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<strong>Music</strong> At <strong>Heart</strong><br />
25<br />
The facade of the church was completely restored. Damaged stones were<br />
replaced, and a new entrance was built in front. Inside, the basement was<br />
excav<strong>at</strong>ed <strong>at</strong> ground level to give it more space and make it a real foyer connected<br />
to the underground gallery, while the choir was redesigned for staging purposes.<br />
The original church pews in the orchestra level were removed and replaced<br />
with movable chairs designed by Michel Dallaire, to ensure the vers<strong>at</strong>ility of the<br />
new se<strong>at</strong>ing arrangements. The pews in the balcony level, once restored, were<br />
retained.<br />
To prepare <strong>Bourgie</strong> <strong>Hall</strong> for its musical voc<strong>at</strong>ion, permanent sound and lighting<br />
install<strong>at</strong>ions were added. Go Multimedia (stage and electronics) and Legault<br />
& Davidson (acoustics consultants) provided <strong>Bourgie</strong> <strong>Hall</strong> with professional<br />
equipment to meet the high standards of today’s st<strong>at</strong>e-of-the-art venues. The<br />
cherry wood acoustic shell, the wood floors, the addition of sound-absorbing<br />
m<strong>at</strong>erial on the rear walls and the acoustic reflectors in the centre of the ceiling<br />
all enhance the sound qualities of the hall and maximize its intrinsic qualities.<br />
Although the<br />
acoustics of the<br />
church have always<br />
been excellent,<br />
these improvements<br />
have ensured th<strong>at</strong><br />
the sound remains<br />
optimal whether the<br />
audience is se<strong>at</strong>ed<br />
in the orchestra or<br />
the balcony levels.<br />
Construction of the Claire and Marc <strong>Bourgie</strong><br />
Pavilion of Quebec and Canadian Art of the<br />
MMFA and restor<strong>at</strong>ion of the Erskine and<br />
American Church, now <strong>Bourgie</strong> <strong>Hall</strong><br />
Photo: Bernard Fougères