Gorringe's Old Master to Modern British Sale
Tuesday 10th September starting at 10am https://auction.gorringes.co.uk/auction-catalog/100924
Tuesday 10th September starting at 10am
https://auction.gorringes.co.uk/auction-catalog/100924
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Gorringe’s<br />
<strong>Old</strong> <strong>Master</strong> <strong>to</strong> <strong>Modern</strong> <strong>British</strong><br />
Tuesday10th September 2024<br />
1
2
<strong>Old</strong> <strong>Master</strong><br />
<strong>to</strong> <strong>Modern</strong> <strong>British</strong><br />
Clifford Lansberry - Partner<br />
+44 (0)1273 472503<br />
clifford@gorringes.co.uk<br />
Tuesday 10th September<br />
10.00 am<br />
Rosie Byard<br />
+44 (0)1273 472503<br />
rosie@gorringes.co.uk<br />
15 North Street, Lewes, Sussex BN7 2PE<br />
VIEWING<br />
Friday 6th September 9 - 4.30p.m<br />
Saturday 7th September 9 - 1.00p.m<br />
Monday 9th September 9 - 4.30p.m<br />
BUYER’S PREMIUM<br />
25% + VAT<br />
payable on the hammer price of all lots<br />
IMPORTANT CHANGES TO OUR<br />
BIDDING PROCEDURE<br />
Please note that, owing <strong>to</strong> the recent introduction<br />
of Money Laundering Regulations, clients wishing <strong>to</strong><br />
bid in this auction are likely <strong>to</strong> be asked <strong>to</strong><br />
provide two forms of identification. This applies <strong>to</strong><br />
both new and existing clients.<br />
General Enquiries:<br />
Tel: 01273 472503<br />
clientservices@gorringes.co.uk<br />
Cover: Lot 90<br />
Back Cover: Lot 145<br />
Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535<br />
Gorringes is a trading name of Gorringes LLP
SALE NOTICES<br />
SALE SYMBOLS<br />
§ Artist’s resale right - 4% on the hammer price<br />
† VAT on the hammer price<br />
* Import tax of 5% on the hammer price<br />
** Import tax of 20% on the hammer price<br />
BIDDING<br />
You may bid in the room, by commission bid, by telephone or live online. To register <strong>to</strong> bid in the room please visit the<br />
cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a<br />
bidding form. Bids must be received no later than 9 a.m. on the saleday.<br />
TELEPHONE BIDDING<br />
Telephone bids must be received no later than close of business on the 9th September.<br />
ONLINE BIDDING<br />
There are three online bidding platforms <strong>to</strong> choose from; thesaleroom.com, easylive.co.uk and GorringesLive. All have<br />
different additional charges on <strong>to</strong>p of the hammer price and buyer’s premium.<br />
CONDITION REPORTS<br />
Rarely are things at auction in perfect condition so do satisfy yourself as <strong>to</strong> the condition of each lot. Condition reports<br />
are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you<br />
require further information about a lot.<br />
VAT<br />
Please note that due <strong>to</strong> the withdrawal of the Retail Export Scheme by HMRC, we are unable <strong>to</strong> provide VAT refunds<br />
documentation for hand-carried exports. In order <strong>to</strong> qualify for a VAT refund, your lots must be exported by a shipper and<br />
valid exportation documentation must be provided.<br />
PAYMENT TERMS<br />
Payment is required by Friday 13th September by debit card, BACS, Worldpay and cash (subject <strong>to</strong> money laundering<br />
regulations). Please note we do not accept credit cards or American Express.<br />
PACKING, DELIVERY & SHIPPING<br />
Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim <strong>to</strong> provide in-house packing<br />
where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a<br />
shipper in order <strong>to</strong> access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and<br />
International shipping specialists.<br />
BOOK A COLLECTION<br />
Collection is by appointment only. You need <strong>to</strong> book a collection time by 4pm the previous day. Visit the website or follow<br />
the link on your invoice <strong>to</strong> book a collection time. Purchases not collected within two weeks of the sale date will be held<br />
in s<strong>to</strong>rage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special arrangements <strong>to</strong> be<br />
made regarding s<strong>to</strong>rage.<br />
CONDITIONS OF SALE<br />
Visit www.gorringes.co.uk for full conditions of sale.
411<br />
5
Lot 1<br />
Gervase Spencer (c.1715-1763)<br />
Miniature portrait of Admiral Lord Hawke<br />
watercolour on ivory<br />
initialled and dated 1748, 40 x 32 mm,<br />
CITES Submission reference DS29XH47<br />
£500 - 700<br />
Lot 2<br />
After Louis Tocqué (French, 1696-<br />
1772)<br />
Portrait of Queen Marie-An<strong>to</strong>inette<br />
of France in state robes<br />
oil on canvas<br />
190 x 125cm<br />
£800 - 1,200<br />
6
Lot 3<br />
* Follower of Willem Wissing (1656-<br />
1687)<br />
Portrait of a gentleman, three quarter<br />
length, in a brown waistcoat, lace jabot<br />
and crimson wrap, leaning on a s<strong>to</strong>ne<br />
pedestal<br />
oil on canvas<br />
124 x 100cm, in a George III carved<br />
giltwood frame<br />
Provenance: Christie’s 26th Oc<strong>to</strong>ber,<br />
2011, Lot 1250: thence Private collection<br />
Guernsey<br />
Please note this lot attracts an additional<br />
import tax of 5% on the hammer price<br />
£4,000 - 6,000<br />
7
Lot 4<br />
* Studio of Sir Anthony Van Dyck (1599-<br />
1641)<br />
Portrait of Lady Mary Villiers (1622-1641),<br />
Lady Herbert and later Duchess of Lennox<br />
and Richmond (1622-1685), full-length,<br />
seated in a landscape as St Agnes, her<br />
right arm resting on a lamb and a palm<br />
branch in her left hand<br />
oil on canvas<br />
inscribed Mary Duchess of Richmond<br />
Daughter of George Duke of Buckingham<br />
1640<br />
213 x 130cm<br />
Please note this lot attracts an additional<br />
import tax of 5% on the hammer price<br />
£20,000 - 30,000<br />
Lady Mary Villiers was the daughter of Sir<br />
George Villiers, 1st Duke of Buckingham<br />
and Lady Katherine Manners (d.1649). She<br />
as only six when her father was murdered in<br />
1628 and came under protection of Charles<br />
I. Her first marriage <strong>to</strong> Charles Lord Herbert<br />
in 1634 was brief as he died of smallpox in<br />
1635. In 1637 she married the 4th Duke of<br />
