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Gorringe's Old Master to Modern British Sale

Tuesday 10th September starting at 10am https://auction.gorringes.co.uk/auction-catalog/100924

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Gorringe’s<br />

<strong>Old</strong> <strong>Master</strong> <strong>to</strong> <strong>Modern</strong> <strong>British</strong><br />

Tuesday10th September 2024<br />

1


2


<strong>Old</strong> <strong>Master</strong><br />

<strong>to</strong> <strong>Modern</strong> <strong>British</strong><br />

Clifford Lansberry - Partner<br />

+44 (0)1273 472503<br />

clifford@gorringes.co.uk<br />

Tuesday 10th September<br />

10.00 am<br />

Rosie Byard<br />

+44 (0)1273 472503<br />

rosie@gorringes.co.uk<br />

15 North Street, Lewes, Sussex BN7 2PE<br />

VIEWING<br />

Friday 6th September 9 - 4.30p.m<br />

Saturday 7th September 9 - 1.00p.m<br />

Monday 9th September 9 - 4.30p.m<br />

BUYER’S PREMIUM<br />

25% + VAT<br />

payable on the hammer price of all lots<br />

IMPORTANT CHANGES TO OUR<br />

BIDDING PROCEDURE<br />

Please note that, owing <strong>to</strong> the recent introduction<br />

of Money Laundering Regulations, clients wishing <strong>to</strong><br />

bid in this auction are likely <strong>to</strong> be asked <strong>to</strong><br />

provide two forms of identification. This applies <strong>to</strong><br />

both new and existing clients.<br />

General Enquiries:<br />

Tel: 01273 472503<br />

clientservices@gorringes.co.uk<br />

Cover: Lot 90<br />

Back Cover: Lot 145<br />

Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535<br />

Gorringes is a trading name of Gorringes LLP


SALE NOTICES<br />

SALE SYMBOLS<br />

§ Artist’s resale right - 4% on the hammer price<br />

† VAT on the hammer price<br />

* Import tax of 5% on the hammer price<br />

** Import tax of 20% on the hammer price<br />

BIDDING<br />

You may bid in the room, by commission bid, by telephone or live online. To register <strong>to</strong> bid in the room please visit the<br />

cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a<br />

bidding form. Bids must be received no later than 9 a.m. on the saleday.<br />

TELEPHONE BIDDING<br />

Telephone bids must be received no later than close of business on the 9th September.<br />

ONLINE BIDDING<br />

There are three online bidding platforms <strong>to</strong> choose from; thesaleroom.com, easylive.co.uk and GorringesLive. All have<br />

different additional charges on <strong>to</strong>p of the hammer price and buyer’s premium.<br />

CONDITION REPORTS<br />

Rarely are things at auction in perfect condition so do satisfy yourself as <strong>to</strong> the condition of each lot. Condition reports<br />

are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you<br />

require further information about a lot.<br />

VAT<br />

Please note that due <strong>to</strong> the withdrawal of the Retail Export Scheme by HMRC, we are unable <strong>to</strong> provide VAT refunds<br />

documentation for hand-carried exports. In order <strong>to</strong> qualify for a VAT refund, your lots must be exported by a shipper and<br />

valid exportation documentation must be provided.<br />

PAYMENT TERMS<br />

Payment is required by Friday 13th September by debit card, BACS, Worldpay and cash (subject <strong>to</strong> money laundering<br />

regulations). Please note we do not accept credit cards or American Express.<br />

PACKING, DELIVERY & SHIPPING<br />

Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim <strong>to</strong> provide in-house packing<br />

where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a<br />

shipper in order <strong>to</strong> access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and<br />

International shipping specialists.<br />

BOOK A COLLECTION<br />

Collection is by appointment only. You need <strong>to</strong> book a collection time by 4pm the previous day. Visit the website or follow<br />

the link on your invoice <strong>to</strong> book a collection time. Purchases not collected within two weeks of the sale date will be held<br />

in s<strong>to</strong>rage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special arrangements <strong>to</strong> be<br />

made regarding s<strong>to</strong>rage.<br />

CONDITIONS OF SALE<br />

Visit www.gorringes.co.uk for full conditions of sale.


