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A Longmont Overture TRANSPOSED SCORE 110123

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Full Transposed Score<br />

Duration: Approx. 9'<br />

Commissioned by the <strong>Longmont</strong> Symphony Orchestra; Zachary Carrettin conductor<br />

A <strong>Longmont</strong> <strong>Overture</strong><br />

for orchestra<br />

Photograph courtesy <strong>Longmont</strong> Museum.<br />

Kyle Kindred (2017)


A <strong>Longmont</strong> <strong>Overture</strong> was composed as a tribute to the City of <strong>Longmont</strong> and the <strong>Longmont</strong> Symphony Orchestra, which celebrated its 50th<br />

year in 2016. "<strong>Longmont</strong> began in an unusual way. In 1870, a group of prominent men in Chicago decided to start a new town in Colorado.<br />

They sold memberships in this new town they called the "Chicago-Colorado Colony." The money raised paid for 60,000 carefully chosen<br />

northern Colorado acres of land for a town site and nearby farms. They planned the town, and brought the people, lumber and building<br />

materials to the barren site. By the summer of 1871 they had built a small town and named it "<strong>Longmont</strong>," in honor of "Longs Peak," the<br />

mountain formation they could clearly see from town." (info Courtesy of <strong>Longmont</strong> Museum)<br />

Over a century and a half, the City of <strong>Longmont</strong> has experienced periods of great growth and prosperity interspersed with a host of social,<br />

economic, and environmental challenges. Most recently, a storm in 2013 caused a flood from which the city is still rebuilding. This music<br />

intends to depict the perserverance and relentless spirit of the diverse citizens of <strong>Longmont</strong> as they continue to live the American dream. A<br />

<strong>Longmont</strong> <strong>Overture</strong> was premiered in April of 2017 by the <strong>Longmont</strong> Symphony Orchestra at the Vance Brand Civic Auditorium,<br />

conducted by Zachary Carrettin.<br />

Copyright © 2017 by Kyle D. Kindred. All rights reserved. This score or any portion thereof may not be reproduced or used in any<br />

manner whatsoever without the express written permission of the publisher. Printed in the United States of America.<br />

Instrumentation<br />

WOODWINDS: pic, fl, 2 ob, 2 cl, bscl, bsn<br />

BRASS: 4 hn, 2 Bb tpt, 3 tbn, tuba<br />

PERCUSSION: timp, percussion (one player - susp cymbal, xylophone,<br />

triangle), hp, pno<br />

STRINGS: Div. a2. within each section<br />

American Prize-winner Kyle Kindred is Professor and Director of Composition Studies at the Sam Houston State<br />

University School of Music in Huntsville, Texas. His ensemble and chanber works have been performed throughout<br />

the US and Japan by groups including the North Texas Wind Symphony, the TAD Wind Symphony, the Showa Wind<br />

Symphony, the Lone Star Wind Orchestra, the Bay Area Rainbow Symphony, the St. Louis Wind Symphony, the<br />

Indiana University Wind Ensemble, and the <strong>Longmont</strong> Symphony Orchestra. Kindred’s original music serves as the<br />

score for the LEGO Harry Potter and the Transgender Witch series available on YouTube. Other recent projects<br />

include Symphony No. 1 for Winds and Percussion: The Remnant (2021 American Prize Winner) and a trio for<br />

clarinet, cello, and piano called Sleeping Bear which was premiered at the International Clarinet Association<br />

ClarinetFest 2021.<br />

In early 2022, Kindred finished composing a full-length musical, Ruffled Flourishes, with former Deputy White<br />

House Spokesman, the late Peter Roussel (based on Roussel’s novel of the same name). He is a featured composer in<br />

the GIA Teaching Music Through Performance in Band series as well as a contributing author for GIA Publications’<br />

Composers on Composing for Band, Volume 4, edited by Mark Camphouse.


