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Branding Hílate al ciclo

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<strong>Branding</strong><br />

Miguel Arias, Sergio Diazgranados y Laura Zamudio


“Individu<strong>al</strong>ly, we're much larger<br />

than ants, but collectively, their<br />

biomass exceeds ours... They are<br />

a good example of a population<br />

whose density and productivity<br />

are not a problem for the rest of<br />

the world, because everything<br />

they do, and use goes back to<br />

the cradle-to-cradle cycles of<br />

nature.”<br />

Cradle to cradle<br />

3


Content<br />

01 03 05<br />

07<br />

Manifest<br />

Environment<strong>al</strong> responsibility<br />

Soci<strong>al</strong> responsibility<br />

Design recycling<br />

Materi<strong>al</strong> awarness<br />

Low-sc<strong>al</strong>e Manufacture<br />

Co-design<br />

Polyv<strong>al</strong>ence<br />

Brand concept<br />

V<strong>al</strong>ue proposition<br />

Corporate identity<br />

Visu<strong>al</strong> identity<br />

Brand architecture<br />

Brand launch<br />

02 04 06<br />

08<br />

Brand concept<br />

Moodboard<br />

Design concept<br />

V<strong>al</strong>ues<br />

Beliefs<br />

Logotype<br />

Logo Symbol<br />

Slogan<br />

Color P<strong>al</strong>ette<br />

Typography<br />

Aesthetic<br />

Uniforms<br />

Sub-brands<br />

Brand position<br />

Channels<br />

Strategies<br />

4 5


Manifest<br />

Environment<strong>al</strong> responsibillity:<br />

We believe in the importance of generating new<br />

cycles of use for materi<strong>al</strong>s that have fulfilled their<br />

main function and are discarded. We recover these<br />

materi<strong>al</strong>s and take advantage of both the qu<strong>al</strong>ities<br />

of the materi<strong>al</strong> and the pre-existing design to create<br />

new products with added v<strong>al</strong>ue.<br />

Design recycling:<br />

We think about the designers, and <strong>al</strong>l the work and<br />

effort behind each graphic piece, and it seems unfair<br />

that this is thrown away after a very short time, so<br />

we want to take advantage of these contents to<br />

create new narratives and thus rev<strong>al</strong>ue both the<br />

materi<strong>al</strong> and the intangible content in each of the<br />

products, giving them in turn a unique character<br />

from the different aesthetics created.<br />

Soci<strong>al</strong> responsibillity:<br />

For us people come first, so we focus our efforts<br />

on generating a benefit for <strong>al</strong>l those who are part<br />

of “<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) and that<br />

from their knowledge support us in the creation<br />

of meaningful products and generate a welfare to<br />

<strong>al</strong>l involved from the recovery of the materi<strong>al</strong>, the<br />