411<br />

5


Lot 1<br />

Gervase Spencer (c.1715-1763)<br />

Miniature portrait of Admiral Lord Hawke<br />

watercolour on ivory<br />

initialled and dated 1748, 40 x 32 mm,<br />

CITES Submission reference DS29XH47<br />

£500 - 700<br />

Lot 2<br />

After Louis Tocqué (French, 1696-<br />

1772)<br />

Portrait of Queen Marie-An<strong>to</strong>inette<br />

of France in state robes<br />

oil on canvas<br />

190 x 125cm<br />

£800 - 1,200<br />

6


Lot 3<br />

* Follower of Willem Wissing (1656-<br />

1687)<br />

Portrait of a gentleman, three quarter<br />

length, in a brown waistcoat, lace jabot<br />

and crimson wrap, leaning on a s<strong>to</strong>ne<br />

pedestal<br />

oil on canvas<br />

124 x 100cm, in a George III carved<br />

giltwood frame<br />

Provenance: Christie’s 26th Oc<strong>to</strong>ber,<br />

2011, Lot 1250: thence Private collection<br />

Guernsey<br />

Please note this lot attracts an additional<br />

import tax of 5% on the hammer price<br />

£4,000 - 6,000<br />

7


Lot 4<br />

* Studio of Sir Anthony Van Dyck (1599-<br />

1641)<br />

Portrait of Lady Mary Villiers (1622-1641),<br />

Lady Herbert and later Duchess of Lennox<br />

and Richmond (1622-1685), full-length,<br />

seated in a landscape as St Agnes, her<br />

right arm resting on a lamb and a palm<br />

branch in her left hand<br />

oil on canvas<br />

inscribed Mary Duchess of Richmond<br />

Daughter of George Duke of Buckingham<br />

1640<br />

213 x 130cm<br />

Please note this lot attracts an additional<br />

import tax of 5% on the hammer price<br />

£20,000 - 30,000<br />

Lady Mary Villiers was the daughter of Sir<br />

George Villiers, 1st Duke of Buckingham<br />

and Lady Katherine Manners (d.1649). She<br />

as only six when her father was murdered in<br />

1628 and came under protection of Charles<br />

I. Her first marriage <strong>to</strong> Charles Lord Herbert<br />

in 1634 was brief as he died of smallpox in<br />

1635. In 1637 she married the 4th Duke of<br />

Lennox and was given away by Charles I. He<br />

was created Duke of Richmond in 1641. They<br />

had two children Esmé Stuart (1649-1660)<br />

and Lady Mary Stewart who married Richard<br />

Butler 1st Earl of Arran. After the Duke of<br />

Richmond died in 1655 the Duchess went in<strong>to</strong><br />

exile in Paris with her son. He died in Paris in<br />

1660 and she returned <strong>to</strong> England probably<br />

after the res<strong>to</strong>ration. Sometime between<br />

1660 and 1664 she married Colonel Thomas<br />

Howard (d.1678) about whom little is known.<br />

Provenance: (Probably) Queen Elizabeth of<br />

Bohemia (1599-1662), the ‘Winter Queen’,<br />

eldest daughter of King James VI and I<br />

of Scotland and England, sister of King<br />

Charles I, possibly at the Wassenaer Hof<br />

am Kneuterdjik, The Hague, and at the<br />

Koningshuis, Rhenen, by whom bequeathed<br />

<strong>to</strong> her friend William Craven, 1st Earl of<br />

Craven (1608-1697), at Coombe Abbey,<br />

Warwickshire, and by descent; Phillips,<br />

London, 11th December 1984, Lot 3;<br />

Christie’s 9th December 2011, Lot 36, thence<br />

Private collection Guernsey<br />

8


Lot 5<br />

English School c.1740<br />

Portrait of John Wale Esq. (1701-1796)<br />

of Colne Priory, gentlemen of the bed<br />

chamber <strong>to</strong> King William III (in evening<br />

court dress)<br />

oil on canvas<br />

82 x 66cm<br />

£1,500 - 2,000<br />

Lot 6<br />

Hendrick Goltzius (German/Dutch, 1558–1617)<br />

Portrait of Henry IV, King of France<br />

original engraving, 1595–98<br />

Hollstein 193, New Holstein 226 iv/v Bartsch 173 ii/iii<br />

34.7 x 24.9cm<br />

£400 - 600<br />

Lot 7<br />

Georg Pencz (German, 1500-1550)<br />

Joseph sold <strong>to</strong> the merchants<br />

original engraving 1546<br />

Bartsch 11, only state<br />

10.7 x 7.8cm<br />

£300 - 500<br />

9


Lot 8<br />

After Adriaen Van Ostade (Dutch, 1610-1685)<br />

Figures outside a rustic house<br />

oil on oak panel<br />

44 x 34cm<br />

£400 - 600<br />

Lot 9<br />

Hans Sebald Beham (German, 1500-1550)<br />

Hercules killing Nessus<br />

original engraving 1542<br />

B. 97, Hollstein 106 iii or iv/vi, Plate 9 of the series<br />

of twelve ‘Labours of Hercules’<br />

5 x 8cm<br />

£300 - 500<br />

Lot 10<br />

Maerten de Vos (Dutch, 1532-1603<br />

The Four Seasons<br />

set of four engravings c.1590<br />

Hollstein 1424 – 1427 1/iii,<br />

with Philip Galle’s address (1st or 2nd edition)<br />

Hyems (Winter) with Gothic P watermark<br />

9.6 x 13.2cm<br />

£300 - 500<br />

10


Lot 11<br />

Attributed <strong>to</strong> John Woot<strong>to</strong>n<br />

(English, 1682-1764)<br />

Partridge shooting with a view on<br />

the upper Avon<br />

oil on canvas<br />

76 x 131cm<br />

£5,000 - 7,000<br />

Lot 12<br />

Attributed <strong>to</strong> Johann van der<br />

Hagen (Dutch, 1676-1745)<br />

‘Smack rigged Royal yachts’<br />

oil on canvas<br />

74 x 61cm<br />

£500 - 800<br />

11


Lot 13<br />

Continental School<br />

Still life of fruit in the 17th century<br />

style<br />

oil on canvas<br />

82 x 110cm<br />

£400 - 600<br />

Lot 14<br />

After Abraham Mignon (German,<br />

1640-1679)<br />

17th century style still life of fruit,<br />

a rummer and a gilt cup and cover<br />

upon a ledge<br />

oil on canvas<br />

monogrammed<br />

62 x 75cm<br />

£400 - 600<br />

Lot 15<br />

After Anthony Van Dyck (1599-1641)<br />

Madonna and child<br />

oil on canvas<br />

100 x 85cm<br />

£400 - 600<br />

12


Lot 16<br />

Pieter Bout (Brussels 1658-1702) and<br />

Adriaen Frans Boudewijns (Brussels<br />

1644-1711)<br />

A coastal port with figures moving<br />

cargo and A fortified <strong>to</strong>wn with<br />

revellers beyond the walls<br />

oil on panel, a pair<br />

23 x 32cm<br />

£2,500 - 3,500<br />

Lot 17<br />

Follower of Jean-Baptiste-<br />

Siméon Chardin (French,<br />

1699-1799)<br />

Still life with a lobster and<br />

pears<br />

oil on canvas<br />

53 x 68.5cm<br />

£1,500 - 2,000<br />

13


Lot 18<br />

After Sir Joshua Reynolds RA,<br />

(<strong>British</strong> 1723-1792)<br />

‘The Strawberry Girl’<br />

oil on canvas<br />

31 x 26cm<br />

£500 - 800<br />

Lot 19<br />

19th Century<br />

English School<br />

The Battle of<br />

St Vincent, 14<br />

February 1797<br />

oil on canvas<br />

78 x 125cm<br />

£1,000 - 1,500<br />

Lot 20<br />

William Hogarth<br />

(English, 1697-<br />

1764)<br />

The Harlots<br />

Progress c.1775,<br />

Jane Hogarth<br />

edition<br />

set of eight<br />

engravings<br />

30.5 x 58cm<br />

£400 - 600<br />

14


Lot 21<br />

William Callcott Knell (<strong>British</strong>,<br />

1830-1876)<br />

Shipping at anchor on a calm<br />

sea<br />

oil on canvas<br />

signed and dated 1868<br />

22 x 29cm<br />

£400 - 600<br />

Lot 22<br />

Attributed <strong>to</strong> Richard Wilson<br />

(English, 1714-1782)<br />

Mountainous scene with lake,<br />

