William Walton Choral Sampler

William Walton
Choral Sampler
2024

William Walton Choral Sampler
Sir William Walton was born in Oldham, Lancashire in 1902, the son of a choirmaster and a singing-teacher. He
became a chorister at Christ Church Cathedral, Oxford, and then an undergraduate at the University. His first
composition to attract attention was a piano quartet written at the age of sixteen. At Oxford he made the
acquaintance of the Sitwells who gave him friendship, moral and financial support and in 1922 he collaborated
with Edith in devising the entertainment Belshazzar's Feast. From 1922 to 1927 Walton began to spend an
increasing amount of time abroad, notably in Switzerland and Italy. The war years were devoted mainly to
writing film and ballet scores and he became established as amongst the greatest composers for the screen.
contents forces page
Sacred and liturgical
Jubilate Deo SSAATTBB & organ More info 3
Litany, A SATB unaccompanied More info 15
Litany, A (version 1) 4 upper voices unaccompanied More info 22
Magnificat and Nunc Dimittis SATB & organ More info 29
Missa Brevis
SSAATTBB unaccompanied
(organ in Gloria only)
More info 44
Set me as a seal upon thine heart SATB unaccompanied More info 68
Christmas
All this time SATB unaccompanied More info 74
Make we joy now in this fest SATB unaccompanied More info 78
What cheer? SATB unaccompanied More info 81
Secular choral arrangements
Touch her soft lips and part
(arr. Bob Chilcott)
Un-popular Song
(arr. Roderick Williams)
SATB (div) unaccompanied More info 85
SATB & opt piano More info 90

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9 780193 594463

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SACRED
four upper voices unaccompanied
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A Litany
for online perusal only
(Version 1)
William Walton
A

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Phineas Fletcher
(1582–1650)
TREBLE 1
TREBLE 2
TREBLE 3
TREBLE 4
for
rehearsal
only
Adagio
pp
Vbb 4 r Š f
t Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34
Drop, drop, drop, drop, drop, drop, drop,
ppp
Vbb 4 ‰ ‰. Š ˆ 34
Drop,
drop,
ppp
Vbb 4 ‰ ‰. Š ˆ 34
Drop,
drop,
ppp
Vbb 4 b‰ ‰. b ˆ
34
Drop,
Adagio
pp
A Litany
(Version 1)
for online perusal only
{}Š
drop,
WILLIAM WALTON
V bb
4 r Š f
t Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34
{ B bb 4 b‰ ppp
‰. bŠ ˆ 34
3
Vbb34 =( ) ‰ Š Š Š Š =Š. Še Š Š Š Š. Š
drop, slow tears, slow tears, And bathe those beau - teous
f
Vbb34 ‰ Š b‰ Š #Š. Še Š Š =Š bŠ. =Še
drop, slow tears, slow tears, And bathe those beau - teous
Vbb34 ‰ Š ‰ Š Š. Še Š Š Š bŠ. Še
drop, slow tears, slow tears, And bathe those beau - teous
Vbb34 ‰ Š ‰ Š Š. Še Š Š Š Š. Še
drop, slow tears, slow tears, And bathe those beau - teous
V bb 34 =( ) ‰ Š b‰ Š Š Š #=Š. Še Š Š = Š bŠ. =Š f
{ B bb ‰ Š ‰ Š Š. ŠŠ
Š
34
f
Š ŠŠ
Š Š. Š f
Taken from Shorter Choral Works without Orchestra, William Walton Edition, vol 6, edited by Timothy Brown (Oxford, 1999), where full
critical apparatus may be found. Also published in a version for mixed voices SATB (ISBN 978–0–19–359436–6).
This edition © Oxford University Press 1999 & 2014
Printed in Great Britain
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

