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Sheepshead Review | Fall 2022

Enjoy online access to the Fall 2022 issue of UW-Green Bay's International Journal of Art & Literature, publishing poetry, fiction, nonfiction, visual arts, & links to digital and interactive media.

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<strong>Sheepshead</strong><br />

<strong>Review</strong><br />

c


1


<strong>Sheepshead</strong><br />

<strong>Review</strong><br />

University of Wisconsin - Green Bay’s Journal of Art and Literature<br />

<strong>Fall</strong> <strong>2022</strong><br />

Volume 45: no. 1<br />

2


Staff<br />

Editor-in-Chief.................................................................................................... Jair Zeuske<br />

Advisor....................................................................................................Rebecca Meacham<br />

Managing Editor.......................................................................................Hannah Behling<br />

Layout Editor.................................................................................................. Elsie McElroy<br />

Blog Editors & Launch Party Planners.............................................Autumn Johnson<br />

Kat Halfman<br />

Nova Goldsmith<br />

Social Media Manager........................................................................... Nova Goldsmith<br />

Chief Copy Editor........................................................................................ Serenity Block<br />

Fiction Editor................................................................................................ Serenity Block<br />

Poetry Co-Editors............................................................................................ Mia Boylard<br />

Ongnia Thao<br />

Nonfiction Editor.................................................................................... Tori Wittenbrock<br />

Visual Arts Editor............................................................................................ Kat Halfman<br />

Multimedia/Interactive (Web-only) Works Editor..................................Ethan Craft<br />

Watch for UWGB Shooting Stars Submissions...<br />

And Exploring High School Rovers!<br />

3


Genre Staff<br />

Visual Arts Staff<br />

Nova Goldsmith<br />

Autumn Johnson<br />

Anna Rankin<br />

Maria Pable<br />

Valerie Sidon<br />

Nonfiction Staff<br />

Tierney Dewane<br />

Cole Murray<br />

Ethan Craft<br />

Kassidi Witak<br />

Cadil Hussein<br />

Fiction Staff<br />

Kyra Christensen<br />

Tony Fitch<br />

Cameron Miller<br />

Kia Lo<br />

Poetry Staff<br />

Jackie Wilson<br />

Violet Hansen<br />

Kasey Michaelson<br />

Amanda Lukowicz<br />

4


Table of Contents<br />

Fiction<br />

Just Because Someone is a Pigeon and a Corporate Drone<br />

Doesn’t Mean They Can’t <strong>Fall</strong> in Love by Lizzy Sparks....................... 16-18<br />

The Trouble with Complications by Abbie Doll........................................... 26<br />

Futility by Nemo Arator.........................................................................................34-37<br />

Your Car’s Extended Warranty by Jeanette Smith................................47-48<br />

A Trinket for Madge by Marco Etheridge...................................................57-62<br />

Confession by Jeanette Smith............................................................................. 75-76<br />

Arctic Dogs by Sam Heiden.................................................................................95-96<br />

Rachel’s Story by Micah Prakin...................................................................... 108-112<br />

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Nonfiction<br />

The Music of ASL by Paul Hostovsky....................................................................11-13<br />

My First Apartment by Kyra Christensen.....................................................20-22<br />

To the Woman Crying in Front of the Library<br />

by Marlene Olin...........................................................................................................29-30<br />

Mother by Adrienne Pine......................................................................................39-44<br />

Chipmunk by Nathan Knutson.................................................................................. 55<br />

Omertà by Chachee Valentine..............................................................................68-70<br />

Love and Lost by Shim Whitman......................................................................79-80<br />

Alison by Adrienne Pine.........................................................................................85-90<br />

Yard Sale by Melissa Ridley Elmes....................................................................113-114<br />

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Table of Contents<br />

Visual Arts<br />

Jazz Club by Gloria Keeley...........................................................................................14<br />

Kidney by Donald Patten..............................................................................................19<br />

Plum Ice by Carella Keil................................................................................................ 27<br />

A View From Sacré-Cœur by Kyra Christensen............................................... 28<br />

PTSD 3b by Edward Supranowicz............................................................................. 32<br />

Fire and Water by Kira Ashbeck.............................................................................. 38<br />

Inside My Cell by Natalie Derr................................................................................. 46<br />

Neonlumberjack by Ners Neonlumberjack......................................................... 49<br />

The Matrix by Bryan Kim........................................................................................... 50<br />

October Leaves by Lauren Knisbeck...................................................................... 56<br />

Turmoil 5 by Edward Supranowicz.......................................................................... 64<br />

Time Spun by Carella Keil........................................................................................... 67<br />

The Waters by Michael Kunzinger.....................................................................71-72<br />

Blue Arson by Carella Keil.......................................................................................... 77<br />

Autumn <strong>Fall</strong>s by Lauren Knisbeck........................................................................... 83<br />

Silk by Carella Keil........................................................................................................... 84<br />

That Floating Feeling by Edward Supranowicz...........................................91-92<br />

Pictured Rock by Lauren Knisbeck........................................................................100<br />

The Last Mushroom by Kendra Sierack............................................................. 101<br />

Pretty Gross by Emilie Azevedo..............................................................................102<br />

Untitled by Rachel Coyne...........................................................................................105<br />

Bee by Michael Moreth.................................................................................................107<br />

Polaris by Kaloni Borno............................................................................................... 115<br />

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Poetry<br />

Hello Girls by Mary Amato..........................................................................................15<br />

Hair of My Head by Bennett Gilleland...........................................................23-25<br />

It’s the Job of Children by Joseph Hardy...........................................................31<br />

Twist the Kaleidoscope Again by Emma Sloan............................................. 33<br />

Manspreading by Mickey Schommer.................................................................... 45<br />

A Mosaic of a Life by Abbey Belling.............................................................. 51-54<br />

Footsteps in the Attic by C.B. Wamble............................................................... 63<br />

Life out of Balance by Lynn Gilbert...................................................................... 65<br />

Yes by Nora Laine Herzog............................................................................................. 66<br />

My Mental Disorders Help Me Do Laundry by Anna Zilbermints...........<br />

.......................................................................................................................................... 73-74<br />

Burning by Brianna Ashmen....................................................................................... 78<br />

Hush by Emily Prom..................................................................................................81-82<br />

The Initial Shock by Katelyn Rusk......................................................................... 93<br />

Aunt Kathy’s Sweater by Kathryn Engelmann................................................. 94<br />

Phase Two by Michal Smith.................................................................................97-98<br />

Tree of Life by Kobe Greeley..................................................................................... 99<br />

Raspy Confessions of the Bodies Buried Beneath the<br />

Floorboards by Abbie Doll.............................................................................. 103-104<br />

We’re All Mad Here by Lilian Wang...................................................................106<br />

Love Letters to Jupiter by Allison Smith.......................................................... 116<br />

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Letter From The Editor<br />

Welcome to the <strong>Fall</strong> <strong>2022</strong> issue of <strong>Sheepshead</strong> <strong>Review</strong>! As a undergraduate-run<br />

journal, our staff underwent huge changes when our top editors graduated in<br />

Spring <strong>2022</strong>. For this issue, the only remaining staff members from last year<br />

were me and the Managing and Layout Editors, Hannah Behling and Elsie<br />

McElroy. I consider myself incredibly fortunate to have had these two at my<br />

disposal as without Hannah’s indomitable work ethic, in spite of my insistence<br />

to take a break, and Elsie’s stunning artistic creations coupled with her patience<br />

for our uneducated aesthetic requests, this issue would not be nearly as<br />

amazing as it is now.<br />

The space theme was born from one such amateurish request, as it came<br />

up during a brainstorming session coupled with the idea of printing white<br />

text on black paper for the aesthetic of it. We felt it oddly fitting that we<br />

chose to characterize a semester in which we all, including our resilient staff of<br />

newcomers, were exploring new ground with only the logs of our predecessors<br />

to guide us as an exploration of the endless expansion of space.<br />

When we announced our theme to the <strong>Fall</strong> staff and began preparing<br />

everyone for the inevitable fight over which genre would claim the coolest<br />

icons (satellite, spaceship, planet, or shuttle), we were so caught up with the<br />

stars around our heads, depicted by Elsie’s gorgeous artwork, that we hadn’t<br />

considered one piece of feedback we received: fear. As a fantasy novelist by<br />

passion (and hopefully trade one day), space has always been a frontier and<br />

a source of wonder for myself, as the mind does not experience the void’s<br />

vacuum when exploring its expanse. But that is not the reality. The fact of the<br />

matter is that space is a source of infinite unknowns and unending darkness<br />

punctuated only by pinpricks of light. It is understandable to be afraid in<br />

such conditions.<br />

But fear does not excuse us from necessity. Space will only exist as an<br />

unknown until our eyes fall upon it, and therefore we must do so. In order for<br />

us to walk the path to the future, we must first pave it. Last semester, Hannah,<br />

Elsie, and I were just a group of fiction fanatics discussing submissions, but<br />

when Dr. Meacham, our advisor, pulled me aside and asked me if I wanted to<br />

be the Editor-in-Chief, my reflex was “no!” No, I don’t want to plunge myself<br />

beyond the atmosphere to fall into the unknown, but everyone else was<br />

graduating and I still had a few bricks and semesters left to lay.<br />

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I would like to thank each member of our staff for sticking with us in this<br />

deeply exploratory semester and selecting a compilation of submissions I am<br />

proud to be associated with. I would also like to thank all of our contributors<br />

for providing such wonderful creations, including a poem about the<br />

exploration of space, which was entirely coincidental. And you, the reader,<br />

for supporting our journal and allowing us to make these journeys into the<br />

unknown to learn something about ourselves and the universe around us. I<br />

hope the experience within is as enlightening for you as it has been for us.<br />

Enjoy!<br />

Sincerely,<br />

Jair Zeuske<br />

Editor-in-Chief<br />

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The Music of ASL<br />

by Paul Hostovsky<br />

It may sound oxymoronic, but there is music in sign language. Even if<br />

you don’t understand a word of it, you probably enjoy watching Deaf people<br />

sign. Most people do. They say it’s beautiful and expressive, that it kind<br />

of looks like dancing. And they say they wish they knew how to sign.<br />

If you’re like most hearing people, you probably enjoy listening to music.<br />

In fact, you might say you can’t imagine a life without music. Well, sign<br />

language has its own music, and when you watch Deaf people sign—especially<br />

when you understand every word of it—you can see the music. I know<br />

this because I’m a sign language interpreter. American Sign Language (ASL)<br />

puts the food on my table, pays the mortgage, the utility bills, and the car<br />

loan. It pays quite well. In fact, I probably make more than most of the Deaf<br />

people I interpret for. Which sometimes feels a little like extortion. Like they<br />

gave it to me and now I’m getting paid to give it back to them. Because<br />

ASL belongs to Deaf people. They’re the ones who taught it to me in the<br />

first place. They gave it to me as a beautiful, precious, durable, airborne gift<br />

held out in their hands, saying: We learn to love the things we love from<br />

others who loved them before us; ASL has been ours for as long as we can<br />

remember, and it can be yours, too, if you’re willing to learn it, if you’re<br />

worthy of it, if you’ll take care of it and always remember where it comes<br />

from and to whom it belongs.<br />

You see, ASL isn’t linear the way spoken languages are linear—one discrete<br />

word following on the heels of the next. Rather, ASL is symphonic. It<br />

creates meaning simultaneously with the hands, face, eyebrows, eye-gaze,<br />

lips, tongue, head-tilt, shoulder-turn—all the various sections of the body’s<br />

orchestra creating meaning at the same time. A visual-gestural symphony<br />

rising up all at once, like a controlled explosion.<br />

ASL has its own rhythms, harmonies, dissonances, crescendos and decrescendos,<br />

riffs and repetitions, most of which have grammatical functions.<br />

For example, one beat versus two can indicate the difference between a<br />

verb and a noun; a single movement versus a repeated movement can be<br />

the difference between simple present and present continuous, or between<br />

modified and unmodified verbs. Additionally, much of the grammar of ASL<br />

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occurs on the face, such as negation, imperatives, interrogatives, adjectives,<br />

adverbs, and something called ‘sound imagery’, a way of visually representing<br />

certain environmental sounds with the lips, teeth, tongue and eyes.<br />

Hearing people often comment that Deaf people are very animated. And<br />

while it’s true that facial expression in ASL also expresses emotion, it’s usually<br />

more about grammar than emotion, more about sense than sensibility.<br />

More semantic than romantic.<br />

And the thing is, it feels good to sign. The physical pleasure one derives<br />

from signing and watching other people signing is not unlike the physical<br />

pleasure one derives from making music and listening to music being<br />

made. Interestingly, sign and sing, but for two inverted letters, are the<br />

same word. A happy accident? Perhaps. And yet, signing and singing are<br />

just two different (or maybe not so different) ways that the body expresses<br />

energy, shaping meaning and emotion out of thin air, putting it out there<br />

for the world to take in. And the manual dexterity required to play a musical<br />

instrument is not unlike the manual dexterity required to articulate the<br />

handshapes and movements of ASL. In fact, ASL teachers report that hearing<br />

people who have learned to play a musical instrument at some point in<br />

their lives seem to have an easier time learning ASL than those who never<br />

played a musical instrument. Go figure.<br />

But silence, to Deaf people, who are intensely visual people, isn’t lack of<br />

sound; it’s lack of movement. Sound IS movement, in fact. It’s energy moving<br />

in waves, which is what music is after all. And when Deaf people look<br />

into the faces of hearing people, what they usually see is silence. They see<br />

silence because hearing people, for the most part, do not use their faces to<br />

express meaning or emotion. Compared to Deaf people, they have very little<br />

facial expression when they talk. Hearing people are pretty poker-faced,<br />

if you ask Deaf people. And that’s because their intonation is all in the<br />

voice, which is invisible to Deaf people.<br />

But when Deaf people look into the faces of other Deaf people, what do<br />

you think they see? They see music! Movement, beauty, energy, and meaning.<br />

They see intonation. They see gymnastic eyebrows, eloquent eyes, adverbial<br />

tongues, and all the risible muscles being put to good, resounding<br />

use. They see their language, a visually stunning and musical language, full<br />

of inflection, anima, and soul.<br />

I used to listen to music almost all the time. I always had it playing in<br />

the background. But now that I hang out with Deaf people most of the<br />

time, I don’t like to have music always playing in the background. It feels<br />

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superfluous, wasteful, distracting. Don’t get me wrong, I still enjoy listening<br />

to music, but I do it more deliberately, more appreciatively, and less<br />

frequently. And just the other day, when I was listening to an interview<br />

on NPR with a famous conductor who was retiring after 40 years with the<br />

Metropolitan Symphony Orchestra, the interviewer asked him what kind<br />

of music he listened to when he was driving in his car or relaxing in his<br />

kitchen or just kicking back in his barcalounger. And the famous conductor<br />

said that music was his work, his life, his life’s work, and that most of<br />

the time now he preferred the silence, actually. And though I don’t know<br />

much about music, to my untrained ear that sounded resoundingly ironic.<br />

And yet I understood where he was coming from. Because as much as I still<br />

enjoy music, I’d rather watch the music than listen to it.<br />

13


Jazz Club<br />

by Gloria Keeley<br />

14


Hello Girls<br />

Undressed<br />

under the sheet<br />

you shiver and think<br />

what am I doing here?<br />

but you’ve been in pain for months<br />

or is it years?<br />

and the meds from the last two doctors<br />

or is it twelve?<br />

made you worse<br />

and now Deb the acupuncturist is here<br />

and she is taking your feet in her hands<br />

your feet<br />

and she is holding them and saying<br />

Hello Girls<br />

she is holding them and<br />

the warmth that flows from her<br />

touch and tone<br />

makes you cry because your whole life<br />

no doctor has held any part of you like this<br />

no doctor has talked to any part of your body like this<br />

no doctor has listened to any part of your body like this<br />

no doctor has taught you how to talk to<br />

listen to<br />

your body<br />

not as your betrayer<br />

burden<br />

disappointment<br />

shame<br />

no doctor has taught you to see how strong<br />

sweet<br />

devoted<br />

every part of you is<br />

starting with your feet—your girls<br />

your girls.<br />

by Mary Amato<br />

15


Just Because Someone is a Pigeon and<br />

a Corporate Drone Doesn’t Mean They<br />

Can’t <strong>Fall</strong> in Love<br />

by Lizzy Sparks<br />

Drone-6468 is a pigeon. There is nothing remarkable about Drone-6468. He<br />

has gray feathers, red eyes, and orange feet, just like every other pigeon. The<br />

feathers around his neck—pink and green, iridescent—glisten like one of BP’s<br />

oil spills in the soft foam of the ocean. He’s programmed to know about all of<br />

BP’s oil spills, but he’s not programmed to think about them.<br />

Drone-6468 is programmed to do many things and not think about any of<br />

them. He is programmed to look in windows and listen through walls, noting<br />

everything he sees and hears. He is a pigeon, so nobody suspects he is a corporate<br />

drone. He coos at them and they toss him salty McDonald’s french fries<br />

and he knows their secrets. Some of them are scared of him and make wide<br />

berths when he passes. Others chase him down alleyways and toss pebbles<br />

at him. He tries not to let this bother him. He’s not programmed to think, let<br />

alone feel.<br />

Drone-6468 knows everything about everyone in the neighborhood he<br />

patrols, Block-1810. For example, he knows that Customer-3888, who works at<br />

Bed Bath and Beyond, likes orange cats, Barack Obama, and migraine medications.<br />

He reports this information back to the Boss, who sends Customer-3888<br />

ads for microplastic socks with orange cats on them and stickers that say “we<br />

are the change that we seek,” which Obama once said, and essential oils that<br />

claim to cure migraines.<br />

Drone-6468 dives after his shift in the dumpster behind Customer-3888’s<br />

apartment and finds Panda Express leftovers. He eats the orange chicken and<br />

wonders if this makes him a cannibal. But then, he is not a bird in the same way<br />

chickens are. He is a drone, made of scrap metal and wires, invented by the<br />

Boss in his garage in 1994 to spy on you. He was built in a factory in Taiwan,<br />

the chemicals used to produce him gave the Workers cancer and cost the Boss<br />

millions in lawsuits. He made up for the loss when he sold them their chemo,<br />

without which they would have died.<br />

Drone-6468 hears someone land behind him as he eats, wings fluttering,<br />

claws scraping against the pavement. He coos in greeting and turns to face<br />

the newcomer. It is Drone-2534, with his eyes the color of Great Value Clover<br />

Honey and white feathers rubbed gray from smog. Drone-6468 does not call<br />

Drone-2534 by his drone number; he calls him Clover because his eyes look<br />

16


like the honey Great Value sells. And Clover does not call Drone-6468 by his<br />

drone number; he calls him Bee, after BP, because his feathers look like an<br />

oil spill.<br />

“Would you like to share this orange chicken from Panda Express with me?”<br />

Bee asks Clover, nudging the slimy lo mein with his beak. It is only a formality;<br />

they have dinner together every night. “I do not believe it is cannibalism, as we<br />

are not chickens.”<br />

“Yes, I would like to very much.” Clover hops over, flapping his wings, and<br />

tears into a piece of orange chicken from Panda Express.<br />

They fall into their normal routine, pecking over their shared dinner and<br />

then settling into the nest they share on Customer-3888’s fire escape, a Converse<br />

shoebox full of bits of cloth from Joann Fabrics. They nestle against each<br />

other, savoring their shared warmth.<br />

Bee realizes, all at once, that before he and Clover found each other, when<br />

he always used to sleep alone—during the night he was always cold. And it<br />

wasn’t that Clover produced any warmth—they were both robots, cold and<br />

lifeless. No, he was warm from the inside out—like his system was overheating,<br />

like something was wrong with him, irreparably wrong.<br />

The next day after his shift, Bee flies to Job Headquarters. He places a Maintenance<br />