manufacture to our users. We believe that working<br />

and making gives us freedom and the possibility<br />

of sharing our knowledge with others through the<br />

products we design.<br />

Materi<strong>al</strong> awareness:<br />

We think about the future, and we want our work<br />

to generate a change of awareness in people and in<br />

the impact that each one of us leave in the world,<br />

that is why we seek that every materi<strong>al</strong> we use will<br />

stop being manufactured and discarded someday<br />

when we understand the impact it generates.<br />

In order to turn the page and look towards the<br />

next ch<strong>al</strong>lenge, we feel the need for continuous<br />

exploration in the uses of various materi<strong>al</strong>s to give<br />

them a new opportunity, identifying their problems<br />

and exploring how we can give them a new cycle of<br />

use that adds v<strong>al</strong>ue.<br />

6 7


Low-sc<strong>al</strong>e manufacture:<br />

For us it is very important to be able to dedicate<br />

the time to design and manufacture each of the<br />

products to provide our users with a qu<strong>al</strong>ity product<br />

that they can identify with. We <strong>al</strong>so understand and<br />

v<strong>al</strong>ue the work of each of the people involved in the<br />

creation of the product, so we manage a low-sc<strong>al</strong>e<br />

manufacturing, in which we can spend the time<br />

and effort necessary without affecting those who<br />

produce it.<br />

Co-design:<br />

Polyv<strong>al</strong>ence:<br />

For us it is of great interest to develop products<br />

that fulfill different functions, understanding that<br />

in this way a benefit and v<strong>al</strong>ue is generated from<br />

multiple areas, both from the emotion<strong>al</strong>, aesthetic<br />

and of course from the function<strong>al</strong>, we want to help<br />

make your life easier, and if from its design we<br />

identify an opportunity to solve another problem,<br />

we will make it possible, <strong>al</strong>so offering a variety of<br />

solutions, but that among <strong>al</strong>l of them can join and<br />

group together as the family that accompanies<br />

you in your day to day.<br />

We know that there are people, communities<br />

and collectives who, like us, dream of creating<br />

significant products that add v<strong>al</strong>ue both for those<br />

who make them and for those who consume them.<br />

That is why we consider it necessary to unite from<br />

our ideas, knowledge and desires in order to create<br />

significant products that unite us in a common<br />

purpose.<br />

8 9


Brand concept<br />

Moodboard<br />

We are a generation conscious and<br />

concerned about the environment, so we<br />

look for function<strong>al</strong> and environment<strong>al</strong>ly<br />

and soci<strong>al</strong>ly responsible <strong>al</strong>ternatives.<br />

As a brand, we are concerned<br />

about promoting responsible and<br />

conscientious consumption habits<br />

through our products.<br />

10 11


Design concept<br />

Vehemence of the color<br />

Excitement of senses (visu<strong>al</strong>) by multiple stimuli of color and forms<br />

that impact in a sudden or unexpected way to the receiver, and that<br />

has a high contrast between its colors and the canvas or base on<br />

which it is applied. canvas or the base on which it is applied.<br />

Intertextu<strong>al</strong>ity<br />

It is the operation of relating two texts, the hypotext, the graphic<br />

design printed on the banner, against the hypertext, which<br />

is the intervention through patchwork, the intervention with<br />

other materi<strong>al</strong>s and the composition in the pattern making.<br />

12 13


V<strong>al</strong>ue proposition<br />

Corporate identity<br />

Diverse:<br />

V<strong>al</strong>ue proposition: “<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) is a collective of<br />

design and product development that joins forces to the current socioenvironment<strong>al</strong><br />

trends that seek to generate a positive change in society,<br />

we do this from the creation of differentiating products in the market, in<br />

this case focused on improving the charging experience for bike users in<br />

the city of Bogota.<br />

Our users use the bicycle as a concrete action of change and seek to<br />

contribute from their daily lives to transform the city and the world<br />

to make it a better place for everyone, so they look for products that<br />

meet their ide<strong>al</strong>s and demands and transform them into solutions that<br />

correspond to their objectives.<br />

“<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) differentiates itself from other brands<br />

in the market by integrating solutions that improve the cycling experience,<br />

integrating systems or solutions for the particular needs of cyclists, as<br />

well as creating aesthetics from the color or textures with which cyclists<br />

in the city feel identified.<br />

Freedom:<br />

Urban:<br />

Sustainable:<br />

Bike users can be understood as grouped individu<strong>al</strong>ities, as each is an<br />

individu<strong>al</strong> with diverse tastes, but <strong>al</strong>l share a love of cycling and a desire for<br />

more environment<strong>al</strong>ly responsible mobility and person<strong>al</strong> wellbeing. Diversity<br />

<strong>al</strong>so refers to the different types and styles of bikes that exist and how the<br />

combination with the users generates different needs.<br />

Refers to the possibility of having products that reflect the identity of the users.<br />

It connects with the context of our users, but <strong>al</strong>so with the style we want to<br />

transmit from the aesthetics of the products.<br />

It speaks of our commitment to the environment and responsible production,<br />

as well as to the people involved in the entire product chain.<br />

14 15


<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong><br />

Visu<strong>al</strong> identity<br />

“<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (Spinning the cycle)<br />

our name comes from a play on words<br />

in Spanish where the cycle refers<br />

to the transformation of recycled<br />

raw materi<strong>al</strong> into useful products,<br />

but <strong>al</strong>so refers to the dynamic<br />

processes of bicycles and that with<br />

each ped<strong>al</strong> stroke is moving forward.<br />

Spinning refers to the handcrafted<br />

manufacturing processes through<br />

which our products are made and<br />

the aesthetics that represent us, but<br />

<strong>al</strong>so in an invitation to our users to be<br />

linked to reuse processes, sustainable<br />

mobility and socio-environment<strong>al</strong><br />

awareness that we promote from the<br />

products we offer.<br />

The logo symbol is the union of the name<br />

of the collective in a fluid typography that<br />

relates to the movement and change of<br />

both the bike and the transformation<br />

processes.<br />

With the logo we want to show on the one<br />

hand the process of recomposing that<br />

we do and where from different layers<br />

and colors generate unique compositions<br />

with which each person can identify, we<br />

<strong>al</strong>so find the needle with the thread in<br />

representation not only of the name, but<br />

<strong>al</strong>so the action of joining. Addition<strong>al</strong>ly, we<br />

see the spokes that refer directly to the<br />

rim of the bicycle tires, this is a graphic<br />

element that connects with the market<br />

segment to which our products are aimed,<br />

the bike users.<br />

16 17


Logo variations<br />

Fonts<br />

Montserrat Medium<br />

a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />

1 2 3 4 5 6 7 8 9<br />

Montserrat Bold<br />

a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />

1 2 3 4 5 6 7 8 9<br />

Logo with images Black and white silhouette Logo on colored background<br />

Slogan<br />

Spinning new cycles, roll with friends<br />

Bernadette<br />

a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />

1 2 3 4 5 6 7 8 9<br />

18 19


Color p<strong>al</strong>ette<br />

Our colors are inspired by the aesthetics of the city, in the graffiti made by<br />