7
Vbb ‰ Š Š Š. =Š#Š. Š f Š. Š f Š #Š =Š Š
Vbb
feet, Which brought from heav’n The news and Prince of
Vbb ‰ ŠŠ Š. Š Š. Š f Š. Še Š Š #Š =Š
Vbb
feet, Which brought from heav’n The news and Prince of
‰ ŠŠ Š. Š #Š. Še Š. Še Š =Š Š #Š
feet, Which brought from heav’n, The news and Prince of
‰ Š Š Š. Š Š. Še ‰ Š Š Š =Š
feet, Which brought from heav’n The news and Prince of
V bb ‰ Š Š Š. =Š #Š. ŠŠ
f Š. Š f Š #Š =Š Š
{ B bb ‰ Š Š V Š. Š #Š. Še Š. ‰ Še ŠŠ =Š #Š #Š
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Vbb #‰ Š #‰. ‰. 24 =Š.
11 p pp
[mf ]
=Š f #‰
Peace, of Peace: Cease not,
p
pp
Vbb ‰ Š #‰. ‰. 24#‰ #‰
p
pp
Vbb #‰ r #‰. ‰. 24 ‰ #‰
[mf ]
Peace, of Peace: Cease not,
Vbb =‰ r ‰. ‰. 24=‰ #‰
[mf ]
Peace, Peace: Cease not,
p
pp
[mf ]
Peace, Peace: Cease not,
V bb #‰ Š ##‰. ‰. 24==Š. ‰ Še ##‰
p
{
pp mf
V bb # =‰ r #‰. ‰. 24 #‰ ##‰

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16
Vbb =Š. #Še 34 =‰ Š 24=Š. Še 34=Š. bŠe bŠ Š
cease not, wet eyes, His mer - cy to en -
Vbb #‰ 34 ‰ =Š 24=Š. Še 34=Š. bŠe bŠ Š
cease not, wet eyes, His mer - cy to en -
Vbb =‰ 34 ‰ =Š
24=Š. Še 34=Š. bŠe bŠ Š
cease not, wet eyes, His mer - cy to en -
Vbb =‰ 34 #‰ =Š
24=Š. Še 34=Š. bŠe bŠ Š
cease not, wet eyes, His mer - cy to en -
V bb #‰ Š. Še 34 =‰ Š 24 =Š. Š f
34 =Š. bŠ f bŠ Š
{ V bb = =‰ B 34 #‰ =Š 24 =Š. Š f 34 =Š. bŠ f bŠ Š
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Vbb ‰. Š. f
Še Š Š b‰.
Vbb
24 Š bŠ
- treat; To cry for ven - - geance,
f
Vbb ‰. Š r t Š Š Š ‰ f
24 Š . Š
- treat; To cry for ven - - geance,
f
ff
Vbb
‰. ‰. Š. Še ŠbŠ 24 Š Š
- treat; To cry for ven -
ff
Š. Še Š Š ‰ Š Š b‰
- treat; To cry for ven - geance, ven - geance, Sin
V bb Š. Še Š b‰.
‰. Š 24 Š bŠ
r t Š Š Š ‰ Š. Š f f
{ B
ff
bb V ‰. ‰. Š. Še ŠbŠ 24 Š Š
Š. Š Š Š ‰ Š Š b‰ ‰
f
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24‰

Vbb Š Š bŠ. Š f 34 =‰ 5
24
. r r Šp
f
t 4
Sin doth ne - ver cease. Drop,
VbbŠ f bŠ Š f
Š Š bŠ 34b‰. r =‰ 4
Sin doth ne - ver cease. Drop,
VbbbŠ ŠŠ bŠ ŠŠ 34=Š Š bŠ Š pp
Š Š Š ‰ 4
- geance, Sin doth ne - ver cease, sin doth ne - ver cease.
Vbb bŠ Š Š bŠ 34 ‰. r
doth ne - ver cease. Drop,
V bb ŠŠ f bŠ Š Š bŠ. Še 34b=‰. r r Š f
t f
Š Š bŠ 4
{ V bb b bŠ Š bŠ Š Š 34 =Š Š bŠ Š Š Š Š B ppp
Š Š Š bŠ
b=‰
‰.
4
Vbb 4 Š
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Š ŠbŠ Š Š r Š Š ŠbŠ Š Š r 34 =( ) ‰ Š Š Š Š =‰.
drop, drop, drop, drop, drop, drop, drop, slow tears, slow tears.
Vbb 4 ‰. Š ˆ 34 ‰ Š b‰ Š #‰.
drop, drop, slow tears, slow tears.
[ppp ]
Vbb 4 ‰. Š ˆ 34 ‰ Š ‰ Š ‰.
Drop, drop, slow tears, slow tears.
Vbb 4 ‰. bŠ ˆ
34 ‰ Š ‰ Š ‰.
drop, drop, slow tears, slow tears.
V bb 4 Š Š Š bŠ Š Š r Š Š Š bŠ Š Š r 34 =( ) ‰ Š b‰ Š Š Š #=‰.
{ B bb 4
‰. bŠ ˆ ‰ Š ‰ Š ‰.
34
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ppp
ppp
b‰
p
4