tree and figures crossing a<br />

bridge<br />

oil on canvas<br />

41 x 58cm<br />

£600 - 800<br />

Lot 23<br />

Circle of Richard<br />

Parkes Boning<strong>to</strong>n<br />

(English, 1802–1828)<br />

Fisherfolk on the<br />

shore at low tide<br />

oil on wooden panel<br />

28 x 46cm<br />

£400 - 600<br />

15


Lot 24<br />

Theodore Rousseau (French, 1812-1867)<br />

Paysage à la Mare c.1845-50<br />

oil on wooden panel<br />

signed<br />

23 x 43cm<br />

£1,500 - 2,500<br />

Lot 25<br />

Circle of Thomas Luny (<strong>British</strong>,<br />

1759-1837)<br />

A burning ship at night<br />

oil on canvas<br />

24 x 29cm<br />

£300 - 500<br />

Lot 26<br />

Early 19th century English School<br />

HMS Britannia in Portsmouth<br />

harbour<br />

oil on canvas<br />

41 x 46cm<br />

£400 - 600<br />

16


Lot 27<br />

John Ferneley Snr.<br />

(<strong>British</strong>, 1781-1860)<br />

Portrait of a bay<br />

mare and foal in a<br />

landscape<br />

oil on canvas<br />

signed and dated<br />

Mel<strong>to</strong>n Mowbray 1840<br />

70 x 89cm<br />

£2,000 - 3,000<br />

Lot 28<br />

18th century French<br />

School<br />

Venus sleeping in<br />

a landscape with<br />

attendants<br />

oil on canvas<br />

54 x 71cm<br />

£400 - 600<br />

17


29<br />

30<br />

31<br />

32<br />

18


Lot 29<br />

Benjamin Smith after Sir William Beechey R.A.<br />

His Most Gracious Majesty King George III<br />

stipple engraving<br />

publ. Boydell December 1804, 59 x 40cm<br />

Lot 30<br />

£200 - 300<br />

I.C. Easting after Robert Home<br />

His Grace Field Marshal Arthur, Duke of<br />

Welling<strong>to</strong>n, Marquis Douro, K.G.K.B.<br />

engraving, publ. January 1813 by R. Cribb & Son,<br />

plate 58 x 39cm<br />

£300 - 500<br />

Lot 32<br />

James Watson after Benjamin West<br />

The Honourable Robert Monck<strong>to</strong>n, Governor of<br />

New York<br />

proof before letters mezzotint c.1762<br />

49.5 x 36cm<br />

Lot 33<br />

19th century English School<br />

Shipping off a port<br />

oil on canvas<br />

35 x 45cm<br />

£300 - 500<br />

£400 - 600<br />

Lot 31<br />

James Faed after Alexander Melville<br />

Portrait of General Gordon seated in uniform<br />

with remarqué proofs of a dispatch in Arabic and<br />

facsimile paper money used at Khar<strong>to</strong>um<br />

mezzotint<br />

signed in pencil, publ. 1886<br />

54 x 42.5cm<br />

£200 - 300<br />

19


Lot 34<br />

Vic<strong>to</strong>rian School<br />

Portrait of a lady wearing<br />

a pearl necklace and drop<br />

earrings<br />

oil on canvas<br />

57 x 49cm<br />

£400 - 600<br />

Lot 35<br />

Attributed <strong>to</strong> Hippolyte-<br />

Dominique Berteaux (French,<br />

1843-1926)<br />

Study of an amorini<br />

oil on canvas<br />

framed <strong>to</strong> the oval, 44 x 34cm<br />

£200 - 300<br />

Lot 36<br />

James Charles (<strong>British</strong>, 1851-1906)<br />

Seated child in a red coat<br />

oil on canvas<br />

signed<br />

56 x 43cm<br />

£800 - 1,200<br />

20


Lot 37<br />

Myles Birket Foster RWS (1825-1899)<br />

‘The <strong>Old</strong> Keep’<br />

watercolour<br />

monogrammed<br />

14 x 18.5cm<br />

£400 - 600<br />

Lot 38<br />

Myles Birket Foster RWS (1825-1899)<br />

The Forum - Rome<br />

watercolour<br />

monogrammed<br />

15 x 19cm<br />

£400 - 600<br />

Lot 39<br />

Walter Hunt (1861-1941)<br />

Calves, a puppy and<br />

poultry in a barn<br />

oil on canvas<br />

50 x 75cm<br />

£1,000 - 1,500<br />

21


40<br />

41<br />

42<br />

43<br />

22


44<br />

Lot 40<br />

Alfred George Stevens (English,<br />

1817-1875)<br />

Head studies<br />

sepia chalk on paper<br />

30.5 x 25cm<br />

Lot 41<br />

£300 - 400<br />

Alfred George Stevens (English,<br />

1817-1875)<br />

Life study sketch of a woman<br />

holding a folio<br />

sepia chalk on paper, 26 x 23cm<br />

Lot 42<br />

£300 - 400<br />

Alfred George Stevens (English,<br />

1817-1875)<br />

Study of five standing figures<br />

conté crayon and wash on light buff<br />

paper, 32 x 22cm<br />

Lot 43<br />

£200 - 300<br />

Alfred George Stevens (English,<br />

1817-1875)<br />

Study of medieval figures<br />

pencil and wash heightened with gilt<br />

29.5 x 20cm<br />

£200 - 300<br />

Lot 44<br />

James Salt (1850-1903)<br />

View of Venice<br />

oil on canvas<br />

signed<br />

45 x 80cm<br />

Lot 45<br />

19th Century Welsh School<br />

Welsh women in landscapes<br />

oil on board, a pair<br />

35 x 25cm<br />

45<br />

£300 - 500<br />

£300 - 500<br />

23


Lot 46<br />

William Callow (<strong>British</strong>, 1812-1908)<br />

The Great Church of St Laurence,<br />

Rotterdam<br />

watercolour<br />

signed and dated 1881, exhibited at the<br />

RWS in 1881<br />

38 x 56cm<br />

£700 - 1,000<br />

Lot 47<br />

Joseph Zéphyris Gengembre (French,<br />

1818-1870)<br />

Encampment in the desert with seated<br />

Arab warrior and horses<br />

oil on canvas<br />

signed<br />

36 x 44cm<br />

£300 - 500<br />

24


Lot 48<br />

Hubert Henrard<br />

(Belgian, 1816-1898)<br />

Portrait of a saddled<br />

horse in a stable<br />

oil on canvas<br />

signed and dated 1871<br />

44 x 56cm<br />

£400 - 600<br />

Lot 49<br />

George Henry<br />

Laporte (English,<br />

1799-1873)<br />

‘The Sweep’, portrait<br />

of a black horse in a<br />

landscape<br />

oil on canvas<br />

initialled and dated<br />

1850, 70 x 91cm<br />

£800 - 1,200<br />

25


Lot 50<br />

Circle of Jean-Leon Gerome<br />

(French, 1824-1904)<br />

‘...Sur Seine, near Paris’<br />

oil on canvas<br />

30 x 20cm<br />

£800 - 1,200<br />

Lot 51<br />

* Sir Edward Coley Burne-Jones,<br />

Bt; A.R.A; R.W.S. (<strong>British</strong>, 1883-<br />

1898)<br />

Head of a girl, possibly Maria<br />

Zambaco<br />

pencil on paper<br />

13.5 x 10.5cm<br />

£1,500 - 2,500<br />

Lot 52<br />

19th century English School<br />

Children with pet rabbits<br />

oil on canvas<br />

76 x 98cm<br />

£500 - 800<br />

26


Lot 53<br />

James Burrell Smith (<strong>British</strong>, 1822-1897)<br />

A scene on the Rhein<br />

watercolour<br />

signed and dated 1880, 55 x 106cm<br />

Lot 54<br />

James Burrell Smith<br />

(<strong>British</strong>, 1822-1897)<br />

Italian landscape with<br />

horse, cart and s<strong>to</strong>ne<br />

bridge<br />

watercolour<br />

signed and dated 1879<br />

17 x 47cm<br />

£150 - 200<br />

£500 - 800<br />

Lot 55<br />

James Burrell Smith<br />

(<strong>British</strong>, 1822-1897)<br />

‘Marksburg on the Rhein’<br />

watercolour<br />

signed and dated 1884<br />

20 x 49cm<br />

£200 - 300<br />

27


Lot 56<br />

William Blake (<strong>British</strong>, 1757-1827)<br />

four plates from Thorn<strong>to</strong>n’s “Pas<strong>to</strong>rals of Virgil”<br />

wood engravings<br />

probably late 19th/early 20th century reprints; Blasted trees and flattened crops,<br />

a Rolling S<strong>to</strong>ne is ever bare of moss, Thenot remonstrates with Colinet, the<br />

