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Day_Solace in the Wind [flex] - SCORE
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Kev<strong>in</strong> <strong>Day</strong><br />
arr. Josh Trentadue<br />
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
for 5-part <strong>flex</strong> band<br />
and additional, optional parts<br />
for <strong>the</strong> Pride & Joy Saxophone Ensemble (Robert Dale Cox, director)<br />
© 2020/2024 Kev<strong>in</strong> <strong>Day</strong> Music (BMI). All Rights Reserved.
SUGGESTED INSTRUMENTATION<br />
The follow<strong>in</strong>g suggested list is provided to serve as a guide for your part assignments. Any comb<strong>in</strong>ation of<br />
<strong>the</strong>se <strong>in</strong>struments can be used at your discretion, as long as all required parts are fulfilled (as few as five<br />
players, one per part, can perform this work).<br />
If possible, don't be afraid to experiment with different <strong>in</strong>strumental comb<strong>in</strong>ations when perform<strong>in</strong>g this<br />
work! These experimentations can be used as a learn<strong>in</strong>g tool for you and your performers for how color and<br />
texture can change with even <strong>the</strong> smallest difference <strong>in</strong> orchestration (example: have <strong>the</strong> flutes play alone at a<br />
particular passage, <strong>the</strong>n clar<strong>in</strong>ets or saxophones, <strong>the</strong>n a comb<strong>in</strong>ation of <strong>the</strong>se families. What are <strong>the</strong><br />
differences <strong>in</strong> timbre? Does it affect <strong>the</strong> mood or emotion of <strong>the</strong> piece, and if so, how?). Use this piece, <strong>in</strong> that<br />
regard, as an endless sea of experimentation and creative possibilities for you and your performers.<br />
With all of this <strong>in</strong> m<strong>in</strong>d, this arrangement of "<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d" should be used as an opportunity to<br />
demonstrate how music isn't just chord progressions, electronic samples, heavy-metal grooves, or even just<br />
simply dots on a page. It's how that music is brought to life with what we have available; what we can create<br />
from it; how decisions of musical <strong>in</strong>tent, listen<strong>in</strong>g to each o<strong>the</strong>r, and hear<strong>in</strong>g <strong>the</strong>se new sounds/colors/textures<br />
can impact our perceptions of <strong>the</strong> piece; and f<strong>in</strong>ally, how we can use <strong>the</strong>se skills for any performance situation,<br />
no matter what <strong>the</strong> <strong>in</strong>strumentation, style, or genre may be.<br />
PART I<br />
Flute, Oboe<br />
B♭ Clar<strong>in</strong>et, B♭ Trumpet<br />
PART II<br />
Flute, Oboe<br />
B♭ Clar<strong>in</strong>et, B♭ Trumpet<br />
E♭ Alto Sax<br />
Horn <strong>in</strong> F<br />
PART III<br />
B♭ Clar<strong>in</strong>et, B♭ Trumpet<br />
E♭ Alto Sax<br />
Horn <strong>in</strong> F<br />
PART V<br />
Bass Clar<strong>in</strong>et, Euphonium (T.C.)<br />
Baritone Sax<br />
Bassoon, Trombone, Euphonium<br />
Bass Trombone, Tuba<br />
Piano/Celesta (optional)<br />
Harp (optional)<br />
PERCUSSION (all parts are optional)<br />
Timpani<br />
