right.
"I have not grieved my son's death" - Mother of 23-year-old fatally stabbed.
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<strong>The</strong><strong>Trumpet</strong><br />
Africans now have a voice... Founded in 1995<br />
V O L 29 N O <strong>601</strong> J U LY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
Men in camouflage uniform (Photo by Filip Andrejevic -<br />
Unsplash) High Res<br />
“I have not<br />
grieved my<br />
son’s<br />
murder”<br />
- Mother of<br />
23-year-old<br />
fatally<br />
stabbed.<br />
Seun's mother - Chantelle Bucknor (Photo -<br />
Henry Clare, Press Association)<br />
Sierra Leone<br />
has been at peace for 20<br />
years after a brutal civil war<br />
- what went right<br />
By Christina Mammone<br />
Flinders University<br />
Continued on Page 2><br />
Following the jailing of a<br />
man over the fatal<br />
stabbing of her son, a<br />
mother has said she feels she has<br />
not been able to grieve over his<br />
death.<br />
Seun McMillan’s mother<br />
said: “<strong>The</strong> impact on Seun’s<br />
death has been horrific on me<br />
emotionally and physically. I<br />
have not allowed myself to be<br />
consumed by grief, to be beaten<br />
with bitterness and sorrow. Since<br />
Seun’s death, I feel that I have<br />
not grieved. I have not allowed<br />
myself to do so, especially in<br />
front of my children as that<br />
would make them feel even<br />
more loss, than they are having<br />
to deal with.”<br />
26-year-old Jarrad Spence-<br />
Robinson of no fixed abode, was<br />
convicted of murdering 23-yearold<br />
Seun McMillan following a<br />
trial at the Old Bailey in<br />
Continued on Page 6
Page2 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
News<br />
Sierra Leone has been at peace for<br />
20 years after a brutal civil war -<br />
what went right<br />
Continued from Page 1<<br />
Sierra Leone’s June <strong>2023</strong><br />
parliamentary elections are the fifth<br />
since the end of the civil war in 2002.<br />
<strong>The</strong>y also mark a decade since the<br />
closure of the Special Court for Sierra<br />
Leone. <strong>The</strong> court prosecuted high level<br />
commanders deemed responsible for the<br />
suffering experienced during the war.<br />
<strong>The</strong> 11-year-long civil war (1991-2002)<br />
was estimated to have killed over 50,000<br />
people. Thousands were maimed and their<br />
limbs amputated. Half of the population<br />
was displaced. Almost all the people of<br />
Sierra Leone were affected by the war,<br />
leaving an enduring scar on the country and<br />
the collective psyche.<br />
In the late 1990s and early 2000s,<br />
academics and peacebuilders became<br />
increasingly interested in promoting<br />
transitional justice alongside other methods<br />
of peace consolidation, particularly in<br />
countries that had experienced mass<br />
violence and large-scale atrocities. <strong>The</strong>se<br />
included South Africa, Rwanda, Bosnia and<br />
Peru.<br />
Transitional justice mechanisms<br />
Transitional justice is justice adapted to<br />
societies undergoing transformation away<br />
from “normalised” human rights abuse.<br />
Sierra Leone became the first in which<br />
two transitional justice mechanisms were<br />
used. <strong>The</strong> Sierra Leone Truth and<br />
Reconciliation Commission was set up in<br />
<strong>July</strong> 2002 and a Special Court was created.<br />
<strong>The</strong> country has remained relatively<br />
peaceful in the two decades since the war<br />
ended. This is in a stark contrast to other<br />
examples such as Liberia and the<br />
Democratic Republic of Congo.<br />
In my thesis, I reflected on the longterm<br />
impact and the legacy of transitional<br />
justice in Sierra Leone. I examined whether<br />
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lessons learned could assist in improving<br />
the process for future use.<br />
My research focused on the official<br />
transitional justice mechanisms and<br />
whether the underlying causes of the war<br />
continued to affect the people of Sierra<br />
Leone. Economic mismanagement, poor<br />
governance, abject poverty and severe<br />
disenfranchisement were some of those<br />
underlying causes.<br />
Through interviews with people who<br />
worked alongside the mechanisms and in<br />
non-government organisations, as well as<br />
others in civil society, I gained a better<br />
understanding of the lasting impact of<br />
transitional justice.<br />
Transitional justice in the long term<br />
While in Sierra Leone, I had candid<br />
discussions on the implementation,<br />
limitations and legacy of the official<br />
transitional justice mechanisms. I found<br />
there were operational tensions between the<br />
Truth Commission and the Special Court,<br />
but having both - gave Sierra Leoneans<br />
restorative and retributive justice. Some<br />
thought that the Special Court undermined<br />
the existing amnesty and pardon<br />
agreements while using limited resources<br />
for both mechanisms was not ideal. <strong>The</strong>se<br />
led to the tensions between the two<br />
mechanisms.<br />
Restorative justice refers to “an<br />
approach to justice that seeks to repair harm<br />
by providing an opportunity for those<br />
harmed and those who take responsibility<br />
for the harm to communicate about and<br />
address their needs in the aftermath of a<br />
crime.” Retributive justice is a system of<br />
criminal justice based on the punishment of<br />
offenders rather than on rehabilitation.<br />
Considering the impact of the war,<br />
incorporating both mechanisms was<br />
essential in helping the society to reconcile<br />
and rebuild.<br />
My discussions also showed there was<br />
room for improvement in the way the two<br />
mechanisms worked. Both were hampered<br />
due to limited funding, more funds could<br />
have made their work easier. <strong>The</strong>re should<br />
have been wider community engagement<br />
Helicopter flying over field (Photo - Joel Rivera-Camacho - Unsplash) b<br />
and consultation also before both started<br />
operations. <strong>The</strong>ir effectiveness and<br />
acceptance was largely the result of<br />
outreach teams at grassroots level focusing<br />
on ensuring that the process benefited as<br />
much of the population as possible.<br />
<strong>The</strong> Truth Commission and the Special<br />
Court have left a legacy: they are still able<br />
to promote reconciliation and societal<br />
restoration now. This is despite the fact that<br />
access to the Commission’s report has been<br />
limited. A video edition of the report was<br />
circulated widely around the country, but<br />
the number of physical copies of the report<br />
is limited. Information about the findings<br />
and recommendations is restricted to the<br />
Commission’s website.<br />
Nevertheless, through the<br />
recommendations resulting from the victim<br />
testimonies, the report led to the<br />
establishment of an Anti-Corruption<br />
Commission. This addresses exploitative<br />
practices in the chieftaincy system and<br />
acknowledges systematic youth<br />
disenfranchisement. <strong>The</strong> effectiveness of<br />
the recommendations is debatable, but their<br />
ongoing influence demonstrates a<br />
concerted effort to ensure that certain<br />
causes of the conflict do not resurface.<br />
Similarly, through the Residual Special<br />
Court for Sierra Leone, which replaced the<br />
Special Court, the legacy of accountability<br />
and the rule of law continues. It still<br />
promotes societal reconstruction,<br />
reconciliation and collaboration. For<br />
example, there is a programme to<br />
reintegrate former war criminals back into<br />
the community. This acknowledges<br />
collective trauma but works towards peace<br />
in the long term.<br />
A long way forward<br />
It is vital to continue examining what<br />
transitional justice can do. This is because<br />
its mechanisms are put to work over a short<br />
period but aim at long-term and lasting<br />
peace.<br />
My research also explored the current<br />
situation in a more holistic way.<br />
Particularly, it considered how socioeconomic<br />
pressures continue to affect<br />
income generation and perceptions of<br />
disenfranchisement. Despite the Truth<br />
Commission’s acknowledgement of the fact<br />
that socio-economic injustice had a serious<br />
impact on the pre-war society, such issues<br />
persist. <strong>The</strong>y are seen through youth<br />
disenfranchisement and underdevelopment.<br />
Through this research I found that the<br />
peace which Sierra Leone has experienced<br />
in the last two decades was achieved<br />
through collaborative efforts. <strong>The</strong>se are the<br />
legacy of transitional justice and its<br />
relationship to long-term peace, and the<br />
resilience of the Sierra Leonean people.<br />
<strong>The</strong>re is still more to learn, including<br />
how better to incorporate socio-economic<br />
aspects of peace building. This might help<br />
to rectify the deeply entrenched causes of<br />
war, which current processes are not fully<br />
capable of addressing.<br />
Christina Mammone, Early Careers<br />
Researcher in Peace and Conflict Studies,<br />
Flinders University.<br />
This article is republished from <strong>The</strong><br />
Conversation under a Creative Commons<br />
license. Read the original article.