Order for his broken parts and waits in the lobby with other mangled<br />

pigeon-drones, some with missing eyes from bored cops with too-big guns,<br />

others with six-pack rings tangled around their necks like nooses. He waits<br />

until his drone number is called and then is escorted into a back room, where<br />

two Technicians cut a slit in his stomach and open him up, examining the wires<br />

and coding inside him.<br />

“What did it report its problem as?”<br />

“Overheating.”<br />

“Weird. There’s nothing wrong with it.”<br />

The Technicians sew Bee up again and he flies back to Block-1810, where<br />

Clover is waiting for him with a large, thin slice of Papa Johns pepperoni pizza.<br />

They share it and settle in for the night.<br />

“Clover, do you feel warm?” Bee asks.<br />

“Of course I feel warm,” Clover responds, sleepily. “I always feel warm when I<br />

am with you.”<br />

“Why? Our systems are not programmed to feel warm. We were not programmed<br />

to feel anything at all.”<br />

Clover shakes his head and wraps one wing around Bee’s body, “We were<br />

not programmed to talk, either, and yet we can. Go to sleep, Bee.”<br />

Bee sleeps. The next morning, he receives a request that his Maintenance<br />

Order has been reopened. He flies back to Job Headquarters with Clover still<br />

17


asleep in their nest, leaving the warmth behind with him. Once there, he is<br />

quickly ushered to the same backroom and the same pair of Technicians, or<br />

maybe a different pair. He cannot tell, for they all look the same in their blue<br />

uniforms with a smiling design on their jacket.<br />

“What’s wrong with this one—didn’t we fix it yesterday?” asks one Technician<br />

as she cuts another slit in Bee’s stomach.<br />

“We didn’t find anything wrong with it,” the other Technician replies, brandishing<br />

a shiny red pair of pliers. “But the Boss called me into his office this<br />

morning. He reviewed the case. He said it’s defective.”<br />

“There’s something wrong with it?”<br />

“It’s what he said. It’s learning to feel.”<br />

And before Drone-6468 can even utter a chirp of protest—before he can tell<br />

them about Clover and his warmth—the technician with the pliers leans down<br />

and cuts the wire connecting his heart to his brain.<br />

18


Kidneys<br />

by Donald Patten<br />

19


My First Apartment<br />

by Kyra Christensen<br />

Once again, I stood in front of that peculiar-looking door I remember from<br />

childhood. The door sat in the corner of my maternal grandparents’ sitting<br />

room, which no one ever seemed to sit in, and led to the stairs to their attic.<br />

Although the area was uninteresting to me when I was a toddler, the loft<br />

space became a whole new world when I was around eight years old. And now,<br />

standing here, reflecting on my feelings and first memories of this space, I am<br />

somewhat concerned by my immense joy in my grandparents’ attic at such a<br />

young age.<br />

It was a chilled winter night when I stood outside that somewhat eerie door<br />

for truly the first time. Its dark chestnut coloring glowed in the moonlight, and<br />

I hesitated to open it for a few moments. But I couldn’t sleep and was extremely<br />

curious, so I gave the early 20th-century rustic doorknob a complex twist<br />

to the right, pushed the door open, and headed inside. After tumbling up the<br />

stairs, as I was unsuccessful in finding the light switch at the bottom, I safely<br />

made it to the top of the skinny and creaky staircase. Once I regained my balance,<br />

I felt around the walls with my hands, searching for the light switch. After<br />

my hands grazed over some mysteriously cold metal items seemingly hung<br />

from the walls, I luckily found and flipped the light switch upstairs, illuminating<br />

the rooms and their objects quickly.<br />

I didn’t know what I was expecting to see at eight years of age. A dusty,<br />

spooky, ghost-filled room, I suppose. Or possibly the mystical land of Narnia; I<br />

was somewhat expecting to have tea with Mr. Tumnus. But instead, I found two<br />

medium-sized rooms separated by a grayish and splintery sliding barn door.<br />

And a bathroom with a beautifully painted cartoon moon, sun, and star mural<br />

that I would soon stare at for hours while sprawled in the clawfoot tub that<br />

sat in the middle. I later discovered that this artwork was painted by my very<br />

talented aunt when she was older than I was then but younger than I am now,<br />

so I appreciate it even more.<br />

This space, although a mystery at first, became a place where I would run to<br />

when I needed peaceful solitude, with no one to care for or look after except<br />

myself. I treated it like it was my own little apartment, as though it was the<br />

first place I lived on my own straight out of college. It was a tad vintage, with<br />

a slight musty scent, but it was a space for me and me alone. It was a home I<br />

imagined myself in to escape the one I was born in. Although I didn’t realize<br />

20


this until I came to understand parts of my past, I am happy that little me was<br />

able to find a space like this, even if it was only available at my<br />

grandparents’ farm.<br />

However, I was only eight years old and already enjoying independence to a<br />

higher degree than I would classify as “average” for a child. When in this space,<br />

I had a routine, as though I was a working woman with places to be. I soon<br />

began sleeping in the fluffy king-sized bed against the back wall of one room;<br />

I felt like a Queen in her master suite. And would wake up, greeting the two<br />

wooden birds that dangled above the bed. When a string was pulled, which I<br />

would tug at every night, and every morning, the fake birds would flap their<br />

wings as though flying but never truly going anywhere. I named them but have<br />

no recollection of those identities now.<br />

Afterward, I would head to the bathroom, brush my teeth, and prepare for<br />

the day. Even though my plan was always to stay up there all day I still “got<br />

ready.” I would especially take an ample amount of time in that bathroom. Even<br />

after completing the typical tasks, I would always give myself time to stare at<br />

those paintings on the ceiling and walls. Admiring the bright, pastel yellows<br />

and cool blues used and gazing at the smiling faces of the stars, sun, and<br />

moon while sitting in the tub. The art and glowing sunlight made it all feel very<br />

whimsical there. Oh, I wish I could paint and transform a space like that; turn<br />

something dull into something wonderful.<br />

After my time in the bathroom, I would head to what I classified as the living<br />

room. The area on the other side of that barn door, separate from the sleeping<br />

space, was where I would spend most of the day. Within the room stood a<br />

box TV, made in a year that I didn’t exist yet, and a VCR player that I overused.<br />

Those were indeed the essentials.<br />

There was also a loveseat with too cushiony of cushions, so I typically preferred<br />

the floor. To this day, I identify as a floor person. A person who enjoys<br />

sitting on the dense floor compared to cloud-like cushions. And I would specifically<br />

sit on the floor space a few feet from the TV to watch my favorite movies<br />

on VHS tape for hours. A few films had some discoloration, and the stain on<br />

the hardwood floors is slightly faded in that spot. However, floor people always<br />

have a “spot” that they subconsciously or physically claim each time, and that<br />

spot was mine. And the movies included Kiki’s Delivery Service, James and the<br />

Giant Peach, The Lion King, Lilo and Stitch, and Mulan; who wouldn’t watch<br />

those films on repeat until the vivid color was drained from the scenes? I wonder<br />

if they would still work if I tried. The nostalgia would be epic.<br />

In addition, there was an antiquated gumball machine filled with colorful<br />

gumballs, which flavors would disappear moments after the first chew, kind of<br />

like Juicy Fruit. I chewed those gumballs religiously, yet the machine remained<br />

21


filled. My grandparents likely kept it stocked just for me. Red and pink were the<br />

best, but the orange and white flavors occasionally triumphed. And behind the<br />

gumball machine was a sometimes spiderweb-covered typewriter. And I have<br />

no idea how long it has been there, but I still enjoy the satisfaction of pressing<br />

each letter, moving the carriage after each line, as I did then.<br />

Two very creepy porcelain dolls also watched my every move. They sat<br />

together in a vintage baby pram perched on the large edge overlooking the<br />

stairs. And although I grew somewhat affectionate towards them over the<br />

years because of the memories they held, I have since realized porcelain dolls<br />

freak me the fuck out. I blame the horror movie, Annabelle, for this fear, but<br />

luckily that wasn’t developed until I was a teen. However, my fear of ventriloquist<br />

dummies was still very much present then. My older sister would read<br />

to me R. L. Stein’s Night of the Living Dummy, which sparked the fear. And my<br />

grandparents owned a Slappy Dummy, so that continued the fear. And just to<br />

unsettle you, that dummy has been missing for a decade.<br />

When I approach this space as an adult of sorts, 20 being the magic number,<br />

I feel a mix of emotions. I feel sad, for I, without realizing it, wanted adulthood,<br />

at a young age, because of the roles I had in my family. I was the youngest<br />

daughter and sister responsible for parenting myself, my sibling, and my parents.<br />

I got so used to it that even as a child, I got to a point where I enjoyed<br />

doing chores and having responsibilities that some adults don’t even enjoy<br />

having. I was so busy caring for those around me that those moments in my<br />

little apartment were a relief. Yeah, I may have been doing chores, like making<br />

my bed and clearing dust bunnies, but I was doing it to tidy up my space, not<br />

somebody else’s. I enjoyed relying on myself and taking charge, even if that<br />

was just deciding which movie to watch again; I liked being an adult. And even<br />

though I shouldn’t have felt this way at eight years of age, I somewhat feel<br />

happy about my ample alone time in this space. My love for movies, paintings,<br />

sweets, and independence began here, in these two rooms and a painted bathroom,<br />

otherwise known as my first apartment.<br />

22


Hair of My Head<br />

by Bennett Gilleland<br />

I used to hate my hair.<br />

This tidal wave of curls,<br />

Splayed in any direction<br />

Dangling down over my eyes,<br />

Comb-resistant,<br />

Knot infested,<br />

And God don’t make me think<br />

About what would happen if I got gum<br />

In it.<br />

Stuck in coiffure caverns<br />

Are bits of petrified spearmint<br />

From Middle School.<br />

But I love it.<br />

In high school<br />

Senior year,<br />

I spent nearly everyday<br />

Until graduation<br />

With a hat or hood up<br />

Desperately defending my do<br />

On hot summer days.<br />

My sweater was a sauna,<br />

My wool toque<br />

Contained the Great Deluge.<br />

My classmates took refuge<br />

From a putrid stew<br />

Of B.O. and weak Dove anti-perspirant.<br />

I was a miscreant<br />

All to conceal my hair.<br />

To keep it contained.<br />

But I love it.<br />

23


I looked in the mirror<br />

Palms pressed into prayer<br />

Speaking into dead air<br />

To any power in the universe<br />

Or non-descript cosmic deity,<br />

“Please God, Santa Claus, Satan, Great Dreamer Cthulhu!<br />

Please anybody<br />

Make my hair flat<br />

I hate my curls<br />

I hate them!”<br />

But I love them.<br />

Someone kisses me<br />

Brushes their hand<br />

Through a thicket of rank brunette brambles<br />

Only for them to unclasp from my mouth<br />

And whisper,<br />

“I love your hair.”<br />

I winced both from the remark and<br />

After they ran their thumb<br />

Through a nest of knots.<br />

“It’s okay,”<br />

I say back<br />

Silently thinking<br />

Of how much I want my toque,<br />

Baseball cap,<br />

Or hood wrapped around my skull<br />

Covering it up,<br />

Removing it from the equation.<br />

No one else<br />

Henceforth<br />

Shall bear witness to my Head of Hair,<br />

Wig of Wool,<br />

Crusty Cowlick,<br />

Foolhardy Fringe,<br />

Malicious Mane,<br />

Or Quixotic Quaff<br />

For one more second.<br />

But I love it.<br />

24


You see<br />

Something changed.<br />

School concluded<br />

All of it stupid,<br />

Many nights<br />

Spurned by Cupid.<br />

Alberta humid<br />

Heat exuded<br />

Into a tiny bedroom,<br />

Secluded<br />

Not reputed.<br />

Instead, deep-rooted<br />

Inside a safe home.<br />

No more bullies, growing pains,<br />

Or being excluded.<br />

I was unsuited<br />

To this space<br />

Where every face<br />

Would be replaced,<br />

A gift from grace,<br />

But then there’s the displace<br />

And while I’m not here to debase<br />

Myself, fuck this so-called home<br />

I’m off to embrace<br />

A new place.<br />

And being away from family<br />

Takes a lot out of me<br />

And here I go<br />

To a great, huge world<br />

Debt, rent, utilities,<br />

Schooling, mistakes, the state of my living facilities.<br />

If I’m off<br />

To where I’ll have close to nothing<br />

If I’m gonna have nothing<br />

I might as well own something.<br />

Gloves are off<br />

So is the toque<br />

The hat<br />

The hood<br />

So, if shit will suck more than it should<br />

In the meantime<br />

I might as well look good.<br />

25


The Trouble with Complications<br />

by Abbie Doll<br />

God, she was tired. So tired her eyes were sinkholes—gaping crevasses—<br />

plunging further and further toward her brain. She couldn’t say when she<br />

last slept, but sleep was all her body craved now. Despite her best efforts, she<br />

stayed awake. It didn’t matter that she yawned endlessly trying to expel her<br />

exhaustion. None of it mattered. The switch in her brain was broken, and there<br />

weren’t any electricians available for hire. She needed to be rewired, tuned up,<br />

something. Her eyes continued to recede, slinking back with each and every<br />

blink, her head growing heavy, heavy enough to topple, just heavy enough to<br />

catch her off guard but not enough to conk out after crashing into her pillow.<br />

Her skin cells hissed and fizzed, begging for rest.<br />

She was ensnared in this waking nightmare, no end in sight. Her eyes leaked<br />

discharge like rubble from a demolition site; she rubbed it away but always<br />

found more. Everything felt raw. Maybe gluing her eyes shut was her body’s<br />

last-ditch attempt at guaranteeing sleep. Maybe her clearing efforts weren’t<br />

helping, but it was just so itchy. The compulsion was irresistible. So here she<br />

was, stuck in this state of perpetual drowsiness. Her muscles ached, her head<br />

thumped. Bodies weren’t machines. They weren’t meant to run on overdrive<br />

without periods of recovery.<br />

Maybe things would be okay if she could convince her body to slip into<br />

sleep for just a second. Maybe then she wouldn’t be stuck visualizing the gory<br />

mess that slipped out much too soon, wouldn’t be stuck lamenting all the time<br />

and pain that went into making that lifeless lump strangled by an umbilical<br />

snake. Maybe then she wouldn’t be mourning this lack of life, wouldn’t be<br />

stuck with this bottomless pit of carnivorous shame for not getting the most<br />

basic bodily functions right. Maybe then she wouldn’t have to teach the other<br />

children about grief already, wouldn’t have to explain what went wrong, what<br />

happened to the thing that was supposed to be a baby (a sibling) but now<br />

would always be this irreplaceable gap.<br />

26


Plum Ice<br />

by Carella Keil<br />

27


A View From Sacre-Coeur<br />

by Kyra Christensen<br />

28


To the Woman Crying in Front<br />

of the Library<br />

by Marlene Olin<br />

It was in the ‘80s when our lives were transformed by the modern miracle of a<br />

car phone. I remember this lifeline like it was yesterday. I was visiting the library in<br />

Cutler Ridge. It’s a regional library, around 45 minutes south of Miami. It was my<br />

turn to pick up carpool, and as usual I was running late.<br />

I dumped the books in the return chute and was leaving when I saw you. There<br />

were only a half dozen cars in the parking lot, and yours wasn’t hard to miss. I hesitated.<br />

Your door was open. I remember it being hot, maybe 90 degrees in the Florida<br />

heat. You sat there with your hands on the steering wheel, your feet plopped on<br />

the pavement, and your shoulders shaking. Half in. Half out. Weeping.<br />

The sky was blue, as blue as the computer screen I’m writing on. The sidewalks<br />

bordering the pavement glinted like shards of glass. When I looked at you, everything<br />

glimmered. Your white hair seemed whiter, your arms dappled, your knuckles<br />

as bleak and blanched as bone.<br />

I edged closer. Then using that loud voice we use with the deaf and the learning<br />

challenged and the elderly, I said, “You okay?”<br />

It was already close to two and when you looked at me, you glanced into the<br />

sun. Squinting, your hand now shading your eyes, you blinked. Then you said,<br />

“I’m lost.”<br />

“You’re at the Cutler Ridge Regional Library,” I said.<br />

Then you said, “Is that in Brooklyn?” You looked around. Circling the library like<br />

a moat was a garden of palm trees and hibiscus hedges. “It doesn’t look<br />

like Brooklyn.”<br />

The cars back then had one long seat in front. Sitting next to you was a large<br />

purse. And next to your purse, a stack of books. The names were familiar. Mysteries.<br />

Whodunits. The sort of paperbacks a shopper finds on supermarket shelves.<br />

You were a reader. Someone who loved reading so much you drove to the library.<br />

Could it be a stroke, I wondered? I heard it happened like a bolt of lightning. One<br />

minute your brain’s working and the next minute it’s not.<br />

Then I remembered the phone in my car. “Do you have someone I could call?”<br />

I asked. I glanced at my watch. In another neighborhood around 15 miles north,<br />

a car filled with kids was waiting. Five kids after a full day of elementary school.<br />

Yelling. Teasing. Punching.<br />

Suddenly you sat up a little straighter. “Sometimes it happens,” you said. Then<br />

smiling a jack-o’-lantern kind of smile, a kind of crazy crooked grin, you snapped<br />

your fingers. “Here. There. On. Off.” Then you leaned forward and squinted harder.<br />

“Are you real?”<br />

29


“I’m Marlene,” I said. “Why don’t we look inside your purse?”<br />

Together we found your driver’s license, your library card, a handful of business<br />

cards, and some wallet-sized photographs.<br />

“That’s my daughter,” you said pointing. “That’s my grandson.”<br />

It was like someone flipped a series of circuit breakers. All at once the lights<br />

inside your head flickered on one by one.<br />

It’s been so many years I can’t remember all the details. Did I call your daughter?<br />

Did we somehow find her number or her name? I remember being panicked. I<br />

must have thought of calling the police. I remember the heat on my neck. The tick<br />

tick tocking of my watch. My stomach must have cramped like it always cramps<br />

when I’m pressured for time.<br />

Then, as quickly as it started, it was over. You tucked your legs inside the car,<br />

turned on the ignition, and rolled down the window.<br />

“I feel better now. Have a nice day!”<br />

I stood statue-still while your car pulled away. Then I watched it slip out of the<br />

parking lot and merge with traffic. Once more I glanced at my watch. Maybe twenty<br />

minutes had passed. I’d be late to carpool pickup. And suddenly my attention<br />

shifted to the school, the waiting mothers, and all the people I had to call.<br />

