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<strong>Music</strong> At <strong>Heart</strong><br />
19<br />
EXCEPTIONAL<br />
TIFFANY<br />
WINDOWS<br />
Among the hall’s 81 stained glass windows,<br />
which were fully cleaned and restored, 20<br />
come from the workshops of the Tiffany<br />
Glass and Decor<strong>at</strong>ing Company, including<br />
four huge windows nearly four metres high,<br />
which accentu<strong>at</strong>e <strong>Bourgie</strong> <strong>Hall</strong>’s spectacular<br />
look. These windows were commissioned in<br />
1896 for the American Presbyterian Church<br />
on Dorchester Street (today René-Lévesque<br />
Boulevard) and were produced mainly<br />
between 1897 and 1904, during the heyday<br />
of the famous New York firm. Following the<br />
merger of the two Presbyterian communities<br />
(Erskine and American) in the 1930s, and<br />
the subsequent demolition of the American<br />
Presbyterian church which housed them, the<br />
stained-glass windows were reinstalled in the<br />
Erskine and American Church in 1937 and 1938.<br />
These stained-glass windows carry the name<br />
of the founder of the studio, New York artist<br />
Louis Comfort Tiffany (1848–1933), a leader in<br />
American design who became famous for his<br />
Art Nouveau cre<strong>at</strong>ions and the striking light<br />
effects of his pieces.<br />
A large team worked under Tiffany’s leadership<br />
to cre<strong>at</strong>e them, including Frederick Wilson, the<br />
studio’s artistic director for nearly 30 years.<br />
At least five of the windows can be safely<br />
<strong>at</strong>tributed to Wilson. The <strong>Bourgie</strong> <strong>Hall</strong> Tiffany<br />
windows constitute one of only two of the<br />
firm’s commissions for Canada and one of<br />
the few surviving religious series by Tiffany<br />
in North America. They are characterized<br />
by a milky glass with iridescent, opalesque<br />
reflections. An innov<strong>at</strong>ive permanent<br />
backlighting system has been added—a first,<br />
on this scale—allowing audiences to admire<br />
the beauty of the windows during concerts.<br />
<strong>Bourgie</strong> <strong>Hall</strong> is an exceptional setting in which<br />
to display these stained-glass windows, which<br />
are part of the collections of the Montreal<br />
Museum of Fine Arts. Their value in the visual<br />
arts and their importance in the history of<br />
art are undeniable. They contribute to the<br />
architectural beauty and unique <strong>at</strong>mosphere<br />
of <strong>Bourgie</strong> <strong>Hall</strong>. In 2010, they benefitted from<br />
an unprecedented restor<strong>at</strong>ion by Françoise<br />
Saliou, under the supervision of the MMFA.<br />
Fig. 8<br />
Angel<br />
Louis Comfort Tiffany (1848-1933), designed by<br />
Frederick Wilson (1858-1932), Angel, <strong>Bourgie</strong> <strong>Hall</strong>, MMFA<br />
(formerly the Erskine and American Church), 1904-1905,<br />
leaded glass, made by Tiffany Studios, New York.<br />
MMFA, purchase.<br />
Photo: MMFA, Christine Guest<br />
Fig. 9<br />
Charity<br />
Louis Comfort Tiffany (1848-1933), designed by<br />
Thomas Calvert (1873- after 1934), Charity, <strong>Bourgie</strong> <strong>Hall</strong>,<br />
MMFA (formerly the Erskine and American Church),<br />
about 1901, leaded glass, made by Tiffany Glass and<br />
Decor<strong>at</strong>ing Co., New York. MMFA, purchase.<br />
Photo: MMFA, Christine Guest