Full Transposed Score<br />

Duration: Appox. 9'<br />

Piccolo<br />

3<br />

& 4<br />

Proclamatory q = 96<br />

·<br />

Commissioned by the <strong>Longmont</strong> Symphony Orchestra; Zachary Carrettin, conductor<br />

A <strong>Longmont</strong> <strong>Overture</strong><br />

Kyle Kindred (ASCAP)<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Flute<br />

&<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Oboe 1-2<br />

&<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Clarinet in Bb 1-2<br />

&<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Bass Clarinet<br />

&<br />

4<br />

3<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Bassoon 1-2<br />

?<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Horn in F 1-2<br />

&<br />

3<br />

4<br />

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Trumpet in Bb 1-2<br />

Trombone 1-2<br />

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Tuba<br />

Timpani<br />

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3<br />

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4<br />

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4<br />

3<br />

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Db2, C3, E3, G3<br />

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·<br />

Percussion<br />

Suspended Cymbal<br />

Xylophone<br />

Triangle<br />

&<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

3<br />

& 4<br />

D C Bb / E F G A<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Harp<br />

?<br />

3<br />

4<br />

·<br />

·<br />

·<br />

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·<br />

&<br />

4<br />

3<br />

·<br />

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Piano<br />

?<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Violin I<br />

&<br />

4<br />

3<br />

·<br />

·<br />

·<br />

·<br />

·<br />

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Violin II<br />

&<br />

4<br />

3<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Viola<br />

B<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Cello<br />

?<br />

4<br />

3<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

Double Bass<br />

?<br />

3<br />

4<br />

·<br />

·<br />

·<br />

·<br />

·<br />

·<br />

1<br />

2<br />

3<br />

Copyright © 2017 by Kyle D. Kindred. All rights reserved. This score or any portion thereof may not be reproduced or used in any<br />

manner whatsoever without the express written permission of the publisher. Printed in the United States of America.<br />

4<br />

5<br />

6


4 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

B. Cl.<br />

Bsn. 1-2<br />

Hn. 1-2<br />

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Bb Tpt. 1-2<br />

Tbn. 1-2<br />

Tbn. 3<br />

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Vln. II<br />

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11<br />

12<br />

13


A <strong>Longmont</strong> <strong>Overture</strong><br />

5<br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

B. Cl.<br />

Bsn. 1-2<br />

Hn. 1-2<br />

&<br />

&<br />

&<br />

&<br />

&<br />

?<br />

&<br />

nÏ<br />

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a2.<br />

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Tbn. 1-2<br />

Tbn. 3<br />

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24


A <strong>Longmont</strong> <strong>Overture</strong><br />

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30


8 A <strong>Longmont</strong> <strong>Overture</strong><br />

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35


A <strong>Longmont</strong> <strong>Overture</strong><br />

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39


Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

B. Cl.<br />

Bsn. 1-2<br />

Hn. 1-2<br />

Hn. 3-4<br />

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Tbn. 3<br />

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Perc.<br />

Hp.<br />

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Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

D.B.<br />

10 A <strong>Longmont</strong> <strong>Overture</strong><br />

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42<br />

43


A <strong>Longmont</strong> <strong>Overture</strong><br />

11<br />

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Fl.<br />

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4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4<br />

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D.B.<br />

?<br />

·<br />

·<br />

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44<br />

45<br />

46<br />

47


12 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

&<br />

Ï Ï Ï - Ï - # Ï - # Ï -<br />

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ú<br />

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50 Celebratory<br />

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48<br />

49<br />

50<br />

51


A <strong>Longmont</strong> <strong>Overture</strong><br />

13<br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

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2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3<br />

Fl.<br />

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52<br />

53<br />

54<br />

55<br />

56


3<br />

3 3<br />

14 A <strong>Longmont</strong> <strong>Overture</strong><br />

57 Tenderly<br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

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Fl.<br />

&<br />

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Ob. 1-2<br />

&<br />

·<br />

·<br />

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Bb Cl. 1-2<br />

&<br />

2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3<br />

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60<br />

61


A <strong>Longmont</strong> <strong>Overture</strong><br />

15<br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

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16 A <strong>Longmont</strong> <strong>Overture</strong><br />

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76


A <strong>Longmont</strong> <strong>Overture</strong><br />

17<br />

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Fl.<br />

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83


18 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

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91


A <strong>Longmont</strong> <strong>Overture</strong><br />

19<br />

Picc.<br />

&<br />

Ï . R Å ä Î Î<br />

·<br />

94<br />

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Ob. 1-2<br />

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96


20 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

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98<br />

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100<br />

101<br />

102


A <strong>Longmont</strong> <strong>Overture</strong><br />

21<br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

B. Cl.<br />

Bsn. 1-2<br />

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22 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

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Hn. 3-4<br />

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Tbn. 3<br />

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A <strong>Longmont</strong> <strong>Overture</strong><br />

