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Fall 2023- Spring 2024

HISTORY

OF ART &

ARCHITECTURE

Seasonal

Newsletter


Fall 2023

Spring &

Summer 2024

Editors

Carina Haden

Kat Procopio

Nancy Safian

Noah Saltzman


TABLE OF

CONTENTS

Publications

Sheila Bonde and

Evelyn Lincoln,

Retirement

Celebration

New Faculty

Spotlights

Faculty & Grad

Student Awards

Events

Summer Course

Instructor Profiles

New Grad Student

Profiles


ITOHAN

OSAYIMWESE

Department Chair, 23-26

Associate Professor of History

of Art and Architecture,

Urban Studies

Professor Osayimwese took on

the role of Chair in the summer

of 2023. Her research interests

include Modern Architectural

History & Theory, African

Architecture & Urbanism,

Colonial and Postcolonial

Designed and Built

Environments.

Her most recent book,

Colonialism and Modern

Architecture in Germany,

(University of Pittsburgh Press,

2017) considers the effects of

colonialism on the development

of modern architecture in

Germany from the 1850s until

the 1930s.

Currently, Osayimwese is

working on a new book project,

From Barbados to Boston, which

explores the transformative

effects of migration on Anglo-

Caribbean built environments

and societies after

Emancipation.


GRAD PUBLICATIONS

Mohadeseh Salari Sardari

Sardari’s article, “Andre

Godard and Maxime Siroux:

Disentangling the Narrative of

French Colonialism and

Modern Architecture in Iran"

was featured in Cambridge

University Press, Iranian Studies

Journal.

Feier Ying

Ying published writing

throughout 2023 and early

2024 with the Zhejiang

University Journal, a

translation for the MFA Boston,

as well as a contribution to the

catalog entry of the Southern

Paradise exhibition at the

Cleveland Art Museum.

ALUMNI PUBLICATIONS

Suzanne Scanlan (‘10)

Esther Pressoir: A Modern

Woman's Painter is the first book

to present and contextualize

Esther Pressoir’s vast oeuvre,

including paintings, drawings,

prints and ceramics. The book

came out February 2024 with

Lund Humphries Publishers.

PAGE 1


Faculty Publications

Lindsay Caplan

In February, Caplan reviewed

multimedia artist Sarah

Rosalena’s exhibition at the

Columbus Museum of Art at

the Pizzuti in The Brooklyn

Rail.

In "Likeness and Liking",

Lindsay Caplan wrote about

the significance and

challenges of contemporary

generative art for Outland

Magazine, in September 2023.

Hommage to Paul Klee, 1965,

Early generative art by Frieder Nake

Dietrich Neumann

Neumann’s newest book, to be

released this September, is on

German-American architect

Miles van der Rohe.

Mies van der Rohe: An Architect in His Time

by Dietrich Neumann

Neumann also contributed an

essay and artist interview on the

work of Jamie Carpenter in the

Italian architecture magazine

DOMUS.

PAGE 2


Sheila Bonde

and Evelyn

Lincoln,

Retirement

Celebration

HIAA hosted retirement celebrations for professors Sheila Bonde and

Evelyn Lincoln, who retired from Brown after each serving 30+ years on

our faculty. As part of their retirement celebration, the department

hosted conversations with scholars and artists who reflected on the

work of these two exceptional women. This included HIAA graduate

and Professor Laurel Bestock, who explained how Professor Bonde’s

impact reached both art history and archeology. Jamie Gabbarelli,

associate curator at the Art Institute of Chicago, and Professor Andrew

Raftery of the Rhode Island School of Design spoke to Professor

Lincoln’s influence on the printmaking world.

PAGE 3


Persische Textilmalerei (Decke), 1846, by unknown

New Faculty

Spotlight:

Margaret Graves

Graves is a specialist in the art of the Islamic world,

with a particular research focus on museum objects,

the plastic arts (ceramics, metalwork, stonecarving),

and the acts and contexts of making in the medieval

and modern eras. Her current book project, Invisible

Hands, explores the craft skills of ceramics faking

and forgery for the nineteenth- and twentiethcentury

antiquities market. Before joining the

department in 2023, Professor Graves taught at

Indiana University.

PAGE 4


Faculty & Grad

Student Awards

Holly Shaffer Wins

Historians of British

Art Award

The award for a single-authored

book with a subject between 1800–

1960 was awarded to Shaffer’s

book, Grafted Arts: Art Making and

Taking in the Struggle for Western

India, 1760–1910.