Shepherd chases away a wolf, 2.5 x 7.3cm<br />

£400 - 600<br />

Lot 57<br />

Henry Garland (<strong>British</strong>,<br />

fl.1854-1890)<br />

‘Before the hawking<br />

party’<br />

oil on canvas<br />

signed and dated ‘68<br />

76 x 113cm<br />

£2,000 - 3,000<br />

28


Lot 58<br />

Francisco Miralles (Spanish, 1848-1901)<br />

‘An outing on donkeys’<br />

oil on canvas<br />

71 x 90cm<br />

£3,000 - 5,000<br />

Lot 59<br />

Edma Morisot Pontillon (French,<br />

1839-1921)<br />

Riverscape and Landscape<br />

oil on canvas, a pair<br />

both signed<br />

48 x 64cm<br />

£400 - 600<br />

29


Lot 60<br />

Gas<strong>to</strong>n Hochard (French, 1863-1913)<br />

‘Les Bouquinistes’<br />

oil on wooden panel<br />

signed<br />

26 x 34cm<br />

£300 - 500<br />

Lot 61<br />

Frederick Goodall RA (English, 1822-1904)<br />

‘On the banks of the Nile’<br />

oil on canvas<br />

monogrammed and dated 1925<br />

50 x 100cm<br />

Lot 62<br />

£2,000 - 3,000<br />

Walter & Cohn after Wolf and Richter (John<br />

Gould)<br />

24 hand coloured lithographs from Gould’s<br />

Birds of Great Britain<br />

lithographs with hand-colouring on wove paper<br />

55 x 36cm, unframed and unmounted<br />

£400 - 600<br />

30


Lot 63<br />

Arthur Batt (English, 1846-<br />

1911)<br />

Chickens in a farmyard<br />

oil on canvas<br />

signed and dated 1887<br />

25 x 35cm<br />

£700 - 900<br />

Lot 64<br />

Arthur Bur<strong>to</strong>n (English,<br />

fl.1894-1907)<br />

Reclining nymph<br />

oil on canvas<br />

signed<br />

24 x 75cm<br />

£1,200 - 1,800<br />

Lot 65<br />

Pierre Henri Théodore Tetar<br />

Van Elven (Dutch/French,<br />

1828-1908)<br />

View of Cannes<br />

oil on canvas<br />

signed<br />

39 x 52cm<br />

£500 - 700<br />

31


Lot 66<br />

Walter Duncan (English,<br />

1848-1932)<br />

‘The Morning Walk’<br />

oil on canvas<br />

signed<br />

55 x 106cm<br />

£1,000 - 1,500<br />

Lot 67<br />

Charles Henry Tenré<br />

(French, 1864-1926)<br />

Jeune femme à sa <strong>to</strong>ilette<br />

oil on canvas<br />

signed<br />

40 x 48cm<br />

£1,000 - 1,500<br />

32


Lot 68<br />

French Impressionist<br />

School<br />

Chateau viewed from the<br />

river<br />

oil on canvas<br />

57 x 80cm<br />

£1,200 - 1,800<br />

Lot 69<br />

Arthur Wardle (<strong>British</strong>,<br />

1864-1949)<br />

Terrier and cat beside a<br />

plate of milk<br />

watercolour<br />

signed<br />

47 x 65cm<br />

£400 - 600<br />

33


Lot 70<br />

William Lucas (English, 1867-1951)<br />

Woman playing the grand piano<br />

oil on board<br />

signed and dated 1906<br />

41 x 31.5cm<br />

Lot 71<br />

£300 - 500<br />

Arthur George Ventnor (<strong>British</strong>, 1866-<br />

1934),<br />

‘A Frugal Tea’<br />

oil on canvas<br />

signed and indistinctly dated<br />

30 x 35cm<br />

Lot 72<br />

£300 - 500<br />

Arthur George Ventnor (<strong>British</strong>, 1866-<br />

1934)<br />

Tea table still life with parkland beyond<br />

oil on canvas<br />

signed<br />

27 x 30cm<br />

£300 - 500<br />

34


Lot 73<br />

Albert Goodwin RWS<br />

(<strong>British</strong>, 1845-1932)<br />

‘Venice’<br />

watercolour<br />

signed and dated 1902<br />

52 x 75cm<br />

£2,000 - 3,000<br />

Lot 74<br />

Edgar Longstaffe (<strong>British</strong>,<br />

1852-1933)<br />

Highland landscapes with<br />

cattle and angler<br />

oil on canvas, a pair<br />

monogrammed<br />

35 x 30cm<br />

£400 - 600<br />

35


Lot 75<br />

Joseph Holmstedt<br />

(Austrian, 1841-1918)<br />

Norwegian fjord<br />

oil on canvas<br />

signed<br />

71 x 97cm<br />

£500 - 800<br />

Lot 76<br />

Adrien Jacques Sauzay (French,<br />

1841-1928)<br />

Figures in a landscape with<br />

haystacks<br />

oil on panel<br />

signed<br />

16 x 28cm<br />

£200 - 300<br />

Lot 77<br />

Herbert Marshall (1841-1913)<br />

The Tower from the Thames and<br />

two London street scenes<br />

watercolours (3)<br />

signed and dated 1884<br />

38 x 56cm and 56 x 36cm<br />

£500 - 700<br />

36


Lot 78<br />

William Woodhouse<br />

(<strong>British</strong>, 1857-1939)<br />

‘After the shoot’;<br />

Cumberland spaniel and<br />

game<br />

oil on panel<br />

signed<br />

29 x 24cm<br />

£800 - 1,200<br />

Lot 79<br />

Paul Jones (English, fl.1855-1888)<br />

Gamekeeper’s pony and dogs in a<br />

landscape<br />

oil on panel<br />

signed and dated 1887<br />

16 x 21.5cm<br />

£300 - 500<br />

Lot 80<br />

Alfred Théodore Joseph Bastien<br />

(Belgian, 1873-1955)<br />

Table <strong>to</strong>p still life with wine and<br />

cherries<br />

oil on canvas<br />

signed, 90 x 100cm<br />

£200 - 300<br />

37


Lot 81<br />

Delphin Enjolras (French, 1857-1945)<br />

Jeunes femmes jouant aux cartes<br />

oil on canvas<br />

signed<br />

60 x 73 cm.<br />

£3,000 - 5,000<br />

Lot 82<br />

Margaret Dovas<strong>to</strong>n (<strong>British</strong>, 1884-<br />

1954)<br />

‘The Chess Match’<br />

oil on canvas<br />

signed and dated 1927<br />

45 x 60cm<br />

£2,000 - 3,000<br />

38


Lot 83<br />

Edward Atkinson Hornel<br />

(Scottish, 1864-1933)<br />

Portrait of a Japanese woman<br />

oil on board<br />

signed and indistinctly dated<br />

32 x 22cm<br />

£8,000 - 12,000<br />

Lot 84<br />

European School c.1920<br />

Black model in a studio<br />

pastel and charcoal on paper<br />

87 x 53cm<br />

£300 - 500<br />

Lot 85<br />

Albert Chevallier Tayler, RBC<br />

(<strong>British</strong>, 1862-1925)<br />

‘The New Dress’<br />

oil on canvas<br />

signed and dated ‘96<br />

45 x 60cm<br />

£1,000 - 1,500<br />

39


Lot 86<br />

Henry Meynell Rheam (<strong>British</strong><br />

1859-1920)<br />

Portrait of an old fisherman<br />

watercolour<br />

signed and dated 1917<br />

32 x 23cm<br />

£600 - 800<br />

Lot 87<br />

Robert McGregor R.S.A.<br />

(Scottish, 1847-1922)<br />

‘Stacking corn’<br />

oil on canvas<br />

signed<br />

45 x 67cm<br />

£400 - 600<br />

Lot 88<br />

William Frederick Mayor<br />

(<strong>British</strong>, 1865-1916)<br />

Cassis Harbour<br />

watercolour<br />

30.5 x 39cm<br />

£300 - 500<br />

40


Lot 89<br />

Walter Richard Sickert A.R.A.<br />

(English, 1860-1942)<br />

‘Cheerio’, 1929<br />

etching<br />

18 x 14cm<br />

£800 - 1,200<br />

Lot 90<br />

Cyril Edward Power (<strong>British</strong>, 1872-1951)<br />

‘Divertissement’ (C. CEP 33)<br />

linocut printed in four colours on Japanese mulberry tissue,<br />

c.1930<br />