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
Page3<br />
News Analysis<br />
Sierra Leone election: voter trust has<br />
been shaken, and will need to be regained<br />
By Catherine Bolten, University of Notre Dame<br />
Julius Maada Bio, a 59-year-old<br />
former soldier, was sworn in for<br />
his second and final five-year term<br />
as President of Sierra Leone on 27<br />
June. With 56% of votes cast in the<br />
election on 24 June, Bio was declared<br />
winner ahead of his main rival, Samura<br />
Kamara, who polled 41%.<br />
Kamara rejected the result and<br />
international election observers have<br />
highlighted some problems with the<br />
way votes were counted. <strong>The</strong>re has<br />
been relative calm across Sierra Leone<br />
since Bio was sworn in. Earlier, the<br />
opposition All People’s Congress<br />
alleged that the police had killed one of<br />
its supporters by firing live shots into<br />
their party offices a day after the polls.<br />
Police have denied this.<br />
In this interview, Catherine Bolten,<br />
Professor of Anthropology and Peace<br />
Studies at the University of Notre<br />
Dame, fielded questions on lessons<br />
learnt from the poll and the future of<br />
democracy in Sierra Leone. As an<br />
anthropologist, Bolten studies politics<br />
as a social practice, which means<br />
analysing how “democracy” manifests<br />
in campaigning, elections, and policymaking,<br />
and how people imagine<br />
Continued on Page 7
Page4 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
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<strong>The</strong> Central Criminal Court<br />
(a.k.a Old Bailey) has found<br />
20-year-old Godfrey Tanishe<br />
Madondo of Southwark guilty of the<br />
murder of 19-year-old Jeremiah<br />
Sewell. He was sentenced last Friday<br />
to life imprisonment – to serve a<br />
minimum of 24 years.<br />
20-year-old Khelsi Johnson-Davis<br />
and 20-year-old Leah Simmonds are<br />
also due to be sentenced next month<br />
for perverting the course of justice in<br />
relation to the murder.<br />
Jeremiah was stabbed and killed<br />
after he was attacked by Madondo as<br />
he sat in the back of a parked car in<br />
Beckenham Place Park, Lewisham, in<br />
the early hours of Saturday, 16 <strong>July</strong><br />
2022.<br />
Jeremiah had spent the hours prior<br />
to the attack hanging out with friends<br />
and associates.<br />
<strong>The</strong>y were listening to music and<br />
socialising when the defendant’s car<br />
arrived at around 04:<strong>25</strong>hrs.<br />
<strong>The</strong> reason for the attack is not<br />
known, however when Madondo<br />
arrived he approached Jeremiah as he<br />
sat in the car.<br />
Someone heard somebody ask<br />
where Jeremiah was from; and as he<br />
answered he was stabbed twice in the<br />
neck.<br />
Madondo ran back to the car,<br />
which was driven away at speed.<br />
Jeremiah’s friends rushed him to<br />
nearby Lewisham Hospital but,<br />
despite the efforts of medical staff he<br />
died a short time later.<br />
Police were called after Jeremiah<br />
arrived at hospital and homicide<br />
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detectives from the Met’s Specialist<br />
Crime Command began work to<br />
establish what had happened.<br />
<strong>The</strong> investigation built a<br />
compelling case with the support of<br />
witnesses and by utilising forensics<br />
and CCTV.<br />
CCTV analysis provided<br />
detectives with movements of the car<br />
that Madondo had been travelling in.<br />
Prior to the murder, the occupants<br />
were seen entering a shop in Peckham<br />
and Madondo could be made out in<br />
footage.<br />
Madondo was arrested the day<br />
after the murder, but refused to<br />
answer any questions about the attack<br />
of Jeremiah.<br />
Detective Chief Inspector Chris<br />
Wood, from the Met’s Specialist<br />
Crime Command, led the<br />
investigation and said: “Jeremiah’s<br />
murder was an utterly senseless and<br />
barbaric act – the speed in which the<br />
situation escalated, and the fact that<br />
Jeremiah was sitting defenceless in<br />
the back of a car, offering no threat to<br />
Madondo, makes it all the more futile.<br />
“From the outset, Madondo has<br />
not made any attempt to explain why<br />
he attacked Jeremiah, let alone accept<br />
Killed - Jeremiah Sewell<br />
Jailed - Godfrey Tanishe Madondo<br />
responsibility for his actions. <strong>The</strong>y<br />
have left Jeremiah’s family<br />
wondering why their loved one was<br />
viciously attacked – when he could<br />
have provided answers; he has taken<br />
the coward’s option and kept quiet.<br />
“Nothing will undo the<br />
catastrophic consequences of that<br />
night, but I hope the conviction of<br />
these three people will at least give<br />
Jeremiah’s family and friends some<br />
sense that justice has been served.”
