Numbulwar - Exhibition Booklet
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Yir (Dilly Bags)<br />
<strong>Numbulwar</strong>'s Numburindi artists shape ghost nets<br />
into intricate Yir (dilly bags)<br />
6 June to 20 July 2024<br />
Godinymayin Yijard Rivers Arts & Culture Centre
Abandoned fishing lines,<br />
known as ghost nets, that<br />
wash up on <strong>Numbulwar</strong>’s<br />
shores are re-created into<br />
bold, bright & fibre art.<br />
Ghost nets account for<br />
about 40% of all ocean<br />
plastic. <strong>Numbulwar</strong><br />
weavers divert this plastic<br />
away from the oceans and<br />
vulnerable sea life.
About<br />
<strong>Numbulwar</strong> and their<br />
exhibition Yir (Dilly Bag)<br />
Yulki Nunggumajbarr remembers the days<br />
before the mission was established at<br />
<strong>Numbulwar</strong> in 1952. People used to go<br />
hunting for dugong, turtle, fish, crab, lily root<br />
and so on, and everything was collected up in<br />
a string bag laboriously hand made from bark.<br />
The bark was pounded into fibres, twisted into<br />
long strands, dyed with local flora, and<br />
expertly manipulated into sturdy, functional<br />
and exceptionally beautiful bags. The yir also<br />
have spiritual significance to Nunggayinbala<br />
people, as be totemic objects associated with<br />
particular sites in the landscape and<br />
containers of knowledge.<br />
The yir being produced at <strong>Numbulwar</strong> today<br />
from abandoned fishing nets echoe those<br />
string bags from the old days. The gentle<br />
repetition of loops and knots draws an<br />
immediate comparison to traditional iterations.<br />
The yir are bound together using equally<br />
compelling found materials - brightly coloured<br />
bits of wool, thin copper wire, nylon, and<br />
sometimes the laborious, ancestral<br />
handmade bark string - an amalgam that hints<br />
at contemporary life in this remote part of<br />
South East Arnhem Land. Although natural<br />
dye is replaced with brightly coloured acrylic<br />
paint, culturally significant colours and<br />
designs remain<br />
The impact of ghost nets is felt along the<br />
entire coastline of the Gulf of Carpentaria,<br />
from Nhulunbuy to Weipa. Ranger groups<br />
and shipping vessels frequently haul in<br />
‘monster’ nets, sometimes up to six<br />
kilometres long. Oceanic currents continue to<br />
bring nets thousands of kilometres into the<br />
Gulf, where they harm reefs and sea life such<br />
as dugongs and turtles. Retrieving the ghost<br />
nets and other found materials from land and<br />
sea is hard work, one of many acts of caring<br />
for Country by Nunggayinbala people.
Numburindi artists were celebrated for their<br />
work using ghost nets at Melbourne Design<br />
Week 2023. In 2021, the yir made their<br />
runway debut at Country to Couture, where<br />
some of the traditional ways of carrying yir<br />
were demonstrated, with the string across the<br />
forehead and the bag draped down the back,<br />
or the string around the neck and the bag<br />
down the chest to keep the hands free while<br />
foraging for food.<br />
<strong>Numbulwar</strong>’s yir fit as naturally in traditional<br />
applications as they do in contemporary,<br />
urban environments. Demonstrating the<br />
unbroken resourcefulness and expert<br />
manipulation of locally available materials by<br />
Numburindi people, they also speak to stories<br />
from the here and now. Some of the works in<br />
this exhibition respond to the Black Summer<br />
bushfires, a tragedy that was felt even in the<br />
most remote corners of Australia. The artists<br />
employ interesting textures, stitching, shapes,<br />
mixed media and figurative details to narrate<br />
and depict life at <strong>Numbulwar</strong>, including much<br />
of the traditional way of life that continues into<br />
the present day, such as hunting and<br />
ceremonial rituals. Playful proportions, an<br />
openness to new materials and techniques,<br />
and confident execution are the signature<br />
trademarks of Numburindi artists.
— Virginia Wilfred — Megan Wilfred<br />
— Lillian Joshua<br />
— Rose Wilfred — Jocelyn Wilfred — Joy Wilfred<br />
Bundoola<br />
— Marcia Wilfred — Carisham Wilfred<br />
The artists of<br />
<strong>Numbulwar</strong> Numburindi<br />
Arts tell the story of<br />
their art centre.
Gallery Pieces – <strong>Numbulwar</strong> Numburindi Arts<br />
Marcia Wilfred / Yir (Dilly Bag) / #425-20<br />
Carisham Wilfred / Yir (Dilly Bag) / #366-19<br />
Lillian Joshua / Yir (Dilly Bag) / #278-19<br />
Rose Wilfred / Yir (Dilly Bag) / #291-19<br />
Rose Wilfred / Yir (Dilly Bag) / #294-19<br />
Rose Wilfred / Yir (Dilly Bag) / #232-21<br />
Rose Wilfred / Yir (Dilly Bag) / #67-22<br />
Rose Wilfred / Yir (Dilly Bag) / #363-22<br />
Rose Wilfred / Yir (Dilly Bag) / #484-22<br />
Jocelyn Wilfred / Yir (Dilly Bag) / #24-21<br />
Jocelyn Wilfred / Yir (Dilly Bag) / #71-23<br />
Joy Wilfred Bundoola / Yir (Dilly Bag) / #526-19<br />
Joy Wilfred Bundoola / Yir (Dilly Bag) / #303-21<br />
Joy Wilfred Bundoola / Yir (Dilly Bag) / #396-22<br />
Joy Wilfred Bundoola / Yir (Dilly Bag) / #449-22<br />
Joy Wilfred Bundoola / Yir (Dilly Bag) / #52-23<br />
Joy Wilfred Bundoola / #56-23<br />
Joy Wilfred Bundoola / #465-23<br />
Virginia Wilfred / Yir (Dilly Bag) / #590-19<br />
Virginia Wilfred / Yir (Dilly Bag) / #361-22<br />
Megan Wilfred / Yir (Dilly Bag) / #392-19<br />
Megan Wilfred / Yir (Dilly Bag) / #297-22<br />
Megan Wilfred / #337-22<br />
Megan Wilfred / Yir (Dilly Bag) / #382-22<br />
$77<br />
$65<br />
$95<br />
$167<br />
$137<br />
$116<br />
$190<br />
$245<br />
$618<br />
$485<br />
$485<br />
$125<br />
$141<br />
$145<br />
$465<br />
$435<br />
$165<br />
$235<br />
$89<br />
$215<br />
$77<br />
$695<br />
$165<br />
$137
We gratefully acknowledge<br />
our principle sponsors