Lennox and was given away by Charles I. He<br />
was created Duke of Richmond in 1641. They<br />
had two children Esmé Stuart (1649-1660)<br />
and Lady Mary Stewart who married Richard<br />
Butler 1st Earl of Arran. After the Duke of<br />
Richmond died in 1655 the Duchess went in<strong>to</strong><br />
exile in Paris with her son. He died in Paris in<br />
1660 and she returned <strong>to</strong> England probably<br />
after the res<strong>to</strong>ration. Sometime between<br />
1660 and 1664 she married Colonel Thomas<br />
Howard (d.1678) about whom little is known.<br />
Provenance: (Probably) Queen Elizabeth of<br />
Bohemia (1599-1662), the ‘Winter Queen’,<br />
eldest daughter of King James VI and I<br />
of Scotland and England, sister of King<br />
Charles I, possibly at the Wassenaer Hof<br />
am Kneuterdjik, The Hague, and at the<br />
Koningshuis, Rhenen, by whom bequeathed<br />
<strong>to</strong> her friend William Craven, 1st Earl of<br />
Craven (1608-1697), at Coombe Abbey,<br />
Warwickshire, and by descent; Phillips,<br />
London, 11th December 1984, Lot 3;<br />
Christie’s 9th December 2011, Lot 36, thence<br />
Private collection Guernsey<br />
8
Lot 5<br />
English School c.1740<br />
Portrait of John Wale Esq. (1701-1796)<br />
of Colne Priory, gentlemen of the bed<br />
chamber <strong>to</strong> King William III (in evening<br />
court dress)<br />
oil on canvas<br />
82 x 66cm<br />
£1,500 - 2,000<br />
Lot 6<br />
Hendrick Goltzius (German/Dutch, 1558–1617)<br />
Portrait of Henry IV, King of France<br />
original engraving, 1595–98<br />
Hollstein 193, New Holstein 226 iv/v Bartsch 173 ii/iii<br />
34.7 x 24.9cm<br />
£400 - 600<br />
Lot 7<br />
Georg Pencz (German, 1500-1550)<br />
Joseph sold <strong>to</strong> the merchants<br />
original engraving 1546<br />
Bartsch 11, only state<br />
10.7 x 7.8cm<br />
£300 - 500<br />
9
Lot 8<br />
After Adriaen Van Ostade (Dutch, 1610-1685)<br />
Figures outside a rustic house<br />
oil on oak panel<br />
44 x 34cm<br />
£400 - 600<br />
Lot 9<br />
Hans Sebald Beham (German, 1500-1550)<br />
Hercules killing Nessus<br />
original engraving 1542<br />
B. 97, Hollstein 106 iii or iv/vi, Plate 9 of the series<br />
of twelve ‘Labours of Hercules’<br />
5 x 8cm<br />
£300 - 500<br />
Lot 10<br />
Maerten de Vos (Dutch, 1532-1603<br />
The Four Seasons<br />
set of four engravings c.1590<br />
Hollstein 1424 – 1427 1/iii,<br />
with Philip Galle’s address (1st or 2nd edition)<br />
Hyems (Winter) with Gothic P watermark<br />
9.6 x 13.2cm<br />
£300 - 500<br />
10
Lot 11<br />
Attributed <strong>to</strong> John Woot<strong>to</strong>n<br />
(English, 1682-1764)<br />
Partridge shooting with a view on<br />
the upper Avon<br />
oil on canvas<br />
76 x 131cm<br />
£5,000 - 7,000<br />
Lot 12<br />
Attributed <strong>to</strong> Johann van der<br />
Hagen (Dutch, 1676-1745)<br />
‘Smack rigged Royal yachts’<br />
oil on canvas<br />
74 x 61cm<br />
£500 - 800<br />
11
Lot 13<br />
Continental School<br />
Still life of fruit in the 17th century<br />
style<br />
oil on canvas<br />
82 x 110cm<br />
£400 - 600<br />
Lot 14<br />
After Abraham Mignon (German,<br />
1640-1679)<br />
17th century style still life of fruit,<br />
a rummer and a gilt cup and cover<br />
upon a ledge<br />
oil on canvas<br />
monogrammed<br />
62 x 75cm<br />
£400 - 600<br />
Lot 15<br />
After Anthony Van Dyck (1599-1641)<br />
Madonna and child<br />
oil on canvas<br />
100 x 85cm<br />
£400 - 600<br />
12
Lot 16<br />
Pieter Bout (Brussels 1658-1702) and<br />
Adriaen Frans Boudewijns (Brussels<br />
1644-1711)<br />
A coastal port with figures moving<br />
cargo and A fortified <strong>to</strong>wn with<br />
revellers beyond the walls<br />
oil on panel, a pair<br />
23 x 32cm<br />
£2,500 - 3,500<br />
Lot 17<br />
Follower of Jean-Baptiste-<br />
Siméon Chardin (French,<br />
1699-1799)<br />
Still life with a lobster and<br />
pears<br />
oil on canvas<br />
53 x 68.5cm<br />
£1,500 - 2,000<br />
13
Lot 18<br />
After Sir Joshua Reynolds RA,<br />
(<strong>British</strong> 1723-1792)<br />
‘The Strawberry Girl’<br />
oil on canvas<br />
31 x 26cm<br />
£500 - 800<br />
Lot 19<br />
19th Century<br />
English School<br />
The Battle of<br />
St Vincent, 14<br />
February 1797<br />
oil on canvas<br />
78 x 125cm<br />
£1,000 - 1,500<br />
Lot 20<br />
William Hogarth<br />
(English, 1697-<br />
1764)<br />
The Harlots<br />
Progress c.1775,<br />
Jane Hogarth<br />
edition<br />
set of eight<br />
engravings<br />
30.5 x 58cm<br />
£400 - 600<br />
14
Lot 21<br />
William Callcott Knell (<strong>British</strong>,<br />
1830-1876)<br />
Shipping at anchor on a calm<br />
sea<br />
oil on canvas<br />
signed and dated 1868<br />
22 x 29cm<br />
£400 - 600<br />
Lot 22<br />
Attributed <strong>to</strong> Richard Wilson<br />
(English, 1714-1782)<br />
Mountainous scene with lake,<br />
tree and figures crossing a<br />
bridge<br />
oil on canvas<br />
41 x 58cm<br />
£600 - 800<br />
Lot 23<br />
Circle of Richard<br />
Parkes Boning<strong>to</strong>n<br />
(English, 1802–1828)<br />
Fisherfolk on the<br />
shore at low tide<br />
oil on wooden panel<br />
28 x 46cm<br />
£400 - 600<br />
15
Lot 24<br />
Theodore Rousseau (French, 1812-1867)<br />
Paysage à la Mare c.1845-50<br />
oil on wooden panel<br />
signed<br />
23 x 43cm<br />
£1,500 - 2,500<br />
Lot 25<br />
Circle of Thomas Luny (<strong>British</strong>,<br />
1759-1837)<br />
A burning ship at night<br />
oil on canvas<br />
24 x 29cm<br />
£300 - 500<br />
Lot 26<br />
Early 19th century English School<br />
HMS Britannia in Portsmouth<br />
harbour<br />
oil on canvas<br />
41 x 46cm<br />
£400 - 600<br />
16
Lot 27<br />
John Ferneley Snr.<br />
(<strong>British</strong>, 1781-1860)<br />
Portrait of a bay<br />
mare and foal in a<br />
landscape<br />
oil on canvas<br />
signed and dated<br />
Mel<strong>to</strong>n Mowbray 1840<br />
70 x 89cm<br />
£2,000 - 3,000<br />
Lot 28<br />
18th century French<br />
School<br />
Venus sleeping in<br />
a landscape with<br />
attendants<br />
oil on canvas<br />
54 x 71cm<br />
£400 - 600<br />
17
29<br />
30<br />
31<br />
32<br />
18
Lot 29<br />
Benjamin Smith after Sir William Beechey R.A.<br />
His Most Gracious Majesty King George III<br />
stipple engraving<br />
publ. Boydell December 1804, 59 x 40cm<br />
Lot 30<br />