23<br />

Picc.<br />

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f<br />

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Bsn. 1-2<br />

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120<br />

121<br />

122<br />

123<br />

124<br />

125<br />

126


24 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

Fl.<br />

&<br />

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&<br />

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·<br />

·<br />

·<br />

127<br />

128<br />

129<br />

130<br />

131<br />

132<br />

133


A <strong>Longmont</strong> <strong>Overture</strong><br />

25<br />

Picc.<br />

&<br />

ú .<br />

ú .<br />

136<br />

·<br />

·<br />

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138


26 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

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140<br />

141<br />

142<br />

143


A <strong>Longmont</strong> <strong>Overture</strong><br />

27<br />

Picc.<br />

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Hn. 1-2<br />

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145<br />

146<br />

147<br />

148


28 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

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153


A <strong>Longmont</strong> <strong>Overture</strong><br />

29<br />

Picc.<br />

154<br />

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30 A <strong>Longmont</strong> <strong>Overture</strong><br />

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A <strong>Longmont</strong> <strong>Overture</strong><br />

31<br />

Picc.<br />

Fl.<br />

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A <strong>Longmont</strong> <strong>Overture</strong><br />

33<br />

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203


A <strong>Longmont</strong> <strong>Overture</strong><br />

35<br />

Picc.<br />

Fl.<br />

Ob. 1-2<br />

Bb Cl. 1-2<br />

&<br />

&<br />

&<br />

&<br />

Ï<br />

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# Ï # Ï Ï # Ï Ï Ï Ï Ï<br />

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206<br />

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204<br />

205<br />

206


36 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

Fl.<br />

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207<br />

208<br />

209<br />

210


A <strong>Longmont</strong> <strong>Overture</strong><br />

37<br />

Picc.<br />

&<br />

Ï bÏ<br />

bÏ<br />

Ï Ï<br />

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poco rit.<br />

bÏ<br />

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bÏ<br />

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U<br />

·<br />

G. P.<br />

214<br />

Triumphant q = 120<br />

·<br />

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211<br />

212<br />

213<br />

214<br />

215


38 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Fl.<br />

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·<br />

·<br />

Ob. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Bb Cl. 1-2<br />

&<br />

·<br />

·<br />

·<br />

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&<br />

w<br />

w<br />

w<br />

w<br />

Bsn. 1-2<br />

?<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

Hn. 1-2<br />

&<br />

·<br />

·<br />

a2.<br />

î Î aÏ<br />

P<br />

ú .<br />

Ï<br />

Hn. 3-4<br />

&<br />

·<br />

·<br />

î<br />

Î<br />

(a2.)<br />

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P<br />

ú .<br />

Ï<br />

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&<br />

·<br />

·<br />

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Tbn. 1-2<br />

?<br />

b w<br />

. ú<br />

Î<br />

Ï<br />

Ï Ï<br />

bÏÏ<br />

nÏ<br />

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3<br />

ú ú<br />

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?<br />

w<br />

. ú<br />

Î<br />

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bÏ<br />

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3<br />

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?<br />

w<br />

w<br />

w<br />

w<br />

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?<br />

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bÏ<br />

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·<br />

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&<br />

·<br />

·<br />

·<br />

î<br />

loco<br />

Unis.<br />

ú<br />

P<br />

Vln. II<br />

&<br />

·<br />

·<br />

·<br />

î<br />

ú<br />

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Vc.<br />

B<br />

?<br />

·<br />

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·<br />

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î<br />

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ú<br />

P<br />

ú<br />

P<br />

D.B.<br />

?<br />

w<br />

w<br />

w<br />

w<br />

216<br />

217<br />

218<br />

219


A <strong>Longmont</strong> <strong>Overture</strong><br />

39<br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Fl.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Ob. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Bb Cl. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