Marimba (two players)<br />
Vibraphone<br />
Glockenspiel<br />
Suspended Cymbal, Bass Drum (one player)<br />
PART IV<br />
Tenor Sax, Euphonium (T.C.)<br />
Horn <strong>in</strong> F<br />
Bassoon, Trombone, Euphonium<br />
PROGRAM NOTES<br />
I <strong>in</strong>itially wrote <strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d dur<strong>in</strong>g a time of contention and strife <strong>in</strong> <strong>the</strong> United States. This was a<br />
time that I was filled with anxiety about <strong>the</strong> global pandemic, and <strong>the</strong> fur<strong>the</strong>r division of our nation, and so I<br />
needed to f<strong>in</strong>d a way to brea<strong>the</strong> easier.<br />
In my personal life, I f<strong>in</strong>d solace <strong>in</strong> nature and often will go on drives or long walks, or just sit outside, close<br />
my eyes and feel <strong>the</strong> breeze aga<strong>in</strong>st my face. I believe very much that <strong>the</strong> w<strong>in</strong>d speaks to me and helps me to<br />
realize that everyth<strong>in</strong>g will be okay. The w<strong>in</strong>d br<strong>in</strong>gs me back to <strong>the</strong> present moment and ultimately, helps me<br />
to f<strong>in</strong>d my center aga<strong>in</strong>.<br />
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d was orig<strong>in</strong>ally commissioned by Robert Dale Cox for <strong>the</strong> Pride and Joy Saxophone Choir <strong>in</strong><br />
Greenville, North Carol<strong>in</strong>a.<br />
-program notes by <strong>the</strong> composer
Transposed<br />
Score<br />
for <strong>the</strong> Pride & Joy Saxophone Ensemble (Robert Dale Cox, director)<br />
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
(2020/2024)<br />
f o r 5 - P a r t F l e x B a n d<br />
Kev<strong>in</strong> <strong>Day</strong><br />
arr. Josh Trentadue<br />
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Flute<br />
Oboe<br />
Clar<strong>in</strong>et <strong>in</strong> B<br />
Trumpet <strong>in</strong> B<br />
Flute<br />
Oboe<br />
Clar<strong>in</strong>et <strong>in</strong> B<br />
Trumpet <strong>in</strong> B<br />
Alto Sax<br />
Horn <strong>in</strong> F<br />
Clar<strong>in</strong>et <strong>in</strong> B<br />
Trumpet <strong>in</strong> B<br />
Alto Sax<br />
Horn <strong>in</strong> F<br />
Tenor Sax<br />
Euphonium (T.C.)<br />
Horn <strong>in</strong> F<br />
Bassoon<br />
Trombone<br />
Euphonium<br />
Bass Clar<strong>in</strong>et<br />
Euphonium (T.C.)<br />
Baritone Sax<br />
Bassoon<br />
Trombone<br />
Euphonium<br />
Bass Trombone<br />
Tuba<br />
Piano/Celesta<br />
(optional)<br />
Harp<br />
(optional)<br />
Timpani<br />
Marimba<br />
(two players)<br />
Vibraphone<br />
Glockenspiel<br />
Suspended Cymbal<br />
Bass Drum<br />
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Slow, delicate = 50<br />
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espressivo<br />
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Celesta<br />
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very soft mallets<br />
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1 2 3 4 5 6 7 8 9 10 11 12 13 14<br />
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© 2020/2024 Kev<strong>in</strong> <strong>Day</strong> Music (BMI). All Rights Reserved.