£200 - 300<br />
I.C. Easting after Robert Home<br />
His Grace Field Marshal Arthur, Duke of<br />
Welling<strong>to</strong>n, Marquis Douro, K.G.K.B.<br />
engraving, publ. January 1813 by R. Cribb & Son,<br />
plate 58 x 39cm<br />
£300 - 500<br />
Lot 32<br />
James Watson after Benjamin West<br />
The Honourable Robert Monck<strong>to</strong>n, Governor of<br />
New York<br />
proof before letters mezzotint c.1762<br />
49.5 x 36cm<br />
Lot 33<br />
19th century English School<br />
Shipping off a port<br />
oil on canvas<br />
35 x 45cm<br />
£300 - 500<br />
£400 - 600<br />
Lot 31<br />
James Faed after Alexander Melville<br />
Portrait of General Gordon seated in uniform<br />
with remarqué proofs of a dispatch in Arabic and<br />
facsimile paper money used at Khar<strong>to</strong>um<br />
mezzotint<br />
signed in pencil, publ. 1886<br />
54 x 42.5cm<br />
£200 - 300<br />
19
Lot 34<br />
Vic<strong>to</strong>rian School<br />
Portrait of a lady wearing<br />
a pearl necklace and drop<br />
earrings<br />
oil on canvas<br />
57 x 49cm<br />
£400 - 600<br />
Lot 35<br />
Attributed <strong>to</strong> Hippolyte-<br />
Dominique Berteaux (French,<br />
1843-1926)<br />
Study of an amorini<br />
oil on canvas<br />
framed <strong>to</strong> the oval, 44 x 34cm<br />
£200 - 300<br />
Lot 36<br />
James Charles (<strong>British</strong>, 1851-1906)<br />
Seated child in a red coat<br />
oil on canvas<br />
signed<br />
56 x 43cm<br />
£800 - 1,200<br />
20
Lot 37<br />
Myles Birket Foster RWS (1825-1899)<br />
‘The <strong>Old</strong> Keep’<br />
watercolour<br />
monogrammed<br />
14 x 18.5cm<br />
£400 - 600<br />
Lot 38<br />
Myles Birket Foster RWS (1825-1899)<br />
The Forum - Rome<br />
watercolour<br />
monogrammed<br />
15 x 19cm<br />
£400 - 600<br />
Lot 39<br />
Walter Hunt (1861-1941)<br />
Calves, a puppy and<br />
poultry in a barn<br />
oil on canvas<br />
50 x 75cm<br />
£1,000 - 1,500<br />
21
40<br />
41<br />
42<br />
43<br />
22
44<br />
Lot 40<br />
Alfred George Stevens (English,<br />
1817-1875)<br />
Head studies<br />
sepia chalk on paper<br />
30.5 x 25cm<br />
Lot 41<br />
£300 - 400<br />
Alfred George Stevens (English,<br />
1817-1875)<br />
Life study sketch of a woman<br />
holding a folio<br />
sepia chalk on paper, 26 x 23cm<br />
Lot 42<br />
£300 - 400<br />
Alfred George Stevens (English,<br />
1817-1875)<br />
Study of five standing figures<br />
conté crayon and wash on light buff<br />
paper, 32 x 22cm<br />
Lot 43<br />
£200 - 300<br />
Alfred George Stevens (English,<br />
1817-1875)<br />
Study of medieval figures<br />
pencil and wash heightened with gilt<br />
29.5 x 20cm<br />
£200 - 300<br />
Lot 44<br />
James Salt (1850-1903)<br />
View of Venice<br />
oil on canvas<br />
signed<br />
45 x 80cm<br />
Lot 45<br />
19th Century Welsh School<br />
Welsh women in landscapes<br />
oil on board, a pair<br />
35 x 25cm<br />
45<br />
£300 - 500<br />
£300 - 500<br />
23
Lot 46<br />
William Callow (<strong>British</strong>, 1812-1908)<br />
The Great Church of St Laurence,<br />
Rotterdam<br />
watercolour<br />
signed and dated 1881, exhibited at the<br />
RWS in 1881<br />
38 x 56cm<br />
£700 - 1,000<br />
Lot 47<br />
Joseph Zéphyris Gengembre (French,<br />
1818-1870)<br />
Encampment in the desert with seated<br />
Arab warrior and horses<br />
oil on canvas<br />
signed<br />
36 x 44cm<br />
£300 - 500<br />
24
Lot 48<br />
Hubert Henrard<br />
(Belgian, 1816-1898)<br />
Portrait of a saddled<br />
horse in a stable<br />
oil on canvas<br />
signed and dated 1871<br />
44 x 56cm<br />
£400 - 600<br />
Lot 49<br />
George Henry<br />
Laporte (English,<br />
1799-1873)<br />
‘The Sweep’, portrait<br />
of a black horse in a<br />
landscape<br />
oil on canvas<br />
initialled and dated<br />
1850, 70 x 91cm<br />
£800 - 1,200<br />
25
Lot 50<br />
Circle of Jean-Leon Gerome<br />
(French, 1824-1904)<br />
‘...Sur Seine, near Paris’<br />
oil on canvas<br />
30 x 20cm<br />
£800 - 1,200<br />
Lot 51<br />
* Sir Edward Coley Burne-Jones,<br />
Bt; A.R.A; R.W.S. (<strong>British</strong>, 1883-<br />
1898)<br />
Head of a girl, possibly Maria<br />
Zambaco<br />
pencil on paper<br />
13.5 x 10.5cm<br />
£1,500 - 2,500<br />
Lot 52<br />
19th century English School<br />
Children with pet rabbits<br />
oil on canvas<br />
76 x 98cm<br />
£500 - 800<br />
26
Lot 53<br />
James Burrell Smith (<strong>British</strong>, 1822-1897)<br />
A scene on the Rhein<br />
watercolour<br />
signed and dated 1880, 55 x 106cm<br />
Lot 54<br />
James Burrell Smith<br />
(<strong>British</strong>, 1822-1897)<br />
Italian landscape with<br />
horse, cart and s<strong>to</strong>ne<br />
bridge<br />
watercolour<br />
signed and dated 1879<br />
17 x 47cm<br />
£150 - 200<br />
£500 - 800<br />
Lot 55<br />
James Burrell Smith<br />
(<strong>British</strong>, 1822-1897)<br />
‘Marksburg on the Rhein’<br />
watercolour<br />
signed and dated 1884<br />
20 x 49cm<br />
£200 - 300<br />
27
Lot 56<br />
William Blake (<strong>British</strong>, 1757-1827)<br />
four plates from Thorn<strong>to</strong>n’s “Pas<strong>to</strong>rals of Virgil”<br />
wood engravings<br />
probably late 19th/early 20th century reprints; Blasted trees and flattened crops,<br />
a Rolling S<strong>to</strong>ne is ever bare of moss, Thenot remonstrates with Colinet, the<br />
Shepherd chases away a wolf, 2.5 x 7.3cm<br />
£400 - 600<br />
Lot 57<br />
Henry Garland (<strong>British</strong>,<br />
fl.1854-1890)<br />
‘Before the hawking<br />
party’<br />
oil on canvas<br />
signed and dated ‘68<br />
76 x 113cm<br />
£2,000 - 3,000<br />
28
Lot 58<br />
Francisco Miralles (Spanish, 1848-1901)<br />
‘An outing on donkeys’<br />
oil on canvas<br />
71 x 90cm<br />
£3,000 - 5,000<br />
Lot 59<br />
Edma Morisot Pontillon (French,<br />
1839-1921)<br />
Riverscape and Landscape<br />
oil on canvas, a pair<br />
both signed<br />
48 x 64cm<br />
£400 - 600<br />
29
Lot 60<br />
Gas<strong>to</strong>n Hochard (French, 1863-1913)<br />
‘Les Bouquinistes’<br />
oil on wooden panel<br />
signed<br />
26 x 34cm<br />
£300 - 500<br />
Lot 61<br />
Frederick Goodall RA (English, 1822-1904)<br />
‘On the banks of the Nile’<br />
oil on canvas<br />
monogrammed and dated 1925<br />
50 x 100cm<br />
Lot 62<br />
£2,000 - 3,000<br />
Walter & Cohn after Wolf and Richter (John<br />
Gould)<br />