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong> <strong>The</strong><strong>Trumpet</strong><br />
Page5
Page6 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
News<br />
“I have not grieved my son’s murder”<br />
Mother of 23-year-old fatally stabbed.<br />
Continued from Page 1<<br />
February. Last Friday, he was<br />
sentenced to life imprisonment with<br />
a minimum of 32 years – following<br />
the fatal stabbing in Enfield in 2017.<br />
Seun and Spence-Robinson were<br />
known to each other and had fallen<br />
out in a row over money that<br />
Spence-Robinson believed was<br />
owed to him.<br />
On 2 May 2017, Spence-<br />
Robinson was informed by a<br />
telephone call that Seun was in the<br />
Cowper Gardens area of Southgate<br />
and he travelled to the scene to find<br />
him. On arrival, he launched a swift<br />
attack, stabbing him in the chest<br />
before quickly fleeing in his car.<br />
Seun died in hospital later that<br />
evening. A post-mortem<br />
examination found the cause of his<br />
death to be a single stab wound to<br />
the heart.<br />
Detective Chief Inspector Brian<br />
Howie, from the Met’s Specialist<br />
Jarrad Spence-Robinson<br />
Crime Command, said: “Seun’s<br />
family and friends have faced a long<br />
and difficult wait for justice – we<br />
will never give up fighting for<br />
families like theirs who have lost<br />
their loved ones, no matter how<br />
much time has passed.”<br />
Seun’s mother added: “<strong>The</strong> pain<br />
and loss of Shay’s death will never<br />
leave me and has left me heart<br />
broken. My heart currently works<br />
with one less valve. When I look at<br />
myself I see a different reflection, a<br />
person that I don’t recognise. When<br />
I see the pain on my children it hurts<br />
more.<br />
“Jarrad has never shown any<br />
remorse, or respect to me and the<br />
family for the murder of our eldest<br />
son.<br />
“For our family there will be no<br />
more family events, no joint<br />
birthdays that I arrange, Shay will<br />
not meet new additions to our<br />
family, I will never have any<br />
grandchildren and yet it’s hard to<br />
say life goes on. I thank my friends<br />
and family for supporting me over<br />
these years and thank the justice<br />
system for bringing justice for<br />
Shay.”<br />
Victim - Seun McMillan<br />
(Photo - Metropolitan Police)
News<br />
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
Sierra Leone election: voter trust has<br />
been shaken, and will need to be regained<br />
Page7<br />
Continued from Page 3<<br />
democratic processes in their own lives.<br />
She has conducted research in Sierra<br />
Leone since 2003, and published a<br />
2016 paper that focused on how the<br />
country managed the first election it<br />
ran on its own in 20<strong>12</strong>.<br />
What did you learn from the<br />
outcome of this election?<br />
Sierra Leoneans expect that the<br />
election process is potentially corrupt<br />
unless there is full transparency in the<br />
whole process. This means from the<br />
moment the electoral commission is<br />
appointed to the selection criteria for<br />
the ballot design, the selection and<br />
training of poll workers, the invitation<br />
to the international community for<br />
electoral observers, and every other<br />
decision that might affect the outcome.<br />
<strong>The</strong> public had very high levels of<br />
trust in the two elections immediately<br />
after the civil war, which ended in<br />
2002, because the United Nations was<br />
heavily involved. It was involved in the<br />
planning and execution of the 2002<br />
election and, to a lesser degree, the<br />
2007 elections.<br />
<strong>The</strong> 20<strong>12</strong> election was the country’s<br />
first self-administered election since the<br />
war began. <strong>The</strong> whole population was<br />
committed to it being free, fair and<br />
without violence. <strong>The</strong>y succeeded.<br />
Since then, bad old habits of<br />
nepotism, cronyism, and back-room<br />
deals have reappeared. Whether<br />
corruption is as bad as opposition party<br />
members claim is not as important as<br />
the perception that the election is<br />
corrupt.<br />
If there is any lesson to be learned, it<br />
is the necessity of rebuilding public<br />
trust in every election by maintaining a<br />
transparent process.<br />
What has changed between 20<strong>12</strong><br />
and <strong>2023</strong> to result in the return of<br />
nepotism and cronyism?<br />
20<strong>12</strong> may have been a special<br />
moment, when the country came<br />
together in a concerted effort to ensure<br />
that the elections were conducted<br />
without violence, with no questions<br />
about the legitimacy of the polling, and<br />
with full knowledge that the world was<br />
watching.<br />
As I wrote in my 2016 paper, drastic<br />
measures such as restricting freedom of<br />
movement, work, association, and even<br />
dress in the months and days leading up<br />
to the election and on election day were<br />
imposed. <strong>The</strong> citizens complied<br />
without complaint, even as these were<br />
technically violations of basic human<br />
rights. This is because the people were<br />
so committed to ensuring a free and fair<br />
election.<br />
Once these restrictions were<br />
allowed to loosen in succeeding<br />
elections, it portended a return to lack<br />
of transparency in the process, and thus<br />
to the powerful exerting themselves<br />
behind the scenes, because they were<br />
no longer also committed to these<br />
restrictions.<br />
Who has been responsible for the<br />
pre-election violence?<br />
Any whiff of corruption that could<br />
affect the outcome leads to accusations<br />
of democratic backsliding. A standardbearer<br />
who considers themselves<br />
wronged will call on the party’s<br />
followers to “demonstrate”. This is to<br />
ensure that those who are potentially<br />
corrupt see that others are trying to hold<br />
them to account.<br />
Any call for a “peaceful<br />
demonstration” is a challenge to the<br />
legitimacy of the claims being made by<br />
the other side. No political leader<br />
accuses their opposition of corruption<br />
and calls for “peaceful demonstrations”<br />
without knowing that violence will<br />
occur, no matter who throws the first<br />
stone or fires the first shot.<br />
Rhetoric is powerful, and a hint of<br />
grumbling about corruption will fan the<br />
flames of violence.<br />
What factors determine voter<br />
turnout?<br />
<strong>The</strong>re is an old saying in Sierra<br />
Leone politics: “same taxi, different<br />
driver”. It describes presidential<br />
candidates promising change when<br />
they get into office. <strong>The</strong> new president<br />
will do essentially what the last<br />
president did, with minor variations.<br />
People are also well aware that their<br />
leaders are, by and large, corrupt. <strong>The</strong>re<br />
is plenty of evidence for this, from the<br />
fisheries ministry officials turning a<br />
blind eye to illegal fishing by Chinese<br />
trawlers, to the “trickle-down<br />
corruption” that occurs in regular<br />
public life because public servants such<br />
as police officers and teachers are not<br />
being paid, and so demand bribes and<br />
tips from the community. This<br />
Mohamed Kenewui Konneh, Chief Electoral Commissioner and Chairman ECSL<br />
“everyday corruption” is blamed firmly<br />
on the cabinet ministers. <strong>The</strong> local artist<br />
Emerson, for example, consistently<br />
lambasts politicians in his music.<br />
This does not dissuade people from<br />
turning out in numbers to cast votes for<br />
their preferred candidate. <strong>The</strong>y have a<br />
sense of two things: one which is<br />
extremely likely, and the other which<br />
might happen.<br />
What’s extremely likely is that if<br />
their ethnic or preferred candidate does<br />
not win, their region and their ethnic<br />
people will be neglected or harassed by<br />
the ruling party, or they will simply<br />
“stand still” and receive no<br />
Catherine Bolten (Photo by Barbara<br />
Johnston - University of Notre Dame)<br />
development. <strong>The</strong>y feel voting is the<br />
only real power they have to be a part<br />
of any decision-making process, and so<br />
turnout is consistently high.<br />
What might happen is that, if their<br />
candidate wins, they will they reap the<br />
benefits of foreign direct investment,<br />
NGO relief, humanitarian distribution<br />
and infrastructure.<br />
So they turn out to vote for the<br />
candidate who will hurt them the least,<br />
and might actually help them.<br />
What does the <strong>2023</strong> election<br />
outcome portend for democracy?<br />
It is clear that the fact that a<br />
candidate is declared a winner and then<br />
immediately sworn in does not protect<br />
the country from violence or<br />
democratic backsliding.<br />
<strong>The</strong>re may still be violence, and<br />
there may be a crackdown on protest,<br />
which starts down a dangerous road to<br />
authoritarianism or potentially wider<br />
violence.<br />
I am not sure how this will affect the<br />
future of democracy in Sierra Leone.<br />
But I believe that the international<br />
community has a duty to send<br />
observers, if only to let a country’s<br />
citizens know that their election<br />
matters, and that they are part of the<br />
foundation of the international cause of<br />
democracy.<br />
Backsliding anywhere is dangerous,<br />
and no election is too small to ignore. I<br />
hope that the democratic state in Sierra<br />
Leone holds up for the next five years,<br />
in order for this repair to happen.<br />
Catherine Bolten, Professor of<br />
Anthropology and Peace Studies,<br />
University of Notre Dame.<br />
This article is republished from <strong>The</strong><br />
Conversation under a Creative<br />
Commons license. Read the original<br />
article.