6
Vbb r r Š
‰ Š Š Š Š 4 Š
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p
=Š #Š Šf
p
Vbb r r Š #Š Š Š Š ‰ 4 Š ‰ Šf
In your deep flood Drown
In your deep flood Drown
p
Vbb r r Š Š Š Š ‰ Š
Vbb r r Š Š Š Š Š Š Š
4 Š Š Š Š
In your deep flood Drown
p
4 ‰ Š Š
In your deep flood Drown
V bb r r Š #Š‰ Š Š Š Š‰ Š 4 Š =Š ‰ #Š bŠ
{
p
f
B bb r r V Š Š Š Š ‰ Š 4 Š Š Š
Š Š ‰ Š
Vbb Š. =Š Š. f
Š f 34 ‰.
37
p
r r Š 24Š bŠ Š Š
all my faults and fears; Nor let his eye See
VbbŠ. Š f
Š. bŠ f 34 ‰. r r t Še 24Š Š Š Š
all my faults and fears; Nor let his eye See
Vbb Š. Še Š. bŠe 34 ‰. r r t Še 24Š ŠŠ #Š
all my faults and fears; Nor let his eye See
Vbb
Š. bŠe Š. Še 34 ‰. r r t p
Še 24Š Š Š Š
all my faults and fears; Nor let his eye See
V bb Š. =Š Š. bŠ f f 34 ‰. r r Št Š 24 Š bŠ Š =Š f
{
p
V bb Š. bŠe Š. bŠe 34 ‰. r r t Še 24 Š Š Š #Š
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p
p
f
f

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Vbb Š. pp
Š f
Š. Š ‰ ‰ ‰
f
[pp ]
sin, but through my tears,
Vbb Š. Š f
Š. Še Š Š Š Š Š Š bŠ ‰
[pp ]
sin, but through my tears, but through my tears,
Vbb Š. Še Š. Še ‰ ‰ Š Š Š =Š
[pp ]
Vbb
Š. Še Š. Še ‰ Š. Še ‰
sin, but through my tears, but through
sin, but through my tears, my tears,
V bb Š. Š f
Š. Š ‰ f
Š Š Š ‰ Š Š Š bŠ ‰
{ V bb Š . Š pp
e Š. Še ‰ ‰ Š. Š Š Š Š =Š f ‰
46
Vbb Š
Vbb ‰
r p
p
pp
Š bŠ Š
p
F
34 b‰. F
F Fpp
34 ‰.
F‰.
F
‰.
Vbb Š Š Š ‰
p
my
F Fpp
34 b‰.
F
=‰.
Vbb
‰ Š
p F Fpp
Š
34 b‰.
F
‰.
my tears, my tears.
tears.
my tears, my tears.
V bb Š r p F
Š bŠ Š 34 b‰ F F
‰
. ‰.
{
pp
V bb Š Š Š ‰
p B 34 b b‰. =‰.
‰ Š Š E E
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my tears, my tears.
7
Music originated by Katie Johnston
Printed in Great Britain by Halstan & Co. Ltd, Amersham, Bucks.

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CHURCH SERVICES
General Editor David Willcocks
SSAATTBB
Organ in Gloria only
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2
Missa Brevis
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William Walton
A

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ISBN 0-19-359437-4
9 780193 594371

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CHORAL SONGS
SATB a cappella
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2
What cheer?
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William Walton
A

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Secular
BC198
SATB
(with divisions)
unaccompanied
for online perusal only
WALTON: TOUCH HER
SOFT LIPS AND PART