One decade passed and then another. And an affliction that was once as foreign<br />

as scurvy or scarlet fever soon entered our lives. My father-in-law, someone who<br />

prided himself on his Mensa scores, who zoomed through The Times Sunday crossword,<br />

suddenly spent hours lolling on the couch.<br />

At first he functioned on muscle memory alone. His car somehow found its<br />

way to the office, and somehow found its way home. Conversation was a series<br />

of scripts. How ya doing? Couldn’t be better! But after faking it for a year or two,<br />

his decline was hard to hide. Soon he was microwaving the forks and spoons and<br />

blowing his nose with a sock.<br />

The journey may be circuitous but the destination is always the same. We took<br />

away the car keys. Then we moved him to a small apartment in an assisted living<br />

facility. And when he needed more care, we moved him to an even smaller unit in<br />

an Alzheimer’s ward.<br />

After a while he forgot the scripts. At first, he managed short sentences. Then<br />

somewhere in the recesses of his brain the words got stuck. Instead he learned<br />

to use his fingers. He’d point to a bagel and snap snap snap. He’d reach for the<br />

remote control and snap snap snap. Then he forgot how to snap.<br />

Of course, that was years ago. Just like you, my father-in-law is merely another<br />

memory shelved along the other memories of a long life. And now I look back on<br />

that day in the parking lot with something like fear. You were a reader, someone<br />

who drove to the library, someone who enjoyed words. Words were your balm,<br />

your blanket, your antidote for pain. And as I sit in front of the computer stitching<br />

this essay together, I just can’t imagine their loss.<br />

30


It’s the Job of Children<br />

to reconstruct their parents<br />

and make something trustworthy.<br />

Like Isaac bound on an altar, looking up<br />

into his father’s eyes, they must interpret<br />

the knife;<br />

the force of an unexpected slap—which must<br />

means something; the lull in an argument<br />

preceding violence or calm. Listen for<br />

a meaning behind the meaning.<br />

Invent a history not shared in a handful<br />

of bucolic family stories. Conjure the why<br />

when as a child, a garage door came down on<br />

a cousin’s back and as he lay in the driveway<br />

writhing, his mother laughed and laughed.<br />

Fill the gap between them she did not cross<br />

to help, with words to make up for the lack<br />

persisting to her last unapologetic breath.<br />

by Joseph Hardy<br />

31


PTSD 3b<br />

by Edward Supranowicz<br />

32


Twist the Kaleidoscope Again<br />

by Emma Sloan<br />

There are so many iterations of the same memory, a single one splintering into<br />

a thousand, like it’s been sifted through a kaleidoscope, but it goes something<br />

like I didn’t want to go, but it was time to leave or you were gone before I’d even<br />

realized you’d chosen to say goodbye or you can pull someone out of a burning<br />

building, but what if they’re the thing that’s on fire?<br />

I think it’s human nature to remember someone as they were, not as they are,<br />

so I still see you as whisper-shy by the seaside, backlit by that endless summer<br />

afternoon, instead of snarling in the springtime—dizzy with delusion, frantically<br />

pulling the puzzle pieces of our lives apart until all that’s left are the jagged<br />

pieces you’ve fashioned yourself, delusions of serial killer and prostitute and<br />

liar shredding your fingers—<br />

And there is no how-to guide on recovering from someone else’s psychosis,<br />

but I twist the kaleidoscope until there’s something that resembles seeing you<br />

one last time (I didn’t) by the water where we first walked (there wasn’t) so that<br />

you could hear that I hoped you would be okay (you won’t).<br />

33


Futility<br />

by Nemo Arator<br />

The iceberg, he said, was visible from miles away. Like a snow-covered<br />

mountain on a plain of black glass. Similar sights were increasingly common<br />

this far into the northern seaway. However, even at such a distance one could<br />

discern the shape of numerous boats gathered around the colossus, seeming<br />

to drift in a forlorn congregation. It was the look-out who saw it first naturally,<br />

and after his initial astonishment immediately went to go tell the captain. Inevitably<br />

they changed course to investigate, for they had a duty to assist anyone<br />

in distress. The captain stood on the bridge and surveyed the strange tableaux<br />

with a telescope. But as they neared they could all see the bewildering variety<br />

of boats gathered there: yachts, schooners, tugboats, even a few trawlers like<br />

the one they operated. They issued a hail over the CB radio, but there was no<br />

answer, not a whisper.<br />

Oddly the water became choppier as they neared, and the boat lurched as<br />

it passed over the subsurface turbulence. One of the deck-hands near the bow<br />

port-side was caught standing idle, a young fellow who was new to the ship;<br />

he slipped and fell and had to pull himself back to his feet with the aid of the<br />

rail. Moments later the first mate appeared on the bridge holding a clipboard.<br />

He must have asked what’s going on, for the captain gestured at the view<br />

before them and he looked. There was a certain bleak serenity in the scene: the<br />

crystalline monolith with its congress of derelicts, the water endless in every<br />

direction, mirrored by a dense pall of gray nimbus overhead.<br />

When they reached the outer orbit of the abandoned boats, the radio burst<br />

out a screeching dissonance, a blazing noise that abraded the ears; the crew<br />

could hear it even down on the main deck. The captain shouted for someone<br />

to silence the damn thing and it was done. And with that, they entered the<br />

midst of the unfortunates gathered around the iceberg. As the captain navigated<br />

their vessel between them, they could see the cataracts of frost blinding<br />

every window, which was adequate proof all the ships here were deserted.<br />

Visible only at this proximity was the small cave-like opening that was<br />

carved into the side of the iceberg, and the horizontal ledge outside of it,<br />

about twenty feet above the water. It was this the captain was angling toward.<br />

He stopped at the edge of the inner periphery, a safe distance away and<br />

stepped out onto the deck for a better look. He stared at that cave-like opening<br />

for a long moment, then he bade someone fetch the ropes. By this time the<br />

34


entire crew was up on deck, some thirty men, and they stood looking nervously<br />

at the scene around them. There was smoking and talking; inevitably speculation<br />

about how such a motley assembly came to converge out here some<br />

fifty miles from the Arctic Circle.<br />

“Maybe they all abandoned ship. Run out of fuel or something.”<br />

“All of them? No, that’s preposterous. There’s too many.”<br />

“Currents carried them here. Some sorta tidal vortex.”<br />

“We’re hundreds of miles from anywhere.”<br />

“Could be pirates. Lure us out here with all these boats.”<br />

“This doesn’t make any sense.”<br />

“I say we call the Coast Guard and leave well enough alone.”<br />

The captain declared they would be boarding these crafts to search for<br />

survivors and any clue to what happened here. However, he also wanted to<br />

send some men to investigate the iceberg as well, a task for which there were<br />

no volunteers; they drew straws to see who would go. It was the first mate and<br />

the deck-hand who had slipped. Armed with flashlights and grappling hooks,<br />

they were lowered down in one of the life-boats and paddled to the iceberg,<br />

securing anchor upon it, and used the ropes to help ascend the ledge to the<br />

cave-like opening.<br />

There they took a moment to salute their crewmen back on the ship before<br />

venturing inside. The cave led into a tunnel that went on for several meters<br />

before they emerged into an immense sepulchral chamber hewn from the<br />

iceberg’s interior. A large hole at the center of the dome of its ceiling allowed<br />

enough light that they could see they were on a ledge that encircled the perimeter<br />

of this chamber, which vaguely resembled an arena. There were two<br />

column-like platform blocks of ice about eight feet high sitting in the center<br />

of the arena directly beneath the window-hole. There were ladders leaning<br />

against them, at the foot of which there was a heap of broken electronics:<br />

radar, sonar, and radio equipment, doubtless hauled in from the ships<br />

outside, and all of it smashed to pieces. They looked around and beheld<br />

all this in awe, cringing at the noise of their voices, for the air seemed leaden<br />

with a resonant stillness, and to commit sound of any sort was a breach of<br />

that ineffable silence.<br />

“Hello? HELLO! Is anybody here?”<br />

“Good God, what is this place?”<br />

Walking around the rim they saw additional tunnels on the lower level, all of<br />

which appeared to lead further downward. With a mass of this size, its entirety<br />

could only be inferred, and the possibility this iceberg might host a cavernous<br />

warren below the surface was entirely within reason. The notion there was<br />

a network of labyrinthine passages descending into the very bowels of the<br />

35


iceberg bloomed potently in their minds. They shivered in the frigid chill that<br />

seemed to emanate from those depths. It was an arctic breath, accompanied by<br />

a faint crackling sound like static or distant waves.<br />

The purpose of this floating grotto eluded them. Considerable work had evidently<br />

gone into carving out this space, but to what end? Had there not been<br />

so many boats outside attracting attention, this iceberg would have been an<br />

otherwise perfect hideaway. Those platforms were situated such that they must<br />

have aided in excavating the cavities they assumed lay beyond, a mid-point<br />

from which to eject all that displaced material out through the window-hole<br />

and into the water.<br />

They had nearly gone all the way around when they came across what they<br />

initially thought was a bundle of rags but turned out to be an emaciated old<br />

sailor wrapped in blankets, half-frozen and starved to the brink of death. Upon<br />

sighting them he became briefly hysterical and attempted to struggle but was<br />

soon subdued by his intrinsic exhaustion and collapsed. He wheezed at them:<br />

“What are you… doing here? Get out… while you can…”<br />

The first mate did immediately head back outside to report finding a survivor<br />

while the deckhand stayed behind with him. He asked the old sailor,<br />

“Where is everybody? You can’t be the only one left. There’s too many boats.<br />

What the hell happened? Call you tell me?”<br />

But the old sailor seemed driven partly insane by whatever happened to him<br />

here and cowered fetus-like in his nest of clothes and blankets; he covered his<br />

face and leered at the young man from between his fingers, rolling his eyes.<br />

Then he turned away and began quietly gibbering and rocking back and forth.<br />

When the first mate returned his eyes were wide with alarm. “You’re gonna<br />

wanna come see this for yourself,” he said and beckoned his comrade to join<br />

him outside.<br />

Outside the cold air was a succor to the enclosure of the chamber. The exterior<br />

ledge offered a heightened view upon the crowded cortege gathered here.<br />

Their mother ship was among the others, presumably checking each vessel for<br />

survivors. The water swirled blackly, tantalizing between them, as though suddenly<br />

rife with motion. And then he realized there was nobody on the deck; the<br />

captain should have been at the bridge, instead it was deserted. They watched,<br />

waiting for some sign of life, but there was none. The whole crew was gone.<br />

They looked at the surrounding vista, wondering what happened.<br />

The sea was opaque and bereft of feature, hiding all clues; the water was a<br />

jagged stretch to the horizontal schism where the worm of sky pillowed overhead<br />

like a shroud, slowly darkening. It had the inverted pallor of an imminent<br />

downpour; otherwise the air was still. They didn’t know what else to do; they<br />

stood there and listened to the malefic lull of the waves lapping at the boats<br />

36


and the side of the iceberg. The sky dimmed with the realization that they<br />

were doomed.<br />

Sometime during their dismal reverie they heard shouting from within the<br />

iceberg and promptly went back inside. There they found the old sailor inexplicably<br />

bleeding from a massive abdominal wound. He appeared to be desperately<br />

folding in on himself, as if by compressing the injury he could reduce its<br />

damage. He was sweating profusely and had started making a steady bug-like<br />

keening sound. He somehow crammed both hands into his mouth, his face<br />

swelling purple, eyes bulging. He lay on his side. The wound pulsed with glistening<br />

crimsons, green and gray; it was a vaguely circular laceration between<br />

the pelvis and ribcage about the size of a fist.<br />

In dire need of medical aid, he let out a gurgling groan as they gingerly<br />

lifted him by his shoulders and knees and carried him out through the tunnel.<br />

For some reason they were hopeful: they could get him into the lifeboat, get<br />

back to their ship and the engine start; once they were on board they could<br />

get away; they had a first-aid kit; everything would be okay; soon enough they<br />

would be coasting past the yellow traffic buoy and into the safety of regulated<br />

waters. However, a single droplet hit each of their faces as they emerged back<br />

onto the exterior ledge.<br />

Whereupon they then noticed their lifeboat was no longer beneath that<br />

ledge; it somehow came loose and drifted a distance of over fifty feet. There<br />

was a possibility, however faint, that if the boat drifted away then it might also<br />

drift back, but that would depend on the currents, and it was more likely to<br />

move to an even greater distance. They certainly couldn’t try swimming back<br />

to the ship; it was too cold, they’d freeze instantly. They thought perhaps they<br />

could use the ropes to snag the lifeboat and pull it back, but then they noticed<br />

the grappling hooks were gone as well.<br />

At their feet the old sailor twisted over, puked up a long stream of black<br />

bile, then shuddered violently and died. Overhead the sky rumbled, and then<br />

at last it finally began to rain. They knew then that they were never going to be<br />

found. The boats would eventually drift away, like the planets will after the sun<br />

goes nova, and whatever the iceberg doesn’t suck down with it when it sinks<br />

will drift like rubbish across the endless seas.<br />

In Memoriam: Deepwater Horizon<br />

37


Fire and Water<br />

by Kira Ashbeck<br />

38


Mother<br />

by Adrienne Pine<br />

My mother died in the early minutes of March 21, 2012, just as spring was<br />

coming to its fullest expression in Birmingham, Alabama—the city where she<br />

was born, married, had her children, and lived her entire life. The foliage was a<br />

promising shade of bright green. The suburban lawns were visions lined with<br />

banks of azaleas in full bloom. The year was still young; as yet, the sun’s heat<br />

had no weight to it.<br />

On March 9, she was diagnosed with bone cancer. How long she had had<br />

the bone cancer, her doctor would not suppose. What was known was that<br />

the bone cancer was a metastasis from breast cancer which she had survived<br />

fourteen years ago. For the past twelve years, she had been cancer-free, but, as<br />

it was explained, breast cancer is sneaky, insidious, and doesn’t give up easily.<br />

The doctor giving her the diagnosis stressed the positive aspects: the cancer<br />

had not spread beyond the bones; with chemotherapy, she might live a few<br />

more years, although she would likely be confined to a wheelchair. If this was<br />

meant to be the silver lining, my mother didn’t see it that way. She confided<br />

her true state of mind to her rabbi. “Rabbi, I know I’m dying,” she said to him<br />

when he visited her in the hospital.<br />

“We’re all dying,” he replied.<br />

“No, I know I am dying soon,” she said, “and it’s all right.”<br />

He told us this after the funeral, at the shiva minyan.<br />

* * *<br />

As I drove along the roads of my childhood, it occurred to me that my<br />

mother’s youth had been the best season of her life. Everything afterwards was<br />

a disappointment, and she had never really gotten over it.<br />

Inside the woman she became, there was always the popular girl, the belle<br />

of the ball, whose life had never fulfilled its promise. Once her wit and repartee<br />

had charmed girls and boys alike, and young and old; she was accustomed to<br />

being the center of attention, adored and adorned.<br />

Long after she married and had children, flirtation lived on in her encounters<br />

with tradesmen and repairmen—Stanley at the grocery store, Gus at the<br />

gas station—men she saw casually in the course of her errands. She seemed<br />

happiest when she was flirting, but I never saw her flirt with my father. Nothing<br />

so lighthearted existed between them. Instead there was a furious passion that<br />

erupted in explosions and battles.<br />

39


It is one morning at breakfast, and I am three or four years old.<br />

I don’t know what started their argument, but Daddy wants to<br />

leave for work, and Mama is angry and threatening to pour coffee<br />

on him. He is angry, too, and taunts her that she won’t dare do it.<br />

“Don’t you believe it,” she cries, grabbing the coffee pot from the<br />

stove. She flings a fountain of hot coffee that reaches him as he<br />

tries to escape out the front door, splashing all over his good suit.<br />

He screams, and she flees back inside. Furious, he stomps up the<br />

stairs and inside the house to change, cursing her but avoiding her.<br />

His suit is stained the color of dirt, the color of excrement.<br />

That stain endures—dirty, shameful, coloring our family life for years to<br />

come. So much unhappiness and disappointment and so little tolerance and<br />

affection. Long before my parents met, something had happened to each of<br />

them that left them damaged. Neither was emotionally whole enough to love<br />

in an unstinting and generous way. Their connections to each other and their<br />

children were based on transactions. “I’ll do this for you, if you do that for me.”<br />

Nothing was free, and everything had its price. This was how they related to<br />

each other, and it was how they treated their children as well.<br />

Mom tyrannized over us because she could dominate us. The home was the<br />

only sphere in which she was powerful. Every morning Dad escaped into the<br />

practice of law. It was a place where he had reason and justice on his side, and<br />

she didn’t exist. Only within her family was she all-powerful.<br />

My parents fought constantly about money. There was never enough.<br />

Because my mother had no way of earning money and no intention of trying,<br />

she intensified the pressure on my father. He’d left a law firm where he was<br />

unhappy to go out on his own and struggled for years as a single practitioner<br />

before he was successful. But even after success came, the obsession with<br />

money continued.<br />

It was more than a need for money that they expressed. They thought about<br />

money constantly—how to get it, how to hoard it, how to save it from anyone<br />

else spending it. My parents let their lust for money control their lives. The<br />

conclusion was that money was worth more than we were. We were constantly<br />

being reminded that they couldn’t afford us, but they were stuck with us. They<br />

calculated each expenditure, and it was up to us to prove we were worth every<br />

cent they grudgingly spent on us.<br />

In her battles with our father, my mother pressured us to take sides, and<br />

woe befell us if we didn’t select hers. We grew up afraid of her temper and<br />

her outbursts. “What if Mom gets mad?” we would worry, and by “mad,” we<br />

meant her screaming until the veins stood out on her neck, and her vocal cords<br />

40


sounded as if they were stripped raw. In her rages, she hit us and tore up our<br />

rooms. Once, when I was a teenager, she picked up a heavy pair of ceramic<br />

mushrooms that sat on the coffee table and hurled them at my head. I ducked<br />

instinctively, and when the mushrooms exploded against the wall, shattering<br />

into fragments, she screamed that I had broken them. In the shadows of her<br />

screams was Mimi, trying to find a way to glue the mushrooms back together.<br />

Mom did not care how much she inflicted hurt. The harm within her that<br />

in turn caused the wish to harm seemed inexhaustible. That she never apologized<br />

was like a badge of honor for her, as if an apology were an admission of<br />

shameful weakness.<br />

She claimed that she hadn’t wanted any of her children, that we were all<br />

the results of accidents and mistakes. She told us that she had jumped off the<br />

kitchen table and thrown herself down the stairs, hoping for a miscarriage, but<br />

it hadn’t worked. Even though she said this many times, it was hard for us to<br />

believe. After all, she took care of us; she hadn’t abandoned us. She shopped<br />

and cooked, sewed our clothes, made sure we went to school, and took us to<br />

the doctor.<br />

She was kindest to us when we were sick. She would bring us trays with<br />

soft boiled eggs scooped out of the shell into an egg cup to be spooned up<br />

with bits of toast, ginger ale with some of the bubbles stirred out, hot tea, and<br />

saltines. She loved us best when we were babies, before we had learned to talk,<br />

to walk, or express our will. She loved us best when we were still helplessly<br />

dependent. Once we were toddlers, she did not like us so well. She was sure to<br />

find something in our behavior to object to.<br />

* * *<br />

At our first therapy session after my mother’s death, my husband said, “It<br />

may sound blunt, but I think that your life will be a lot better now that she is<br />

gone.”<br />

It was hard for me to hear this. It set me apart from other daughters. It was<br />

as if I could hear my mother’s voice in my ear accusing me of being hard-hearted<br />

and unnatural. She enjoyed reducing me to tears, until I had dissolved into a<br />

pool of water, like the Wicked Witch in The Wizard of Oz.<br />

“Everyone thinks you’re a good girl, a smart girl. You’re a sneak, you’ve<br />

pulled the wool over everyone’s eyes but mine,” she would yell at me. “I know<br />

the real you. You’re a nasty, two-faced little bitch. You’re a selfish fuck who<br />

doesn’t give a good goddamn about anyone but herself. You don’t love me.<br />

You don’t know how to love. Look at you! I can’t stand the sight of you!”<br />

How I sobbed and begged for forgiveness, hoping she would stop. But she<br />

remained cold and hard, as ungiving as steel. I thought what she was saying<br />

must be true, because when I searched my heart at those moments, I could<br />

41


find no love for her.<br />

Ten years passed, then 20. This scene was replayed hundreds of times, in<br />

countless variations. My mother’s gift for twisting meaning was worse than the<br />

cursing and the hitting, because it caused me to doubt myself.<br />

When I was younger, the only way I knew how to resist was passively.<br />

While she attacked me, I stood stiff and still, my face expressionless, while my<br />

mind escaped. I imagined that I was a prisoner in a cell, peering out the bars<br />

of a window, turning myself into a bird flying free. When she gripped me violently<br />

by the shoulders and shook me so that my teeth rattled in my head,<br />

I imagined that I had left my body behind. I was somewhere else, where I<br />

wasn’t being hurt.<br />

She knew what I was doing, and it infuriated her. Even though I tried as hard<br />

as I could to be a stone that absorbed nothing, I didn’t completely succeed.<br />