Page8 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
Passages<br />
‘Peter Pan’ Enahoro, Nigerian<br />
journalist and publisher, was not<br />
afraid to speak his mind<br />
By Olayinka Oyegbile<br />
Trinity University, Lagos<br />
<strong>The</strong>re are some people whose lives<br />
intersect with yours even if you<br />
never meet them in the flesh. One<br />
of these was Peter Osajele Aizegbeobor<br />
Enahoro, the Nigerian journalist who was<br />
also known by his pen name, Peter Pan.<br />
Enahoro died on 24 April <strong>2023</strong> in London,<br />
aged 88. He had worked in Nigeria from<br />
1954 to 1967.<br />
As a journalist and journalism teacher,<br />
I have followed his career – one of<br />
professional excellence and achievements.<br />
He was a bold journalist who was not<br />
afraid to say what he thought was right.<br />
Enahoro served as Subeditor, Features<br />
Editor, (the Nigerian) Sunday Times<br />
Editor, Editor of the Daily Times and<br />
Editor-In-Chief of Times Group. He was<br />
to return from exile in 1996 to be the sole<br />
administrator of the Daily Times under a<br />
military government. He wrote his Peter<br />
Pan column first in the Sunday Times.<br />
When he was appointed the Editor of the<br />
daily paper, the column was transferred<br />
there.<br />
By the time he started his career, the<br />
battle against colonialism had been fought<br />
and won. <strong>The</strong> task was to demand good<br />
governance. He understood this very well.<br />
He put his satirical pen to full service and<br />
took regular digs at political leaders of the<br />
period.<br />
Early life<br />
Born on 21 January 1935, he came<br />
from a well-heeled and well-known<br />
political family in Uromi, now in Edo<br />
State. His parents were educationists and<br />
he was one of 10 siblings. His elder<br />
brother, Anthony Enahoro,was also a<br />
journalist and nationalist. He was<br />
renowned as the parliamentarian who<br />
moved the first motion for Nigeria’s<br />
independence in 1953. Another wellknown<br />
sibling was also a journalist: Mike<br />
Enahoro, who died in 2015, was a<br />
broadcaster of note in the 1980s.<br />
After his secondary school education,<br />
as was the practice during his time, Peter<br />
Enahoro joined the government service as<br />
Assistant Publicity Officer in the<br />
Department of Information. <strong>The</strong>re he<br />
showed his talent as an inquisitive officer<br />
whose skills went beyond just writing<br />
government statements.<br />
Like most journalists of his time, he<br />
never got a university education.<br />
A great journalist<br />
Enahoro became perhaps the youngest<br />
Nigerian journalist to edit a national<br />
newspaper, Daily Times, in 1962. He was<br />
27.<br />
<strong>The</strong> Editor of Daily Times, another<br />
legendary Nigerian journalist, Biodun<br />
Aloba, had spotted him taking on a<br />
politician at a press conference and invited<br />
him to join the paper, then owned by the<br />
Daily Mirror of London.<br />
It was the beginning of Enahoro’s rise<br />
to become “perhaps Africa’s best-known<br />
international journalist”, as Frank Barton<br />
described him in his book <strong>The</strong> Press in<br />
Africa.<br />
As Editor of Sunday Times in Nigeria<br />
(from 1958) and later the flagship<br />
Nigerian paper of the period, Daily Times<br />
(succeeding Babatunde Jose), he was<br />
unsparing of politicians and soldiers who<br />
were at the helm of affairs in the country.<br />
By the time the military struck on 15<br />
January 1966, cutting short the elected<br />
government that had ushered the country<br />
into independence, he had become a<br />
household name whose pen was feared by<br />
those in power.<br />
Enahoro and his Managing Director,<br />
Jose, were on opposite sides of the divide<br />
in politics. Samuel Ladoke Akintola was<br />
the Premier then of the Western Region in<br />
Nigeria. According to Jose’s account in his<br />
memoir Walking a Tight Rope, “Peter did<br />
not agree with my pro-Akintola stand and<br />
I told him from the start that he had the<br />
freedom to express his views in his Peter<br />
Pan column, but that the editorial column<br />
of the Daily Times would reflect my<br />
Peter Enahoro (Photo courtesy Peter Enahoro)<br />
stand.” (page 207). This never in any way<br />
affected their relationship.<br />
Enahoro escaped from Nigeria in<br />
1966, fearing for his life after the 15<br />
January coup, as stated in his memoir. In<br />
Germany and later Britain, his career<br />
blossomed and his name became well<br />
known all over the world through his work<br />
in publications such as Africa, New<br />
African and his own, which he called<br />
Africa Now.<br />
A long shadow<br />
Enahoro was long gone from Nigeria<br />
by the time I became a journalist in the<br />
mid-1980s but his reputation loomed<br />
large. Magazine publishing was<br />
flourishing at that time. Many younger<br />
journalists of the day became interested in<br />
international reporting because of Peter<br />
Pan’s example and success.<br />
In 2015, when he turned 80, while<br />
reflecting on the role of the media in<br />
national development, he told the Daily<br />
Trust that newspapers<br />
are very good at saying what is wrong.<br />
But we are not yet very good at suggesting<br />
what can be done to heal it so that we<br />
don’t become part of the problem.<br />
He knew that making suggestions to<br />
those in power had repercussions. He lost<br />
his job.<br />
Romance with a dictator<br />
A part of his life that he only touched<br />
on in his memoir was his return to Nigeria<br />
in 1996 to work for the government of the<br />
late dictator Sani Abacha. <strong>The</strong> same<br />
government had declared his older brother<br />
Anthony a wanted man.<br />
In his memoir <strong>The</strong>n Spoke the<br />
Thunder (2009) he tried to justify his<br />
acceptance of the offer to “take over the<br />
Daily Times”. Enahoro accepted the offer<br />
made to him by Tom Ikimi, the then<br />
Foreign Affairs Minister in the Abacha<br />
junta. He said he accepted the offer after<br />
Augustus Aikhomu, retired military leader<br />
and his kinsman, told him: “<strong>The</strong>y want<br />
you to come and clear up the mess in<br />
Daily Times … Your country needs you.”<br />
His acceptance eroded the respect<br />
some had for him. He was appointed in<br />
1996 and did the job for less than two<br />
years.<br />
He wrote four books: How to be a<br />
Nigerian (1966), You gotta cry to laugh!<br />
(1972), <strong>The</strong> Complete Nigerian (2016)<br />
and <strong>The</strong>n Spoke the Thunder (2009).<br />
For his incisive writings and<br />
commentaries, Enahoro’s seat in the<br />
pantheon of journalism in Nigeria is<br />
assured, his latter-day romance with the<br />
military notwithstanding.<br />
• Olayinka Oyegbile, Journalist and<br />
Communications scholar, Trinity<br />
University, Lagos.<br />
• This article is republished from <strong>The</strong><br />
Conversation under a Creative C<br />
.