signed in pencil and inscribed No.2. 1st state<br />

22.5 x 30cm<br />

£10,000 - 15,000<br />

41


Lot 91<br />

§ Willem Adriaan Paerels<br />

(Belgian, 1878-1962)<br />

Study of a seated woman<br />

conté crayon on light buff paper<br />

studio stamp numbered H145<br />

32 x 45cm<br />

£400 - 600<br />

Lot 92<br />

Rex John Whistler (<strong>British</strong>,<br />

1905-1944)<br />

Bookplate design for The Book<br />

Society, original drawing of<br />

an 18th century gentleman<br />

reading in his library,<br />

pen, ink and wash highlighted in<br />

body colour<br />

signed, Exhibited at Rex Whistler.<br />

The Triumph of Fancy, Brigh<strong>to</strong>n<br />

Museum, 2006.<br />

16 x 11.5cm<br />

£2,000 - 3,000<br />

42


Lot 93<br />

*§ Sir William Russell Flint. R.S.W;<br />

P.R.W.S; R.A (1880-1969)<br />

‘The Bay of Winds, Gruinard, Rossshire’<br />

watercolour<br />

signed<br />

50 x 67cm<br />

£4,000 - 6,000<br />

Lot 94<br />

Pablo Picasso (Spanish, 1881-<br />

1973)<br />

‘Mostra di Picasso, Milano,<br />

Palazzo Reale, Settembre<br />

Novembre 1953’<br />

lithographic poster<br />

Michel Graglia 21 Rue Maufoux<br />

21 200 Beaune France, original<br />

Picasso print of a clown (his son)<br />

138 x 95cm<br />

£400 - 600<br />

43


95<br />

96<br />

98<br />

97<br />

44


Lot 95<br />

Eric Gill (English, 1882-1940)<br />

Earth Waiting,1926 Procreant Hymn<br />

(P360)<br />

engraving on copper<br />

signed and numbered 14/15<br />

11 x 8.5cm<br />

Lot 96<br />

£300 - 500<br />

Eric Gill (English, 1882-1940)<br />

Chaucer Writing, 1930 from The<br />

Canterbury Tales (P660)<br />

wood engraving<br />

signed and numbered 10/10, from the<br />

published edition of 10 impressions<br />

19.5 x 12.5cm<br />

Lot 97<br />

£200 - 300<br />

Eric Gill (English, 1882-1940)<br />

Cock and Spear, 1931 for The Four<br />

Gospels<br />

wood engraving<br />

signed and numbered 7/10<br />

(P787)<br />

19.5 x 14.5cm<br />

Lot 98<br />

£200 - 300<br />

Eric Gill (English, 1882-1940)<br />

Mary Magdalene, 1931 for The Four<br />

Gospels (P773)<br />

wood engraving<br />

signed in pencil and numbered 10/10<br />

14.5 x 19.7cm<br />

Lot 99<br />

£300 - 500<br />

Eric Gill (English, 1882-1940)<br />

The Bee Sting 1924, 2nd state for<br />

Clothing without Cloth (P292)<br />

wood engraving<br />

signed in pencil and numbered 2/25<br />

12.5 x 4.6cm<br />

£400 - 600 99<br />

45


100<br />

101<br />

Lot 100<br />

§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />

‘In the rough’<br />

watercolour<br />

signed and dated 1922<br />

35 x 25cm<br />

Lot 101<br />

£1,200 - 1,800<br />

§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />

‘A Bonny Game’<br />

watercolour<br />

signed, with original artist’s bill of sale verso<br />

40 x 30.5cm<br />

£1,200 - 1,800<br />

102<br />

Lot 102<br />

§ Lawson Wood (<strong>British</strong>, 1878-1957)<br />

‘The 19th Hole’<br />

watercolour<br />

signed and dated ‘18<br />

34.5 x 25cm<br />

£1,200 - 1,800<br />

46


Lot 103<br />

Charles Waldo Adin (1854-1930)<br />

Figure seated in parkland<br />

oil on canvas<br />

signed, 44 x 54cm<br />

£400 - 600<br />

Lot 104<br />

Denys George Wells V.P.R.B.A. B.E.M.<br />

(<strong>British</strong>, 1881-1973)<br />

Portrait of the artist’s daughter, standing<br />

before a hearth, reading a book<br />

oil on canvas<br />

signed and dated 1919<br />

60 x 50cm<br />

£400 - 600<br />

Lot 105<br />

§ Herbert Gurschner (Austrian, 1901-<br />

1975)<br />

Corfe Castle<br />

tempera on card<br />

signed and dated 1934, inscription from the<br />

artist verso inscribed ‘To Miss Adams from<br />

H. Gurschner Xmas 1959’<br />

45.75 x 31.75cm<br />

£800 - 1,200<br />

47


Lot 106<br />

§ Vanessa Bell (English, 1879-1961)<br />

‘Man in a hat’, café drawing, Paris<br />

1920’s<br />

pencil on paper<br />

Estate stamp, 18 x 17cm<br />

£600 - 800<br />

Lot 107<br />

§ Nina Hamnett (<strong>British</strong>, 1890-1956)<br />

Portrait of a seated black man, thought <strong>to</strong><br />

be a boxer<br />

charcoal on paper<br />

signed and dated ‘31, 49 x 34cm<br />

£300 - 500<br />

Lot 108<br />

§ Nina Hamnett (<strong>British</strong>, 1890-1956)<br />

Head study<br />

charcoal on paper<br />

signed and dated 1932, 41 x 32cm<br />

£300 - 500<br />

Lot 109<br />

§ Geoffrey Underwood (1927-2000)<br />

‘The Lock Gates’<br />

oil on canvas<br />

signed and dated 1953, 40 x 50cm<br />

£500 - 700<br />

48


Lot 110<br />

Geoffrey Arthur Tibble (<strong>British</strong>,<br />

1909-1952)<br />

‘Crayon Drawing, 1945’<br />

conté crayon on paper<br />

signed in pencil<br />

24.5 x 16cm<br />

£800 - 1,200<br />

Lot 111<br />

Isabel Stella R. Langdale<br />

(1880-1976)<br />

Mediterranean harbour scene<br />

oil on canvas board<br />

signed<br />

30 x 40cm<br />

£300 - 500<br />

Lot 112<br />

Robert Graham Dryden<br />

Alexander (English, 1875-1945)<br />

Felastar Ferry beach with the<br />

paddlesteamer Waverley in the<br />

background<br />

oil on board<br />

signed<br />

47 x 60cm<br />

£400 - 600<br />

49


Lot 113<br />

§ Sir Alfred James Munnings P.R.A., R.W.S. (<strong>British</strong>, 1878-1959)<br />

Exmoor Ponies, Study no.17<br />

oil on wooden panel<br />

signed<br />

17.8 x 25.4cm<br />

£15,000 - 20,000<br />

Munnings wrote in his au<strong>to</strong>biography, The Finish - on Seeking and Painting Exmoor Ponies; “How simple<br />

the whole thing was at that scale-how much better the result! The ponies, the little foals with white legs,<br />

made designs at whichever angle I approached. Hours fled by; the foals resting or playing, the herd keeping<br />

<strong>to</strong> the same spot. A windy day was no good. A still day on the moor was never without wind. If I wake in<br />

another life, wherever it may be, I shall look back with regret upon those days with the ponies on the moor,<br />

far from anywhere, out of sight and out of sound of anyone.” The Finish, p.110.<br />

The ponies pictured were herd no.27 and belonged <strong>to</strong> the late Fred. Mil<strong>to</strong>n of Withypool.<br />

Provenance: Exhibition of Works by Sir Alfred Munnings held at The Leicester Galleries, 1947, no.115. Sold<br />

<strong>to</strong> Mrs Maurice Holder £42.<br />

Sold at Gorringes - March 2005 for £27,000.<br />

Illustrated: The Finish, p.112.<br />

See Sotheby’s sale 3rd December 2003 for the sale of Study no.12 (also illustrated in The Finish).<br />