7
°
¢
{
William Shakespeare
from Henry V (Act 2, Scene 3)*
SOPRANO
ALTO
TENOR
BASS
for
rehearsal
only
V # ##
V # ##
V ###
‹
B###
pp
°
¢
{
Lento c = 80
V # ## 3
8 ∑ ∑ ∑ ∑ ∑
V # ##
V
‹
###
B###
V # ##
B ###
3
8
3
8
p
mm
p
p
mm
mm
Lento c = 80
p
mm
mm
come, let’s a - way, come, come, let’s a - way. My love, my love, give
pp
Come
Come
pp unis.
Come
V # ##
B ### pp
œ
a
a
œ
œ
3
8 œ
œ
3
8 œ
3
8 œ
œ
œ œ œ œ
œ
œ
œ
œ œ œ œ
œ j
œ
œ
œ œ œ œ œ
mm
mm
œ œ œ œ
pp
t t
œ œ
Come,
- way, come, come a - way. My love, my love, give
- way, come, come a - way. My love, my love, give
- way, come, come a - way. My love, my love, give
œ
œ
œ
œ œ œ œ œ œ
œ œ
œ
œ œ œ œ
œ œ
œ j œ œœ œ
œ
œ œ œ œ œ œ œ œ = œ œ # œ œ œ œ œ
œ
œ
œ
t t
œ
œ
œ
pp
œ œ
œ œ
œ œ j œ œ j œ œ j œ œ j œ œ j œ œ j
œ
a
œ j œ œ J = œ œ J
œ œ J
œ œ j œ œ j
œ œ j œ œ j œ
œ œ œ œ œ œ œ
œ œJ œJ
œ
œ
J
Touch her soft lips and part
œ
œ
J
=
œ
J
WILLIAM WALTON (1902–83)
arr. BOB CHILCOTT
œ œ J œ œ j œ œ j
œ = œ œJ œ # œ œ œJ œ œ œ œ J
œ œ œ œ œJ
= œ œ œ œ œ œ œ
œ œJ œJ œJ œJ
Duration: 1.5 mins
* The words ‘Touch her soft lips and part’ were adapted from Shakespeare’s ‘Touch her soft mouth, and march’ for the 1944 film of
Henry V, for which Walton composed the music.
First published in its original version for string orchestra in Two Pieces for Strings from ‘Henry V’ © Oxford University Press 1947.
This arrangement © Oxford University Press 2015. Offprinted from ‘Shall I compare thee?’ (ISBN 970–0–19–340614–8).
86
for online perusal only
© Oxford University Press 2015
Printed in Great Britain
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

°
¢
{
V # ##
13
V # ##
V
‹
###
B###
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
J
cresc.
me thy lips. Come a - way, come, come,
me, give me thy lips. Come, come
let’s a - way. My
cresc.
œ œ j œ œ œ œ œ œ œ j = œœ œ j
a
- way. My
me thy lips. Come, come a - way,
come a -
me thy lips. Come, come a - way,
come a -
V # ##
œ œ œ œ
œ œ =
J
œ œ œ œ œ œ œJ œ œ œ œ œ œ
œ œJ œ
cresc.
B ### œ œ œ œ
œ
œ œ œ œJ œJ
œ
œ j œ
œ =
cresc.
œ œ œ œ œ œ j œ œ j œ œ j œ
œ œ J
œ œ œ j œ œ J
œ
J
87
cresc.
œ
œ œ
œ œ œ
œ J
œ
=
œ j
œ œJ
3
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°
¢
{
V # ##
19
V # ##
V
‹
###
B###
V # ##
B ###
œ œ œ œ œ œ
love, my love, give me thy lips.
œ œ j œ œ j œœ
love, my love, give me
œ œ œ œ œ œ œ
- way. My love, give me thy lips.
- way, give me thy lips.
mf
œ
œ œ œ œ œ œ œ œ œ
mf
mf
mf
mf
Come,
œ
J œ œ
j J
œ
Come,
thy
p
p
come
p
lips,
p
come
Come
p
a -
unis.
œ œ œ œ œ œ œ j
œ œ J œ œ œ J
œ œ J
œ œ j
œ
# œ œ œJ œ œ œ
œ J
œ œœ œ œ œJ œ œ œ œJ œ œ œ œ œJ
œ œ
œ
œ œJ œ œ œ œ
œ œ
œ œ œJ œ œ œ
œ œ
J
œJ
œ j
a
-
a -
a -

