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<strong>MONDAY</strong><br />
<strong>ARTPOST</strong><br />
<strong>2024</strong>-<strong>0729</strong><br />
ISSN1918-6991<br />
<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />
Columns by Artists and Writers<br />
Bob Black / bq / Cem Turgay / Fiona Smyth /<br />
Gary Michael Dault / Holly Lee / Jeff Jackson<br />
/ Kai Chan / Kamelia Pezeshki / Lee Ka-sing<br />
/ Malgorzata Wolak Dault / Shelley Savor /<br />
Tamara Chatterjee / Tomio Nitto / Yam Lau /<br />
<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />
Edit and Design: DOUBLE DOUBLE studio. Publisher: Ocean and Pounds. ISSN 1918-6991. mail@oceanpounds.com<br />
Free Subscription: https://mondayartpost.substack.com / Support: https://patreon.com/doubledoublestudio
Several ways of not to miss<br />
a single issue of <strong>MONDAY</strong><br />
<strong>ARTPOST</strong>.<br />
subscribe.mondayartpost.com<br />
<strong>ARTPOST</strong> contributors<br />
Cem Turgay lives and works as a photographer in<br />
Turkey.<br />
Fiona Smyth is a painter, illustrator, cartoonist and<br />
instructor in OCAD University's Illustration Program.<br />
For more than three decades, Smyth has made a name<br />
for herself in the local Toronto comic scene as well as<br />
internationally.<br />
http://fiona-smyth.blogspot.com<br />
Gary Michael Dault lives in Canada and is noted for<br />
his art critics and writings. He paints and writes poetry<br />
extensively. In 2022, OCEAN POUNDS published two<br />
of his art notebooks in facsimile editions.<br />
Holly Lee lives in Toronto, where she continues to<br />
produce visual and literal work.<br />
en.wikipedia.org/wiki/Holly_Lee<br />
Kai Chan immigrated to Canada from Hong Kong in<br />
the sixties. He’s a notable multi-disciplinary artist who<br />
has exhibited widely in Canada and abroad.<br />
www.kaichan.art<br />
Kamelia Pezeshki is a photographer living in Toronto.<br />
She continues to use film and alternative processes to<br />
make photographs.<br />
www.kamelia-pezeshki.com<br />
Ken Lee is a poet and an architectural designer based<br />
in Toronto. He has been composing poetry in Chinese,<br />
and is only recently starting to experiment with writing<br />
English poetry under the pen name, “bq”.<br />
Lee Ka-sing, founder of OCEAN POUNDS, lives in<br />
Toronto. He writes with images, recent work mostly<br />
photographs in sequence, some of them were presented<br />
in the format of a book.<br />
www.leekasing.com<br />
Robert Black, born in California, is an award-winning<br />
poet and photographer currently based in Toronto.<br />
His work often deals with themes related to language,<br />
transformation, and disappearance.<br />
Sarah Teitel is a multidisciplinary artist living in<br />
Toronto. She writes poems, songs and prose; draws,<br />
sings and plays instruments.<br />
sarahteitel1.bandcamp.com/album/give-and-take<br />
Shelley Savor lives in Toronto. She paints and draws<br />
with passion, focusing her theme on city life and urban<br />
living experiences.<br />
Tamara Chatterjee is a Toronto photographer who<br />
travels extensively to many parts of the world.<br />
Tomio Nitto is a noted illustrator lives in Toronto. The<br />
sketchbook is the camera, he said.<br />
Yam Lau, born in British Hong Kong, is an artist and<br />
writer based in Toronto; he is currently an Associate<br />
Professor at York University. Lau’s creative work<br />
explores new expressions and qualities of space,<br />
time and the image. He is represented by Christie<br />
Contemporary.