50


Lot 114<br />

§ Sir Alfred James Munnings<br />

P.R.A., R.W.S. (<strong>British</strong>, 1878-1959)<br />

‘Mending the nets’<br />

watercolour<br />

signed and dated ‘93<br />

30 x 20.5cm<br />

£3,000 - 4,000<br />

Lot 115<br />

§ Sir Alfred James<br />

Munnings, PRA, RWS<br />

(<strong>British</strong>, 1878-1959)<br />

Sketch of beech trees in a<br />

landscape<br />

oil on canvas<br />

signed<br />

46 x 65cm<br />

£1,200 - 1,800<br />

51


Lot 116<br />

§ Laurence Stephen Lowry RA, RBA<br />

(<strong>British</strong> 1887-1976)<br />

View of a Town<br />

offset lithograph<br />

signed in pencil, bearing the Fine Art<br />

Trade Guild blindstamp unnumbered<br />

from an edition of 850, published by<br />

Mains<strong>to</strong>ne Publications in 1973<br />

46 x 55.5cm<br />

£2,000 - 3,000<br />

Lot 117<br />

§ Laurence Stephen Lowry RBA<br />

RA, (<strong>British</strong> 1887-1976)<br />

Three men and a cat<br />

offset lithograph in colours on wove<br />

signed in pencil, from the<br />

unnumbered edition of 850, with the<br />

Fine Art Trade Guild blindstamp,<br />

printed by Max Jaffe, Vienna,<br />

published by Adam Collection Ltd,<br />

28 x 19cm<br />

£1,500 - 1,800<br />

52


Lot 118<br />

§ Sir Cecil Walter Hardy<br />

Bea<strong>to</strong>n CBE (<strong>British</strong>, 1904-<br />

1980)<br />

‘My Fair Lady’ - Higgins &<br />

Eliza at Ascot<br />

ink and watercolour on paper<br />

signed<br />

42 x 30.5cm<br />

£1,000 - 1,500<br />

Lot 119<br />

§ Sir Cecil Walter Hardy<br />

Bea<strong>to</strong>n CBE (<strong>British</strong>, 1904-<br />

1980)<br />

‘Calling dress’<br />

pencil on paper<br />

signed<br />

33 x 24cm<br />

£500 - 800<br />

Lot 120<br />

§ Chris<strong>to</strong>pher John Harrison<br />

(<strong>British</strong>, b.1945)<br />

‘Oriental Collection’<br />

oil on board<br />

initialled<br />

60 x 86cm<br />

£600 - 800<br />

53


Lot 121<br />

§ Chris<strong>to</strong>pher John Harrison<br />

(<strong>British</strong>, b.1945)<br />

‘Chinese ring vase, Kangzi<br />

period, <strong>British</strong> Museum<br />

London’<br />

oil on board<br />

initialled<br />

60 x 55cm<br />

£400 - 600<br />

Lot 122<br />

Philip Sut<strong>to</strong>n (<strong>British</strong>,<br />

b.1928)<br />

‘Bathers, IOM 1979’<br />

watercolour<br />

signed<br />

27 x 29cm<br />

£300 - 500<br />

Lot 123<br />

Russell Brockbank (English,<br />

1913-1979)<br />

Jaguar XKSS; “I see the<br />

leaves are on the turn”.<br />

ink and wash on paper<br />

heightened with white<br />

signed and inscribed<br />

17 x 30cm, unframed<br />

£400 - 600<br />

54


Lots 124-132 From the Remaining Studio<br />

Contents of David Smith (1920-1999)<br />

David Smith was born in Lowes<strong>to</strong>ft and exhibited<br />

around the world. He wrote several books and<br />

travelled as an artist on the QEII, with the <strong>British</strong><br />

Antarctic Survey and painted the lighthouses for<br />

Trinity House.<br />

Lot 124<br />

David Smith (<strong>British</strong>, 1920-1999)<br />

‘Sastrugi Number 1, Antarctica’<br />

oil on canvas<br />

signed and dated 1977, 50 x 66cm<br />

£300 - 500<br />

Lot 126<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

No.2 Proteas<br />

impas<strong>to</strong> on board<br />

signed and dated 1970, 122 x 92cm<br />

£200 - 300<br />

Lot 125<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

S<strong>to</strong>rmy landscape with church, 1963<br />

oil impas<strong>to</strong> on board<br />

signed and dated 1968, 96 x 121cm<br />

£200 - 400<br />

Lot 127<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

Waterfall, North Wales and Foundry scene<br />

oil on board (2)<br />

signed and dated 1962, and 1967<br />

101 x 92cm and 100 x 125cm<br />

£300 - 500<br />

55


128<br />

129<br />

131<br />

130<br />

132<br />

Lot 128<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

‘Burgh Castle Mill, Norfolk’<br />

ink on paper<br />

signed and dated 1961<br />

38 x 57cm<br />

Lot 129<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

‘The River Downham Market, Norfolk’<br />

ink and wash on paper<br />

signed and dated 1965<br />

29 x 77cm<br />

Lot 130<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

‘Ice cave, Antarctica’<br />

oil on canvas<br />

signed and dated 1977<br />

76 x 102cm<br />

£200 - 300<br />

£200 - 300<br />

£200 - 300<br />

56


Lot 131<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

Family music recital<br />

oil on hard board<br />

signed and dated 1959, with prepara<strong>to</strong>ry drawing<br />

164 x 120cm<br />

Lot 132<br />

David Smith (<strong>British</strong>, 1930-1999)<br />

‘Breydon Water, Norfolk’<br />

ink and wash on paper<br />

signed and dated 1961<br />

39 x 56cm<br />

Lot 133<br />

Michael Ayr<strong>to</strong>n (<strong>British</strong>, 1921-1975)<br />

Portrait of the composer and conduc<strong>to</strong>r<br />

Constant Lambert<br />

pencil on paper<br />

inscribed and dated 1946<br />

18 x 11cm<br />

£300 - 500<br />

£200 - 300<br />

£500 - 800<br />

133<br />

Lot 134<br />

§ Noel Georges Bouvard (French,<br />

1912-1975)<br />

Gondola and sailing ship off the<br />

Doges Palace, Venice<br />

oil on canvas<br />

signed<br />

49 x 64cm<br />

£1,200 - 1,500<br />

Lot 135<br />

* Philip Wilson Steer (<strong>British</strong>, 1860-<br />

1942)<br />

‘The Red Bridge, Ironbridge’<br />

oil on canvas<br />

signed and dated 1910<br />

76 x 107cm<br />

£1,000 - 2,000<br />

57


Lot 136<br />

§ Cyril Mann (<strong>British</strong>, 1911-1980)<br />

Street scene with funfair poster<br />

oil on canvas<br />

signed and inscribed ‘St Ives’<br />

verso<br />

72 x 59cm<br />

£800 - 1,200<br />

Lot 137<br />

§ Kenneth Rowntree (<strong>British</strong>,<br />

1915-1997)<br />

‘Portrait of Mr Davy, Builder and<br />

Decora<strong>to</strong>r’<br />

oil on panel<br />

initialled<br />

51 x 27cm<br />

£800 - 1,200<br />

Lot 138<br />

Aileen C. Eagle<strong>to</strong>n (<strong>British</strong>,<br />

1902-1984)<br />

‘Hamp<strong>to</strong>n Court Bridge’<br />

oil on canvas<br />

signed<br />

50 x 60cm<br />

£300 - 500<br />

58


Lot 139<br />

John Piper (<strong>British</strong>, 1903-1992)<br />

Virgin and Child (L.267)<br />

lithograph<br />

signed in pencil, 53/95<br />

70.5 x 56cm<br />

£500 - 800<br />

Lot 140<br />

§ John Piper (<strong>British</strong>, 1903-1992)<br />

‘Ivy Church, Romney Marsh’<br />

etching with aquatint 1983<br />

scarce print for the edition of 100, printed at Kelpra<br />

Studio and published by Christie’s Contemporary Art,<br />

signed in pencil, 99/100<br />

45 x 62cm<br />

£500 - 700<br />

Lot 141<br />

§ John Piper (English, 1903-1992)<br />

Jazenne, Charente, (Levinson 196)<br />

screenprint<br />

signed in pencil and numbered 45/70<br />

60 x 80cm<br />

£400 - 600<br />