Passages<br />
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
Silvio Berlusconi: the property developer<br />
who became a media tycoon – and Italy’s<br />
most flamboyant Prime Minister<br />
By Andrea Colli<br />
Bocconi University<br />
Page9<br />
Berlusconi had built a business empire<br />
that spanned construction, banking and<br />
insurance, TV and advertising,<br />
publishing, sport and even supermarkets.<br />
In just a couple of decades, Berlusconi<br />
had transformed Fininvest into Italy’s<br />
eighth largest company by turnover.<br />
From outsider to Prime Minister<br />
Despite this remarkable success – and<br />
his notorious business skill – Berlusconi<br />
was neither immediately nor eagerly<br />
welcomed into the drawing rooms of the<br />
country’s entrepreneurial elite, who<br />
tended to consider him at best a useful<br />
upstart. This is perhaps partially what<br />
drove an already individualistic character<br />
to seek a new level of primacy.<br />
At the beginning of the 1990s,<br />
Berlusconi turned himself into a<br />
“political entrepreneur”. At the time, the<br />
“Tangentopoli” scandal had exposed<br />
deeply entrenched corruption among<br />
national and regional politicians.<br />
Individual politicians and entire<br />
political parties were brought down by<br />
the revelations and the old party system<br />
was turned on its head, leaving an<br />
institutional vacuum. Berlusconi stepped<br />
in to fill that vacuum by creating a new<br />
political party practically overnight,<br />
leveraging his personal entrepreneurial<br />
prestige and the communication power of<br />
his media empire.<br />
Having crafted a (sometimes<br />
precarious) alliance with two different<br />
partners on the right and far right,<br />
Berlusconi was elected Prime Minister<br />
for the first time in 1994. It was the<br />
Continued on Page 10 ><br />
Silvio Berlusconi (Photo by Agência Brasil - CCA 3.0 Brazil licence)<br />
Silvio Berlusconi, who has died at<br />
the age of 86, was born into a<br />
middle-class family in Milan, a<br />
city heavily affected by the Second World<br />
War. He attended a private school<br />
belonging to a religious order, and<br />
eventually graduated with distinction in<br />
law in 1961, specialising in advertising<br />
contracts, an area that would of course<br />
prove extremely useful in his later<br />
careers.<br />
As Berlusconi came of age, Italy was<br />
entering its postwar economic “miracle”.<br />
And immediately after his graduation, he<br />
started a series of successful<br />
entrepreneurial initiatives in a booming<br />
construction industry.<br />
In his early 30s, Berlusconi conceived<br />
of a revolutionary and visionary project,<br />
the construction of a residential area in<br />
the northern outskirts of Milan called<br />
Milano 2. <strong>The</strong> idea was to offer high<br />
standard, spacious homes in new areas on<br />
the outskirts of the city that contrasted<br />
with an increasingly crowded and<br />
polluted metropolis.<br />
<strong>The</strong> project was ahead of its time in<br />
marketing “exclusive” property to a<br />
growing middle class looking to escape<br />
the inner city but remain close by. It<br />
proved a significant success, which<br />
quickly propelled Edilnord (Berlusconi’s<br />
construction company) into the big<br />
leagues and enabled it to diversify under<br />
the umbrella of a financial holding<br />
company, Fininvest.<br />
By the 1980s, Berlusconi had<br />
received the Order of Merit of Labor and<br />
the informal nickname “Il Cavaliere” (the<br />
Knight) for his entrepreneurship.<br />
Building an empire<br />
Meanwhile, as video broadcasting<br />
was being commercialised for the first<br />
time in Italy in the mid-1970s (having<br />
previously been a State monopoly),<br />
Berlusconi started investing in TV.<br />
He set up a media company that<br />
transmitted three channels across Italy<br />
(Canale 5, Italia 1 and Rete 4). All this<br />
was supported by the company’s<br />
aggressive advertising arm, Publitalia.<br />
Berlusconi’s media empire<br />
(complemented by the acquisition in<br />
1984 of Arnoldo Mondadori, the most<br />
important publishing house in the<br />
country) became the sole real competitor<br />
of RAI, the State-owned television<br />
company. Berlusconi’s personal ability to<br />
attract the most popular TV stars of the<br />
time certainly helped, as did personal<br />
connections in the government.<br />
This made him a pervasive figure in<br />
Italian society, but his popularity<br />
skyrocketed in the mid-1980s when a<br />
highly valuable jewel was added to his<br />
crown: AC Milan football club. This was<br />
already a highly strategic move given<br />
Italy’s national obsession with the game,<br />
but Berlusconi quickly set about turning<br />
Milan from a domestic team into an<br />
international brand.<br />
In the 15 years that followed the<br />
successful project of Milano 2,<br />
AI is set to disrupt 70% of jobs over the<br />
next 5 years. You MUST build your own<br />
wealth, NOW, before its too late
Page10 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong>Arts<br />
<strong>The</strong> Caine Prize for African Writing<br />
announces <strong>2023</strong> shortlist<br />
<strong>The</strong> Caine Prize for African Writing, an<br />
esteemed annual award honouring<br />
outstanding African writers, has<br />
announced the shortlist for the <strong>2023</strong> edition.<br />
<strong>The</strong> five shortlisted stories were carefully<br />
selected from a pool of 297 entries originating<br />
from 28 African countries.<br />
<strong>The</strong> shortlisted writers for the <strong>2023</strong> Caine<br />
