Branding Hílate al ciclo
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<strong>Branding</strong><br />
Miguel Arias, Sergio Diazgranados y Laura Zamudio
“Individu<strong>al</strong>ly, we're much larger<br />
than ants, but collectively, their<br />
biomass exceeds ours... They are<br />
a good example of a population<br />
whose density and productivity<br />
are not a problem for the rest of<br />
the world, because everything<br />
they do, and use goes back to<br />
the cradle-to-cradle cycles of<br />
nature.”<br />
Cradle to cradle<br />
3
Content<br />
01 03 05<br />
07<br />
Manifest<br />
Environment<strong>al</strong> responsibility<br />
Soci<strong>al</strong> responsibility<br />
Design recycling<br />
Materi<strong>al</strong> awarness<br />
Low-sc<strong>al</strong>e Manufacture<br />
Co-design<br />
Polyv<strong>al</strong>ence<br />
Brand concept<br />
V<strong>al</strong>ue proposition<br />
Corporate identity<br />
Visu<strong>al</strong> identity<br />
Brand architecture<br />
Brand launch<br />
02 04 06<br />
08<br />
Brand concept<br />
Moodboard<br />
Design concept<br />
V<strong>al</strong>ues<br />
Beliefs<br />
Logotype<br />
Logo Symbol<br />
Slogan<br />
Color P<strong>al</strong>ette<br />
Typography<br />
Aesthetic<br />
Uniforms<br />
Sub-brands<br />
Brand position<br />
Channels<br />
Strategies<br />
4 5
Manifest<br />
Environment<strong>al</strong> responsibillity:<br />
We believe in the importance of generating new<br />
cycles of use for materi<strong>al</strong>s that have fulfilled their<br />
main function and are discarded. We recover these<br />
materi<strong>al</strong>s and take advantage of both the qu<strong>al</strong>ities<br />
of the materi<strong>al</strong> and the pre-existing design to create<br />
new products with added v<strong>al</strong>ue.<br />
Design recycling:<br />
We think about the designers, and <strong>al</strong>l the work and<br />
effort behind each graphic piece, and it seems unfair<br />
that this is thrown away after a very short time, so<br />
we want to take advantage of these contents to<br />
create new narratives and thus rev<strong>al</strong>ue both the<br />
materi<strong>al</strong> and the intangible content in each of the<br />
products, giving them in turn a unique character<br />
from the different aesthetics created.<br />
Soci<strong>al</strong> responsibillity:<br />
For us people come first, so we focus our efforts<br />
on generating a benefit for <strong>al</strong>l those who are part<br />
of “<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) and that<br />
from their knowledge support us in the creation<br />
of meaningful products and generate a welfare to<br />
<strong>al</strong>l involved from the recovery of the materi<strong>al</strong>, the<br />
manufacture to our users. We believe that working<br />
and making gives us freedom and the possibility<br />
of sharing our knowledge with others through the<br />
products we design.<br />
Materi<strong>al</strong> awareness:<br />
We think about the future, and we want our work<br />
to generate a change of awareness in people and in<br />
the impact that each one of us leave in the world,<br />
that is why we seek that every materi<strong>al</strong> we use will<br />
stop being manufactured and discarded someday<br />
when we understand the impact it generates.<br />
In order to turn the page and look towards the<br />
next ch<strong>al</strong>lenge, we feel the need for continuous<br />
exploration in the uses of various materi<strong>al</strong>s to give<br />
them a new opportunity, identifying their problems<br />
and exploring how we can give them a new cycle of<br />
use that adds v<strong>al</strong>ue.<br />
6 7
Low-sc<strong>al</strong>e manufacture:<br />
For us it is very important to be able to dedicate<br />
the time to design and manufacture each of the<br />
products to provide our users with a qu<strong>al</strong>ity product<br />
that they can identify with. We <strong>al</strong>so understand and<br />
v<strong>al</strong>ue the work of each of the people involved in the<br />
creation of the product, so we manage a low-sc<strong>al</strong>e<br />
manufacturing, in which we can spend the time<br />
and effort necessary without affecting those who<br />
produce it.<br />
Co-design:<br />
Polyv<strong>al</strong>ence:<br />
For us it is of great interest to develop products<br />
that fulfill different functions, understanding that<br />
in this way a benefit and v<strong>al</strong>ue is generated from<br />
multiple areas, both from the emotion<strong>al</strong>, aesthetic<br />
and of course from the function<strong>al</strong>, we want to help<br />
make your life easier, and if from its design we<br />
identify an opportunity to solve another problem,<br />
we will make it possible, <strong>al</strong>so offering a variety of<br />
solutions, but that among <strong>al</strong>l of them can join and<br />
group together as the family that accompanies<br />
you in your day to day.<br />
We know that there are people, communities<br />
and collectives who, like us, dream of creating<br />
significant products that add v<strong>al</strong>ue both for those<br />
who make them and for those who consume them.<br />
That is why we consider it necessary to unite from<br />
our ideas, knowledge and desires in order to create<br />