24 hand coloured lithographs from Gould’s<br />
Birds of Great Britain<br />
lithographs with hand-colouring on wove paper<br />
55 x 36cm, unframed and unmounted<br />
£400 - 600<br />
30
Lot 63<br />
Arthur Batt (English, 1846-<br />
1911)<br />
Chickens in a farmyard<br />
oil on canvas<br />
signed and dated 1887<br />
25 x 35cm<br />
£700 - 900<br />
Lot 64<br />
Arthur Bur<strong>to</strong>n (English,<br />
fl.1894-1907)<br />
Reclining nymph<br />
oil on canvas<br />
signed<br />
24 x 75cm<br />
£1,200 - 1,800<br />
Lot 65<br />
Pierre Henri Théodore Tetar<br />
Van Elven (Dutch/French,<br />
1828-1908)<br />
View of Cannes<br />
oil on canvas<br />
signed<br />
39 x 52cm<br />
£500 - 700<br />
31
Lot 66<br />
Walter Duncan (English,<br />
1848-1932)<br />
‘The Morning Walk’<br />
oil on canvas<br />
signed<br />
55 x 106cm<br />
£1,000 - 1,500<br />
Lot 67<br />
Charles Henry Tenré<br />
(French, 1864-1926)<br />
Jeune femme à sa <strong>to</strong>ilette<br />
oil on canvas<br />
signed<br />
40 x 48cm<br />
£1,000 - 1,500<br />
32
Lot 68<br />
French Impressionist<br />
School<br />
Chateau viewed from the<br />
river<br />
oil on canvas<br />
57 x 80cm<br />
£1,200 - 1,800<br />
Lot 69<br />
Arthur Wardle (<strong>British</strong>,<br />
1864-1949)<br />
Terrier and cat beside a<br />
plate of milk<br />
watercolour<br />
signed<br />
47 x 65cm<br />
£400 - 600<br />
33
Lot 70<br />
William Lucas (English, 1867-1951)<br />
Woman playing the grand piano<br />
oil on board<br />
signed and dated 1906<br />
41 x 31.5cm<br />
Lot 71<br />
£300 - 500<br />
Arthur George Ventnor (<strong>British</strong>, 1866-<br />
1934),<br />
‘A Frugal Tea’<br />
oil on canvas<br />
signed and indistinctly dated<br />
30 x 35cm<br />
Lot 72<br />
£300 - 500<br />
Arthur George Ventnor (<strong>British</strong>, 1866-<br />
1934)<br />
Tea table still life with parkland beyond<br />
oil on canvas<br />
signed<br />
27 x 30cm<br />
£300 - 500<br />
34
Lot 73<br />
Albert Goodwin RWS<br />
(<strong>British</strong>, 1845-1932)<br />
‘Venice’<br />
watercolour<br />
signed and dated 1902<br />
52 x 75cm<br />
£2,000 - 3,000<br />
Lot 74<br />
Edgar Longstaffe (<strong>British</strong>,<br />
1852-1933)<br />
Highland landscapes with<br />
cattle and angler<br />
oil on canvas, a pair<br />
monogrammed<br />
35 x 30cm<br />
£400 - 600<br />
35
Lot 75<br />
Joseph Holmstedt<br />
(Austrian, 1841-1918)<br />
Norwegian fjord<br />
oil on canvas<br />
signed<br />
71 x 97cm<br />
£500 - 800<br />
Lot 76<br />
Adrien Jacques Sauzay (French,<br />
1841-1928)<br />
Figures in a landscape with<br />
haystacks<br />
oil on panel<br />
signed<br />
16 x 28cm<br />
£200 - 300<br />
Lot 77<br />
Herbert Marshall (1841-1913)<br />
The Tower from the Thames and<br />
two London street scenes<br />
watercolours (3)<br />
signed and dated 1884<br />
38 x 56cm and 56 x 36cm<br />
£500 - 700<br />
36
Lot 78<br />
William Woodhouse<br />
(<strong>British</strong>, 1857-1939)<br />
‘After the shoot’;<br />
Cumberland spaniel and<br />
game<br />
oil on panel<br />
signed<br />
29 x 24cm<br />
£800 - 1,200<br />
Lot 79<br />
Paul Jones (English, fl.1855-1888)<br />
Gamekeeper’s pony and dogs in a<br />
landscape<br />
oil on panel<br />
signed and dated 1887<br />
16 x 21.5cm<br />
£300 - 500<br />
Lot 80<br />
Alfred Théodore Joseph Bastien<br />
(Belgian, 1873-1955)<br />
Table <strong>to</strong>p still life with wine and<br />
cherries<br />
oil on canvas<br />
signed, 90 x 100cm<br />
£200 - 300<br />
37
Lot 81<br />
Delphin Enjolras (French, 1857-1945)<br />
Jeunes femmes jouant aux cartes<br />
oil on canvas<br />
signed<br />
60 x 73 cm.<br />
£3,000 - 5,000<br />
Lot 82<br />
Margaret Dovas<strong>to</strong>n (<strong>British</strong>, 1884-<br />
1954)<br />
‘The Chess Match’<br />
oil on canvas<br />
signed and dated 1927<br />
45 x 60cm<br />
£2,000 - 3,000<br />
38
Lot 83<br />
Edward Atkinson Hornel<br />
(Scottish, 1864-1933)<br />
Portrait of a Japanese woman<br />
oil on board<br />
signed and indistinctly dated<br />
32 x 22cm<br />
£8,000 - 12,000<br />
Lot 84<br />
European School c.1920<br />
Black model in a studio<br />
pastel and charcoal on paper<br />
87 x 53cm<br />
£300 - 500<br />
Lot 85<br />
Albert Chevallier Tayler, RBC<br />
(<strong>British</strong>, 1862-1925)<br />
‘The New Dress’<br />
oil on canvas<br />
signed and dated ‘96<br />
45 x 60cm<br />
£1,000 - 1,500<br />
39
Lot 86<br />
Henry Meynell Rheam (<strong>British</strong><br />
1859-1920)<br />
Portrait of an old fisherman<br />
watercolour<br />
signed and dated 1917<br />
32 x 23cm<br />
£600 - 800<br />
Lot 87<br />
Robert McGregor R.S.A.<br />
(Scottish, 1847-1922)<br />
‘Stacking corn’<br />
oil on canvas<br />
signed<br />
45 x 67cm<br />
£400 - 600<br />
Lot 88<br />
William Frederick Mayor<br />
(<strong>British</strong>, 1865-1916)<br />
Cassis Harbour<br />
watercolour<br />
30.5 x 39cm<br />
£300 - 500<br />
40
Lot 89<br />
Walter Richard Sickert A.R.A.<br />
(English, 1860-1942)<br />
‘Cheerio’, 1929<br />
etching<br />
18 x 14cm<br />
£800 - 1,200<br />
Lot 90<br />
Cyril Edward Power (<strong>British</strong>, 1872-1951)<br />
‘Divertissement’ (C. CEP 33)<br />
linocut printed in four colours on Japanese mulberry tissue,<br />
c.1930<br />
signed in pencil and inscribed No.2. 1st state<br />
22.5 x 30cm<br />
£10,000 - 15,000<br />
41
Lot 91<br />
§ Willem Adriaan Paerels<br />
(Belgian, 1878-1962)<br />
Study of a seated woman<br />
conté crayon on light buff paper<br />
studio stamp numbered H145<br />
32 x 45cm<br />
£400 - 600<br />
Lot 92<br />
Rex John Whistler (<strong>British</strong>,<br />
1905-1944)<br />
Bookplate design for The Book<br />
Society, original drawing of<br />
an 18th century gentleman<br />
reading in his library,<br />
pen, ink and wash highlighted in<br />
body colour<br />
signed, Exhibited at Rex Whistler.<br />
The Triumph of Fancy, Brigh<strong>to</strong>n<br />
Museum, 2006.<br />
16 x 11.5cm<br />
£2,000 - 3,000<br />
42
Lot 93<br />
*§ Sir William Russell Flint. R.S.W;<br />
P.R.W.S; R.A (1880-1969)<br />
‘The Bay of Winds, Gruinard, Rossshire’<br />
watercolour<br />
signed<br />
50 x 67cm<br />
£4,000 - 6,000<br />
Lot 94<br />
Pablo Picasso (Spanish, 1881-<br />
1973)<br />
‘Mostra di Picasso, Milano,<br />
Palazzo Reale, Settembre<br />
Novembre 1953’<br />
lithographic poster<br />