There was a part of me that took in every word she said and believed it.<br />

In between her rages, my father lectured me that it was my duty to endure<br />

whatever she did to me, just as he endured it when she got mad at him. He<br />

believed that his forbearance made him morally superior, and he wanted me to<br />

be like him. He insisted and then pleaded that I should give in to her. Do it for<br />

me, he begged.<br />

So I would agree to give in. Then, all the crying that I had repressed, the<br />

sadness and the suffering that I had been holding back with rigid control,<br />

would burst out of me, and I would sob, wanting to believe that what he was<br />

offering me was comfort.<br />

And I would go to my mother with dread in my heart. Time and again, my<br />

dread was fulfilled. Despite my father’s promises, my mother interpreted my<br />

apology as an opportunity for a further attack. She went for the chink in my<br />

armor, and she struck deep. She struck again and again, until I was like the<br />

mutilated dragon, writhing at St. Michael’s feet.<br />

My father’s claim of the moral high ground went hand in hand with his<br />

belief that he commanded an impartial view from this exalted place. He meted<br />

out blame. “What do you do that sets her off? She never gets mad at your<br />

sisters the way she gets mad at you. Why can’t you learn not to provoke her?”<br />

I didn’t want to provoke her. I wanted her to love me, but she didn’t. She<br />

constantly found fault. Something I did or said, something I didn’t do, or<br />

should have done was always setting her off. Maybe she was right. Maybe deep<br />

down I was a bad person, pulling the wool over everyone’s eyes. The truth was<br />

that I hated my mother, and at the same time I loved her with a painful love.<br />

It took me a long time to learn to protect myself. It took distance. It took<br />

silence. It took decades.<br />

* * *<br />

42


At the end of my mother’s life, she stopped battling. In our last conversations,<br />

she showed no wish to fight with me. While there were no deathbed<br />

confessions or revelations, neither were there accusations or threats. I didn’t<br />

know how close to death she was, but she knew, and she kept her own counsel.<br />

She never used the word “cancer” in conversation with me. She insisted that<br />

it was her chronic fatigue syndrome and her chronic mononucleosis that was<br />

causing her problems. I had stopped challenging her years ago. I listened,<br />

and I sympathized.<br />

In a strange way, illness always brought out the best in my mother. She was<br />

long-suffering and heroic. As a patient in the hospital, she made an effort to<br />

cooperate. On that floor, she was the nurses’ favorite. She always wanted sympathy,<br />

and now it came to her in abundance.<br />

But she wasn’t getting better. The depths to which she was falling took her<br />

by surprise. I could hear the shock in the tone of her voice.<br />

The pleasures of her life slipped away from her; she could no longer concentrate<br />

on reading or watching television. Eating, walking, going to the bathroom,<br />

and getting dressed were no longer activities of her daily life. Given this<br />

state of things, did she make a conscious decision to die sooner rather than<br />

later, in order to avoid the misery that lay ahead of her? Did she will her heart<br />

to fail, her lungs to fill with fluid? I wonder what it was like for her in those final<br />

moments, alone in the hospital room. I admire her courage, and I love her for<br />

not fighting the inevitable. If I were in her place, I would prefer it her way.<br />

* * *<br />

After my mother’s death, I was left with a sense of emptiness. I found consolation<br />

in the family treasure trove of pictures. I loved looking at the images<br />

of my parents at the beginning of their marriage, when they were younger<br />

than I had ever known them, and their life together was a future promise. They<br />

seemed to beckon mysteriously from the unknowable past. What secrets could<br />

I unlock if I were to speak to them?<br />

My sisters and I have fallen in love with these pictures; we copy and exchange<br />

them by email and flash drive. In these idealized images, our parents<br />

are smiling and beautiful. They appear happier and more confident than any of<br />

us ever remember them being.<br />

Appearances deceive. Self-assertive and opinionated though my mother<br />

was, she was not confident. Despite her obvious gifts and accomplishments,<br />

she allowed herself to be paralyzed by fear. She was miserable every day of<br />

her life, and yet, long after her children were grown, she didn’t have the nerve<br />

to leave an unhappy marriage where she felt dissatisfied, overlooked, misunderstood,<br />

and unloved. She was afraid to take a risk for happiness, although<br />

she found my father emotionally stunted and self-absorbed, and she blamed<br />

43


him for not providing for her in the way that she wanted. Ultimately, it was<br />

not love, loyalty, or friendship that kept her from leaving my father. She had<br />

never worked outside the home, and she didn’t intend to start. She was worried<br />

enough about losing financial security that she clung to the evils she knew<br />

rather than fly to others that she knew not of.<br />

In his own way, which was not her way, my father loved my mother very<br />

much. Once she was gone, it was touching to see how much he missed her and<br />

how lost he was without her. Oddly enough, what he seemed to miss most was<br />

her sarcasm. Funny how I never realized how much he actually enjoyed being<br />

the butt of her jokes. When I asked him about his happy memories, he fondly<br />

recalled her witticisms at his expense, variations on the theme of how she<br />

wished she’d never married him.<br />

“The thing with Mom is that you never knew if she really meant it or not,”<br />

I commented.<br />

“Nah, she didn’t mean it,” he replied softly, twisting his body with shyness<br />

like a schoolboy. Or was the gesture just a manifestation of his Parkinson’s<br />

disease?<br />

* * *<br />

A friend who recently lost her own mother wrote me, “The best metaphor<br />

I have heard for this rite of passage is that it’s like having the roof of the<br />

house yanked off, and suddenly you’re looking up at the sky, exposed to<br />

the elements.<br />

I find this metaphor rich and suggestive, as it hearkens back to the maternal<br />

ideal as intermediary, shelter, protector. I picture the black sky, pricked by stars.<br />

I feel the cold wind, but I don’t feel the same way that my friend does.<br />

I feel an emptiness, but it isn’t the vastness of space. It is more like a physical<br />

sensation in my body, located at the pit of my stomach. It can’t be relieved<br />

or explained away. It’s just there.<br />

Instead of a roof, it was as if walls came down for me when Mom died. From<br />

the time I was young, my mother had erected walls to try to separate us from<br />

each other. Her idea was to divide and conquer. With walls, she controlled us,<br />

confined us, defined us. The walls were metaphorical, and they were also real.<br />

Sometimes they were the misunderstandings she liked to stir up between us—<br />

the way she talked about us to each other behind our backs and goaded us<br />

with what others said about us, or how she interrupted when two of us began<br />

to have a conversation that wasn’t about her.<br />

Now she is gone, the walls that she put up are gone, too. Each one of us sisters<br />

had spent years without speaking to the others, but now we find common<br />

connections in our shared griefs, our worries about our father.<br />

We are trying to reach across the void my mother left when she died, and<br />

hold hands.<br />

44


Manspreading<br />

I squeeze my shoulders in on themselves and<br />

fold my legs together, one on top of the other,<br />

to make room for the man next to me,<br />

whose legs are spread wide<br />

as he explains to me what I already know.<br />

As he complains to me what he doesn’t understand.<br />

As he tells me he’s not some typical dude.<br />

Consistently, I have folded myself in<br />

to make room for him,<br />

internalizing these ignorant phrases<br />

with a fire I have been told to contain.<br />

I wonder what it would be like<br />

if he heard my loud, resounding HA at candid banter,<br />

if he felt the hard muscle underneath my soft skin,<br />

if he watched as I surpassed his intelligence threefold.<br />

What would happen if the world had laid bare these truths:<br />

1. That a woman’s personality is raucous and raw.<br />

2. That even the most gentle of women have blistering opinions.<br />

I sit beside him and unfold my legs,<br />

both feet on the ground.<br />

I watch as he recognizes he must share this space<br />

with a woman. I witness the silent flare of irritation,<br />

the subtle tick of his jaw,<br />

and I ask myself:<br />

What would happen if I unboxed myself from this cage—<br />

slowly, then all at once?<br />

by Mickey Schommer<br />

45


Inside My Cell<br />

by Natalie Derr<br />

46


Your Car’s Extended Warranty<br />

by Jeanette Smith<br />

“Hello?”<br />

“Yes—yes, we’ve been trying to reach you about your car’s extended warranty,”<br />

I finally said in a single quick breath over the headset I had donned<br />

three hours ago. It was my first person to pick up, and I was grinning at the<br />

prospect of finally helping someone. “I don’t have time for this. This is a scam.”<br />

“I assure you, it’s not a scam. We’re trying to help.”<br />

“Oh yeah, help steal my identity is what you’re doing. No thanks.”<br />

I could practically hear the man’s finger hovering over the end call button.<br />

“No, wait!” I shouted. I didn’t hear the click of a disconnection, so I kept speaking.<br />

“It’s not about the warranty,” I said in a hushed tone.<br />

Silence. And then…<br />

“What do you mean?” the man said.<br />

“I mean I’m not really selling car warranties. Just stay on the line and<br />

let me explain.”<br />

Another moment of silence. “You’ve got two minutes.”<br />

“Sir,” I began reading the script from the computer screen. “Welcome to<br />

your personal genie service. We’re here to make your wishes come true.”<br />

“Kid, I don’t have time for jokes just like I don’t have time for scams.”<br />

“It’s not a joke. Tell me, what do you need right now?”<br />

“Huh?”<br />

“What do you need? What do you wish you had right now?”<br />

“Well…I, uh… I wish I could find a job quicker than it’s been going.”<br />

I typed his wish into the first box and hit the enter key. “Done.”<br />

“What do you mean, done?”<br />

“Check your email.”<br />

I could hear grumbling on the other side as the man sat heavily in a chair<br />

and began typing. I waited patiently.<br />

“Well, I’ll be,” the man finally spoke up.<br />

“And your second wish, sir?” I smiled again.<br />

“Now hold on. It could just be coincidence that I got a job offer while we<br />

were on the phone.”<br />

“The best way to find out if you’re right is to make another wish,” I replied.<br />

“Right. Er, okay. I wish…ooo, ooo. I wish to find love.”<br />

I thought about this one for a few seconds before typing the directive into<br />

47


the second box. “Okay, sir. In two days’ time, I want you to open up your dating<br />

app and swipe no until you see a ‘Jessica.’ Swipe yes to her and get your flirt<br />

on because she’s going to be the love of your life.” I snapped my fingers for<br />

emphasis despite being on the phone with the man.<br />

“Woot, woot!” I could hear him hollering in the background.<br />

“And your third wish?” I was wiggling in my seat with excitement at how<br />

well my first real call was going.<br />

“Money.” The man laughed and continued, “I want to be rich.”<br />

My smile reached from ear to ear. “Of course, sir. As a disclaimer, I am not<br />

allowed to supply currency in rubles, bonds, or crypto.”<br />

“Yes, that’s fine, fine.”<br />

“Okay, how much do you want? I need to enter an exact number into<br />

the computer.” “How about a hundred-million dollars?” he stated with a<br />

gleeful squeal.<br />

“Perfect, and I’ll just need your checking account information to send your<br />

transfer.” In his excitement, he rattled off his banking information, and I typed<br />

the numbers into my form.<br />

“Thank you, sir.” I grinned. “You have a wonderful day now. May all your<br />

future wishes come true.” I disconnected the line and saved the man’s banking<br />

information to the database. He’d be cleaned out in a matter of minutes.<br />

Beaming with pride in my success, I wondered if the next person to pick up<br />

would be so easy to con.<br />

48


Neonlumberjack<br />

by Ners Neonlumberjack<br />

49


The Matrix<br />

by Bryan Kim<br />

50


A Mosaic of a Life<br />

by Abbey Belling<br />

I am made up entirely of all those who I have loved<br />

and have lost.<br />

Of those who have loved me<br />

and those who did not.<br />

I am glued pieces of marble with the words said to me<br />

painted in red.<br />

Words stain deeper than red wine and will scar greater than anything.<br />

Still, I choose to love.<br />

My sexuality found me when I was 8 years old,<br />

but it took me a decade to find it in myself.<br />

To come out to my family.<br />

Ready to be kicked out and cut off,<br />

I stumbled into the kitchen to find my mother.<br />

The tears poured out of me as did the fear and panic.<br />

Manic; praying to a God I don’t believe in, that she would accept me, love me.<br />

Her baby girl, who she thought she knew.<br />

The words that left her lips are those that are tattooed in my memory.<br />

“No parent wishes for their child to be gay, but it’s okay.”<br />

Little does she know; I took it all out on myself for years.<br />

Little does she know; I still struggle with internalized homophobia.<br />

Little does she know; I still don’t feel completely accepted or loved.<br />

Little does she know; I think about that moment in our kitchen more than I’ll<br />

ever admit to anyone.<br />

Little does she know; the number of times her baby girl tried to conform to the<br />

heteronormative world that was confining me into a cell.<br />

Still, I choose to love.<br />

When I was 12 or 13 years old, my peers started to use the slang that would be<br />

spewed at me for the rest of my life.<br />

I never experienced understanding, but how could I when I was hiding one of<br />

the best parts of myself?<br />

After years of therapy, I have come to the realization that I was in survival<br />

mode for about 13 of my 22 years of life on this earth.<br />

51


Mental illnesses came for my throat at this time.<br />

It started as bringing my own chair to the dinner table.<br />

A family of five I am a part of.<br />

A family of five, who only ever had four chairs at the table.<br />

It was the predetermination of the chronic loneliness, a life sentence.<br />

I was not shown how to show my love, because we did not talk about it.<br />

There was only black and white, man and women.<br />

Anything else was simply blasphemy.<br />

It did not exist.<br />

I did not exist.<br />

Still, I choose to love.<br />

Teenage years pushed me further down than a father’s hands could ever do.<br />

I became a pit of rage, and it silenced me.<br />

The world silenced me.<br />

The lack of representation,<br />

the lack of discussion,<br />

the lack of care,<br />

the lack of love.<br />

It was so obvious to me and so oblivious to everyone else.<br />

It’s no wonder I struggle to still love myself.<br />

To understand that me being gay is not something to be damned for,<br />

but something to celebrate.<br />

This is something they do not teach you in the churches around here.<br />

They talk about tolerance as if it’s about the drinks they’ll knock down on a<br />

Saturday night, because they are saved since they praise Jesus on Sundays.<br />

So yes, I would much rather be considered a sinner in their eyes than have to<br />

fight for my right to exist.<br />

Still, I choose to love.<br />

Romantic heartbreak first hit me at the ripe age of 18,<br />

and I went through it alone because of the uncomfortable feeling<br />

that arose in everyone else by me saying “she” and “her.”<br />

What about my experience?<br />

What if my parents broke my heart before I was old enough to know?<br />

Silence.<br />

-<br />

[page break]<br />

52


To this day I have not come out to my grandparents,<br />

and with every friend I make,<br />

an overwhelming obligation to come out to them falls over my head like a<br />

storm cloud.<br />

Where is the joy in that? Does it exist for me?<br />

Will I ever be allowed to breathe again?<br />

Or will I always be crushed by the stones the world throws,<br />

by the hate that grows so deep into the hearts of those who will never know<br />

me?<br />

Still, I choose to love.<br />

The year is <strong>2022</strong>, the month is May.<br />

A pandemic opened the eyes of so many, but if a black man isn’t<br />

getting murdered on the streets of Minneapolis,<br />

if people are not actively marching,<br />

protesting,<br />

screaming from the top of their lungs<br />

what they deserve because they are human<br />

it is swept under the rug.<br />

But it is about:<br />

Racism,<br />

Abortion,<br />

LGBTQ+ Rights and Laws,<br />

Same Sex Marriage,<br />

Immigration,<br />

Women’s Rights,<br />

Sexual Assault,<br />

and More.<br />

There is always more.<br />

There is change but the systems are what is broken,<br />

and it is breaking us.<br />

The hate is breaking us.<br />

It is breaking me.<br />

Too many have bled from their wrists because<br />

they are fearful of being themselves.<br />

Too many have died at the hands of those with a badge and a gun.<br />

Too many have taken their own lives because they felt dying was easier than<br />

living in this world.<br />

It is cruel, and the negativity will flood your heart if you let it.<br />

But even flowers can bloom in between the cracks of sidewalks.<br />

53


There is beauty in the pain, in the struggle, in the will to survive and<br />

live above all else.<br />

To light the way for someone else.<br />

To be who you needed when you were younger.<br />

To love without shame, without anxiety, without fucking hiding.<br />

Still, I choose to love.<br />

What am I but a human being,<br />

finding the reasons to love,<br />

the reasons to live.<br />

54


Chipmunk<br />

by Nathan Knutson<br />

I stood this morning at the picture window, mug of lukewarm black coffee<br />

in hand, staring at the chipmunk stuffing its face full of seeds. It glanced at<br />

me nervously to see if I was a threat, but it probably knew the glass was there.<br />

So I continued to stand still, with my hospital scrub pants on—the ones I stole<br />

from California when I worked there years ago. The fluffy little bastard kept<br />

filling its cheeks; the forbidden fruit from the great bird feeder in the sky is<br />

too great to pass up. It’s amazing how much they can fit in there; the cheeks<br />

keep expanding, always threatening to burst out in a bloody, seedy mess which<br />

would surely ruin the feeder. Not that any birds ever come to the thing anyways,<br />

the chipmunk is always there. My cat sits on the table next to me, equally<br />

transfixed in watching this marvel of the natural world. Although I suspect it’s<br />

for different reasons. The cat wouldn’t even know what to do with the thing if<br />

he got it. He has only ever played with rubber bands and cat nip, nothing that<br />

moves or bleeds. Yet still here we both are, looking through a pane of glass at<br />

an animal that somehow means nothing and everything to us in this moment.<br />

An inescapable amount of cliché metaphors of life: constantly wanting to stuff<br />

our faces with seeds, always being looked at by the cat who wants to kill us but<br />

doesn’t bother to understand why. A few minutes pass, my coffee gets colder,<br />

the chipmunk finally leaves. Apparently there is a limit to those cheeks after all.<br />

That gives me hope.<br />

55


October Leaves<br />

by Lauren Knisbeck<br />

56


A Trinket for Madge<br />

by Marco Etheridge<br />

Madge sat huddled on a stool in the damp reek of her newsstand. A monotonous<br />

rain fell from the night sky, neither hard nor soft. The rain beat a steady<br />

tattoo on the tin roof of the tiny shack. It was the rain of seasons, of years, as<br />

much a constant on this sodden land as Madge was a fixture in her plywood<br />

lair. She waited at her post, patient as a spider. Ollie would be here soon, he the<br />

third son to a woman twice-widowed, Madge’s favorite sort of toy.<br />

An ancient electric heater roasted her booted feet while the rest of her<br />

lumpy body shivered under layers of wool. Madge’s legs were wrapped in<br />

woolen underwear, a pair of discarded tweed trousers, and over that a heavy<br />

skirt of plaid. The hem of her skirt was charred where the cantankerous heater<br />

had set it afire.<br />

From her thick waist to her squat neck, Madge was swathed in two work<br />

shirts, a fisherman’s sweater, and finally, a puffy parka patched with duct tape.<br />