Lot 142<br />

§ John Piper (<strong>British</strong>, 1903-1992)<br />

‘Death in Venice III’ (Levinson 227)<br />

screenprint<br />

signed in pencil and numbered 45/70<br />

77 x 67cm<br />

£500 - 700<br />

59


Lot 143<br />

§ Edward Brian Seago RWS RBA (<strong>British</strong>, 1910-1974)<br />

‘A boatyard on the Golden Horn’<br />

oil on board<br />

signed<br />

50 x 75cm<br />

£20,000 - 30,000<br />

Lot 144<br />

§ Edward Brian Seago<br />

RWS RBA (<strong>British</strong>,<br />

1910-1974)<br />

Canal Scene,<br />

Amsterdam 1953<br />

ink and watercolour<br />

signed<br />

37.5 x 54.5cm<br />

£2,000 - 3,000<br />

60


Lot 145<br />

§ Dame Elizabeth Frink C.H. D.B.E. R.A. (English,<br />

1930-1993)<br />

‘Horse, 1979’<br />

bronze<br />

signed and numbered 6/9,<br />

30.5cm high, 33cm long, 9cm deep<br />

Literature:<br />

Jill Wilder (Ed.), Elisabeth Frink Sculpture,<br />

Catalogue Raisonné, Harpvale, London, 1984, cat.<br />

no.247, pp.190-191(another cast ill.b&w)<br />

£40,000 - 60,000<br />

61


Lot 146<br />

§ Bernard Dunstan (English,<br />

1920-2017)<br />

‘Sotheby’s’<br />

oil on board<br />

signed<br />

20.5 x 29cm<br />

£1,200 - 1,800<br />

Lot 147<br />

Reg Gammon ROI (1894-1997)<br />

‘In Connemara’<br />

oil on board<br />

signed, Fosse Gallery label verso<br />

48 x 70cm<br />

£1,200 - 1,800<br />

Lot 148<br />

§ Edward Wesson RI RSMA<br />

(<strong>British</strong>, 1910-1983)<br />

‘The Chantries from Pewley<br />

Hill’<br />

oil on board<br />

signed<br />

50 x 75cm<br />

£300 - 500<br />

62


Lot 149<br />

Edward Bawden RA (<strong>British</strong>,<br />

1903-1989)<br />

‘Audley End House’ (MG<br />

095)<br />

linocut in colours<br />

signed in pencil, dated 1973,<br />

numbered 135/150 and<br />

blind stamped, published by<br />

Christie’s Contemporary Art<br />

sheet overall 70 x 84cm<br />

£1,000 - 2,000<br />

Lot 150<br />

Julian Trevelyan R.A. (<strong>British</strong>,<br />

1910-1988)<br />

Camden Lock<br />

lithograph printed in colours<br />

signed in pencil, 25/100<br />

50 x 70.5cm<br />

£300 - 500<br />

Lot 151<br />

Julian Trevelyan R.A. (<strong>British</strong>,<br />

1910-1988)<br />

Canal Holidays<br />

lithograph printed in colours<br />

signed in pencil, 25/100<br />

50 x 70cm<br />

£300 - 500<br />

63


Lot 152<br />

§ An<strong>to</strong>ine Blanchard (French, 1910-1988)<br />

‘Paris, Porte St. Denis’<br />

oil on canvas<br />

signed<br />

32 x 44cm<br />

£1,200 - 1,600<br />

Lot 153<br />

Lucien Delarue (French, 1925-<br />

2011)<br />

‘La Seine à Paris’<br />

oil on canvas<br />

signed<br />

60 x 49cm<br />

£300 - 500<br />

Lot 154<br />

§ John Steven Dews (<strong>British</strong>, b.1949)<br />

HMS Warrior - the first <strong>British</strong> ironclad<br />

(built 1861)<br />

oil on canvas<br />

signed<br />

50 x 75cm<br />

£2,000 - 3,000<br />

Lot 155<br />

§ John Steven Dews (<strong>British</strong>,<br />

b.1949)<br />

‘The Hull whaler’s ship, Isabella ..’<br />

oil on canvas<br />

signed<br />

50 x 75cm<br />

£2,000 - 3,000<br />

64


Lot 156<br />

§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />

Don Quixote and Sancho Panza seated beneath<br />

a tree Alternative Version<br />

ink and watercolour on paper<br />

signed, 28 x 22cm<br />

£1,000 - 1,500<br />

Lot 157<br />

§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />

Sancho Panza secretly ties the leg of Don<br />

Quixote’s horse Alternative Version<br />

ink and watercolour on paper<br />

signed, 28 x 38cm.<br />

£1,000 - 1,500<br />

Lot 158<br />

§ Sir Quentin Saxby Blake OBE (<strong>British</strong>, b.1932)<br />

‘Serious birds #1’<br />

chinagraph print<br />

signed in ink, 42 x 29cm.<br />

£600 - 800<br />

Lot 159<br />

§ Sir Quentin Saxby Blake OBE (<strong>British</strong>,<br />

b.1932)<br />

‘Walking with the birds #6’<br />

ink on paper<br />

signed and dated 17.2.2018 in pencil<br />

26.5 x 39cm<br />

£700 - 1,000<br />

65


Lot 160<br />

Edward Wesson (English, 1910-<br />

1983)<br />

‘Holiday beach - Plage de Vacances’<br />

oil on board<br />

signed<br />

21 x 37cm<br />

£400 - 600<br />

Lot 161<br />

§ John Frederick Lloyd Strevens<br />

(<strong>British</strong>, 1902-1990)<br />

Portrait of the artist with his family<br />

overlooking a garden<br />

oil on board<br />

signed<br />

100 x 111cm<br />

£700 - 1,000<br />

Lot 162<br />

Charles Clément Francis Perron<br />

(French, 1893-1958)<br />

‘Souvenir of Bretagne’<br />

oil on board<br />

signed<br />

32 x 40cm<br />

£500 - 700<br />

66


Lot 163<br />

§ Charles Church (<strong>British</strong>, b.1971)<br />

Study of five hounds<br />

oil on canvas<br />

signed<br />

60 x 75cm<br />

£2,000 - 3,000<br />

Lot 164<br />

§ René Charles Edmond His<br />

(French, 1877-1960)<br />

‘Meandering stream’<br />

oil on canvas<br />

signed<br />

45 x 54cm<br />

£700 - 900<br />

Lot 165<br />

§ Fred Yates (English, 1922-<br />

2008)<br />

Naked couple in bedroom<br />

oil on board<br />

Government Legal<br />

Department label verso<br />

94 x 98cm, unframed<br />

£800 - 1,200<br />

67


Lot 166<br />

§ SEEN Richard “Richie” Mirando (French,<br />

b.1961)<br />

Mad Transit Artist<br />

spraypaint and acrylic on canvas<br />

signed and dated 2009 verso, 80 x 60cm<br />

£1,500 - 2,000<br />

Lot 167<br />

Willem de Kooning (1904-1997)<br />

‘Composition for Lisa, 1984’<br />

lithograph in colours on wove paper<br />

signed in pencil<br />

46 x 58cm<br />

£1,200 - 1,800<br />

Lot 168<br />

Dan Baldwin (b.1972)<br />

Untitled, Rabbit’s head<br />

mixed media<br />

signed and dated 2001/2005 verso<br />

61 x 61cm<br />

£500 - 700<br />

Lot 169<br />

Dan Baldwin (b.1972)<br />

‘little Gay Fucker’ #2<br />

mixed media on canvas<br />

signed, dated ‘03 and inscribed verso<br />

92 x 92cm<br />

£600 - 800<br />

68


Lot 170<br />

Raymond Campbell (English,<br />

1956-)<br />

‘Veuve Clicquot Champagne<br />

1928’<br />

oil on board<br />

signed<br />

39.5 x 29cm<br />

£700 - 900<br />

Lot 171<br />

§ Sherree Valentine-Daines (1956-)<br />

Female nude seated in a bedroom<br />

oil on card<br />

monogrammed<br />

46 x 33cm<br />

£600 - 800<br />

Lot 172<br />

§ Sherree Valentine-Daines (1956-)<br />

Woman in white dress reading a book<br />

oil on card<br />

monogrammed<br />

52 x 33cm<br />

£800 - 1,200<br />

69


Lot 173<br />

§ Mary Fedden R.A. (<strong>British</strong>,<br />

1915-2012)<br />

Still life of fruit in a blue<br />

bowl<br />

oil on canvas<br />

signed and dated ‘09<br />

51 x 61cm<br />

£4,000 - 6,000<br />

Lot 174<br />

§ Genevieve Dael (French,<br />

b.1947)<br />

‘Que le Jour Finisse’<br />

oil on canvas<br />

signed verso and numbered<br />

211,<br />

55 x 33cm<br />

£400 - 600<br />

Lot 175<br />

Robert Chailloux (French, 1913-2006)<br />

oil on canvas, a pair<br />