4
°
¢
{
V # ##
24
V # ##
V
‹
###
B###
œ œ œ œ œ œ œ œ œ œ œ œ
- way, come, come, let’s a - way. My love, my love, give
œ œ j œ œ j œ œ j = œœ œ j œ
- way, come, come a - way. My love, my love,
œ œ œ œ œ j œ œ j œ
- way, come, come a - way. My love, my love, give
œ
- way,
come a - way. My love, my love,
V # ##
œ
œ œ œ œJ œ œ œ œ J
œ œ œ
œJ = œ
B ### œ œ œ œ œ =
œJ œ œ
œ
88
œ
= œ œ
œ œ œ
œ œ j œ œ J œ œ j œ œ j
J
œ œ œ
œ J
œ œ œ œ œJ
œ
œ œ œJ œ œ
œ
œ
œ j
œ
œ œJ
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°
¢
{
V # ##
29
V # ##
V ###
‹
B###
V # ##
B ###
poco rit.
œ œ œ œ œ j œ œ œ
me thy lips, my love, my love,
give me thy lips, my love,
ten.
unis.
œ œ œ œ œ œ œ J œ œ J
-
me thy lips, my love, my love,
my
give me thy lips, my love,
poco rit.
-
ten.
œ œ œ œ œ œ
œ œ œ œ œ œ j œ œœ j œ œ j
œ œ œ J
œ œ j œ
œ
-
ten.
-
-
ten.
ten.
give
me
love.
my
thy
œ j œ œ J
œ
œ œ œ œœ œ œ j
œ œ œ œ œJ
œ œ œ œ
œ œ œ œ
J
œJ
œ œ œ œ œ œ œ œJ œ œ
œ œJ œ
œ
J
œ
œ
J
œ
œ
œ j œ J
œ J

°
V # ##
34
V # ##
V
‹
###
a tempo
pp dim.
œ
œ
lips,
pp dim.
œ
soft lips and part.
part.
Touch her soft lips, touch her soft lips and
pp dim.
œ
œ
œ
œ
œ œ œ œ
œ
89
œ
œ œ œ œ J
œ
œ
œ œ œ œ j œ
part,
œ œ œ
5
¢
B###
love.
pp dim.
œ
œ
Touch her soft lips, soft lips and part.
œ
œ œ j œ
œ
and
touch
œ
œ œ j œ
œ
her
œ
soft
œ
{
V # ##
B ###
love,
a tempo
pp dim.
soft
lips,
œ œ œ œ œœ
œ
œ
œ œ œ œ œœ œœ j œ
œ œ œ
œ
œ
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œ œœ
œ j
œ œœ
œ j
soft
œ œœ
œ j
lips.
œ
œ
œ
œ
°
¢
{
V # ##
39
V # ##
V ###
‹
and part.
œ œ œ œ œ J
t t
mm
B### lips. mm œ œ œ œ
œ œ
œ
œ
mm
V # ##
B ###
œ œ œ œ œ J
t t
œ
œ œ œ œ
pppp
pppp
œ œ J j t t
pppp
pppp
œ
œ œ j t t
J
œ
œ œ œ œ J
t t
œ
œ
œ
œ
œ œ œ œ
œ
œ œœ œ œœ œ œœJ t t
pppp

90
Robin Barry
SOPRANO
ALTO
Jaunty
f
Now
‘Un’-Popular Song
WILLIAM WALTON
arr. RODERICK WILLIAMS
3
that you’ve heard our con - cert of song . . .
3
TENOR
BASS
mf
. . . and
PIANO
(optional)
Jaunty
for online perusal only
3
f
3
2
p
div.
Music arranged by permission of the William Walton Trust from ‘Popular Song’ in Façade: An Entertainment.
© Oxford University Press 1951.
This arrangement and words © Oxford University Press 2004. Photocopying this copyright material is ILLEGAL.
3
mf
It’s
It’s
time
3
ob - vious - ly missed the bits that went wrong . . . It’s time
mf
mf
3 3
time
It’s time we

91
4
2
went,
3
we went, it’s clear
we went, it’s
p
we went, it’s
p
3
it’s
p
clear
p
clear
clear
we’re
p
for online perusal only
6
3
we’re spent.
Why
div. f
spent. bim bom
have you kept us stan - ding here?
3
f
we’re spent.
brr-ring
tutti
we’re spent. bing
mp
3
mf
3
p
p
brr-ring
bing
bing bum bing
We’ve