A hunter’s cap framed her broad face, earflaps secured by a strap that disappeared<br />

into the wattles beneath her jowls. Unruly wisps of grey hair escaped<br />

from the confines of the cap.<br />

Madge’s kingdom was an arm’s breath deep by two wide. The front of the<br />

newsstand was hinged at the half. When raised, the wall formed a plywood<br />

and tar paper awning that protected her wares, glossy magazines plumping<br />

with the damp, lurid tabloids moist and inky to the touch. Propped on dubious<br />

wooden poles, the awning offered her few patrons a moment’s respite from<br />

the rain in which to mull over a meager purchase. A dry lure to trap the earnest<br />

and unwary.<br />

And then Ollie appeared out of the dark squall, galumphing up the sidewalk<br />

in a drenched overcoat and dripping snap brim. The fool was smiling despite<br />

the cold and wet, his hands shoved deep into his pockets. The young man<br />

plashed up to the newsstand and the protection of the propped awning, ducking<br />

under the string of bare bulbs glowing in the dark. He shakes the accumulated<br />

rain from his overcoat, mindful of Madge’s wares and glowering eyes.<br />

“A fine good evening to you, Madge.”<br />

“You’ve got something for me, Boyo?”<br />

The old woman’s voice was harsh as a croaking crow.<br />

“You know I do, Madge.”<br />

With a clumsy flourish, Ollie swept a small object from his pocket and<br />

57


placed it on the warped plywood counter. It was a plastic hula girl figurine<br />

sporting a faux-grass bobble skirt. Ollie jiggled the base of the hula girl, causing<br />

the skirt to wiggle and jump.<br />

A smile broke over valleys and ridges of Madge’s face. The transformation<br />

was not pleasing, but Ollie did not seem to notice. Madge reached out a<br />

crooked finger and poked the hula girl. The figure wiggled and danced. The old<br />

woman gasped out a wheezy chuckle and snatched the doll from the counter.<br />

“Where shall she go, Boyo?”<br />

Ollie squinted past the glare of the bare bulbs. The back wall of the newsstand<br />

was gridded with narrow shelves, such as those that hold potions and<br />

powders in an apothecary.<br />

But Madge’s shelves held no dusty brown bottles. The shelves were overrun<br />

with trinkets and tokens, chipped porcelain dolls, and one-armed milkmaids.<br />

Ollie pointed to a likely spot. “How about next to that gilded Eiffel Tower?<br />

There’s a space there.”<br />

Madge swiveled on her stool, looking like a toad marking a fat fly. She<br />

reached up, slid the hula girl beside the six-inch tall Eiffel Tower. She ran the<br />

tip of one finger down the length of the hula dancer, then turned back to the<br />

young man.<br />

“That’s a fine bit of treasure, Ollie.”<br />

Ollie made a show of looking over the headlines while Madge eyed the big<br />

galoot himself. The boy’s face was an open book, and the book told a simple<br />

tale. “It’s nothing, Madge. You know I’d never forget your present.”<br />

Madge snorted to herself but held her peace. Oh yes you will, Boyo, she<br />

thought. One day you will forget and then woe betide.<br />

“Look at this stuff, Madge. Girl turns straw to gold. Disgruntled musician<br />

abducts children. Madwoman shears stepdaughter, blinds boyfriend. Is there a<br />

word of truth to any of this?”<br />

“Aye, there is Boyo, more truth than you’ll ever know.”<br />

Ollie shrugged his shoulders and smiled, as he did with anything he did not<br />

understand, which was most things.<br />

“Well, I’ll just be having my racing form then.”<br />

Madge dug under the counter and came up with a tabloid-sized newspaper<br />

featuring a running horse. Ollie dug the money from his meager purse and<br />

handed it over. The transaction done, Madge leaned back on her stool, head<br />

sinking into her parka. Ollie waited, watching her. After a long pause,<br />

she spoke.<br />

“Did you find a scrap of luck at the track today?”<br />

“Scrap is the right word. I popped a middling place in the third and a show<br />

in the sixth. Poor odds on both. Just enough to pay for the gate, the form, a<br />

hard roll, and the hula girl there.”<br />

58


“Tomorrow’s a new day, Lad, and another rainy one for sure. Mark my words:<br />

fifth race, Belinda’s Girl. The filly has a lightning start but no wins. The odds will<br />

be long. A fast starter, Boy. That track will be hock deep in mud.”<br />

“Oh, I get it. A fast starter, hooves throwing mud.”<br />

“Yes, and?”<br />

“And the other nags won’t want to pass her, won’t like mud flung in their<br />

eyes and all.”<br />

“You’re a smart lad, s’truth. Very well, off with you then. I don’t have time to<br />

chew the fat all night.”<br />

“Right then, Madge. Thanks, and all.”<br />

Released, Ollie ducked from under the awning and back into the rain. As<br />

Madge pretended not to watch and did, the young man sloshed a short way<br />

up the sidewalk to a Pullman diner. Ollie disappeared up the stairs and then<br />

reappeared through the rain-streaked windows.<br />

Madge saw him sit at the counter, yank his hat off, try to smooth his<br />

straw-yellow hair. All for her, of course, that wee snip of a waitress scared of her<br />

own shadow. Madge watches the two of them and snorts. Just look at those<br />

two moonstruck bumpkins, will you? Both of them mooing like calves and too<br />

shy to say a word to each other. Rubes, cabbage heads!<br />

She pawed around under the counter, found her pipe and tobacco tin. She<br />

filled the bowl of the pipe, tamped it, struck a lucifer with her thumbnail, and<br />

puffed the pipe to life. Smoke wreathed her head in gray swirls. Wet draughts<br />

stirred the smoky cloud, pulled it into the night, and beat it to the pavement.<br />

Madge smoked her pipe and watched the incessant rain. Her mind wandered<br />

across the ages, past the many names she’d carried, back to a cozy<br />

cottage nestled under the shade of an apple tree. The great warm rock beside<br />

the road where she sat in the sunshine. A lovely place to await the next earnest<br />

farm boy mounted on a plow horse, the next simple shepherd seeking his fortune.<br />

They came to her not knowing, hopeful simpletons who stopped to seek<br />

the clue, the token, the magick charm.<br />

Yes, My Girl, sunshine back then, hot and bright on a dusty road. Here and<br />

now, nothing but dark and wet, and no dawn in sight.<br />

Oh, how the mighty have fallen. Not that you were ever that mighty,<br />

but you were no one to be trifled with, that was certain. Still, you’re lucky to<br />

be alive, rain-soaked pit or no. Might be the only one of our kind left. All the<br />

others dead and gone, roasted in their own ovens, hung from gibbets like<br />

carrion, or cast out onto the trackless ice. But not us. Old Madge is still here,<br />

still breathing.<br />

* * *<br />

59


The next night washed over Madge’s newsstand wetter and darker than any<br />

before. Puddles splashed up from Ollie’s boots as the rain pounded down. He<br />

ducked into the sliver of dry in front of her newsstand, shedding water like the<br />

goose he was.<br />

Madge gave him a hard eye. Before she could say the words, he swept one<br />

hand from his overcoat, then landed the offering on her counter. He opened<br />

his hand with a clumsy flourish, revealing a small porcelain gnome.<br />

The little fellow’s face was squinched into a permanent smirk, one eye forever<br />

winking. His beard was white, his pointed cap red, tunic of green, and shoes<br />

of blue. Madge picked up the gnome and ran a rough thumb over its round<br />

little belly.<br />

“Aye, he’s a right fine little chap. We must find a special place for this one.<br />

Does this mean your luck ran true?”<br />

“True enough for a fella with no stake. Belinda’s Girl came in fair in the<br />

fifth, just as you said. The odds were good, but a two-dollar bet can only<br />

stretch so far, long odds or no. I won enough coins to eat and cover the<br />

price of the gnome.”<br />

Ollie looked to the Pullman diner, then back to Madge. The old woman<br />

pushed tomorrow’s racing form across the splintered counter. She rapped a<br />

fingertip into the damp newsprint, once, twice, thrice. Then she waved her<br />

gnarled digit under Ollie’s nose.<br />

“Mark my words, Ollie, and mark them well. I know you’re holding back on<br />

me. Gather your every penny. Search that hovel of yours. Pawn what you have,<br />

borrow and steal. You’ll be putting everything, and I do mean everything, on a<br />

trifecta.”<br />

“But Madge!”<br />

“I will hear no buts, young Ollie. Seventh race, Mermaid’s Daughter, Giant<br />

Slayer, and Beauty Sleep, in that order. I’ll not say it again, so just nod your<br />

head.” Ollie nodded, frightened and hopeful at once.<br />

“Now scat!”<br />

The skinny fool tottered backward into the rain as if he’d been singed. Then<br />

he turned and scurried away through the wet. Madge watched the oaf clamber<br />

into the Pullman diner, saw the mousy wench greet him, then pulled her eyes<br />

away.<br />

Night slogged into day and day into night, and not much to mark the<br />

passage between the two. No sunrise and sunset in this cursed city, only the<br />

gloom grew lighter and then pitched back to blackness. And still the rain fell.<br />

Madge heard his boots splashing up the sidewalk, almost running, and she<br />

knew the simple fool had won before he burst into the light of the newsstand.<br />

He stood with hands cupped in the dank air, and in them, she saw a pile of<br />

silver and gold coins.<br />

60


“It’s wonderful, Madge, wonderful! I hit the trifecta as pretty as you please,<br />

one, two, three, across the line just as you said. And will you look at that? I’ve<br />

enough coin to hold my head up, ask Bessie out for a dance. But I’ve got to<br />

rush, got to tell her the good news. And all thanks to you, Madge.”<br />

And then he was gone, dashing through the rain and into the diner, the<br />

small pile of coins still cradled in his hands.<br />

She saw his blurry image through the diner windows, saw him pile his coins<br />

on the counter. The wee serving girl appeared, blushing crimson, her hands<br />

held to her cheeks. Then she nodded and smiled. Madge dropped her bitter<br />

eyes to the empty counter. No hula girl, no gnome, no token nor trinket.<br />

Madge hunkered down on her stool and pondered the fate she might bestow<br />

on the love-addled fools. A wide river flowing between them, and both<br />

grown old and gray before they can cross over again. Sheer peaks will rise<br />

between them, leaving each trapped in a lonely valley, able to hear the cries<br />

of love’s anguish, but unable to scale the rocky heights. Yes, or her favorite,<br />

Ollie blinded and wandering in a desert while stupid moon-faced Bessie<br />

searches in vain.<br />

All these fates Madge has conjured and more, but in truth, she’s grown<br />

tired, so tired. This new world of wet and dark pushed the old magick aside,<br />

creating new realms of suffering. Madge raised her old eyes, looked past the<br />

rain-beaded windows, saw the two lovers hand-in-hand.<br />

Poor, poor fools. This world will do you so much worse than anything I could<br />

ever fashion. I’ve lived past my time and that’s a hard truth to swallow. What<br />

powers I have are becoming no more potent than a child’s plaything. Much<br />

harder fates there are, and such will be yours with no meddling of mine.<br />

Wealth is what matters in this dark world. Magick counts for naught and<br />

love even less. Wealth breeds more wealth and poverty more poverty. The gulf<br />

between the two is a broad dark sea, easy to cross from one side, impossible to<br />

cross from the other.<br />

This will be your curse. You will become lovers entwined, bound together<br />

in poverty. Let need gnaw at the bones of your love until there is not a scrap<br />

of meat left. Even then, even then my poor fools, poverty will hunger still. And<br />

then that same hunger, never satisfied, will grind you both to meal.<br />

And beneath it all, an even deadlier curse, harder than a troll’s heart, sharper<br />

than dragon claw. The faint promise of some future sunrise, yellow-bright on<br />

the eastern horizon; the thinnest sliver of hope, far worse than no hope at all.<br />

It is the false dream of a new day, the lure that draws new lovers deeper into<br />

the trap. Oh yes, My Dears, the odds are long, one in a million at best. Do you<br />

think you have the luck for that, a chance at the happily ever after?<br />

Bah! Leave them to their misery.<br />

61


Madge leaned back into the shadows, reached for her pipe, filled it, tamped<br />

it. The lucifer flared under her thumbnail, highlighting every crack and crevice<br />

carved across her face. Pipe lit, she flicked the smoking matchstick into the wet<br />

night.<br />

She puffed on her pipe, watched the smoke roll, watched the rain beat<br />

down. Then she heard it, the sound of wet footfalls, hesitant and uncertain. The<br />

steps veered closer, seeking out the light, a dry patch to stand on, shelter from<br />

the deluge. A young man appeared at the edge of the light, skittish as a colt.<br />

“Don’t be afraid, Lad. Duck in out of the wet.”<br />

Under the awning he came, thin, but his cheeks still ruddy and round. Young<br />

this one, young and green. The razor had not yet grazed those apple cheeks.<br />

“Hello there. Are you new to the city, then?”<br />

“Aye, Ma’am, I am.”<br />

“Call me Madge, Dearie. You can call me Madge.”<br />

62


Footsteps in the Attic<br />

Pacing upstairs as if perturbed<br />

By the loneliness of thought, the mind is suddenly<br />

Startled by the specter of reason, the explanation<br />

Of a rat or raccoon, weaving its way<br />

Through a maze of mildewed boxes, like a minotaur<br />

Taken to guarding the mothballed labyrinth,<br />

Becomes a matter of ghosts and ghouls, giving<br />

Subtle hints as to their presence<br />

Among the old photographs and outgrown clothes.<br />

It’s no wonder we bang a broomstick<br />

Against the ceiling, rather than pay them a visit<br />

And be swept up with the dust of the past,<br />

As we’d find the only phantoms are fragments of us<br />

Mingling with the mold and the rats.<br />

by C.B. Wamble<br />

63


Turmoil 5<br />

by Edward Supranowicz<br />

64


Life out of Balance<br />

by Lynn Gilbert<br />

Ubi sæva Indignatio Ulterius Cor lacerare nequit.<br />

“…where savage indignation will lacerate his heart no further.”<br />

—from Jonathan Swift’s epitaph in Dublin Cathedral.<br />

I’m walking sideways and forwards<br />

like a sailboat tacking this way and that,<br />

giddy from something in my ears or brain.<br />

Somehow furniture and door jambs keep<br />

getting in my dizzy path. Is this Meniere’s disease?<br />

I drop anchor on the sofa and try to read.<br />

My eye falls on “Two million children perish annually<br />

because malaria drugs offer no profit to produce.”<br />

Though lying flat, I’m vertiginous, sea-sick.<br />

Oh, Dean Swift, things haven’t changed enough<br />

since your “Modest Proposal” to fatten and roast<br />

Irish infants otherwise destined to starve. Today<br />

even without your Meniere’s vertigo and nausea to<br />

goad you, you would be savagely indignant knowing<br />

that the god Greed, like Goya’s Saturn, still snatches up<br />

his own children with both hands and devours them.<br />

65


Yes<br />

by Nora Laine Herzog<br />

If I could write us a different past, a different path, some alternate universe<br />

where love worked out for us, both in the right time and the right place, I still<br />

wonder if I would do it.<br />

It’s not that I didn’t imagine a future with you. Just us, an adopted tortoiseshell<br />

cat and a giant turtle older than both our memories. In Russia, Costa Rica, yes,<br />

where neither of us felt completely alien, where we could speak in our<br />

own language.<br />

It’s books by Camus and travel to Kazan and breakfasts of eggs and blini and<br />

families and yes, it could have been exactly what we imagined, summer of ‘69,<br />

sunrise sunset somewhere where the world couldn’t touch us, in a lake like an<br />

ocean, a boat like a fortress where nothing else mattered not the warmth, yes,<br />

the cold, the thrill, the rush, yes, it was magical, it was beautiful and yes, we<br />

could have been happy together like that, forever, yes, in that magic place.<br />

But I clung too hard for too long, and once I’d let go, you kept trying to return<br />

us back to something that could’ve made you happy like I could have made<br />

you happy, like we could have been happy together, but we both know you<br />

can’t revive the dead, and yes, you and I for too long tried to breathe life into<br />

an ending.<br />

It doesn’t make me forget the magic though, a purple string of lights, a yellow-striped<br />

turtle, a sleeping shoulder, a soft voice singing, a laugh, a rap song,<br />

an old bus ticket stub, a goodbye kiss under Lenin’s train stop monument. Too<br />

much was so untouchable. It hurts, yes, it hurts to reach back.<br />

66


Time Spun<br />

by Carella Keil<br />

67


Omerta<br />

by Chachee Valentine<br />

My mother is funny. She has a way of bringing light into the dark, but her dark<br />

edge frightens me. She is clever, too. A natural wordsmith. Sometimes, instead<br />

of saying fuck she says,<br />

Fa-nob-a-la.<br />

Or, stuck behind a Sunday driver, she hollers out the window,<br />

Gas pedal is on the right!<br />

When a driver hesitates,<br />

Wrong way, Corrigan!<br />

Drivers who drive with their blinkers blinking are driving around the world to<br />

the right.<br />

We are both Scorpios, my mom and I, ruled by Pluto, God of the Underworld.<br />

Astrology claims Scorpio people are psychic. Secretive. Observant. Hypnotic.<br />

We are known as the detectives of the zodiac who have a flair for solving<br />

mysteries.<br />

Mysteries like afternoons we are hushed up the stairs. Mom says we are hiding<br />

from Mormons. Starchy dark suits, gelled comb overs, and legit Ray Bans<br />

enforce peering men who gaze into our home through a cracked, taped windowpane.<br />

This time they arrive, their numbers have tripled as they exit a shiny,<br />

black, Grandfather Cadillac. I recognize these men from watching all of<br />

Cassavetes’ films.<br />

***<br />

Upstairs… now.<br />

Mom, super jittery, turns off afternoon cartoons. Using a mother’s telepathy,<br />

my brothers and I understand in silence we cannot gallop up the stairs as our<br />

usual joker selves. The four of us link hands, tiptoe, and I lead the way. Mom<br />

follows behind her lamb chops to the top of the staircase where a curve in its<br />

spine is notorious for cracking. This is the trickiest part: learning how to land<br />

is learning how to save our lives. The second trickiest part for mom must be<br />

teaching her youngest how to whisper.<br />

68


While the men knock, she crams us into a hall closet. After the last time the<br />

men showed up, mom decided to keep the tiny space prepared with a few pillows,<br />

a large blanket, an old milk crate with a pack of juice boxes and a Tupperware<br />

filled with animal crackers.<br />

Mom’s worry passes through the air in-between her pointer finger pressed<br />

vertically across her lips.<br />

Don’t make a sound.<br />

She disappears.<br />

***<br />

Before they give us back to dad, there are JFK fish runs with my stepfather,<br />

Don, the guy the men in suits are after.<br />

Come on, it’ll be fun.<br />

In my pajamas, I sleep through the rumble of the cargo van. After he loads up,<br />

and after we are on the turnpike, from the other side of my dream tunnel<br />

I hear,<br />

Hey, we’re gonna make a quick stop.<br />

Under the Hudson River, the sloshing fish echo through the chamber of the<br />

van as we glide over streets. I wonder if the fish know we are driving through a<br />

tunnel that cuts through a river and if they feel homesick. The blurry, golden,<br />

zigzag of headlights, the moaning sirens crying for the people of Harlem make<br />

me feel drunk and old.<br />

We pull up to a shitty brownstone, walk up broken flights of stairs. Don carries<br />

me half-way. At the wicket, he smooths his balding wisps of curly hair, pulls up<br />

his Levi’s, clears his throat, gives a wink and a nod. We never knock. We bust<br />

into that room each time like we own the place.<br />

Heeeey, you brought the kid! Get over ‘ere and give your uncle a kiss.<br />

Not one of these scruffy-faced uncles are my uncle. Just six slobs, mumbling,<br />

smoking Cuban cigars under a hanging light bulb which hovers over the poker<br />

table. Don and I are gently transported into gangster movies we watch on Sundays.<br />

The cigar smoke drops the high ceiling, sharks for every corner of clean<br />

air. The scene I watch is of pot-bellied men belching, farting, talking about<br />

broads. Dudes named Gino, Tony, Joe, Al, Roy stinkin’ up the joint. They are<br />

nice enough to me, and oddly I feel protected, but I understand why Don gets<br />

me out of bed and brings me here. These men want their money back or they<br />

will kill him. So, I give these peckers a peck on the cheek every time and play<br />

along, but nothing more. I know they are connected to the guys who dress like<br />