Still life of black grapes, sweet chestnuts and apples<br />

and Still life with pears and plums<br />

signed, 46 x 54cm<br />

£800 - 1,200<br />

70


Lot 176<br />

Tracey Emin (<strong>British</strong>, b.1963)<br />

‘Deck Chair, 2007’<br />

screenprint in colours on fabric with<br />

wood support (3)<br />

from the edition of 250, printed by<br />

Eyes Wide Digital for The Royal Parks<br />

Foundation<br />

96 x 97 x 58cm (assembled)<br />

£600 - 800<br />

Lot 177<br />

§ Frank Woot<strong>to</strong>n (English, 1914-1998)<br />

Beachy Head<br />

oil on board<br />

signed<br />

30 x 40cm<br />

£400 - 600<br />

Lot 178<br />

Michael Rothenstein (<strong>British</strong>, 1908-<br />

1993)<br />

‘The Song of Songs, Which is<br />

Solomon’s’, Rampant Lion Press,<br />

Cambridge, 1979<br />

folio of 9 screenprints on Crisbrook<br />

handmade paper<br />

signed by Rothenstein, Rose and<br />

Carter, numbered 54 of 150 copies, in<br />

original red solander box (portfolio)<br />

57 x 40cm<br />

£600 - 800<br />

71


Lot 179<br />

§ John Wells (<strong>British</strong>, 1907-2000)<br />

Untitled 1959<br />

mixed media<br />

signed in pencil and dated 1959<br />

21 x 17cm<br />

£300 - 500<br />

Lot 180<br />

§ Thierry Guetta [Mr Brainwash} (French,<br />

b.1966)<br />

“Jimi Hendrix” (blue)<br />

five colour screenprint on hand <strong>to</strong>rn archival<br />

paper<br />

signed, from the edition of 70<br />

71 x 50.5cm<br />

£800 - 1,200<br />

Lot 181<br />

Patrick Joseph Caulfield R.A. (<strong>British</strong>,<br />

1936-2005)<br />

‘Quelques Poèmes de Jules Laforgue,<br />

planches de Patrick Caulfield (Some<br />

Poems)’<br />

folio of 22 screenprints on Neobond<br />

papier synthétique<br />

one of 200 copies, the French edition,<br />

from a <strong>to</strong>tal edition of 500. Signed,<br />

numbered 120/200 and inscribed<br />

“Edition B” in pencil, on the justification<br />

page, in original slip case but lacking the<br />

loose plates. Cristea 38.<br />

40.5 x 35.5cm<br />

£300 - 500<br />

72


Lot 182<br />

§ Prunella Clough (<strong>British</strong>, 1919-1999)<br />

‘In the Park, 1993’<br />

etching with chine collé<br />

from the edition of 5, signed in pencil and<br />

numbered 1/5<br />

18.5 x 17.5cm<br />

£400 - 600<br />

Lot 183<br />

Prunella Clough (<strong>British</strong>, 1919-1999)<br />

‘Shadow Play 12, 1993’<br />

etching with aquatint<br />

signed in pencil, artist proof alongside the<br />

edition of 12, 24.5 x 18.75cm<br />

£400 - 600<br />

Lot 184<br />

§ John Knapp-Fisher (<strong>British</strong>, 1931-2015)<br />

Extensive coastal landscape<br />

ink and watercolour on paper<br />

signed in ink, 14 x 65cm<br />

£800 - 1,200<br />

Lot 185<br />

§ John Knapp-Fisher (<strong>British</strong>, 1931-2015)<br />

Pembrokeshire Cottages<br />

watercolour on paper, signed and dated 1971, 7.5 x 39.5cm £600 - 800<br />

73


Lot 186<br />

Karolina Larusdottir (Icelandic,<br />

1944-2019)<br />

‘The Ferryman waits’<br />

coloured etching<br />

signed in pencil, titled and numbered<br />

24/100<br />

28 x 60cm<br />

£300 - 400<br />

Lot 187<br />

§ Sir Roger de Grey, P.R.A.<br />

(English, 1918-1995)<br />

‘From the Vineyard, San Lettere’<br />

oil on canvas<br />

signed<br />

100 x 120cm<br />

£800 - 1,200<br />

Lot 188<br />

§ Sir Roger de Grey, P.R.A.<br />

(English, 1918-1995)<br />

Landscape with pylons<br />

oil on canvas<br />

signed<br />

90 x 90cm<br />

£800 - 1,200<br />

74


Lot 189<br />

§ Sir Roger de Grey, P.R.A. (English,<br />

1918-1995)<br />

‘The way down from the house’<br />

oil on canvas<br />

signed and inscribed verso<br />

90 x 90cm<br />

£1,200 - 1,800<br />

Lot 190<br />

§ Sir Roger de Grey, P.R.A. (English, 1918-<br />

1995)<br />

‘Marshes, Nieulle’<br />

oil on canvas<br />

signed, with Leonie Jonleigh Studio label verso<br />

dated Oc<strong>to</strong>ber 1979<br />

90 x 90cm<br />

£1,200 - 1,800<br />

Lot 191<br />

§ Fred Cuming RA NEAC Hon RBA<br />

Hon ROI, (English 1930-2022)<br />

‘River L’Oise’<br />

oil on board<br />

signed, with Jonleigh Gallery label<br />

verso<br />

90 x 90cm<br />

£1,500 - 2,000<br />

75


Lot 192<br />

§ Fred Cuming RA NEAC<br />

Hon RBA Hon ROI,<br />

(English 1930-2022)<br />

‘Garden, Oc<strong>to</strong>ber’<br />

oil on board<br />

signed, with Jonleigh<br />

Gallery label verso<br />

60 x 60cm<br />

£1,000 - 1,500<br />

Lot 193<br />

§ Fred Cuming RA (1930-<br />

2022)<br />

‘Cat watching a bird’<br />

oil on board<br />

signed<br />

40 x 50cm<br />

£1,500 - 2,000<br />

76


Lot 194<br />

§ Paul Feiler (<strong>British</strong>, 1918-<br />

2013)<br />

‘Split Ovals 1963’<br />

gouache and crayon on<br />

paper<br />

signed and dated ‘63<br />

24 x 26cm<br />

£2,500 - 3,500<br />

Lot 195<br />

§ Adrian Heath (English,<br />

1920-1992)<br />

‘Untitled 1990’<br />

oil on canvas<br />

30 x 28cm<br />

£2,500 - 3,500<br />

77


Lot 196<br />

§ Henri Hayden (French/<br />

Polish, 1883-1970)<br />

‘Fruits et Noix’<br />

gouache on paper<br />

signed and dated ‘62<br />

30 x 48cm<br />

£2,500 - 3,500<br />

Lot 197<br />

§ Henri Hayden (French/<br />

Polish, 1883-1970)<br />

‘Fleurs et fruits’<br />

oil on canvas<br />

signed and dated ‘62<br />

38 x 46cm<br />

£2,500 - 3,500<br />

78


Lot 198<br />

§ Ivon Hitchens (<strong>British</strong>, 1893-1979)<br />

Untitled landscape<br />

oil on canvas<br />

signed<br />

20 x 74cm<br />

£8,000 - 12,000<br />

Lot 199<br />

§ Donald Hamil<strong>to</strong>n Fraser<br />

RA (<strong>British</strong>, 1929-2009)<br />

Untitled<br />

oil on canvas<br />

monogrammed<br />

46 x 61cm<br />

£800 - 1,200<br />

79


Lot 200<br />

§ Marcel Dyf (French, 1899-1985)<br />

‘Le Pêcheur’<br />

oil on canvas<br />

signed<br />

59 x 71.5cm<br />

£8,000 - 12,000<br />

Lot 201<br />

§ Marcel Dyf (French, 1899-<br />

1985)<br />

‘Matin Brumeaux à l’Isle’<br />

oil on canvas<br />

signed<br />

37 x 44.5cm<br />

£3,000 - 5,000<br />

80


Lot 202<br />

Michael Van Zeyl<br />

(Contemporary American)<br />

Standing female nude<br />

oil on canvas<br />

signed<br />

86 x 71cm<br />

£700 - 1,000<br />

Lot 203<br />

§ Simon Palmer (English,<br />

b.1956)<br />

‘We must live <strong>to</strong> enjoy’<br />

ink and watercolour<br />

signed in pencil<br />

28 x 28cm<br />

£500 - 700<br />

81


Lot 204<br />

§ Philip Dunn (English, b.1945)<br />

‘A shadow of her former self’<br />

gouache<br />

signed<br />

52 x 36.5cm<br />

£400 - 600<br />

Lot 205<br />

Fabian Perez (Argentinian, b.1967)<br />

‘Marissa III’<br />

oil on canvas<br />

signed<br />

60 x 45cm<br />

£7,000 - 9,000<br />

Lot 206<br />

§ Alan Furneaux (English, 1953-)<br />

‘Strawberries and lemons’<br />

oil on canvas<br />

signed and dated ‘99<br />

60 x 75cm<br />

£500 - 700<br />

82


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