http://kasingholly.com
Cityscape, City Myth<br />
Paintings by Jeff Jackson<br />
8x10 inches, 64 pages, softcover<br />
Print-on-demand paperback edition<br />
Available at BLURB, $40 CAD (plus shipping)<br />
https://www.blurb.ca/b/12067257-cityscape-city-myth<br />
Flipbook edition<br />
Available for complimentary browsing through<br />
August 31, <strong>2024</strong><br />
https://reads.doubledouble.org/<strong>2024</strong>/07/ccm.html
Cityscape, City Myth<br />
Jeff Jackson<br />
HORSE<br />
<strong>2024</strong><br />
Acrylic Wash and Oil Pastel on Handmade Paper<br />
11” x 17” Approx.
a poem<br />
Holly Lee<br />
Festival<br />
She applied colour around the skin of her eyes<br />
blue tears exploding, ejecting long tails of stars<br />
My childhood memory ran like a long river<br />
children crouched next to a manhole cover<br />
shooting marbles of rainbow colours<br />
She made themselves four doves<br />
sewed together, over<br />
fancy white chiffon headdress<br />
clinging close, embracing<br />
in front of a mirror<br />
On what was worn<br />
she added layers<br />
of Venetian lace<br />
behind hidden<br />
a trance-like gaze<br />
glittering sapphires<br />
Mid-Autumn celebration<br />
water chestnut, eaten<br />
ride with dragons’ fire<br />
fire crackers roar<br />
ashes of incense shower<br />
over our heads and bodies, all<br />
tiny flowers<br />
like evening rain<br />
the days of<br />
shooting marbles of rainbow colours<br />
My childhood cinema chirps, Woody Woodpecker,<br />
clap your hands nibble our fingers<br />
the screen opened shinned, a shrine<br />
clap your hands, count your fingers<br />
curtains down, rattling calls lingered<br />
This poem, originally written in the 80s, was recently shared with Bob Black.<br />
Bob expressed interest and offered suggestions for improvement. Thanks to<br />
his input, the revised version now evokes vivid imagery and has a smoother<br />
flow.
Sketchbook<br />
Tomio Nitto
Gary Michael Dault<br />
From the Photographs,<br />
2010-<strong>2024</strong><br />
Number 41: Leopard
CHEEZ<br />
Fiona Smyth
Greenwood<br />
Kai Chan<br />
Drawing<br />
35 x 35 cm, acrylic paint on rice paper
The Photograph<br />
Selected by<br />
Kamelia Pezeshki<br />
The calm corner by Kamelia Pezeshki
Travelling Palm<br />
Snapshots<br />
Tamara Chatterjee<br />
France (June, <strong>2024</strong>) – The giant and I met for<br />
a bite in yet another French bouillon despite<br />
the temperamental weather. As we waited in<br />
line; the skies opened up spitting monstrous<br />
rain droplets, drenching the optimistic<br />
lunch crowd in minutes. It wasn’t my first<br />
submerging in the summer flash rains, the<br />
result no doubt of climate change. At least<br />
this time we eventually took refuge inside,<br />
enjoying a lovely meal and meeting a friendly<br />
duo celebrating an 80-something birthday. We<br />
ended our meal with a sip of champagne, the<br />
quintessential mousse au chocolat and a nod<br />
to immaculate service.
Poem a Week<br />
Gary Michael Dault<br />
An Insult<br />
If you could<br />
straighten out<br />
an insult<br />
you’d see<br />
a frightened seed<br />
at one end<br />
begging for<br />
the earth<br />
of sweet flesh<br />
where the shaft<br />
of the barb<br />
will grow down<br />
like a root<br />
in reverse<br />
to be reborn<br />
a thousand years<br />
hence<br />
as a pink hand<br />
reaching up<br />
for water
Caffeine Reveries<br />
Shelley Savor<br />
Leaving
TERRAIN, ten. (Photographs by Lee Ka-sing, haiku by Gary Michael Dault<br />
in response). Read this daily collaborative column at oceanpounds.com<br />
Writhe Spirit<br />
vitalized by its own texture<br />
a settee throbs and flexes<br />
into high animality
Under the management of Ocean and Pounds<br />
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INDEXG B&B<br />
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Booking:<br />
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