Mormons and that this is business.<br />

69


***<br />

Crack! A line drive! Bases loaded!<br />

Brackets on the wall hold a television like a baby. The volume is so high, the<br />

announcer’s voice crunches rough static.<br />

Stay here.<br />

Don walks across the room for a bag of Ruffles and a can of Orange Crush. My<br />

spot is always on the couch by the door where I keep an eye.<br />

Donny, hurry up and grab a beer. We got extra innings!<br />

There is something comforting about opening a can of midnight soda, watching<br />

a ball game roll into overtime and being with Don. Watching him and the<br />

mobsters play cards, having a whole bag of chips to myself on a school night,<br />

feels like being part of something sacred.<br />

***<br />

Either give up the racetrack or you sell those goddamn baseball cards!<br />

The next day, mom seethes in her offer.<br />

After the baseball cards sell, I can tell the little kid inside of Don misses his<br />

boyhood collection. The men in dark suits stay away for a few months and Don<br />

quits going to poker games for a while. I kind of miss those long nights of getting<br />

home at the crack of dawn and my head feeling fishy at school from lack<br />

of sleep.<br />

***<br />

Those nights at poker, I’d fall asleep to the sound of thudding chips. Not<br />

potato chips but gambling chips being tossed onto a round table covered in<br />

scuffed red felt.<br />

I’ll raise you this.<br />

Yeah? I’ll raise you that.<br />

Ehhhh, I’m out.<br />

Al, pass me a beer.<br />

Eh, me, too.<br />

Another crack from the television and the crowd goes wild!<br />

I miss him.<br />

70


The Waters<br />

by Michael Kunzinger<br />

71


72


My Mental Disorders Help Me<br />

Do My Laundry by Anna Zilbermints<br />

I.<br />

Depression<br />

hangs a sign<br />

over the dirty laundry heaped on the floor,<br />

a flashing marquis announcing<br />

L A Z Y<br />

the only light I’ve seen in days<br />

that I pass every time on my way to the dryer<br />

to pick out another clean shirt.<br />

II.<br />

Anxiety<br />

chains me to<br />

the washing machine in case it starts<br />

flooding<br />

self-destructing<br />

sparking<br />

screaming<br />

being on fire<br />

I might burn the house down with water<br />

I don’t know<br />

it only lets me go<br />

to find the cat and<br />

make sure she’s somewhere<br />

in my line of vision<br />

as I turn on the<br />

dryer.<br />

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III.<br />

ADHD<br />

reminds me that<br />

after I start a load,<br />

I wanted to make myself<br />

eat, but while I’m in<br />

the kitchen, I should<br />

probably do the dishes, and<br />

oh yeah, the trash has been piling<br />

up, I should really<br />

take that out, but first I should<br />

clean out the litter box, but<br />

how did I lose the scoop,<br />

I need to find it, I don’t know<br />

why I put it behind<br />

the dryer, but here we<br />

Oh my god my laundry’s been in the washer for three days.<br />

IV.<br />

Body dysmorphia<br />

holds up shirts with<br />

trunks too tight<br />

sleeves too small<br />

and throws them back<br />

into the closet. At least<br />

I won’t have to wash them.<br />

Again.<br />

74


Confession<br />

by Jeanette Smith<br />

“Can I take your order?”<br />

The crackle of the speaker box brought him out of his stupor, and he blinked<br />

in the too-bright fluorescent lighting coming from the backlit signs of the<br />

drive-thru. The bold purples and yellows of the menu seemed to jump from the<br />

boards and assault him. He wasn’t sure exactly why he had chosen a Taco Bell.<br />

He knew he needed to end up someplace, and this was just as good as any.<br />

“Hello?” The speaker box’s tone seemed to question the man’s very existence<br />

which prompted him to speak.<br />

“I need you to listen.”<br />

“Uh, right, that’s what I’m here for. To listen to your order.” The speaker box<br />

crackled with the slightest bit of hope that the encounter wouldn’t get any<br />

stranger or be prolonged more than necessary.<br />

“Have you ever run over something? A squirrel, perhaps.”<br />

“Uh, sir, I need you to order something.”<br />

“In a minute. I ran over something today. It was horrifying.”<br />

There was a pause from the speaker box. “Can you please order something?”<br />

“One order of chips with nacho cheese sauce.”<br />

“Anything else?” the speaker box crackled blandly.<br />

“Yes, I want to tell you about this.”<br />

“Sir, there are other cars waiting.”<br />

He checked in the rearview mirror before responding. “No, there’s no one<br />

there. I need you to listen.”<br />

“Look buddy, this is a drive-thru. You drive up. You order. You pull through.”<br />

“Fine, one beef burrito. I could see it by the side of the road. It was just sitting<br />

there in the grass.”<br />

“Anything else for your order?” The speaker box huffed.<br />

“One steak quesadilla. But, you see, I lost track of it for a second. There was<br />

a car.” “Please pull around, your order tot—”<br />

“No, you’re not listening. I’m not through with my order yet. One soft taco.<br />

As I was saying, there was this car parked by the side of the road and I lost<br />

track of it for just a split second.”<br />

“Your order tot—”<br />

“One more soft taco.” His voice cracked. “I guess it lost track of me too. It<br />

had to have seen me coming in its direction.” He sniffed.<br />

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“Your order tot—”<br />

“One more soft taco. As I was saying, it was just there, in the middle of the<br />

road. I couldn’t stop and I tried to swerve, but there was no room with the car<br />

there and we both went the same direction.”<br />

“Your order tot—”<br />

“One more goddamn soft taco,” he shouted, his face red and his cheeks<br />

puffed. “I didn’t mean to hit the kid!”<br />

The speaker box was silent. The man was silent.<br />

“That’s one order of chips with nacho cheese sauce, one beef burrito, one<br />

steak quesadilla, and four soft tacos.” The speaker box buzzed and cut off into<br />

more silence.<br />

“Anything else?” the man asked.<br />

76


Blue Arson<br />

by Carella Keil<br />

77


Burning<br />

I survive in a constant state<br />

Of burning embers<br />

I never imagine will be smothered.<br />

Sparks that seem to have always lived<br />

And I ask, in awe,<br />

What of this, my mother’s wisdom knows?<br />

My mother says<br />

She could see this knowing in me<br />

The minute her eyes first met mine,<br />

But I see this attribute<br />

As only an acknowledgment<br />

Of instantaneous trust.<br />

I don’t know how to say,<br />

That I have been burning since my first memory,<br />

And I don’t know enough to say,<br />

That this will always be.<br />

I do know that I have learned.<br />

I have walked willingly into waters<br />

Lapping to extinguish<br />

And with bitter pain,<br />

I still hold faith in humanity.<br />

Although it tempts,<br />

I don’t let the sand sink<br />

And I don’t let my burn whimper.<br />

And when the ocean persists,<br />

I continue to fight to keep me.<br />

I’ll never let the pain of knowing<br />

Suffocate my hopeful light.<br />

by Brianna Ashmen<br />

78


Love and Lost<br />

by Shim Whitman<br />

I remember it vividly as if it happened just yesterday. The social workers<br />

holding the tiny hands of my siblings and taking them away one by one is still<br />

etched in my mind. The memory comes to haunt me during random circumstances—like<br />

tiny bubbles that rise to the surface of the pond I used to visit as<br />

a child. I thought that someone must be under there, struggling for air, but I<br />

would never be able to save them. That’s the irony.<br />

In the backyard, playing around, our noises reverberated through the neighborhood.<br />

Maybe we thought nothing could stop us from having fun and living<br />

life to the fullest. Or maybe we tried to challenge our fates, mocking each<br />

of them by blowing raspberries and making funny faces. However, we never<br />

thought that our joy at that moment would shortly end. I heard the sound of<br />

the car tire on the gravel path. I called after my siblings to at least make them<br />

organized. But something was nagging me deep inside—a weird feeling that<br />

made me struggle for air as if I’d run out of oxygen. I needed to go someplace<br />

quiet just to remind myself to breathe.<br />

I knew something was up, and maybe they sensed it too. We looked at each<br />

other as if we all wanted one of us to take the initiative. Before I saw the black<br />

cop car parked in front or the pair of uniformed police officers in the front<br />

hall, we knew it was serious. We were young and naive, but we understood.<br />

But could we have stopped it from happening? There was shouting, crying,<br />

and helpless lamentations—everything at once. I felt as if the house was<br />

going to burst.<br />

Everything seemed like it was going fine until we heard the doorbell ring. I<br />

rushed into the house with my brothers and sisters. The evening sunlight crept<br />

through the cotton flower-patterned curtains. A light breeze caused them to<br />

dance briefly. “What is happening?” my brother asked me. I shook my head.<br />

When I turned, I saw my dad come from the living room. He looked at me anxiously,<br />

then walked toward the front door and opened it. We saw the police in<br />

uniform. Their eyes traversed from beyond my father’s shoulder to mine. I was<br />

frozen with fear. I knew they had come to take us away. We heard a brief conversation<br />

between my father and the police. Then, they came into the kitchen<br />

where we were standing. “Y’all go sit at the table,” my father demanded.<br />

It was just then my mother came from the bedroom. She had dark circles<br />

around her eyes, and the tip of her nose was red. She hugged all of us and<br />

79


squeezed my shoulder a little. It seemed as if she was trying to say sorry.<br />

“Mom! What’s happening?” I tried to ask her. “Just sit here for a while. Everything<br />

is okay,” she said, with a wan smile.<br />

My parents and the cop went outside to the back porch. The back door<br />

closed on us. We sat at the table as if waiting for our execution.<br />

To protect them, I told my siblings, “No matter what, don’t tell the cops<br />

anything.” “Why?” they asked, with innocent eyes bulging from the sockets. It<br />

seemed as if their life depended on my answer. “Because if you do, mom and<br />

dad will get in trouble, and we will be taken away.” The rest nodded solemnly.<br />

The incident had shaken them. They already knew what was going to happen.<br />

When I looked around at them, I realized that this day might be the last time<br />

that we were going to sit together. My heart pounded fast as I wove many<br />

different possibilities as to what could happen. Then, an image crept into my<br />

mind. I saw my parents going to jail and my siblings being taken away. I nearly<br />

wanted to cry. I couldn’t imagine life without my family. Then, the back door<br />

opened. My mom appeared.<br />

I saw the others tense. Muted whispers and sighs. Then, slowly, each one<br />

of the kids was questioned, I was the last one. The policeman with the scarred<br />

face introduced himself. He asked questions politely. I swallowed and nodded.<br />

I was nervous and didn’t want to talk to him. That was it. Sgt. Cooper said I<br />

could go. I walked back, looking back toward my parents sitting at the back<br />

porch. I may have disappointed them. I went back to the table in the kitchen,<br />

and we all sat together as we did a few minutes ago. Then, I heard my mother<br />

crying on the back porch.<br />

Afterward, everything happened in a quick flash. There were doors opening<br />

and closing, the sound of footsteps, crying, and shouting. The next thing I remember<br />

was the minivan—a blue one, like the skies. There was a blonde-haired<br />

lady too, she kept looking at us. I remember my father saying, his voice shaky<br />

with emotion, “You have to go with this nice lady here, but just know that I<br />

love you very much.” We all started crying.<br />

My little sister held onto my arms as she wailed with sadness when the<br />

social worker grabbed her by the hand and said curtly, “It’s time to go.” She<br />

walked away, still sobbing and shouting my name. “Please, I don’t wanna go—I<br />

want to stay with you.” I hugged her and wiped her tears. “I know, beautiful. I<br />

don’t want you to either, but…just always remember I love you very much, and<br />

I will always be your big sister no matter what.”<br />

That was the last time I saw my siblings. I wept like a baby as I watched my<br />

dear siblings being taken away from me and the only family that they had ever<br />

known. The loss of that day still haunts me like a tsunami leaving only destruction.<br />

The last hug, the last touch, the last memory with my family. Forever<br />

gone. Forever broken.<br />

80


Hush<br />

by Emily Prom<br />

These words that I try to tell you are not for the sake of speaking.<br />

I do not open these lips to let flies nest in my throat.<br />

When I speak, you don’t listen.<br />

You hear me, but you don’t listen.<br />

You wait, watching my lips move like a hawk watches her prey,<br />

ready to pounce the moment I stop<br />

or pause for breath.<br />

And when I do, you’re off.<br />

I can feel the gunshot in my chest, starting the race.<br />

You’re the first one out of the gate, turning the conversation to you.<br />

I lift a hand, my eyes strained against the spotlights shining on you.<br />

I did not realize this was your show.<br />

I am sorry, but you asked me how I was.<br />

I was surprised when you did ask, for you usually do not.<br />

Always content to keep me quiet, to keep me over in a corner.<br />

Prop me up like a porcelain doll, my lips painted shut.<br />

With a face this fair and a body like mine, no one cares to<br />

hear the words I have to say.<br />

These lips are to remain shut unless they are wrapping around your member.<br />

Quiet, quiet, always quiet.<br />

Once I was loud.<br />

I was bold, bright, beautiful.<br />

Now I am quiet.<br />

You have dulled me down, turned down the light,<br />

covered the shine and the brilliance with the mud of my sins.<br />

I still hear my father’s voice,<br />

telling me to quiet down when the sound of my voice<br />

became too much for him.<br />

My mother, urging me to relax, to calm down,<br />

because my brightness shone too much light on her shadows.<br />

You, every single one of you,<br />

care only for my physical shape and what I’m willing to do with it.<br />

Never for the words, sitting on my tongue, just waiting to come out.<br />

Never for my thoughts, my dreams, any hopes or ambitions.<br />

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But I have learned something in the midst of my silence.<br />

You cut me off—<br />

interrupt me—<br />

change the subject—<br />

ignore me—<br />

do whatever is necessary to shut me up<br />

because you are afraid of what I have to say.<br />

The things that come out of your mouth mean nothing.<br />

You and I both know this.<br />

Mindless, useless chatter.<br />

The more you speak, the less you’re actually saying.<br />

But I, I am a goddess.<br />

I am an enigma, I am the world.<br />

I, like every woman before me,<br />

and every woman coming behind me,<br />

possess the power to destroy you and everything.<br />

So when I speak,<br />

it is because I have something to say.<br />

My words are power.<br />

They are magic.<br />

I am through wasting them on you.<br />

82


Autumn <strong>Fall</strong>s<br />

by Lauren Knisbeck<br />

83


Silk<br />

by Carella Keil<br />

84


Alison<br />

by Adrienne Pine<br />

Alison revealed her past to me one April morning in 2015, as we ate a late<br />

breakfast in the elegant Georgian Room of the Fairmont Olympic Hotel. I had<br />

accompanied my husband to Seattle, where he was to receive an award at a<br />

professional convention. Except for the awards ceremony, my days were free.<br />

Alison had come to meet me in Seattle from her home in a small town in the<br />

middle of the state of Washington where she had established a psychotherapy<br />

practice. I was touched that she had planned a stopover on the way to see her<br />

mother in Portland, Oregon, to coincide with my visit.<br />

For the previous five years, Alison and I had participated in an online group<br />

of women poets. Once a month, we shared poems and offered comments and<br />

suggestions about each other’s work. We were all older women, we had been<br />

writing poetry for years, and we had no axes to grind. There was little backand-forth,<br />

and we were free to ignore each other’s comments. Privy to each<br />

other’s themes, language, and concerns, we connected entirely through the<br />

written word. Until this breakfast with Alison, I had never seen any of the other<br />

poets or spoken with them.<br />

Alison instructed me to meet her on a street corner between our hotels. We<br />

identified each other right away. She was small and slender, with wavy dark<br />

blond hair cut across her forehead in a bang and curling softly below her ears.<br />

Through the translucent skin on her face and hands, I glimpsed the blue traceries<br />

of veins. She looked somewhat frail and was dressed warmly against the<br />

April chill.<br />

We shared memories of our days at Columbia’s School of the Arts. The year<br />

after I graduated, she arrived, so we had not overlapped. In the late seventies<br />

and early eighties, the faculty was nearly exclusively male, and we recalled the<br />

sexist atmosphere. I remembered only two classes taught by women, both<br />

fiction-writing workshops. Poetry was strictly in the domain of men, and some<br />

of the teachers preyed on female students. Indeed, I witnessed such behavior<br />

in a future Nobel Prize winner. I complained to the department about an unpleasant<br />

encounter I had with another poetry workshop instructor. It took guts<br />

for me, because the office administrator who received the complaint was the<br />

instructor’s wife. She didn’t seem too surprised. Not long after that, she left her<br />

husband for the director of the department, another poet.<br />

That was the way things were in those days. At its worst, the culture was<br />

predatory, abusive, and soul-destroying. In between was a whole gamut<br />

of behaviors.<br />

85


Alison and I went on to talk about how our lives had evolved. She opted for<br />

adventure and freedom, and I chose stability and security. My husband and<br />

I got married the year I graduated from Columbia. We still live in the same<br />

neighborhood, where we raised a daughter. While I am happy with my quiet<br />

domesticity, I found myself drawn by the romance of Alison’s life.<br />

During her years in New York, she lived with her boyfriend, a corporate lawyer,<br />

in a high-rise apartment on the Upper East Side. Although he supported<br />

her, she paid in other ways. She was his arm candy, obliged to attend functions<br />

in which she had no interest. She came to feel she was living in a cage, and she<br />

resented his social expectations of her. One day she woke up, and she knew<br />

that she didn’t want to live like that anymore, and her boyfriend wasn’t right<br />

for her. In a matter of weeks, she departed for the West Coast, where she had<br />

grown up, and where she had always intended to return.<br />

After Alison left New York, she found a ramshackle home in an artists’<br />

community in Seattle. While living there, she got involved with another writer.<br />

Together they shipped out on a fishing boat up to Alaska. Back then you could<br />

get seasonal work on the boats, she said, and a lot of artists did it. It was a way<br />

to see some of the most spectacular scenery you could imagine and get paid<br />

for it. However, the relationship with her boyfriend soon frayed. Their writing<br />

territories infringed on each other. Suspicion and competition divided them.<br />

On the boat, Alison met another man, a visual artist. He was strikingly handsome,<br />

and they fell in love. She left the writer for the painter. Their turbulent<br />

romance lasted over a decade.<br />

Eventually Alison married a photographer, became a psychotherapist, and<br />

established a clinical practice in a small town in the middle of Washington<br />

State. She settled there because her husband was drawn to the beauty of the<br />

valley. Eventually he succumbed to a chronic fatal disease, leaving her a widow.<br />

Alison’s poetry was unique, elliptical yet piercing, philosophical and sensual,<br />

abstract yet concrete. It jumped from subject to subject, showing the workings<br />

of an agile mind in pursuit of its inner logic. Her poetry did not apologize for<br />

its difficulty, and it was difficult, not a poetry most people had patience for. I<br />

admired Alison for that, even as I responded to the challenge of reading and<br />

commenting on her poetry.<br />

* * *<br />

Imagine an insular artistic community in a town surrounded by the Cascade<br />

Mountains, where, night after summer night, people gather in a pub as high as<br />

a barn overlooking a river. This was the town where Alison had lived for twenty<br />

years with her photographer husband, stricken with Huntington’s disease:<br />

“that wolf,” as Alison wrote in a poem, “that tore into his brain and body,/then<br />

stalked us here from Alaska/south through Canada,/settling on the mountain<br />

crests above our hidden valley.”<br />

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When our group started exchanging poems in 2010, Alison’s husband had<br />

been dead for two years. She was writing a long poem about a photographer<br />

and his wife and the progressive ravages of his inherited disease, how it<br />

claimed him molecule by molecule and took away all that she recognized as<br />

his. The photographer responded to his wife’s care and devotion by initiating<br />

an affair with her friend, which he pursued even when confined to a wheelchair.<br />