Regina Noto Presented

with Schallek Award

and Kress Fellowship

In March, Noto was presented with

The Schallek Award by the

Medieval Academy of America and

The Richard III Society American

Branch for her research on latemedieval

Britain. Noto is also

traveling this summer to study in

Flanders on a fellowship from the

Samuel H. Kress Foundation.

PAGE 5


Events

Light In Theory and Practice

Through the work of art and architectural historians,

practicing architects and artists, photographers,

and poets, this lecture series considered how art

and architecture can be materialized through the

immaterial qualities of light and also dematerialized

by way of its illusions.The series was presented

between October 2023 and Spring 2024 by guest

speakers Anne Feng, Bridget Alsdorf, Krista

Thompson, and Nassos Papalexadnrou.

Vilhelm Hammershøi, Interior with an Easel,

Bredgade 25, detail. 1912.

Authorship in the Age of

Generative AI

Professor Lindsay Caplan (left) participated in a

university-wide conversation about AI in the

academy and in our data-driven society. Aligned

with this work, Professor Lindsay Caplan also cotaught

a fall 2023 course and participated in an

associated faculty reading group on artificial

intelligence.

The Historians of Eighteenth Century Art

A conference in October 2023 hosted by scholars from around

the country, as well as graduate students from Brown and around

the region. HIAA grad students led participants on tours and

object sessions with local cultural leaders from around Rhode

Island. Support from the Anonymous Family Fund was crucial to

the success of this event.

PAGE 6


The Glass Mosque

A series of public gatherings in

Spring 2024 led by Assistant

Professor Holly Shaffer brought

together visual artist Shahzia

Sikander, writer Yasmeen Siddiqui,

and composer Vijay Iyer to discuss

the concept of the “glass mosque”

as an artistic practice, and a trope

in storytelling. This course also

featured a performance and

lecture by musicians Ria Modak

and Apoorva Mudgal.

2024 Anita Glass

Memorial Lecture

On April 15, HIAA alum Byron

Ellsworth Hamann ‘94 (right) gave the

Anita Glass Memorial Lecture. His talk,

“Rebuilding Rome, Rebuilding

Tenochtitlán: Two Post-Sack Sacred

Cities in the 1520s” details the sacking

of the Aztec capital of Tenochtitlán, as

well as a similar raid of Rome just a few

years later. Hamann explains the

challenges of rebuilding cities in the

16th century after invasion and

looting, and how that process differed

between the two distant cities.

Disruption as Rapture Aga Khan Museum

Nuit Blanche Festival, Toronto 2017

PAGE 7


Pre-College Courses

in HIAA

HIAA graduate students taught pre-college classes to high schoolers this summer

Dominic Bate

The Grand Tour: Art and Travel in Eighteenth-Century

Italy and Beyond

Students explored the influx of tourism in Italy during

the eighteenth century, primarily by northern

Europeans. Students looked at the effect the Grand

Tour had on artistic sensibilities and widely held

notions of identity in Europe.

Mohadeseh Salari Sardari

Exploring Gendered Spaces in Modern Architecture

Through this course, Hosna worked with students to

examine how architectural design is used to reinforce

or challenge systems of oppression against women

and other marginalized communities, both visibly

and invisibly.

Dandan Xu

Stepping In and Out of Ink Painting

Dandan, along with her co-instructor Si Jie Loo,

looked at ink painting as a medium that spans a

range of cultures and aesthetics. Dandan led

discussions and readings on the history of ink

painting, while Si Jie taught students traditional and

unconventional water-based painting techniques.

PAGE 8


The Grand Tour: Art & Travel in

Eighteenth-Century Italy & Beyond

The course traces the origins of

modern tourism to the eighteenth

century and the European

phenomenon of the Grand Tour,

with an emphasis on the British

experience in what is now Italy. One

of the main questions asked in this

class was about how the experience

of travel has shaped people's sense

of themselves and others. Students

learned how the visual arts played an

important part in this process.

Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset,

1778 by Joseph Wright of Derby

Dominic was thrilled with his first opportunity to

design his own syllabus, and found sharing his

passion on the topics of the class deeply

rewarding. He tried to keep each class as varied

as possible, involving museum visits, analysis of

primary sources, discussion of new scholarship,

and small-group activities. The final project for

the class was a presentation on a work of art

currently on display at the RISD Museum, with

which the students connected the readings and

themes of the class.