92
3
8
tutti
3
sung for three hours, we need some beer.
bing
bing
f
3
brr-ring brr-ring Oh, just how much cho - ral mu - sic can you
bing bing bing bing
bom bing bum bing bom bing bum bing
3
3
10
f 3
Stop your ap - plause,
f
3
take?
Stop
head for the
f
mf
(Please leave now.) Stop
bing
f
mf
bom (Please leave now.) Stop
bom bing
3
f
3
for online perusal only

93
4
12
doors,
3
3
Quick! mine’s a tri - ple of scotch!
mf
Quick!
mf
Quick!
mf
Scotch!
p (whispered)
Scotch
Mine’s a scotch!
3
mf
3
3
3
p (whispered)
3 3
We’ve
3
on the rocks.
been watch - ing our clocks . . .
p (whispered)
3
. . . as the
14
for online perusal only
p (whispered)
3 3 3
. . . it’s now last or - ders!
div. mp No time
No time
to lose,
...lose,
No time to lose,
f
No time
to lose,
3
3
min - ute hand tells us . . . No time to lose, we
mp
f
mp
3
3
mp

94
we
17 p
must
have booze.
3
we must
have booze.
f
3
3
we must . . . booze (and
p
we must
. . . booze.
must have booze.
3
3
3
19
tutti mp 3
yad - dle - a da da da
p
f 3
ba - da
ba - da Have we not made our feel - ings clear?
f
p
f
3
Why are you lot all sit - ting here?
ba
mp
bom
bing bum bing bom bing bum bing
3
mf 3
for online perusal only
some pea - nuts too!).
- da
ba - da Our
5

95
6
21
p
3
yad - dle - la da ba - da ba - da
mf
brr-ring brr-ring brr-ring
3
pa - tience with you is wear - ing pret - ty thin.
mf
bom bing bum bing bom
3 3
(Please leave now!)
bing
ping!
for online perusal only
3 3 3
23
f
f
Cease
3
now your claps. Please!
bom
3
3
Please don’t force us to
mf
bom
Please
don’t
f 3
* mf
Cease
f
f
3
now your claps. Pi - ty us chaps!
3
f
3 3
Please
mf
mf
Please
don’t
don’t
3
3
* Crack into falsetto!

25
sing
en -
27
f
We
We
3 3 3
sing ...there’s no ex - tra fee ’cos the en - core’s free!
3 3 3
sing . . . it’s aw - ful - ly long and there’s no . . . en
p
3 3
sing this old song as it’s . . . en
p
f
must
mp
drink
mp
(this, and similar bars, could be
filled with solo ‘pops’, squeaks,
duck calls etc., ad lib.)
beer,
We must
drink beer,
f
3
We
f
gliss.
must
must
mp
drink
mp
*
GLUG! drink
beer,
beer,
mf
a
mf
p
3
-
-
pub
core.
core.
core.
mp
quite
mp
and there’s a pub quite
mf
mp
a
mf
and
pub
3 3 3 3 3 3
cresc. p
96
for online perusal only
*
a pub PUB!
quite
mp
quite
7
3
f
mp
mf
3
mp
*These interjections might be best as solos, from different people each time.

8
30
near.
near.
near.
mf
(’Cos
‘Ba’s’ very nasal (like muted sheep.)
mp
ba ba da
it’s not wise to be tee -
3
to - tal
when you’ve been
mp
ba ba da
mp
3
near.
ba ba da po - po - po - pom
97
3
3
mf mp
3
ping!
3
for online perusal only
33
mp
ba
sing
3
ba da doo -dle
do - ba - da doo - be We’d
- ing all full throat - al.)
p
mp
ba
mp
ba
mp
ba da doo
p
3
ba da doo
3
mp
3
doo doo We’re
f
f
f
mp
be drink* - ing
drink*
doo doo We’d
3
now be drink*
f
doo doo We’re
3
3
gliss.
drink
-
-
mp
ing
mp
ing
mp
DRINK! ing
3
p
f
mp
* Pronounced ‘drink-ing’.