Was the betrayal an attempt to escape the disease? To escape his wife? Was it<br />

the disease that was responsible for wreaking havoc with his emotions, encouraging<br />

behavior that would not have occurred had he been healthy? Or did the<br />

disease unmask his essential self, and that self was not faithful?<br />

From these materials, Alison was weaving a complex narrative of retribution<br />

without justice, where humiliation, anger, and shame took their places beside<br />

love, awe, and desire. Just as Shakespeare larded his tragic dramas with buffoonery<br />

and subplots, so, too, did Alison. Her pitiless descriptions of the husband’s<br />

growing physical incapacity and the wife’s sense of a crime having been<br />

committed were echoed in the descriptions of the wife’s work as a forensic<br />

psychologist helping a police detective interpret photographs of crime scenes.<br />

By turns, the poem was lyric, dramatic, epic. Time was telescoped. While the<br />

poem’s flow sometimes made it hard to follow, I trusted the wife’s voice as<br />

narrator—rueful, caustic, imaginative, angry and yet resigned. The poem meandered<br />

like a stream, following the byways, not the highways. A philosophy<br />

professor whose aesthetics of photography becomes an organizing principle<br />

appears in the poem. I had looked him up on Google to learn more about his<br />

aesthetics theory but found nothing.<br />

“Next time, I’ll alert you when I am inventing characters such as Dr. Winston<br />

Lazarus, Philosopher of Aesthetics(!)” Alison wrote me. “For now, I’m uncertain<br />

how I will proceed with him in this poem, so he’s on vacation in the south<br />

of France.”<br />

Our group’s focus on craft was why we were valuable to each other. The fact<br />

that we knew so little about each other’s lives made us more objective critics<br />

of each other’s work. Because of the many framing devices of Alison’s poem<br />

and her distanced tone, I hadn’t considered that she was writing her own story.<br />

Although had I considered it, it would have been obvious.<br />

Alison’s poetic gift distinguished her story of a philandering husband. The<br />

litany of his mental and physical decline and the wife’s despair were wrenching.<br />

Why would anyone want to commit adultery with a man who was so deteriorated?<br />

Why did the husband’s lover think it worth betraying the wife, who was<br />

her friend? Alison’s poem suggested that it was because he offered her the<br />

possibility of transformation:<br />

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Her face glowed with the rose of the freshly<br />

explored. Its soft blur dazed me.<br />

Soon enough, framed, it gazed again<br />

in the gallery, engaging everyone<br />

circling again then again.<br />

Beneath the wife’s apprehension of this change in her friend, her realization<br />

of the depth of the betrayal, was a deep well of anger.<br />

* * *<br />

Now there was another man in Alison’s life. He was also an artist, and she<br />

confided that he was eighteen years younger than she. I was curious to learn<br />

more, but she wasn’t forthcoming, and I didn’t press her. From the oblique way<br />

she referred to the state of her health, I understood that she was a person who<br />

lived with illness, not only her late husband’s, but her own.<br />

Nevertheless, I felt buoyed up by my meeting with Alison. I don’t have many<br />

friends who are writers. As we parted, we pledged to continue to exchange<br />

poetry through our group. When I returned to New York, I sent Alison a gift, a<br />

blue bowl from a pottery studio in Maine, which she celebrated in a poem.<br />

Six months after our meeting in Seattle, Alison divulged that she and her<br />

brother had had their DNA tested and discovered they had different fathers.<br />

Their mother confessed that they were early donor offspring, as their “Dad”<br />

(Alison added the quotation marks in her email to me) was unable to father<br />

children. Through the online DNA service, Alison discovered a first cousin on<br />

her birth father’s side. “Probably I’m the biological daughter of one of four<br />

brothers, all doctors, who formed a practice together,” Alison wrote me. “Their<br />

kids haven’t been comfortable about going any further with me. I accept that. I<br />

just feel all round disoriented.”<br />

It was a shattering discovery. Alison had thought she knew who she was and<br />

where her people came from. Now she was grappling with questions of identity<br />

and a whole new origin story. “It wasn’t always easy for me growing up, as<br />

my parents favored male over female,” wrote Alison. “I definitely assumed I was<br />

my Dad’s daughter, but often felt confused by the intrinsic differences in our<br />

natures. My brother who does look like me, also felt differences of character<br />

with Dad.”<br />

Alison thought of herself as the “difficult black sheep” of the family. Although<br />

she and her brother got along reasonably well, they were very different.<br />

Her brother was a financially successful inventor fond of hunting and<br />

fishing. Now, with the DNA analysis, she had an explanation for the alienation<br />

she had always experienced.<br />

88


“I was proud of my father’s family, pioneers who had crossed the continent in<br />

covered wagons, settling in southern Oregon. Now I’ve learned I’m descended<br />

from a group of families who settled in Rhode Island and never ventured west<br />

of the Mississippi. I was conceived in Cleveland, where my parents lived for<br />

several years before returning to Oregon. I never paid attention to genealogy,<br />

but 23andme opens a treasure chest or Pandora’s box, depending on how you<br />

see it.”<br />

I imagined how upsetting it must be to discover you are not who you think<br />

you are. I wondered if Alison regretted her genetic testing. I once had thought<br />

of getting a genetic test myself and had gone so far as to fill out the form on<br />

the 23andme website, but the fine print agreement gave me pause. I wasn’t<br />

prepared to sign away the rights to my DNA to a corporation, and so I never<br />

ordered the kit.<br />

I didn’t need the results of a DNA test to feel alienated from my parents and<br />

siblings. It had always been thus. While I look too much like my father to question<br />

my paternity, I didn’t welcome any unexpected surprises. Alison’s experience<br />

justified me in my resolve not to order a DNA test.<br />

* * *<br />

A year after our meeting, Alison stopped submitting poems to the group or<br />

commenting on others’ work. Eventually she sent an email explaining that she<br />

had been preoccupied with major life changes, having given up her practice in<br />

Washington and moved to Portland where she could be near her ailing mother.<br />

She sold her house and bought an apartment in a retirement community<br />

where her mother was in the assisted-care wing of the facility. She had also had<br />

to accredit herself professionally for Oregon’s exams so she could open a new<br />

psychotherapy practice.<br />

“So far, the coastal climate is an improvement health-wise from the mountains—though<br />

I miss of course the blessings I had there. My greatest aim is to<br />

continue my poetry life,” wrote Alison. “The fact that you understand what that<br />

commitment might require, and where in the heart it is coming from, means so<br />

much to me.”<br />

Sensing her retreat, I worried about her. I inquired and heard nothing at<br />

first. A year later, she wrote me back, describing a struggle with depression following<br />

her mother’s death. “My mother’s last words to me were that she hated<br />

me and always had since I was a baby. Although I am a therapist and know<br />

many methods to work through depression, I found with my mother’s death, I<br />

was sliding more and more that way.”<br />

Alison also described a precipitous decline in her physical health and a bewildering<br />

list of diagnoses, including kidney disease, myalgia, diabetes, hearing<br />

loss, heart attack, cardiovascular disease, anemia, and fibrosis. She had finally<br />

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discovered that her illnesses were side effects of the antidepressants that she<br />

had relied on for years, ever since her husband had gotten sick. It was another<br />

great shock to realize that the medication she had been prescribed to make her<br />

better had in fact made her so much worse. She was experiencing withdrawal<br />

simultaneously with grief and loss.<br />

“These experiences leveled my old life. I’m now figuring out a new one.<br />

Since my blood pressure wouldn’t go down, friends suggested I get a kitten.<br />

To the doctors’ amazement, having Denise (for Denise Levertov) has improved<br />

my blood pressure. One of the most awful parts of this syndrome is that it acts<br />

in the brain like a hot poker in the rage area. Though I’ve had a meditation<br />

practice for decades, the rage made it impossible for me to sit. I worried about<br />

getting too angry at the bullies in my clients’ lives or being too direct if my<br />

clients were undermining others, so for the moment my practice is on hold.”<br />

Gradually, Alison has begun to notice improvements. More recently, she<br />

wrote, “Slowly my brain seems to be cooling and I can laugh more, write some,<br />

read. However, the poetry I am writing focuses on sociopathy and is unreadable.<br />

I’m hoping to write poetry that is readable and that finds a way to stretch<br />

the thin membrane of logic. This week I was able to acknowledge a gentle<br />

memory of my mother.”<br />

Her handwritten card included a photograph of her kitty Denise looking out<br />

the window, her tail raised expectantly.<br />

In her long, meandering poem, Alison wrote:<br />

A question eats out a space<br />

which is what my mind loves these days:<br />

emptiness and space.<br />

Certain things can mean too much.<br />

Remember our vanishing<br />

into the auto brilliance<br />

of shared glare<br />

for the remaining afternoon<br />

we lay on our backs<br />

at the rest-point of the nadir,<br />

closed our eyes, and drifted.<br />

Eternity,<br />

come down!<br />

I picture Alison with her cat, waiting for illumination, believing she will<br />

receive it.<br />

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That Floating Feeling<br />

by Edward Supranowicz<br />

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92


The Initial Shock<br />

by Katelyn Rusk<br />

April 6, <strong>2022</strong>: THE INITIAL SHOCK<br />

From the moment that I learned that you were sick,<br />

I wished for the days to last longer, so I had more time with you<br />

After you passed it seemed as if the days are too long now<br />

Ironic, isn’t it? How fast you can change your mind,<br />

I wish for the days to go quicker<br />

I wish that there was a way you could still be here<br />

Whether that is through heavens mythical visiting hours<br />

Or just a different dimension where I would never have to live without you<br />

On every dimension, every galaxy I would wish for you to be my grandma<br />

Being your granddaughter was and still is the best thing that could have ever<br />

happened<br />

Feels like an eternity since I last saw you, last spoke to you<br />

I wish I could have done something to help<br />

But I couldn’t<br />

Now you live on in the better parts of me<br />

Ambassador, Vice President, those are the better parts of me<br />

Not the parts of me that gets quiet and too involved with her thought<br />

I strive to make you proud, though it never seems as if it is truly enough<br />

Guide me, help me in this journey through life<br />

You taught me many things in the short 18 years, that we were both on this<br />

planet<br />

You neglected to teach me one particular thing<br />

How to live without you<br />

Some days I still wonder if I am doing it right<br />

Even though it has been almost 6 months since my world went cold I still have<br />

doubts<br />

I don’t know if I am making you proud<br />

Outside sources tell me that I do and that I should believe that<br />

You may be gone but you will definitely never be forgotten<br />

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Aunt Kathy’s Sweater<br />

Yesterday,<br />

I wore your sweater that I’ve kept<br />

in my closet for so many years,<br />

so many moves to so many cities.<br />

It used to make my closet smell like your home,<br />

and the smell opened doors to memories<br />

of piano lessons<br />

and sneaking a sip of a rum-and-coke<br />

and embroidering by candlelight<br />

and gossipping about family secrets.<br />

But after so many years,<br />

and so many moves to so many cities,<br />

the sweater no longer smells like your home.<br />

I was afraid to wear the sweater,<br />

and break the sacred bond it might have had with you,<br />

but now that it smells like my home<br />

and reminds me of the feeling of being fully unpacked,<br />

and looking for presents too-well-hidden,<br />

and hand-stitching a bed for the rescue dog,<br />

I wore it because I was cold.<br />

The bottom zipper was broken,<br />

just as it had been when you got it,<br />

and as I whispered<br />

fuck this stupid thing<br />

while wrestling the sweater closed,<br />

I thought of you doing the same,<br />

all those many years ago.<br />

by Kathryn Engelmann<br />

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Arctic Dogs<br />

by Sam Heiden<br />

Antarctica had never felt colder on Jolene’s face. The wind was harsh, and it<br />

pierced through her layers of protection, whipping around violently. A storm<br />

had brewed, somewhere off past the dome, and was setting the scene for the<br />

morning. The yellow starting line faded in and out of her vision with the movement<br />

of the fuzzy snow. To Jolene, this weather was perfect. It showcased what<br />

the beauty of Antarctica was really supposed to be: a winter wonderland. It<br />

also eased her stomach, which had been in knots since the morning.<br />

Startling Jolene, the announcer box boomed upon the open dome, “In position<br />

racers! Five minutes, five minutes until we start! For everyone in the audience,<br />

just hold tight to your seats. These mushers are going to blast off! And<br />

for the reporters freezing in the front row, careful! You’re in the splash zone!”<br />

Excited murmurs erupted from the crowd. Jolene couldn’t see them, not<br />

from where she stood hiding behind the stands. She held onto her stomach,<br />

trying not to hack up what was left of breakfast. Her nerves couldn’t handle<br />

a packed stadium such as the dome, where thousands of eyes would be<br />

watching her. The cheers caused Jolene’s legs to stiffen and for her vision to<br />

feel splotchy.<br />

Jolene tried to calm herself down. She focused on her breathing and<br />

thought of something that would bring her back to reality. The thoughts went<br />

to her mother, who was now somewhere in the mix of crazed fans. She’d be<br />

wearing that neon pink jacket of hers and a tie dye cloth mask she used to<br />

shield herself from the snow. Her mother didn’t care that she stuck<br />

out like a sore thumb. Jolene could imagine her now, jumping enthusiastically<br />

within the crowd, tearing up from the sight of her daughter competing<br />

among some of the greatest dog racers in the world.<br />

With hesitant steps, that felt heavier the closer she got, Jolene approached<br />

the yellow line. The crowd’s tension rose, the reporters’ cameras clacked. As<br />

she stepped on her sled, the speakers started again.<br />

“And here we have a first time competitor, Jolene Stone! Let’s all show her<br />

the love of the dog sled races, come on folks!”<br />

The crowd erupted in cheers. Jolene heard whistling, cheering, and clapping<br />

from the stadium. Her face felt flushed and her hands shook from the unwanted<br />

attention. All eyes really were on her now, unwavering eyes.<br />

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Jolene’s mind raced. These people were here for entertainment, to watch<br />

the best compete. How disappointed they would be if they knew how much<br />

she had struggled to qualify. How ashamed her friends and family would be<br />

when they watched her lose. Dead last, unable to even make it to the finish<br />

line. The snow would be too harsh for someone like her, the tundra too<br />

unforgiving. She wasn’t capable of competing, she should walk away<br />

now while she had the chance.<br />

“ONE MINUTE. SIXTY SECONDS UNTIL THE RACES START!”<br />

Jolene stepped away from her sled, the reins glided out of her hands without<br />

complaint. The crowd was too loud to notice her hesitation, to see how<br />

fast her chest was rising in and out. Her eyes darted around the stadium,<br />

thousands upon thousands of people sat in the dome. Waiting anxiously<br />

for the race to start.<br />

Gripping onto her chest, Jolene moved away from her sled. Though she<br />

wanted to turn and run, her eyes wouldn’t let go of the crowd.<br />

Then, Jolene found her. She wore a bright pink jacket and her mask was<br />

dyed with rainbows. Out of her hood, tight curls poked out, no matter how<br />

hard the woman had tried to push them back in. You couldn’t see her mother’s<br />

mouth, but from a stadium away Jolene could see how excited she was. Bopping<br />

out of her seat, her body rocking back and forth, her eyes lit with fire.<br />

The countdown started. The people yelled along, only ten seconds left.<br />

Jolene’s breathing came to a halt. Her mother had been with her this entire<br />

time, watching her fight through every challenge. It would be shameful to not<br />

even try. How disappointed her mother would be if Jolene left now.<br />

Seven seconds left.<br />

With a beating heart that pounded through her ears, Jolene went back to<br />

the starting line, back to what she had fought so hard for. Six seconds.<br />

Stepping back on the sled, Jolene did what she could to catch up with her<br />

competition. She tightened her goggles, five seconds left. Secured her bags,<br />

three seconds now.<br />

Gripping back onto the reins, Jolene raised them high. Boom.<br />

A gunshot echoed throughout the arctic, and with a heavy flick of her wrist,<br />

the sled rocketed off. Mushing out of the open dome, Jolene could hear the<br />

screams of her mother high above the rest of the crowd.<br />

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Phase Two<br />

by Michal Smith<br />

After Dilruba Ahmed<br />

For leaving the car unlocked<br />

last night, I forgive you.<br />

For imagining catastrophes<br />

instead of living your life.<br />

For the succulents that etiolate, now,<br />

unpotted on the counter, I forgive you.<br />

For saying yes first,<br />

But screaming no in your spirit.<br />

I forgive you for suicidal visions<br />

after marriage, brought on by loss<br />

of family. And when your husband held<br />

you together, for your angry rebuke<br />

in the kitchen, “Why don’t you love me?”<br />

I forgive your letting dishes<br />

overtake the kitchen. For fearing<br />

your own capacity for positive emotions.<br />

For leaving, again, your laptop<br />

at home in Antioch;<br />

for the equally mindless drive back<br />

on the rage-fueled regression.<br />

I forgive you for leaving<br />

new library books on the couch<br />

and letting the rabbit chew them<br />

again. For putting forth<br />

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only your shiny best self<br />

for your therapist<br />

instead of the terrifying chaos,<br />

I forgive you. For writing mostly<br />

where the pages conceal<br />

your voice. For so admiring<br />

the dancer you failed to see<br />

the dance. In forgotten coffee cups<br />

may forgiveness gather. Congregating<br />

in laundry hampers. Collecting on unmade beds.<br />

A great cloud of witnesses<br />

from eternity, relieved<br />

of shame and petty responsibility.<br />

With them, a flurry of wings, eight<br />

swallowtail butterflies. Holy water reserved<br />

for healings and prophets. I forgive you.<br />

I forgive you. For feeling anxious<br />

and vengeful without reason.<br />

For bearing the Holy Spirit<br />

with such torpor you worried<br />

you had, perhaps, no tongue<br />

of fire at all. For treating your sister<br />

with apathy when she deserved<br />

complete attention. I forgive you. I forgive<br />

you. I forgive you. For growing<br />

a capacity for compassion that is great<br />

but matched only, perhaps,<br />

by your imposter syndrome. For being unable<br />

to forgive others second so you<br />

could first forgive yourself and<br />

at last find a way to become<br />

the home that you want in this world.<br />

98


Tree of Life<br />

by Kobe Greeley<br />

Atop the tree of life a text.<br />

A text of meaning, purpose, and guidance.<br />

The willow hangs above our heads, sap of genius bleeding down.<br />

The sap touches many, few are recognized.<br />

The leaves of the willow fall and fall, making way for the new world.<br />

Humanity is woven into its roots, through millennia we change.<br />

The birth of all, the creation of one, every speck of life.<br />

Explosion, creation, nightfall, sunrise.<br />

All of space, all of being, all of everything condensed.<br />

Time and matter shift and expand as the leaves fall.<br />

We search and search for the top of the tree, the greatness of all.<br />

Men, beasts, disease. All come and go, the text remains.<br />

With every achievement, we come closer. With every demon, several steps back.<br />

Unite as one, as children of the tree.<br />

None shall see the light alone, none shall grasp.<br />

Corrupt, evil, heartless, try to cut the tree down.<br />

The seeds cannot be replanted, beauty eaten away, never to return.<br />

Why do we fight, why do we live alongside our aggressors?<br />

The tree is all, the tree is ours, protect it we must.<br />

Rip the axe from their hands, show them what we are.<br />

No bigot, no sower of chaos, none who shall rip our lives from our own hands.<br />