Michel Graglia 21 Rue Maufoux<br />
21 200 Beaune France, original<br />
Picasso print of a clown (his son)<br />
138 x 95cm<br />
£400 - 600<br />
43
95<br />
96<br />
98<br />
97<br />
44
Lot 95<br />
Eric Gill (English, 1882-1940)<br />
Earth Waiting,1926 Procreant Hymn<br />
(P360)<br />
engraving on copper<br />
signed and numbered 14/15<br />
11 x 8.5cm<br />
Lot 96<br />
£300 - 500<br />
Eric Gill (English, 1882-1940)<br />
Chaucer Writing, 1930 from The<br />
Canterbury Tales (P660)<br />
wood engraving<br />
signed and numbered 10/10, from the<br />
published edition of 10 impressions<br />
19.5 x 12.5cm<br />
Lot 97<br />
£200 - 300<br />
Eric Gill (English, 1882-1940)<br />
Cock and Spear, 1931 for The Four<br />
Gospels<br />
wood engraving<br />
signed and numbered 7/10<br />
(P787)<br />
19.5 x 14.5cm<br />
Lot 98<br />
£200 - 300<br />
Eric Gill (English, 1882-1940)<br />
Mary Magdalene, 1931 for The Four<br />
Gospels (P773)<br />
wood engraving<br />
signed in pencil and numbered 10/10<br />
14.5 x 19.7cm<br />
Lot 99<br />
£300 - 500<br />
Eric Gill (English, 1882-1940)<br />
The Bee Sting 1924, 2nd state for<br />
Clothing without Cloth (P292)<br />
wood engraving<br />
signed in pencil and numbered 2/25<br />
12.5 x 4.6cm<br />
£400 - 600 99<br />
45
100<br />
101<br />
Lot 100<br />
§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />
‘In the rough’<br />
watercolour<br />
signed and dated 1922<br />
35 x 25cm<br />
Lot 101<br />
£1,200 - 1,800<br />
§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />
‘A Bonny Game’<br />
watercolour<br />
signed, with original artist’s bill of sale verso<br />
40 x 30.5cm<br />
£1,200 - 1,800<br />
102<br />
Lot 102<br />
§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />
‘The 19th Hole’<br />
watercolour<br />
signed and dated ‘18<br />
34.5 x 25cm<br />
£1,200 - 1,800<br />
46
Lot 103<br />
Charles Waldo Adin (1854-1930)<br />
Figure seated in parkland<br />
oil on canvas<br />
signed, 44 x 54cm<br />
£400 - 600<br />
Lot 104<br />
Denys George Wells V.P.R.B.A. B.E.M.<br />
(<strong>British</strong>, 1881-1973)<br />
Portrait of the artist’s daughter, standing<br />
before a hearth, reading a book<br />
oil on canvas<br />
signed and dated 1919<br />
60 x 50cm<br />
£400 - 600<br />
Lot 105<br />
§ Herbert Gurschner (Austrian, 1901-<br />
1975)<br />
Corfe Castle<br />
tempera on card<br />
signed and dated 1934, inscription from the<br />
artist verso inscribed ‘To Miss Adams from<br />
H. Gurschner Xmas 1959’<br />
45.75 x 31.75cm<br />
£800 - 1,200<br />
47
Lot 106<br />
§ Vanessa Bell (English, 1879-1961)<br />
‘Man in a hat’, café drawing, Paris<br />
1920’s<br />
pencil on paper<br />
Estate stamp, 18 x 17cm<br />
£600 - 800<br />
Lot 107<br />
§ Nina Hamnett (<strong>British</strong>, 1890-1956)<br />
Portrait of a seated black man, thought <strong>to</strong><br />
be a boxer<br />
charcoal on paper<br />
signed and dated ‘31, 49 x 34cm<br />
£300 - 500<br />
Lot 108<br />
§ Nina Hamnett (<strong>British</strong>, 1890-1956)<br />
Head study<br />
charcoal on paper<br />
signed and dated 1932, 41 x 32cm<br />
£300 - 500<br />
Lot 109<br />
§ Geoffrey Underwood (1927-2000)<br />
‘The Lock Gates’<br />
oil on canvas<br />
signed and dated 1953, 40 x 50cm<br />
£500 - 700<br />
48
Lot 110<br />
Geoffrey Arthur Tibble (<strong>British</strong>,<br />
1909-1952)<br />
‘Crayon Drawing, 1945’<br />
conté crayon on paper<br />
signed in pencil<br />
24.5 x 16cm<br />
£800 - 1,200<br />
Lot 111<br />
Isabel Stella R. Langdale<br />
(1880-1976)<br />
Mediterranean harbour scene<br />
oil on canvas board<br />
signed<br />
30 x 40cm<br />
£300 - 500<br />
Lot 112<br />
Robert Graham Dryden<br />
Alexander (English, 1875-1945)<br />
Felastar Ferry beach with the<br />
paddlesteamer Waverley in the<br />
background<br />
oil on board<br />
signed<br />
47 x 60cm<br />
£400 - 600<br />
49
Lot 113<br />
§ Sir Alfred James Munnings P.R.A., R.W.S. (<strong>British</strong>, 1878-1959)<br />
Exmoor Ponies, Study no.17<br />
oil on wooden panel<br />
signed<br />
17.8 x 25.4cm<br />
£15,000 - 20,000<br />
Munnings wrote in his au<strong>to</strong>biography, The Finish - on Seeking and Painting Exmoor Ponies; “How simple<br />
the whole thing was at that scale-how much better the result! The ponies, the little foals with white legs,<br />
made designs at whichever angle I approached. Hours fled by; the foals resting or playing, the herd keeping<br />
<strong>to</strong> the same spot. A windy day was no good. A still day on the moor was never without wind. If I wake in<br />
another life, wherever it may be, I shall look back with regret upon those days with the ponies on the moor,<br />
far from anywhere, out of sight and out of sound of anyone.” The Finish, p.110.<br />
The ponies pictured were herd no.27 and belonged <strong>to</strong> the late Fred. Mil<strong>to</strong>n of Withypool.<br />
Provenance: Exhibition of Works by Sir Alfred Munnings held at The Leicester Galleries, 1947, no.115. Sold<br />
<strong>to</strong> Mrs Maurice Holder £42.<br />
Sold at Gorringes - March 2005 for £27,000.<br />
Illustrated: The Finish, p.112.<br />
See Sotheby’s sale 3rd December 2003 for the sale of Study no.12 (also illustrated in The Finish).<br />
50
Lot 114<br />
§ Sir Alfred James Munnings<br />
P.R.A., R.W.S. (<strong>British</strong>, 1878-1959)<br />
‘Mending the nets’<br />
watercolour<br />
signed and dated ‘93<br />
30 x 20.5cm<br />
£3,000 - 4,000<br />
Lot 115<br />
§ Sir Alfred James<br />
Munnings, PRA, RWS<br />
(<strong>British</strong>, 1878-1959)<br />
Sketch of beech trees in a<br />
landscape<br />
oil on canvas<br />
signed<br />
46 x 65cm<br />
£1,200 - 1,800<br />
51
Lot 116<br />
§ Laurence Stephen Lowry RA, RBA<br />
(<strong>British</strong> 1887-1976)<br />
View of a Town<br />
offset lithograph<br />
signed in pencil, bearing the Fine Art<br />
Trade Guild blindstamp unnumbered<br />
from an edition of 850, published by<br />
Mains<strong>to</strong>ne Publications in 1973<br />
46 x 55.5cm<br />
£2,000 - 3,000<br />
Lot 117<br />
§ Laurence Stephen Lowry RBA<br />
RA, (<strong>British</strong> 1887-1976)<br />
Three men and a cat<br />
offset lithograph in colours on wove<br />
signed in pencil, from the<br />
unnumbered edition of 850, with the<br />
Fine Art Trade Guild blindstamp,<br />