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Cel.<br />
Hp<br />
Timp.<br />
Mrb.<br />
Vib.<br />
Glock.<br />
Sus. Cym.<br />
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21<br />
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<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
Sus. Cym.<br />
<br />
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15 16 17 18 19 20 21 22 23 24 25<br />
7
8 <strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Pno<br />
Hp<br />
Timp.<br />
26<br />
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senza cresc.<br />
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senza cresc.<br />
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Piano<br />
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C♯<br />
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PERCUSSION (optional)<br />
Mrb.<br />
Vib.<br />
Glock.<br />
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Sus. Cym.<br />
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26 27 28 29 30 31
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Pno<br />
Hp<br />
Timp.<br />
Mrb.<br />
Vib.<br />
Glock.<br />
Sus. Cym.<br />
poco rall. 35 A little faster <br />
<br />
= 60<br />
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espressivo<br />
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<br />
espressivo<br />
<br />
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<br />
espressivo<br />
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espressivo<br />
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<br />
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
<br />
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<br />
regular mallets<br />
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32 33 34 35 36 37<br />
9
10 <strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Pno<br />
Hp<br />
Timp.<br />
<br />
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<br />
<br />
<br />
<br />
Mrb.<br />
Vib.<br />
Glock.<br />
Sus. Cym.<br />
<br />
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38 39 40 41 42 43 44
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Pno<br />
Hp<br />
Timp.<br />
Mrb.<br />
Vib.<br />
Glock.<br />
Sus. Cym.<br />
<br />
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47<br />
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E♮<br />
D♭<br />
<br />
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<br />
<br />
<br />
<br />
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
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B. Dr.<br />
<br />
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<br />
<br />
45 46 47 48 49 50<br />
11
12 <strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
<br />
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<br />
<br />
rall.<br />
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<br />
Fl.<br />
<br />
Ob.<br />
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B<br />
<br />
Cl.<br />
<br />
B <br />
Tpt.<br />
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Fl.<br />
<br />
Ob.<br />
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B<br />
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Cl.<br />
<br />
B<br />
<br />
Tpt.<br />
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A. Sx.<br />
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Hn.<br />
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B<br />
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Cl.<br />
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B Tpt.<br />
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<br />
A. Sx.<br />
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Hn.<br />
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T. Sx.<br />
<br />
Euph. <br />
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<br />
<br />
<br />
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<br />
Hn. <br />
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<br />
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<br />
<br />
<br />
Bsn.<br />
<br />
Tbn.<br />
<br />
<br />
<br />
Euph.<br />
<br />
<br />
<br />
<br />
<br />
B. Cl.<br />
<br />
Euph. <br />
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B. Sx.<br />
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Bsn.<br />
<br />
<br />
Tbn. <br />
<br />
<br />
<br />
<br />
<br />
<br />
Euph.<br />
<br />
<br />
<br />
B. Tbn. <br />
<br />
Tba.<br />
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<br />
to Cel.<br />
Pno<br />
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<br />
<br />
<br />
<br />
Part 1<br />
Part 2<br />
Part 3<br />
Part 4<br />
Part 5<br />
PERCUSSION (optional)<br />
Hp<br />
Timp.<br />
Mrb.<br />
Vib.<br />
Glock.<br />
B. Dr.<br />
<br />
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Sus. Cym.<br />
to Sus. Cym.<br />
<br />
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<br />
<br />
<br />
51 52 53 54 55<br />
dampen!!<br />
to B. Dr.<br />
56 57
<strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
13<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Cel.<br />
Hp<br />
Timp.<br />
58 a tempo<br />
66<br />
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<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
espressivo<br />
<br />
<br />
<br />
espressivo<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
espressivo<br />
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<br />
<br />
espressivo<br />
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<br />
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<br />
espressivo<br />
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<br />
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<br />
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<br />
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<br />
<br />
espressivo<br />
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Cel.<br />
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dolce<br />
senza cresc.<br />
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dolce<br />
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PERCUSSION (optional)<br />
Mrb.<br />
Vib.<br />
Glock.<br />
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B. Dr.<br />
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14 <strong>Solace</strong> <strong>in</strong> <strong>the</strong> W<strong>in</strong>d<br />
PERCUSSION (optional)<br />
Part 5<br />
Part 4<br />
Part 3<br />
Part 2<br />
Part 1<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
Fl.<br />
Ob.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
B Cl.<br />
B Tpt.<br />
A. Sx.<br />
Hn.<br />
T. Sx.<br />
Euph.<br />
Hn.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Cl.<br />
Euph.<br />
B. Sx.<br />
Bsn.<br />
Tbn.<br />
Euph.<br />
B. Tbn.<br />
Tba.<br />
Cel.<br />
Hp<br />
Timp.<br />
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espressivo<br />
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espressivo<br />
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espressivo<br />
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Mrb.<br />
Vib.<br />
Glock.<br />
B. Dr.<br />
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D♮<br />
E♭ A♭<br />
D♭<br />
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very soft mallets<br />
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B. Dr.<br />
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