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Joy Wolfenden Brown 'Feather'

Fully illustrated catalogue to accompany the solo exhibition 'Feather' by Joy Wolfenden Brown at Anima Mundi, St Ives

Fully illustrated catalogue to accompany the solo exhibition 'Feather' by Joy Wolfenden Brown at Anima Mundi, St Ives

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<strong>Joy</strong> <strong>Wolfenden</strong> <strong>Brown</strong> ‘Feather’


“Thus am I ‘a feather on the breath of God’’<br />

Hildegard of Bingen, 1098-1179


Introduction<br />

“Tis said far down beneath the wild commotion.<br />

That peaceful stillness reigneth evermore”.<br />

Harriet Beecher, American Author and<br />

Abolishionist, 1811-1896<br />

Do words help? I don’t know. If I write words<br />

am I saying the same thing as before but in a<br />

slightly different way? Like my paintings, I am<br />

tempted at this point, to be speechless, a little.<br />

The journey is a continuation of the same<br />

journey; the new paintings reflecting the<br />

next ‘section’.<br />

Each painting starts at a point of not knowing,<br />

not thinking; nothing. If you were to watch<br />

me in my ‘studio’ I think you might find it<br />

quite a joke! Sitting silently, ‘ half -hearing’,<br />

dithering, piecing bits together. Heaving<br />

large paintings around a tiny space, foraging<br />

for scraps of old paintings, shuffling around<br />

on my knees (causing callouses on my knees<br />

and feet!). All in order to make a stammering<br />

start. Painting and overpainting, I often find<br />

that the exploration leads me back to another<br />

portrait, another lone figure, until I recognise<br />

something fractionally new that utters itself<br />

into the painting and my heart responds.<br />

A tiny breakthrough… and so there is this<br />

spiritual shuffle… both feeble and true.<br />

It catches me unawares when, for example, a<br />

feather appears in my paintings and the feather<br />

feels like it is one of those tiny breakthroughs…<br />

but I am reluctant to ‘speak’ that, incase<br />

it becomes something other than it is.<br />

<strong>Joy</strong> <strong>Wolfenden</strong> <strong>Brown</strong>, 2024<br />

