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Bourgie Hall: Music at Heart

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<strong>Music</strong> At <strong>Heart</strong><br />

19<br />

EXCEPTIONAL<br />

TIFFANY<br />

WINDOWS<br />

Among the hall’s 81 stained glass windows,<br />

which were fully cleaned and restored, 20<br />

come from the workshops of the Tiffany<br />

Glass and Decor<strong>at</strong>ing Company, including<br />

four huge windows nearly four metres high,<br />

which accentu<strong>at</strong>e <strong>Bourgie</strong> <strong>Hall</strong>’s spectacular<br />

look. These windows were commissioned in<br />

1896 for the American Presbyterian Church<br />

on Dorchester Street (today René-Lévesque<br />

Boulevard) and were produced mainly<br />

between 1897 and 1904, during the heyday<br />

of the famous New York firm. Following the<br />

merger of the two Presbyterian communities<br />

(Erskine and American) in the 1930s, and<br />

the subsequent demolition of the American<br />

Presbyterian church which housed them, the<br />

stained-glass windows were reinstalled in the<br />

Erskine and American Church in 1937 and 1938.<br />

These stained-glass windows carry the name<br />

of the founder of the studio, New York artist<br />

Louis Comfort Tiffany (1848–1933), a leader in<br />

American design who became famous for his<br />

Art Nouveau cre<strong>at</strong>ions and the striking light<br />

effects of his pieces.<br />

A large team worked under Tiffany’s leadership<br />

to cre<strong>at</strong>e them, including Frederick Wilson, the<br />

studio’s artistic director for nearly 30 years.<br />

At least five of the windows can be safely<br />

<strong>at</strong>tributed to Wilson. The <strong>Bourgie</strong> <strong>Hall</strong> Tiffany<br />

windows constitute one of only two of the<br />

firm’s commissions for Canada and one of<br />

the few surviving religious series by Tiffany<br />

in North America. They are characterized<br />

by a milky glass with iridescent, opalesque<br />

reflections. An innov<strong>at</strong>ive permanent<br />

backlighting system has been added—a first,<br />

on this scale—allowing audiences to admire<br />

the beauty of the windows during concerts.<br />

<strong>Bourgie</strong> <strong>Hall</strong> is an exceptional setting in which<br />

to display these stained-glass windows, which<br />

are part of the collections of the Montreal<br />

Museum of Fine Arts. Their value in the visual<br />

arts and their importance in the history of<br />

art are undeniable. They contribute to the<br />

architectural beauty and unique <strong>at</strong>mosphere<br />

of <strong>Bourgie</strong> <strong>Hall</strong>. In 2010, they benefitted from<br />

an unprecedented restor<strong>at</strong>ion by Françoise<br />

Saliou, under the supervision of the MMFA.<br />

Fig. 8<br />

Angel<br />

Louis Comfort Tiffany (1848-1933), designed by<br />

Frederick Wilson (1858-1932), Angel, <strong>Bourgie</strong> <strong>Hall</strong>, MMFA<br />

(formerly the Erskine and American Church), 1904-1905,<br />

leaded glass, made by Tiffany Studios, New York.<br />

MMFA, purchase.<br />

Photo: MMFA, Christine Guest<br />

Fig. 9<br />

Charity<br />

Louis Comfort Tiffany (1848-1933), designed by<br />

Thomas Calvert (1873- after 1934), Charity, <strong>Bourgie</strong> <strong>Hall</strong>,<br />

MMFA (formerly the Erskine and American Church),<br />

about 1901, leaded glass, made by Tiffany Glass and<br />

Decor<strong>at</strong>ing Co., New York. MMFA, purchase.<br />

Photo: MMFA, Christine Guest

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