printed by Max Jaffe, Vienna,<br />
published by Adam Collection Ltd,<br />
28 x 19cm<br />
£1,500 - 1,800<br />
52
Lot 118<br />
§ Sir Cecil Walter Hardy<br />
Bea<strong>to</strong>n CBE (<strong>British</strong>, 1904-<br />
1980)<br />
‘My Fair Lady’ - Higgins &<br />
Eliza at Ascot<br />
ink and watercolour on paper<br />
signed<br />
42 x 30.5cm<br />
£1,000 - 1,500<br />
Lot 119<br />
§ Sir Cecil Walter Hardy<br />
Bea<strong>to</strong>n CBE (<strong>British</strong>, 1904-<br />
1980)<br />
‘Calling dress’<br />
pencil on paper<br />
signed<br />
33 x 24cm<br />
£500 - 800<br />
Lot 120<br />
§ Chris<strong>to</strong>pher John Harrison<br />
(<strong>British</strong>, b.1945)<br />
‘Oriental Collection’<br />
oil on board<br />
initialled<br />
60 x 86cm<br />
£600 - 800<br />
53
Lot 121<br />
§ Chris<strong>to</strong>pher John Harrison<br />
(<strong>British</strong>, b.1945)<br />
‘Chinese ring vase, Kangzi<br />
period, <strong>British</strong> Museum<br />
London’<br />
oil on board<br />
initialled<br />
60 x 55cm<br />
£400 - 600<br />
Lot 122<br />
Philip Sut<strong>to</strong>n (<strong>British</strong>,<br />
b.1928)<br />
‘Bathers, IOM 1979’<br />
watercolour<br />
signed<br />
27 x 29cm<br />
£300 - 500<br />
Lot 123<br />
Russell Brockbank (English,<br />
1913-1979)<br />
Jaguar XKSS; “I see the<br />
leaves are on the turn”.<br />
ink and wash on paper<br />
heightened with white<br />
signed and inscribed<br />
17 x 30cm, unframed<br />
£400 - 600<br />
54
Lots 124-132 From the Remaining Studio<br />
Contents of David Smith (1920-1999)<br />
David Smith was born in Lowes<strong>to</strong>ft and exhibited<br />
around the world. He wrote several books and<br />
travelled as an artist on the QEII, with the <strong>British</strong><br />
Antarctic Survey and painted the lighthouses for<br />
Trinity House.<br />
Lot 124<br />
David Smith (<strong>British</strong>, 1920-1999)<br />
‘Sastrugi Number 1, Antarctica’<br />
oil on canvas<br />
signed and dated 1977, 50 x 66cm<br />
£300 - 500<br />
Lot 126<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
No.2 Proteas<br />
impas<strong>to</strong> on board<br />
signed and dated 1970, 122 x 92cm<br />
£200 - 300<br />
Lot 125<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
S<strong>to</strong>rmy landscape with church, 1963<br />
oil impas<strong>to</strong> on board<br />
signed and dated 1968, 96 x 121cm<br />
£200 - 400<br />
Lot 127<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
Waterfall, North Wales and Foundry scene<br />
oil on board (2)<br />
signed and dated 1962, and 1967<br />
101 x 92cm and 100 x 125cm<br />
£300 - 500<br />
55
128<br />
129<br />
131<br />
130<br />
132<br />
Lot 128<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
‘Burgh Castle Mill, Norfolk’<br />
ink on paper<br />
signed and dated 1961<br />
38 x 57cm<br />
Lot 129<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
‘The River Downham Market, Norfolk’<br />
ink and wash on paper<br />
signed and dated 1965<br />
29 x 77cm<br />
Lot 130<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
‘Ice cave, Antarctica’<br />
oil on canvas<br />
signed and dated 1977<br />
76 x 102cm<br />
£200 - 300<br />
£200 - 300<br />
£200 - 300<br />
56
Lot 131<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
Family music recital<br />
oil on hard board<br />
signed and dated 1959, with prepara<strong>to</strong>ry drawing<br />
164 x 120cm<br />
Lot 132<br />
David Smith (<strong>British</strong>, 1930-1999)<br />
‘Breydon Water, Norfolk’<br />
ink and wash on paper<br />
signed and dated 1961<br />
39 x 56cm<br />
Lot 133<br />
Michael Ayr<strong>to</strong>n (<strong>British</strong>, 1921-1975)<br />
Portrait of the composer and conduc<strong>to</strong>r<br />
Constant Lambert<br />
pencil on paper<br />
inscribed and dated 1946<br />
18 x 11cm<br />
£300 - 500<br />
£200 - 300<br />
£500 - 800<br />
133<br />
Lot 134<br />
§ Noel Georges Bouvard (French,<br />
1912-1975)<br />
Gondola and sailing ship off the<br />
Doges Palace, Venice<br />
oil on canvas<br />
signed<br />
49 x 64cm<br />
£1,200 - 1,500<br />
Lot 135<br />
* Philip Wilson Steer (<strong>British</strong>, 1860-<br />
1942)<br />
‘The Red Bridge, Ironbridge’<br />
oil on canvas<br />
signed and dated 1910<br />
76 x 107cm<br />
£1,000 - 2,000<br />
57
Lot 136<br />
§ Cyril Mann (<strong>British</strong>, 1911-1980)<br />
Street scene with funfair poster<br />
oil on canvas<br />
signed and inscribed ‘St Ives’<br />
verso<br />
72 x 59cm<br />
£800 - 1,200<br />
Lot 137<br />
§ Kenneth Rowntree (<strong>British</strong>,<br />
1915-1997)<br />
‘Portrait of Mr Davy, Builder and<br />
Decora<strong>to</strong>r’<br />
oil on panel<br />
initialled<br />
51 x 27cm<br />
£800 - 1,200<br />
Lot 138<br />
Aileen C. Eagle<strong>to</strong>n (<strong>British</strong>,<br />
1902-1984)<br />
‘Hamp<strong>to</strong>n Court Bridge’<br />
oil on canvas<br />
signed<br />
50 x 60cm<br />
£300 - 500<br />
58
Lot 139<br />
John Piper (<strong>British</strong>, 1903-1992)<br />
Virgin and Child (L.267)<br />
lithograph<br />
signed in pencil, 53/95<br />
70.5 x 56cm<br />
£500 - 800<br />
Lot 140<br />
§ John Piper (<strong>British</strong>, 1903-1992)<br />
‘Ivy Church, Romney Marsh’<br />
etching with aquatint 1983<br />
scarce print for the edition of 100, printed at Kelpra<br />
Studio and published by Christie’s Contemporary Art,<br />
signed in pencil, 99/100<br />
45 x 62cm<br />
£500 - 700<br />
Lot 141<br />
§ John Piper (English, 1903-1992)<br />
Jazenne, Charente, (Levinson 196)<br />
screenprint<br />
signed in pencil and numbered 45/70<br />
60 x 80cm<br />
£400 - 600<br />
Lot 142<br />
§ John Piper (<strong>British</strong>, 1903-1992)<br />
‘Death in Venice III’ (Levinson 227)<br />
screenprint<br />
signed in pencil and numbered 45/70<br />
77 x 67cm<br />
£500 - 700<br />
59
Lot 143<br />
§ Edward Brian Seago RWS RBA (<strong>British</strong>, 1910-1974)<br />
‘A boatyard on the Golden Horn’<br />
oil on board<br />
signed<br />
50 x 75cm<br />
£20,000 - 30,000<br />
Lot 144<br />
§ Edward Brian Seago<br />
RWS RBA (<strong>British</strong>,<br />
1910-1974)<br />
Canal Scene,<br />
Amsterdam 1953<br />
ink and watercolour<br />
signed<br />
37.5 x 54.5cm<br />
£2,000 - 3,000<br />
60
Lot 145<br />
§ Dame Elizabeth Frink C.H. D.B.E. R.A. (English,<br />
1930-1993)<br />