98
36
wine
wine
mf
we
mf
if
mf
3
sto . . .
mp
. . . pped-on
mp
we had sto . . . . . . pped-on
mp
time,
time,
wine
we
sto . . . . . . pped-on
mf
mp
wine
if we sto . . . POP! . . . pped-on
(or ‘Girls!’ etc.)
3
mf
mp
time,
time,
mf
but
mf
all
9
your
39
f
dee
for online perusal only
f
mf
3
mf
fê
- ba - doo dee
mp
ting
- ba - doo
ting
3
ting so we’re sor - ry but we re
mf
sfz
ting so we’re sor - ry but we re
3
- ting’s kept us wait - ing so we’re sor - ry but we re -
mp
mf
sfz mf
mp
ting
ting
3
ting so we’re sor - ry but we re
mf
3
3 3
3
sfz
mf
-
mf
mf
-
-

.
10
42
- sign!
ba
p
sign!
doo - dle - dee doo - dee
3
p div. mp
3
- sign!
Hel - lo, bar - man, a . . . brr-ring
p
dolce
- sign!
ba
- ba
p
3
oo
mp
bom
p
‘WINE!’ be - doo . . .
sf
99
brr-ring
bing bum bing
p
. . . be -
for online perusal only
3
p mp 3
3
44
3
- doo - dle - dee doo - bee
brr-ring br-ring . . . be
sf
‘BEER!’ be - doo . . .
p
3
(tutti)
p
bing
f
bing
doo - dle - dee doo - be ‘MA - LI - BU AND
*
doo doo doo
bom bing bum bing bom bing bum bing
3
3
* Rather than sounding precise, this should be delivered as a semi-drunken scoop within a legato phrase.

100
46
3
p
3
SOLO
tutti mf
3
(with ice please) did - dle - dee dee did - dle - dee dee
bim
p
f
3
3
COKE!’
bom
‘CRISPS!’ and a ci-gar
to
p
f
3 3
(with ice please) bom
‘CRISPS!’ and a cig . . .
p
f
mf
bom
bom
‘NUTS!’
bim
3
3
p
3 3
mf 3
3
49
3 3 3
bom . . . fine lo - cal brew with a cha - ser or two.
3 3 3
p
smoke . . . by the fire with a mug of some fine . . . bim bom
p
3 3
. . . smoke in the snug by the . . . bim bom
p
bom
bim bom PING!
3 3
3 3 3 3
cresc.
3
for online perusal only
11

101
12
51
f
p
p
p
ya
ya
ya
Doo
3
- da
ba - da
ya - da
ba - da
- da
ba - da
ya - da
ba - da
- da
ba - da
ya - da
ba - da
3
- dle - dee doo - bee ‘HIC!’ be - doo - be doo - dle - dee doo - bee ‘YAWN’ be - doo - be
for online perusal only
3
p
f
3
53
ya - da
ya - da ba - da - ba - da - ba doo
ya - da
ya - da ba - da - ba - da - ba doo
3
ya
flip
- da
ya - da ba - da - ba - da - ba doo
- per - ty flop, ‘Please, some - one take me home: my head hurts!’
3

102
55
f
Stop
f
Stop
f
Stop.
f
3
3
f
Quick
3
’cos we’re feel - ling quite
p
grab us a cab, quite
f
p
us a bus, Quick!
TING!
3
quite
p
PING!
3
3
3
f
3
quite
p
3
13
for online perusal only
57
3 3 3
sick . . . they’ve kept us in - doors with their darn ap - plause!
3 3 3
sick . . . . . . our au - dience to - night, ’cos they’ve kept . . . ap - plause.
p
3 3
sick of the sight of our . . .
sick . . .
ap -
3 3 3 3 3 3
cresc.
p
ap
p
p
-
plause.
plause.

103
14
59
p
Soon
3
as we’re done, I’m get - ting them in.
3
p
Ten
3
se
- conds left, to or - der a gin.
3
for online perusal only
p
p
3 3
3
3
61
3
. . . four
3
Count - ing down: ten . . . Chin, chin!
3
3
3 3
mf
p
f
3
p
three two one, Chin,
. . . se’en six five four . . . Chin, chin!
mf
mf
. . . ten
3
nine
* 2nd tenor part could be allocated to 1st basses.
eight se’en
3 3 3
div.*
p
p
Chin,
p
chin!
chin!

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