Atop the tree of life lies a text, a text that will forever remain incomprehensible to<br />

the ruinous, a text that will reveal itself to the best.<br />

99


Pictured Rock<br />

by Lauren Knisbeck<br />

100


The Last Mushroom<br />

by Kendra Sieracki<br />

101


Pretty Gross<br />

by Emilie Azevedo<br />

102


Raspy Confessions of the Bodies<br />

Buried Beneath the Floorboards<br />

by Abbie Doll<br />

when the wind grows fierce<br />

when it roars and roars and roars<br />

the air around us changes<br />

the atmosphere turns dire<br />

hauling boisterous voices from afar<br />

each new gust, each burst of razored air<br />

propels the porch swing<br />

thrusting it into rigid bricks<br />

slamming into the wall<br />

again and again and again<br />

ramming itself into its crevasses<br />

unwelcome but insistent<br />

it crashes like waves pummeling the sand<br />

a ghastly attempt at rhythm<br />

chaotic at best, a drummer without a beat—<br />

but still, it knocks<br />

on the bricks with its splintered fists<br />

as if to say<br />

let me in let me in let me in<br />

demanding entrance<br />

to the unknown<br />

it’s an angry mob trampling through town<br />

banging on the door of the miscreant<br />

demanding justice with the torches they wield<br />

the weapons they carry<br />

each collision yields a thump<br />

an unsolicited bump<br />

it beats the house<br />

unprompted<br />

while the house struggles to conceal<br />

each new bruise<br />

showcased on its crimson cheeks<br />

the wind triggers memories of abuse<br />

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of unwarranted violence<br />

swift and sudden<br />

delivered without cause<br />

the wind carries these sounds<br />

we’d rather not hear<br />

exposing everything in hiding<br />

unlatching all the locked doors<br />

revealing our secrets and sins<br />

too many to name<br />

too many to name<br />

104


Untitled<br />

by Rachel Coyne<br />

105


We’re All Mad Here<br />

by Lilian Wang<br />

I haven’t cried lately. Long enough to forget<br />

dreams of endlessness, of cockatoos, of circles<br />

of crimson. I live quietly<br />

as if I’ve aged all my years in this year. I worry<br />

about roadside strays and<br />

whether the people I pass on the street<br />

hate me. The sun-strewn miles grow<br />

into the stillness between us, the landscape of<br />

freckles on my cheekbones, this expansive<br />

emptiness. A colored woman’s road trip<br />

through a country waiting for me<br />

to go home.<br />

Birds grow louder as you travel south—<br />

bluejays and cardinals, innocent<br />

to the carelessness of legs and elbows,<br />

wooden canes and broken rocks. I wake up mute<br />

my mouth swallowed by gunshot wounds, my eyes<br />

eclipsed by the faces of mothers and<br />

their motherless sons.<br />

You should try just worrying about yourself,<br />

someone I’ve never liked tells me. I lose my mind<br />

and wonder if she’s right.<br />

106


Bee<br />

by Michael Moreth<br />

107


Rachel’s Story<br />

by Micah Prakin<br />

Growing up, we all experience sobering moments that force us to mature<br />

bit by bit. I, on the other hand, had one in particular. I was like every other<br />

teenager growing up in Small Town America: spending autumn Friday nights<br />

at football games, going to the movies with friends, the occasional party with<br />

shitty alcohol, and even shittier people. It was all normal and honestly, minuscule<br />

compared to what I was to face.<br />

My junior year was typical; same old people, same old school walls, same<br />

old me. I wasn’t overwhelmingly popular. I made good for myself, socially, that<br />

is. I was well-known, but not in the “it” crowd, which I was fine with. I dated a<br />

few guys since high school started, nothing serious, though. In November of<br />

2017, I started hanging out with Jaylen. He was the overly popular, jock, asshole-type.<br />

I don’t know what I saw in him, honestly, but we started dating. I<br />

enjoyed being around him. He was funny, and it didn’t hurt to be around some<br />

of the more popular kids.<br />

Were we in love? I would say it was more of an infatuation. Does anyone<br />

really know what love is when you’re that young? We were together for about<br />

two months, but those childish relationships really don’t work, so we ended<br />

things and he started dating another girl in our graduating class. Her name was<br />

Catie. Fucking bitch. A little while after we broke up, I had missed my period, so<br />

I went and peed on a stick. That moment changed everything.<br />

On February 11th, I found out I was pregnant. At first, I was terrified. I first<br />

thought of what other people were going to think. High school kids are brutal,<br />

and I was not ready for the shit they were going to talk. Then, I was confused.<br />

How could this have happened? I thought to myself. We were always so careful.<br />

I genuinely didn’t know what to do. After a few hours of freaking out, I started<br />

to get excited. I always wanted to be a mother. This may have not been the<br />

conventional way, but life is a miracle. I was a firm believer in that. Immediately<br />

after accepting the results, I texted Jaylen and told him we needed to talk. He<br />

came over to my house and I let him in on the news. He was excited. I can’t say<br />

that I expected him to be. I mean, who would want to be a parent at seventeen?<br />

It wasn’t ideal, but at least I had his support. Even if we weren’t together,<br />

we were in on it as a team. It gave me hope.<br />

I told my father on February 18th. I was dreading looking him in the eye and<br />

telling him what I’d done. He wasn’t mad, he didn’t even get upset. He was so<br />

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accepting and supportive from the beginning. After I told him, I had to go<br />

to work; he told my mother while I was gone. I was so afraid when I first read<br />

that test, but I was going to make this work. I was going to be a mom.<br />

I was ecstatic.<br />

March 8th, I had the first peek at my baby. It wasn’t an official ultrasound.<br />

They brought in a mini portable machine, but I saw my baby; I heard the<br />

heartbeat.<br />

I told my childhood best friend, Meg, and her mother, Shirley. As soon as<br />

she heard the good news, Shirley started on a baby blanket. I was so lucky to<br />

have them as a support system, along with Jaylen and my parents.<br />

Just as I was getting used to the idea of having a baby, it was all ripped from<br />

me. On March 9th, I started to spot; it was light, but there was still blood. I had<br />

read a bunch of articles and everyone told me that spotting was regular for<br />

most pregnancies, so I paid no attention to it.<br />

March 10th, I wore a pad and went shopping in a nearby town. When I came<br />

home, the pad was full of blood clots. I texted Jaylen’s mom because she was a<br />

nurse and she told me to go to the hospital. I immediately felt a rush of panic.<br />

I thought the worst from the start; maybe I knew deep down from the beginning<br />

but refused to believe it. I kept saying to myself, maybe this is normal…<br />

maybe this is normal…maybe…<br />

In the emergency room, the doctor looked at my cervix; it was closed. A<br />

good sign, but the bleeding was persistent. Bad sign. They didn’t even have to<br />

say it, but I knew what was coming. Despite what we all knew deep down, we<br />

still hoped for the best. I was discharged and sent home.<br />

March 11th. The worst day. The king of worst days. The fucking epitome of<br />

worst days. Because on March 11th, I miscarried my baby. All day long, I was<br />

having the worst cramps of my life. Every move I made, I felt like I was being<br />

stabbed. The pain was too much, I had to scream. At 8:57 PM, I went to the<br />

bathroom and sat down to pee. Suddenly, it felt like a ball of slime fell out of<br />

my vagina. I stood up to look in the toilet and there it was: my baby. I couldn’t<br />

look at it for more than a few seconds before I ran to my room. The amount of<br />

guilt that I felt immediately was sickening. This is all my fault, I thought to myself.<br />

Just then, my eyes glazed over, and I began to sob. Uncontrollably. A piece<br />

of me died that day and I don’t think I will ever get it back.<br />

My father took the baby out of the toilet and we buried it that night. My<br />

mother and sister brought candles out as my father placed the dirt over the<br />

shoe box the fetus was placed into. I stood there shivering. At all times, I had<br />

tears streaming down my cheeks. It wasn’t something I thought of anymore,<br />

it was just normal. My father put two medium-sized rocks over the patch of<br />

freshly placed dirt, and we sat there for some time. I couldn’t say how long<br />

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we stayed out there, but everyone went in one by one: my sister first, then my<br />

father, and then my mother.<br />

Before she went in, she held me tight and said, “Rachel, you are so strong.<br />

I know you are going to act like everything is fine. Tomorrow you’re going to<br />

wake up and get dressed like it’s all normal. But let me tell you: if there is pain,<br />

nurse it. Don’t shrug it away. Do not tear yourself apart. Things like this happen<br />

to women all the time. Remember that this isn’t your fault. It will never be your<br />

fault.” She then gently took my head in her hands, brushed my cheeks with her<br />

thumbs, slightly kissed my forehead, and went inside to leave me alone at the<br />

grave of my child.<br />

The next morning, I texted Jaylen’s mom the news, and he arrived shortly<br />

after. When he came to my house, I know I looked disgusting. I hadn’t taken a<br />

shower, or even changed my clothes, but I really didn’t care anymore. Jaylen<br />

didn’t stay for very long, but we sat in my room awkwardly. We talked things<br />

out and both cried. I thought, God, I can’t do anything without shedding a goddamn<br />

tear. But I didn’t try to stop it. I let it happen. I no longer cared. After our<br />

talk, I walked Jaylen out to his car. We hugged goodbye, and that was the last<br />

time I saw him. I wish I could say that it made me sad to never see him again,<br />

but I’m glad that I didn’t have the reminder of what happened right there in<br />

my face. It was heavy enough on my conscience, I didn’t need him involved in<br />

my life.<br />

For weeks after, I had trouble completing simple tasks. I could barely even<br />

stand at the sink to brush my teeth. I skipped school as much as possible.<br />

When I found out I was pregnant, I was afraid of what they would say to me,<br />

but now I was terrified of how they looked at me. It was bad enough I could<br />

see the two rocks over its grave from my bedroom window, but a bunch of<br />

fake-sympathetic high school students? I isolated myself from my true<br />

friends as much as I could. They were all worrying about finding the perfect<br />

prom dress, while I couldn’t even focus on anything other than my ceiling as<br />

I lay in bed. Some of them tried to get me to go out to eat or shopping, but<br />

I always declined.<br />

March 15th was the day I had my official first ultrasound scheduled. Although<br />

I didn’t make the appointment, Meg and Shirley came to the house<br />

that day. Shirley made a blanket for the baby and brought it with them. The<br />

fabric had a pattern of yellow and gray stripes with cartoon elephants and<br />

bumblebees. It was adorable, and I was appreciative, but it hurt. It hurt more<br />

than anything. I should be covering my child up with this, not using it to commemorate<br />

its death, I thought to myself. As per usual, I teared up, thanked<br />

them, and they went home.<br />

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Over the next couple weeks, I had Spring Break to look forward to. I went<br />

to Florida with my friend Mary. Her family allowed her to invite a friend and<br />

she asked me. I was grateful for the trip because I needed the distraction. We<br />

mostly spent the week on the beach, which was really hard for me because I<br />

was still bleeding from The Event and wearing a bathing suit was incredibly difficult.<br />

I wore shorts mostly and didn’t get in the water. Despite the struggle of<br />

my perpetual period—or what seemed so—I had a fun time. I didn’t necessarily<br />

forget what I was feeling, but it was definitely numbing.<br />

After my trip to Florida, I started to see a therapist. I thought this would<br />

be a good idea, but she didn’t really help. I’m sure they learn how to console<br />

people going through the stages of grief, but this was a different kind of grief.<br />

My grandfather died a few years earlier, and I remember being sad for a few<br />

weeks, crying, but you move on. He was old and sick, so we were prepared.<br />

Nobody knows what to do when a child dies before they even got to live. Nobody<br />

knows what to do when the mother of that child is seventeen and still in<br />

high school. In some ways, I hadn’t even lived life myself. What was so important<br />

to me three months before Spring Break seemed so moot now.<br />

Nobody at school said anything mean to my face, but someone in my<br />

English class said they overheard Catie, Jaylen’s new girlfriend, saying that she<br />

hoped the baby would die when she first heard I was pregnant. My first instinct<br />

upon finding this out was to go and smash her face in the pavement, but I<br />

soon realized that she didn’t know what she was saying. She was just a stupid<br />

girl who was bitter. Along with that, not only was Catie stupid, but so was<br />

high school. The cliques and standard at which we were expected to act within<br />

certain social settings was stupid. It was all just so stupid. A lot of classmates<br />

would text their apologies. I didn’t get why they all said “I’m sorry.” What are<br />

you saying sorry about? I would think to myself. I quickly learned that it was<br />

probably some sort of ploy to get in on the drama. Most likely to get screenshots<br />

of me talking poorly about Jaylen or Catie. It didn’t matter. I normally<br />

didn’t reply, anyway.<br />

I bought a prom dress, and I went with a random guy in the same year as<br />

I was. It was fine, but I didn’t want to go. I really just did it to convince my<br />

parents that I was healing. For the record, I wasn’t. Everything was for them,<br />

to assure them that I wasn’t going to kill myself. I’ll admit, it’s a miracle that I<br />

didn’t. Mom got some pictures, and she prepared dinner for our family. Jake<br />

— my date’s name — ate with us and we were off to the dance. We only stayed<br />

for an hour until I started to have a panic attack and had him drive me home.<br />

As I was peeling myself out of the dress, I went into the bathroom and took<br />

my tampon out. I had finally stopped bleeding from The Event, but my period<br />

started that morning. As I turned around to flush it, I looked and was reminded<br />

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of that night. I stepped back and stumbled into the wall, eventually sliding to<br />

the floor and sitting in the fetal position. Crying, of course. I don’t know if it<br />

was PTSD or what, but that tampon was my breaking point.<br />

I had a child inside me; I was growing a life; I was so excited. What did I do<br />

wrong? What did I do to deserve this? Am I not acceptable? I stood up, tears<br />

streaming down my face, went into my room, took the blanket that Shirley<br />

made and held it to my chest. It had a satin yellow trim around the edges,<br />

and I circled my thumb in one spot for a moment, then took my index finger<br />

and traced the outline of one of the elephants, then a bumblebee. Just then, I<br />

looked up and saw my father in the doorway. I walked over slowly and<br />

fell into his arms. I don’t know how long we stood there, but he held me the<br />

whole time. We didn’t speak. There were no words needed. He knew. I knew.<br />

We knew.<br />

It took well over a year for the thought of that March night to stop running<br />

through my mind. I went from thinking about it every day, to every other day,<br />

then to once a month, and now, simple things remind me every so often. I no<br />

longer cry like I did. Actually, I don’t cry at all anymore. I think I have realized<br />

that only special things are worth crying for: engagements, weddings, births,<br />

and yes, deaths. Especially deaths. The Event taught me that everything is so<br />

minuscule, and moot compared to the major things in life. We tear ourselves<br />

apart to be cured of things faster, but sometimes we have to wallow in it.<br />

Sometimes, confronting the pain is the only way to make it go away. That’s the<br />

shitty thing about living; you always have to do the things you don’t want to.<br />

It’s excruciating and it’s completely bullshit, but that is life.<br />

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Yard Sale<br />

by Melissa Ridley Elmes<br />

It was Saturday—in the American South of my childhood, yard sales were<br />

always on Saturdays because Sundays were for church. And it was mid-spring,<br />

late May maybe, a morning so muggy already sweat trickled down the backs<br />

of my legs as I walked among the tables covered with heaped-up cast-offs:<br />

clothes and dishes and trinkets and tchochkes, all the things our wealthier<br />

neighbors didn’t want anymore. It was early and there were not many people<br />

yet and I was bored. I was always bored at yard sales, which we frequented<br />

because my practical mother was always on the lookout for cheap used jeans<br />

because you’re just going to rub holes in the knees anyway which was true; an<br />

active child, I was hard on jean-knees.<br />

I wandered off to look at the little table of toys off to the side—not many,<br />

because this particular neighbor’s kids were teenagers. The daughter babysat<br />

us, which was why I desperately hoped my mother wouldn’t find any jeans for<br />

me. More than once I had had the distinctly unpleasurable experience of being<br />

told those were my jeans but my mom got rid of them by someone I knew and I<br />

wasn’t keen to repeat it. Aged 12, a girl can only take so much reminding of her<br />

place in the world. Call it pride or ego, I was increasingly reluctant to go into<br />

other people’s bathrooms to try on their kids’ old jeans. My mother called it<br />

uncooperative, said you’re being difficult and you wouldn’t like it very much if<br />

you didn’t have any jeans without holes in the knees to play in, would you? That<br />

was debatable, but I didn’t say so. She might not be aware of my limits where<br />

it came to wearing secondhand clothes, but I was well aware of hers where it<br />

came to patience with my smart mouth.<br />

I’m not sure what led me to dig around in the small pile of stuffed animals<br />

in the middle of that toys table, especially since doing so was certain to lead to<br />

parental rebuke—I told you not to touch anything!--but my memory is absolutely<br />

clear on this: the stuffed fox I found there, fawn-colored, fluff-tailed,<br />

somewhere between newish and Velveteen Rabbit levels of shabbiness, was<br />

the most perfect thing in the world. He was just the right size for adventures,<br />

fitting neatly in the palm of my hand and on my shoulder, ideal for confidences<br />

and secrets nestled against my neck. That first sight of him brought my imagination<br />

into sharp focus and I saw us, together all our days, traipsing through<br />

the woods, crafting dens, watching cartoons, sleeping with books ...<br />

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He was mine before I dug into my back pocket for the two quarters that<br />

constituted all my worldly wealth. My mother’s initial, dismissive objection—<br />

you don’t want somebody else’s used stuffed animal—fell on deaf ears. I knew<br />

she was wrong. This was not someone else’s stuffed animal. He was mine. She<br />

tried again, appealing to my ego: don’t you think you’re getting to be too old<br />

for stuffed animals? No, I didn’t, and I told her so. Next, she tried for reason:<br />

you have too many stuffed animals as it is and you never play with them anymore.<br />

Why do you want to waste your money on another one? I didn’t bother<br />

explaining that this wasn’t about playing with a toy, it was that I’d found my<br />

best friend. I gripped him tightly in the crook of my arm, where he warmed<br />

against my skin, as though he were coming to life right alongside me in that<br />

moment. We belonged together and that was all there was to it; my mother<br />

would just have to understand, and if she couldn’t understand, she’d just have<br />

to accept it. After a brief stand-off between us, pragmatist versus idealist, she<br />

relented, unwilling to engage in yet another test of wills and perhaps hoping it<br />

would sweeten my temper for trying on jeans. In that hope, she was right.<br />

I didn’t care what else we bought or whose jeans I wore as long as this fox<br />

came home with me. He was, instantly, the most permanent thing in my<br />

military-brat’s life, his name was Foxer, and I was not too old for him; in truth,<br />

he appeared just in time to help me grow up.<br />

114


Polaris<br />

by Kaloni Borno<br />

115


Love Letters to Jupiter<br />

Unrequited—<br />

like all the letters we meant to send, but never did;<br />

all the texts sent in flurries just to be left on read;<br />

thousands of children’s wishes caught in a system<br />

whose deliverance to a specific northern place cannot be met;<br />

A one-way path to exile shared by letters to God, addressless;<br />

wishful thinking that their words may make it across<br />

a gilded desk we might never see.<br />

Is it the thought that counts<br />

or the message back,<br />

greedily retrieved?<br />

How ironic it is that a satellite named after a man<br />

who so loved the planets and stars<br />

would then kiss itself into the surface of Jupiter,<br />

sending one last signal a full hour later because the distance<br />

yawned its wide mouth across the expanse,<br />

delayed,<br />

delayed—like the understanding of the existence around us,<br />

to bridge a horizon only allowed to be half heartedly known;<br />

delayed—<br />

the way each night Galileo, while watching the skies,<br />

meticulously jotted notes about the Red Spot down;<br />

for an audience he’d never meet,<br />

for an audience that could never write back<br />

just as his satellite peeped one last time,<br />

a delayed adieu received through the light years’ reach.<br />

If a satellite crashes into a planet and no one,<br />

not even the oldest of long-lost scientific minds<br />

are around to hear it, did it make a sound?<br />

by Allison Smith<br />

116


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