PAGE 9


Exploring Gendered Spaces

in Modern Architecture

In this course, Hosna and her students explored the

interplay between gender and space in20th century

modern architecture. They explored how architectural

design reinforces and challenges the oppression and

control experienced by women, through a diverse

range of global and lesser-known architectural

examples, beyond the well-known masterpieces. This

course taught students to think broadly, making

connections between architecture, history, politics,

and society.

Each day, students presented on the

concepts they’d learned about featuring

examples from their hometowns. They

then connected the new material to

their previous work and engaged in

meaningful group discussions and

open Q&A sessions. For the final project,

students could either design a modern

bedroom or analyze and compare a

historical house designed for a woman

with a modern house designed for a

woman.

PAGE 10


New Grad Student

Profiles

PAGE 12


2024 HIAA

Commencement

Awards

Ann Belsky Moranis Prizes

Andrew Lu, HIAA

Grace Xiao, HIAA

Kermit S. Champa Memorial Fund

Awards

Yannick Etoundi, PhD

Max Meyer, PhD

Rebecca Molholt Vanel Awards

Matthew Kluk, PhD

Thomas Dimayuga ‘26

Nini Pharsenadze ‘25

PAGE 13

Flexible Flyer Awards

Nini Pharsenadze ‘25

Kayleigh Danowski ‘25

Outstanding Honors Theses

Angela Sha, HIAA

Jasmin Lin, Architecture

Outstanding Paper

Lillian Yanagimoto ‘25

Outstanding Architectural Design

Christian Wu


2024 PhD and

Master’s

PhD Graduates

Ciprian I. Buzilă

Dissertation: Imagining the

Modern Nation: Architect Nicolae

Ghika-Budești and the Neo-

Romanian Style

Oliver Coulson

Dissertation: Blind Sticks and

Dead Stones: Iconoclasm and

Religious Art and Architecture

in England, c.1382-1500

Masters Graduates

Julie Lassond, Integrative Studies

Mohadeseh Salari Sardari

Nainvi Vora

Peter Levins

Dissertation: Fascism’s Adriatic

Empire: Modern

Architecture and Cultural

Production in the

Interwar Western Balkans

Allison Pappas

Dissertation: “Considered Only in

Its Ultimate Nature”:

Photography Between Object

and Idea

PAGE 14


Looking Ahead To

2024-2025

Cécile Fromont Residency

Fromont, Professor of History of Art at Yale University,

will be in the department as a short term visiting

professor in October, 2024. She focuses on the

cultures of Africa and Latin America in the early

modern period. She has published two books, as well

as a co-edited issue of the journal Art History on the

“Vast Early Modern Atlantic,” just published in 2024.

The Glass Symposium: Futures of the Past

New Perspectives on the Arts of the Pre-Modern

World

Organized by Assistant Professor Gretel Rodríguez and Department Chair

Itohan Osayimwese

For decades, art and architectural historians have discussed declining

interest in the study of the pre-modern era and the growing emphasis

among emerging scholars and in current undergraduate curricula on

modern and contemporary art. The symposium will reflect on the state of the

field with a focus on the study of pre-modern art and architecture all across

the world.

Light in Art and Architecture Symposium

As part of the Brown Art Institute's IGNITE series, this symposium

celebrates Leo Villareal's LED light sculpture “Infinite Composition” in

the Nelson Atwater Lobby at the Lindemann Center. On September 27,

2024, Leo Villareal will place his work at Brown University in the larger

context of his oeuvre and examine the potential of artificial light as it

transforms architecture.

PAGE 15


Meet our New

Visiting Faculty!

Annie Maloney

Prof. Maloney is a specialist in seventeenthcentury

Italian art, with a focus on the history

of antiquarianism and early modern

painting. Maloney will be offering courses

on Global Baroque Art, Italian Baroque

architecture, antiquarianism, and cabinets of

curiosity at Brown this year. She completed

her doctoral work at Emory University in

2023.

Pamadu Tennakoon, PhD

candidate

Prof. Tennakoon is teaching a fall class

called Designed in English Style: Colonial

Architecture of South Asia. This course takes

a journey through time, highlighting the

different roles played by colonial

architecture in the evolution of South Asia.

Fosca Maddaloni, Dean's

Faculty Fellow in Spring 2025

Prof. Maddaloni is teaching Patterns of

Exchange: Ornament in Art and

Architecture Between Local and Global.

This seminar will explore design history

through the study of selected decorative

motifs and design tropes.

PAGE 16

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