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<strong>MONDAY</strong><br />
<strong>ARTPOST</strong><br />
<strong>2024</strong>-<strong>1007</strong><br />
ISSN1918-6991<br />
<strong>MONDAY</strong><strong>ARTPOST</strong>.COM<br />
Columns by Artists and Writers<br />
Bob Black / bq / Cem Turgay / Fiona Smyth<br />
/ Gary Michael Dault / Kai Chan / Kamelia<br />
Pezeshki / Lee Ka-sing / Malgorzata Wolak<br />
Dault / Shelley Savor / Tamara Chatterjee /<br />
Tomio Nitto / Yam Lau /<br />
<strong>MONDAY</strong> <strong>ARTPOST</strong> published on Mondays. Columns by Artists and Writers. All Right Reserved. Published since 2002.<br />
Edit and Design: DOUBLE DOUBLE studio. Publisher: Ocean and Pounds. ISSN 1918-6991. mail@oceanpounds.com<br />
Free Subscription: https://mondayartpost.substack.com / Support: https://patreon.com/doubledoublestudio
http://kasingholly.com
Sketchbook<br />
Tomio Nitto
CHEEZ<br />
Fiona Smyth
Leaving Taichung<br />
Station<br />
Bob Black<br />
The voice of two pipes songing<br />
the sky this morning is grey and arched, autumn’s racoon ghost all bushy-tailed<br />
and rancorous<br />
what throws shadows on our hearts, the owl’s wing at night, the sudden tree cracking in the wind<br />
the hum as leaves fall through mud on the heath<br />
the hung kites in the trees fracture, fickle in the earth and mind<br />
another story buried with spanner and flower<br />
another name lost to the pebble, still<br />
you go on<br />
a pause as every word washed off in the bath falls at your feet<br />
and you pick up the hair matted off the floor<br />
tell me then reader, how shall this too end<br />
with a word or time stuck in a ditch, the ice cubes quaking in a glass<br />
the inevitable purge<br />
have you memorized the wind on the way to the grave you could not find<br />
for: the writer Marc Nash
Greenwood<br />
Kai Chan<br />
Drawing<br />
45 x 36 cm, acrylic on rice paper
Poem a Week<br />
Gary Michael Dault<br />
Boulders on Back Beach<br />
mossy boulders<br />
on Back Beach<br />
weeping<br />
like armchairs<br />
claim<br />
your jade seat<br />
before<br />
a bee pillows it<br />
with pollen<br />
and makes<br />
a flower out of it
Travelling Palm<br />
Snapshots<br />
Tamara Chatterjee<br />
Canada (September, <strong>2024</strong>) – We arrived in<br />
Curve Lake to a traffic jam of vehicles all<br />
looking for parking before winding our way<br />
down to the pow wow. We walked several<br />
kilometers, arriving late for the grand entry.<br />
As the gathering came into view; a sense of<br />
elation and excitement grew within. After a<br />
jaunt around the festivities; we settled down<br />
to watch the dancers, some in spectacular<br />
regalia. Several dancers had red hand prints<br />
covering their mouths. Seemingly a striking<br />
contrast of protest and recognition, whilst<br />
celebrating culture and history. It was a<br />
remarkable experience, which I hope to repeat<br />
next year.
Gary Michael Dault<br />
From the Photographs,<br />
2010-<strong>2024</strong><br />
Number 48: Palette: a Beginning, an Ending.
ProTesT<br />
Cem Turgay
Caffeine Reveries<br />
Shelley Savor<br />
Quiet Sorrow
TERRAIN, ten. (Photographs by Lee Ka-sing, haiku by Gary Michael Dault<br />
in response). Read this daily collaborative column at oceanpounds.com<br />
Little Theatre<br />
the old house is full of drama:<br />
curtains parting<br />
and closing again
Several ways of not to miss<br />
a single issue of <strong>MONDAY</strong><br />
<strong>ARTPOST</strong>.<br />
subscribe.mondayartpost.com<br />
<strong>ARTPOST</strong> contributors<br />
Cem Turgay lives and works as a photographer in<br />
Turkey.<br />
Fiona Smyth is a painter, illustrator, cartoonist and<br />
instructor in OCAD University's Illustration Program.<br />
For more than three decades, Smyth has made a name<br />
for herself in the local Toronto comic scene as well as<br />
internationally.<br />
http://fiona-smyth.blogspot.com<br />
Gary Michael Dault lives in Canada and is noted for<br />
his art critics and writings. He paints and writes poetry<br />
extensively. In 2022, OCEAN POUNDS published two<br />
of his art notebooks in facsimile editions.<br />
Kai Chan immigrated to Canada from Hong Kong in<br />
the sixties. He’s a notable multi-disciplinary artist who<br />
has exhibited widely in Canada and abroad.<br />
www.kaichan.art<br />
Kamelia Pezeshki is a photographer living in Toronto.<br />
She continues to use film and alternative processes to<br />
make photographs.<br />
www.kamelia-pezeshki.com<br />
Ken Lee is a poet and an architectural designer based<br />
in Toronto. He has been composing poetry in Chinese,<br />
and is only recently starting to experiment with writing<br />
English poetry under the pen name, “bq”.<br />
Lee Ka-sing, founder of OCEAN POUNDS, lives in<br />
Toronto. He writes with images, recent work mostly<br />
photographs in sequence, some of them were presented<br />
in the format of a book.<br />
www.leekasing.com<br />
Robert Black, born in California, is an award-winning<br />
poet and photographer currently based in Toronto.<br />
His work often deals with themes related to language,<br />
transformation, and disappearance.<br />
Shelley Savor lives in Toronto. She paints and draws<br />
with passion, focusing her theme on city life and urban<br />
living experiences.<br />
Tamara Chatterjee is a Toronto photographer who<br />
travels extensively to many parts of the world.<br />
Tomio Nitto is a noted illustrator lives in Toronto. The<br />
sketchbook is the camera, he said.<br />
Yam Lau, born in British Hong Kong, is an artist and<br />
writer based in Toronto; he is currently an Associate<br />
Professor at York University. Lau’s creative work<br />
explores new expressions and qualities of space,<br />
time and the image. He is represented by Christie<br />
Contemporary.
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