B. Cl.<br />

&<br />

w<br />

w<br />

w<br />

w<br />

Bsn. 1-2<br />

?<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

Hn. 1-2<br />

&<br />

. ú<br />

Î<br />

#w<br />

ú<br />

ú<br />

w<br />

Hn. 3-4<br />

&<br />

ú .<br />

Î<br />

w<br />

ú<br />

ú<br />

w<br />

Bb Tpt. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Tbn. 1-2<br />

?<br />

ww<br />

î<br />

n<br />

Ï<br />

Ï<br />

Ï<br />

Ï<br />

Ï Ï<br />

Ï<br />

Ï<br />

bÏ Ï<br />

ú<br />

3<br />

Tbn. 3<br />

?<br />

w<br />

î<br />

Ï<br />

Ï<br />

Ï Ï Ï Ï<br />

Ï<br />

3<br />

bÏ<br />

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?<br />

w<br />

w<br />

w<br />

w<br />

Timp.<br />

?<br />

Ï Ï Ï Ï Ï Ï Ï Ï<br />

Ï Ï Ï Ï Ï Ï Ï Ï<br />

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&<br />

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·<br />

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&<br />

bú<br />

ú<br />

3<br />

Ï Ï Ï ú<br />

ú Ï Ï<br />

w<br />

Vln. II<br />

&<br />

bú<br />

ú<br />

3<br />

Ï Ï Ï ú<br />

ú Ï Ï<br />

w<br />

Vla.<br />

B<br />

bú<br />

ú<br />

3<br />

Ï Ï Ï ú<br />

ú Ï Ï<br />

w<br />

Vc.<br />

?<br />

bú<br />

ú<br />

Ï Ï Ï ú<br />

3<br />

ú Ï Ï<br />

w<br />

D.B.<br />

?<br />

w<br />

w<br />

w<br />

w<br />

220<br />

221<br />

222<br />

223


40 A <strong>Longmont</strong> <strong>Overture</strong><br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Fl.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Ob. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Bb Cl. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

B. Cl.<br />

&<br />

w<br />

w<br />

w<br />

w<br />

Bsn. 1-2<br />

?<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

w<br />

Hn. 1-2<br />

&<br />

î Î # Ï<br />

ú .<br />

Ï<br />

. ú<br />

Î<br />

# ú<br />

ú<br />

Hn. 3-4<br />

&<br />

î<br />

Î<br />

Ï<br />

ú .<br />

Ï<br />

ú .<br />

Î<br />

ú<br />

ú<br />

Bb Tpt. 1-2<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Tbn. 1-2<br />

?<br />

Î<br />

ú<br />

Ï<br />

Ï<br />

b<br />

Ï<br />

ú<br />

w<br />

Î Ï Ï<br />

Ï<br />

Tbn. 3<br />

?<br />

Î ú Ï<br />

Ï Ï bú<br />

w<br />

Î<br />

Ï<br />

bÏ<br />

Ï<br />

Tuba<br />

?<br />

w<br />

w<br />

w<br />

w<br />

Timp.<br />

?<br />

Ï Ï Ï Ï Ï Ï Ï Ï<br />

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&<br />

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Ï Ï Ï Ï Ï<br />

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Pno.<br />

&<br />

?<br />

Ï Ï Ï Ï bÏ<br />

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·<br />

·<br />

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Ï Ï Ï Ï<br />

·<br />

·<br />

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&<br />

bú<br />

ú<br />

ú Ï Ï<br />

. ú<br />

Ï<br />

ú<br />

bú<br />

Vln. II<br />

&<br />

bú<br />

ú<br />

ú Ï Ï<br />

. ú<br />

Ï<br />

ú<br />

bú<br />

Vla.<br />

B<br />

bú<br />

ú<br />

ú Ï Ï<br />

. ú<br />

Ï<br />

ú<br />

bú<br />

Vc.<br />

?<br />

bú<br />

ú<br />

ú Ï Ï<br />

. ú<br />

Ï<br />

ú<br />

bú<br />

D.B.<br />

?<br />

w<br />

w<br />

w<br />

w<br />

224<br />

225<br />

226<br />

227


A <strong>Longmont</strong> <strong>Overture</strong><br />

41<br />

Picc.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Fl.<br />

&<br />

·<br />

·<br />

·<br />

·<br />

Ob. 1-2<br />

&<br />

·<br />

·<br />

î<br />

bú<br />

F<br />

ú<br />

bú<br />

Bb Cl. 1-2<br />

&<br />

î<br />

# ú<br />

F<br />

ú<br />

# ú<br />

ú<br />

ú<br />

ú<br />

ú<br />

B. Cl.<br />

&<br />

w<br />

w<br />

w<br />

F<br />

w<br />

Bsn. 1-2<br />

Hn. 1-2<br />

?<br />

&<br />

w<br />

w<br />

ú<br />

Î<br />

Ï<br />

F<br />

w<br />

w<br />

sempre ben marcato<br />

Ï Ï Ï Ï Ï<br />

w<br />

w<br />

F<br />

Ï Ï Ï<br />

Ï<br />

w<br />

w<br />

Ï Ï Ï Ï Ï<br />

Hn. 3-4<br />

Bb Tpt. 1-2<br />

Tbn. 1-2<br />

&<br />

&<br />

?<br />

ú<br />

bÏ<br />

Ï ÏÏ<br />

·<br />