significant products that unite us in a common<br />
purpose.<br />
8 9
Brand concept<br />
Moodboard<br />
We are a generation conscious and<br />
concerned about the environment, so we<br />
look for function<strong>al</strong> and environment<strong>al</strong>ly<br />
and soci<strong>al</strong>ly responsible <strong>al</strong>ternatives.<br />
As a brand, we are concerned<br />
about promoting responsible and<br />
conscientious consumption habits<br />
through our products.<br />
10 11
Design concept<br />
Vehemence of the color<br />
Excitement of senses (visu<strong>al</strong>) by multiple stimuli of color and forms<br />
that impact in a sudden or unexpected way to the receiver, and that<br />
has a high contrast between its colors and the canvas or base on<br />
which it is applied. canvas or the base on which it is applied.<br />
Intertextu<strong>al</strong>ity<br />
It is the operation of relating two texts, the hypotext, the graphic<br />
design printed on the banner, against the hypertext, which<br />
is the intervention through patchwork, the intervention with<br />
other materi<strong>al</strong>s and the composition in the pattern making.<br />
12 13
V<strong>al</strong>ue proposition<br />
Corporate identity<br />
Diverse:<br />
V<strong>al</strong>ue proposition: “<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) is a collective of<br />
design and product development that joins forces to the current socioenvironment<strong>al</strong><br />
trends that seek to generate a positive change in society,<br />
we do this from the creation of differentiating products in the market, in<br />
this case focused on improving the charging experience for bike users in<br />
the city of Bogota.<br />
Our users use the bicycle as a concrete action of change and seek to<br />
contribute from their daily lives to transform the city and the world<br />
to make it a better place for everyone, so they look for products that<br />
meet their ide<strong>al</strong>s and demands and transform them into solutions that<br />
correspond to their objectives.<br />
“<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (spinning the cycle) differentiates itself from other brands<br />
in the market by integrating solutions that improve the cycling experience,<br />
integrating systems or solutions for the particular needs of cyclists, as<br />
well as creating aesthetics from the color or textures with which cyclists<br />
in the city feel identified.<br />
Freedom:<br />
Urban:<br />
Sustainable:<br />
Bike users can be understood as grouped individu<strong>al</strong>ities, as each is an<br />
individu<strong>al</strong> with diverse tastes, but <strong>al</strong>l share a love of cycling and a desire for<br />
more environment<strong>al</strong>ly responsible mobility and person<strong>al</strong> wellbeing. Diversity<br />
<strong>al</strong>so refers to the different types and styles of bikes that exist and how the<br />
combination with the users generates different needs.<br />
Refers to the possibility of having products that reflect the identity of the users.<br />
It connects with the context of our users, but <strong>al</strong>so with the style we want to<br />
transmit from the aesthetics of the products.<br />
It speaks of our commitment to the environment and responsible production,<br />
as well as to the people involved in the entire product chain.<br />
14 15
<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong><br />
Visu<strong>al</strong> identity<br />
“<strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong>” (Spinning the cycle)<br />
our name comes from a play on words<br />
in Spanish where the cycle refers<br />
to the transformation of recycled<br />
raw materi<strong>al</strong> into useful products,<br />
but <strong>al</strong>so refers to the dynamic<br />
processes of bicycles and that with<br />
each ped<strong>al</strong> stroke is moving forward.<br />
Spinning refers to the handcrafted<br />
manufacturing processes through<br />
which our products are made and<br />
the aesthetics that represent us, but<br />
<strong>al</strong>so in an invitation to our users to be<br />
linked to reuse processes, sustainable<br />
mobility and socio-environment<strong>al</strong><br />
awareness that we promote from the<br />
products we offer.<br />
The logo symbol is the union of the name<br />
of the collective in a fluid typography that<br />
relates to the movement and change of<br />
both the bike and the transformation<br />
processes.<br />
With the logo we want to show on the one<br />
hand the process of recomposing that<br />
we do and where from different layers<br />
and colors generate unique compositions<br />
with which each person can identify, we<br />
<strong>al</strong>so find the needle with the thread in<br />
representation not only of the name, but<br />
<strong>al</strong>so the action of joining. Addition<strong>al</strong>ly, we<br />
see the spokes that refer directly to the<br />
rim of the bicycle tires, this is a graphic<br />
element that connects with the market<br />
segment to which our products are aimed,<br />
the bike users.<br />
16 17
Logo variations<br />
Fonts<br />
Montserrat Medium<br />
a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />
1 2 3 4 5 6 7 8 9<br />
Montserrat Bold<br />
a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />
1 2 3 4 5 6 7 8 9<br />
Logo with images Black and white silhouette Logo on colored background<br />
Slogan<br />
Spinning new cycles, roll with friends<br />
Bernadette<br />
a b c d e f g h i j k l m n ñ o p q r s t u w x y z<br />
1 2 3 4 5 6 7 8 9<br />
18 19
Color p<strong>al</strong>ette<br />
Our colors are inspired by the aesthetics of the city, in the graffiti made by<br />
the hands of contemporary artists and artisans of this new generation, who<br />
seek change, transformation and freedom of expression, through shocking,<br />
contrasting and disruptive colors.<br />
CYMK<br />
59, 49, 50, 43<br />
RGB<br />
87, 87, 84<br />
CYMK<br />
38, 30, 33, 10<br />
RGB<br />
162, 160, 155<br />
CYMK<br />
80, 24, 35, 7<br />
RGB<br />
21, 141, 154<br />
CYMK<br />
70, 0, 44, 0<br />
RGB<br />
60, 181, 163<br />
CYMK<br />
38, 16, 83, 2<br />
RGB<br />
174, 180, 72<br />
CYMK<br />
7, 0, 49, 0<br />
RGB<br />
245, 239, 158<br />
CYMK<br />
0, 71, 90, 0<br />
RGB<br />
236, 101, 38<br />
CYMK<br />
1, 83, 99, 0<br />
RGB<br />
229, 69, 19<br />
CYMK<br />
4, 82, 1, 0<br />
RGB<br />
228, 751, 148<br />
20 21
Aesthetic<br />
Uniforms<br />
22 23
Application examples<br />
24 25
Brand architecture<br />
In <strong>Hílate</strong> <strong>al</strong> <strong>ciclo</strong> we propose<br />
the creation of sub-brands with<br />
products focused on different<br />
market niches and microsegments.<br />
The common thread<br />
of <strong>al</strong>l sub-brands is based on the<br />
development of products with<br />
high v<strong>al</strong>ue from the recovery<br />
and transformation of materi<strong>al</strong>s,<br />
to provide new cycles of use.<br />
The first sub-brand is related<br />
to urban bicycle users and is<br />
focused on the design and<br />
development of products<br />
c<strong>al</strong>led MoBiCo (modular bicycle<br />
container) and MiniCo (minim<strong>al</strong><br />
container), as well as the support<br />
and complementary accessories.<br />
complementary accessories.<br />
26 27
Brand launch<br />
Brand positioning<br />
Prior to the launch of the brand, we will carry out a campaign of expectation<br />
and to publicize the brand and products in the “<strong>ciclo</strong>vía” (Practice in Colombia,<br />
where vehicles are restricted for h<strong>al</strong>f a day on Sundays, so that people can travel<br />
on the roads on bicycles). We decided this space understanding the importance<br />
it has in Bogota's bicycle culture, and the flow of people who participate in this<br />
activity. For this pre-launch we will have some products on display and doing<br />
tours around the promotion point, dec<strong>al</strong>s and cards with information about<br />
our soci<strong>al</strong> networks and important launch dates and events in which we will<br />
participate, addition<strong>al</strong>ly we will give away fabric collars, with prints <strong>al</strong>luding to<br />
the brand for those who follow us on soci<strong>al</strong> networks, participate in a pilot test<br />
of the product and give us a testimony or photo using it.<br />
For the launching of the brand, we will try to make it under the framework of<br />
an important day for bike users, such as the World Bike Day (June 3) or the fair<br />
biciGO that takes place in Corferias from 1 to 4 December or why not a little more<br />
inform<strong>al</strong> events such as a ride through the city or a night bike ride. We seek to<br />
link the launch with these events of interest to our users and that are related to<br />
the target market, to reach our users more directly and in turn they can learn<br />
about the product, the brand and the socio-environment<strong>al</strong> propos<strong>al</strong> that we<br />
want to offer to the market.<br />
Discounts: As a launching and market positioning strategy, we propose to<br />
offer discounts of 10 to 20% in the first 3 months or while stocks last of the pilot<br />
production batch of 100 MoBiCo, 150 MiNiCo and 200 interchangeable caps.<br />
There are <strong>al</strong>so season<strong>al</strong> promotions corresponding to times of the year of higher<br />
consumption in our market niche, for example during the sports season of the<br />
great tours, where the cycling community is more active, or in the periods of<br />
the beginning of classes where students prepare for their daily routine in their<br />
main activity and discounts on competing products <strong>al</strong>so offer promotions.<br />
With the opportunity offered by having a family of complementary products<br />
and with the possibility of integrating among them, the opportunity for<br />
promotion<strong>al</strong> s<strong>al</strong>es arises, where a discount is offered when registering for one<br />
of the customization workshops offered. The objective is to motivate users to<br />
buy and provide them with an experience where they can learn and add v<strong>al</strong>ue<br />
to their products.<br />
Another of the combos offered is the purchase of one of the pieces that can<br />
be person<strong>al</strong>ized and in the framework of an important celebration within<br />
the brand (such as reaching 1000 followers or the first year) participate in the<br />
workshop and have the opportunity to intervene that piece purchased under<br />
the guidance of experts.<br />
28 29