“We shall not cease from exploration<br />

And the end of our exploring will be to arrive<br />

where we started.<br />

And we know the place for the first time.<br />

Through the unknown, unremembered gate<br />

When the last of the earth left to discover<br />

Is that which was the beginning;<br />

At the source of the longest river<br />

The voice of the hidden waterfall<br />

And the children in the apple-tree<br />

Not known, because not looked for<br />

But heard, half-heard, in the stillness<br />

Between two waves of the sea.<br />

Quick now, here, now, always-<br />

A condition of complete simplicity<br />

(Costing less than everything)<br />

And all shall be well and<br />

All manner of thing shall be well.”<br />

T.S. Elliot ‘Little Gidding’<br />

The Sadness That Rose and Fell in Me Was Like the Tides (Elizabeth Strout)<br />

oil on paper, 15 x 27 cm<br />

2


53


4


In the Stillness<br />

oil on fine linen canvas, 114 x 112 cm<br />

5


If I Rise On The Wings Of The Dawn (Psalm 139 vs 9)<br />

6<br />

oil on paper, 21 x 33 cm


Oceans<br />

oil on paper, 21 x 33 cm<br />

7


8


I Came to the Sea and Was Silent<br />

oil on board, 41 x 56 cm<br />

9


Feather Heart<br />

oil on fine linen canvas, 118 x 114 cm<br />

10


11


12


Still, Small Voice<br />

oil on fine linen canvas, 41 x 36 cm<br />

13


Song<br />

oil on paper, 41 x 36 cm<br />

14


15


Three Boats<br />

16<br />

oil on paper, 22 x 18 cm


On Quiet Days<br />

oil on paper, 15 x 22 cm<br />

17


Her Inward Glance<br />

oil on fine linen canvas, 52 x 37 cm<br />

18


19


20


Home<br />

oil on paper, 24 x 16 cm<br />

21


On Water<br />

22<br />

oil on paper, 15 x 26 cm


Listener<br />

oil on paper, 16 x 29 cm<br />

23


24


Half-Heard, in the Stillness Between Two Waves (T.S.Elliot)<br />

oil on paper, 12 x 14 cm<br />

25


Secret Heart<br />

oil on board, 42 x 30 cm<br />

26


27


28


Enfolded<br />

oil on paper, 43 x 15 cm<br />

29


Homefront<br />

oil on board, 114 x 112 cm<br />

30


31


32


White Tulips<br />

oil on paper, 42 x 28 cm<br />

33


Half-Heard<br />

oil on board, 42 x 30 cm<br />

34


35


Feather (Blue)<br />

36<br />

oil on paper, 22 x 10 cm


Feather (Gold)<br />

oil on paper, 20 x 12 cm<br />

37


38


Three Feathers<br />

oil on paper, 18 x 18 cm<br />

39


Four Feathers<br />

oil on paper, 24 x 37 cm<br />

40


41


42


Her Heart’s Flight<br />

oil on paper, 15 x 22 cm<br />

43


Night Song<br />

44<br />

oil on paper, 14 x 26 cm


Oh Dove<br />

oil on paper, 14 x 26 cm<br />

45


Morning Has Broken<br />

46<br />

oil on paper, 20 x 28 cm


Home on the Wind<br />

oil on paper, 20 x 31 cm<br />

47


48


Yellow Bird<br />

oil on paper, 14 x 20 cm<br />

49


Oh For The Wings of a Dove (Ps. 55:6)<br />

oil on paper, 18 x 30 cm<br />

50


51


Hidden Story<br />

oil on paper, 19 x 15 cm<br />

52


Oh Horse<br />

oil on paper, 20 x 17 cm<br />

53


54


Biography<br />

<strong>Joy</strong> <strong>Wolfenden</strong> <strong>Brown</strong>’s intimate oil paintings feel hauntingly familiar,<br />

possessing a raw emotional, honesty. She captures fleeting fragments<br />

of memory, moments in time where the inherent vulnerability of the<br />

figures depicted, often in isolation, is palpable. These are lovingly yet<br />

spontaneously executed reflections on the human condition, which have<br />

an unnervingly, yet simultaneously comforting, unguarded quality.<br />

<strong>Joy</strong> <strong>Wolfenden</strong> <strong>Brown</strong> is a British artist born in Stamford, Lincolnshire.<br />

She currently lives in Bude, North Cornwall. She graduated from Leeds<br />

University then completed a post-graduate diploma in Art Therapy at<br />

Hertfordshire College of Art & Design and worked as an Art Therapist<br />

for ten years before moving to Cornwall in 1999. Since then she has<br />

had numerous solo exhibitions and was the First Prize Winner in<br />

The National Open Art Competition, 2012. She was also awarded the<br />

Somerville Gallery painting prize in 2003 and first prize winner at the<br />

Sherborne Open in 2007 and the Evolver prize at The RWA in 2019 and<br />

the Judges Choice at the Chaiya Art Award 2023. Works were acquired by<br />

the Anthony Pettullo Outsider Art Collection in Milwaukee with further<br />

works held in collections worldwide.<br />

Unsleeping Light<br />

oil on paper, 38 x 38 cm<br />

55


Published by Anima Mundi to coincide with <strong>Joy</strong> <strong>Wolfenden</strong> <strong>Brown</strong> ‘Feather’<br />

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or<br />

by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers<br />

Photography by Claira Matheson<br />

Anima Mundi . Street-an-Pol . St. Ives . Cornwall . +44 (0)1736 793121 . mail@animamundigallery.com . www.animamundigallery.com


www.animamundigallery.com

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