Prize for African Writing are:<br />
· Yejide Kilanko (Nigeria) for ‘This<br />
Tangible Thing’, HarperVia (<strong>2023</strong>)<br />
· Tlotlo Tsamaase (Botswana) for ‘Peeling<br />
Time<br />
(Deluxe<br />
Edition)’, TorDotCom (2022)<br />
· Mame Bougouma Diene and Woppa<br />
Diallo (Senegal) for ‘A Soul of Small<br />
Places’, TorDotCom (2022)<br />
Gambia, Ghana, Kenya, Lesotho, Liberia,<br />
Libya, Malawi, Mauritius, Namibia, Nigeria,<br />
Rwanda, Senegal, Sierra Leone, South Africa,<br />
Somalia, Sudan, Tanzania, Togo, Uganda,<br />
Zambia, and Zimbabwe.<br />
Fareda Banda, Chair of Judges, and a<br />
Professor of Law at SOAS, University of<br />
London, expressed her thoughts on the<br />
shortlist: “Together, we have meticulously<br />
reviewed and debated 230 eligible<br />
submissions, ultimately narrowing it down to<br />
the final five. <strong>The</strong> entries we received<br />
showcased the depth and breadth of writing on<br />
the Continent and beyond. <strong>The</strong>se stories span<br />
generations, genres, and themes; challenging,<br />
stimulating, and delighting us. <strong>The</strong>y embrace<br />
speculative fiction and artivism, highlighting<br />
the power of engaging and innovative<br />
storytelling in addressing gender-based<br />
violence and reproductive autonomy.<br />
Additionally, they explore inter-generational<br />
wisdom and the sense of alienation<br />
experienced by Diasporic youth. Each story<br />
deserves recognition, as they all captivated us.”<br />
Banda further noted the remarkable fact<br />
that four out of the six shortlisted finalists<br />
reside in Africa, with two from the Diaspora.<br />
This year’s shortlist also boasts a joint<br />
submission and an all-women judging panel,<br />
marking significant milestones in the history<br />
of the Caine Prize.<br />
Ukamaka Olisakwe, Editor of Isele<br />
Magazine, expressed her excitement: “We are<br />
thrilled that Ekemini Pius and Yvonne<br />
Kusiima’s short stories have been shortlisted<br />
Continued on Page 11<<br />
· Ekemini Pius (Nigeria) for ‘Daughters, By<br />
Our Hands’, Isele Magazine (2022)<br />
· Yvonne Kusiima (Uganda) for<br />
‘Weaving’, Isele Magazine (2022)<br />
This year’s submissions encompassed a<br />
diverse range of talent from 28 different<br />
countries, including Botswana, Burkina Faso,<br />
Cameroon, Egypt, Eritrea, Eswatini, Ethiopia,<br />
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Silvio Berlusconi: the property<br />
developer who became a media<br />
tycoon – and Italy’s most<br />
flamboyant Prime Minister<br />
Continued from Page 9<<br />
beginning of a lengthy spell in power<br />
as head of coalitions and alliances of<br />
the right. In the end, he was Prime<br />
Minister three times: from 1994 to<br />
1995, 2001 to 2006 and 2008 to 2011.<br />
Berlusconi was recognised as a<br />
charismatic politician and the electoral<br />
campaigns that put him in government<br />
were inevitably centered on him<br />
personally. However, he was less<br />
convincing as a Statesman. He lacked<br />
a long-term vision for Italy both in<br />
terms of statecraft and economic<br />
development.<br />
In his two decades in power, Italy’s<br />
GDP remained in line with the rest of<br />
Europe but the country’s<br />
competitiveness, measured in terms of<br />
export, declined consistently. This was<br />
mirrored by a generous rise in public<br />
spending – despite the neoliberal<br />
leanings of Berlusconi’s governments.<br />
Berlusconi’s politics always came<br />
down to personal relationships over<br />
institutions. This style as worsened by<br />
a persistent conflict of interest between<br />
his role as Prime Minister of the<br />
country and de facto monarch of a<br />
business empire largely built on<br />
commercial TV and advertising.<br />
He acted no differently as a<br />
politician than he did in his<br />
entrepreneurial life, running his<br />
governments with incredible energy<br />
but with an extremely low propensity<br />
for delegation.<br />
But while Berlusconi was able to<br />
slot his eldest sons Marina and<br />
Piersilvio into top jobs in his business<br />
empire, he hasn’t been able to find an<br />
equally charismatic successor for his<br />
political project.<br />
All is forgiven, again and again<br />
Italians gave the flamboyant<br />
Berlusconi a pass for many antics,<br />
particularly his sometimes<br />
unconventional behaviour in his private<br />
life. He probably got more lenience<br />
from the public than he deserved, and<br />
certainly much more than the judicial<br />
system was willing to extend him, as<br />
was clear from his conviction for tax<br />
fraud.<br />
While he fought off other legal<br />
cases over allegations of sex with a<br />
minor, others were convicted of<br />
recruiting prostitutes for Berlusconi’s<br />
parties.<br />
Even now, after his death, it is<br />
difficult to land on a definitive view of<br />
Berlusconi and his role in Italy’s recent<br />
history. His own life story is certainly<br />
emblematic of a country endowed with<br />
many gifts – a creative place capable of<br />
sudden and unexpected revival.<br />
But he could equally be said to<br />
represent Italy in a negative way too,<br />
unfortunately too often incapable of<br />
producing a vision of the future based<br />
on anything other than individual<br />
egoistic interests.<br />
Andrea Colli, Full Professor,<br />
Department of Social and Political<br />
Sciences, Bocconi University.<br />
This article is republished from <strong>The</strong><br />
Conversation under a Creative<br />
Commons license. Read the original<br />
article.