‘Horse, 1979’<br />
bronze<br />
signed and numbered 6/9,<br />
30.5cm high, 33cm long, 9cm deep<br />
Literature:<br />
Jill Wilder (Ed.), Elisabeth Frink Sculpture,<br />
Catalogue Raisonné, Harpvale, London, 1984, cat.<br />
no.247, pp.190-191(another cast ill.b&w)<br />
£40,000 - 60,000<br />
61
Lot 146<br />
§ Bernard Dunstan (English,<br />
1920-2017)<br />
‘Sotheby’s’<br />
oil on board<br />
signed<br />
20.5 x 29cm<br />
£1,200 - 1,800<br />
Lot 147<br />
Reg Gammon ROI (1894-1997)<br />
‘In Connemara’<br />
oil on board<br />
signed, Fosse Gallery label verso<br />
48 x 70cm<br />
£1,200 - 1,800<br />
Lot 148<br />
§ Edward Wesson RI RSMA<br />
(<strong>British</strong>, 1910-1983)<br />
‘The Chantries from Pewley<br />
Hill’<br />
oil on board<br />
signed<br />
50 x 75cm<br />
£300 - 500<br />
62
Lot 149<br />
Edward Bawden RA (<strong>British</strong>,<br />
1903-1989)<br />
‘Audley End House’ (MG<br />
095)<br />
linocut in colours<br />
signed in pencil, dated 1973,<br />
numbered 135/150 and<br />
blind stamped, published by<br />
Christie’s Contemporary Art<br />
sheet overall 70 x 84cm<br />
£1,000 - 2,000<br />
Lot 150<br />
Julian Trevelyan R.A. (<strong>British</strong>,<br />
1910-1988)<br />
Camden Lock<br />
lithograph printed in colours<br />
signed in pencil, 25/100<br />
50 x 70.5cm<br />
£300 - 500<br />
Lot 151<br />
Julian Trevelyan R.A. (<strong>British</strong>,<br />
1910-1988)<br />
Canal Holidays<br />
lithograph printed in colours<br />
signed in pencil, 25/100<br />
50 x 70cm<br />
£300 - 500<br />
63
Lot 152<br />
§ An<strong>to</strong>ine Blanchard (French, 1910-1988)<br />
‘Paris, Porte St. Denis’<br />
oil on canvas<br />
signed<br />
32 x 44cm<br />
£1,200 - 1,600<br />
Lot 153<br />
Lucien Delarue (French, 1925-<br />
2011)<br />
‘La Seine à Paris’<br />
oil on canvas<br />
signed<br />
60 x 49cm<br />
£300 - 500<br />
Lot 154<br />
§ John Steven Dews (<strong>British</strong>, b.1949)<br />
HMS Warrior - the first <strong>British</strong> ironclad<br />
(built 1861)<br />
oil on canvas<br />
signed<br />
50 x 75cm<br />
£2,000 - 3,000<br />
Lot 155<br />
§ John Steven Dews (<strong>British</strong>,<br />
b.1949)<br />
‘The Hull whaler’s ship, Isabella ..’<br />
oil on canvas<br />
signed<br />
50 x 75cm<br />
£2,000 - 3,000<br />
64
Lot 156<br />
§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />
Don Quixote and Sancho Panza seated beneath<br />
a tree Alternative Version<br />
ink and watercolour on paper<br />
signed, 28 x 22cm<br />
£1,000 - 1,500<br />
Lot 157<br />
§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />
Sancho Panza secretly ties the leg of Don<br />
Quixote’s horse Alternative Version<br />
ink and watercolour on paper<br />
signed, 28 x 38cm.<br />
£1,000 - 1,500<br />
Lot 158<br />
§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />
‘Serious birds #1’<br />
chinagraph print<br />
signed in ink, 42 x 29cm.<br />
£600 - 800<br />
Lot 159<br />
§ Sir Quentin Saxby Blake OBE (<strong>British</strong>,<br />
b.1932)<br />
‘Walking with the birds #6’<br />
ink on paper<br />
signed and dated 17.2.2018 in pencil<br />
26.5 x 39cm<br />
£700 - 1,000<br />
65
Lot 160<br />
Edward Wesson (English, 1910-<br />
1983)<br />
‘Holiday beach - Plage de Vacances’<br />
oil on board<br />
signed<br />
21 x 37cm<br />
£400 - 600<br />
Lot 161<br />
§ John Frederick Lloyd Strevens<br />
(<strong>British</strong>, 1902-1990)<br />
Portrait of the artist with his family<br />
overlooking a garden<br />
oil on board<br />
signed<br />
100 x 111cm<br />
£700 - 1,000<br />
Lot 162<br />
Charles Clément Francis Perron<br />
(French, 1893-1958)<br />
‘Souvenir of Bretagne’<br />
oil on board<br />
signed<br />
32 x 40cm<br />
£500 - 700<br />
66
Lot 163<br />
§ Charles Church (<strong>British</strong>, b.1971)<br />
Study of five hounds<br />
oil on canvas<br />
signed<br />
60 x 75cm<br />
£2,000 - 3,000<br />
Lot 164<br />
§ René Charles Edmond His<br />
(French, 1877-1960)<br />
‘Meandering stream’<br />
oil on canvas<br />
signed<br />
45 x 54cm<br />
£700 - 900<br />
Lot 165<br />
§ Fred Yates (English, 1922-<br />
2008)<br />
Naked couple in bedroom<br />
oil on board<br />
Government Legal<br />
Department label verso<br />
94 x 98cm, unframed<br />
£800 - 1,200<br />
67
Lot 166<br />
§ SEEN Richard “Richie” Mirando (French,<br />
b.1961)<br />
Mad Transit Artist<br />
spraypaint and acrylic on canvas<br />
signed and dated 2009 verso, 80 x 60cm<br />
£1,500 - 2,000<br />
Lot 167<br />
Willem de Kooning (1904-1997)<br />
‘Composition for Lisa, 1984’<br />
lithograph in colours on wove paper<br />
signed in pencil<br />
46 x 58cm<br />
£1,200 - 1,800<br />
Lot 168<br />
Dan Baldwin (b.1972)<br />
Untitled, Rabbit’s head<br />
mixed media<br />
signed and dated 2001/2005 verso<br />
61 x 61cm<br />
£500 - 700<br />
Lot 169<br />
Dan Baldwin (b.1972)<br />
‘little Gay Fucker’ #2<br />
mixed media on canvas<br />
signed, dated ‘03 and inscribed verso<br />
92 x 92cm<br />
£600 - 800<br />
68
Lot 170<br />
Raymond Campbell (English,<br />
1956-)<br />
‘Veuve Clicquot Champagne<br />
1928’<br />
oil on board<br />
signed<br />
39.5 x 29cm<br />
£700 - 900<br />
Lot 171<br />
§ Sherree Valentine-Daines (1956-)<br />
Female nude seated in a bedroom<br />
oil on card<br />
monogrammed<br />
46 x 33cm<br />
£600 - 800<br />
Lot 172<br />
§ Sherree Valentine-Daines (1956-)<br />
Woman in white dress reading a book<br />
oil on card<br />
monogrammed<br />
52 x 33cm<br />
£800 - 1,200<br />
69
Lot 173<br />
§ Mary Fedden R.A. (<strong>British</strong>,<br />
1915-2012)<br />
Still life of fruit in a blue<br />
bowl<br />
oil on canvas<br />
signed and dated ‘09<br />
51 x 61cm<br />
£4,000 - 6,000<br />
Lot 174<br />
§ Genevieve Dael (French,<br />
b.1947)<br />
‘Que le Jour Finisse’<br />
oil on canvas<br />
signed verso and numbered<br />
211,<br />
55 x 33cm<br />
£400 - 600<br />
Lot 175<br />
Robert Chailloux (French, 1913-2006)<br />
oil on canvas, a pair<br />
Still life of black grapes, sweet chestnuts and apples<br />
and Still life with pears and plums<br />
signed, 46 x 54cm<br />
£800 - 1,200<br />
70
Lot 176<br />
Tracey Emin (<strong>British</strong>, b.1963)<br />
‘Deck Chair, 2007’<br />
screenprint in colours on fabric with<br />
wood support (3)<br />
from the edition of 250, printed by<br />
Eyes Wide Digital for The Royal Parks<br />