the hands of contemporary artists and artisans of this new generation, who<br />

seek change, transformation and freedom of expression, through shocking,<br />

contrasting and disruptive colors.<br />

CYMK<br />

59, 49, 50, 43<br />

RGB<br />

87, 87, 84<br />

CYMK<br />

38, 30, 33, 10<br />

RGB<br />

162, 160, 155<br />

CYMK<br />

80, 24, 35, 7<br />

RGB<br />

21, 141, 154<br />

CYMK<br />

70, 0, 44, 0<br />

RGB<br />

60, 181, 163<br />

CYMK<br />

38, 16, 83, 2<br />

RGB<br />

174, 180, 72<br />

CYMK<br />

7, 0, 49, 0<br />

RGB<br />

245, 239, 158<br />

CYMK<br />

0, 71, 90, 0<br />

RGB<br />

236, 101, 38<br />

CYMK<br />

1, 83, 99, 0<br />

RGB<br />

229, 69, 19<br />

CYMK<br />

4, 82, 1, 0<br />

RGB<br />

228, 751, 148<br />

20 21


Aesthetic<br />

Uniforms<br />

22 23


Application examples<br />

24 25


Brand architecture<br />

In <strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong> we propose<br />

the creation of sub-brands with<br />

products focused on different<br />

market niches and microsegments.<br />

The common thread<br />

of <strong>al</strong>l sub-brands is based on the<br />

development of products with<br />

high v<strong>al</strong>ue from the recovery<br />

and transformation of materi<strong>al</strong>s,<br />

to provide new cycles of use.<br />

The first sub-brand is related<br />

to urban bicycle users and is<br />

focused on the design and<br />

development of products<br />

c<strong>al</strong>led MoBiCo (modular bicycle<br />

container) and MiniCo (minim<strong>al</strong><br />

container), as well as the support<br />

and complementary accessories.<br />

complementary accessories.<br />

26 27


Brand launch<br />

Brand positioning<br />

Prior to the launch of the brand, we will carry out a campaign of expectation<br />

and to publicize the brand and products in the “<strong>ciclo</strong>vía” (Practice in Colombia,<br />

where vehicles are restricted for h<strong>al</strong>f a day on Sundays, so that people can travel<br />

on the roads on bicycles). We decided this space understanding the importance<br />

it has in Bogota's bicycle culture, and the flow of people who participate in this<br />

activity. For this pre-launch we will have some products on display and doing<br />

tours around the promotion point, dec<strong>al</strong>s and cards with information about<br />

our soci<strong>al</strong> networks and important launch dates and events in which we will<br />

participate, addition<strong>al</strong>ly we will give away fabric collars, with prints <strong>al</strong>luding to<br />

the brand for those who follow us on soci<strong>al</strong> networks, participate in a pilot test<br />

of the product and give us a testimony or photo using it.<br />

For the launching of the brand, we will try to make it under the framework of<br />

an important day for bike users, such as the World Bike Day (June 3) or the fair<br />

biciGO that takes place in Corferias from 1 to 4 December or why not a little more<br />

inform<strong>al</strong> events such as a ride through the city or a night bike ride. We seek to<br />

link the launch with these events of interest to our users and that are related to<br />

the target market, to reach our users more directly and in turn they can learn<br />

about the product, the brand and the socio-environment<strong>al</strong> propos<strong>al</strong> that we<br />

want to offer to the market.<br />

Discounts: As a launching and market positioning strategy, we propose to<br />

offer discounts of 10 to 20% in the first 3 months or while stocks last of the pilot<br />

production batch of 100 MoBiCo, 150 MiNiCo and 200 interchangeable caps.<br />

There are <strong>al</strong>so season<strong>al</strong> promotions corresponding to times of the year of higher<br />

consumption in our market niche, for example during the sports season of the<br />

great tours, where the cycling community is more active, or in the periods of<br />

the beginning of classes where students prepare for their daily routine in their<br />

main activity and discounts on competing products <strong>al</strong>so offer promotions.<br />

With the opportunity offered by having a family of complementary products<br />

and with the possibility of integrating among them, the opportunity for<br />

promotion<strong>al</strong> s<strong>al</strong>es arises, where a discount is offered when registering for one<br />

of the customization workshops offered. The objective is to motivate users to<br />

buy and provide them with an experience where they can learn and add v<strong>al</strong>ue<br />

to their products.<br />

Another of the combos offered is the purchase of one of the pieces that can<br />

be person<strong>al</strong>ized and in the framework of an important celebration within<br />

the brand (such as reaching 1000 followers or the first year) participate in the<br />

workshop and have the opportunity to intervene that piece purchased under<br />

the guidance of experts.<br />

28 29

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