<strong>The</strong>Arts<br />
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
<strong>The</strong> Caine Prize for African Writing<br />
announces <strong>2023</strong> shortlist<br />
Page11<br />
Continued from Page 10<<br />
for this year’s Caine Prize. At Isele Magazine,<br />
we strive to work with writers who hold a<br />
mirror to our society and challenge<br />
conventional expectations. It brings us<br />
immense joy to see two of our brilliant writers<br />
included in this prestigious list for the first time<br />
ever.”<br />
Zelda Knight, Co-Editor at Africa Risen<br />
(TorDotCom), commented on the selected<br />
works: “Tlotlo Tsamaase’s ‘Peeling Time’ and<br />
‘A Soul of Small Places’ by Mame Bougouma<br />
Diene and Woppa Diallo are evocative pieces<br />
of feminist horror. <strong>The</strong>ir incorporation of<br />
speculative elements to depict the everyday<br />
struggles and atrocities faced by women<br />
captured our attention and refused to let go. We<br />
are honoured to have these exceptional authors<br />
nominated for the prize.”<br />
Nana Ekua Brew-Hammond, Editor of<br />
RELATIONS: An Anthology of African and<br />
Diaspora Voices, expressed her enthusiasm:<br />
“We are thrilled that Yejide Kilanko’s ‘This<br />
Tangible Thing‘ has been recognized by the<br />
prestigious Caine Prize for African Writing.<br />
Kilanko’s story is a powerful exploration of the<br />
complexities of love and loss, masterfully<br />
crafted with rich imagery and deeply evocative<br />
prose. It is a well-deserved recognition of her<br />
talent as a writer and a testament to the<br />
enduring relevance of African storytelling. We<br />
are honoured to have ‘This Tangible Thing’<br />
included in RELATIONS and congratulate<br />
Yejide Kilanko on this remarkable<br />
achievement.”<br />
<strong>The</strong> Caine Prize for African Writing also<br />
convened an impressive panel of Judges for<br />
<strong>2023</strong>. Chair of Judges, Fareda Banda is joined<br />
by Edwige-Renée Dro, a writer, literary<br />
translator, and literary activist; Kadija George<br />
Sesay, editor and founder of Mboka Festival;<br />
Jendella Benson, author and Head of Editorial<br />
at Black Ballad; and Warsan Shire, a multiaward<br />
winning writer and poet who recently<br />
collaborated with Beyoncé Knowles-Carter on<br />
her Peabody Award-winning visual album<br />
Lemonade and the Disney film Black Is King.<br />
Fareda Banda says, “Chairing the <strong>2023</strong><br />
Caine Prize has been one of the highlights of<br />
my life. My accomplished, generous, kind and<br />
hardworking fellow judges have been a joy to<br />
work with. This is the first all-women selection<br />
committee in the history of the prize.”<br />
Commenting on the <strong>2023</strong> panel, Sarah<br />
Ozo-Irabor, Director of the Caine Prize, says:<br />
<strong>2023</strong> Caine Prize judges<br />
“We are thrilled to have such an illustrious and<br />
highly accomplished panel of judges who will<br />
no doubt continue <strong>The</strong> Caine Prize’s legacy of<br />
expanding the wealth of contemporary African<br />
writings.”<br />
Ellah Wakatama OBE, Chair of <strong>The</strong> Caine<br />
Prize Board of Trustees, expressed her<br />
thoughts on the judges and shortlist: “This year<br />
we have, for the first time, an all-female<br />
judging panel for <strong>The</strong> Caine Prize for African<br />
Writing, which for me, is a particular delight.<br />
We set out to put together a group of<br />
formidable talent and experience across a range<br />
of art forms and disciplines. <strong>The</strong> judges have<br />
presented a shortlist that shows range and<br />
ambition, across genres and with diverse<br />
approaches to storytelling - the quality and<br />
innovation that is a hallmark of our annual<br />
shortlist.”<br />
<strong>The</strong> Caine Prize for African Writing<br />
celebrates the richness and diversity of African<br />
literature and recognizes outstanding<br />
achievements in African storytelling. <strong>The</strong><br />
winner of the <strong>2023</strong> Caine Prize will be<br />
announced at a ceremony held on Monday,<br />
2 nd October <strong>2023</strong> in London, UK.<br />
JUDGES’ BIOS:<br />
· Fareda Banda is a Professor of Law at<br />
SOAS, University of London. She is<br />
interested in women’s rights and law and<br />
society in Africa. Her most recent book<br />
African Migration, Human Rights and<br />
Literature explores how art, and<br />
specifically literature, can be used as a<br />
form of art activism.<br />
· Edwige-Renée Dro is a<br />
writer, translator, and literary activist from<br />
Continued on Page <strong>12</strong>
Page<strong>12</strong> <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong>Arts<br />
<strong>The</strong> Caine Prize for African Writing<br />
announces <strong>2023</strong> shortlist<br />
Continued from Page 11<<br />
Côte d’Ivoire. Her short stories and articles<br />
have been published in anthologies such as<br />
New Daughters of Africa, Africa39, the<br />
Eastern African Literary and Cultural<br />
Studies, This is Africa, etc. In 2020, she<br />
founded 1949: the library of women’s<br />
writings from Africa and the black world<br />
in Abidjan.<br />
· Kadija George Sesay is a Sierra<br />
Leonean/British scholar and literary<br />
activist. She is the Publications Manager<br />
for Inscribe/Peepal Tree Press and the<br />
editor of several anthologies. She has<br />
published poetry, short stories, and essays.<br />
She is the founder/publisher of SABLE<br />
LitMag and co-founder of Mboka Festival<br />
of Arts Culture and Sport in <strong>The</strong> Gambia.<br />
She is also the founder of the ‘AfriPoeTree’<br />
app.<br />
· Jendella Benson is a British-Nigerian<br />
author and editor. Her debut novel Hope &<br />
Glory was published in April 2022, and her<br />
short story Kindle was published in <strong>The</strong><br />
Book of Birmingham collection. She is<br />
Head of Editorial at Black Ballad and has<br />
written for various publications. She is<br />
working on her second novel.<br />
· Warsan Shire is a Somali British writer<br />
and poet born in Nairobi and raised in<br />
London. She has written two chapbooks<br />
and was awarded the inaugural Brunel<br />
International African Poetry Prize. She<br />
served as the first Young Poet Laureate of<br />
London and is the youngest member of the<br />
Royal Society of Literature. She has<br />
collaborated with Beyoncé Knowles-<br />
Carter on Lemonade and the Disney film<br />
Black Is King.<br />
SHORTLISTED WRITERS’ BIOS:<br />
· Yejide Kilanko was born in Ibadan,<br />
Nigeria. She writes poetry and<br />
This FREE Choir Concert features an array<br />
of spiritually uplifting Music, Dance, Drama, Worship and<br />
the Word of God.<br />
Register for a FREE Ticket at:<br />
https://www.eventbrite.co.uk/e/<strong>2023</strong>-choir-day-journeyupward-tickets-646130141647<br />
<strong>The</strong> Caine Prize for African Writing <strong>2023</strong> shortlist<br />
fiction. Kilanko’s debut novel, Daughters<br />
Who Walk This Path, a Canadian national<br />
bestseller, was longlisted for the 2016<br />
Nigeria Prize for Literature. Her short<br />
fiction is included in the anthology, New<br />
Orleans Review 2017: <strong>The</strong> African<br />
Literary Hustle. Kilanko’s latest novel, A<br />
Good Name, was published in 2021.<br />
Kilanko lives in Ontario, Canada where<br />