Foundation<br />
96 x 97 x 58cm (assembled)<br />
£600 - 800<br />
Lot 177<br />
§ Frank Woot<strong>to</strong>n (English, 1914-1998)<br />
Beachy Head<br />
oil on board<br />
signed<br />
30 x 40cm<br />
£400 - 600<br />
Lot 178<br />
Michael Rothenstein (<strong>British</strong>, 1908-<br />
1993)<br />
‘The Song of Songs, Which is<br />
Solomon’s’, Rampant Lion Press,<br />
Cambridge, 1979<br />
folio of 9 screenprints on Crisbrook<br />
handmade paper<br />
signed by Rothenstein, Rose and<br />
Carter, numbered 54 of 150 copies, in<br />
original red solander box (portfolio)<br />
57 x 40cm<br />
£600 - 800<br />
71
Lot 179<br />
§ John Wells (<strong>British</strong>, 1907-2000)<br />
Untitled 1959<br />
mixed media<br />
signed in pencil and dated 1959<br />
21 x 17cm<br />
£300 - 500<br />
Lot 180<br />
§ Thierry Guetta [Mr Brainwash} (French,<br />
b.1966)<br />
“Jimi Hendrix” (blue)<br />
five colour screenprint on hand <strong>to</strong>rn archival<br />
paper<br />
signed, from the edition of 70<br />
71 x 50.5cm<br />
£800 - 1,200<br />
Lot 181<br />
Patrick Joseph Caulfield R.A. (<strong>British</strong>,<br />
1936-2005)<br />
‘Quelques Poèmes de Jules Laforgue,<br />
planches de Patrick Caulfield (Some<br />
Poems)’<br />
folio of 22 screenprints on Neobond<br />
papier synthétique<br />
one of 200 copies, the French edition,<br />
from a <strong>to</strong>tal edition of 500. Signed,<br />
numbered 120/200 and inscribed<br />
“Edition B” in pencil, on the justification<br />
page, in original slip case but lacking the<br />
loose plates. Cristea 38.<br />
40.5 x 35.5cm<br />
£300 - 500<br />
72
Lot 182<br />
§ Prunella Clough (<strong>British</strong>, 1919-1999)<br />
‘In the Park, 1993’<br />
etching with chine collé<br />
from the edition of 5, signed in pencil and<br />
numbered 1/5<br />
18.5 x 17.5cm<br />
£400 - 600<br />
Lot 183<br />
Prunella Clough (<strong>British</strong>, 1919-1999)<br />
‘Shadow Play 12, 1993’<br />
etching with aquatint<br />
signed in pencil, artist proof alongside the<br />
edition of 12, 24.5 x 18.75cm<br />
£400 - 600<br />
Lot 184<br />
§ John Knapp-Fisher (<strong>British</strong>, 1931-2015)<br />
Extensive coastal landscape<br />
ink and watercolour on paper<br />
signed in ink, 14 x 65cm<br />
£800 - 1,200<br />
Lot 185<br />
§ John Knapp-Fisher (<strong>British</strong>, 1931-2015)<br />
Pembrokeshire Cottages<br />
watercolour on paper, signed and dated 1971, 7.5 x 39.5cm £600 - 800<br />
73
Lot 186<br />
Karolina Larusdottir (Icelandic,<br />
1944-2019)<br />
‘The Ferryman waits’<br />
coloured etching<br />
signed in pencil, titled and numbered<br />
24/100<br />
28 x 60cm<br />
£300 - 400<br />
Lot 187<br />
§ Sir Roger de Grey, P.R.A.<br />
(English, 1918-1995)<br />
‘From the Vineyard, San Lettere’<br />
oil on canvas<br />
signed<br />
100 x 120cm<br />
£800 - 1,200<br />
Lot 188<br />
§ Sir Roger de Grey, P.R.A.<br />
(English, 1918-1995)<br />
Landscape with pylons<br />
oil on canvas<br />
signed<br />
90 x 90cm<br />
£800 - 1,200<br />
74
Lot 189<br />
§ Sir Roger de Grey, P.R.A. (English,<br />
1918-1995)<br />
‘The way down from the house’<br />
oil on canvas<br />
signed and inscribed verso<br />
90 x 90cm<br />
£1,200 - 1,800<br />
Lot 190<br />
§ Sir Roger de Grey, P.R.A. (English, 1918-<br />
1995)<br />
‘Marshes, Nieulle’<br />
oil on canvas<br />
signed, with Leonie Jonleigh Studio label verso<br />
dated Oc<strong>to</strong>ber 1979<br />
90 x 90cm<br />
£1,200 - 1,800<br />
Lot 191<br />
§ Fred Cuming RA NEAC Hon RBA<br />
Hon ROI, (English 1930-2022)<br />
‘River L’Oise’<br />
oil on board<br />
signed, with Jonleigh Gallery label<br />
verso<br />
90 x 90cm<br />
£1,500 - 2,000<br />
75
Lot 192<br />
§ Fred Cuming RA NEAC<br />
Hon RBA Hon ROI,<br />
(English 1930-2022)<br />
‘Garden, Oc<strong>to</strong>ber’<br />
oil on board<br />
signed, with Jonleigh<br />
Gallery label verso<br />
60 x 60cm<br />
£1,000 - 1,500<br />
Lot 193<br />
§ Fred Cuming RA (1930-<br />
2022)<br />
‘Cat watching a bird’<br />
oil on board<br />
signed<br />
40 x 50cm<br />
£1,500 - 2,000<br />
76
Lot 194<br />
§ Paul Feiler (<strong>British</strong>, 1918-<br />
2013)<br />
‘Split Ovals 1963’<br />
gouache and crayon on<br />
paper<br />
signed and dated ‘63<br />
24 x 26cm<br />
£2,500 - 3,500<br />
Lot 195<br />
§ Adrian Heath (English,<br />
1920-1992)<br />
‘Untitled 1990’<br />
oil on canvas<br />
30 x 28cm<br />
£2,500 - 3,500<br />
77
Lot 196<br />
§ Henri Hayden (French/<br />
Polish, 1883-1970)<br />
‘Fruits et Noix’<br />
gouache on paper<br />
signed and dated ‘62<br />
30 x 48cm<br />
£2,500 - 3,500<br />
Lot 197<br />
§ Henri Hayden (French/<br />
Polish, 1883-1970)<br />
‘Fleurs et fruits’<br />
oil on canvas<br />
signed and dated ‘62<br />
38 x 46cm<br />
£2,500 - 3,500<br />
78
Lot 198<br />
§ Ivon Hitchens (<strong>British</strong>, 1893-1979)<br />
Untitled landscape<br />
oil on canvas<br />
signed<br />
20 x 74cm<br />
£8,000 - 12,000<br />
Lot 199<br />
§ Donald Hamil<strong>to</strong>n Fraser<br />
RA (<strong>British</strong>, 1929-2009)<br />
Untitled<br />
oil on canvas<br />
monogrammed<br />
46 x 61cm<br />
£800 - 1,200<br />
79
Lot 200<br />
§ Marcel Dyf (French, 1899-1985)<br />
‘Le Pêcheur’<br />
oil on canvas<br />
signed<br />
59 x 71.5cm<br />
£8,000 - 12,000<br />
Lot 201<br />
§ Marcel Dyf (French, 1899-<br />
1985)<br />
‘Matin Brumeaux à l’Isle’<br />
oil on canvas<br />
signed<br />
37 x 44.5cm<br />
£3,000 - 5,000<br />
80
Lot 202<br />
Michael Van Zeyl<br />
(Contemporary American)<br />
Standing female nude<br />
oil on canvas<br />
signed<br />
86 x 71cm<br />
£700 - 1,000<br />
Lot 203<br />
§ Simon Palmer (English,<br />
b.1956)<br />
‘We must live <strong>to</strong> enjoy’<br />
ink and watercolour<br />
signed in pencil<br />
28 x 28cm<br />
£500 - 700<br />
81
Lot 204<br />
§ Philip Dunn (English, b.1945)<br />
‘A shadow of her former self’<br />
gouache<br />
signed<br />
52 x 36.5cm<br />
£400 - 600<br />
Lot 205<br />
Fabian Perez (Argentinian, b.1967)<br />
‘Marissa III’<br />
oil on canvas<br />
signed<br />
60 x 45cm<br />
£7,000 - 9,000<br />
Lot 206<br />
§ Alan Furneaux (English, 1953-)<br />
‘Strawberries and lemons’<br />
oil on canvas<br />
signed and dated ‘99<br />
60 x 75cm<br />
£500 - 700<br />
82
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