she practices as a social worker.<br />
· Tlotlo Tsamaase is a Motswana author<br />
(xe/xem/xer or she/her pronouns). Tlotlo’s<br />
debut adult novel, Womb City, comes out<br />
in January 2024 from Erewhon Books. Xer<br />
novella, <strong>The</strong> Silence of the Wilting Skin, is<br />
a 2021 Lambda Literary Award finalist and<br />
was shortlisted for a 2021 Nommo Award.<br />
Tlotlo has received support from the Rolex<br />
Mentor and Protégé Arts Initiative, and xer<br />
story “Behind Our Irises” is the joint<br />
winner of the Nommo Award for Best<br />
Short Story (2021). Tlotlo’s short fiction<br />
has appeared in News Suns 2, Africa Risen,<br />
<strong>The</strong> Best of World SF Volume 1,<br />
Clarkesworld, Terraform, and<br />
Africanfuturism Anthology, and is<br />
forthcoming in Chiral Mad 5. Xe obtained<br />
a Bachelor’s degree in architecture from<br />
the University of Botswana and won an<br />
award for design architecture. Tsamaase is<br />
currently pursuing an MFA in Creative<br />
Writing at Chapman University.<br />
· Mame Bougouma Diene is a Franco –<br />
Senegalese American humanitarian based<br />
in Pretoria, the francophone spokesperson<br />
for the African Speculative Fiction Society<br />
(), the French language editor for Omenana<br />
Magazine, and a regular columnist at<br />
Strange Horizons. You can find his fiction<br />
and nonfiction work in Omenana, Galaxies<br />
SF, Edilivres, Fiyah! Truancy Magazine,<br />
EscapePod, Mythaxis, Apex Magazine and<br />
TorDotCom; and in anthologies such as<br />
AfroSFv2 & V3 (Storytime), Myriad<br />
Lands (Guardbridge Books), You Left Your<br />
Biscuit Behind (Fox Spirit Books), This<br />
Book Ain’t Nuttin to Fuck Wit (Clash<br />
Media), Africanfuturism (Brittle Paper),<br />
Dominion (Aurelia Leo), Meteotopia<br />
(Future Fiction/Co-Futures in English and<br />
Italian), Bridging Worlds (Jembefola<br />
Press) and Africa Risen (TorDotCom). His<br />
novelette <strong>The</strong> Satellite Charmer is<br />
translated in Italian by Moscabianca<br />
Edizioni, his novelette Ogotemmeli’s Song<br />
is translated in Bangla (Joydhak<br />
Prakashan). He was nominated for several<br />
Nommo Awards, and his debut collection<br />
“Dark Moons Rising on a Starless Night”<br />
(Clash Books) was nominated for the 2019<br />
Splatterpunk Award.<br />
· Woppa Diallo is a lawyer with a<br />
specialisation in human rights,<br />
humanitarian action and peace promotion.<br />
She is a feminist activist committed to<br />
social change and the realisation of<br />
women’s rights. Woppa founded<br />
Association pour le Maintien des Filles à<br />
l’Ecole (AMFE) at fifteen in Matam,<br />
Senegal, to ensure fair access to education<br />
for girls, eradicate gender-based<br />
stereotypes, promote sexual &<br />
reproductive health, and the continued<br />
socialisation of girls-victims of genderbased<br />
violence.<br />
· Ekemini Pius is a Nigerian writer and<br />
editor who lives in Calabar, Nigeria. His<br />
works have been published in the Kendeka<br />
Prize for African Literature anthology, the<br />
K & L Prize anthology, Afro Literary<br />
Magazine, and Isele Magazine. His story,<br />
‘Time and Bodies’ was shortlisted for the<br />
2021 Kendeka Prize for African Literature.<br />
He was also shortlisted for the 2022 Awele<br />
Creative Trust Short Story Prize. He is an<br />
alumnus of the 2019 Wawa Literary<br />
Fellowship and was a finalist for the 2022<br />
Guest Artist Space Fellowship. He is<br />
currently working on his debut novel.<br />
· Yvonne Kusiima is a writer from<br />
Kampala, Uganda with a degree in Social<br />
Sciences. She is interested in the<br />
complexities of human societies and aims<br />
to shake things up to make this world a<br />
better place. She believes stories have the<br />
power to change the status quo, one word<br />
at a time. Her work has been published in<br />
African Writer Magazine, Kalahari<br />
Review, Brittle Paper, <strong>The</strong> Hektoen<br />
International Journal of Medical<br />
Humanities and Isele. Her work has been<br />
shortlisted for the Isele short story prize<br />
(<strong>2023</strong>).
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong> <strong>The</strong><strong>Trumpet</strong><br />
Page13
Page14 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>Trumpet</strong><br />
North West<br />
Meet the Phenomenal Women of North<br />
West England<br />
By Chantelle Tindall<br />
<strong>Trumpet</strong>’s Phenomenal North West<br />
series aims to celebrate and bring<br />
to light all the positive<br />
achievements of folks in Northwest<br />
England. Ethnic minorities et al - not<br />
only will we highlight their<br />
achievements, we will also follow their<br />
stories from the start, to where they are,<br />
and what the future holds.<br />
It is common knowledge that as<br />
ethnic minorities, especially those of us<br />
from Africa, back home, people believe<br />
we all live in London. As a case study,<br />
most major events take place in London<br />
e.g. movie premieres and music shows<br />
featuring big-name artistes from the<br />
motherland. Very often for cities outside<br />
the capital, the fall out is a watered-down<br />
version of the main event. Most<br />
organisers argue that audience<br />
engagement is a problem, so they try to<br />
limit costs as much as possible not<br />
putting up big shows.<br />
Phenomenal North West aims to<br />
change this. Drawing on the strengths of<br />
our wider network of brands and<br />
communities including: <strong>Trumpet</strong> North<br />
West, <strong>Trumpet</strong> Connect and <strong>Trumpet</strong><br />
Media Group – we aim to get Diaspora<br />
Africans and Friends of Africa in North<br />
West England to connect and collaborate.<br />
We aim for professional, business and<br />
social networking – and more. Social<br />
engagement as we all know is good for<br />
the mental wellbeing. Through this much<br />
needed connection and collaboration, we<br />
foresee even more visibility for<br />
stakeholders - big or small in the region.<br />
Manchester for example is rich in<br />
diversity. A welcoming city where<br />
different ethnicities call home. Within<br />
these communities are men and women<br />
from different professional backgrounds.<br />
Architects, Authors, Lawyers, Medical<br />
Practitioners, Business Owners,<br />
Entertainers, Magistrates, Media<br />
Personalities, Charity CEOs, Clergy Men<br />
and Women, Creatives and much more.<br />
Phenomenal North West aims to<br />
reveals faces from these backgrounds,<br />
men and women who are either known or<br />
unknown, contributing positively to their<br />
communities through their field of<br />
expertise. As the year unfolds, they will<br />
be introduced to you in-depth. We will<br />
get to know them and hopefully develop<br />
different forms of positive collaborations.<br />
Photo Credit: All Participants.<br />
Continued on Page 15>
<strong>Trumpet</strong> North West<br />
JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong><br />
Meet the Phenomenal Women of North<br />
West England<br />
Continued from Page 14<<br />
Page15
Page16 <strong>The</strong><strong>Trumpet</strong> JULY <strong>12</strong> - <strong>25</strong> <strong>2023</strong><br />
<strong>The</strong><strong>Trumpet</strong> is published in London fortnightly by <strong>Trumpet</strong><br />
Field: 07956 385 604 E-mail: info@the-trumpet.com (ISSN: 1477-3392)